jeoneungd

the kiss that could light the room

This pair deserves the award for the best BL kiss I’ve ever seen. It was so intense that I could almost feel the electricity filling the room. Absence truly does make the heart grow fonder, and the reunion carried all the longing that had been quietly building.What stood out even more, however, was the recurring metaphor of coffee and tea. Coffee on one hand, tea on the other—two contrasting drinks reflecting two contrasting souls. One is bold, intense, and invigorating; the other gentle, calming, and contemplative. This subtle but elegant comparison of their opposing personalities feels like the emotional center of the series, reminding us that love often flourishes not despite our differences, but because of them.

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Go noir if you go dark

When the series started it had a film noir theme, mysterious and dark, a serial killer based on manga drawings. Remnants of San Francisco’s Zodiac killer. I’ve watched some Thai movies with film noir themes and impressively it was done well. However, this series lacks focus on the darker side, it keeps gravitating back to our leads issues. And inserting the sister who seems to make all the wrong moves just so irk the audience is below the belt. I don’t think Thai women are that stupid. The lighting is mostly overexposed and for dark shots, too much lighting. I can sense the proper mood. The acting, well that’s another story. I’m sure I will get a lot of hate considering so many rated this show so high. I’m moving on to watch the rest of the series to seen if the writers and Director can redeem themselves , but my experience with GMMTV, that hasn’t been my truth.

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Writers…give me context…pleeeeease

This episode is finally giving us some context about our two leads. Unfortunately, it’s failing pretty hard in that respect. As I mentioned in my Episode 1 review, stories like this are difficult to write because once you establish immortality, medicine, police investigations and a specific timeline, consistency and accuracy become extremely important.The Qualified Medical Examiner scenes immediately raised questions for me. I’m not sure what the qualifications of the assistant are supposed to be, but the handling of the cadaver felt wrong. In forensic examination, the body is both a source of evidence and something that must be treated with considerable procedural control. I hope what we’re seeing is simply poor writing and not an accurate representation of Thai police procedures.I’m also struggling to understand the relationship between our two leads. Some of the comedic scenes feel completely out of place with the darker mystery that the series has established. So what exactly are we watching—a rom-com or a rom-mystery? There is a way to balance romance, humor and suspense, but the tonal shifts here aren’t quite working for me. Manner of Death and Spare Me Your Mercy understood how to sustain that tense romantic chemistry without breaking the atmosphere of the mystery.And then there’s our 200-plus-year-old immortal.This man has lived through two centuries, is apparently a doctor with two degrees, and is living in 2026 yet he doesn’t know what a smartphone is? Seriously? What exactly has he been doing all these years besides discovering 200+ different ways to try to kill himself?At this point, I’m still intrigued by the premise. But the more the story explains, the more I’m beginning to question whether the writers have thought through the details as carefully as they’ve imagined the concept.And then another inconsistency during the chase: Dr. Ken suddenly pulls a gun and starts shooting at a suspect who doesn’t even appear to have a gun. James is also the one who was left way behind during the chase, despite being the younger and presumably more athletic of the two.But then we get the kiss. And I’m sitting there thinking, Golden…but…what triggered that? Attraction? Emotion? Recognition? Some revelation between them? A vision but give me something.It’s called context.You can surprise the audience without confusing them. You can withhold information without withholding the logic behind a character’s actions. Right now, NOUR keeps giving me moments that are interesting individually, but I’m struggling to see how they connect organically.And that’s becoming my biggest concern halfway through Episode 2: I’m not asking the writers to tell me everything. I’m asking them to make what they are showing me make sense.

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The summers we remember forever

The first four episodes transported me back to my first love, my high school best friend. That unforgettable summer together. My first experience of discovering what it meant to love someone, and the bittersweet realization that perhaps it wasn’t felt the same way on both sides.Like Chiharu and Wataru, there was something unrequited about it. A one-way love. My best friend loved me deeply, but as a friend, while I felt something very different. And then there was the letter I received when I moved to the U.S. I still have it to this day.How many of us are lucky enough to have great memories of those first summers when we were discovering who we were and discovering the person we might love?That’s what I love about the way the writers tell this story. Nothing feels forced. The relationship grows organically, almost imperceptibly, as two people slowly find their way toward each other through small glances, fleeting touches, and warm hugs. Sometimes the most powerful moments are the ones where almost nothing is said.Warmth is what separates mammals from reptiles. And perhaps that is what makes human connection so powerful. A simple touch, a warm embrace, the closeness of another person, it can heal aches and pains that words sometimes cannot.Maybe that’s what first love really is: a summer we never completely leave behind.

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The T-shirt is still wet.

I was ready to drop this series because it was so freaking slow, slower than a slow burn. Then Episode 6 happened.The script is amazingly intelligent. In the most painfully slow way, it has somehow managed to get my emotions boiling like water. Mitsuru’s guilt over Mrs. Sonoda’s death finally brings everything to the surface, and what fascinates me most is how the story shows the cowardice people can have when confronting their own guilt. Sometimes we don’t run from the truth because we don’t know it. We run because we know exactly what it means.And you know this isn’t going to be taken well. Japanese people can be incredibly calm and restrained, but even I’m thinking: “You won’t like me when I’m angry.”So is this series really just about guilt? I doubt it. There has to be something much bigger underneath all of this. At this point, I feel like the writer’s creative juices are in overdrive or at least I’m hoping they are.The mystery is slowly unraveling, but somehow, more questions keep appearing. On the bright side we find our two protagonist finding comfort and love from each other. It looks like the T-shirt is still wet. It looks like the T-shirt is still wet at this point.

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