Help me out pls.I'm confused on one scene in episode 5, when Gorya is watching an Instagram story of Hana with…
I agree, that was really strange. That's why a lot of the episode didn't really work for me until we got to the point where Thyme shows up to rescue Gorya. At that point the feels took over and I was like ahhhhhhhhhhhhhhhhhhhh
Ugh! So many perfect, little things.Like how when Thyme picks up Gorya and apologizes, and tells her he believes…
I'll be honest, I felt a lot of this episode was deeply silly (MJ's hacker squad and the yearbook being right there on the shelf) and I thought Hana's monologue went on way too long (though I did love it when Thyme apologized to her) but from the moment Thyme picked up Gorya until the end of the episode I was UwUing all over the place. OMG their chemistry is fire and I love it when Bright is soft.
Imma be frank as someone who watched every version, read the manga multiple times, I hope they don't mellow it…
I wrote about this at length but the short version is this is a very self aware version of the story and because it's self aware they can't keep that level of bullying or toxicity in a story aimed at teenagers, no way. I understand why people enjoy that unhealthy dynamic but you just can't do it today. As it is, Gorya has already been beaten multiple times and almost sexually assaulted as a direct result of Thyme's actions, so I think it's still got that sense of serious danger the story needs.
So, true. They have done a good work and I am happy to see that the cast and the all the people behind the series…
I think it had a slow start because it came out in December and then they had the two week break for NYE but this latest episode blew up the internet. One of my completely boring tweets on it has 1.1K likes and 680 RTs and still climbing, it's wild. And my friends who weren't watching are now catching up and raving about it.
Considering that Hana Yori Dango/Boys Over Flowers basically invented second lead syndrome, I am cackling over how many people are saying GO AWAY REN NO ONE WANTS YOU BACK.
Also, Ai Otsuka's Planetarium. Istg, every time the crescendo built, it was perfffect!
I have SO MANY THOUGHTS about this conversation but here's my incoherent brain dump:
- 2001 MG/2005 MG/2010 BoF are all very sincere. They are serving the content to you straight with all of the terrible problematic elements intact. And the core story is how you have this monstrous male lead with what I would describe as a devouring love for the female lead. You never know if his love will obliterate her. There's numerous points of the story where the ML represents an actual existential threat, as in she could be killed or raped because of him. And the only reason he doesn't consume her is because she's so strong. So as you're watching you're living in this tension of experiencing that love along with FL but also the anxiety of wondering whether you can survive this love.
- F4 Thailand is an extremely self aware version of the story. The writers clearly understand what makes the previous versions iconic but also understand that you simply can't serve this story straight in the year of our lord 2022. So they've created this very self aware, smart, nuanced story with real character development and meta commentary on the story itself, on social stratification (which may be the most important story of the present day; see also Squid Game), on the abuse of power, etc. Which is all wonderful for someone like me but once you introduce that self awareness you automatically lose that deep sincerity that informs the previous versions. Which also automatically means you've dialed down the intense emotion of the previous versions. You aren't vicariously having that feeling of a devouring overpowering overwhelming love that threatens your very existence but that you can't resist.
I have watched all the versions and I find this narrative addictive, but I've never been able to reconcile myself to the core romance because of how jaw droppingly violent and scary the male lead is. But with F4T I'm all in on the ship. I absolutely love them together and I am rooting for them. But I also get why the people who love the previous versions would be either ambivalent or actively disliking this version.
Sorry for the question. What you meaning for coming for him??
In the Korean version it's the model who's the brother of the student in the first episode who almost jumps off the roof. He lures Jan Di into a warehouse and then Jun Pyo has to show up and get beaten and Jan Di throws herself on top of him but then the rest of the F4 show up to kick ass. There's a similar scene in 2001 Meteor Garden only it's a work friend of Shan Cai's who sets it up and the F4 don't save the day.
Sorry for the question. What you meaning for coming for him??
I'm probably confusing scenes but are we getting to where the FL throws herself on top of the ML and takes a hit for him? Because I freakin' love that.
Sorry for the question. What you meaning for coming for him??
In all the other versions the female lead gets kidnapped by victims of the male lead's bullying and he has to endure a beating without fighting back in order to get her out without her getting hurt.
I agreeee. Thyme and gorya are my fav out of all vers.
Tsukasa was okay with Makino being raped and he never expresses remorse or apologizes for it. I went and looked for the dialogue and the way it goes is Akira says "Rape is bad Tsukasa-kun" and he responds "No! Let them have it their way!" That was the point of no return for me, I absolutely could not accept him as a romantic male lead after that.
I am loving the adaptation but I see the point you're making. I think there's a few things going on: one is that…
I think you're missing something important. The original story is that brand of pop culture that taps straight into the id with no irony, kind of like Twilight. HYD is about sex and violence and the eroticization of male anger. And the people who are hooked on it want that straight blast of emotion and to feel the overwhelming power of a devouring love. Once you become self aware about the story, that overpowering experience of emotion is automatically lessened to some extent. I personally love the self awareness and dissecting the narrative and digging into the layers of metaphor and meaning but I also understand why that would actively annoy/upset some people.
I'm also aware that there is absolutely no way to serve this story straight today. For one thing, social stratification is one of the biggest issues present in media today (see Squid Game) so no way you can have a story about abusive rich people that doesn't take a critical look at that. Also social media has really changed the game so the whole social ecosystem that sustains the bullying has to be reexamined. Another thing is the level of violence directed at the female lead in the original is intolerable, especially in a teen drama and thank god for that. I don't want to see Thyme try to sexually assault the FL. I don't want to see her drugged and stripped and photographed. I don't want to see Thyme slap her hard across the face. I don't want her to be slut shamed without comment. If that means some of the raw emotionality of the original is lost, I'm okay with that.
- 2001 MG/2005 MG/2010 BoF are all very sincere. They are serving the content to you straight with all of the terrible problematic elements intact. And the core story is how you have this monstrous male lead with what I would describe as a devouring love for the female lead. You never know if his love will obliterate her. There's numerous points of the story where the ML represents an actual existential threat, as in she could be killed or raped because of him. And the only reason he doesn't consume her is because she's so strong. So as you're watching you're living in this tension of experiencing that love along with FL but also the anxiety of wondering whether you can survive this love.
- F4 Thailand is an extremely self aware version of the story. The writers clearly understand what makes the previous versions iconic but also understand that you simply can't serve this story straight in the year of our lord 2022. So they've created this very self aware, smart, nuanced story with real character development and meta commentary on the story itself, on social stratification (which may be the most important story of the present day; see also Squid Game), on the abuse of power, etc. Which is all wonderful for someone like me but once you introduce that self awareness you automatically lose that deep sincerity that informs the previous versions. Which also automatically means you've dialed down the intense emotion of the previous versions. You aren't vicariously having that feeling of a devouring overpowering overwhelming love that threatens your very existence but that you can't resist.
I have watched all the versions and I find this narrative addictive, but I've never been able to reconcile myself to the core romance because of how jaw droppingly violent and scary the male lead is. But with F4T I'm all in on the ship. I absolutely love them together and I am rooting for them. But I also get why the people who love the previous versions would be either ambivalent or actively disliking this version.
I'm also aware that there is absolutely no way to serve this story straight today. For one thing, social stratification is one of the biggest issues present in media today (see Squid Game) so no way you can have a story about abusive rich people that doesn't take a critical look at that. Also social media has really changed the game so the whole social ecosystem that sustains the bullying has to be reexamined. Another thing is the level of violence directed at the female lead in the original is intolerable, especially in a teen drama and thank god for that. I don't want to see Thyme try to sexually assault the FL. I don't want to see her drugged and stripped and photographed. I don't want to see Thyme slap her hard across the face. I don't want her to be slut shamed without comment. If that means some of the raw emotionality of the original is lost, I'm okay with that.