ClaireBell

FINALLY A CRAZY TENSE CRIME GL!!!!!!

I have to admit that despite being a lesbian I can't get into gls. I think gls are still developing, so seeing a series of this quality (among many recent others) is always great. This series is a nice change of pace from your standard, almost telenovela-like gls. I also *love* crime thrillers so I have a bias and a much higher tolerance for shows like these. From the trailer, I was skeptical of the prison setting but man does it create a super tense environment!

The show does a good job hooking the viewer in. It immediately starts with tense scenes and once you finish one of the earlier episodes, you're left craving that adrenaline you felt. Kae's actor, Kemisara Paladesh, does a great job in the first episode emoting too positively, like someone on the verge of insanity. Fits the character. The production quality, lighting and surroundings are well done and I'd like to give a moment of appreciation to the team behind that. It's something that stays consistent in the show and keeps people watching. They do end credit transitions too well, my favourite being when the camera zoomed out while Claire was grieving and the credits started rolling. From the 3Ds gang, Dao draws me in the most, even if she takes the backseat in later episodes. Bell is painfully innocent throughout the show which might seem like a harsh contrast to the general tone, especially when Claire and Bell get together and have their honeymoon phases. She is the main lead but I like other characters way more than her, such as Kae and Claire. Episode 2 had quite the nuance in my opinion and revealed the lore and gave depth to many characters. Made me sympathise with Dao and Top while not agreeing with certain actions of theirs. Speaking of Top, my interest in his character started to die down in the middle episodes. I was starting to get bored of him but episode 6 revived that interest in him after an extremely entertaining drunk performance of the character done by Pond Ponlawit Ketprapakorn alongside great camera work. I like Claire's case as well because I love a good sibling relationship, even if at the end you're like "damn, so she didn't have to do all that". Episode 4 and 5 were mostly romance episodes so it's good for romance-focused viewers but I'd understand if story/action-focused viewers may find it boring. I loved the imagined wedding scene between Claire and Bell, seeing scenes like that makes me happy without fail because same sex marriage (let alone being queer) is not legal where I am, so it means a lot, especially during a time where hope for it being legalised is there in the light of Thailand legalising it. Some people might say that I'm making it too political but I think I'm extracting all the meaning I can out of it. Not to mention how beautifully it was filmed and done! Their relationship is well done and makes me smile without fail whenever they're being romantic. If they ever had a major argument, my heart wouldn't be able to handle it. 2 major deaths also happen in the same episode, episode 3, which is also surprisingly early. Honestly, 3 episodes later, I completely forgot about those people. I was just reminded when I was reading back my Episode-by-Episode review to compile it into this shorter summary. Maybe their deaths could've had a bigger impact but I'm not sure how the show would do that. It does hit in the moment, so be prepared to at the very least get depressed over their deaths. The small acknowledgement of both deceased characters in the last episode was nice too. Episode 6 is my favourite. If you had to demonstrate what this show is about, this episode would be a good choice. It has everything, from Claire threatening people (my fav being her cutting Kae after she acted carelessly), Kae being officially evil, Bell getting beaten up, Top going crazy over Bell's case to Claire's back story. You name the main developments of previous episodes and this episode has the results of it. Kae stands out the most and I love her despite her being a pretty bad person. She is just so interesting, I want to study her brain. Episode 7 was the most sentimental episode, I dare say it's even more than episode 3 where 2 deaths happened. Here, the characters I actually like and have watched develop have bad things happen to them, it brings out a far more emotional response than the deaths of characters we've barely seen. If I wasn't watching it in a room with other people, trust me, I'd be sobbing.
Honestly, as much as I love this show, I have to admit that a few things felt rushed. I've watched other Thai shows before and I'm used to them being max 13 episodes, so I was surprised to see this one with only 8! So I'm not surprised some things felt rushed because I definitely expected it. I feel like just one more episode would've helped flesh out Top, Kae and the 3Ds more. For starters, Top felt very nuanced to me and out of all "villains" I sympathised the most with him. Honestly Bell's case still has me internally debating my morals. Top should go to jail for supplying the drugs but he didn't plan on stuffing the drugs into Bell's bag. I also took pity on him because his father is horrible and he just felt so... lonely? I also feel bad for anyone with a drug/drinking addiction even if they don't try to get out of those situations. It felt like he was boiled down to a bad rich guy by the end. I think the show antagonised characters too quickly and in the case of the 3Ds, redeemed them too quickly. I understand Dao stepping down because she's got a whole kid but Didi? I get that maybe Dao convinced her and Duen to stop being violent after the 3 years but before that time skip it felt odd for her to suddenly be so nice. I was surprised to see her rushing alongside Bell and being concerned for her. As far as I remember, they never really made up. In my head, their rivalry was calm but if something bad happened to Bell she wouldn't have a reason to care really and might even make a mocking comment about it. Like I get that Bell is dying, but why was it framed like Didi and her were old friends? Maybe I misinterpreted something about their relationship. Part of me also felt bad for Kae (specifically when she got beat up by the people she was supposed to be collecting debts from which is ironic lol) but she's the shows main villain. I think they could've had Kae be more evil or give more screen time and expand on her business and how it affected so many other prisoners negatively. It was satisfying to see her get beat up by Claire one last time but even I was like damn she's gonna die calm down Claire. The scene where she rooms with a rude inmate that made her clip her nails and was just bossing her around felt like very stereotypical villain consequences, like something I was supposed to go "you deserve that haha" to but I just didn't feel anything. I enjoyed her switch in personality and all the bad stuff she did because it made her so interesting, too bad it was a short period. I also wanted her goals to be spelled out so bad; was she sick of being bullied at prison? Was she going to try and get Bell "back"? Was it both? But at the end of the day, it was something along the lines of greed and selfishness I guess.
Overall, a show I don't regret watching. I might not rewatch it much but that's because it's very story and at times emotionally heavy. It's a serious show and I think my mental health would be fried if I went through that again, which is a testament as to how it really gets through to the viewer! The actors are great and even if it's quite short it still supplies the main plots very well. I can tell that the team behind this show put so much effort in so send some love to them as well :)

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yes

Clariebell is an intimate psychological drama that explores trauma, identity, and the quiet battles people fight beneath seemingly ordinary lives. Through careful storytelling and evocative visual language, the film offers a raw yet graceful depiction of a young woman confronting the memories she has long suppressed. Rather than relying on grand plot twists, Clariebell builds its power through emotion, atmosphere, and character depth.
The story centers on Clariebell, a woman in her mid-twenties who appears to have her life under control. She has a stable job, a tidy apartment, and a supportive group of friends. Yet beneath this polished surface lies a deep emotional instability she struggles to understand. The film opens with Clariebell experiencing vivid nightmares and subtle panic attacks—small cracks that hint at something darker. As these episodes intensify, her relationships begin to fracture, pushing her toward the painful realization that she must address her unresolved past.
The narrative shifts when Clariebell receives news that her mother has fallen seriously ill, forcing her to return to her childhood home. This return triggers a flood of memories, many of which she has spent years trying to bury. Through fragmented flashbacks and symbolic imagery, the film reveals her complicated relationship with her strict and emotionally distant father. Rather than portraying the trauma in an overly dramatic or sensationalized way, Clariebell focuses on emotional subtleties—awkward silences, restrained tension, and the heaviness of unspoken words. This approach makes the story feel authentic and relatable.
One of the film’s strongest elements is its cinematography. The use of muted colors, slow camera movements, and soft lighting creates a haunting yet beautiful atmosphere. Every frame feels purposeful, reflecting Clariebell’s internal struggle. The director skillfully contrasts cramped indoor spaces, representing emotional confinement, with wide outdoor shots that symbolize the freedom she longs for. The sound design further enhances the mood, with gentle ambient tones that echo the character’s fragile mental state.
The performances are another highlight. The actress portraying Clariebell delivers a deeply nuanced performance—her expressions, gestures, and even moments of silence speak volumes. Supporting characters, such as her mother and childhood friend, are not merely background figures but serve to illustrate the different ways people cope with pain and expectations.
Despite its heavy themes, Clariebell ultimately offers a message of healing. The film does not suggest that recovery is quick or easy; instead, it portrays the process as gradual and imperfect. Clariebell’s journey toward self-understanding is neither linear nor dramatic, but it is profoundly human. By the end of the film, she has not solved everything, yet she has taken meaningful steps toward reclaiming control of her life.
In conclusion, Clariebell is a thoughtful, emotionally resonant film that invites viewers to reflect on their own hidden wounds and the importance of confronting the past. Its subtle storytelling, strong performances, and atmospheric visuals make it a memorable and impactful cinematic experience.

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The series could easily be mistaken for a Hollywood show, as the production is impeccable.

The series is only in its early stages for now, but what I can already notice is that the production is impeccable! From the opening sequence, which is very unique and striking, you can feel from the moment you start that this work is different from other GLs. Does that mean it will be as good as the others? Only time will tell, but so far I have nothing negative to say. The acting is very good, especially Mable's... The scenes where she fights, especially the one where blood drips from her head, are very "Absolute Cinema". Seriously, congratulations. Furthermore, the supporting characters are captivating, even the henchwomen of the "bad girl" in prison. The plot is very good, and honestly, I don't know where it's going; there are several possible paths. The only character I found somewhat empty in the series is the prison director (not because he's a man, just to be clear), because he seems to be a "copy and paste" of any other arrogant man in a position of power from any other series. It seems like I'm seeing a character that's been repeated from any other series with this type of character; so far, he hasn't shown any kind of distinct depth or captivating arc, but that could change.
In addition, the way they direct the scenes, the cinematography, the music are impressive. If they hadn't told me it was a series made by a small production company, I would have believed it was made by Netflix.

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A Masterpiece of Emotion and Visual Art / SUPPORT DAVIKA <3

This series is an absolute masterpiece and instantly ranks among the best GL shows ever. Words can’t fully capture how beautifully it’s shot – the cinematography, editing, set design, and the entire cast are all top-notch. Every frame feels deliberate, every scene carries weight and aesthetic, and the overall atmosphere is completely immersive.

What happens between Claire and Bell is exactly what I needed to see and feel. Their chemistry is electrifying, the character development is masterful, and their interactions feel natural and deeply authentic. These characters aren’t just a “cute couple” – they have vulnerabilities, insecurities, moments of joy and pain, making their relationship feel real and relatable.

The supporting cast is also exceptionally strong, adding depth and layers to the story. Music, sound design, and directorial choices perfectly complement the emotions, making scenes feel truly intense and touching.

I won’t go into the plot to avoid spoilers, but it’s important to stress that this series is more than just a visual feast – it’s an emotional experience that makes you feel alongside the characters. Every detail, from actors’ expressions to environmental symbolism, is thoughtfully executed, making ClaireBell a uniquely powerful experience.

I WANT TO GIVE A BIG SHOUT-OUT TO DAVIKA AND HER TEAM!! – they delivered work that deserves admiration and recognition. If you’re looking for a GL series that combines stunning visuals, profound emotions, and outstanding performances, ClaireBell is an absolute must-watch.

SO PLEASE WATCH THIS SERIES ON YOUTUBE, REWATCH IT, AND SHARE IT, BECAUSE IT TRULY DESERVES IT.

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A Romance in Prison

This series is very different from what we are used to seeing in the GL world, both in terms of where the story takes place and the show’s budget.

The series is clearly well produced from a budgetary and cinematographic standpoint. It is visually appealing, well shot, and features many beautiful shots.

I especially loved the character of Claire and Mable’s performance. Despite all the rage within her, Claire is ultimately just someone who is willing to do anything to protect the people she loves. In my opinion, she is the best-written character in the series.

As for Bell, I’m not sure whether the issue lies in the writing, but I had the impression that she wasn’t entirely sincere with Claire. I think this mainly comes from the way their relationship was developed, which felt too rushed or poorly handled. If it had been done better, the audience would have been able to feel the sincerity of their relationship more clearly.

The secondary characters are not developed enough. For example, the Dao sisters—except for the eldest—are mostly there to torment Bell.

Kae is truly one of the best villains in a GL series. I can only appreciate the show because of her: this is real, unapologetic cruelty, and you almost enjoy hating her in every episode. She perfectly shows how a single event can completely change a person.

The chemistry between Bell and Claire is a big yes—they work extremely well together.

I initially thought the series would be a critique of prison conditions, but that is not the case at all. The series should not be viewed from that perspective.

Even though the series has many flaws and leaves several plot points unanswered, I truly had a great time with Claire and Bell.

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Well-Acted but Lacking Depth

This was clearly intended as a short series, likely because the writers didn’t expect it to gain much attention. The fast pacing is noticeable, and while I felt there was room for more to happen, the story stayed tightly focused on Bell and Claire instead.

I was rooting for Kae’s character, and I wasn’t satisfied with where her storyline ended. For now, I’m giving it a 5, especially since a second season has been announced and there’s potential for things to improve.

Having watched other prison series like Orange Is the New Black, Vis a Vis, and Wentworth, I didn’t find the story particularly original, and it felt like something was missing. That said, the acting was excellent and remains the strongest part of the series.

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my first GL had to be this?

ClaireBell raises the bar for sapphic storytelling. As the first GL series I've ever seen, it profoundly challenged me, making me wonder as a writer, “Can I ever write something this good?”

With everything - from the story to the directing, acting, cinematography, soundtrack, production, character arcs - in place, this is a masterpiece in execution.

The series never loses focus on Claire and Bell, yet expertly gives others screentime, with every subplot tying back to them. I loved how they didn't wrap up Top's (the hawttt Pond Ponlawit) story without showing drug-addled flashbacks to his origins; making his final, pathetic call to his father heartbreakingly logical.

The acting and casting are phenomenal. Mangpor (Tontoei Jidapa), Dao (Noon Siraphan), and Mint (Mai Divaka) form the top trinity of outstanding performances. And, if they are the trinity, Madam Taew Usha as Pon is the charismatic deity whose presence left an indelible mark.

Speaking of which, characters in the series bleed so easily and too much.

Natty (Attar Natcha) was pure and cute, though the cliche of her rape recording stopping on its own is an overdone one. Barbell Jirakit (Porsches) occasionally let me down but redeemed himself with his phlegmatic facial expressions, while Angie Pantira (Deedee) shows great potential - although villainy didn't completely suit her here. I could say the same & opposite about Belle Kamisara (Kae). Great potential + a fitting villain arc.

Let's talk about Kae. From calling Claire a “rabid dog” to becoming a “toothless dog,” her pathetic downfall was a cringe-worthy delight. Play stupid games, win stupid prizes! But, while I didn't feel an ounce of pity for her, it doesn't sit right to me that her backstory was left open. She was involved in [redacted spoiler], but what really happened? And why could she threaten her fellow conspirators but do nothing?

Some things are best left unanswered, I suppose. The same goes for practicalities like Dao raising a child in jail or how many years Deedee had left to be a good girl and be released to go official with her new crush. Well, the series is not reality! 😂

But, oh, the scenes! Claire beating Kae up after being dared to, and Bell's iconic moment of eating instant noodles while her ex's house burned in the background behind her. My phee has said Pangjie Paphavarin “can't act weak” but works very well as the rebellious type; I can totally see her and Mable Siriwalee (Claire) as villains elsewhere.

ClaireBell has one of the best soundtracks for any Thai queer series ever. The speechless, humming opening theme is gorgeous, and I'm A Feeder by Yellow Fang was the perfect choice for ClaireBell going official. The scene where Dao and Wichai danced to a Danupol Kaewkarn classic made me genuinely love a straight couple for the first time in ages; it felt more real than any celebrity romance.

Overall, a definitive 9.5/10. I know all too well that it deserves a perfect score, but the unanswered logistical questions hold it back just a sliver. This series is a triumph of directing, cinematography, and raw emotional power.

Now, if you'll excuse me, I need to go replay that open-shirt scene. 👋🏼❤️‍🔥

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You’re in for a ride

ClaireBell met the expectations that the premise set. The cast was stacked and the acting beyond reproach. I liked the titular characters and was even more impressed by everyone else. The male characters were competing to find out who’s the most pathetically despicable. That’s especially effective because the story never forgets what power the men wield. The inmates all were varying shades of desperate, violent and toxic, which is perhaps even more entertaining. Until it no longer is, but more on that later.

I was genuinely invested in the plot, which, in part through my own fault, doesn’t happen all that often with the BLs and GLs I watch. But since I wanted to know where the story would go, my attention dipped during ClaireBell’s honeymoon period and I didn’t always care for their sweet moments (necessary though they were). Claire isn’t 19-stab-Claire, but she might as well be. I commend the show for how far it went, and Claire and Kae's last fight makes sense. Paradoxically, that's also when the violence turned into senseless brutality for me. Without any melodrama or comedic levity, it was honestly too much for me. I empathize with Kae, so it's too bad there weren't more sapphic couples.

There’s lots of high stakes drama and, for a long time, nobody’s happy, so this show should have been perfect for me. Even taking into account the series' illogical elements. Not to mention that it's stunning to look at. The way some scenes were lit and shot was, while not groundbreaking for cinema as a whole, still refreshing to see in a GL production. Despite the gripes I have with ClaireBell, I really appreciate what it did for GL.

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I'm done!

The first 3 episodes worked for me, but then I lost interest. I didn't see episode 4 in full, just shorts, but it was enough to make me not want to continue.

I'm not going to lie, I watched it for Claire, I found her character super interesting, especially as she was introduced in the first few episodes.

I know it's only 8 episodes, but it still felt like they rushed the relationship between Claire and Bell. I would have preferred to long for their intimate interactions rather than receive them on a platter so quickly and suddenly.

I'm just sorry because I was super excited all this time and it didn't end well for my taste.

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CLAIREBELL A MUST WATCH GL SERIES

ClaireBell is a rare and powerful GL series that transforms an unlikely place into a space of tenderness, hope, and love. Set within the cold walls of a prison, the series dares to tell a story where humanity survives even in confinement. What emerges is not just a romance, but a masterpiece GL that proves love can bloom even in the most unforgiving circumstances.

At its core, ClaireBell is a story of connection formed in isolation. The prison setting intensifies every emotion—fear, longing, vulnerability, and quiet courage. Within a place designed to strip people of freedom, Claire and Bell find something deeply liberating in each other. Their love is not loud or dramatic; it is built through stolen moments, soft conversations, and shared silence. This restraint makes their bond feel raw and painfully real.

What sets ClaireBell apart is its emotional depth. The series does not romanticize prison, nor does it use it merely as a backdrop. Instead, it acknowledges the harsh realities while allowing love to exist within them. The contrast between the rigid environment and the softness of their relationship makes every scene more impactful. Love here is not easy—it is brave, fragile, and deeply earned.

The performances are beautifully understated. The leads convey longing and affection through subtle expressions and body language, making the romance feel intimate and sincere. Their chemistry carries the story, reminding viewers that love does not need freedom to be real—it only needs truth.

Visually, ClaireBell balances heaviness and warmth. Dim corridors, barred windows, and quiet corners are softened by gentle lighting and close framing, emphasizing emotional closeness despite physical confinement. The soundtrack further enhances the experience, echoing the characters’ inner struggles and unspoken feelings.

More than a prison love story, ClaireBell is a statement about queer love’s resilience. It honors GL representation by portraying its characters with dignity and depth, showing that even in places defined by punishment, love can be healing.

In the end, ClaireBell is a masterpiece GL—heartbreaking, tender, and unforgettable. It reminds us that love can survive anywhere, even behind bars, and that sometimes, the most beautiful love stories are born where hope seems least possible.

Can't wait to rewatch it for the nth time!!

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