Twelve Letters

a glimpse of hope in a "what if?" world

I'm writing this while getting myself together after watching the last episode. I had high expectations for Twelve Letters and I'm glad I did.

I'm not gonna lie to you: it is a painful watch. But it also gives you a sense of warmth, a new perspective of found family amidst the unfairness of the world. It will hurt. But it needs to hurt so you can truly feel like you belong with their lives too, and you'll root for them. And get angry on behalf of them. And feel hope, despair and happiness with them.

The actors did such a great job, all of them. No one felt lacking. And you can see in the way they portrayed their characters that they truly care for the story they're bringing to life – and that's something you get from the whole production crew as well. Everyone involved in Twelve Letters clearly cared for it, loved it, respected it.

Ye Haitang, Tang Yixun... you always deserved a kinder world and I hope you're having one now.

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Bit off more than it could chew, but still rather TASTY

So I'm a story guy, and a very picky one at that -- and unfortunately the story could have been the strongest point of this piece but unfortunately ended up the weakest element. Not weak, because the idea was really good -- but I gave the story an 8 because it didn't quite perfect master it's impressive and lofty goals.

Of the story --

1. A magical element is introduced into the story. My problem is we don't know why it was dropped off on the road, nor why it was picked back up, nor why it was easy to again find. Too easy and convenient. The story would have been stronger if something a character did made the mailbox come into existence, and something bad they did made it go away again. It was just a writer's device to get the story rolling.

2. I found it rather difficult to keep all the characters straight between the two time lines. Perhaps there were too many?

3. Because the magical element wasn't explained, the 'shifted' resolution was loose end city. I think they hoped that with all the razzmatazz between timelines we wouldn't notice, but we did. (Someone said the same in comments.)

4. I could have used a little less violence. We get it, gang warfare, but so much fighting conflicts with the many romantic elements of the show. It would be like if WEST SIDE STORY was almost half musical, half Fight Club.

Of the rest --

Loved the actors. I was wondering when I'd see Ren Youlun of MAKE A WISH fame. In both series he's great at being frustrated in stressful situations. I guess it's his thing. I was also great to see his MAKE A WISH cast mate Chen Hao Lan as the kind teacher character.

Wang Ying Lu is adorable as Ye Hai Tang, the girl with the Dad from Hell. She also had quite a range. I just wish someone would hand her a damn sandwich. It's bad enough watching a young girl being mistreated by a brute, but the fact she's a small twig of a lady made me cringe each time she was struck. One sandwich a day, Doctor's orders.

Zhou Yi Ran was a standard issue C-Drama cute boy, but at the same time he wasn't generic. He was new to me (Like Wang Ying Lu) and they both did a lot of heavy lifting in this how.

Then we're treated to some great supporting actors sprinkled about two time lines. Too many to list, but standouts were Rat, the guy that played his boss and pool hall owner, the chubby security guard, and the mean/not so mean boy at the school. Which ever company produced this didn't have the big names like many shows but they found some really solid actors.

The photography was really great. So many Chinese shows present China as perfect and beautiful, which is ridiculous because the prettiest city on the planet has... outskirts... run down ghettos. This series got real with locations.

The music was okay but overused a bit in such a short series.

I made one funny rating -- I said this show has a very high rewatch value. I don't see this because it's perfect. I'm saying the confusing narrative may make better sense on the second pass, lol

THE BIG PICTURE -- I recommend the series to anybody, but it's not as good as short series like TO THE WONDER and FORGET YOU NOT and INTERLACED SCENES, which didn't bite off more than they could chew.

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The Past and the Present Rewrite the Future

The past and the present meet to rewrite their future. That is the central theme of this drama and at its core are two 19-year-olds fighting to survive in a world full of strife. This drama has been compared to the likes of the K-drama, Signal (which was inspired by the Hollywood film, Frequency), The Lake House or Il Mare, and the Japanese animated film, Your Name. The comparison is spot on, the premise is indeed similar about two separate timelines converging through a mysterious mail box and an orange tabby cat that is seemingly responsible for this connection.

As much as I loved this drama, I must warn those who are looking to start it. Don't go into this if you're not prepared for the possible emotional torment it will put you through. This is not a story of flowers, sunshine, and butterflies, it's a tale of woe and tragedy, and it'll break your heart at the very least. This is one of the most emotionally heavy C-dramas I've seen to date. It is set in both 1991 and 2026, following the tragic love of Ye Haitang and Tang Yixun, and their beautiful but miserable life together, spanning 35 years of sadness and longing.

Abandoned by her mother as a child, Ye Haitang was raised by a violent and abusive father, constantly living in fear and overcome with hatred. Tang Yixun is an orphan, struggling to make a living as a debt collector. Their paths meet and they form a bond that transcends familial and romantic love. But as luck would have it, fate seems to be determined to tear them apart, and it would've succeeded if not for the appearance of a magical mail box, giving them a second chance at happiness.

I'm not gonna lie, this drama is only 12 episodes long but it took me a week to finish it because it's not an easy watch. Some of the scenes are so heartbreakingly painful and the strong performances from the cast made me even more emotional that I had to take a break from watching it. Don't get me wrong, this is a superbly written, produced, and acted drama, but it's not the type of show that I will want to rewatch again and again. I literally ran out of tissues! Episode 8, most especially, drove me to tears that I ended up crying in my sleep! I tip my hat to Zhou Yiran, Wang Yinglu, and the rest of the cast, you succeeded in tormenting me deeply. Thank you for the sweet pain you inflicted on me! lol

As for the controversial ending, I actually don't mind it. I would've preferred if they had explicitly told the viewers what exactly happened to the characters, but I'll take it. I have some theories regarding the ending and I'm fine if I never get to find out what it truly means. I rather like the idea that I get to imagine my own ending. In my head, Haitang and Yixun are happily married in their 50's and Yu Nian and Shen Cheng met again, but under different circumstances. This is a 10 for me. Only the second C-drama that I have given such a rating. I don't think I will rewatch it anytime soon, though.

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A devastatingly beautiful drama.

I can always tell when the people who took part in making a drama love their craft and gave their all into creating it.

This drama is like that.

From the directing, production choices, music, editing, acting it was so apparent to me that this drama was made with care. This type of serious care will only result into a beautiful lasting piece of work.

Also this is my first Zhou Yiran show. I had heard of him and I had seen bits and pieces from "when I fly to you" but I didn't have a specific negative or positive opinion about his acting. Maybe I wasn't expecting much based on some things I had read from c-drama fans on twitter.

Let me say this after watching him here:
I actually think he is one of the very few promising young actors in c-ent and I'm confused as to why some people have said negative things about him. His expressions were on point, his dive into the role complete and his vocal projection great. I will not even begin to say what a tough critic I can be when it comes to acting which is why I don't like most of the current c-ent's traffic stars performances...

I think this guy has a bright future though. I'll see how he is on another projects too of course, but being able to execute this kind of role so well...I applaud him! Most of the under 32yo big c-actors wouldn't be able to do it in my opinion.

As for Yinglu I already knew she can act bc I've seen some of her other dramas. She nailed this difficult role as well. Tbh I loved the entire cast and the two other leading actors had amazing chemistry too.

Overall, this is the type of show that is my thing. Made with care and precision, an ode to the art of film-making.

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heartbreak and hope

I gave 1 star for rematch value because I can not put myself thru it again. The emotions this made me feel, hurt pain agony despair. Literally wanted to throw myself off of a cliff. So so hauntingly beautiful. Every drama zhou yiran is in is a masterpiece. ive watched 3 of his dramas and this one is by far my favourite. The story was oh so interesting and unique, atleast for me. It had me hooked till the end. I do feel for seng cheng, may he be happy in whatever lifetime he is. Yu nian, my shayla. she has to live with all the memories. Haitang, so freaking happy for her and Xun. Elder tang and xun, you're even a greater heartbreak than heetok and baggy jeans. you pierced my heart beyond saving. a beautiful drama. classic.

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Second Chances Of Life

Damn, I just finished WYL's other drama, and watching this right after made me like her even more. And honestly, it’s not just her carrying the whole show—the entire cast and the storyline worked together so well. I truly didn’t expect a happy ending here, because this drama had already traumatized me in some episodes (yes, I’m looking at you, Episode 8 👀).

What really hit me was SC sacrificing himself to give his mother a good life, instead of letting her end it all because of that useless gambler father. That storyline hurt, but it was beautifully done. My favorite though? TYX’s loyalty to YHT—she literally had her own grave built beside TYX’s grave. That scene destroyed me. I cried. No regrets.

Now, here’s what I’m still wishing for: the story of Yu Nian and Shen Cheng. Don’t tell me they wouldn’t meet again in that lifetime, because I refuse to accept that. Also, can we talk about how they kept switching timelines each episode but somehow it never felt confusing? Rare blessing.

Sure, I still have a few questions about certain parts, but honestly? It doesn’t even matter anymore because the ending was solid. And a good ending in a C-drama? That’s already a miracle.
Highly recommended.

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Intense and Heartbreaking - A Short Chinese Drama That Truly Delivers

Overall Impression [+]

I cried so much while watching this series. It completely pulled me in with just 12 episodes. This short length is rare for a Chinese drama, but the storytelling was spot on. Super strong start. Nothing felt dragged out and it didn't feel cut short either. The pacing was just right. The story kept moving forward and I could hardly stop after I started. (I finished it in just two sittings.)

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Acting [+]

The leads did a great job, but I have to especially praise the FL. Just last week I finished watching her in When Destiny Brings Demon and honestly despised her acting. She was the weakest link in that series, so pretentious and unconvincing. But here... My gosh… is this the same actress? I have nothing to criticize at all. She might not be suited for naive, acting-cute roles like in WDBD, but when it comes to serious drama, she absolutely delivers. She intensified the scenes she was in. It was stressful and heartbreaking to watch her in Twelve Letters. The ML did well too, but it was really the FL who pushed everything over the top and carried most of the weight of the series. (The weakest link in this series is the FL's son.)

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Music [+]

Normally I just give an average score in this area since I don’t consider myself an expert, but the soundtrack here really stood out, especially the ending songs. Some episodes ended with songs that wrenched my heart even more, making me cry harder. The music elevated the emotions perfectly.

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Logic [~]

((spoiler))

As with any time-travel series, the logic is the trickiest part. This one isn’t perfect either. I still have questions about both the beginning and ending, like why and where Yu Zhiyong disappeared to from the post box? Why did Yu Nian still have memories about Shen Cheng? Why did Ye Haitang and Tang Yixun mention Yu Nian as family? How did they know that? These questions were never explained clearly. Still, there weren’t too many logical gaps, and while watching, I was so immersed in the emotional damage from bingeing the series that I was ready to overlook them.

*By the way, I saw some explanation about 4 timelines according to the numbers on the post boxes. That's amazing!

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Production [-]

What I have to criticize, and also the reason I lowered my score, is the unprofessionalism of the production team. In the early episodes, you’ll see the FL took some really dangerous falls. One time she landed on her back against the cement floor, another time her head/temple slammed into a stone step while she was holding a heavy jar, unable to use her arms to soften the impact. These falls looked terrifyingly real, so I searched on Baidu to find out that they were real accidents during filming. Knowing that made me even more uneasy. These kinds of mishaps can cause long-term harm, and the lack of proper safety measures shows how unprofessional the production team was. Any team that puts actors at such risk doesn’t deserve 100% of the actors' effort.

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Twelve Letters left me emotionally drained (= compliment.) It’s rare to find a drama that can deliver such intensity in such a short span and despite its flaws, it’s absolutely worth watching for the emotional impact and the incredible performance. I just don’t think it’s the kind of series that would score high on rewatch value, though, if the audience isn't masochistic enough.

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Note: About 8 months after finishing this drama, I came back to read my own review and curious about when I said the rewatch value wouldn’t be high unless you’re maso enough. So I went to watch a bit again - just the endings of some episodes in the middle of the story... oh myy, I only watched those bits and already started crying again. And when the ending soundtrack kicked in, I even cried a little harder.

So yeah, I reaffirm what I said. The rewatch value of this drama should be this low if you’re not maso enough. I don’t think I can rewatch the whole thing.

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The Scarifies of Love

After finishing the last episode, I genuinely felt like standing up and giving this show a full standing ovation. Twelve Letters completely blew me away. I had heard a lot of good things going in, but nothing prepared me for what it actually delivered.

First of all, I did not expect the fantasy element at all—and I loved that surprise. This drama blends so many genres so seamlessly: romance, family, crime, mystery, and fantasy. You’re constantly curious, constantly emotionally invested. It’s dark, yes, but beautifully so. If I had to give it a title, it would be “I sacrifice my life for yours.” That’s the heart of this story.

At its core, this is a tragic but incredibly beautiful love story. The love that grows through hardship, pain, and sacrifice feels deeper than a typical romance. They don’t just fall in love—they heal each other’s wounds. The pacing was perfect; nothing felt rushed or dragged. Every element got exactly the screen time it needed.

Now, the acting—wow. Solid, powerful performances from both leads. I already loved Zhou Yiran, but this role completely changed how I see him. After When I Fly Towards You, he was known as the ultimate green-flag good boy, but with Reborn and now Twelve Letters, he’s breaking out of that mold—and excelling. Honestly, watching him here made me feel like he was wasted in calmer roles before. This performance was heartbreaking, layered, and unforgettable. He wasn’t a perfect green flag, but he loved the way a green flag would—in his own broken, self-sacrificing way. His choice to fake his death, to stay away even after prison so he wouldn’t ruin her life… that destroyed me. He suffered silently for years just so she could be happy.

As for the female lead—this year really proved her range. From her lighter, fluffier roles earlier on to this dark, complex character, the growth is obvious. Some moments were good, but certain scenes—especially the confrontations involving her father—were outstanding. Her acting there was raw and powerful, and I’m genuinely excited to see where she goes next year.

Their chemistry was beautiful. Natural. Real. This wasn’t a soft romance—it was a romance born from darkness, from shared trauma and survival. That made it deeper, heavier, and more meaningful. He protected her because she became his family when he had none. She protected him just as fiercely. It was mutual sacrifice, and that’s what made it so special.

Story-wise, I loved the back-and-forth structure. Before even getting into the fantasy aspect, their core story already had me emotionally wrecked. The scenes of her visiting his grave every year, and him doing the same… and then finally reuniting in the afterlife—I absolutely bawled. That reunion scene broke me in the best way.

The fantasy element surprised me the most. The letters weren’t the center of the story, but they carried so much mystery. You keep questioning: are they changing the past? Or just telling and already done sorty? Until the very last moment, you hold onto hope that everything will change—and when it finally does, it’s incredibly satisfying.

The storyline involving the son and daughter was interesting too. I didn’t feel they needed more focus; they were a means to tell the story, not the focal point—and that worked. It was sad that the daughter lost her father, but I think the son lived on cause maybe he was adopted or she wasn't her son. In all cases I will move on believing fate will reunite them.

Every supporting character did an incredible job—especially the security guard, who honestly became one of my favorites. And that ending… the final letter was so poetic, so heartfelt. A perfect ending for a drama called Twelve Letters.

I also loved how the show flipped the usual sacrifice trope. We often see parents sacrificing for their children—but here, seeing a child sacrifice for a parent hit differently. The entire drama is built on sacrifice, and it commits to that theme fully.

And the OST—absolutely stunning. Perfectly tailored to the story, setting the tone and amplifying every emotion. One of the best OST integrations I’ve seen.

I can confidently say this is one of the best dramas of 2025. It’s dark, emotional, beautifully made, and short enough to stay tight and impactful. The balance between darkness and light was just right. It’s a heavy emotional ride—but 100% worth it.

So beautiful. So painful. So unforgettable.

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A Cinematic and Deeply Emotional C-Drama

Many viewers have already shared their thoughts about this drama, so I will simply try to add a few reflections of my own.

ABOUT THIS DRAMA
This is undoubtedly one of the most emotionally profound and fully realized C-dramas I have ever seen. Its power lies not only in the difficult lives endured by the main characters, but also in the quiet, sincere romanticism that permeates the story. Here, we encounter a form of romance that feels genuine—generous, restrained, and deeply introspective. It does not rely on grand declarations of love, stylized slow-motion glances, or an overwhelming musical score to manufacture emotion. Instead, it trusts the story, the characters, and the silence between them. It is also a story of generous love—love that requires sacrifice, relationships that are neither egocentric nor one-sided, and the quiet art of both giving love and learning how to receive it.

What makes the drama remarkable is that the actors do not merely perform their roles—they inhabit them. Their characters feel lived-in and authentic, the result of writing that is thoughtful and carefully developed. The director clearly knows what emotional landscape he wants to explore, and the actors possess the talent to bring these characters fully to life. The result is a series of performances that feel deeply human. This is not an idol drama; it is something far more grounded and sincere.

This is the second time I have watched it, and both times it stirred the same emotions within me.

PROD
The production is truly impeccable. The atmosphere is distinctive and almost cinematic, enveloped in a gentle nostalgia that evokes the early 1990s—particularly the year 1991—with remarkable sensitivity.

The director and screenwriter deserve special praise; their work reveals a rare clarity of vision and emotional intelligence.

CASTING
Even the supporting characters contribute meaningfully to the narrative. They are warm, engaging, and essential to the overall tapestry of the story, enriching the world around the protagonists.

As for the central couple, their chemistry feels natural and deeply convincing. From the very beginning, we believe in them. We grow attached to them almost immediately, and like the “next generation” portrayed in the story, we find ourselves quietly hoping for their happiness.

FL
Wang Ying Lu, in Twelve Letters, brings to life a character who is strong, intelligent, and resolute, yet capable of moments of vulnerability. Her Ye Hai Tang becomes not only a pillar of strength for the young man, but also for his family. Wang Ying Lu delivers a performance that is both natural and deeply persuasive.

ML
I have saved the most striking performance for last: Zhou Yi Ran as Tang Yi Xun. His portrayal is nothing short of remarkable. There is an extraordinary maturity in his acting—subtle, restrained, and rich with nuance. He convincingly embodies the character first as a high school boy and later as an older version of himself, allowing us to witness the gradual shaping of a life.

Tang Yi Xun is a boy from the margins of society, someone hardened by circumstance yet ultimately transformed through love. Love gives him not only salvation but also purpose. Instead of merely enduring another day in silence, he gains the rare and precious luxury of living for someone beyond himself. Slowly, he begins to believe in the possibility of a future.

Zhou Yi Ran captures every dimension of this journey: the fierce energy of the fight scenes, the quiet devotion, the sensitivity that lies beneath the surface. There are even subtle shades of darkness born from his past, reminiscent in spirit of a Oliver Twist-like figure—restless, wounded, yet deeply alive. Whether he is fighting or overcome with emotion, we feel those moments alongside him.

One can truly admire his magnificent interpretation , especially after the character’s release from prison. In those moments, it becomes clear how skillfully the actor presents two different facets of the same person — a version that appears far more mature than his actual age, yet remains subtle, nuanced, and entirely believable.

The scene with the cake, when he finally begins to eat, is particularly remarkable. It is executed with such emotional precision that it feels worthy of great cinema, the kind of moment that could easily be projected on a large screen.

After witnessing such a performance, I am convinced that he has the talent not only to carry television series, but also to lead ambitious cinematic projects of international quality, even at such a young age.


AND....
If one were to mention a slight weakness, it might be the second couple. Although they remain sympathetic characters, they inevitably appear somewhat pale when compared to the intensity of the main pair. Yet their function is different: they act more as investigators who help propel the narrative forward rather than as the primary emotional center of the story.

The ending, in my view, is both logical and elegantly handled. It does not linger excessively on the characters’ happiness, leaving instead a delicate sense of continuation—as though the magic of the story quietly extends beyond the screen. What remains is a lingering emotional aftertaste, something akin to that distinctive sweet-and-sour flavor that Chinese dramas know so well how to weave into their narratives.

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If Time Could Reply

It follows the mysterious and emotional journey of Tang Yi Xun and his lover, Ye Hai Tang. When Hai Tang vanishes without warning, Yi Xun discovers a letter waiting in a mailbox. He writes back and realizes they are not only separated by distance but also by time. Across twelve letters spanning thirty five years, their connection endures as they search for truth and hope, weaving together love, longing, and the challenges of fate.

From the title alone, Twelve Letters already whispers a warning: prepare tissues, and maybe a backup box too. The story wastes no time pulling you into its melancholic embrace. We open on a haunting image of a girl in 1991 Meiwan Town, stumbling through dim alleys just to send a letter to a bright red mailbox. Fast forward to 2026 in Beixing City, and we see a stubborn old man waiting in the cold beside a mailbox just like it, clinging to memories that feel like they are slipping through his fingers. That contrast alone hit me like an emotional uppercut. When he disappears, Yu Nian is drawn into the mystery, teaming up with Shen Cheng to trace the truth behind their parents’ past. Add in a ginger cat, a vivid red postbox, and twelve letters acting as threads through time, and suddenly you are in a race not just against time, but against fate itself.

The drama builds its world with a nostalgic, almost sepia toned sadness. Meiwan Town feels heavy with longing, where hope flickers but never fully settles. In this setting, we meet Tang Yi Xun, a young debt collector who somehow manages to be both rough around the edges and oddly principled. His life collides with Ye Hai Tang, a girl hardened by a neglectful father and a life that never gave her a fair start. Their first encounters are messy, charged, and tinged with misunderstanding, but also magnetic. When the first mysterious letter appears, their connection begins to transcend logic, weaving a bond that feels both magical and inevitable.

What truly elevates this drama is the acting. Zhou Yi Ran and Wang Ying Lu did not just play Yi Xun and Hai Tang, they became them. Wang Ying Lu delivers Hai Tang’s pain with such raw intensity that it almost feels intrusive to watch, like you are witnessing something too real, too private. Her anger, her vulnerability, her breaking points all land with frightening authenticity. On the other hand, Zhou Yi Ran brings a quieter kind of intensity. Yi Xun’s steadfast love and the small, genuine happiness he finds in Hai Tang’s presence create a balance that makes their relationship feel complete. Together, they light up the screen with a chemistry that feels unbreakable, which only makes everything that follows hurt even more.

The narrative dances between 1991 and 2026, and yes, you do need to pay attention unless you want your brain to go “404 timeline not found.” Thankfully, the color grading does a great job of guiding you through each era, and even if you momentarily lose track, the story gently pulls you back in. Yu Nian and Shen Cheng act as our guides through this emotional labyrinth, but make no mistake, this is Yi Xun and Hai Tang’s story at its core.

Not every character is easy to love. Ye Yi Bo had me grinding my teeth every time he appeared, truly the human equivalent of a mosquito you cannot swat. Tan Xin also tested my patience with her loud assumptions, especially towards Li Cha Dong, who clearly deserved at least a chance to explain himself. And while I adored Yi Xun, I have to admit his noble, righteous decisions made me want to yell at the screen. Sometimes love needs sacrifice, yes, but sometimes it just needs you to stay.

Despite all the emotional chaos, or maybe because of it, I found myself tearing up in almost every episode. This drama does not just aim for your heartstrings, it grabs them and plays a full symphony. By the time we reach the finale, especially that climactic scene by the beach, I was completely hooked, holding my breath as everything unfolded. The ending and even the credits felt like a gentle release after all the built up anguish, offering a sense of closure that was both satisfying and deeply moving.

Twelve Letters is the kind of story that lingers. It is bittersweet, immersive, and unapologetically emotional. The kind that makes you sit in silence after the final episode, staring into space, wondering if love really can transcend time, or if some connections are simply written in the stars… and the mailbox.

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