Kate

Great moments, but moments only.

Who likes a healing show about a timid female lead who moves away from the toxic environment to end up in another toxic environment and receive close to no character development? Not me.

Like many other slice of life shows, this one also has little to no plot, which is completely fine. These are not supposed to give you thrills and excitement, they are supposed to be relaxing and warm. When I go into slice of life, I’m getting ready for a little bit of life lessons and characters I want to befriend, ones that make me want to root for them. Did this show deliver any of these? Not really.

Starting from Lee Yeo Reum - doormat, timid, no self love nor self respect. No issue with that. I wanted to go on that self improvement and self discovery journey with her. But damn this girl got on a merry-go-round and ended up in the same circle of self pity. The moment I thought she learned her lessons, she went back to the old ways - ready to blame herself, ready to take a step back, ready to run away. Trying to fix it all in the last episodes is not the way to go.

While An Dae Beom was better and for sure a stronger character, he also got easily manipulated by others, mostly by Ji Young. At some point I started to question myself - am I liking the character or am I just completely biased towards Yim Si Wan and I will just buy anything he sells?

Then we have all the other characters who either: started well and ended annoying, started annoying and miraculously became nice in between scenes, started annoying and ended annoying. There was honestly barely anyone to root for… Which is a true nightmare for a character driven slice of life drama.

To be perfectly honest though, I can deal with annoying characters, but I cannot stand conflicting messages. Yeo Reum tells herself to only think about what she wants and feels and not care for others, but also tells Bom to put her grandma and her family before her own emotions and well being. Protecting an alcoholic and abusive father is fine, but protecting your son with developmental issues makes you the top enemy. I am sorry, but what am I supposed to learn from this show? What is the message? What does the writer want to present and tell me? For me, it all made no sense.

Yes, the ending message was great - appreciate what you have, find happiness in little things, you don’t have to excel in everything, just being happy is enough of a reason to be alive and enjoy the moments. IT’s all great, but why did they fail so badly with all the other issues they talked about?

And I know how some people will scream “realism” as an excuse for some of the topics. Sorry, but you cannot explain some awful takes with it, while also ignoring the complete lack of realism in other aspects. You can’t have both.

Last, but not least plot wise - the “mystery”. When the characters have to explain EVERYTHING to me through the dialogues and flashbacks, it means the writer completely failed to set it up. I should be watching and connecting the dots myself, not get everything served with a narration.

From the acting and production side, it was great. Kim Seol Hyun improved greatly since her debut, and everyone knows Yim Si Wan is one of the best idol turned actors. The teens did an amazing job too, I especially liked a.mond’s performance - cheerful and hyped, but with hints of sadness and tons of loneliness.

Visually, Summer Strike is beautiful, I cannot deny it. They used the environment they were filming in to its full potential. What’s the point though, if the story is not on the same good level of execution? This year we had a holy trinity of dramas with amazing and beautiful moments, but also poorly executed overall plot and character’s development, and laughable villains - Today’s Webtoon, Cheer Up and Summer Strike.

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I appreciate the attempt, I question the presentation.

I’m not sure how I feel about this drama. Being romance driven, I cared about romance the least. While I loved the gradual healing on Uea’s side, I do believe the level of trauma this child had to face in such a short period of time (screen time wise) made it a bit ridiculous for me. By the 3rd toxic person in his life I just started to laugh… And it’s not like this scenario is completely unrealistic - many people who were victims become victims more than once. That said, the way they presented it with lack of good spacing in time and pace, I just could not take it seriously. The presentation was just lacking too much.

I also could not get on board with how Uea treated King a few times closer to the end. Everything that happened at first is understandable - miscommunication happens, especially if you don’t trust the person yet. At some point though, it felt more like Uea testing King for no other reason than enjoying watching King plead. Even that would not bother me if they established it’s something King is into, but they did not. So it seemed like a mind game when King had to constantly prove how much he loves and respects Uea to the point of asking before he can touch him (and I don’t mean in a sexual way, I mean literally any way) and being denied by Uea with a smirk on his face. That’s when I started to think - maybe Uea is truly completely not ready to be in a healthy relationship and needs to book a visit to a therapist first. It’s not like it happened a lot, but enough for me to feel a bit uncomfortable.

While I loved King, I also find him painfully underdeveloped and one dimensional. Net did a great job with acting, but the writing of the character itself was empty.

As for the nsfw scenes - let’s say I’m glad I watched the cut version, because even that was a level of cringe I could barely handle. Most of the bed scenes made me laugh, some skipped completely.

Acting was decent - big props to all the villains, perfect presentation that made me hate them with a passion. Net did great with some vulnerable scenes, but James sadly does not have enough skills yet to truly deliver the pain and suffering Uea as a character was internally going through.

Production was okay. Lately a lot of BLs are truly overdoing it with the blur filter on actors faces making them look like Barbie dolls - ain’t fan of that. Last episode was more like a bonus than the continuation of the plot - everything was concluded and there was nothing left to add. Personally, I was kind of bored watching it.

Overall… I don’t know. I kind of enjoyed it? It led to a few interesting conversations I had with folks on mdl, but I find it sad that most complex ideas came from the community and not the show itself. A lot of things were truly basic and simplistic, and by now I think we can expect a bit more nuance from the genre.

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Slice of life with touch of investigation and grim undertones.

Technically The Silence of the Monster had all the typical slice of life elements - a group of characters creating a bond with each other, learning many useful and meaningful life lessons and learning how to overcome their struggles and traumas. It was cute and fun to watch. And yet, the drama managed to add the darker twist to it all, making it seem like the happiness was diluted, and the bubble could burst any time.

It was all possible thanks to the characters and how they were portrayed - especially for Luo Bin and He Chu Feng. The events of their past were still haunting them in the present, and even though they tried to move on, sometimes you need to face the tragedy, before you can build your happiness.

Luo Bin and Chu Feng had a great dynamic going on - one more reserved, the other not being able to stay still and quiet for more than a few minutes. What the show did well was giving small tweaks to who we thought the characters were. Chu Feng was not really this cold and quiet type, and Lou Bin was not as happy and carefree as it seemed.

On the other hand, while I enjoyed Sui Yi a lot, her character had nowhere near as much depth and complexity as the two male leads. For me, she represented the normality in the show - pretty, smart, hardworking, good natured. She brought the sunlight and warmth to Monster Vintage.

But then, we have Xiao An, whom I would not even consider one of the main characters. She showed up really late, she had little to no personality and presence on the screen. The development of her relationship with other characters was poorly paced and she never truly seemed like a part of the team for me.

The plot of The Silence of the Monster might seem like an investigation focused story, but for me, playing Sherlock Holme was more of a means to deliver the messages. It never felt like the focus was on the cases themselves, but rather on the people involved, especially the victims. Through the investigation, the drama presented many important social and personal messages. It tackles subjects like stalking and cyber crime, prejudice, animal cruelty, divorce/remarriage and the impact it might have on the child, mental health issues, trauma, the consequences of the white lies, and many more.

Sadly, plot wise, around episode 20 it all slowed down and I started to lose interest. The cases were nowhere near as interesting as the ones at the beginnings, the transition from the case by case scenario, to linking them to create a bigger picture was questionable. And the big bad guys were simply laughable.

The performances in most cases were great. I especially liked the raw emotions Annie Sun showed in the last few episodes. Both Bi Wen Jun and Zhu Zheng Ting had a strong delivery throughout the whole show. Ye Peng was capable of portraying Gu Nam in a way I had moments when I did empathize with him, even though I completely disagreed with his actions. The only performance that did not convince me at all was Baby Zhang, but it’s hard for me to judge how much was it the actress's fault, and how much I should blame the writing of the character.

The thing that stood out the most in a positive way were the costumes, styling, set designs, sceneries and the soundtrack. The whole show seemed like a piece of art, proven by 468 screenshots I took. I loved the vintage vibes they used, that felt stylish and not outdated. I liked a lot of the wide shots with the focus point not being in the center, but rather on one of the sides.

Soundtrack wise, I think Clare Duan - Tao Hao was my favorite song, but honestly speaking, literally every song was perfect and a gem worth adding to the playlist. Well fitting the drama, the scenes and the atmosphere created by the visual means.

Overall, it was a great watch, but the few complaints I had, had quite an impact on the overall quality of the show. It’s still worth watching and diving into the mysterious, but somehow welcoming and warm world of Monster Vintage.

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Enjoying the angst that comes from misplaced revenge.

Call It Love was emotionally aesthetically pleasing. What I mean is, even the sadness, anger, frustration, regret - all were presented in a way that did not make me feel emotionally exhausted and tired. I was relating to and appreciating the sorrow.

What the show did an amazing job with was showing different sides of psychological issues - for some people it makes them completely detached from social interaction, for some it makes them forget about their needs, others would focus on the negative emotions as their driving force, some would be able to accommodate their lives around their issues. Depending on the character, their personality and past experiences, we saw all the different sides of how we as humans deal with difficult emotions.

About the cast - we got blessed with some well written and complex characters and well delivered portrayals of them. How the same people could be victims and perpetrators. How everyone had to learn from their mistakes and figure out how to set boundaries, but also respect the boundaries others set. How to understand yourself and be able to communicate with others. How to move on from past, how to move forward with the future, how to find happiness and peace.

Were all the characters well written, with many layers? Not quite. While Ahn Hee Yeon did a good job with her performance, Kang Min Young did not exactly have much to offer except from being yet another external factor the leads had to deal with. Similarly, Choi Sun Woo existed only in the context of leads’ issues and struggles, and presented no personal plotlines.

Cast wise, Kim Young Kwang ate the role. One of the most versatile actors we get in mainstream shows. Can do drama, action, comedy, romance, thriller - you name it and you will get it in one of his roles. In Call It Love he presented so many raw emotions from Han Dong Jin. Even though the character was not an open book, not the most expressive guy out there, it was still clear for the viewers what he was going through, what he was thinking and feeling.

At the same time, while for most scenes Lee Sung Kyung did great (it’s a role we have not seen her in yet), there were just a few moments where her delivery was too monotone and at times felt empty.

As for the production - I loved it, but I can see why someone else could hate it. The colors were not saturated enough and the whole show was presented in this pink/purple filter. For me, it perfectly fitted the overall mood of the drama, adding to the melancholic and stoic feeling. What also caught my attention was how the shots were centered vertically. In many the characters were presented in only 1/3rd of the screen. For me it seemed like the same way they were not centered in the frame, they were also not centered in their lives - still unsure about their place, a bit lost in their surroundings.

All that said, it’s a typical “you either vibe with it or not” drama. The same visual aspects I loved could look ugly and weird for others. The same characters I related to and enjoyed analyzing could be frustrating and unrealistic for others. The same dialogues I found touching, others could see as faking profoundness with no depth.

Why not a perfect 10 from me? I did not like some of the conclusions and I wished a few characters were developed better. For such a complex situation the drama presents, some aspects just lacked nuance.

Overall, I already miss this drama.

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Mediocre male characters that still somehow made the fans fight.

For a drama that on the surface, on paper seems to present many interesting issues, fun plotlines, entertaining characters - this was a massive fail. With all that was technically going on in the drama, the fact that “which male character should the female lead end up with” was the hottest topic among the viewers shows how unengaging everything was.

Here’s the thing, I actually enjoyed it at first. Do Hae Yi was refreshingly bubbly and shameless about her love for money. Her enthusiasm and energy seemed realistic and fun. Loved her interactions with all the characters and was curious about a potential character development and possible change of priorities in her life (or at least some adjustments). For the most part her character was painfully stagnant, just to start hiding things and being less straightforward in the later episodes. They tried to fix that in last few episodes, but it was too little too late.

Characters wise, it felt like a huge waste of initial set up. More or less none of the characters got any development. They started and finished on the same note. We got some small changes of personalities in some side characters, but the mains were completely forgotten. The writers suddenly remembered they should do something about the main cast in the last two episodes, so everything felt rushed.

I knew we would get a typical love triangle, but with the addition of the mystery, I thought this would actually be an interesting watch. How wrong I was. The love triangle was painful to watch, since none of the male leads was that good or interesting. One, while interesting as a character and having quite a well built story around him, had an unhealthy obsession over Hae Yi. The other had the personality of a white wall and no depth, which made him simply uninteresting. Can believe we all had arguments about these basic boys in the comment section. It did have a great set of supporting characters though.

I honestly don’t want to even talk about the mystery aspect. It went from tense unknown, to barely existing, to murder thriller levels of ridiculousness. The culprit was a clown and their reveal made most of the audience question the writers’ choices. I never felt less interested in the “bad guy” reveal and the fact we had to wait so long to get any answers about the motive added to the issue.

An aspect I actually truly loved about the show were female friendships and support. There were no unnecessary catfights, no random jealousy - far more support, understanding and encouraging each other. Especially from Hae Yi and Sun Ja, and Choon Yang and Jin Hee. Honestly, I would not mind if they put more focus and gave more screen time for the mothers.

On a completely subjective note, one of my side ships failed and it made me sad. The potential behind that couple was amazing, and it was dropped for the more obvious and less complex one.

I did enjoy Han Ji Hyun’s performance. She was the only memorable part of the show. Making such an exciting, hype and enthusiastic character still feel realistic and not cartoonish couldn’t be an easy job, but she was able to achieve a believable result. Yes, the character was annoying in the second half, but that’s on the writing not the acting.

Another performance that caught my attention was Baek Ji Won as Hwang Jin Hee - Sun Ho’s mom. Her comedic addition had an underlying sadness and desperation to it, and I loved that this complexity was shown even in the limited screen time.

As for Bae In Hyuk - oh boy. I feel bad for him. He is not a bad actor, but anyone who watched Cheer Up would probably assume he is. I honestly believe the issue was the writing of Jungwoo and not the acting itself. Portraying a character that is so poorly written is just extremely hard.

Production value was high, but what’s the point when the story was not?

Overall, the show did not really deliver the cheers, nor the romance, nor the mystery. The friendship between Do Hae Yi and Joo Sun Ja was amazing and one of the limited saving graces of the show.

The show just left me frustrated. It had great potential to be a fun, light teen drama about coming of age, building friendship, learning how to give and receive help. How to believe in yourself, but also believe in people around you. And yet they wasted a good 80% of the time on useless, boring love triangles and mess of a bullshit mystery.

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"Everyone is lonely. Maybe it's because loneliness is necessary…

It allows you to face yourself."

A journey of imperfect people throughout their imperfect lives, dealing with daily struggles in an imperfect manner. The journey of mundane humanity that puts a mirror to our faces and shows us the side we would rather ignore.

It’s easy to criticize the characters and the choices they made while also thinking you would act more holy than Jesus himself in the same situation. I did it, everyone I know did it. And so will you. That’s just part of our nature. It’s far easier to judge others' mistakes than to face our own flaws and I feel like the drama does a great job highlighting that.

Both female leads are complex and lost women, drowning in problems they themselves created, problems they cannot let go. Depending on your personal history you’ll relate more to one over the other, but hopefully by the end of the show, you’ll be able to appreciate how much depth both of them had.

It’s a story about resentment, anger, rejection, doubt, fear, depression, obsession and never ending regret. It’s about making choices and dealing with consequences. It’s about love, loyalty, company, It’s a tale of life.

I want to be perfectly clear - it’s not a drama you want to enjoy, feel good. It’s not a positive slice of life that will leave you hopeful for better tomorrow, inspired to work hard for your dreams. It’s a harsh reality wrapped into 8 impactful episodes.

The performances were stellar. While I for sure related far more to Rebecca, I did enjoy Ariel Lin’s portrayal of honestly low-key unhinged Chien Ching Fen far more. I honestly disliked the character, but I was greatly fascinated in her, her behavior, her motivations. She was the one that made the neurons in my brain fire.

Visually speaking - great. There was a level of simplicity in the way they shot the show which was a perfect contrast to the turmoils the characters were going through. I did have some issues in terms of the storytelling and how non-linear some parts of the story were told, but by the end of the show, it did not impact my viewing experience much.

Overall, it’s a gloomy show. One that will make you feel annoyed and frustrated more often than happy and joyful. But it’s worth it. Some shows are there to make you think. Some shows are there to make you evaluate. Some are there to make you face the ugly - the one that surrounds you and the one that hides inside you.

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"But there must be a reason behind it all"

"Do you want me to teach you how to be good at work? Don't ask yourself: Why?''. I think this whole show was a commentary on how we stay in the well known patterns, even if they are not productive, simply because things have always been this way or they bring us monetary gratification. But why do we even care so much about money? Because this is what society tells us is important. A vicious circle of bullshit.

Trying to suggest change is scary, and since everyone accepts the current state, it means it's working so why would anyone even try to challenge it? Everyone cannot be wrong, it's more likely I don't understand why it's like that. Stuff like the Milgram experiment or Asch Conformity Experiment explain it well. Both good examples how awful people are at going against:
1. Authority
2. Groups of people.

And if you add actual reward (money) for the conformity, people will do a great type of mental gymnastics to justify the current state.

Like drawing the circles, then erasing them and doing the same with x, just because the boss said you have to do it. I'm sure many of us did things we knew were pointless, but they were orders we just had to do. You can think you are not part of the problem, but you most likely are. Not to the same extent as the characters in the show, since everything was over exaggerated, but as long as we participate in the society, we do stupid things for the sake of some kind of benefit - money, popularity, recognition from strangers. But why do we care?

Each episode presents us with different takes on what one can sacrifice for money: pride, self-esteem, time, family, morality. It also shows what we truly want - connection, love, freedom, a feeling of belonging, self-worth.

The show opens with the best episode, so keep that in mind. On one hand it sets up the story well, but it also makes the remaining episode have less impact. Each short story is connected to each other, even though they changed the main character. Personally, my favorite episodes were “Dancing on the sand” and “Family Vacation”. Both had strong messages that resonated with me and my experience.

The production and the acting were phenomenal. Truly would not change a detail. The short duration of the episodes (most were a bit over 20 minutes) made the show more digestible and left some room for interpretation and reflection for the viewers. I feel like depending on your own life experience, perspective and expectations, you will see something else in each and every story.

Overall, great watch, but not for everyone. It’s weird and symbolic. While on the surface the overall message is easy to understand, there is far more than “what people will do for money” if you start digging deeper. It’s also an impactful watch if you are willing to reflect on how the messages fit into how you are handling your life.

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Fast Food entertainment with a secret ingredient - crack.

This show took me to the times when I was a young teen reading Harlequin Romance and being obsessed over the domineering, rude, but deep DEEP down inside actually good and caring male leads. The best type of trash entertainment anyone can offer.

This is just that, but on screen format. Fang Tian Yi is hot and that’s the main trait this man possesses. That and good kissing skills. Saying Dong Ting Yao is brainless would be an understatement. Girl got so easily manipulated and used - customers at McDonalds have more respect for the workers than the majority of the characters had towards hers. The rest of the characters were just place holding NPCs.

The plot? Nothing made sense - her falling in love, him being surprised she does not trust him, the conspiracy and the barely existing investigation. The level of abuse she faced and always being completely fine the next day.

So how come I binge watch it all in one sitting? Because it’s a good type of trash tv. One that does not pretend to be more. One that is here for your entertainment and your eyes, giving your brain a moment of relaxation since you shouldn’t use it watching it. It’s a makjang, but with more shirtless scenes and abs and less kimchi slaps (but overall slaps it delivers). It’s so dramatic you end up having fun even during the intentionally sad scenes. You are here for chemistry and abs only!

Why does it also work? Because it actually has good acting and production. As cheap and ridiculous the plot is, it’s actually packed in a nice to look at box with pretty costumes, pretty faces, pretty make up, pretty set and pretty abs.

Overall, I think it should have been shorter, but it’s still highly enjoyable. I guess even with my brain off, at some point I just could not take how stupid female lead is. Enough is enough.

Now I regret my choices as I drink my coffee trying to wake up. I’m too old to stay till 3am to watch dramas.

Side note - that one guitar string they kept using, am I the only one who got Chuck Norris vibes from it?

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10 stories for 120 minutes of screen time. Roughly 12 minutes per story. Not enough. I understand that these are suppose to be a short formal, creepy past like tales, but the 15 minutes format should be the minimum. You need time to built at least a hint of a tension.

Tunnel ★☆☆☆☆
The first short story ended, before it even started. It's hard to have any meaningful opinion or thoughts about it with how short it was. Sure, there was one nice semi-gory picture created closer to the end, but overall - too short to create the atmosphere or to deliver the scares.

The Woman in Red ★☆☆☆☆
Revengeful ghost and vague insinuation on why she even mad. What stood out in this short? Bad acting and bad special effects. When the ghost started to do Spiderman impersonation, I lost it.

Tooth Worms ★★★☆☆
I knew this is going to be a ride the moment they opened it with the perspective of being in someone's mouth as they get check up by hot dentist Hoya. I'm not sure how scary it was, but it did make me feel extremely uncomfortable. Acting wise - Hoya delivered!

Necromancy ★★☆☆☆
This story was more of what I was expecting to see when I started Seoul Ghost Stories - typical creepy pasta type of a deal, with decent effects for a short like that. the acting was also fine.

The Wall ★★★☆☆
That was a short, fun and wacky story. A unique love line if anyone asks me.

The Closet ★★★☆☆
This is scary because of the more realistic scenario. I do wish they were a little bit more clear if there was any supernatural involvement, but nevertheless, this still gave me the most creeps. A bit exaggerated, but something that could potentially happen.

Ghost Marriage ★☆☆☆☆
When horror stories deliver shower abs scenes - I cannot force myself to complain. Sadly, that was the best part of the story.

The Girl in the Mirror ★☆☆☆☆
When you are hunted by the horror snapshot filters, even outside of the app. That's the story. Yes, it's as boring as it sounds.

The Mannequin ★★★☆☆
This was a win. They were able to built quite a tension in just few minutes and the design for the mannequin was extremely good. It just looked so weird and uncanny - and the movement. I would pee my pants if I ever come across something like that.

Escape Games ★★★☆☆
I'm impressed with Alexa's acting (funny how her Korean line delivery was more natural than the English one) and the props aka the bodies. Good stuff. Probably best practical and special effects from all the stories. The concept was not exactly unique - Escape Room meets occultists. Still, a fun watch. Better than majority of the stories in this compilation.

The starts next to the title will tell you how good they are compared to each other, rather than overall quality.

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That awkward quality I kind of liked.

I don’t know how to verbalize my feelings about this show. It’s not good - it’s drowning in awkwardness. The set design at times looks awkward, the acting seems awkward, the writing is awkward and so is the directing. Somehow, that awkwardness was strangely charming? I feel like I enjoyed it for all the wrong reasons.

For a short show like that, it tries to tackle a bit too many issues and ideas. Stalking, unreciprocated feelings, coming out. I appreciate the more serious takes - it’s hard to be a female, because there will always be a creep with weird ideas. Gossips about your sexuality can be harmful and scary, especially if you are still figuring things out. All that was there, but just surface level type of a deal. Still, with a lot of, if now most BLs being “everyone if either gay or loves gays”, this show being just slightly less pink colored glasses view was nice, even if barely explored.

The thing I like the most about this show is how dramatic and over the top about the most basic things RoA was. Him being all “you have no right to worry about Ji Woo” when talking to Yu Na. Damn boy, she is his friend, she has the right. Or when he did not even let Ji Woo confess his feelings with his “you might never get another chance of someone you like confessing their feelings to you”... what, is he going to die the next day? Does he have one chance in life to be in a relationship, and if he passes it, that’s a done deal - he stays single till the end of his days? Where was the logic? Why so dramatic? They did not set up ANY reason for him to reject Ji Woo… it just came out of nowhere.

When he dropped the “He had to suffer like that. It’s all because of me” I turned into a question mark. What the heck is this child talking about? What suffering? How were you the cause of said non-existing, completely made up by your imagination suffering? People gossiped for like two days, long term no one cared. Not one person. And then he went “He’s in pain because of me” SURE HE IS, BECAUSE YOU REJECTED HIM! The poor boy has a broken heart. I literally cried from laughing when he started to say Ji Woo’s feelings for him are just an illusion. My dude, you are the one creating issues and problems for yourself that have no place in reality and never happened. That whole scene was just a gold unintentional comedy.

Not to mention how he left school all dramatic, last month before the semester ends, when he literally had just that semester left to graduate. What an emo kid move, I have to appreciate it.

The side romance between the student and the teacher got me wheezing. It’s not like it’s wrong - she is an adult after all, he is her teacher for just one class for one semester. It was just so painfully awkward, because this guy here teaches about relationships, love, romance, family, and yet he can’t handle one female student having a crush on him, looking so awkward. Especially in the last episode, I died a little bit during their scene.

It’s hard to talk about acting. Some scenes were truly natural. The double date scene was so fun and cute. The four actors have an amazing and natural chemistry. Then more dramatic and emotional scenes happened and sadly, the quality dropped. Delivering a realistic crying scene is not easy, I get that, but none of the sad scenes in this made me feel sad.

Production and directing wise, it felt like a project of a student with amazing potential, but not yet polished skills. Some shots were truly nicely done, well planned camera angles and lighting. Some… were shaky - both literally and in quality.

Overall, my brain told me to drop it, yet my body was clicking to watch the next episode at the same time. I just cannot explain it. I had a lot of fun, even though it made little sense. Maybe that’s why I enjoyed it? All the things I ranted about in the review were actually the reasons why I liked the watch.

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Hate to love scenario between me and Jung Woo. Damn, I disliked his little smug face so much in the first two episodes, I thought it would be impossible for me to jump on the ship in the future. While I warmed up to him in later episodes, I never sailed with the two dudes.

The biggest flaw of the show is the fact we truly know nothing about the characters. What are their motivations? Why do they do what they do? Why is Jung Woo working with Laura? What is his goal? Why is Do Gun so into keeping true to the basics and so against the innovations and new ideas? Why is he obsessed with working at Laura Dining? What is Laura’s deal? They did not explain anything. Literally not one thing. Who is Jung Woo anyway?

It’s also the first time I felt exactly zero romantic chemistry on screen between the main leads in BL. While I enjoyed their bickering and them having fun, their romantic scenes just made me feel slightly uncomfortable, because it felt like they were not that into it either.

The acting was good. Both Jang Eui Soo and Lee Chan Hyung have acting experience to back up their performance.

Production quality is what we usually get from k-bls: indie web drama vibes. Personally, I truly enjoy these aesthetics.

Overall, fine to watch when you are in between BLs and have nothing else to watch. Would not prioritize this over other shows though. It’s like a filler show.

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별-똥-별 - quite a fitting description of the quality of this show.

Fun, entertaining, sometimes clever elements, with a crappy core.

What’s good? What are the reasons I somehow finished watching it? Everything except for the love story of Han Byul and Tae Sung, and both plot lines surrounding male lead. None of these 3 things work well - poorly written, with ridiculous resolution and out of the blue miracle ways out of the problems.

The convoluted way they tried to tell us the story of Han Byul and Tae Sung was some next level of bad presentation. Rom-coms are not thrillers, you do not need 10 different plot twists to make it exciting. The worst part of it was the fact, this type of non-linear storytelling made it close to impossible to understand the characters at the beginning, which led to me simply not caring about them at all.

The three semi-mystery plot lines, with two being part of a larger picture? Extremely unnecessary. The setting was all that needed to happen for the show to be interesting. Everyone wants to know what the behind the scenes looks like. What type of problems the actors face. How much of that glamorous life is try? What about the ugly side? The “mundane” celebrities life is interesting enough, no need to add over the top plotlines.

Not to mention, they were simply not well integrated in the story. Instead of showing bits and pieces of it throughout the show, they dropped larger portions here and there and it messed up the pacing. I don’t even want to talk about that Disney resolution, or lack of any closure for some.

That said, I did enjoy the main couple when they interacted with other characters. Han Byul and her gossip time with Ho Yeong and Gi Peum? Fun. Her friendship and working relationship with Yoo Sung? Interesting. Tae Sung with his manager? Adorable. Him bickering with Soo Hyuk? Some of the best comedy bits of the show. It amazes me how well these two worked with everyone except each other.

I just feel like their relationship was too juvenile. They presented some middle school type of behavior I just did not connect with. And it’s not like it’s impossible to show a sweet, cute romance - they did it with the side couple. Yes, it was over the top cute, but that’s who the characters were from the start - adorable, so it fitted the overall picture.

They also showed a more mature and chill approach with another side couple - a lot better paced even though they had 1/10th of the screen time compared to the mains. All the supporting plots showed me there is a skill and good writing hidden in the show, but somehow they failed to use it for the most important aspects.

I definitely enjoyed the few small commentary bits on the entertainment industry. Some were presented in a more serious manner, some leaned towards comedy. Sh**ting Stars has also one of the best “breaking the 4th wall” scenes I have seen in dramas for ages. I replied that one scene many times - perfectly executed if you ask me.

Performance wise, it varies depending on the actor. Probably one of the worst performances in Lee Sung Kyung’s career. She delivered close to nothing. The lines felt flat, the crying scenes evoke zero emotions. She presented little to no variety in her facial expression. And I know for a fact she can do better, she did in her other dramas. She is not an amazing actress, but should be capable of leading a rom-com.

Kim Young Dae did fine. I enjoyed his more emotional scenes, he did a good job portraying the vulnerability of Tae Sung. At the same time Tae Sung was just a poorly written character, so it’s not easy to judge the performance of the actor.

Most characters did not have enough depth for the cast to truly showcase the skills they might have. Yes, Yoon Jong Hoon delivered the sweet hard working senior, Kim Yoon Hye was the cute and innocent junior, Park So Jin did an amazing job as a journalist with some internal conflicts and Lee Jung Shin was able to make the arrogant and distant lawyer more approachable and fun. But that’s it. The characters don’t really serve more than these short descriptions.

The production value was nice. Quite a number of scenes had an aesthetic appeal that supported whatever was happening on screen. Talking about the production, we cannot ignore the initial wave of criticism surrounding the uneducated and ignorant depiction of Africa. I still believe this just shows how lazy the writers are (honestly, the same problem happens in all countries, and is not limited to Korea). 15 minutes of google search is too much work for them. Finding a more appropriate way to present a specific plot line? Why waste time, when you can apologize later if it gathers some bad press.

Overall, it was painfully mediocre. I enjoyed following some side relationships (be it romantic or platonic) and plot lines, but close to nothing concerning the main two characters was good. They just put random events and ideas together, and did not spend enough time to figure out how to present them in a cohesive way. The show just did not flow well.

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Legend of my undying patience with this show.

Me during the first few episodes: Why are these episodes so short? Why aren't they 45 minutes long?
Me during the last few episodes: Why are these episodes so long? Why aren't they 30 minutes long?
That would sum up the decline of my enjoyment as I was watching the drama.

I want to be perfectly clear - I am not one of the people who were unable to enjoy it because of their expectations. I had zero expectations, I saw no promo materials. I went into it blind and willing to accept whatever they threw at me. I just did not expect them to start throwing bullshit.

It started well. Solid set up for the female lead, explaining why she needs to climb the military ladder from the bottom. We had fun “mulan-esque” plot lines that made me sing “I'll make a man out of you” as she was kicking ass during the practice. The tension between her and Xiao Jue was great. And then it slowly started to hit me how little generaling we have in this story about a female general. How the drama does not really have much plot, not substance. How the most interesting character is actually the second male lead. How the villains are empty shells that make me feel nothing.

Why did it happen? I think every plot line, every interaction, every motivational speech and feministic message did not have proper set up. Things just happened and we moved on to another scene. They kept telling me how bad women had, how she is this brave and strong and the idol for all the other women, but I did not really see much suffering or discrimination. Don’t get me wrong - inequality was clearly visible, but they presented with dialogue a completely different level of suffering than what was actually shown. It left me with a feeling of dissonance.

Not everything was bad. Outside of her preachy monologues I actually liked He Yan a lot. I appreciated how she was not this cold, stoic man like warrior. She was witty, cheeky and at times even bubbly. She had a bright and fun personality, but also knew when to focus on work. That made her far more enjoyable to watch.

Even if underdeveloped, I also enjoyed Song Tao Tao and Cheng Li Su. They served a good contrast to both leads. Tao Tao had little to no physical strength, but was motivated and because of her knowledge in poison, was not a defenceless damsel in distress. Cheng Li Su might have seemed like a spoiled nuisance, but was also loyal and dedicated.

Sadly, that’s where the positive aspects end. Sure, the acting was good, but does it matter when the writing was not? I don’t even want to talk about the production value. What was that crayon blood? They did not even try to fake the injuries and wounds - they just smudged some red pain on their faces with artistic vision. Yes, Cheng Lei looked hot with that fake blood, but it was still too fake to ignore. There were also issues with the continuity of the shots (eg. blood being there in one cut, and not in the other from a different angle). The whole last arc (last 3-4 episodes) were so ridiculous I wanted to cry.

Overall, I should have dropped it, I have no idea why I finished it (I do, Cheng Lei’s face).

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Felt more like 2005 than 2015.

I enjoy Japanese rom-coms for how cringe they often are, but this show just took a few too many steps too far. While the beginning was so ridiculous, it was actually entertaining, at some point I just got tired watching.

All the men in this drama were a mess and should stay single looking for a therapist rather than a girlfriend. God bless Kimura Arthur for being the only good guy. Kiyomiya Makoto also had his moments and great potential to be the lead.

On paper I should like it, but there was something… cheap about this writing. Random stereotypical feminine gay men, child stripping professing their love towards female lead, random almost sexual assault to give a chance for ML to save FL, awful future mother-in-law, both best friend and boss being in love with female lead, but then this leading nowhere and barely being addressed, questionable romance with teenager. And most of this just felt meaningless and useless.

The leading couple? Insufferable. I honestly wanted the drama to end with a tragic ending, and the idea of them together just annoyed me. The male lead was a weak selfish ass, and the female lead was a true doormat cross-dressing as a competent lady.

What’s more? I wanted to make it a murder mystery “Who killed the grandma” and end it with an open ending - the culprit getting away with it, never being found. That’s a happy ending I would be satisfied with.

While the ending was great, the characters were just not it. Hard to enjoy the performances, when you don’t even want to see the characters on screen…

Overall, had a fun and ridiculous start, but somehow ended up more boring than entertaining. Did not like the ending at all, the closure for many plotlines felt too easy to achieve taking into consideration all that happened throughout the show.

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There are two ways of making a good remake: make it better or make it different.

Cube failed at both. It was not interesting, not innovative and the special effects were laughable - apparently people there have no internal organs.

Being perfectly honest, the only good thing was the acting. I am amazed how the actors were able to deliver a solid performance, when most characters had ridiculous arcs and out of the blue quick last minute changes of heart.

I think the worst crime of this movie was the fact it was simply boring. There were hardly any deaths nor traps shown. The ones we got were as basic as they can get.

There is nothing Cube 2021 can offer that Cube 1997 did not already deliver, so why bother watching?

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