Kate

Truth to be told, it's just a sweet romance between a guy who has confidence and self esteem level -100 and a “perfect” dude that, in fact, is just a human and doesn’t know how to approach the baby. But somehow, it’s more than that…

Adachi does not see much value in himself. He compliments and admires other characters' traits he himself also has. He is smart, nice, polite and hardworking, but if you asked him, he would deny it. With his newly discovered magic powers of reading minds (who knew getting bitten by a radioactive spider is outdated, and staying a virgin is a new way of gaining that superhero title), he slowly, but steadily starts to see how others view him as a worker, friend, or love interest. It’s quite interesting to see how, only by internally being faced with others unfiltered thoughts, Adachi gains the courage and confidence.

Kurosawa, damn boi. The wrinkles killed me. You are reading a review written by a ghost. That smile could stop a war. Not gonna lie though, I did find him creepy at first. But when you accept the fact we also say a lot of over the top and weird shit in our minds, to never be spoken out loud, he is kind of relatable. I truly appreciated how, even though he truly liked Adachi, he didn’t want to force anything on him. He was fine with just being his friend and supporting him. He also struggled with some internal issues that are a focus of one episode. Thanks to that, we can see him in a different light, that makes him that more charming.

I wasn’t crazy about the 2nd couple. Wataya Minato looks 16 at best and Tsuge Masato looks older than any other character (though we know he is 30). The comical and over the top behavior just didn’t click right with me. Not to say Asaka Kodai is a bad actor, he aced that over the top act. It’s just not something that I enjoy in shows.

The acting overall was top notch. Akaso Eiji truly portrayed the confused and low self esteem Adachi well, and love was literally radiating from my screen every time Machida Keita showed up. His facial expressions were so on point, I had to rewatch many scenes, just because I was so amazed by his skill.

The show itself is more than just a rom-com. It touches on issues like self love and self esteem, prejudices, standards forced by society that some might not want to follow and the idea of following and giving up on your dreams.

Why not 10? I have to say, the last episode was quite disappointing. I felt like the events that happened in episode 11 were barely addressed, the explanations given were just easy ways out of the complex situation. Not to mention the last scene, that should just not exist in the first place. It just showed the limits of what actors could have done, set either by themselves or their agencies.

Overall, it was an extremely good watch. I went crazy over Kurosawa because he is the best boi on the planet and I would fight anyone on that. No doubt I will rewatch the series (I’m writing it as if I haven’t rewatch all the eps every week already) and enjoy everyone’s performance.

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Perfect balance of ups and downs.

Honestly speaking, I’m not that into makjangs. A full on makjangs is a trip to ruined mood and constant annoyance. What I do enjoy is a "soft" makjang, where the shenanigans are still ridiculous and over the top, but there are some breathers incorporated to make you actually enjoy the plot. Perfect Marriage Revenge is like that - perfect balance of ups and downs.

We get all the evil mothers and stepmothers, neglect, abuse, attempted murder, secrets and betrayal, cheating, crime - all the entertaining twists known. But we also have a healthy relationship of the leads, nice and smart supporting characters, some fluff and comedy. The leads are not exactly complete underdogs who are beaten to the ground to raise in the last episode and win the prize. It’s rather an even fight between them and the bad guys, and that’s what makes it fun to watch!

The show is beyond unrealistic, but if that’s anyone's complaint, you picked the wrong genre. Makjang is not supposed to be realistic. There were many scenes where I laughed out loud with how detached from reality they were - that’s the beauty of dramas like that.

For the romance - the chemistry was chemistrying. Sung Hoon ain’t a good actor, but he knows about romance, that’s for sure. What’s strange - his lack of skill was actually a perfect match for the drama. I honestly don’t think I would enjoy it as much with a “better” actor.

Jung Yoo Min won my heart with her performance as Yi Joo. I bought both the naive and good hearted, and cunning and strong. The emotional scenes tug at my heartstrings, the badass scenes made me clap like an excited kid.

Big props to Jin Ji Hee too. Han Yoo Ra might ended up as my favorite character. Amazing performance, and surprise nuance in how the character was written.

Overall, I binge watched it in 2 days. Once I started I could not stop. Addicting is a perfect word to describe it. I planned to just skip the scenes and watch the romance, but I ended up being glued to the screen and seated for 12 hours with hands away from that right arrow on the keyboard.

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Simplistic symbolism and how being a teenager is actually hard.

A rare case when my brain sees all the flaws, but my heart says: I don’t care. The whole show has a great juvenile charm to it, and the sloppy storytelling and in your face symbolism just adds to it. Sure, I strongly believe that with a few different directing choices this could easily become one of the best BL shows up to date, but even as it is right now, it’s truly enjoyable.

Yes, the setup on the surface is painfully stupid. We are sold the story of this abusive authoritarian school and students fighting for their rights, but what is presented is 3 students not wanting to wear uniforms. Is it that simple? No. It was never about uniforms, it was about self expression and more accurately sexuality.

The uniforms and the rules were supposed to represent the norm in terms of sexuality. Following the rules in school meant following social norms. Suppressing your sexuality to fit with what was established and deemed as "normal". The whole show is a commentary on the conservative and outdated ideas and how they harm the youth. It’s a great subject with a idea on how to present it, but not as good of an execution.

The storytelling was not detailed enough. We are presented with a wall of rules that were established, yet we actually know about only two. What are the others? No idea. What consequences are the students facing if they break the rules? No idea. There is the curse, but that’s it. Where are the parents? The whole adult side of the show is ridiculously unbelievable.

On the other hand, it made perfect sense why the teens were being “overdramatic” - they are teens. Suppression of individuality at the time when it's most crucial to figure yourself out is not really a small thing. The Eclipse did a great job to make me sympathize with the issues these kids were facing and how big of an impact it has on them. From the point of view of an adult, my initial reaction was: why are they so dramatic? Just be patient for the next few months, graduate and move on. But that type of thinking is the issue - if they are told to follow the rules and not question anything now, how will they learn to fight for their rights later? Their actions as teens will shape their behavior, motivations, personalities later on. Nothing really changes as you grow up. First you are told to do what your teachers say, later you are told to listen to your professors. Then you need to follow your bosses instructions. That’s why it’s so important for the youth to ask questions, debate, reflect on the problems and issues and not just do what adults tell them.

For the characters, the leads were phenomenal - both in the writing and portrayal. Seeking validation and purpose. Sticking to the role one obsesses over, because it feels like it's the only thing that defines who we are. The fear of being seen as disappointment. The drama also touches on the subjects of depression and suicide. How we should not judge one’s struggles based on our own standards. How we should be patient with others, because we cannot know and truly understand what they are going through.

What I appreciated the most was the takes on coming out and accepting your sexuality. It’s not the “I don’t like guys, I only like you”. It’s not “everyone is either gay or loves gay”. None of the unrealistic scenarios here. It often takes time to figure yourself out, it takes time to accept what you find, it takes time to then admit it to others. In that aspect I could not like the relationship between Akk and Ayan more. Not to mention one of the best on screen chemistry I have seen in ages.

For the acting, I've been a fan of Khaotung for some time. Realistically speaking, he is one of the best that Thai BLs can offer. I rewatched some scenes simply because of his performance. Thank god First was cast as his co-star, also delivering a solid portrayal.

Production wise I don’t really have complaints. I think some of the setup and directing ideas were too big for the production team, which led to a few questionable and ridiculous takes, but damn the show was pretty.

Overall, I liked it a lot. Yes, the setup and the way they decided to present some serious issues was questionable, but I still believe it was better than the majority of BLs out there. The biggest problem was the transition from rules at school being the issues, to how they relate to the overall social norms and homophobia - it was too jarring. You get the idea behind it all, but you still feel like it’s a bit too disconnected from each other.

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Great moments rather than a great story.

This could have been a perfect warm, cheerful, positive and destressing show with some fun and quality characters and great messages and dialogues, if it only had a solid direction of the plot. But it turned out to be a bit of a mess, with few gems here and there and a lot of unresolved frustration for me.

At first, they set the stage perfectly. We know who the main characters are and what their goals are. Who they need to fight against and what are the stakes. And then it all gets sidetracked and everything loses focus as we get more and more not well established side conflicts that are resolved in a half-assed manner.

Instead of truly diving deep into these underdogs trying to survive and strive in the company, keeping their webtoon team on board, we got a lot of random side stories and problems that were loosely related to the overall plot. Honestly, it’s the first time when the villain did not have to do anything, because the issues kept showing up even without his involvement. Things started moving forward in that aspect only in the last few episodes. Quite a weird and not engaging plot progression, if you ask me. Overall, there were just too many side plots and characters, so nothing felt truly developed and all conclusions anticlimactic.

The good point in how some messages were delivered was the fact the viewers get the "lecturing" and life lessons WITH the main character, and not delivered BY main character. Thanks to that, it never came across as preachy.

Onto the characters, On Ma Eum was amazing, until she wasn’t. Extremely optimistic and hardworking. What's important - she did not think things would just go well, she believed she could work hard to make them go well. She bet on her work, not luck. While she is a bit stuck in her "positive" world and attitude and fails to instinctually see how other people might have different approaches, once confronted, she tries to understand other people and act according to the new information.
Where her character failed was any and all interactions with Shin Dae Ryuk. Calling her approach as “ignorant” would be a compliment to how it truly went. On the surface it was all cute, nice and uplifting, but by the end, I just wanted this girl away from this child.

Seok Ji Hyung and Jang Man Cheol were amazing seniors and great mentors. I appreciated how I got no romantic vibes from Ji Hyung and Ma Eum. I loved to see their mentor-mentee dynamics. They tried to stir the pot with previews, but I learned not to trust them early on. I think we as viewers are conditioned to see romance everywhere, so even deep, platonic relationships seem to hint at romance for us.

Goo Jun Yeong might have seemed like this asshole cold main lead, but he was actually quite cute and harmless. He was straightforward with what he said, reacted well to people guiding him and took suggestions and advice to heart. He was far more open to new things than I thought he would be. It’s true that he had his ups and downs, but that’s what made him an interesting character.

All that said, with the great cast of the main characters, the one that truly stole my heart was Shin Dae Ryuk. It’s literally a crime how such an interesting character with such a complex background was not more of a prominent figure in the show. That wasted potential just makes me sad, and the conclusion to his story - mad. I don’t say it a lot when thinking about dramas, but this was truly offensive. It was so bad, I cannot even simply dismiss it as an ignorant take.

I don't have that much to say about the acting - everyone did a great job. Kim Se Jeong's existence is just unfair to us all. Not only is her singing just phenomenal, but she is also an amazing actress. She is so natural, no matter what role she takes. Also, the scene stealer, show stealer and hearts stealer - Im Chul Soo.

Production wise - typical kdrama. It was not breathtakingly beautiful, but it had some great moments screenshot worthy. Can’t remember one song, so that sums up the OST quiet well.

Overall, it was a nice watch. You know how there are some books with amazing quotes, but when you have to talk about the plot, you have barely anything to say? This drama is similar.

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Overly dramatic considering the actual content.

I sadly have to say, the only things I enjoyed about this short BL were Kim Yoo Hwan’s performance and the set design for the café.

From the strong jealousy that can mess up a friendship that lasted 15 years, through the magical speed of learning how to cook, to uncomfortable skinship Ji Soo was doing, I am just confused. The overreaction on the character’s parts did not correspond well with what was truly happening on screen too.

Even though Cha Woo Min's acting was lacking, the chemistry between Hae Won and Eun Gyu was quite nice - the problem was the lack of development. They presented it as quite a strong connection and love, while they barely knew each other. Considering they are all adults, the scale of the problems that Hae Won’s pretty face brought to the café was ridiculous.

This whole “lost dad” story came out of nowhere, and felt like an afterthought. Even the dynamics between Ji Soo and Eun Gyu were simply confusing.

Truly felt blessed by Kim Yoo Hwan - he delivered the internal struggle so well, it was easily visible on the screen even without any dialogues.

Overall, I don’t really have thoughts. It’s just one of the shows that happened, I saw and then moved on. I feel like it could have been a really nice short BL if they toned down the dramatic aspects - it was not that deep.
Will be paying attention to Yoo Hwan’s future projects since he impressed me a lot.

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Beautiful moments surrounded by nothing.

Here’s the thing - I liked the show when it started airing. I knew few people thought this type of plot might not work out with a drama format, but I was still full of hope. At some point, though, I had to admit they were right and I was wrong.

This show should be 12 episodes long at best. Preferable 6 to 10. It should focus on exactly 3 plotlines: Da Jung and Dae Young, Dae Young and his kids, and Da Jung’s job/dream. They should fill the episodes with school drama, as a lot of interactions were happening there. You can even keep the bullying and teen romance. But why, oh why do we need a love triangle? Why do we need a 2nd couple/romance? Why do we need all the scenes and interactions between Deok Jin and Ae Rin? Why do we need that Il Kwon mess? Or what was the point of this mystery photographer guy? There is so much going on in this show, and yet it feels like nothing is happening. All the most memorable moments that were truly meaningful were the family interactions. We do not need that many filler plots.

The last two episodes were some whole new level of cliche and stereotypes. When you have 2 cars of doom for the price of one, you know you've hit the jackpot. The back story about Ji Hoon's brother being connected to Dae Young was unnecessary and presented in the worst possible way. Such an emotional scene and yet, I could not stop laughing when the 2nd car came out of nowhere.

I don't even want to talk about the last minute "I'm breaking up with you for your own good" plot, because that trope just needs to die, or at least take a few years break from appearing on screen.

The highlights? All the scenes between Dae Young and his kids, both in the past and present. The slow realization he had about mistakes he made, the gradual learning that Dae Young actually cared a lot for Shi Ah and Shi Woo. These are the scenes I will remember after the show ends, and these are the ones that moved my heart the most. These were the gems that made me cry so many times, and if the show focused more on the actually important parts (relationships between main characters), chances are it might have gotten a 10 out of me.

For the acting, Lee Do Hyun aced the role. There are quite a few shows with the “younger actor playing an older character after body switch”, but none of the actors were as believable as Do Hyun. I trust this guy with my life. What do I see? Bright future ahead of him. His talent will lead him to some great roles and amazing projects.

Overall, the acting was on point. The emotional scenes were emotional, happy and funny scenes were just that: happy and funny. No areas of complaint here. Some people might dislike a few overacting moments from Lee Mi Do, Kim Kang Hyun and Kim Yoo Ri, but it was clearly a stylistic choice that has nothing to do with the acting skills of the actors themselves.

Usually I don’t pay that much attention to the soundtrack, unless it’s truly outstanding. Here, I liked quite a few songs, especially Sohyang’s Hello, which truly elevated the emotional scenes to a new level. Not to mention Sondia, who became one of my favorite ost singers, with an amazingly sweet and warm voice.

Overall, nice show, but skippable. I stayed for the parents and kids relationship and Lee Do Hyun’s acting. Even though I am massively disappointed by the obvious ending and last two episodes, the scenes between the family still made me tear up a bit and it shows how amazing this drama could have been if it was not for the unnecessary sub-plots.

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Eye candy and empty calories…

Fast food entertainment at its finest. Highly addicting, but you’ll feel hungry 30 minutes after finishing the meal, realizing you just ate a bunch of nothing - empty calories. Was it fun? Sure. Was it actually good? Debatable. Saying this drama is a quality one is like saying McDonald’s is a healthy meal - false advertisement. That said, there is a reason we all crave fast food from time to time.

Starting from the good aspects - Xue Fang Fei. It’s impossible not to love her. Even the villains appreciated how smart, cunning and brave she was. Seeking revenge without abandoning your morals and principles, when the people you fight against have no true honorable values that hold them back is not an easy task, and yet she managed to achieve that. While her goals were important, they were never more important than people in her life. She never took the easy road that could unnecessarily hurt others. What I appreciate the most about how her character was written: she was strong, but still presented in an extremely feminine way. Beautiful, loyal and smart, empathic, emotional and caring.

Her revenge turned seeking justice arc was quite well developed and paced. Her plans were realistic enough, I never thought she had some superpower type of skills (excluding her playing zhiter - that’s some borderline xianxia magic) - she knew her strength and the advantages people around her have, she understood the strengths and weaknesses of her enemies and acted accordingly to what was most beneficial. The risks she took were understandable and the ways she survived all the crisis made sense in the context of the show. Great female lead to follow throughout 40 episodes.

Princess Wan Ning - the way I went from hating her to loving her. By the end of the show I would love to see a drama from her point of view - filled with pain, helplessness, tragedy that leads to her becoming the villain, because no one cared for her when she was the victim. Her arc is for sure my favorite and feels the most completed. Fang Fei’s tragic past truly did not feel that tragic when we got the full picture of what Wan Ning had to go through and how she was used and abused. Her resentment and selfishness started to weirdly feel justified, even if at times directed towards wrong people.

Shen Yu Rong is not a character I loved, but it’s for sure a character I loved to hate. In my eyes, he was the true villain - weak and pathetic, not wanting to die, surviving like a cockroach - and for that I am grateful. What a consistent and delusional pain in the ass this man was, it’s impressive. Blaming other people for his mistakes, for the decisions he made, till the end not willing to face his past. His obsession over Jiang Li made perfect sense - it was his way of erasing his mistakes, living as if they never happened, starting from the beginning, clean slate.

The visual presentation - how stunning! The way they shot the movements, how they used the costumes to their full potential, how some moments honestly became breathtaking - especially for the female characters. There was something graceful in how the camera framed women.

Then we have the acting. Wu Jin Yan and Li Meng easily stole the whole show. Somehow Wu Jin Yan was able to present both immense strength and vulnerability at the same time. Li Meng was just mesmerizing as the egocentric princess broken by her traumatic experiences. When either of them showed up, they just made you focus on the screen.

On the other hand, the men in this show served nothing, but looks. Duke Su was delicious to look at, but sadly he was mostly talk and no action. For the majority of the show he truly did nothing except fly around and flirt with Jiang Li. While her revenge was detailed and well presented, his felt like an afterthought.

Ye Shi Jie, while cute, with some of the prettiest eyes I have seen, was painfully underdeveloped. What’s the point of showing he has feelings for Jiang Le, when it leads to nowhere? Other male characters were just a way to push the plot forward by either randomly saving the day, or annoying ruining the plans.

Seeing how technically speaking the politics of the show had a major impact on the plot and the characters, they were boring and lacked detail for me to care about. I did not care who is against whom and why, who has more and who has less power in the court, who is safe and who can be killed - they started to explain the big picture way too late for me to even pretend it’s engaging.

The biggest issue I had though, was the structure of the show - everything seemed uneven and mismatched. Jiang Li is this tragic heroine who lost everything and is set to seek revenge, but then we find out she did not really lose nearly as much as they present at first - everyone came back from death, her included.

First episode presented a makjang level of drama, and then it never lived up to that crazy hype, slowly becoming more tamed and boring. And what’s more that became tamed and boring? Duke Su. At first presented as this domineering and extra in his entrance man having a national emergency level of extreme fire chemistry with female lead, to them lead to nothing - these two were taking their sweet time with the romance. This was such a slow burn romance, it barely moved. The candle kiss traumatized us all. They led us to believe we will get some proper romance, and what we’ve got was an eye staring contest between Jiang Li and Duke su every episode.

They also had a really weird way of introducing characters and villains - there was no subtle set up for them. Out of the blue we are getting scenes with a new threat we are supposed to fear, but I’m like: who is that and why should I care?

Last two episodes were full clownery. I never laughed so much watching scenes that are supposed to be moving or tense. Some highlights include Jiang Li saying she can do archery, when she held a bow twice in her life. Another one was the random cheap death of two guys working for Duke Su - why did it even happen? Why did the war even happen? They never presented it as a major threat, so why even make it a last minute plotline?

Overall, it was fun and disappointing at the same time.

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Over the top, on crack and hyperbolic, but somehow extremely relatable.

I’m not going to lie, semi-pro alcoholism is not exactly my cup of tea, but somehow, I did not mind it here. It might be the fact that realism went out of the window with the sea of alcohol they were drinking - it was both scary and impressive. I don't think I've drunk as much alcohol in the last 10 years of my life, as they drink in a week.

It’s all about these eccentric ladies and their daily struggles as they hit their 30s. Each of the 3 ladies presents a truly unique perspective and approach to life. At times, you might even question how they became such close friends, since the differences are so obvious. That’s one of the best parts of the show - watching them understand each others’ ideas, goals, views and opinions and accepting them.

The comedy is good, well placed, fitting the situation and built on characters' personalities and relations. It’s not all fun comedy though. Each of the female leads have to deal with either past or present traumas and problems, which adds a layer of depth I did not expect when I started the show. These stories also serve as a great social commentary about several issues. All the tears, all the used tissues.

It’s a drama that finds a perfect balance between friendship, work, party and romance. The writer and director knew exactly how much screen time each of these aspects needed to feel like a cohesive picture with no underdeveloped plotlines.

The cast did an amazing job with the characters they played. Were they slightly type-casted based on the real life personalities of the actors? Yes. Being a fan of A Pink, Secret and Super Junior in the past, I can clearly see some similarities between the characters and people who played them.

Overall, I just loved it so much. Being more or less the same age as the main characters, I could not stop myself from relating to a lot of situations they had to deal with, feeling nostalgic about their past, that often was similar to my past experiences. It’s not a perfect show, but for me it was. There was truly nothing that bothered me or I would change.

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The most heartwarming kidnapping story one can encounter.

I cried, I laughed, I almost smashed my laptop - it was all worth it. The connection between Ro Hee and Myungjoon is not something I will be able to easily forget.

Not the brightest, but a strong man and a genius child - this setup for the main characters sounds like the beginning of an over the top, unrealistic and not easily relatable story. To make it good, the writing of the characters needs nuance, and that’s what The Kidnapping Day presents.

Myung Joon is not this dumb guy who gets manipulated by everyone while being completely unaware of what’s truly going on around him. He is not just a passive tool for others to use, and his loyalty and compassion are the exact reasons he was one of the most dynamic and driven characters.

Ro Hee is not this emotionless adult-like genius. Yes, intelligence was a big part of her, but the detailed writing did not ignore one of the most important aspects of who she truly was - a child. Many stories focus so much on characters’ cognitive abilities, they completely forget to showcase their emotional development - this way we get these robot-like smart kids who just act like adults. Not here. That innocent and child-like nature made the story far more impactful. It also made it possible to present a variety of the types of interactions she had - some treated her like a child, some treated her as a genius, some treated her just as just… I guess that’s something you will find out if you watch the drama ;)

It’s a story about making choices and facing the consequences. How some wrongdoings cannot be wiped clean, no matter how much we try. How trauma can hunt you for a lifetime. How greed can push you to do despicable actions. How everyone's idea of happiness is different. It’s a story about fear, desperation, obsession, but also compassion, family and support. It’s a whole package.

The Kidnapping Day for sure leans more into character (and relationships) driven drama, but I would never say it neglects the plot aspect of it. It was just slightly less masterfully crafted. Some aspects were not quite detailed, but all was enough to tell a cohesive and engaging story. We hit some dead ends and a few bits had not quite satisfying conclusions, but since I never viewed them as the focus of the drama, it did not bother me that much.

The acting… I have no words. Big props to Yuna who had the hardest and most demanding role to carry. I truly fell in love with Ro Hee and cared for this child with all my heart. Yoon Gye Sang presented so much warmth in his performance, I wished to have someone with a similar presence to Myung Joon in my life. I’m also impressed with Kim Shin Rok as Seo Hye Eun. I kept going back and forth with hating her and feeling sympathy - presenting the complexity of her story and the duality of it was not an easy task, but Shin Rok handled the role amazingly.

The production, directing, editing - all perfect. I even loved the small details like the chapter titles at the beginning of each episode with well selected shots as background and these tiny doodles as symbolic representation. Even the soundtrack was amazing. Especially the instrumental score.

Was the drama perfect? No. I still believe that the second episode was a poorly constructed introduction to the investigation and Sang Yoon. Some characters got me confused about their presentation - from feeling not that threatening, to then abruptly switching to the biggest threat. As I previously mentioned, there were some plotlines that could have been explored more and had better closure.

But even taking all that into consideration, this drama was truly a magnificent experience that kept me tense, happy, sad, angry, hopeful, scared each Wednesday and Thursday from September 13th till October 25th - and I will probably come back to it from time to time.

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One could say it’s your typical Thai BL, but that would be insulting to all the mediocre Thai BLs. Technically it’s the same old story - two cute guys pinning for each other because they suck at communicating their feelings. It should be all cute fluff, pure entertainment, feel-good watch. So how come it was either boring or infuriating? The good aspects were toned down, while they exaggerated the awful miscommunication trope to some ridiculous levels.

Daonuea? Cute, chill, awkward. Somehow have like 3 guys after him, go figure. At the same time, I hated him. He claimed to care for people and their feelings while also acting like a coward leading people for whom he obviously has no feelings. It’s not like he was truly an awful character, he had his moments and overall I enjoy his interaction, sadly only with people that had no romantic links to him.

Then we have Khabkhluen… I don’t even know where to start. His whole story? Ain’t buying it. This level of lack of communication, but also ONLY when it involves Daonuea? Ain’t buying it. The “progression” of his feelings? Ain’t buying it. He was just poorly written, that’s that. While it was fun to watch his silent moody demeanor at first, as the drama progressed I simply got tired with it, since the guy had like -10000 initiation levels. He just did not do anything.

I don’t care enough about the side characters to write about them. Some had some random not well executed last minute stories presented, but who cares? Not me.

I think my biggest issue was how they built the conflict, or rather dropped it out of nowhere. What it felt like - they obviously did not have enough plot for 8 episodes, so they had to invent some random issues that had no place to exist and be part of the show, that’s how ridiculous they were.

The acting was… mediocre? I was fine with most scenes, but the cast failed me with anything involving deeper emotions.

Overall, damn this was disappointing. It had a decent start with the first two or three episodes, and went DOWNHILL from there.

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Low-key masochist/sadist, high-key chemistry.

There are dramas that you feel are too short, but you also saw enough to be satisfied, And then there are dramas like this one - when it's too short and you need to see more. Sure, they did best they could with the limited time they had, but this plot and dynamic deserve more.

Cannot believe we are finally slowly getting Korean BLs with proper plots and new settings. Was the case extremely simple and predictable? Yes. But it’s better this way. There is nothing worse than a complex story forced into a short format - it never delivers. Smart productions know their limits and try to present the best version of what’s possible. BLs are a sub-genre of romance and you do not watch romance for the plot, you watch it for the relationship and the chemistry. Of course having an interesting plot is always a good thing which separates mediocre romance from great romance, but the plot is not the core of the project. So yeah, I am not mad about how simple the story was here. It worked and that’s what matters.

To the more important aspect - the relationship between Lee Chae Ha and Ju Tae Seon. Would I want to swim in the sea of angst delivered by the set up a little bit more, before we move on to mutual positive feelings? Yes. Pinning, angst, contradicting feelings a character has that make them frustrated to the core - I could eat it for breakfast, lunch and dinner. I just love when characters are so sure of what they are feeling and what drives their actions, to then get all confused when love hits them in the face. But I also understand, yet again, that there was a limited time to show the progression from enemies to lovers and for good balance, you just cannot focus too much on just one phase of that dynamic.

The angry angst era was iconic, the confusion and suppressed care was iconic, the desperate love was iconic. These two truly worked well together. I actually like how cliche they felt - Lee Chae Ha had no backbone for most of the drama and Ju Tae Seon was borderline psycho. If you ask me they are low-key masochists and sadists and that’s how I view their dynamics. Sometimes the aggressive beginnings in dramas make me feel uncomfortable, but here it just worked, because I did feel like Lee Chae Ha was into it.

On that note, the office scene. If you saw the drama you know exactly what scene I am talking about. Hot damn. Masterpiece. Thank you.

For the villains. One, the glorious O Ja Hyeon is presented as one from the beginning and more are hiding in the shadows, but are also rather obvious by episode 2. For O Ja Hyeon - loved to hate her. That one scene where she spilled all the tea was amazing. What a performance from Seo Han Gyeol. She stole that moment completely. I kind of wished she had even more presence in the drama. The other two villains were… fine? I think they missed an opportunity for a plot twist here, and went with the safer option.

Performances were mostly good. There were a few more intense scenes where I was not completely convinced by Park Si Woo’s performance. The issue could yet again be the length of the show. Sometimes both the characters and viewers should sit on the emotions a little bit longer, but pressed for time, the drama had to move on with the dialogues a bit too quickly.

I liked the production and the soundtrack. I like how the lighting and the music matched the intensity of some scenes. I always appreciate the good use of light and shadows. Also, go listen to Marionette, it’s a great song!
I am not going to talk about the intro - I just kept skipping it.

Overall, a pleasant surprise. It was a lot better than what I expected in all areas - plot, dynamics, acting, production.

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A gentle escape where kindness takes the lead.

Beautifully humane, focusing on different generations, their daily lives, struggles and happy moments. And what I loved the most was: it did not have a "main character".

This is what I feared a little bit when I started watching it - will Park Bo Gum overshadow other cast members and the core of the show itself - the villagers? I’m happy to confirm he did not and the production team did not try to put him in the center of every moment. It was a team journey and it felt like it. Park Bo Gum at times feels like the synonym to “kindness” so can other people keep up with his perfect image? Yes, they can, with their own charms and good qualities (also, Park Bo Gum is unreal and we don’t deserve him).

I started it for the cast, but kept watching for all the villagers. The way I truly feel like I know them, how it felt like I was getting my own weekly dose of healing after a stressful work. It was a great reminder that it’s okay to slow down, take a moment to yourself, to appreciate small moments. I also love the bond that was made between the actors and the guests of Bogum Magic Curl. The unique charm small towns possess: the feeling of unity, kindness, warmth and support.

On one hand I want to write detailed thoughts about all the customers and at the same time I want to say as little as possible, because experiencing it as you watch is the correct way to go. They are all subtle and small moments that had a great impact on both the cast and me as a viewer. Living in our chaotic times this show is the healing we all need.

Overall, what a treat. The only reason I am not giving it a full 10 is I kind of wish we had more, but shorter episodes and more celebrity guests - they always brought a new and fun dynamic to the Bogum Magic Curl. Still, I can pass more celebs, but more episodes would be great. Reality is what it is - I know all these actors cannot spent more time in production of one variety show like that.

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The almighty pen.

From a writing perspective, it’s closer to a 7.5, but I had so much fun, I cannot rate it lower than 8.5. It was quite an exciting watch, delivering all types of frustration and thrills, but ending on a rather mediocre note.

Honestly speaking, the first half of the show was a good 10/10. It had everything one might want from a show like this - cute fighter, psycho brain, cinnamon roll who just wants to help. We’ve also got all the blood, pain, violence and the main character - the pen! I was eating it all up, could not stop watching and barely stopped myself from screaming at my laptop.

So what happened in the 2nd half? The drama changed from more plot/action driven to character driven… and it focused on the character I honestly cared the least about. With each and every scene I just started to hate him more and more. For all the buildup, all the tension, all the accumulated frustration in me, I was not delivered a proper closure. I understand it will have a second season, but even with that, rather than being excited and hopeful the drama left me fearful if they will deliver a more proper ending this time. I don’t want to dive into it and get a half baked potato with the last scene.

That said, the show presented a glorious friendship/bromance between Shi Eun and Soo Ho and I could not ask for more on that part. Both characters perfectly played off of each other's traits and the dynamic was just fun to watch. They were perfect partners in crime.

Oh Beom Seok was a complicated character and I don’t think the director quite well delivered what they planned with him. I feel like there was something missing with the way his character was developed. For such complex internal and external struggles, I was completely indifferent to whatever was happening to him - which is ridiculous as he is the center of last 4 episodes.

Plot wise, saying this drama lacks realism would be a massive understatement. Some scenes were so ridiculous and over the top I was just laughing. At times it was even hard to feel bad for these kids, because the situations they were in just made little sense. And this is one of the reasons I enjoyed the show. I watched it for the over the top scenarios. I wanted excitement and hype, and not pain and anxiety. That said - fear not, Weak Hero Class 1 still manages to create decent stakes and make you care for the characters, even if your brain sees the nonsense happening on the screen.

I appreciate how the drama tried to showcase what happens when someone is in a circle of violence. What they missed is to show why some characters were able to get out of it, while others got swallowed deeper and deeper.

Production value was good. Loved the fighting scenes, and loved the different approach the characters had to them. They delivered realistic blood and realistic amounts of it - someone gets punched, they will bleed, but ain’t no bloody waterfalls going on. Some scenes were quite aesthetically pleasing, though I wished they included more visual symbolism here. This is something I felt like the drama lacked.

The acting was the one that surprised me the most, on the positive note. I knew Park Ji Hoon is good and that's why I am even more amazed he delivered even more than I expected. This type of character so so easy to mess up. To create the aura of intimidation, you need some skills. to make him look empathic on top of that, is even harder. And Ji Hoon managed to do it all.

Choi Hyun Wook was honestly adorable. That said, I kind of felt like this is more violet, better at fighting version of the character he played in 2521.

Hong Kyung did a great job with the character he was given. Even if the writing for him felt rushed, he did great at portraying the change and desperation.

Overall, fun, violent and exciting. The characters were interesting, some more and some less likable. The conclusions for specific plots and situations could have been better. Perfect binge watch material.

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This should have been a special episode only…

Let’s be real, they could have just put the last arc in a special episode and it would work way better. Most of the episodes were nonsensical and Minato was just frustrating on a whole next level. Why did he feel even more shy and teen panic after they got together than in season 1?

Season 2 does not really give you many sweet scenes to feed your fluff desires, nor does it develop characters in any meaningful way. Everything important happens in the last 2 and half episodes, so what’s the point of all the rest? I thought I suck at romance, but Minato is a whole new level of failure and if it was not for Shin’s undying patience, this relationship would fail hard. Realistically speaking, I just mostly felt bad for Shin in the first 10 episodes.

The second couple was way too similar in their dynamics to Minato and Shin, I quickly lost interest… Misunderstanding and lack of communication is a clear indicator the writer did not really have any solid idea what to do with them, they existed to fill the screen time.

The acting was great, just as it was in season 1. At least from Kusakawa Takuya and Nishigaki Sho. Quite a few scenes that were surprisingly touching, a number of scenes that worked only because they did their best to deliver, even if the script itself was lacking.

Overall, it’s more or less skip worthy.

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Downhill we roll, as the quality drops with each episode.

Here’s the thing - I was extremely vocal on feeds and while talking to my friends about how this will be my favorite adaptation of the story and how much they improved with making it more realistic and less over the top toxic. And then, slowly, with every episode my enthusiasm started to drop. A show I started with genuine love, I finished as a hate watch. I cried watching the last episode, cried from laughing so bad.

Rich guy with family issues falls for a poor girl with financial issues - we all know the stories like that, most of us watched at least one adaptation of F4. Was this a fresh and groundbreaking take on this cliche plot? No. It started really well with a more realistic approach to the characters - Gorya was less in your face superhero bully fighter and Thyme, while still rude and cruel, had some type of limits to how far he is willing to go. I truly enjoyed how it was more grounded in reality - they managed to make me like the female lead more, and hate the male lead less. Then it lost that spark as it played into all the toxic over the top semi-makjang ideas.

Honestly speaking, the biggest issue was Thyme. To people saying he got amazing character development, where? There was one episode left for the drama to end and he still needed his friends to tell him what is good and moral and what is not. Dude literally threw a chair in Gorya’s direction when he was angry. How was I supposed to root for him, when I saw close to zero improvement in his behavior - every time things got tough or he got angry, he went back to his old abusive and impulsive ways.

Saying it’s realistic that he did not change so easily would make sense if the drama was realistic as a whole - it was not. They clearly did not care about realism, so why try to excuse the character with that logic?

Gorya was fine during all scenes, except the ones with Thyme. They both used violence against each other and sometimes it was played as a fun little comedy bit. On the other hand, she strived for better and grew as a person when she was with Ren.

And here we face the biggest issue - they made Ren too good to be true. Yes, he made one mistake and acted rather toxic towards Gorya with the misguided actions based on his good intentions, but he learned from that and never did that again. He was so fine. That’s that.

Then we have that completely useless and not developed romance between Kavin and Kaning. I am not going to lie, the side couple was my favorite part of the Korean version - the story was interesting, the conflicts were well built, the resolution was satisfying. Here, we’ve got none of that. They made zero effort to convince me why Kavin was hesitant to start things with her. They were just in the background, occasionally being cute.

I don’t even want to talk about M.J. getting his plot thanks for KFC commercials at the end.

I did enjoy the friendship of F4 a lot. Their scenes, excluding the bullying ones, were fun to watch. They always had each other’s back and tried to solve issues as a team - well, the 3 of them tried to solve Thyme’s issues while he acted like a moody toddler either turning them down or running away.

Putting characters aside, the show did attempt and made some good remarks about the social differences, the responsibilities and struggles people might have depending on their social status. I appreciated how it was not all black and white - rich people have all the privileges and no real issues, and poor people are the only ones struggling.

Acting wise I don’t really have complaints. I’m not the biggest fan of Bright’s acting, but he was truly born to play this role. Thyme was rather dumb of a character, and the faces this guy was making just elevated it, making me crack a smile quite a few times. Tu did an amazing job as Gorya - I bought everything she was selling on screen. I would say, the only performance that was questionable was Win as Kavin - his delivery was a bit on one note and the lines just did not sound natural at times.

Production wise though, probably one of the best quality we have seen from Thailand for some time. The show was simply beautiful. It was impossible to watch even one episode without taking countless screenshots. They played with angles, depth and light and I appreciated that alot.

Music was fine? I honestly cannot remember one song from it. They were not that memorable, but if they were bad, I would for sure remember them not fitting the scenes.

Overall, what a journey it was. By the end I was rooting for Thyme’s mother to keep them apart. What a badass she was. Might be evil, but with a class. The most terrifying mother of all the adaptations.

I don’t regret watching, I enjoyed it a lot during the first half, and had fun making fun of it during the second half. It’s like, slightly better than Boys Over Flowers? In some aspects… but not all.

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