What really annoys me is when a movie with wonderful work by hundreds of other people is treated as some kind…
I always wonder about that minamata I haven't seen it but looks really good. I feel sad for Johnny depp too. I think Japan is the same or even worst on cancelling actors, but you are right that they won't abandon the project. Higashide is pretty much cancelled in Japan (tv network dramas, CM etc.) but because he's unique (good actor + charisma + tall) other independent directors could cast him if they want or even on netflix cause it's audience are not entirely Japanese. Pierre taki is the same he won't work on any television shows anymore but netflix projects can still cast him. Only those who are not that talented that done sh*t are the ones who disappear....most of them are idols.
The most positive feel good Jdrama that is not an asadora, there might be some scenes I didn't like like that scene near the end of episode 8, it's too soapish for me the way it happen, but I guess that just represents the blow this pandemic gave us and how humanity dealt with it. Character struggles atleast for the main ones is a reflection of it, the main theme is so strong that you would feel it from beginning to end. The writing has so much depth and sincerity, no sugarcoating of words almost brutal but honest.
It's the first time I've seen a Jdrama that have these female characters, straighforward who speaks their mind but not on the pushy side, and that's what the male character(manato) needs, an almost zombie character who had a very dark traumatic past. I like Arimura's character here, it's the first time I've seen her in such a role and she nailed it but to me it's Hayashi Kento who owned this show, he's really good with this type of roles. Watch it if you like slice of life like how Japan does it, meaningful dialogues, random but fun characters, heavy use of symbolism, the difference is romance is more prevalent than others.
I don't know but I don't see Kase romatically in love with Rio based on what I saw. I really hope we did get more of his backstory cause it's still confusing for me, how could he just agree with the father in the first crime. As for the drama the mystery is good but not as thrilling as N no Tame ni for comparison, the chemistry for the main lead is a lot better tho, collectively the acting is also better. Tanaka Minami for example had very good complicated character and she played it really well, I think she's underrated actress like Matsumoto Marika.
Good and fun drama though it may appear as a huge product placement of a show they made sure to connect the place/food to the lives of each character like how otoko meshi did it (another fun drama btw same vibe). But this feels more complete and relatable as they explored different relationships and situations. Lastly this drama has so much youth energy the opening and ending is brilliant. I like the creativity of this director Matsumoto Soushi...best eps 4, 6, 7, 9, 12.
In terms of production quality this could be the best WOWOW has offered which means the best in Japan and yes even counting those on netflix this is just pure art. Unique atmosphere, strong theme with thrilling soundtrack, acting is also very good. Matsushige Yutaka is very effective as a villain. That combo of Takahata Mitsuki and Sumire just works, Mitsuki with her strong acting performance and Sumire's screen presence galore.
Really good coming of age film the transformation of the main lead is very believable. Slow and fun movie with no over the top moments. That ending scene is really powerful.
I already expect a twist but didn't know it would get to that route, creative and fresh for the targeted genre, but not polished enough compared to one cut of the dead and special actors.
I wonder what is Satoru's backstory they probably show that near the end. Takahashi issei really picks some of the most interesting projects. I have to admit I only heard about asexual aromatic couple of times thru youtube and some dramas I've watched, and thought I already understand it but damn I'm wrong, I'll be happy to learn more about it as I continue to watch given of course that what they portray in this drama is really accurate, but seeing other comments seems it is. I also like how they insert the ex boyfriend to blend with them just added an important layer to the story. Lastly, I may not 100% understand but the concept of family/safehaven/loneliness is universal.
I like the 3 cases so far no mind boggling twist but explored human condition really well. The ambiance is also really good, nothing too serious there's a bit of comedic moments but somewhat deeply philosophical. Love that song by King Gnu too.
Wong Kar Wai is the only person who will make me watch a 30 eps drama. I still can't believe he do a drama I just hope he has full control on this project.
Lee Sang Il doesn't make a lot of movies so you know he doesn't make movies for the sake of making movies. I always view these type of directors as perfectionist. He in my opinion one of the best in exploring human condition in film that's why he's among my favorites. Just one look at that cast I already see disappointed people in comments because they will expect a different film from these A list mainstream actors.
That scene where they are eating nagashi somen is very much koreeda influenced, the dialogue, camera work, how she captured that scene, familial bond ala koreeda. Impressive directorial debut from ogawa sara the use of goldfish as symbolism is also really smart. The question now is where would she focus directing or acting cause she really has great potential for both.
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8.5/10
https://www.youtube.com/watch?v=tL34rqRhgcQ
I still don't know the story behind the movie but the audition seems real.
It's the first time I've seen a Jdrama that have these female characters, straighforward who speaks their mind but not on the pushy side, and that's what the male character(manato) needs, an almost zombie character who had a very dark traumatic past. I like Arimura's character here, it's the first time I've seen her in such a role and she nailed it but to me it's Hayashi Kento who owned this show, he's really good with this type of roles. Watch it if you like slice of life like how Japan does it, meaningful dialogues, random but fun characters, heavy use of symbolism, the difference is romance is more prevalent than others.
9/10
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8.5/10
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8.5/10