arsfleurs

Love Between Fairy and Devil: The Power of Emotion (and Destiny)

Beyond the mortal realm lies a place above the heavens, inhabited by immortal beings — gods, fairies, demons — each with a destiny sealed from birth. Yet among so many powerful beings, there is a small Orchid in the fairy realm who knows nothing of her origin or identity. Because of this, she feels inferior and rejected by the other beings of Shuiyuntian. Living in isolation in the Arbiter Hall without her master, she spends her days alone among the flowers. Xiao Lanhua, the orchid, is an utterly lovable character — intelligent yet innocent, funny and honest. Her heart is pure, and within it she holds an unrequited love for Chang Heng, the god of war of Shuiyuntian.

The universe has its own ways of working and even playing and that’s exactly what happens when destiny decides to unite the light and shadow that separate the radiant realm of Shuiyuntian from the dark and fearsome Moon Tribe. It all begins when Xiao Lanhua enters the Haotian Tower, where deep inside lies the feared Moon Supreme, Dongfang Qing Cang, imprisoned for 30,000 YEARS(!!) after a fierce battle between Shuiyuntian and the Moon Tribe, in which Dongfang was defeated by the former goddess of war, Chidi.

Then, by accident, their lips meet in a life-giving kiss that not only frees Dongfang, but also binds their hearts through a curse! From that moment on, things get interesting and fun, because the contrast between them is so stark it’s often hilarious. Xiao Lanhua only knows the Moon Supreme through books and legends, so she has no idea what the cruel and feared Supreme looks like. Dongfang is a complete stranger to her, and she quickly nicknames him “hard-headed” sharing moments with him fearlessly — moments they would later miss. Dongfang, on the other hand, is direct and authoritarian, shaped by the fact that his emotions were removed by his own father when he was still a boy. As a child, he took the position of Moon Supreme after killing his father, and his reputation as a ruthless tyrant spread across all realms, earning respect through fear. But near Xiao Lanhua, he’s just a hard-headed man who doesn’t understand his own heart. And when their bodies are swapped, the acting show begins — the delicate orchid with a dark gaze, and Dongfang with a tough exterior throwing tantrums.

What was once silent and lonely becomes filled with Xiao Lanhua’s loud laughter, Dongfang’s impulsive actions and confused expressions, and many arguments. Subtly and unexpectedly, love begins to bloom through care — even if unintentionally. All Dongfang wants is to be freed from the curse so he can fulfill his purpose as Moon Supreme and rescue the soldiers trapped during the battle. Though 30,000 years have passed, the war’s remnants still echo, and hatred remains, despite Chidi’s sacrifice and Dongfang’s imprisonment.

The central plot is captivating. The curse of a heart was a prelude to the origin of the little orchid, who in the end wasn’t so little after all. Her noble heart, seeking fairness and believing in everyone regardless of their origin, was a sign of her true identity. Her birth was no accident, and even though she doubted herself, her destiny was written. On this long journey of self-discovery, Dongfang accompanies her while seeking redemption, transforming from a merciless tyrant into a compassionate and just leader. By episode twenty-eight, my heart was already surrendered to the true vision of love between them the bond they built over time, the loyalty and certainty that, despite defying ancient laws, they were willing to risk everything because they had saved each other. In a world where things happen so fast, love is not one of them. It is forged through sacrifice, misunderstandings, but also sunrises, flower soup, morning dew, and dumplings. Giving oneself to the other wasn’t difficult it was an honor.

Beyond the central plot, the supporting characters are essential. Chang Heng, the god of war, lives in constant conflict between obeying celestial laws, a promised marriage, his love for the orchid, and his mortal hatred for Dongfang (and a little mutual jealousy too why not? haha). Another interesting and frustrating character is his best friend Rong Hao, disciple of Chidi, who at first seems devoted and longing for his master, but is later revealed to be deeply obsessed. He is complex, cunning, manipulative, and willing to do whatever it takes to bring his master back to life even if it means betraying or killing someone.

It’s impossible to talk about cunning and betrayal without mentioning Jieli, an orphan who loves money and has a silver tongue. She does whatever it takes to survive, including deceiving others. Her bond with Xiao Lanhua starts as a seller-client relationship, with our dear Orchid owing her a huge debt (😂), and in return, offering her most genuine friendship. But Jieli always expects the worst from people, trusting no one and believing only in what she can gain. Through this cleverness, she develops a funny yet incredibly charming and lovable relationship with the loyal and naïve “Stupid Dragon”, Shang Que a dragon who serves Dongfang faithfully. Shang Que has a beautiful, honest heart and can’t tell a lie. Together, he and Jieli form quite the duo!

My journey through Love Between Fairy and Devil was fascinating. Every event connects in a surprising way from beginning to end (almost literally). The plot offers twists and dilemmas that ultimately boil down to a love that unites all things.

Read More

You and Everything Else: Anatomy of Pain

Over the past three days, I was immersed in the intense journey between Ryu Eun Jung and Cheon Sang Yeon, portrayed by actresses Kim Goeun and Park Jihyun respectively. When I first saw them in season one of Yumi’s Cells, I never imagined that years later I’d witness a relationship that begins already tangled, layered, and gut-wrenching.

The narrative doesn’t hold back — the episodes aren’t about healing wounds, but exposing them in detail. It’s the full anatomy of the pain they caused each other over the years they spent together, because there wasn’t a single moment when their existence didn’t leave collateral damage in each other’s lives.

Since childhood, Ryu Eun Jung and Cheon Sang Yeon not only represent extremes — they carry them within. One grew up facing financial hardship and a family shaped by the absence of a father, while the other was spoiled by the privileges of wealth and raised in a seemingly perfect family with a father, mother, and older brother. But their differences go beyond that. Eun Jung connects easily with others, while Sang Yeon always seemed to have a wall around her. Their clashes would arise, but were quickly resolved or ignored. Deep down, they both knew they were reflections of what the other lacked — the embodiment of each other’s insecurities.

They grew up haunted by thoughts like “What does she have that I don’t?” and “I’ll never be like her.” And because of that absence and constant comparison, they tried to fill their voids with what the other had, hurting each other in the process. It was striking how they couldn’t spend too much time together without tearing each other down through toxic comparisons and sharp remarks. That’s where the story finds its strength — in its raw portrayal of human ego and pride. And that’s the beauty of the series.

Everything that happens around them adds layers rooted in past pain — the death of a brother, a mother’s favoritism, the fall from social status — all of which deepen the chasm between them. Yet, there’s always a magnetic pull that brings them back together, and that’s exactly what happens in the end.
As for the final scene, I felt a bit uneasy with how it was portrayed. It’s a very sensitive and delicate moment, and it requires care when watching.

One undeniable highlight is their acting. Especially Park Jihyun, who, with just a glance, conveys how deeply unhappy her character is inside — and how proud she remains.

So, for those who appreciate the human side of storytelling, built on the imperfections of its characters, You and Everything Else delivers that pain.

Read More

Bon Appétit, Your Majesty: Living Around the Table

I never expected that a plot about a chef who travels back to the Joseon era and is challenged to win over the palate of a tyrant would captivate me so deeply! When I saw the first previews, all I could think was how random it seemed yet I couldn’t help but feel curious. It looked fun.

I didn’t know I needed a historical time-travel drama just to start following the fearless and talented Yeon Jiyeong, who wisely did what she knew best: winning hearts through flavor. Full of eloquent words and boldness, Chef Yeon Jiyeong is both charming and solitary. She was alone in Paris, about to return to Korea to reunite with her father, when a strange recipe book in her hands transported her to a time that wasn’t hers or was it? I loved the air of mystery the story builds around her connection to the king and the era. The loop effect is so captivating.

In contrast to the chef’s boldness, we have the hot-tempered King Yiheon, a historical figure known for his violent rule and unstable temperament yet with a refined and sensitive palate, fertile ground for a chef brimming with technique.

The plot stayed true to its premise from beginning to end. The story had already happened, so they simply decided: “Then let’s cook!!” And so, the tensions grew around the table rather than through fiery competitions, with mouthwatering dishes. Amid pots and bites, the characters matured and learned from their own mistakes.

I was enchanted by every character and the bonds formed throughout the episodes the warm friendship between Chef Yeon Jiyeong and Gilgeum, the kitchen allies, the court jester (who was no fool), and most of all, the restorative love with His Majesty. It was beautiful, sincere, deeply touching, and the ending was both humorous and heartwarming.

👩‍🍳💖👑

Read More

Head Over Heels: Appearances can be deceiving...

2025 has been a surprising year for stories that rework romantic clichés, and Head Over Heels set out to go beyond just another high school rom-com with a near-love triangle it did so brilliantly.
My 9.5 rating is thanks to the cast, especially the leads. Cho Yihyun and Choo Youngwoo's chemistry is beautiful, charming, and dare I say, real. You can feel sincerity in their gestures. Yihyun’s pink tones don’t hint at the depth Sungah carries within, contrasting with the misfortune and melancholy of Gyeonu, who believes that distance is his way of loving others. Their meeting is powerful, and their development is utterly captivating.
A special shout-out to their versatility, they created a third character, Bongsu, who fluidly connects the two, and you really believe in him.
Blending genres like romance, drama, comedy, fantasy, and occult isn’t easy, but it gave Head Over Heels a distinct charm that sets it apart from typical high school fluff.
While the main arc had minor flaws, they didn’t stop me from enjoying the drama it was beautiful, youthful, and fun. I'd definitely watch it again. I hope to see Yihyun and Youngwoo in future projects their chemistry is perfect!

🐹🧧💝🦔🏹✨

Read More

The Tale of Lady Ok: What’s Your Name?

I finished The Tale of Lady Ok yesterday with immense joy. It had been a while since I watched a series that kept my eyes wide open in front of the TV from the very first episode. In this review, I’ll try to avoid spoilers — haha, though I might fail at that.
Historical dramas usually swing between two extremes: either they’re a flop or a masterpiece. The Tale of Lady Ok is undoubtedly an underrated gem. As I watched, I kept asking myself what I was doing last year when this drama aired — and why I didn’t watch it sooner.

From the very first episode, The Tale of Lady Ok is gripping. It opens with one of the final scenes: Lady Ok walks proudly toward her trial, and a male voice asks her, “What is your name?” — then gives her two options. Alongside the character, we viewers are taken on a journey into her past, where it all began with the story of Goodeok.
Goodeok is a woman born into servitude under a noble family that considers itself superior, despite lacking the slightest trace of humanity. Like many nobles of the time, they viewed servants as less important than dogs or pigs. And without any romanticization, the violence — both physical and verbal — is portrayed in raw, brutal detail.
In a society divided by class and the belief that “once a servant, always a servant,” Goodeok had a dream: to be free and live with her father in a house by the beach. Despite the cruel reality she faced, Goodeok’s just and sincere heart never stopped beating for her dream of freedom.
Thanks to the lazy noblewoman she served, Goodeok learned to read, write, and do math. In the smallest details, the purpose of her birth was being fulfilled — even if she didn’t realize it. Her future as Lady Ok had already been reserved for her. One phrase that defines her entire journey — and struck me deeply — is: “A lawyer does not fight on her knees.” By taking on someone else’s dream, we realize that it had always been hers too. She always had a sense of justice — what she lacked was power.

I must applaud Lim Jiyeon for her exceptional performance. She gave herself fully to the character, and it shows in every second. Her character is a model of courage: intelligent, principled, and above all, just!

The Tale of Lady Ok aims to balance multiple genres — and in my opinion, it succeeds beautifully. Comedy and romance aren’t just decorative; they provide essential support to the narrative. And like everything in this drama, they serve a purpose.
Never in my life would I have imagined Lim Jiyeon and Choo Youngwoo as a couple in a drama. They’re the kind of unlikely pairing — and that’s exactly what surprised me. The romance between their characters is convincing, sincere, and enviable. It makes us cry, laugh, and root for them.
I’ll admit I started watching the drama because Choo Youngwoo was in the cast. He’s a true revelation in the acting world. If you enjoyed his dual-role performance in Head Over Heels, you’ll be even more impressed by The Tale of Lady Ok. It’s a masterclass in acting, and the love between the characters is worthy of a novel! The way they mature over time and how their bond grows stronger is absolutely heartwarming.
The rest of the cast also brings dynamic energy. Other relationships emerge throughout the episodes — loyal friendships and the recognition that everyone is equal under the law. In some cases, forgiveness transcends punishment; in others, it doesn’t — because in the real world, not everyone repents. And we see that in the series.

Anyway, I think this is getting a bit long — but I can’t hold back my words. The way every element connects — events, people, even objects — weaves an electrifying web that captivated me from beginning to end. It reveals the care and intention behind every detail of the production.

If you’re in the mood for a drama with a brave protagonist facing deep social dilemmas, The Tale of Lady Ok delivers that and so much more. I guarantee it!!

Read More

Our Movie: Lights, Camera... Poetry!

Yesterday I finished Our Movie and I’m in a state of complete satisfaction with how it wrapped up. I can confidently say this series delivered the best melodrama of the year (perhaps even of ALL TIME!) I was amazed by the emotional depth of the plot, which brilliantly employed creative tools to reinforce the message that life is a moment worth living. I'm passionate about intelligent and sensitive storytelling, and Our Movie delivered exactly that.
Lee Daeum (played by the stunning Jeon Yeobeen) embodies this message with her gestures, thoughts, and lines even with a terminal diagnosis and every reason to wait for death confined to a hospital bed, she cherishes each day granted to her, eyes glowing even when she couldn’t leave the hospital. Her heart beat fiercely for her dreams.
In contrast, director Lee Jeha (played by Namkoong Min (my first time watching him!) hides himself away for five years, clinging to grief, doubt, and ghosts from a past that’s never truly left. Their meeting is transformative, and as filming progresses, their lives become forever intertwined.
Through beautiful use of metafiction, the story of making a film becomes a mirror to their personal journeys. Despite the looming reality of death, every surrounding character is vividly alive, each with their own dilemmas and dreams. I loved the ensemble dynamics and how each episode slowly prepares our hearts to embrace the bittersweet beauty of life.
The story is masterfully developed from start to finish, with gorgeous scenes, unforgettable moments, and soundtracks that are bound to stay on your playlist.

📹🤍

Read More

A Hundred Memories: What Doesn’t Return

Set in 1980s South Korea, A Hundred Memories is a slice-of-life drama where a backdrop filled with analog and nostalgic elements embraces both the pain and beauty of everyday life — like a wildflower blooming through concrete.

The beginning is slow and subtle, but as the minutes pass and life unfolds, what once seemed like coincidence gains weight, revealing itself as fate through the gentle lens of Ko Youngrye — the eldest daughter in a humble family of five. After her father’s death, she puts her dreams on hold to help her mother support the family by working as a bus fare collector at Cheong Ah Transport. On what appears to be an ordinary day, two meaningful encounters take place: her eyes meet those of Seo Jonghui, who would later become her coworker, and Han Jaepil, her first love. And so begins an emotional journey where young hearts must navigate new and conflicting feelings.

I’ll admit I have a bit of a bias against love triangles, so I started off wary, expecting the cliché of two best friends fighting over the same man to feel shallow. But A Hundred Memories made it work — at least in the beginning. I still remember the thrill of wondering who the final couple would be (good times).

After all the emotional weight and tension of the first part, the seven-year time skip changes everything. The relationships lose their grounding, and much is left to the viewer’s imagination.

YR’s feelings endure over time, and her bond with JP grows deeper and more intimate. Meanwhile, JH lives a life of appearances, feeding the ego of her adoptive mother who forbids her from reconnecting with her past. When that connection finally happens, it triggers an inner conflict — the past she remembers so fondly no longer exists. People have changed, matured, and she seems to be the only one who changed on the outside but remains the same confused JH inside, lost in a role she can’t escape.

Watching A Hundred Memories was a meaningful journey. Even now, I’m not entirely sure how I feel about the series. The issue wasn’t with the main characters or the final couple — I quietly rooted for YR and JP, and I didn’t dislike the idea of JH and JP either. For me, either pairing could’ve worked as long as it made sense. Still, I wasn’t fully satisfied. After the rush of the ending faded, I was left with a bittersweet feeling and the sense that something was unresolved. Honestly, I missed a sincere and emotional reconciliation between the girls — they made a point of showing their downfall in the rain, so why not show the healing and forgiveness too?

That said, the supporting cast was delightful. I really enjoyed the development of the relationship between YR’s friend and JP’s friend — it was the breath of fresh air I needed after getting so annoyed with driver Kim. Oh, and I missed seeing more of YR’s brother — he definitely deserved more screen time!

Read More

The Effect Of A Finger Flicker On A Breakup: The Loneliness Within a Relationship

While I was immersed in watching videos featuring Hong Kyung, I stumbled upon a clip — just a short scene with a nice song playing in the background — and that was enough to make me desperately search for the title, without high expectations. I ended up being surprised by the depth packed into a single episode about a long-term relationship between Oh Jin (played by Shin Yeeun) and Cha Minjae (played by Kang Taeoh).

In the middle of their routine, during a moment of pleasure and a lost bet in a soccer match, Oh Jin receives a flick on the forehead — and that simple gesture becomes a powerful symbol. It triggers a wave of internal conflict and reflection, revealing what had always been right in front of her but ignored. Her expectations in the relationship hadn’t been met, and she realizes they don’t love each other anymore — or maybe they never did. Maybe they were just afraid of being alone and clung to each other like it was the last thing that could save them. It’s a messy relationship, but a real one.

Meanwhile, at her job in a school, the PE teacher Koo Wonbin (played by Hong Kyung) has genuine feelings for her. Even though he tries to hold back, he’s transparent. He shows up like a breath of fresh air, comforting Oh Jin in her struggles without pressuring her or demanding anything.

The minutes I spent watching brought me so many reflections about that feeling of being alone in a relationship — when only one side is truly invested, when one person looks at “us” and the other only sees themselves. It’s suffocating not to exist in a relationship.

“Staying is hard, but leaving is even harder,” says the protagonist’s mother. She doesn’t sugarcoat the truth, but she encourages her daughter, showing that even when it’s tough, she still has a choice.

Read More

Mission: Possible – Silly? Just on the surface

It’s always satisfying to finish a movie that genuinely makes you laugh! Mission: Possible takes us on a journey full of misunderstandings and an unlikely duo who somehow manage to turn the impossible into possible — all thanks to their clumsy methods.
Yoo Da-Hui (played by Lee Sun-Bin) is a Chinese agent sent on a mission as a scapegoat. Due to a mix-up, she ends up teaming up with private detective Woo Su-Han (played by Kim Young-Kwang), an actor who’s mastered the art of playing goofy characters — though in the end, the only thing silly about him is his face.
This film strikes the perfect balance between action and comedy, with humor that flows naturally. There’s no romance in the storyline, and honestly, I didn’t miss it at all — watching them constantly annoy each other was more than enough entertainment!
Definitely a movie I’ll be rewatching!

Read More

Miss & Mrs. Cops: When Women Unite

After watching Mission Cross, I found myself more curious about action-comedy films. While browsing, I came across this one.
In Miss & Mrs. Cops, we witness the rise and fall of police officer Park Mi-Young (played by Ra Mi-Ran). During her prime, she was a standout in a special task force created to include women in law enforcement and highlight their crucial role in fighting criminal content and violence against women. However, after getting married and having a child, her career takes a turn she’s reassigned to the complaints department, which feels more like a storage room where talented women deal with rude civilians and live in constant fear of being fired. This fear breeds competition, flattery, and insincerity among them.
The plot of Miss & Mrs. Cops succeeds in criticizing the structures that women are often forced into, especially in male-dominated environments like the police force. It also reflects how women’s careers are treated as having an expiration date, and how difficult it is to juggle home, children, and marriage. On the flip side, we meet Jo Ji-Hye (played by Lee Sung-Kyung), a detective with the same thirst for justice and impulsive behavior, which causes trouble for her team.
Beyond being colleagues, they’re family. When they start working together on a case no one else wants to touch, they begin to realize it’s not them against each other it’s them against the world and the bureaucratic system.
As I mentioned earlier, the plot nails the critical tone. However, the comedy didn’t work for me. I understood the scenes meant as comic relief, but they felt forced and didn’t make me laugh.
That said, the settings are captivating, and there’s nothing more electrifying than watching women punch and kick men in the name of justice!

Read More

Mission Cross: partners in love and in battle

I stumbled upon this movie during a casual search, and when I saw the synopsis about a former agent and his detective wife, I got curious to see how and when their missions would cross paths — just like the title suggests.

The film opens with the everyday life of Park Gang-Mu (played by Hwang Jung Min). He’s a devoted husband: cleans the house, cooks, does the laundry, and takes care of his wife. He also works as a kindergarten driver. His goofy personality hides his past surprisingly well. Meanwhile, Kang Mi-Seon (played by Yeom Jung Ah) fights crime in a mostly male team. She’s bold and fearless, shaped by her past as a national shooting athlete and strengthened by her job, where being sharp and tough seems like a must.

As a couple, they give off that vibe of two people who’ve lived together for years but still know so little about each other. Everything changes when, during one of Park Gang-Mu’s most mundane moments, someone from his past shows up and pulls him back into a web of crime he knows all too well. Things get even more interesting when Kang Mi-Seon’s coworkers misinterpret the encounter and start speculating that her husband is having an affair — those scenes are honestly hilarious.

When the past resurfaces and a supposed affair comes into play, their missions cross from totally different angles. It’s fun and engaging, and they managed to balance action and humor really well throughout the story. I did wish the movie was a bit longer and included a clever flashback showing how they met — the exact moment their lives crossed paths. I personally missed that. Oh, and that final reference? Absolutely hilarious 🤣🤣🤣

Read More

Love Untangled: Chronicles of First Love

I watched this movie yesterday and was absolutely thrilled — it’s been a long time since I’ve seen something like this, and I realized how much I needed and missed a film that’s light, cute, and fun, yet carries deep meanings and symbolism in its storyline. It’s a way of addressing delicate topics in a softer, more accessible way.
I’ll admit, at first I was nervous about what might happen because I was really disappointed by You Are the Apple of My Eye (2024), which I think was the last high school film that tackled themes like first love. I tried not to get my hopes up, but when I saw Shin Eun-Soo in the cast—oh my God—I got excited (and a little scared they might mess it up haha).

In Love Untangled, set in the 1990s, surrounded by beautiful, nostalgic, and identity-rich scenery, we closely follow the dilemmas of Park Se-Ri, a high school girl struggling with her curly hair. I believe the message becomes especially meaningful for women like me who, as children, felt ashamed of their hair when straight hair was the standard. I spent a lot of time with my hair tied up, didn’t like wearing it down because of the volume, and just like Park Se-Ri, I tried straightening it a few times—only to end up back at square one LOL.
Despite her love-hate relationship with her hair, Park Se-Ri decides to change it permanently to win over Kim Hyeon (played by Cha Woo-Min), the most popular boy in school, whom she met while diving in a spot she thought only she knew. From that moment, her heart is flooded with a typical teenage crush that sees everything through the lens of “love”—all those little coincidences feel like signs from fate.
While trying to find Kim Hyeon naturally, she meets Han Yun-Seok (played by Gong Myung), a transfer student with a difficult life, and that’s when things start to get even more interesting. Personally, I’m enchanted by films that explore the definition and difference between infatuation and love.
Another detail in the movie is that, despite Park Se-Ri’s struggles with her hair, she has a support network—friends she can count on for anything, even her wildest ideas. They’re always in! She’s not a lonely girl at school or at home.
Overall, Love Untangled includes familiar tropes that are executed well. The story is light, sweet, and fun in just the right measure, where small gestures become huge when done with love—and where love doesn’t always arrive like a storm turning everything upside down. Sometimes, it’s as gentle as a sea breeze.

Read More

On Your Wedding Day: Does Perfect Timing Exist?

On Your Wedding Day attempts to tell the story of Hwan Seung-Hee and Hwang Woo-Yun, who meet in high school after Seung-Hee (Park Bo-young) transfers schools. What follows is a relationship born from a misunderstanding that somehow evolves into genuine — but immature — feelings.
Woo-Yun (Kim Young-Kwang) is portrayed as a lazy, trouble-prone teenager, while Seung-Hee is smart but emotionally worn out. Their dynamic feels forced, and the film leans heavily on clichés without offering much depth or originality.
As the plot progresses, we witness their on-again, off-again relationship, shaped more by life's circumstances than by meaningful character development. Woo-Yun clings to the idea that love is all about timing, but the film fails to explore this concept in a compelling way.
The movie tries to reflect the harsh truth that love alone isn’t enough to sustain a relationship—but it does so in a way that feels flat and uninspired. Instead of emotional resonance, we get a series of predictable moments that never quite hit the mark.
To be honest, I watched it with some vague expectations, but by the end, it felt like a film that never decided what it wanted to be. Lukewarm at best.
And one more thing: the frequent sexual innuendos and suggestive dialogue were unnecessary and, frankly, uncomfortable. It added nothing to the story and detracted from the emotional core the film was trying to build.

Read More

Mercy for None: An Unforgiving Dive into Darkness

This series is simply brutal! For fans of the genre, it's definitely worth checking out — the action scenes are incredibly intense. I started watching full of excitement, but honestly, I ended up feeling more exhausted than the protagonist himself, who somehow manages to endure absolutely everything. It's poetic license, so fair enough. The mission gets accomplished and that’s it — but let’s be real, we all know this kind of story never truly ends. The performances are impressive, especially Choo Youngwoo, who once again proves just how versatile he is. The entire cast delivers a remarkable performance — really well done! 💣💥

Read More

To. Jenny: A Bitter and Sweet Slice

"Every man has a woman he can’t forget..." — this is the conviction Park Jeong-Min (played by Kim Sung-Cheol) carries deep in his heart, and he proves the truth of that belief when he reunites with Kwon Na-Ra (played by Jung Chae-Yeon), his first love, years after graduating high school.

While Park Jeong-Min works part-time at a convenience store and tries his luck in the music world by composing his own songs, he’s shy and unable to sing in public. Kwon Na-Ra, once popular in school, debuted in a K-pop girl group, but fame didn’t last, and now she must reinvent herself as an artist while working part-time at a café.

Their reunion stirs up old feelings that were never truly forgotten, bringing them back to the center of Park Jeong-Min’s emotions. Alongside this genuine sentiment, a traumatic event resurfaces — the reason he can’t sing in front of others.

Then, an opportunity arises for him to reclaim lost time and overcome his fears. This mini-drama is so sweet. I usually don’t enjoy musical series, but I was captivated by the scenes showing the process of composing a song and the pursuit of personal dreams in the face of a bitter reality. In fact, the song “Tiramisu Cake,” which went viral not long ago, originated from this series.

If you’re looking for a short drama to binge with a light romance, featuring a shy, hopelessly-in-love male lead and a charming female lead who faces life with her head held high — all wrapped in a musical backdrop — To. Jenny delivers it all.

Read More