Fulfill

Interesting premise, but not quite fulfilling.

“Fulfill” might stand out as the first GL series to center its story around a married couple, exploring the complexities that come with life after marriage, aiming to appeal to viewers who are looking for something fresh in romantic storytelling. However, despite its interesting premise, the series struggles with some major storytelling issues. The most critical issue is the absence of a clear, overarching plot. Rather than concentrating on a central conflict that drives the story forward, this series spreads its focus over multiple subplots and conflicts. While the plot of Nabneung and Phupha are ones that I think the most relevant, they develop a bit too late in the series to have the emotional impact it should. And the lack of punch in certain storylines make the whole series feels pretty flat and scattershot. Not to mention, the villain lacks any nuance and seems quite cartoonish.

Aside from the storyline issue, I found the dialogues/lines to be somewhat unnatural too. It’s not really about the actresses' delivery, but rather how the script is written. Non-Thai speaker might not notice this, but the conversation feels preachy or more like them giving speeches rather than having a natural, emotional back-and-forth banter between the characters. Sorry to say, but director Nay Saratswadee didn't really redeem herself or deliver anything impressive with this series in terms of production aspects as well. Everything feels and looks too safe. Perhaps Ch3 should look into not hiring her for future GL projects.

On the flip side, the performances by Oom Eisaya and Bam Saralee have been widely acclaimed. Their strong off-screen chemistry translates into good acting, adding credibility to their roles. Sure, there are some cute moments, however, their on-screen portrayal of a long-term couple transitioning into married life lacks full conviction. Plus, their dynamic heavily relies on the stereotypical top/bottom-masculine/feminine tropes - the more masculine lead is written as clueless and emotionally dense, while the more feminine one is shown as overly sensitive, sulky, and always needing to be pursued. It's like watching a typical hetero lakorn, but with two sapphic women as leads.

In summary, “Fulfill” is a GL drama that dares to venture into the less-explored territory of married life, but unfortunately, the execution falls short. While the performance is praised, the plot is a bit scattered and the character dynamics lack believability. If the storyline were tighter, this series could really change the game in GL storytelling. If you're expecting a series with an emotional rollercoaster, Fulfill won't fulfil you.

Read More

Now Aioon is Jealous of Her Own Pregnant Niece?!!?

If Lena & Miu had a daughter = BAM/Pafun

If Lookmhee & Sonya had a daughter = OOM/Aioon

Just finished watching FULFILL ep 6 on Netflix & I'm just soooo happy that THAT nuisance of a character, Krit, is now out of the picture. It's too cute though to see Princess Anin's brother (THE LOYAL PIN) and Aokbab's brother (LOVE DESIGN) and wait, is that Khun Rin's dad (DENIED LOVE)!!?🤔

FULFILL ep 7 - Most memorable line: "This is my family now, the family I've always wanted. No matter what happens, I'll take care of everything." Or something to that effect - It's so hard to read subtitles while crying buckets! But THAT was the scene that made me fall in love with Oon all the more❤️❤️❤️

Biggest "I wonder" moment - How on earth was Fun able to do all that running, from the time Nueng's water broke... To that trip to the ICU... In heels! 👠

Best actress: Nueng! So pretty too.

Fearless forecast: FULFILL is so well-written, well-produced, well-acted, and WELL-LOVED, that the next BECWorld project (LingOrm's 3rd series) has pretty big shoes to fill....

NETFLIX made me cry all day and all night! Earlier, I watched a 🇵🇭 movie called UNTIL SHE REMEMBERS and cried. Tonight I watched FULFILL ep 7 and cried. Beautiful, beautiful shows that brought "happy" tears.

COMPLETED WATCHING ALL THE WAY TO EP 8: FULFILL IS A 🏳️‍🌈 MASTERPIECE. A positive recommendation for every curious soul who wonders how 🏳️‍🌈 families arebable to flourish in a predominantly straight world.

Read More

A slice-of-life sitcom

In the first few episodes, some misunderstandings occur that are resolved within the same episode, closely resembling a sitcom. There isn't much emotion so far, neither drama nor comedy. I found the series quite lukewarm. The supporting characters aren't very memorable or captivating. There's also no villain (this wouldn't be a problem if the series were more interesting, but that's not the case). The protagonists are good, the acting is also very good, there's nothing to say about that, and the editing and filming quality is excellent. Some conflicts escalate very quickly, in a forced way, and are resolved in the same rushed manner (in the first few episodes; I don't know if this dynamic will continue in the others). The music is generic, and for now, that's it: a rather uninteresting story.

PS: I found the opening design very similar to that of "Love Design"; if it wasn't a copy, it was "inspiration."

Read More

A Strong Couple in a Convenient Plot

I think the series is carried by its two main characters. Oon and Fun have a genuinely good dynamic, and their relationship feels natural and believable throughout the show. Their conflicts are usually realistic, and more importantly, the way they communicate, support each other, and work through their problems feels mature and authentic. The series is at its strongest whenever it focuses on their relationship and everyday married life.

Where the series struggles is with its overall plot. Many storylines feel overly convenient, are resolved too quickly, or lack enough depth to leave a lasting impact. Side characters, especially the antagonistic one, are quite one-dimensional and often exist only to create short-term conflict rather than contribute to a larger narrative. Because of this, the story rarely builds toward bigger, more complex plotlines and instead relies on smaller, self-contained conflicts.

The series clearly prioritizes wholesome and heartwarming moments over dramatic storytelling. While that creates a very comfortable and enjoyable atmosphere, it also means that much of the plot feels predictable and underdeveloped. There was definitely potential for deeper character arcs, stronger antagonists, and more ambitious storylines.

The show remains enjoyable because of its charming leads, realistic relationship dynamics, and warm family atmosphere. It may not offer the most compelling plot, but it succeeds as a lighthearted and comforting series.

Read More