Cashero

When Being a Good Person Costs Everything

Kang Sang-Ung is not some chosen-one saviour or billionaire vigilante. He’s a civil servant, trying to be a good boyfriend, a good son, and eventually a good husband. His superpower is cruelly ironic. He becomes strong only when he has cash on him, and every act of heroism literally drains his savings. Strength equals sacrifice, and the bill is always due.

What Cashero understands, and what elevates it beyond its gimmick, is that the money was never the point. The show keeps circling back to this idea through Sang-Ung’s father, who says it outright later on: When you are in the act of saving someone, there comes a moment where money simply stops mattering. That shift is crucial. Even when Sang-Ung hits his limit, even when the cash is gone, the show makes it clear that he would still step forward. The hero is the choice, not the ability.

That theme lands hardest in Sang-Ung’s relationship with Min-Suk, which I think is one of the drama’s strongest and most misunderstood elements. She isn’t a nag, and she isn’t cold. She is painfully realistic. After nine years of stagnation, she wants stability, a future, a home. Her obsession with numbers and efficiency is not greed, it’s survival. What makes their relationship work is that the show never pretends her fears are invalid. Over time, her arc isn’t about rejecting money, but about learning that life itself is the greater investment. The final episodes bring this full circle in a way that’s genuinely touching, especially when she quite literally chooses life over savings.

The supporting cast is also great. Ho-In and Eun-Mi could have easily been throwaway comic relief, but they instead embody different responses to power and responsibility. Ho-In’s arc, in particular, is quietly devastating, a man who drinks himself into usefulness while knowing his time is limited. Eun-Mi’s calorie-fuelled telekinesis sounds silly on paper, yet she grounds the show with surprising emotional honesty. These characters reinforce the idea that power is never free. Everyone pays in their own way.

Is Cashero flawless? No. The tone can wobble, especially when it leans too hard into familiar action and suspense beats instead of sitting with its emotional consequences. Some villains feel more symbolic than fully fleshed out, and there are moments where the show moves faster than it should, skimming past ideas that deserved more breathing room. The world it builds is fascinating, but you do occasionally feel the strain of too many ideas competing for space.

Still, what stays with you is the heart. The final act, where ordinary people quite literally rally around Sang-Ung, turns the show’s central metaphor inside out. Pennies matter. Small kindnesses matter. Community matters. Strength doesn’t come from hoarded wealth, but from what people are willing to give up for one another. It’s corny on paper and unexpectedly moving in execution.

Cashero is about choosing decency in a system that punishes it, about refusing to become numb, and about believing that doing the right thing is still worth the cost.

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fun and easy to watch

Quite funny and interesting drama! Fiction with pleasant notes of humor.
Lee Junho's charisma was bursting through the screen. A very harmonious and sweet couple came out of HyeJoon and JunHo, although their relationship seemed strange at first, but then I got into their vibe. Superpowers were that funny part of the drama, one needs alcohol for their effects, the other carbohydrates. And it would seem that their group consists of only three heroes, they seem weak, but how many guards they put in and even the "right hand" of the female antagonist (with the introduced super powers) has never been able to cope with them - well, a real fantasy.
Lee Chemin has been on top lately, he can handle any role 100%. The villain role was no exception!
You can laugh and be exited about things there! Good 8-ep drama!

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Deserves a higher rating!!!

I honestly don’t understand why this drama gets such low ratings, because overall it is a VERY good drama. From the first episode until the end, I was genuinely excited to watch it. The story never felt boring at all every episode kept me hooked.

The plot is well-written and unpredictable, constantly making viewers curious about what will happen next. That sense of suspense is what makes the drama so enjoyable. I never once felt tired of watching it, and instead, it became something I always looked forward to.

To be honest, this is one of the best dramas I’ve watched in 2025 so far. It proves that you really shouldn’t judge a drama by its cover or by other people’s opinions. I highly recommend watching it until the very end you might be pleasantly surprised.

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IT IS EXTREMELY EXCITING

KEREN BANGET, konsep baru yang ga pasaran. pemeran ga menye menye, selingan komedi bikin film nya lebih enjoyable,
THE VISUAL.... I CAN'T ganteng banget, cantik banget😭💞💞

over all, story linenya bagus, ga boring, eps nya yang cuma 8 bikin dia lebih seru karna kita bisa nonton cuma dalam 1 hari, alurnya out of the box tapi ga ada kesan 'maksa' nya, pemeran utamanya juga pinter, teamwork mereka keren banget sih👏🏻👏🏻, mana sang gu nya kecintaan banget lagi sama mi seok, makin lucuu.

line kaya 'aku harus cepat pulang istriku ingin menceritakan hal lucu' terus sang gu ngangkat telfo mi soek pas lagi genting gentingnya dan uang 5 miliar melayang bikin kesan greenflag parah sih, LUCU BANGETTT

pokoknya worth to watch deh⭐⭐⭐⭐⭐

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Refreshing and binge worthy

The drama delivered as it intended, it's a mid budget action comedy which meant to be medium scale, its not something like Moving having a grand worldview but more focus on daily life struggle when using superpowers.

The drama has a straight forward plot with good pacing, the writing wasn't superb but ok-ish. The premise of relatable heroes was unique and the balance between reality and ability was exquisite. To me the drama stands out for its sense of humour and narratives about Money and Power.

The villain part a bit cliche but since its a hero drama so it seems unavoidable to have plot like kidnapping...

Character wise, ML's development and power struggle was good, but i wish there was more narrative about Byeon Ho In and Bang Eun Mi's abilities as those were socially relatable.

Vfx/ cgi and action sequences weren't top notch but good enough for its purpose.

Overall an enjoyable watch.

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A drama about money, wrapped in a superhero twist.

This drama focuses on financial pressure and how it slowly takes over everyday life. What makes Cashero stand out is that its superhero concept doesn’t feel like an escape from reality. Kang Sang-ung’s struggles feel very real and easy to relate to, and the story makes it clear that power is never free, there’s always a price to pay. In Cashero, even being a “hero” depends on your financial situation.

While the concept itself is strong, the execution feels a bit underwhelming. Still, Cashero holds up overall because every episode consistently sticks to one core idea: the reality of money. [haha]

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An interesting superhero story that sold itself short

Cashero tells the story of Sang Ung, an ordinary citizen who inherits a peculiar superpower from his father: he is able to access superhuman strength but in order for his power to get activated, he must carry physical cash. Sang Ung finds himself entangled in a complicated situation. On the one hand, he just wants to save money in order to settle with his girlfriend and build his own life. On the other hand, he cannot turn away from people who need help, even at the cost of losing money. And thus, a great question arises: how much does it cost to do good?

First and foremost, I want to clarify that I haven't read the webtoon. This review is solely based on what I watched on the adaptation, therefore I'm not aware of any further clarifications or changes that might have happened in the original source.

I dived into Cashero pretty much blindly. Prior watching the series, I wasn't really familiar with the plot and I only knew that it would involve some superheroes. Truth be said, the biggest reason I decided to give the series a try was Lee Jun Ho, whom caught my interest in Typhoon Family. Therefore, I didn't know what to expect, besides an action series with some comedy.

The premise of the story was very interesting and it provided a unique take regarding superheroes. Superheroes stories have been integrated into society from the beginning of times. Be it mythology, history, comics etc, people have always felt the need to create individuals who can play the role of their saviors and role models. Superheroes embody many virtues and they remind us that no matter what, there are people out there who look out for us.

And this is where Cashero differs from the typical superhero stories. The first episodes showed that Sang Ung was reluctant to take up his role a hero, simply because that was never his ambition to begin with. He was a regular citizen who wanted to live comfortably with his girlfriend and in order to do so, he needed to save up money. Inheriting a superpower that was fed from cash was not a blessing. And by receiving this power, he finds himself stuck in a moral dilemma: ignore those who are in need for help and save as much money as he can or start using his power to assist others?

I found Sang Ung's character to be very realistic at the beginning. I couldn't really blame him for thinking the way he did. We live in a capitalistic society where it requires money in order to live a modest life. When it's hard to afford to live, how easy would it be to lose money while helping others? Many times I have thought about this matter. When I bypass fundraisers or beggars, I might consider whether I can afford to donate a small portion or not. How much money should I give? How much money do I need? If I give it, will it be okay later or is there a chance I'll need it? For some people, this might not even be an issue or something to think hard on. But for others who might not be well off, this type of decisions can require more time.

Aside from the money problem, it was very natural for Sang Ung to not rush to play some type of hero. He didn't want to gain fame. He didn't have any ambitions related to power. He just wanted an easy life. Nothing more, nothing else. How could he turn into some type of hero all of a sudden? His approach was very refreshing to see because deep down, I believe that many people would relate with him.

Sang Ung's dynamic with his girlfriend, Min Suk, was rather charming. Compared to Sang Ung's, Min Suk was a more efficient and responsible person when it came to money. I understand that some people found her annoying but in my opinion, she was anything but that. Her reaction to Sang Ung's powers was actually very realistic. I mean, if you wanted to save up money in order to build your future, only to learn that your partner had gained a superpower that needed cash in order to be activated, how would you react? Her initial suggestion to Sang Ung stop using his strength too much was practical and logical. But once she realised that Sang Ung's powers could be used for good, she supported him and didn't push him to not use them.

I was so glad to see that the writers didn't paint Min Suk as the stereotypical girlfriend of a superhero, who doesn't stick with him once she discovers his powers or who wants him to stop helping others and focus on his relationship. Min Suk worried about Sang Ung but she acknowledged that his powers could be used for good. She always expressed her unconditional support, even if sometimes she would have every reason to feel angry at him. When she discovered Sang Ung's debt, her reaction was calmer than I expected and she never tried to blame him for his power, even though it was insufficient. She was one of the people who knew his character and instead of persuading him to stop assisting others, she acknowledged his good nature and supported him in her own way.

The rest of the characters were also fun to watch. Ho In and Eun Mi's superpowers were very creative and the bond they formed with Sang Ung was wholesome, especially between Eun Mi and Sang Ung. The villains were decent and the actors really elevated them. Both Kang Han Na and Lee Chae Min nailed the playful yet dangerous vibes of Anna and Jonathan respectively, their expressions and tone of their voice perfectly encapsulated the characters' thirst for power and ruthless nature.

Another positive aspect was the usage of VFX and CGI. Granted, I understand that it wasn't flawless but the production was good in this aspect. The special effects didn't come across as off-putting compared to other kdramas (Twelve, I'm looking at you) and most of the time, the action scenes looked good and visually entertaining.

While Cashero offers a unique perspective of superhero stories, I'm afraid that the final result was lackluster. What could have been an interesting story that combined action and social issues, ended up being an average drama which didn't have any extraordinary qualities.

From the very first episodes, I could sense that the writers themselves weren't so sure about the direction they would follow. They wanted to mingle action, comedy and social commentary but the execution was very poor. Some scenes didn't need humor and the sudden shift of the tone during some episodes didn't allow me to fully digest the emotional impact. In fact, there was barely any impact at all. In one episode, Sang Ung watched Jonathan manipulate people to their death and after such a horrific scene, the story goes on rather smoothly, without addressing this any further, while adding the usual light-hearted scenes. When the drama itself brushed off moments like this, it's inevitable that viewers wouldn't be able to fully connect with the story.

I understand the intentions of the writers and their attempt to address the issue of trying to live comfortably in a world that demands money but there were many more compelling ways to do it. Having your main character point out here and there, through internal monologues, that life is very hard unless you have money is not impactful, nor thought provoking. It's rather lazy and effortless. Prioritizing the action and comedy while brushing off the darker aspects of your story is not symbolic not exceptional. You cannot eat your cake and have it too, which is why it would have been better if the writers had committed to a stable tone from the get-go.

Because of its short length (8 episodes only), Cashero wasn't as fleshed out as it could be. The pacing was very bizarre, while some scenes moved very fast, some other would drag. The drama wasn't cohesive enough and in addition with the tonal shift, my interest started decreasing. I was bored during some scenes, waiting for something gripping to happen but alas, the drama didn't deliver as much as I anticipated.

The writers could have invested more in the exploration of the power system in this universe. I get it, we're talking about a superhero story, therefore there's no need for a complex world-building a la Tolkien style. Still, it would have been nice if we had learned more about the power system and how come some people came to inherit them.

Another aspect that was handled poorly was the characterisation. While the characters were fun on paper, I never felt any particular connection to them. Which of course cannot be a bad thing. Just because you don't connect with the characters that doesn't mean they're badly written. But in Cashero, the characters weren't written in depth in order for me to care more about them. They were fun to watch, they were inoffensively charming but that was it. There were some attempts in some bits to add more depth in their motives but they simply weren't enough.

The villains were a huge wasted potential. The trope of siblings who antagonize each other for their father's approval could have been so cool if the writers had chosen to flesh out Jonathan and Anna. Yes, not every villain needs a sob story and I'm not saying that Jonathan and Anna should have been treated as misunderstood characters but that doesn't excuse their lackluster writing. I would have enjoyed to see their relationship been explored more in order to properly grasp the depths of their history.

Some scenes between Anna and her father hinted at her being insecure but we never got anything beyond that. Some flashbacks would have provided us with more insight into their motives and relationship and if we had gotten more interactions between Anna and Jonathan, their rivalry would have been more engaging too.

I would have liked to see more of Ho In and Eun Mi's backstories. Their struggles with their powers should have been addressed more. At one point, it was shown that Ho In had developed some health issues because of his drinking habit in order to fuel his power. But the writers never brought this up again. Eun Mi didn't seem to struggle and we only knew that she was connected with another superhero that had been captured by Cho Anna.

Aside from that, both characters felt underutilized in terms of how the series handled their powers. Both of them had very interesting abilities and yet their potential wasn't as explored as it could have been. In fact, in some fight scenes I got the impression that the writers deliberately didn't allow these characters to fully unleash their potential in order to highlight Sang Ung more. Of course they remained useful, which I'm grateful for but I'd like it if they hadn't been sidelined during some scenes. They could have pushed the narrative even further but instead of being treated as part of the main trio, they were reduced to the comic relief characters.

As a result from poor writing, the acting didn't come across as strong as it could have been. While the actors did their part, their performances lacked the required emotional depth and their performances failed to sell the characters at times. But I can excuse this due to the poor writing.

The writing could have been much tighter in general. Superhero series or not, I cannot overlook some bizarre plot holes or writing decisions. The scene with Sang Ung and Min Suk at the church is a great example of a cheesy scene that serves the purpose to add more drama in what could have been resolved logically. Why would they remain inside a collapsing building which was in flames, too? Just so the villain could come, wipe Sang Ung off and leave our couple to be saved by Ho In and Eun Mi? Of course this might not be an issue for viewers who don't care for this type of writing but for me, decisions like this made me question the writing.

It's a pity that a superhero drama with such an interesting premise didn't pick up. While Cashero was overall fun, it certainly had me scratch my head in bewilderment and I wasn't able to engage with the story as much as I wanted to. If one is looking for something fun and action packed, it's a good choice but don't expect a lot.

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CasHero: A Proper Pulp Comedy About Absurd Superheroes

CasHero is not a ridiculous series — it is an absurd one, and that distinction matters.
This is pulp comedy, a genre that deliberately blends violence, humor, and nonsense under strict internal rules. When done wrong, it collapses into parody. When done right, it becomes razor-sharp. CasHero clearly knows what it is doing.
The story follows an ordinary man who inherits a superpower with an absurd cost: his strength and regeneration only work if he carries his own money, and using those powers literally burns that money away. Not using them, however, slowly destroys his health. This isn’t heroism — it’s obligation.
Other “heroes” are just as inconvenient: powers fueled by bread or alcohol. The absurdity is not a flaw; it is the premise.
Performance-wise, Lee Jun-ho delivers a restrained, exhausted protagonist far removed from the usual charismatic hero. Kim Hye-jun is even more important, completely avoiding traditional K-drama archetypes and bringing agency and presence without melodrama. Lee Chae-min’s villain is genuinely detestable, which is a strength in this genre.
Director Lee Chang-min deserves credit for fully respecting pulp comedy rules, balancing violence, rhythm, and absurdity while avoiding the usual K-drama shortcuts.
CasHero never asks permission to exist.
It commits to its premise until the very end and walks away.
Not many series dare to do that.

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Cash is the hero

A sci-fi superhero flick with a straightforward plot but a grand, timeless message. It is 100% pure entertainment and 0% logic; this is not the kind of film you watch for the sake of overthinking.

The symbolism of money is interwoven with the concept of heroism from start to finish—the title "Cashero" couldn’t be more fitting. It hits directly on the film's core themes: the conviction that heroes still walk among us, that justice always prevails, and that anyone can be a hero if they have the "heart" for it (where being nosy is just another word for caring). It also posits that money—the very force that dominates society—takes on the character and value of the person holding it.

As a classic superhero story where the good guys always win, it leaves the viewer feeling light and satisfied, free from any psychological heavy-lifting or moral agonizing. The action sequences and CGI are delightfully over-the-top and exaggerated—pure visual candy, provided you’re willing to suspend the laws of physics. The way conflicts are resolved through various plot twists is a lot of fun; there were several moments where my jaw dropped simply because I couldn't believe the production team actually went there.

At its core, "Cashero" is a philosophical fable engineered to reach a happy ending and deliver a well-worn message. However, this isn't necessarily a flaw; it feels as though the screenwriter had a very clear vision from the start and used the film as a skeleton to support that ideology. The mind behind this plot feels like someone idealistic and imaginative—someone with a unique, perhaps slightly quirky, but deeply kind-hearted perspective.

Honestly, society needs people like that—those who believe wholeheartedly in heroism, human kindness, and a just world; people who want to improve society while still grappling with the harsh realities of poverty. The tension between money and morality is the focal point of every conflict, but ultimately, the film reminds us that money is hollow without love. Choosing an ordinary, struggling, and even slightly flawed protagonist was a deliberate move to prove that heroes are everywhere. They aren't extraordinary beings; they are you, me, and everyone around us, fueled by one simple condition: love.

I didn't dwell on the specific plot points since they are really just vehicles for the film’s philosophy. Overall, watch "Cashero" as if you’re reading a fairy tale—think of it as a Marvel movie where everyone actually gets a happy ending, the villains aren't insurmountable, and much like the mother in "Insidious," everything is resolved through the sheer power of love.

It’s a fun, entertaining watch that hits a wide range of emotional notes, even giving me goosebumps at times. While it may lack profound depth or complex psychological characterization, it remains lighthearted, engaging, and thoroughly enjoyable.

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The overall story works quite well and is genuinely engaging. There are subtle setups early on small character actions and details that later pay off which makes the narrative feel intentional rather than random. One of the highlights is the use of the protagonist’s inner monologue, which adds depth and sharpens the satire. The series effectively critiques capitalism, money, and what it really means to be a good citizen in society.
That said, the final part feels slightly rushed, likely due to the limited number of episodes. The villain’s arc is rather typical and lacks depth, with a few noticeable plot holes. I also wished the story had explored the other heroes a bit more to enrich the overall world-building.
I especially enjoyed the fight scenes involving multiple opponents. They were well-choreographed, dynamic, and genuinely cool to watch. However, the one-on-one fight scenes felt less impactful in comparison and didn’t stand out as much.

Acting is easily the strongest aspect of the series.
Lee Junho delivers an excellent performance. His physicality in action scenes is smooth and natural, and his use of subtle facial expressions and eye acting gives the character real emotional weight.
Kim Hyejun is another standout especially toward the end, where her emotional scenes are powerful enough to make the audience cry along with her.
Kang Hanna, as the villain, has strong charisma and screen presence, but the character itself isn’t written deeply enough, which makes her performance feel somewhat underutilized.
When it comes to the villain roles, I feel that Lee Chaemin had the potential to take the character much further. However, much like Kang Hanna’s role, the limitation seems to lie in the writing rather than the performance itself, as the character isn’t developed deeply enough. Because of this, the antagonist doesn’t come across as particularly intimidating. I also think the overall impact might have been stronger if the father figure, portrayed by Kim Eui-sung, had been more directly involved in the confrontation.

Cashero is an entertaining and meaningful series with strong performances and surprisingly solid action for a Korean drama. It offers thoughtful social commentary while remaining fun to watch.
With a deeper villain arc and a less rushed ending, it could have been even stronger but as it stands, it’s a very satisfying watch.

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Superpowers, Money, and Unexpected Twists

Imagine having a superpower… but every time you help someone, you have to spend your own hard-earned money. If you don’t, your body starts to react with itchiness or a weird skin disease. That’s Cashero for you! The power is inherited in Kang Sang‑woong’s family you can’t escape it.

Poor Kang Sang‑woong is already struggling financially, and now he has to pay to save people. You can’t borrow money, you can’t accept handouts—every act of heroism costs him sweat and cash. It’s stressful, intense, and completely unique.

One of my favorite parts of the series is seeing Sang‑woong realize who to trust. Forget the loud, obvious threats—those quiet, observing people are the ones to watch. His partner, Kim Min‑sook, is supportive and practical, staying right by his side, and I loved their teamwork.
Honestly, this series is fresh, creative, and surprisingly funny. I thought from the cover that helping people would magically make him richer but nope! Instead, it’s challenging, intense, and totally different from any superhero show I’ve seen before. Cashero isn’t just about powers—it’s about choices, responsibility, and surviving in a world that’s watching you closely.

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