That's me too--> "after years of watching mandarin dramas... I felt like a kid in a candy store rediscovering…
Glad to see you felt the same way! Anyone who has watched C-dramas for at least twenty years would find "Whispers of Fate" refreshing. Episode 8 literally made me recall two iconic Tsui Hark movies at the same time: 1983's Zu Warriors of the Magic Mountain and 1993's Green Snake.
For this review, I took into account different perspectives of the international non-mandarin-speaking viewers and the mandarin-speakers of different ages, and the end result is what you see :)
A great review, and a very informative one! As someone, who has not really been watching C-dramas for too long…
One of the screenwriters should be a fan of zaju and have background in that field from what I see, hence I wrote this:
[ Decisively wielding flute and pipa unlike lost music of Yuan zaju, uncompromising clashes of love and hate between Tang Lici and Liu Yan determine the main melody of consequences impacting everyone. Rhythm of time and actions at each destination explored by Tang Lici is stealthily guided by clappers of a puppet master controlled by drumming from a mastermind. ]
No Yuan music for a Yuan zaju survives to this day. What survives is the knowledge of what they used to comprise regarding instrumentation that was usually simple, such as a dizi transverse flute and pipa for the main melody, while the rhythm was retained by the ban clapper and a drum.
I was wondering why Shui Duopo and Xue Xuanzi had Xiao Xue Fu as a focus, which the writers and directors wanted to carry out to a finish and hence the scene with Shen Langhun and Chi Yun in it also adds weight while further revealing different characteristics of all four characters involved (especially Shen Langhun being wisely droll because he got it and also because he knew better than to disagree with these two elders while Chi Yun didn't get it XD). That entire mini-subplot was ingenious, because the significance of a name for multiple aspects also connects to the fundamental significance of Tang Lici acknowledging Xiao Shi and Ye Mo, Liu Yan asking Gui Mudan if he has named the cat and explaining why, and especially Gui Mudan finally naming his cat Xiao Kui.
I would be happy to see a xianxia parody (because we badly need one of those) with Shui Dupo and Xue Xianzi and I would want Caesar Wu to be in it, after his excellent performance in wuxia parody "Egg and Stone" XD
I would enjoy seeing a review from someone with a strong background in the five major opera forms of China, because that would be very illuminating about the villains.
Enjoy rewatching, when you do! I found it easier the second time around due to being able to add to what I already absorbed :)
IQiyi has the best English subs but even then, the quality of the subs varies from drama to drama. If someone…
😅😅😅😅😅😅 Does it help that MangoTV has picked up Luo Yunxi's next drama?
The episode which made me laugh until I nearly keeled over at MangoTV subs was episode 12, when the word "husband" kept popping up for Tang Lici addressing Puzhu along with some very disjointed english. That said, the subber was probably picking up on certain vibes because near the end of episode 36, I'm sure a fair number of viewers were going "What was that?" when Puzhu was reminiscing 😂😂😂
Taraverde's review is magnificent. Mizuhira-san's review is sublime. It's wonderful to see different types of reviews from different viewers, especially for a drama with such a strong specific Chinese identity yet has CGI that wouldn't be out of place in a Marvel movie.
That said, I emphatise with international viewers who sincerely want to absorb this drama in its entirety and nuances but aren't fluent in mandarin and need to rely on subtitles. This is one of those dramas where details will definitely be missed when trying to notice everything plus keep up with subs.
This drama is structured akin to a chinese play and certain operatic elements are emphasised, which understandably…
Take your time. Sometimes we are not in the mood or circumstances for some dramas, especially when RL hits. And if you reckon you want to understand several things, you can look at my review (there are some spoilers, but I left out major spoilers and it may give you insight into the structure of this drama): https://kisskh.at/profile/Xiang83/review/519762
Amazingly detailed👏and so informative... It opens a new aspect... 🩷
Glad you enjoyed my review! I am in love with some scenes of multiple cast members. Seriously replayed them multiple times. Watching it a second time was easier, due to also being able to absorb new details that I missed out with the first viewing.
Haha did not expect to see my boy Xia ZhiGuang here, not just him though, there are so many familiar faces in…
What are your favourites in the supporting cast? There's a very important scene in one episode involving calligraphy that truly reflects the paths of the four sect brothers of Zhoudi Lou.
BTW, there is a troll user on this drama page with at least eight sockpuppet accounts, who constantly switches between accounts to harass viewers. Previous shining examples of harassment earlier on this page include insults at viewers for praising Chen Yao, Bao Shang En and other supporting cast members plus targeting Luo Yunxi as Tang Lici. Should you experience a sockpuppet account doing this to you, consider ignoring them. Being ignored is never pleasant, but pissing off so many viewers on the TTEOM page until a troll account is completely ignored there is a truly daft achievement only accomplished by insincere mediocrity.
Fufu, wahaaa, u have been busy! As always, your reviews are detailed and thot provoking. Reminded me of my grandma’s…
Let us see how things are, when CNY rolls around XD Meanwhile, I am listening to the likes of《念水谣》by 吴翊之 from the WoF OST. So many of the most-memorable moments for me utilised parts of this song: https://www.bilibili.com/video/BV1J3sozzEKM/
💯 agreed! A groundbreaking timeless classic. Unlike being remembered as an iconic work of a director. This…
[ A lot of Tang LiCi’s action were also a result of seed of kindness plant from Fang Zhou and ripens TLC’s ultimate nature of compassion for humanity. One will always wonder is human nature inherently good or bad. I am definitively more into the Buddhist view that human are inherently good, but our attachment became our entanglement and probably the ultimate aim of enlightenment is to let go of attachment entanglement to find peace, hence TLC’s ending is such a symbolic portrayal. Human lives are bound by condition of attachment, however the extend of our suffering are also bound by our perception that makes our suffering worsen. So May all gain insightful perspective through watching this drama.😍] - Your insight is a wonderful cap and lining of this drama!
I focus on the 道家 and not 道敎 because philosophical Taoism and religious Taoism are fundamentally at odds when referring to 無為 and in this drama, the philosophies are the drivers.
Ye Mo's karma made me sad, and I am glad that Tang Lici is Xiao Shi's mentor. Bai Nanzhu just makes me shake my head, although I believe the backstories of Bai Nanzhu, Ye Mo and Xifang Tao needed to be fleshed out, so viewers would better understand the karma and connections of these characters relative to Tang Lici, and why they do what they do.
The word “道” (dao) surfaces multiple times during Whispers of Fate and in Luo Yunxi’s thank-you post on weibo, as the drama finished airing. In existence for at least 800 years before the advent of Confucianism and philosophical Taoism while considering yin and yang, one word is the vessel of many meanings and paths, just as linguistics pertaining to the words of the famous observation I quoted can be interpreted in many ways throughout Whispers of Fate.
In this drama, “道” mentioned by Puzhu in disagreement with Tang Lici alludes to an innate path of wisdom and values requiring inner alignment and outer compliance necessitating realisation, to create transcendence.
“無為” in “道” of philosophical Taoism is a fundamental core principle of Taoism. To act without selfish desires and arbitrary decisions is to comply with the natural laws of heaven and earth, enabling and allowing what should be to develop naturally. In doing so, self-improvements lead to tranquillity and harmony in existence is achieved. The “無” of philosophical Taoism finds affinity in the concept of shūnyatā within Mahāyāna Buddhism.
This is reflected in numerous events such as Tang Lici gaining epiphanies and solutions when releasing the tenacious urge to cling to obsessions pertaining to Fang Zhou and Liu Yan, realisation by Xifang Tao in willingness to take a stance against beliefs of Gui Mudan to find her freedom, a cat and Tang Lici teaching Gui Mudan precious lessons, and Shao Yanping’s most defiant choice symbolising unwavering love for his disciple Zhong Chunji in words and deeds crystallising as a primary catalyst to help his Chun’er nobly rectify her mistakes.
Without Ye Mo’s failures, Tang Lici would not have been created. Ye Mo identifying himself as Yique Yinyang to achieve his final goals wanted to circumvent and destroy all laws of heaven and earth by also transversing space and time. In accordance with his personal 道, Tang Lici wholly accepted Yique Yinyang and asking nothing of anyone in return, honours the laws of duality to protect the natural order while breaking his fate to redefine destiny and second chances.
Polarities are interdependent and essential. Decisions to flow with existence must seek a balance. The cause of the past is the effect of the present. The effect of the present is also the cause of the past. Throughout Whispers of Fate, the waves will always eventually correct themselves, in joy and heartache and all else in-between, while dragons soar freely multiple times.
Guanyin with a dragon is a familiar childhood image. The dragon represents a transformed ego, connects the spiritual and earthly realms and as protector of the dharma, is auspicious while signifying wisdom in action. This divine entity also aptly represents the ongoing accumulative achievements of Whispers of Fate.
Currently ranked #4 on Maoyan’s annual chart after garnering more than 1.8 billion views within 39 days of broadcasting makes “Whispers of Fate” the fastest-moving entry of 2025 to move up the Maoyan chart. As of 6 December, exceeded 4.9 billion views on MangoTV’s front-end broadcast statistics. According to CSM data, 2.838 billion viewers were reached across all platforms. Despite having aired only recently, "Whispers of Fate" received nomination for CPOP 2026 (only other two dramas within these 3 years to be recognised and nominated were “Joy of Life” and “Till The End Of The Moon”).
There are many more details, but the length of still-growing accolades currently needs a review page in itself, and keeps building. This drama is a groundbreaking timeless classic that redefines genres melding xuanhuan and wuxia, and is recommended for future generations to enjoy. This is the drama that the likes of Tsui Hark, Zhang Yimou and other iconic movie directors would have wanted to make, if they produced a drama melding these two genres (and they would have been more ruthless with the issues that I noticed, also likely to remove the two characters I mentioned).
Whether it is RBF’s informative 2023 forum post about the poster for Whispers of Fate, underthestars dispersing interesting episode minutiae across 40 episodes, Taraverde’s highly-recommended amazing review in three acts of aesthetics/art/philosophy, Azure’s phenomenal insight and details for Worldview and Timelines and nuances, Mizuhira-san’s compassionate attention to culture and the unseen in trivia comments and her review, or kwanto’s skilful dissection of statistics and viewpoints: May you enjoy watching “Whispers of Fate”!
And consider further enhancing the contributions at ->
Group Collective Contributions: Details, trivia, insights across 40 episodes of "Whispers of Fate":
There’s really a significant difference with stories written by one writer. Those ones with more than writers…
It's not about one writer versus multiple writers. It's how well the writers understand aims of the source material and how capably they gel their different sections of screenplay writing. That said, I shared a comment with someone about the two directors and main screenwriter here, so you might find it somewhat assuring:
Ep 25 really made me notice why I like Tang LiCi so much (obviously apart from the fact that he's so ridiculously…
For a protagonist, he does his best not to allow or create misunderstandings about himself with others. I would have liked to see WanYu Yuedan interact more with him, but WanYu Yuedan also respects him too much to pry further into what Tang Lici wouldn't want others to see.
There is one thing I noticed about Tang Lici in the first 10 episodes which was confirmed for me later, in episode 29. That may also change how you view Tang Lici in episodes before it, if you have not yet seen episode 29.
I have yet to fully figure out certain details in the philosophy of Tang Lici relative to Fang Zhou. I suppose this means watching it a third time XD
Thank you for this beautiful sharing! Will they collaborate again?And here he is last night, with his iconic flute:…
LYX should not do a romance drama for at least the next two years, IMHO. As one of China's finest living cultural performers, he should be allowed to exercise his full acting range.
A well-formed protagonist with issues allows for shades of grey and a very different focus for plot and cues and subplots, instead of the typical levelling-up-with-trials journey (if we are talking costume dramas).
Cheng Yi is currently portraying a mature protagonist which is quite different from his previous dramas (it is a drama I was anticipating for him unlike his previous two dramas, because the Director and Producer for the previous two dramas respectively put me on edge). This revenge-driven drama has allowed him to totally revel in his acting and play off against a stronger ensemble cast: https://kisskh.at/769667-chang-an-er-shi-si-ji#comment-24459676
why does this drama have so many haters to downgrade it? what is the point of downgrading a drama anyways? The…
This is a discussion space and it's fine to discuss how things can be improved or how/why acting of an actor/actress can improve and express enthusiasm, but it is not awesome when another person keeps badgering others and claims the character is not interesting at all, is dumb, etc- I blocked one account on this page for their obnoxious refusal to respect differences in opinion and for harassment. At one point, Bao Shang En was called ugly and their character Chong Zhunji was insulted in completely unacceptable ways, and that account took part in such ugly behaviour when the drama was airing.
I can imagine what that could do on a major social media platform to an actor or actress. Such behaviour is terrible. I also don't understand this craziness of downvoting dramas purely to bring down ratings, especially before the episodes air. Maybe I'm an old-fashioned hippie at heart, but I would like people to encourage each other to watch different dramas and explain why it is worth giving another actor or actress a shot at watching their drama.
But if I've been insulted and disrespected by someone behaving like a troll and seen them bully others, then I will ignore them.
Watched WoF with eng subs on WeTV and MangoTV. Imo, none of the English subs do full justice to the depth of conversations…
IQiyi has the best English subs but even then, the quality of the subs varies from drama to drama. If someone has to rely on subs and KIV what is happening in an episode, it would be exhausting to do so for WoF, especially with sub-par subs. Some of the best dialogue between characters eg between Gui Mudan and Xifang Tao or Gui Mudan and Liu Yan cannot be adequately captured in a translation, when it comes to impact.
And then there's a cultural gulf, on top of that. I've seen criticism that Liu Yan and Tang Lici are having a misunderstanding due to miscommunication. It is not due to miscommunication, but someone rightfully having fundamental personal perspective of something being done that is justifiably perceived as heinous and abominable.
I saw the MangoTV subs for certain episodes and they gave me a good laugh, but I'm sure it was painful to rely on. For this drama, a background of at least twelve school years of classes in mandarin or having high-quality subs would be essential.
Were you affected, when it came to the comedic moments?
2 
7 
1 
3 
1 
1 
1 
1 
1 
Tang Lici versus Puzhu and the colour schemes made me think this: https://www.youtube.com/shorts/cIsyLPvJqf0
plus this (1:04:34 to 1:07:12 only Tang Lici resemble Bai Suzhen for wisdom rather than Green Snake): https://www.youtube.com/watch?v=Ov5Ne2LzL-4
Where Tang Lici was in control of his emotions, he intended to make Puzhu feel emotions during their fight in episode 8. And it worked.
Hence I wrote an episode summary of ideas for episodes 8 to 12 several weeks ago, after watching those episodes XD: https://kisskh.at/755725-shui-long-yin#comment-24006830
For this review, I took into account different perspectives of the international non-mandarin-speaking viewers and the mandarin-speakers of different ages, and the end result is what you see :)
[ Decisively wielding flute and pipa unlike lost music of Yuan zaju, uncompromising clashes of love and hate between Tang Lici and Liu Yan determine the main melody of consequences impacting everyone. Rhythm of time and actions at each destination explored by Tang Lici is stealthily guided by clappers of a puppet master controlled by drumming from a mastermind. ]
No Yuan music for a Yuan zaju survives to this day. What survives is the knowledge of what they used to comprise regarding instrumentation that was usually simple, such as a dizi transverse flute and pipa for the main melody, while the rhythm was retained by the ban clapper and a drum.
I was wondering why Shui Duopo and Xue Xuanzi had Xiao Xue Fu as a focus, which the writers and directors wanted to carry out to a finish and hence the scene with Shen Langhun and Chi Yun in it also adds weight while further revealing different characteristics of all four characters involved (especially Shen Langhun being wisely droll because he got it and also because he knew better than to disagree with these two elders while Chi Yun didn't get it XD). That entire mini-subplot was ingenious, because the significance of a name for multiple aspects also connects to the fundamental significance of Tang Lici acknowledging Xiao Shi and Ye Mo, Liu Yan asking Gui Mudan if he has named the cat and explaining why, and especially Gui Mudan finally naming his cat Xiao Kui.
I would be happy to see a xianxia parody (because we badly need one of those) with Shui Dupo and Xue Xianzi and I would want Caesar Wu to be in it, after his excellent performance in wuxia parody "Egg and Stone" XD
I would enjoy seeing a review from someone with a strong background in the five major opera forms of China, because that would be very illuminating about the villains.
Enjoy rewatching, when you do! I found it easier the second time around due to being able to add to what I already absorbed :)
The episode which made me laugh until I nearly keeled over at MangoTV subs was episode 12, when the word "husband" kept popping up for Tang Lici addressing Puzhu along with some very disjointed english. That said, the subber was probably picking up on certain vibes because near the end of episode 36, I'm sure a fair number of viewers were going "What was that?" when Puzhu was reminiscing 😂😂😂
The FMVs for these two are hilarious.
I'm happy that Taraverde's three Reddit posts made it to weibo, whereby "Whispers of Fate" fans are also enjoying the details: https://kisskh.at/755725-shui-long-yin#comment-24430604
Taraverde's review is magnificent. Mizuhira-san's review is sublime. It's wonderful to see different types of reviews from different viewers, especially for a drama with such a strong specific Chinese identity yet has CGI that wouldn't be out of place in a Marvel movie.
That said, I emphatise with international viewers who sincerely want to absorb this drama in its entirety and nuances but aren't fluent in mandarin and need to rely on subtitles. This is one of those dramas where details will definitely be missed when trying to notice everything plus keep up with subs.
Will probably watch it a third time in Q1 2026 :D
BTW, there is a troll user on this drama page with at least eight sockpuppet accounts, who constantly switches between accounts to harass viewers. Previous shining examples of harassment earlier on this page include insults at viewers for praising Chen Yao, Bao Shang En and other supporting cast members plus targeting Luo Yunxi as Tang Lici. Should you experience a sockpuppet account doing this to you, consider ignoring them. Being ignored is never pleasant, but pissing off so many viewers on the TTEOM page until a troll account is completely ignored there is a truly daft achievement only accomplished by insincere mediocrity.
I focus on the 道家 and not 道敎 because philosophical Taoism and religious Taoism are fundamentally at odds when referring to 無為 and in this drama, the philosophies are the drivers.
Ye Mo's karma made me sad, and I am glad that Tang Lici is Xiao Shi's mentor. Bai Nanzhu just makes me shake my head, although I believe the backstories of Bai Nanzhu, Ye Mo and Xifang Tao needed to be fleshed out, so viewers would better understand the karma and connections of these characters relative to Tang Lici, and why they do what they do.
The word “道” (dao) surfaces multiple times during Whispers of Fate and in Luo Yunxi’s thank-you post on weibo, as the drama finished airing. In existence for at least 800 years before the advent of Confucianism and philosophical Taoism while considering yin and yang, one word is the vessel of many meanings and paths, just as linguistics pertaining to the words of the famous observation I quoted can be interpreted in many ways throughout Whispers of Fate.
In this drama, “道” mentioned by Puzhu in disagreement with Tang Lici alludes to an innate path of wisdom and values requiring inner alignment and outer compliance necessitating realisation, to create transcendence.
“無為” in “道” of philosophical Taoism is a fundamental core principle of Taoism. To act without selfish desires and arbitrary decisions is to comply with the natural laws of heaven and earth, enabling and allowing what should be to develop naturally. In doing so, self-improvements lead to tranquillity and harmony in existence is achieved. The “無” of philosophical Taoism finds affinity in the concept of shūnyatā within Mahāyāna Buddhism.
This is reflected in numerous events such as Tang Lici gaining epiphanies and solutions when releasing the tenacious urge to cling to obsessions pertaining to Fang Zhou and Liu Yan, realisation by Xifang Tao in willingness to take a stance against beliefs of Gui Mudan to find her freedom, a cat and Tang Lici teaching Gui Mudan precious lessons, and Shao Yanping’s most defiant choice symbolising unwavering love for his disciple Zhong Chunji in words and deeds crystallising as a primary catalyst to help his Chun’er nobly rectify her mistakes.
Without Ye Mo’s failures, Tang Lici would not have been created. Ye Mo identifying himself as Yique Yinyang to achieve his final goals wanted to circumvent and destroy all laws of heaven and earth by also transversing space and time. In accordance with his personal 道, Tang Lici wholly accepted Yique Yinyang and asking nothing of anyone in return, honours the laws of duality to protect the natural order while breaking his fate to redefine destiny and second chances.
Polarities are interdependent and essential. Decisions to flow with existence must seek a balance. The cause of the past is the effect of the present. The effect of the present is also the cause of the past. Throughout Whispers of Fate, the waves will always eventually correct themselves, in joy and heartache and all else in-between, while dragons soar freely multiple times.
Guanyin with a dragon is a familiar childhood image. The dragon represents a transformed ego, connects the spiritual and earthly realms and as protector of the dharma, is auspicious while signifying wisdom in action. This divine entity also aptly represents the ongoing accumulative achievements of Whispers of Fate.
Currently ranked #4 on Maoyan’s annual chart after garnering more than 1.8 billion views within 39 days of broadcasting makes “Whispers of Fate” the fastest-moving entry of 2025 to move up the Maoyan chart. As of 6 December, exceeded 4.9 billion views on MangoTV’s front-end broadcast statistics. According to CSM data, 2.838 billion viewers were reached across all platforms. Despite having aired only recently, "Whispers of Fate" received nomination for CPOP 2026 (only other two dramas within these 3 years to be recognised and nominated were “Joy of Life” and “Till The End Of The Moon”).
16 days ago on 1 December, the statistics were already outstanding enough to make people believe "Whispers of Fate" is the #1 C-Drama of 2025: https://kisskh.at/755725-shui-long-yin#comment-24330788
There are many more details, but the length of still-growing accolades currently needs a review page in itself, and keeps building. This drama is a groundbreaking timeless classic that redefines genres melding xuanhuan and wuxia, and is recommended for future generations to enjoy. This is the drama that the likes of Tsui Hark, Zhang Yimou and other iconic movie directors would have wanted to make, if they produced a drama melding these two genres (and they would have been more ruthless with the issues that I noticed, also likely to remove the two characters I mentioned).
Whether it is RBF’s informative 2023 forum post about the poster for Whispers of Fate, underthestars dispersing interesting episode minutiae across 40 episodes, Taraverde’s highly-recommended amazing review in three acts of aesthetics/art/philosophy, Azure’s phenomenal insight and details for Worldview and Timelines and nuances, Mizuhira-san’s compassionate attention to culture and the unseen in trivia comments and her review, or kwanto’s skilful dissection of statistics and viewpoints: May you enjoy watching “Whispers of Fate”!
And consider further enhancing the contributions at ->
Group Collective Contributions: Details, trivia, insights across 40 episodes of "Whispers of Fate":
https://kisskh.at/discussions/755725-shui-long-yin/146454-group-collective-contributions-details-trivia-insights-across-40-episodes-of-whispers-of-fate
https://kisskh.at/769667-chang-an-er-shi-si-ji#comment-24462584
There is one thing I noticed about Tang Lici in the first 10 episodes which was confirmed for me later, in episode 29. That may also change how you view Tang Lici in episodes before it, if you have not yet seen episode 29.
I have yet to fully figure out certain details in the philosophy of Tang Lici relative to Fang Zhou. I suppose this means watching it a third time XD
A well-formed protagonist with issues allows for shades of grey and a very different focus for plot and cues and subplots, instead of the typical levelling-up-with-trials journey (if we are talking costume dramas).
Cheng Yi is currently portraying a mature protagonist which is quite different from his previous dramas (it is a drama I was anticipating for him unlike his previous two dramas, because the Director and Producer for the previous two dramas respectively put me on edge). This revenge-driven drama has allowed him to totally revel in his acting and play off against a stronger ensemble cast: https://kisskh.at/769667-chang-an-er-shi-si-ji#comment-24459676
I can imagine what that could do on a major social media platform to an actor or actress. Such behaviour is terrible. I also don't understand this craziness of downvoting dramas purely to bring down ratings, especially before the episodes air. Maybe I'm an old-fashioned hippie at heart, but I would like people to encourage each other to watch different dramas and explain why it is worth giving another actor or actress a shot at watching their drama.
But if I've been insulted and disrespected by someone behaving like a troll and seen them bully others, then I will ignore them.
And then there's a cultural gulf, on top of that. I've seen criticism that Liu Yan and Tang Lici are having a misunderstanding due to miscommunication. It is not due to miscommunication, but someone rightfully having fundamental personal perspective of something being done that is justifiably perceived as heinous and abominable.
I saw the MangoTV subs for certain episodes and they gave me a good laugh, but I'm sure it was painful to rely on. For this drama, a background of at least twelve school years of classes in mandarin or having high-quality subs would be essential.
Were you affected, when it came to the comedic moments?
And here he is last night, with his iconic flute: https://so.douyin.com/video/detail?aweme_id=7583730122369879333
Singing his character theme song: https://so.douyin.com/video/detail?aweme_id=7583735143606078769
(Youtube link for those who cannot access douyin): https://www.youtube.com/watch?v=sHyeOqkex2k
Zoomed-out version: https://so.douyin.com/video/detail?aweme_id=7583714074917227825
Excited to also add Xiao Shunyao singing Shen Langhun's theme song:
https://so.douyin.com/video/detail?aweme_id=7583894594569063686