redshoe1000

despite anything else the marketing may suggest, The Rise of Ning is at heart a family melodrama with a few side dishes. it is recognisably tropey but brings enough freshness to feel enjoyable while being surprisingly angst-lite.

the titular Ning (Luo Yining) is introduced as the legitimate daughter of Luo Chengzhang, second son of the Luo family. she was brought up outside of the family home at a country estate after the death of her mother, the wife her father didn't want. this is the root of most of the Luo family's multitude of issues, sons who were pushed into supposedly suitable marriages that didn't suit them, breeding a hotbed of infighting between wives, concubines and various children.

our male lead is introduced as the unfavoured illegitimate third son of this same second son. you will never forget his rank as Luo Yining calls for him around 864 times per episode. as a person who finds Ren Min's voice attractive, this was no burden for me, and certainly didn't seem to be for san-ge himself.

since these two are our leads, it's clear that at least one of them is in fact entirely unrelated to their purported father. the transition in their relationship was handled surprisingly tastefully, although grandmother was certainly handing out a few sideeyes relatively early on. that said, her sideeye game was prolific and her love conditional so perhaps it was for some other infringement.

as is customary with this type of drama, the politics side dish took over a little towards the end and there were five or so episodes that, while necessary for resolution of some narrative issues, I didn't love. there was very little palace drama, which I appreciated. the emperor was just some distant person we heard about.

the positive relationships were mostly sweet and uncomplicated but there were still persistent melodramatics since we had not one but two couples with some, ahem, intricate familial relations.

the whitewashing of some problematic side characters without any real restitution was perhaps my least favourite theme. while it didn't detract from my enjoyment much, it was interesting how narrative reward and punishment was so random. some people die for their sins; others are rewarded with playing happy families.

but let's get to the real talk here. Luo Shenyuan is a male lead of the attractive benevolent stalker variety. he is thrilled that his girl is an independent, self-supporting queen but he is also the surveillance king because he wants to control the environment around her (for her safety, of course!) while broadly letting her do as she pleases within the guardrails he covertly sets up. think Sang Yan for those of you who have watched the 2025 drama The First Frost.

Lu Jiaxue, our antagonist, is no benevolent stalker. he is a lonely man turned groomer turned obsessive sociopath. there was much discussion when this aired centered around whether he was a more suitable partner for Yining than Luo Shenyuan, and I can't describe the absolute horror of watching this trainwreck of a man on my screen while reading this commentary because his archetype could not be more clear.

Luo Yining was caught in a perfect storm as a vulnerable child. she was unloved and neglected and found a friend in a young man who himself had been discarded. it's understandable that she develops a crush. indeed at this early stage, Lu Jiaxue is a sympathetic character and I understand why his backstory leads people to give him more leeway than he is entitled to.

but that is where this predator was created. as soon as he is secure in her affections, his mind seems to switch gears and you hear some utterly horrific things. there is a conversation I'd like to be able to bleach from my mind where it's clear that he has actively moved into grooming mode and is testing her boundaries when he is talking about things she should eat so she can get pregnant quickly after marriage.

later, when he meets the older Yining, his obsession is glaringly obvious to everyone. she is clearly terrified of him, having grown up and one assumes realised that this was not a healthy attachment, but he is still determined to own her. not the young adult she is now, with her family and business and now-developed personality, but the younger version with her tame childhood interests.

the clarity with which this character is written was impressive. he might appear one-dimensional or overdramatic but he is also solidly anchored in this deeply distorted fixation in a way that I've rarely seen represented in fiction.

all three of our leads did well enough in their roles. Ci Sha was probably the standout given the material he had to work with. Ren Min held a good line that kept her Luo Yining feeling young and light but also intelligent and thoughtful. I could see why she was well-liked even if she was unrealistically perfect. Zhang Wanyi felt a bit underpowered and I wished they'd let his brief vicious arc run a little earlier and longer because it was a nice change of pace from what otherwise looked like he was operating on easy mode.

all in all, this was a creditable if not groundbreaking drama. it avoids the tedium of heavy palace politics and focuses on the sweetness of its leads. while it could have been trimmed by a few episodes, it remains an easy, untaxing watch that accidentally (or perhaps purposefully) provides a masterclass in identifying the mechanics of a predator.