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Also, seems like the dad just hates women, so I don't think the son will be in danger.
I also don't think she truly understood who he is. She called him a good man before marriage. And now she calls him a man with power who takes what he wants with force. He was exactly the same before marriage. She did not quite see it, because his power and the force he used was directed at situation that if resolved would benefit her or people around her. She did not have problem with his schemes when they were not directed at her or people close to her, but now that he used them to "get her" it's a problem. So I guess that's an issue on both sides.
2. That's kind of my issue tbh. That there is no long-term arc for her and she is by all means mostly reacting to her changing environment. And even now... she found her ambition, but the moment she verbalized it - the subject is closed and she is back to reacting to the issues happening around her. That's why I feel like rather than the center of the plot and character we follow on her journey, she is a storytelling tool to showcase different paths women took. Which is not a bad thing, this approach created so many memorable and touching moments. But it does not fit for me with how ML is his own man with his own plans, flaws to overcome and development that needs to happen (obviously).
3. We saw almost 70% of what is to be shown. If by now the intent of how the writer wanted to use their characters for is not clear, it's bad writing. But then for me it is rather clear so. For example, the same way I know Nanke is mostly used as a comedic comedic relief. For me by now it's clear Lan Xiang is here to tell other women's stories, and her reflecting their struggles. She is able to tell these stories as a character (not literally, i mean as a literally tool) because she is written to experiences similar things too. But other female characters have far more clear goals and ideas compared to her. And I think she does not exactly because it would make her focus shift from women around her to trying to achieve her long term goal.
but Ji'er before her downfall, Xiuwan in her bratty era < aka before they mature. And we also saw Lan Xiang express a lot of sadness and depression when she was younger and before she had to mature. Yes, she had to mature earlier than other characters, but it's for me more of the maturity difference. Now that these ladies matured, they are behaving more and more like Lan Xiang.
With her current parents, we never see her be or say anything else but that she's fine nor ever rely on them. It's actually the opposite. < that's kind of also because she knows they cannot really do much to help her. It would hurt her more to hurt them when there is nothing they can do. I don't really see it as a weakness. Emotionally they are as much of a support for them as she is for them. They support each other, assure each other. She is better at verbalizing her thoughts and how she phrases it, but again... that's coz she is a lot smarter and more educated than they are.
All the characters who are in restrictive positions pretend they are fine even though they are not. Some examples: Ji'er smiling telling Lan Xiang it's fine and it's not big deal if she has to take more clients to help Lan Xiang escape. Lin Jinqi's mother pretending to be fine and not carrying that her husband is a useless dumbass who has relationship with younger woman. Zhao Xing Tang pretending she is fine and stronger than she actually is emotionally despite her situation. 2nd sister pretending in front of her mother she is fine and cleaning her face from tears so she does not sees it. That's not something that applies only towards Lan Xiang. They are all emotionally bruised. Lan Xiang just on top of that is strong, capable, smart etc. I wish they actually emphasized how overwhelmed she is about helping everyone and carrying everyone's issues. But I don't think they did that well.
sadly she would still have to live with his family and still would be mistreated.
He knows she is a born storyteller, what he likes is exactly that particular ability to express her pov in such an articulated, wise and deep way, often poetic, filled with simbols < this has nothing to do with my comment tho. The point of storytelling I made was not about how characters view each other, but what the characters are intended to convey in th story from writing point of view.
I think you completely misunderstood my comment ¯\_(ツ)_/¯
Angry about completely different part of the story 😅
It was just analysis of what I feel the intent behind the characters existing is, and how for me these intends do not quite match well storytelling wise.
When we think about it, him and Lan Xiang barely spend time together before they got married. He truly does not know her at all. He saw bits and pieces of who she is as a person and he fell in love with these tiny moments. But now that they are "forced" to interact together he starts to truly understand who she is as a whole completed person, not just an idealized idea he had.
He liked how smart and witty she was, how she followed his lead. How he could trust her choices - but all that was in the bubble of her working for him, being his servant. Now that on technicality they are on similar levels, and she can have her own ideas, he does not understand her choices. He loved how she used her skills to help him, but now that she is using her skills for other things, he is surprised. He planned their whole live based on his imaginary perfect for him version of her and now he is confronted with reality and honestly he has no idea what to do and how to deal with it.
And that idea kind of makes it easier to watch? Because he truly needs to completely change the way he thinks of her and them together, what she wants, what he wants, what they can have together as a couple and how each of them wants to achieve it. He needs to accept his ideal outcome cannot come true. Which makes him more dynamic and interesting character - even if frustrating to the CORE.
But that makes me thing.. maybe he is not the problem here. Writing wise only, the character for sure is the problem 🤣 Lan Xiang is just... too perfect and I wish she also had at least one major flaw she has to overcome. Because her character has no real arc nor real path for development, because she does not need it. Her whole presence is determined on her reacting to things happening around her and to her. What the character does is always in response, rather than proactive or directed to future plans she has herself.
I wish they dived earlier and deeper into her wanting to write plays and explain in greater details why it will be hard. This could have been the focus of her story - how no matter the circumstances, her status, she has a goal and she will achieve it. But it's been just a few short scenes connected to her dream.
I still love her character, and I love how she is the one that brings the connections and is the catalysts to so many touching moments, BUT I find myself far more emotionally moved by people she interacts with and their stories, than Lan Xiang herself.
edit after I saw first 10 minutes of episode 32 - I think that's a deliberate choice for Lan Xiang to be this "perfect" character that does not really need character development - she is the storyteller, a way to convey the hardship of all the female characters in the drama. I still think it clashes with how ML was written and what is his purpose storytelling wise, but I guess I will just focus on appreciating what both of them bring to the table.