Kate

Each new person we meet is a new chapter in our life.

I want to be completely honest - this is my subjective take on the show. I feel like My Liberation Notes is a drama one either vibes with, or they don’t. I don’t. It’s not like I hated it, but I was not as moved, touched, absorbed by it as other people. It had a fair number of elements I enjoyed, but overall, I was not invested.

I think my biggest reason for disconnecting was the fact I did not relate to any of the characters and, at the end of the day, it is a character driven show. Yeom Mi Jung? Extremely unlikable for the majority of the episodes. I completely gave up on trying to like her when on one hand, she complained how no one ever made her feel alive and whole, but at the same time said she herself never really liked anyone.

I understand that all the depression (probably more specifically dysthymia) symptoms she presented must have been something many people related to. I am not a stranger to these feelings myself, and yet, I could not be on board with what they tried to present with her. Admitting on the side though, the last episode changed my perception of her character quite a bit, and I liked that a lot. They hammered a specific picture of her, and then gave me a 180 change with a new perspective delivered with just one line. Whatever I did not like about how she was written became less valid at that moment.

That said, putting aside whenever she was likable for me or not, I do appreciate some aspects of her personality. The fact they broke away from the “shy introvert” portrayal many dramas have. She was not shy, she was simply not interested in people. Sometimes people who don’t engage in every social interaction are not shy, they just don’t care. At times her inner dialogue and conversations with people made me think she might even be asocial, one step further than introversion. If we truly listen to what she was saying, I still have to appreciate that it’s just who she is - there is no trauma, no social phobia. She just does not like people that much and prefers solitude.

Then we have Mr. Gu. I liked him a lot at first. The mystery around his character in that rural area made me curious about his story, but they dragged it for too long. When I finally found out more about who he is, I was not that interested. It was a well done suspense, since me and many people wondered about his identity, but I feel like keeping the viewers in the dark for so long took away from him as a character. On the other hand, one could say he serves as a good contrast to Mi Jung’s journey, and the different pace they both took in figuring themselves out.

While Yeom Ki Jung was entertaining to watch and one of the reasons I pushed forward and finished the drama, I found her arc a bit one dimensional. At some point I started to feel like her obsession with finding a man was overshadowing the underlying issues she has. It felt like a comedic bit, that is not quite funny when you truly think about it. That said, her romantic endeavors were enjoyable and endearing and for me, she was easily the most likable of all the siblings.

I don’t really have much to say about Yeom Chang Hee, except for the fact he was underused. His interactions with Mr. Gu were amazing and I would love to see more of them - that friendship could have been an interesting addition to the story. I am honestly not sure what his purpose in the drama was. I get the vague idea, but for me his characterization lacks focus? He shined the most in the last (around) four episodes, and I probably enjoyed him the most at the time, out of all the characters.

One of the aspects about the drama that can be either viewed as a positive or negative thing depending on the preferences, is how the main characters were not that well defined. A lot of aspects were left for interpretation. I was discussing the show with many people as I was watching, I also read many comments and takes on the plot progression and characterization, and I have to say - many people had quite different takes on who the characters were.

As far as I see it, it’s a good thing. It’s not a “play in the background” type of a show. The true value comes from wondering about it as the episodes end. Trying to understand the characters. And since everyone looks at them from the lens of their own private experience and personalities, it’s given that they will see different things in them. It’s the viewers who add depth to them, their interactions and plot development. So for me, who was not engaged enough to feel motivated to do that, the drama lost one of the most important aspects.

I know a lot of people love the dialogues and inner monologues in this show. I completely agree they were well written, but they were also repetitive. A lot of them were talking about exactly the same thing, just with different words. So at the end of the day, we end with exactly the same issue - you either relate to the lines and love them, or you don’t and you find them boring.

While they went into detail about Mi Jung’s inner struggles which led to many people appreciating the show, I also feel like a lot of aspects suffer because of it. The relationship between the parents being one of them. Literally all the supporting characters. The biggest let down? Underuse of Liberation Club. I wish there was more focus on this rather than Mi Jung and Mr. Gu together. Using the writing note as a way to deliver the inner monologues was used just a few times, overshadowed by emo train rides that took the spot for the narration time.

That said, with all the complaints I had, they are all subjective. The same things I complain about, other people name as the reasons for loving the show - depending on the perspective. As I said, you either vibe with it or you don’t. It’s really consistent with how they deliver the mood and message, creating a well composed picture. The acting, writing, directing, editing, soundtrack - everything fits well together.

Overall, would for sure recommend to anyone who likes slow paced, character driven shows that focus on daily lives and struggles of normal people. There is no reason not to check it out. It's a good drama, it just does not try to cater to every viewer, and as a result, it might not resonate with everyone. But you won't know if it's something you will see as a true gem, unless you check it out yourself ;)

Ps. Refrain from telling me maybe the genre is not for me. It’s not the genre, it’s this specific show.

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The campus love story of psycho and weirdo.

One of the sweetest things I have seen in quite some time. Keeping it simple was the blessing we all deserved. Extremely likable characters, where even their stubbornness could be viewed as cute and adorable.

The plot did an amazing job at setting up the dynamics between Jae Young‬ and Sang Woo, but also introducing them as separate characters with unique personalities. The introduction of the leads was done in such an effective way in episode one, I did not question their reactions and motivations in later episodes - I accepted that’s who they are and their actions made sense.

The plot that links Jae Young and Sang Woo is also believable, bringing up many funny interactions and ways of testing the leads' communication and patience. Enough screen time was used for it, so it never felt like a plot device that could be easily replaced, but rather an integral part of the story telling.

The gradual change in Jae Young and Sang Woo relationship was simply delightful to watch. We could see what moments were the turning points, what led to them, how they influenced the main characters. It was a well written and presented progression, and while the characters were falling in love with each other, I was falling in love with the show itself.

The thing that I appreciated a lot was how Semantic Error showed changing for people you are about is a normal thing, and sometimes you have to get out of your safe zone, but at the same time, they did highlight the importance of respecting and trying to understand the differences in personalities people might have. Mutual respect and mutual effort are the key to any relationship - be it romantic, platonic or professional.

The pacing was perfect, if we take into consideration the length of the show. They truly did their best not to waste the precious screen time on useless side plots that bring nothing to the table. Sure, Ryu Ji Hye’s character was not exactly needed, at least not in the way she was incorporated into the story, but it’s more of my personal view. I’m sure many viewers loved her the way she was and the role she played in the story.

Jang Jae Young‬ is probably one of my favorite male leads in any BL. Yes, he might be a bit of an asshole at first glance, but even his childish behavior was more entertaining and adorable, and less frustrating and annoying. It’s truly impossible not to fall for his charm. The guy shines the brightest when he tries to be patient and understand others. Him being so good looking is truly just a bonus, a cherry on top of his awesomeness.

Think of a completely opposite character of the social butterfly who goes with the flow - that’s Chu Sang Woo‬. His asocial personality was somehow endearing - he had his ways of dealing with problems, and was always straightforward about his expectations and rules. More often than not, I actually thought he was right in his approach - with freeloaders during university work, or setting boundaries with lecturers.

That said, I do think they went a little bit too far with his “robotic” characteristics. We get it, the boy has issues with dealing with his emotions. He needs time to understand them, he is flustered and sometimes scared. While all of this gave us many funny moments, sometimes I just went “okay, chill with the googling body malfunction”. Still love this child.

The supporting characters had enough screen time for me to believe they are more than just one dimensional fillers. Choi Yu Na was extremely cool, but also a caring friend, and Go Hyeong Taek was a ray of sunshine and cuteness that brought some fresh atmosphere on the screen.

I would not say this was an Oscar worthy performance from the cast, but it was on par with a lot of mainstream romance shows, not just BLs. Park Seo Ham truly aced the role of Jang Jae Young‬ - a lot of it was in his eyes. I replayed some of his reactions and scenes simply because I appreciated his performance in them.

Production wise, for sure the best we have seen so far from k-BLs. From the opening shot, the intro, the use of angles, light and shadows, to the set design - nothing I could possibly complain about.

I admit to adding the OST to my playlist. The songs are that good. Even if I have not seen the show and was not emotionally influenced and biased because of that, I would like them a lot.

Overall, this is a perfect sweet de-stresser. What adds to it are all the interviews and behind the scene videos that show the good atmosphere on set and great chemistry between the cast. You can see they enjoyed the filming and liked the story they were presenting on screen. Nothing better than people involved in the production actually believing in what they are creating.

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This show is like an abusive partner - gaslighting you into thinking the trauma was not that bad.

What an emotional journey it was. This is how you write a complex female lead and realistic portrayal of how hard it is to deal with your past traumas and fears. Sometimes after moving forward one step, you go back two.

This is a one woman story. Kang Hui is the main character and everyone around her is just an accompaniment to her solo performance, and it’s great. She was a deeply hurt, scared, insecure, but also strong-willed and brave person. Yes, you can present the opposite characteristics depending on the circumstances you are currently in. That duality was what made her unique compared to many other kdrama characters.

She was so beautifully flawed and frustrating to watch. Constantly making mistakes, not knowing how to stand up for herself, lying, running away, pushing forward. I wanted to slap her back to reality, and hug her to console her. But when you frame her behavior in the context of her life, it all makes sense.

She faced abuse and neglect since childhood. She had the whole town against her. Adults telling her she is the reason her mother died. She felt unwelcomed whenever she went. She was blamed for her mother's actions. She was blamed for others’ mistakes. The town treated her as a plague that brought misfortune, even when she was just a small child.

The way they presented her get back on her feet and then crumble over and over again was painful to watch, but also so refreshing. She felt like a real person.

However, as good as the journey was, the conclusion could not have been more trash. Since when do we show victims of years of abuse apologize to their abusers on their knees? The whole last two episodes were kind of insulting. The way one beautifully shot scene of Kang Hui apologizing to her younger self was a conclusion to years of abuse, bullying and built up trauma she faced in that town just made me angry.

Why try resolving and fixing the extremely unhealthy relationship between father and daughter and make the father take accountability of the neglect, when you can just give him cancer and make the daughter feel guilty about it?

I honestly feel gaslit. With the last two episodes and how casual everyone was about Kang Hui’s past and how everyone treated her, I started questioning if I imagined parts of the plot. The same people who screamed at her and told her she is the reason her mother died are now saying her father raised her well? Am I losing my mind, or is the drama truly showing this? WHY WERE THE BULLIES INVITED FOR THE DINNER AT THE END?

Every time they showed one of the town people acting nice I kept asking - Why? What happened? What changed? Did you all have group therapy behind the scenes and reflected on your actions? Why now? Ladies and gentleman, the credits are about to roll - smile and act nice, we need a happy ending. It does not matter if it makes sense or not.

You CANNOT make a whole drama focused on how hard it is to heal from your traumas, with the female lead who keeps going back to her bad habits, running away, pushing people away. Showing how poorly she was treated not only as a child, but also as an adult. How none of the people in her life truly understood how abusive they were. To then magically heal everyone and make it the peaceful happy town where everyone is friendly and they all support each other.

The whole show was filled with hypocrisy that was never addressed. Love cures it all was the ridiculous approach to this story. Probably one of the worst conclusions I have seen in the past few years.

Back to the good - the performances. To be honest, I picked this drama to get over my unreasonable dislike towards Lee Se Young, and the magic happened. Her portrayal of Kang Hui was truly stunning. Perfect in every area. There was nothing I would change nor improve. On the other hand, Na In Woo was kind of there, filling the space. Maybe because they never truly developed his character to the same extent they did with Kang Hui, his take on Yeon Su felt a bit flat. While I disliked Chun Pil as a person, I adored Choi Min Soo’s portrayal of him. What a vibrant performance it was. The role was painfully hard to present. He had to show both the nonchalance, but also the seriousness of his personality.

For the visuals - it is a show that you will want to take screenshots of every few seconds. Beautiful.

Overall, I might have been traumatized by the laughable Disney ending. Magically everyone was cured, everyone was nice, pretending like the past never existed. I loved Kang Hui, I loved her journey, but the express trip to Happy Ever After by the end, kind of made me angry.

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Ambitious project, maybe too ambitious.

This is exactly the type of a story that requires a longer format. It's not even about complexity, but rather the type of a storytelling - building it on the small hints about the connections and past events, the lasting feeling of familiarity between the characters that the audience cannot grasp at first. Slow buildup is not something you can achieve with less than 115 minutes or runtime.

I can clearly see the production team did their best, but some things cannot be overcome just by trying hard. Here’s the thing, I am not sure I would truly understand the whole plot if I was not checking out comments from people who read the webtoon. Especially Denis’ part of it, which also seemed to be made far more simple and passive? There was simply not enough time to present his side of the story and explain his feelings and motivations.

That’s about Denis, what about the other mains?
Dong Baek is such a stock character, the best of the NPCs. Rarely speaks when others argue about him right next to him, mostly interacting with people if they interact with him first. He acted the way the plot needed him to act, no matter if it made sense or not.

Yu Dam could have had far more depth and I wish we could see more… desperation and sadness? Taking into consideration his story, dude was way too chill about everything. Again, I do believe it was caused by the short runtime.

It does not mean I disliked everything about the show. I enjoyed the chemistry between the leads, I actually enjoyed how annoying Denis was and strangely he was my favorite character. I liked the production quality and the soundtrack. I loved the ending - truly. The conclusion and last few scenes were probably my favorite part.

Overall, a great concept that should have been kept on the shelf till the BL industry got bigger and more profitable, so they could do the story justice with enough support.

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The loop of framing Wei Young.

The drama went from solid 9 to 5.5, the plot went from entertaining cunning politics and schemes to repetitive ploys as if everyone got repetitively hit by the white truck of doom and got amnesia every few episodes, deciding to create the same schemes over and over again, for 54 episodes. Not to mention the IQ of the characters going from 150 to -10 as the drama progressed.

You know a show is full of clownery when a character that just has been tortured is being asked “Is it very uncomfortable?”...

I think the most disappointing aspect of the show were all the female characters. All the lead ones, except for Wei Young, had one focus and one goal only - to get the guy they love to love them back. All of them were scheming, plotting, risking their families’ and their own lives for dudes. How pathetic is that? Some characters were literally identical - copy paste. While at first they seemed to show some diversity of personalities, the second half reduced them all to just obstacles on the female lead’s path.

Every few episodes I tuned in for another “Who framed Wei Young this time?” game. By like 5th time it should be obvious that whenever someone accuses Wei Young for anything, she is innocent. The fact that even characters that did not even have a chance to meet her, and she did not affect in any major way wanted to kill her became a comedy of itself.

While I loved the female lead at first, the same traits that made me appreciate her, later became a reason for my dislike. Being patient, more reactive than proactive, acting low-key, never attacking first made sense in the early episodes - she had no power and no allies. Not being hot headed and thinking things through before jumping to action was smart at that time. Enough is enough though. When 90% of people around you want to see you dead, it’s high time to slowly eliminate them one by one, and not just react to what they try to do to you.

Male lead was a boring low-key psycho, who did some amazing job with gaslighting Wei Young in the last few episodes. There is close to nothing to say about him. He was supposed to be intelligent, good, noble, strong, empathetic, without flaws… boring?

I know a lot of people liked Tuo Ba Yu, but for me even he barely delivered as a character. Making his internal conflict more prominent would be better. I felt like with all his plans, he did not really risk that much when he took detours for personal reasons.

Since all the villains' motivations were either weak or boring, there was not that much thrills nor excitement. It’s obvious the female lead will not die 30 episodes before the drama ends, so all the life risking situations did nothing to me. For all the scheming, not that many people died and that’s a bummer.

That said, the drama for sure delivers in terms of acting. Tiffany Tang is a goddess in terms of looks and quite a talented actress. She did an amazing job acting as Li Wei Young. Sure, playing an 18 years old in your mid 30’ mid be a lot, but her performance was strong enough I did not even pay attention to how ridiculous that casting was age wise.

Production wise it has some amazing shots. Some locations they filmed at were breathtaking. There was quite a lot of work put into the details of the set designs. One thing I have to praise the show for is the make up - no one looked like a ghost with the foundation too shades too light cutting off when the neck starts.

Overall, the first 20-25 episodes were quite fun. The set up was strong enough, motivations of the characters clear. But then I got another 30-35 episodes of exactly the same thing. It was the same story told over and over again with few details changed. Instead of this person framing Wei Young for some crimes, it’s this person. How much of that can I take before I fall asleep?

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Office drama that will evoke in you the makjang level of emotions.

A character driven tale on the workplace environment, self-worth, values, principles and one bug of a human being called Han Se Kwon that you want to step on with the heaviest shoes you own.

It’s not an overstatement to call this show a perfect office drama. Mixing realism with entertainment is not an easy task - On the Verge of Insanity managed to do that. With the variety of unique characters, it’s a story relatable even for people who never worked in a similar environment. It tackles issues like retirement, layoffs, job hunting, reassignments in the workplace, power struggle, but also more universal topics like acting in line with your principles, loyalty, friendship, selfishness vs selflessness.

The three main characters present different takes on life and dealing with problems. Dang Ja Yeong tries to go by the book, following instructions, seeing it as the best and most efficient way. Choi Ban Seok is a hardworking and loyal person, who is willing to risk his career if faced with moral dilemmas. There are many nasty ways to describe Han Se Kwon, and I’m truly forcing myself to stay civil here. Let’s say he represents the inferiority complex in the perfect way, spiced with his cunning and shady behavior.

As the drama progresses, we see how they manage to face all the problems happening in Hanmyung Electronics and what are the results of their actions. There is no plot that goes from point A to point B, as the drama focuses more on the relationships between the characters, different departments, higher-ups and the employees.

The comedy, though, how good it was! There is nothing better than situational comedy based on the character’s personalities and relationships. No cheap jokes that could work in any scenario.

The casting was a pure perfection. Each of the actors fitted their roles perfectly. Big props to Kim Nam Hee for his job on Shin Han Soo’s character, who became one of my favorites.

The production value is insanely good. I have truly nothing to complain about. The soundtrack has plenty of amazing songs from slow ballads to indie pop and rock.

Realistically speaking, this show might not have the same entertainment value for people preferring fast paced, plot driven dramas. There are many questionable choices made by all the characters, so if you look for a clear cut “smart at any occasion” or “good at any occasion”, you will not find it here. Characters excel in some areas, but fail on others - for me, that’s the charm and the realism of the show.

Overall, On the Verge of Insanity made me smile, laugh, cry, curse at my laptop, and hug my pillow. Vast range of emotions have been awoken and I’m so amazingly thankful. It’s a solid watch from the first to the last episode.

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The charm lies in the unique characters.

How I would describe the show: an unusual take on a typical romantic comedy. For starters, this show does not really have any leading plot line - there is no mystery to solve, as it often happens in rom-coms. It’s all about the characters, their relationships and them dealing with their current situation.

I do believe the characters are the best part of the show. They all have unique personalities with individual outlooks in life, personal dreams, motivations and values. Each and every one of them reacts differently to the given situations. That said, while watching their current self is fun, by the end of the show... I didn't really know that much about some of the main ones. All of the main characters have a really complex and deep set up, with many struggles happening in the past. Even the majority of the supporting roles are written in that way - they are supposed to convey some kind of serious issues and dilemmas. And while said setups, as the concepts, are as deep as the Mariana Trench, practically speaking, they were never fully explored and I didn't even get my head underwater while watching.

The show shines with the cast and their interactions. We've got a whole set of puppy-like male characters that are nice, polite, cute and understanding. On the other hand, we have strong, driven and outspoken female characters. The synergy was pure perfection. This led to many unexpected and extremely hilarious scenes. I just could not predict how the characters would react and behave. The comedy in this show has been just so fresh and fun, I could not stop laughing while watching some scenes.

While I honestly thought the main couple was amazingly adorable and enjoyed basically everything they presented, I didn't get as excited for the second one. Mostly I just felt bad for Young Hwa while watching his interactions with Dan Ah (especially at the beginning). Later, the lines delivered for their scenes became painfully corny and cliche...

The acting was on the top level. Im Shi Wan did an outstanding job portraying Seon Gyeom. The socially awkward and at times distant characters that mostly keep to themselves are extremely hard to present well - bad acting leads to the character looking robotic, boring and empty. Shi Wan, though, delivered the best performance I could imagine for this role. I cannot think of any actor or actress that was awkward or unpolished in their roles and portrayals. Top notch casting for sure.

The production value was good. The scenes were shot in an amazing way, as I would say: aesthetics on point. The unexpected turns in how the scenes were written were perfectly reflected by how they were filmed. I just felt a harmony between what the writer wanted to tell and the director wanted to show.

The OST was fine, fitting the show and scenes, but not that memorable? Only two songs truly caught my attention - “I Wish It Was You” and “Sorry”, taking the crowns as the best songs from the drama for me.

Overall, I enjoyed the show for its entertainment value, unique characters, funny twists and fresh, out of the box directing of certain scenes and plot lines. I wish they introduced less serious and complex backgrounds for the characters, focused on just a few and truly dive deeper into them. For me, having just 4 or 5 scenes in the whole show to address something is not enough.

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It's a variety show that's close to perfection. I have only one complaint, but since it's not a major one, I gave it a fair 9.5 rating.

STORY AKA CONCEPT

So freaking fun and refreshing. The best thing a director and writer can do is to invite viewers to enjoy the show more actively, and this is exactly what happened here. Guessing which places were real and which were fake was extremely entertaining (even though I failed more often than not). The concept was just something I have never seen before, and I have to say the scale was huge. They must have had some big $$.

One thing that I would change - more variety of the themes in the episodes. There has been just a little bit too much food. They could have had strange hobbies, surprising online celebrities, etc. Anything, other than food? That said, I must admit, the restaurants’ episodes were the most fun.

CAST

That's the core of the show. I cannot think of a better cast for it than the one we’ve got. Ladies were truly crazy, and Jae Suk was balancing the craze with the work perfectly. Even if the concept of a particular episode was "meh" for me, it was still extremely entertaining because of the interactions between the cast members.

Same goes for guests. Only Lee Sang Woo did not fit into the picture that well (hence I found that episode the weakest). It was fascinating to watch the male guests trying to understand the mess that is happening and try to match the hype.

MUSIC AKA PRODUCTION VALUE

Through the roof! I truly don't even want to think how much money was put into the production of all the places they made. I am simply amazed how they created whole fake businesses in a week, to the point it was almost impossible to distinguish them from the real ones. A lot of hard work and care was put into it.

EPISODES

As I said, not all episodes were equally entertaining. If I had to pick my favorites I'd go with: Sang Yeop episode (truly won everything. Jessi and Sang Yeop were unforgettable), Dong Yoon episode (I loved how dedicated he was to finding the fake place, and he had great chemistry with the cast) and of course Tae Hyun, who truly felt like the regular cast member.

Overall, this is a show I would recommend to everyone. Cannot think of one type of person who would not enjoy it. It had jokes, heart, amazing cast, mystery, elements of surprise. All I can say is - I cannot wait for season 2.

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You know how some dramas have extremely shitty endings, but overall are amazing and you still truly enjoyed them and did not regret picking them up in the first place?
Yeah, this ain't that.

It had a strong beginning and seemed like a fun, well executed cross-dressing show with tons of cliches that make you laugh. Later, it became so amazingly bad I could still enjoy it. But.. At some point every episode either bored or frustrated me.

The plot just seemed like a whole mess. The beginning was strong on romance and had minimal politics, just enough to create the tension between the leads. But then, closer to the end they dropped all the heavy politics' plots, but since I could not care about them with the lack of explanation and elaboration previously... What exactly was the point of it? And when they tried to be semi surprised who the main villain was, WHEN EVERYONE KNEW and they knew since they talked about it more than once. The string of ridiculous events that happened in the 2nd half (and especially the last two episodes) had me questioning my existence.

Another flaw of the show was the male lead. Literally everyone was a better man than him. Heck, the female lead was a better man than him. He had truly nothing going on to make him more believable and relatable. He was a huge block of muscles with little to no expression and personality.

Now to the practical effects. This show made me laugh like maniac while watching the attempted murder of a child. The bridge scene (if you saw the show, you know exactly what I'm talking about) brought me to tears with how bad it was. I had to stop watching for a good 15 minutes because I could not calm down from the silly giggle/mad laugh. If you don't have money for the proper props, use smart camera angles so the viewers know what's going on without you really showing it. Just... be a smart director.

This drama had nothing innovative or refreshing. If you can think of any drama cliche: this had it in. It had the strong and smart female lead, but only for certain episodes and scenes, since she went full 180 closer to the end. The only reason I finished watching it was for Wang An Yu and the doctor guy. While I loved them, I still regret wasting the time…

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What’s good? The actors are good looking and have great chemistry. The editing and pacing was surprisingly not bad, compared to TOSSARA. With just the four episodes they had, they did quite well presenting the story and building the relationship.

What’s bad? Whole first 5 minutes. You can’t just open a show with sexual assault and borderline rape. Not good. And no, just because the bed scene was not shown, does not mean I didn’t have a problem with it. Vee as a character has literally zero redeeming qualities. Watching him being sad and crying was a delight for my soul.

War did a good job. I quite enjoyed his character, even though he was a mess too. I don’t know... I watched the show because of his pretty face. That’s the tea.

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It takes a village to raise a child…

A tale of a broken system and juvenile crime.

Who is at fault when a child commits a crime? Juvenile Justice tries to present the complexity of the issue, and for the most part, it succeeds (as much as a fictional drama can). It presents kids as both the victims and perpetrators, rightfully pointing out the roles are not mutually exclusive. It shows the effects of neglect, bad or lack of role models, abuse.

A small group of people trying to do their best in the system that does not support their efforts and does not protect the people it was created to protect. While showing the gruesome reality, it sticks to a more positive, but still realistic approach. Often justice is served, but only in the frame of the current juvenile court system, that for many is not harsh enough.

From the first, till the last episode the drama does not fail to keep the tension high, keeping me on the edge of my seat. The cases are not one dimensional, showing different sides and perspectives, at times, leaving me with only one conclusion: everyone failed - the parents, the teachers, the judges, the kids themselves.

The plot and presentation wise, the only thing that it lacks in my eyes is the context some of the kids were in. What pushed them to become what they are? What could be the possible motives for their actions? What behavior was a norm in their house? These are the questions I hoped to get a more elaborated answer for than a short note “abused by step-father” in the case file.

Moving back to the positive aspects: I appreciate how we do not get an outstanding character development from any of the main cast. They all made mistakes, they all got carried away by their emotions and fears. That said, how they handled Na Geun Hee’s character by the end of the show left me with a few things to desire. Did not buy that arc, which might have been the result of the lack of the screen time.

Acting wise - no complaints. For a show full of the younger cast, all kids and teens did an amazing job with presenting their characters. Especially impressed by Lee Yeon. To present a believable acting of a teenage boy, when she is a 27 years old woman, must have been quite a challenge.

As for the production, even the opening scene made me love the visuals of the drama. The dark and cold tones used throughout the show intensified the gloomy atmosphere surrounding tacked topics.

Trigger warning - the drama presents quite a number of scenes showing child abuse. They are not short, they are not vague.

Overall, as long as you can handle child abuse and exploitations of children, this is a drama most people should watch. Understanding that kids are capable of doing evil acts is a first step to figure out how to prevent tragedies from happening. Turning a blind eye and giving excuses is not a solution, as it gives only one message: no matter how drastic measures you will take, no one will care. Supporting them through their struggles while punishing for the wrong actions should become a standard.

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Peak level of conflicting feelings about this show.

It all went so well, until it did not. It’s hard to just ignore the issue that happened with the 23:00 team, since they dealt with it in the worst way possible. For the show that was created to give groups a second chance, to publicly shame them in this way was just gross. They could have easily given a written statement and moved on. So even if I loved the premise and many great elements, I cannot stop myself from feeling conflicted…

I love a show that focuses on the idols that struggle to shine in the oversaturated market. So much talent and potential is being wasted simply because their companies might be too small to fight against the bigger ones, or they are not that good with marketing, or the team debuted at the wrong time, not being able to secure their place. This show gives them hope and chance to gain more fans, so even if they won’t win, they will still be in a better position than they were before they joined the competition.

Another aspect I for sure enjoyed were the mentors/judges. We’ve got solid feedback, words or encouragement and some funny jokes and interactions. They were not acting mean for the purpose of creating a drama and I could feel they truly cared about these idols. Ryan S. Juhn crying over shirtless men will be remembered as the most iconic moment in the kpop industry. Dude was truly sobbing.

The performances were great. It’s sad we did not get to see all the first round stages in the episode and could only check them on youtube channel, but I understand the time restrictions. I also appreciate that even the eliminated teams could keep the new songs produced for them, even if some of the songs were of questionable quality…

That said, the new songs and the round with them are actually the beginning of the issues I had. First of all, the way they decided which team gets what song was painfully ridiculous and unfair. The songs themselves were not that great either. Close to none of them was memorable.

Another issue with the production were the benefits - what a useless thing. In many occasions the benefits from different rounds had a different value - one time they had exactly zero impact on the ranking, next time they changed it completely.

The first elimination? A freaking joke - how many “fake” rankings can they show before we get to the one that actually matters? They could have used that screen time to show more behind the scene moments.

Overall, it was a nice show with a meaningful idea behind it, but I think they had too many budget restrictions. They did what they could to make it work and the efforts are obvious. Them having such a strong reaction to 23:00 team “scandal” might have also been a panic mode to make sure the program does not suffer any losses.

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All it had to offer was chemistry and acting.

What exactly happened? I was in love after the first episode, and then every new one just bought new disappointment. They fast forwarded through the plot and conflicts. You have 11 episodes, stop being greedy trying to fit 5 seasons of content into it.

I’ll start with the good, even great. Amazing? Perfect? Touching? All fitting when talking about the acting and the chemistry between Smart and Boom. As much as the plot was a mess, these two delivered such strong performances at times I was even able to forget how nothing makes much sense. Boom’s portrayal of Akin was phenomenal - the angsty scenes ripped my heart into pieces, the way this man shows pain through his acting is just on the next level.

Smart as Jin? Somehow so convincing and attractive, the borderline (not really) stalker behavior did not even bother me. He did an amazing job balancing the psycho obsessive tendencies with the tender and caring approach. Even though on paper these seem rather contradicting, with how Smart depicted Jin, they created a cohesive and interesting character.

Which leads me to the RIDICULOUSLY GOOD chemistry these two had on screen. I mean… they stole the branding of honey from Winnie the Pooh. Jokes aside, while their scenes were hot, they were not just hot. Whatever intimate scene they presented, under all that make out sessions and more, there were deeper and more meaningful emotions that were clearly presented - be it hesitation, longing, pain, regret, fear, and obviously love.

Sadly, the plot was a completely ridiculous mess and it quite honestly made me angry a few times. From how they didn't really handled at all the topic of obsessive fans, or how there was no actually discussion about sexual assault and the constant blaming the victim - lack of care when writing rather awful dialogues surrounding the subjects. The borderline trauma porn that was Akin’s life - dude could not catch a break at all, they were just dumping issues on him without real resolution for any of them. Sometimes they were focusing the whole episodes on characters that were barely introduced and no one cared about, other times they hinted at some side plots that then never happened. I am being 100% honest when I say it felt like they tried to put 5 seasons into one. And it just did not work.

The styling, directing and editing was quite a unique mix of Thai and Japanese BLs. Not sure how much it worked though. Some scenes I loved, some I was questioning harder than my life choices. As for the music, felt like they just picked a random playlist and put it on shuffle.

I understand why people loved it, but for me it just felt too rough around the edges which led to many moments feeling shallow, some even infuriating. The pace was ridiculously uneven and rushed, the reactions to small issues were exaggerated, while the serious topics were brushed off as if nothing happened. At some point I started to feel exhausted after finishing the episodes.

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Great comedy, lukewarm romance, underdeveloped drama…

which means only 1 of the 3 main genres are truly worth your time. And with how serious the topics that fall under “drama” were, I cannot just move past it and enjoy the funny fluff.

For the comedy - they went into it and put all their brain power to make it work, and it truly did. Every episode had at least a couple of jokes that made me laugh and smile. Some were slapstick, some were filly, some were more subtle. I also appreciated at times dry delivery, which was obviously a deliberate choice. The absurdity of some scenes were perfectly used to create comedic moments.

For the romance, that’s just my subjective opinion, but I did not see that much chemistry between Shin Min Ah and Kim Young Dae. With how in love he was and with how open about sex her character was - there were truly no real sparks going on.

At least the second couple had more dynamic and fun to watch relationship. Gyu Hyun and Ja Yeon were the spark of chaotic fluff and I’m extremely happy we are getting (even though short) a sequel for them.

Then we have the true issue of the writing - a mess that was any and all serious scenes, storylines and plot points. For 12 episodes, they truly tried to have it all without putting in the work and it just left a bad taste in my mouth. Hae Yeong and her mother’s relationship was a tragic case of parental neglect of a child's emotional needs, but why at the end did it feel like it was all a “misunderstanding” on FL’s part and her mother “truly loved her”? Why does it feel like the drama is trying to tell me the mother did not really do anything wrong? Why the conclusion to this extremely complex and damaged relationship is the death of the mother? Why was there no real conclusion? The mother was selfish till the end. The mother chose other people over her own child till the end… the mother lied till the end. But now I as a viewer am supposed to forgive and forget because she dies and FL is sad about it? If that’s not it, then what is? Because the drama was not clear what exactly their message here was.

Then we have the issue of Nam Ja Yeon’s abusive father and how they decide to give a close about that story by adding a dildo fight between him and Gyu Hyun… that was just a new level of lows. That was the issue that kept coming back - good comedy, but ill timed comedy.

I also at some point started to see how selfish each and every character was and instead of liking them more with every episode and seeing their growth, they started to annoy me more and more. Some examples: .

For Ji Uk the promise he made as a teenager was more important than being honest to the person he claims to love. With how her whole life something and someone was always more important than Hae Yeong, to now know her partner also chose someone over her… painful.

Hui Seong deciding to not take a DNA test for her child is also selfish. One would assume a child would want to know who their biological father is… I guess it is on brand with overall message of the show: how biological parents don’t give a fuck about their biological kids. Not one good parent in this show… I am honestly impressed.

Overall, I just felt frustrated. They could have had a good pure rom-com with great comedy, but mishandled too many important issues. If you don’t give a clear message of what you want to say, you need to give more details about the circumstances so the viewers can form opinions - it lacks said details. And if you are not willing to put the work and time into developing these stories, don’t make trauma a major motivation and factor for almost all characters…

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Behind every lie is a wish waiting to come true.

Saying I had a mild existential crisis as I was watching the drama could be an understatement. It deals with many themes like environmental issues, free will, destiny, power of belief. difference between truth and lies, the price of responsibility and power. Some presented better than others, but as a whole package, it was truly an amazing journey.

Three main plotlines/themes addressed in the show were the romance between the leads, the questioning of free will and fight against the written fate, and environmental issues.

Starting with the romance - quite an enjoyable delivery. It was slow paced and, while ever present, never felt like it was shoved in my face as the main and only focus of the story. On many occasions the relationship between main leads served as an opportunity to explore other themes and ideas. Have to say though, till the end I was a bit more sold on Orad’s side of that love story.

Free will, meaning of existence, fate - that’s the part that gave me an identity and existential crisis. I almost had a philosophical debate with my laptop when I was pausing some scenes to fully grasp the ideas behind them. I also feel like this part of the plot had the best presentation.

Then we had the environmental issues that were addressed in the show. While I appreciate the inclusion of that topic, I cannot stop myself from thinking some of the scenes were extremely on the nose - sometimes it felt like I was watching a promo for kids in middle school. They could have been a little bit more subtle about the message and trust that the viewers are not complete idiots.

I feel like there were some pacing issues too. While I never felt bored, after finishing the whole show I do feel like the middle part was a bit dragging and was not as tight as the beginning and the end.

What slight complaints I might have had about the plot and pacing, the characters make up for them. Xie Tian Di, while flawed, was still truly likable. It was great to watch her learn from her mistakes and understand others’ perspectives when she was faced with similar dilemmas.

Orad was just adorable. What a loyal man. It’s hard to actually talk about his character in more depth without giving spoilers, so just know there is more to his story than just being a guard for the female lead.

Fali, this guy. I dislike him, but I also want to give him a hug. That said, I am still slightly confused about his goals and plans and overall motivations. I think the writers could have done a better job exploring his character.

Toem is the girl you root for even if you don’t want to. She is smart, cunning, brave, flawed in all the best ways.

Talking about flawed characters - Kakarayan… really didn't vibe with him. He had just a few scenes, but it was enough for me to put him on the bottom of the characters I enjoyed.

The performance - no complaints. Not only that, I was truly impressed with some. It’s quite rare when even the supporting or bit roles are well delivered, but this drama gives us all the best, even if someone shows up for one scene and one scene only.

The soundtrack. 10/10 does not do it justice. I am not joking when I say this is the best soundtrack I have heard in dramas I’ve watched this year, and one of the best in my long history of watching dramas. A song that especially moved me was Shi Shi’s Never Ending Rain.

On the production - no idea what the budget was, but they did everything they could to make it an aesthetic feast with what they had. So many beautiful shots, so many visual ways to represent the emotions and ideas behind the story.

Overall, I would highly recommend it to anyone and everyone. It’s been so long since a drama delivered well written plot twists that I didn't see coming. The last three episodes were just one surprise after another, but it all still made sense!

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