I am giving it a chance as only 5 episodes are out, but the direction and production are very poor, it's not the casting's fault. And yes, I have watched Princess Agent.
So in ep.21 they remembered all the infinite loop and the first time they fought against the author (?)...I like the idea that even in repetition time is spiraling, never the same, contradicting what Nan Zhi believes.
I love fight scenes in this drama. This is exactly what I expect from a c-drama involving war. And here, the scenes are especially technological. Chinese productions seem to be far surpassing those of other countries. I wish it was 40+ episodes not only for the plot development, but also to get more of these awesome fights!!
It's about messing up with all sects in Jianghu just because the man in black didn't get the girl. That's the main problem/flaw of this drama, besides the confusing and tiresome storytelling. But Zhou Yi Ran did a good job, got me interested in his future works, and Wan Peng was great as the tired heroine. This should be a 2 seasons or 40+ episodes drama in my opinion.
This is going downhill. In a good script not only character but also relationship development is important. One whole episode wasted in push and pull and mistrust, while characters still have no clue on who the man in black is...guess it is not important anymore? I am tired. And I hope Yuzhi keeps being the nice guy he is.
It became a little dragging for me. At this point (30 ep) we already know who the man in black might be. I don't know if I can stand a second round of zombies ;) We have only 7 eps to unfold past and present stories...
If there’s one thing that deserves to be praised in this series, it’s the script. No loose ends were left, even though the story itself isn’t especially complex. I was also honestly impressed by Ryan Cheng’s performance. In a single character, I could glimpse a boy lost in a hostile world, a mad tyrant, and a king in love. Very good! It’s not an unforgettable series — the kind that stays in your head long after it ends — but it was so perfect in its transitions between drama and comedy, death and love, that you’ve got to give it credit..
This K-drama felt pretty bland to me. I still think Shin Hae-sun is a great actress, but there was nothing really exciting or different about this role and production. It's just more of the same mass-produced content. I used to love watching K-dramas, but it's very rare for me to genuinely like one these days. It seems like they've lost what I valued most, which was the depth and dimension of the human experience.
Today I saw the finale of a true work of art. It was like walking into a gallery and discovering an artist you’d…
100% agree. I never thought there would be a Chinese drama portraying the life of women in the business world with so much authenticity. I still have to watch the last episode, but it's already one of may favorites.
This drama is not bad. Fast paced and multilayered characters. And I don't care if there is or will be cheating, dramas are supposed to be a representation of live, a complex mixture of good and evil.
From the guest roles to the supporting and main actors, there is no weak performance to be found in this drama. "My Mister" is one of my favorite series, and I am truly grateful to have had the chance to watch such a thoughtful adaptation. With more episodes, I could have delved even deeper into the lives and emotions of Jiang Jia Qi and Zhou Yu An, while also gaining a richer perspective on the nuances of the secondary characters.
For me, Jia Qi's final cry in the last episode was brilliant—the culmination of all the pain he (and I!) had been feeling, conveyed through subtle micro-expressions and suppressed emotions. I also feel compelled to watch more of Zhang Zi Feng's work. The entire team—director, writer, producer, everyone—did an exceptional job.
It’s not an unforgettable series — the kind that stays in your head long after it ends — but it was so perfect in its transitions between drama and comedy, death and love, that you’ve got to give it credit..
For me, Jia Qi's final cry in the last episode was brilliant—the culmination of all the pain he (and I!) had been feeling, conveyed through subtle micro-expressions and suppressed emotions. I also feel compelled to watch more of Zhang Zi Feng's work. The entire team—director, writer, producer, everyone—did an exceptional job.