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Some things are quickly understood and some things take time
I was surprised by how much I liked this film. Usually, films like this one, films that get very philosophical and don't have much plot in favour of thinking about life, quickly tip over into "too much" for me. Either they are too preachy (like "The Zen Diary") or pretentious (like "Glasses") or too artificial (like "Bread of Happiness").
But for some reason, "Every Day a Good Day" managed to keep to the side of thought-provoking while not getting to obnoxious about it. I can only guess why that is. It might very well be because a large part of the first half takes the time to just show the Tea Ceremony in detail -- the way it is filmed and the way the teacher comments on the details, feels much more like a documentary than a fictional story.
Added to that, the way of the tea ceremony is carefully balanced with Noriko's life -- and what an ordinary life it is! There's nothing special about her, she's struggling to find a job, she's clumsy and very mediocre both in real life and in learning the ceremony, she despairs when a young girl learns much quicker than her. Not only did she stay simply human throughout -- she does it not in the pretentious "Look at how humble I am", but in the much more relatable way of "I am not good at the things I do, but I have to try to find the good things in life, even if it's hard". Her teacher is the same, and I love her last sentence in the film (which is the second-to-last overall):
"By teaching, we are taught."
Noriko's life also echoes much of my own experience through adulthood, and when the film ends, she is about the same age as me now, give or take a few years. And I feel that the both of us look back at our life (so far) in a similar fashion -- only that she is, of course, doing it in a much more concise way, since the author surely refined her own thoughts into the essence of her life when she wrote her book.
One aspect I really loved was how the seasons were an integral part of the narrative. The crew took the time to film throughout the year -- they connected the meditative aspect of tea making with the surrounding sounds and sights of nature, and thus they managed to show us viewers how much we stand to gain from paying attention to what is around us:
"On a rainy day, listen to the rain. Savour the moment with all five senses, with your whole body. On a snowy day, look at the snow. In summer, feel its heat. In the winter, the freezing cold. `Every day a good day` So that's what it means!"
I wonder how much I would have liked the film twenty or even ten years ago? Not much, I guess. Commenters on the JFF website mentioned how much they cried, or that the film was devastating. I did not feel that at all! I felt mildly melancholic, yes, but definitely not devastated. So, I think this is probably one of the films that either speak to the viewer (and everyone would hear something different) or it doesn't speak to them at all.
Was it good?
It was a film with great technical expertise, and marvellous actors. It's obvious how much care went into showing the ceremony and into integrating it with the life of the protagonist.
Did I like it?
Surprisingly, yes.
Would I recommend it?
I have no idea. I think this is one of the films where every viewer gets something else out of it -- or not. Those who need plot and exciting things to happen, or even a neat ending, might want to stay away.
"Some things are quickly understood and some things take time. The things easily understood need only be gone through once. But those other things you come to understand only with time, little by little."
But for some reason, "Every Day a Good Day" managed to keep to the side of thought-provoking while not getting to obnoxious about it. I can only guess why that is. It might very well be because a large part of the first half takes the time to just show the Tea Ceremony in detail -- the way it is filmed and the way the teacher comments on the details, feels much more like a documentary than a fictional story.
Added to that, the way of the tea ceremony is carefully balanced with Noriko's life -- and what an ordinary life it is! There's nothing special about her, she's struggling to find a job, she's clumsy and very mediocre both in real life and in learning the ceremony, she despairs when a young girl learns much quicker than her. Not only did she stay simply human throughout -- she does it not in the pretentious "Look at how humble I am", but in the much more relatable way of "I am not good at the things I do, but I have to try to find the good things in life, even if it's hard". Her teacher is the same, and I love her last sentence in the film (which is the second-to-last overall):
"By teaching, we are taught."
Noriko's life also echoes much of my own experience through adulthood, and when the film ends, she is about the same age as me now, give or take a few years. And I feel that the both of us look back at our life (so far) in a similar fashion -- only that she is, of course, doing it in a much more concise way, since the author surely refined her own thoughts into the essence of her life when she wrote her book.
One aspect I really loved was how the seasons were an integral part of the narrative. The crew took the time to film throughout the year -- they connected the meditative aspect of tea making with the surrounding sounds and sights of nature, and thus they managed to show us viewers how much we stand to gain from paying attention to what is around us:
"On a rainy day, listen to the rain. Savour the moment with all five senses, with your whole body. On a snowy day, look at the snow. In summer, feel its heat. In the winter, the freezing cold. `Every day a good day` So that's what it means!"
I wonder how much I would have liked the film twenty or even ten years ago? Not much, I guess. Commenters on the JFF website mentioned how much they cried, or that the film was devastating. I did not feel that at all! I felt mildly melancholic, yes, but definitely not devastated. So, I think this is probably one of the films that either speak to the viewer (and everyone would hear something different) or it doesn't speak to them at all.
Was it good?
It was a film with great technical expertise, and marvellous actors. It's obvious how much care went into showing the ceremony and into integrating it with the life of the protagonist.
Did I like it?
Surprisingly, yes.
Would I recommend it?
I have no idea. I think this is one of the films where every viewer gets something else out of it -- or not. Those who need plot and exciting things to happen, or even a neat ending, might want to stay away.
"Some things are quickly understood and some things take time. The things easily understood need only be gone through once. But those other things you come to understand only with time, little by little."
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