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Fast Food entertainment with a secret ingredient - crack.
This show took me to the times when I was a young teen reading Harlequin Romance and being obsessed over the domineering, rude, but deep DEEP down inside actually good and caring male leads. The best type of trash entertainment anyone can offer.This is just that, but on screen format. Fang Tian Yi is hot and that’s the main trait this man possesses. That and good kissing skills. Saying Dong Ting Yao is brainless would be an understatement. Girl got so easily manipulated and used - customers at McDonalds have more respect for the workers than the majority of the characters had towards hers. The rest of the characters were just place holding NPCs.
The plot? Nothing made sense - her falling in love, him being surprised she does not trust him, the conspiracy and the barely existing investigation. The level of abuse she faced and always being completely fine the next day.
So how come I binge watch it all in one sitting? Because it’s a good type of trash tv. One that does not pretend to be more. One that is here for your entertainment and your eyes, giving your brain a moment of relaxation since you shouldn’t use it watching it. It’s a makjang, but with more shirtless scenes and abs and less kimchi slaps (but overall slaps it delivers). It’s so dramatic you end up having fun even during the intentionally sad scenes. You are here for chemistry and abs only!
Why does it also work? Because it actually has good acting and production. As cheap and ridiculous the plot is, it’s actually packed in a nice to look at box with pretty costumes, pretty faces, pretty make up, pretty set and pretty abs.
Overall, I think it should have been shorter, but it’s still highly enjoyable. I guess even with my brain off, at some point I just could not take how stupid female lead is. Enough is enough.
Now I regret my choices as I drink my coffee trying to wake up. I’m too old to stay till 3am to watch dramas.
Side note - that one guitar string they kept using, am I the only one who got Chuck Norris vibes from it?
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Finding joy and staying patient while living the mundane life,
as we all learn to find beauty in the tiny moments - a smile from a child, sun coming through the branches of the trees, other people’s happiness.Perfect Days is weirdly relatable in its simplicity. Smiling because of the shadows dancing on the wall is something that happens to me often - little moments that when appreciated, can make your day better. The movie allows you to stop for a minute and take in all the everyday wonders we often miss.
Watching Hirayama enjoy his daily routines and finding things to appreciate when the known pattern is broken made me think that every situation comes with a set of things to welcome with gratitude and things to be patient about. No bad moment lasts forever, no happy moments can exist, if we don’t notice them.
Yakusho Koji’s performance alone could be seen as the 8th wonder of the world. Even with little to no dialogue, he was able to express all the depth and internal complexity. Hirayama truly is a character we could learn from - patient, kind, helpful, giving, perceptive, diligent. Someone who cherishes each and every moment finding time to note the beauty of his surroundings.
Visually speaking I was in awe when watching it in the cinema. The use of light and shadows, well crafted set designs, interesting shots and angles - while I am glad I was able to see it all on the big screen, I also wish I could take screenshot of each and every scene and be able to come back to the pictures representing the beauty of the daily life.
Inspired by the movie, let me name a few things that brought a smile on my face in recent times:
How shadows that added to the beauty of the art I was viewing, creating a unique experience for that specific moment.
A cute drawing kids made with a chalk on the pavement.
The sun making the water flicker as if the waves were carrying little diamonds.
How a dirty window on the bus stop actually made the sunset I saw look even more magical.
How I drew a smile on a mandarin and it smiled at me the whole lecture.
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Honestly, what happened?
I want to start by saying - splitting it into 2 parts is dumb and I truly do not understand the logic behind it. I refuse to call it a season, because it is not - it’s the same story, same arc, same characters, direct continuation, no?The 6 episodes we’ve got were truly just an introduction to the characters and plot - nothing less, nothing more. And I don’t even think the introduction was that good for a lot of the elements.
Van has no personality and the only interesting and entertaining aspect of his character were the few reactions he gives when interacting with Mi Ho. That’s it. I love Kim Nam Gil, I do, but this role ain’t it.
Mi Ho is fine and I love her chemistry with other characters. The issue was - for a fantasy driven action flick, they wasted too much time telling us who she is in the present time. We don’t care. I couldn't care less about her struggle for power in her father’s company and the nasty aunt. I did not need a lengthy set up on why she had to go to Jeju. Only 6 episodes - time is precious, why are we wasting it? Also, this is a side rant, but every time the magic happened and Da Hee made the moaning sound I was like: girl, this ain’t the sound you should go for in this situation…
Surprisingly, the character I was the least excited about ended up the most fun and entertaining. Kang Chan Hyuk aka Father Johan. Eun Woo should take more roles like that, fitting his personality. Yes, the more "emotional" scenes were often lacking, but overall this is a lot better than many of his previous performances.
The cold emotionless lead is just not his thing. I liked how Father Johan was honestly a rookie compared to the forces he had to go against and he was too confident for his own good. I especially loved him testing Van and how far he can push before Van starts punching back.
Eun Woo as a cheeky priest was to die for. The child became a man. Man of faith and man of kinks for many viewers.
Production was painfully questionable in the CGI department. Just the manifestation of the power/energy was great. The barrier set by “the villain” looked amazing. But then, the design of the possessed was laughable, the execution was wanky. I liked the tree spirit monster, but that’s it. The worst of it all? The CGI models for the actors when they were doing the crazy fighting scenes - the movements were just bad. Then we also have the awkward scenes where the use of harness and lines could not be more obvious. I don’t think they practiced enough…
Overall, a mess. As much as I had fun watching it and joking about it with other users on feeds, the quality of the show itself is just bad. I’m so confused… What happened? I assume they had the budget, the cast was also good… So why was the end product just mediocre at best?
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This review may contain spoilers
In hell we’ll meet, tortured by the past.
I have such conflicting feelings about this drama. I loved and hated exactly the same aspects of the writing.This is not a fun romance with excitement and angst delivered by the war context. This is not “Descendants of the Sun” with no real stakes. People die here, painful and tragic deaths. There are real consequences the characters need to face, the traumas are not magically healed. It’s heavy, it's painful. It’s real.
As much as it is a love story, I think the central part of it is the trauma. From a psychological point of view, they did a lot of this right, starting from the diagnosis and ending on the conclusion. Traumatic experiences do not always only lead to PTSD. Sometimes you might end up with anxiety, depression, OCD. So not labeling every character with PTSD was great. Different people will react to situations differently.
Song Ran became depressed, Li Zan who was by all means no cut for the job in the military, ended up with severe PTSD. Benjamin who from a young age led a rather hard life was able to require a lot of emotional resilience and handled the emotional pain in the most healthy way. Sa Xin who lost his mother spiraled into anger and need for justice and revenge.
What's more, I do appreciate how with Li Zan case, they show psychological issues can heavily impact your recovery from physical injuries too. How scary the process of recovery is. How, while taking the first step is the key, it's not the end of it all. Even after seeing the psychiatrist he was still hesitant. He did not follow up. He claims to be better. He kept lying to himself and to others. So sometimes it's easier to convince yourself you are getting better and you can push through it by yourself. Fooling yourself you are stronger than you truly are.
Then we had Song Ran - what a great portrayal of depression and anxiety. How from the outside she might have seemed fine, but we as viewers saw how she was not, how she was honestly barely holding up at times. I love how they didn’t show depression as this 1:0 idea - you are either completely dysfunctional, or fine. With depression you can also have good days, you can be happy, smile.
What’s so tragic for me is - this is a love story that should have not happened for Song Ran’s sake. She could have healed from her depression, she could have gotten better, if it was not for Li Zan constantly re-traumatizing her with his actions. Li Zan was such a great and complex character.
I could write a whole essay just about him. A man that had skill that could save many people, but also no psychological advantages and strengths required to do the job. I love how this drama shows good intentions do not mean good results. How traits we see as good: empathy, selflessness, compassion, in extreme situations can be a person's biggest flaws. Li Zan has a savior complex and there was no good way out of the situation he was in. Not going to Easter Country would eat him alive from the grief and guilt of not helping when he can. Going back to Easter Country means getting more traumas on top of the ones he did not heal from. He hurt himself, he hurt people he loved, but he also saved so many lives. But no matter the choice, he would be feeling guilty and that feeling would slowly kill him. It’s a tragic story that could not have a happy ending.
I know there are different opinions about the ending, but for me it’s rather clear him and Song committed suicide. He understood she would never leave him alone. She understood he will never get better. They decided to be together till the end. And they decided when the end will happen. From the scene of them talking about reincarnation, to the narrated goodbye letter to the parents, not once showing them interact with anyone after it was written. Even the oversaturated editing that made them glow in the last scene - that’s the tragic ending I think the majority of us knew will happen, even if we wanted to live in denial till the end.
At the same time at some point I was getting tired with how "realistic" the drama was. Yes, the recovery from any psychological issue is a whole journey, but this is a show... it has to be presented in a way that reflects reality WHILE keeping the viewers engaged and not exhausted. We are running in circles with little to no development. The message was clear, but they still hammered it over and over again.
The repetitiveness at some point crossed the line from - that's how life works, to - well now I don;’t feel as emotionally impacted by what I’m seeing, because I saw more or less the exact same scene in this show five times already.
It kind of starts to feel like a trauma porn... no balance of anything. There are no ups and downs. It's just down, down.... and a bit more down until we are in a fucking hell of traumas and mental disorders and bad news and no happiness and no rays of hope. Especially on Zan’s part. Song at least vented her sadness to him, and he just took it all in, when he couldn’t even handle his own feelings, not to mention help others dealing with theirs. He was emotionally overworked and it's exhausting to watch.
I am aware that the drama truly showed just glimpses of how bad a real war is. This is nothing compared to reality. But this is not reality. This is not a documentary. I do think that it’s a valid criticism of how far they tried to make the audience feel sad and bad. A Perfect example was Ben’s death which was extremely unnecessary. What was the point of killing Ben? What did it bring to the story? To the message? Other than dumping more trauma onto the viewers? Especially with how they set it up with Ben’s talks about how he found a new family in his friends, how he felt more grounded and alive than ever before. Scenes of his plans to start over and get a degree in journalism. They did everything they could to make Ben’s death feel as tragic and painful as it could get, and I do not understand why. It’s just dumping trauma for the sake of trauma alone.
Moving on from the sadness into more happy/good aspects: I cannot ignore the bromance between Ben and Sa Xin. I honestly went crazy for these two. By all means they followed so many dynamics of a typical straight secondary couple. They shared such a profound connection and care for each other, it was hard not to want something more from them. The writing team did all they could to include as much of them as possible, by passing the censorship by giving Ben a “romantic interest” that got barely any screen time or depth. I will die on this hill - Dr. Pei existed just to pass the censorship.
Now, I need to talk about the performances. I want to be clear - the whole main cast did a stellar job with their portrayal, but Chen Zhe Yuan delivered probaby the best performance of his life and everyone else just faded into background. I am speechless. I knew he was good, I did not know he was this good. I don’t even know how to express how impressed I am by each and every scene he delivered. How much Li Zan changed as the character, how well Zhe Yuan was able to transition from this confident man to a shell of his past self. How you could feel the silent pain when he was trying to hold it all in, and the raging despair when he was breaking down thinking Song was hurt and dead. Be it subtle representation of extreme emotions, or completely uncontrolled misery - he did not waste one second of his screen time.
On the other hand… the way the poor dubbing and acting of the majority of foreigners often completely took me out of the scene I was watching was simply disappointing. such a high quality of drama and production, with such a low quality of casting for guest and bits parts.
Then we have the soundtrack. I am not a person that pays that much attention to the music in dramas and music unless it’s extremely good, or extremely bad. Here the extremely good fits perfectly. Some of my favorite songs were: Ignite Me On Fire, Into the Pieces, Find My Way Back to Life, Home. As a whole the OST is an easy 10/10 (except for that do re mi fa sol la song, I cannot with that chorus, it should not exist).
For the production - impressive. The fighting scenes were well choreographed and it made sense there were not that many of them - no one has hand to hand combat during wars, they use guns. The explosions were surprisingly well produced too. We know how off Chinese dramas can get with their CGI and special effects, so I’m glad they put quite a lot of effort to make it good here. What’s more? Really well done prosthetic make up for Zan’s fingers. I was curious if they would just cleverly use angles or make him hide in hand all the time, and I was surprised they actually made the effort to show us how it looks, and also make it look realistic.
Overall, this was for sure a journey. Emotional and tragic one. Maybe a bit too tragic on the delivery. At some point I felt like the tragic scenes were not even said, because they did not make much sense plot wise. Maybe if the show was a little bit shorter - 30 episodes would probably be enough to present the same story with the same impact, but less repetitiveness. As human beings we get desensitized after being exposed to the same thing over and over again, and the writers did not take that into consideration when planning how to present the plot.
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While I did find the overall idea behind the story compelling, I’m not so sure about the execution, especially on Ikegami Fumiya's side. He did not tell the truth with hopes it will save the relationship, as they can start over, but then he kept making sure to not cross the line between roommates and potential romantic partners. This behavior was something I did not quite understand. My guy was in a risky business - deciding to hide the past in hopes for a better future, without actually being sure Ritsu will never remember their relationship, and without actually trying to be with Ritsu in the present.
That said, I actually find Ritsu harder to figure out and judge. We know little about him before the accident, and his present self was driven by what he forgot - trying to remember and being confused about his place and life. Because of that, he felt less defined than Fumiya and harder to connect to.
Since this is a relationship and character driven show, I put some effort into trying to understand the characters, and that was the mistake. If you try to dig deeper into what is happening on screen, you start to see a lot of small things that make little sense and at some point it becomes a pile too hard to ignore. I think the best way to watch it is just accept whatever they throw at you without asking too many questions.
Acting wise, it had its ups and downs. For the most part I had no complaints. The slightly dull delivery was clearly the directing choice to fit the overall atmosphere of the drama. That one time Honda Kyoya literally squeezed that one tear out of his eye made me chuckle.
That said, I still think it’s a solid melancholic watch. Some of the editing and the transitions between the scenes might be a bit confusing, but for some strange reason it adds to the charm. In a subtle way it shows how all relationships need work, and without addressing the core issues, you cannot start over and be happy, even if you get to hit the reset button.
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James did an amazing job as Boo. I believed every second of his acting and it truly broke my heart. I could clearly see how vulnerable he was. How he fought, gave up and fought again. The few glimpses of hope he showed, how it motivated him to take action, but also the fear that paralyzed him at times. The whole arc of the character was amazing. The parallel between the beginning and ending scenes created this perfect, cohesive picture. Truth to be told, when I saw the ending sequence with Boo's narration I was shocked by how perfect it was. I would not change anything. The most satisfying ending I have ever seen in a drama. I could see that a lot of thought and planning was put into filming and writing it.
The good writing can also be seen with Bell's character. In the beginning, the conversation she has with her superior about the connection and empathy she feels to her patients was foreshadowing of what's to come. She was an amazing friend to Boo, but she was truly not that good of a psychiatrist. And I am 100% fine with it, as it was well written for her character. Not only was she just an intern, so she did not have that much practical experience yet, she also picked that specific job because of emotional and personal reasons that made it hard for her to stay objective.
I love how the show tackled the issue of how depression can affect others around them and how hard it is for people who have never been depressed and have no psychological/psychiatric knowledge to understand it. Starting with the dad, who had a hard time accepting his son might have such a big problem, to Simon, who might have had good intentions, but at times his actions were not fitting when dealing with someone struggling emotionally like Boo.
The show hints about many issues concerning mental health. One of the lines that is stuck in my head is "You think because he's depressed, he can't do anything wrong?" said by one of Simon's friends. Just this one line made me pause the show. I started to think, how much responsibility can a person with severe mental problems really take, how can a victim of their actions feel and react when they can't even truly blame anyone for what happened? Who should take the responsibility? There were many moments that just made you stop and think about the presented topic.
I also have to talk about the clever editing and them trying to visually present the symptoms of depression and Boo's feelings. I felt like they truly wanted to make sure the audience would understand the presented content. The perfection of the scene that was Bell explaining to Boo's dad the core idea of what depression is, was too perfect for me to describe. Her psychiatric approach and explanations intertwined with Boo describing how these symptoms express in him... wow. I literally clapped as I was watching this scene, because I was simply so impressed.
That said, even though in my eyes, this show is pure perfection, it's not for everyone. It's extremely graphic and at times emotionally exhausting. It presents the severe case of depression with all the symptoms of it (including self harm and suicide attempts). It might be too heavy for some.
I would recommend it for anyone who struggles with grasping the idea of mental health struggles and feels like it's hard to imagine how it can manifest in a daily behavior and what it truly means. The explanation does not get any better than here.
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62 days in - no signs of true romantic affection.
If you saw the show, you know what I mean. If you did not see, you can vaguely get what I mean. Can’t believe I’m saying it, but it would be so much better if it was not a BL.Let’s start with some positives. I truly loved how everything here was rather selfish, even when they tried to do things for the other person. Good intentions are not always enough, and expecting gratitude just for the effort, when the result is not preferable is again - egocentric. And I loved it.
While the story might have been lackluster, the characters were actually well written and really consistent. No weird change of behaviors because the scene needed it, no quick character development that removed all the flaws and made the leads saints. Both the leads were frustrating (one more than the other), but they also made sense in their behavior - I might have been mad, but I understood where their behavior came from.
Sadly, the plot did not present the same level of cohesiveness. The first two episodes were great in terms of pacing - proper set up and characters’ introduction. Nothing felt rushed, and that’s what killed the show. Taking the sweet time in the first half forced the director to cram all the important plotlines in the last two episodes - just the highlights of a story, nothing gets truly resolved nor developed.
I don’t want to talk about chemistry. It was great when they were friends, but it stayed “friendly” till the end of the show. 2gether hi5 had more romance behind it, than whatever they tried to do there. I loved the low-key angst and the confusion that came from not realized jealousy, but all that buildup led to nothing.
The acting was decent, but got worse the closer to each other the characters got. The editing was fine, but got worse the closer to the end we’ve got. The directing was nice, but got worse each episode. You get what I mean - all went downhill real fast.
Overall, as much as I enjoyed the first 4 episodes, I truly disliked the next 4. Last two? I was just laughing. Conflicts came out of nowhere, none of the characters actually talked about the events and issues, as if they did not exist. We skipped through so much, it was all meaningless by the end.
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It felt like the highlights of a greater story.
You know what? I want to watch either the show they teased in the trailer one year ago, because what we’ve got was just completely different material, or what we’ve got here, but in a longer format.I’ll start with the biggest flaw I saw, to get it over with. Earth was miscast. To everyone who honestly thinks Earth fits the role - drop me the name of your country, I gotta go and find myself a 40 but looking 20 daddy. Don’t know what kind of fountain of youth your government is selling for you to think he is believable “about to be” middle aged man, but I want some of it.
And please don’t start with: some people look younger than their age. Sure, but this is literally not the case in this story. Not once was it part of the discussion how he looks good for his age. I mean, the fact that Wen even asked Jim if Li Ming was his son suggests, Jim is supposed to look his age. He just looked way too much like a peer next to Mix and Khaotung.
Because of that, many scenes that were more hard hitting and emotional, felt simply not sincere. He is the main character, so if I cannot connect to him, the whole show starts to fall apart. This is what happens when profiting from a popular and established pairing is more important than proper casting. Pro tip to directors - if you are not willing to cast age appropriate actors, do not try to make shows with big age gaps between characters or about characters who are in their late 30’ and 40’. (Putting this casting into perspective - the actor playing Heart’s father is 45).
That said, I’m not gonna act as if it will for sure ruin the watching experience for everyone - it will not. It’s just something that I personally cannot ignore, especially since the character’s age was brought up over and over again in conversations.
Putting Jim aside, I actually enjoyed a lot of other characters and their interactions. Wen and Li Ming were truly adorable, with this older/younger brother dynamic, and Wen did a good job being the bridge between the uncle and the teen. He made them both understand each other better.
I also found Wen’s and Alan’s relationship fascinating and wish we would see more of it. It seemed like they made almost every possible mistake to end up in this situation, and trying to fix it right away would be an impossible task.
Heart and Li Ming were obviously fans’ favorites. Did I like them? Yes. Do I feel like their interactions were too similar to My School President and it was a bit like watching the same characters just in a different context? Also yes.
Honestly speaking, Alan was my favorite character and one that I was most curious about. It should also be illegal to give Khaotung such a tiny role taking into consideration his talent. I find it a bit funny how, in my view, two most talented actors in the show were sidelined like that.
While I enjoyed Earth and Mix in their other projects, I did not quite like them here. The main couple was for me the weakest aspect of the whole show. I enjoyed the characters far more with other people, compared to watching them interact with each other.
Giving credit where credit is due, Moonlight Chicken tries to tackle more serious issues and steps away from the typical high school romance. It does not follow the “one relationship for the life” idea, showing the past relationships of the main characters. It gives us a deaf community representation in a tactful manner. It shows that at times putting more effort will not save the relationship, and the most healthy way is to just end it and leave. It shows various types of parents-kids relationships, and how there are no right and wrong universal answers, it all depends on the circumstances.
While I appreciate the writer and director bringing all these important issues to the table, I also feel like they were more of an appetizer than a whole meal. It’s undeniable that they did not have enough time to truly dive deep into any of these topics, so at the end it felt more like highlights of a greater story. Personally, I prefer my slice of life character driven shows in a slower pace, that gives me time to digest everything that is happening on the screen.
The quality of the production fluctuated quite a bit. Some scenes were a true perfection and there was not a detail that had to be changed to improve them. But then some scenes had such sloppy lighting I actually laughed. What I loved for sure though were the set designs. Aesthetically pleasing, but not over the top that it looked unnatural. You saw it and you believed - yes, someone lives/works here.
Overall, it has many great messages, many great lines. Could have been one of the best BLs if the production was a bit more daring, but also selective in terms of the story and the casting.
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Tunnel ★☆☆☆☆
The first short story ended, before it even started. It's hard to have any meaningful opinion or thoughts about it with how short it was. Sure, there was one nice semi-gory picture created closer to the end, but overall - too short to create the atmosphere or to deliver the scares.
The Woman in Red ★☆☆☆☆
Revengeful ghost and vague insinuation on why she even mad. What stood out in this short? Bad acting and bad special effects. When the ghost started to do Spiderman impersonation, I lost it.
Tooth Worms ★★★☆☆
I knew this is going to be a ride the moment they opened it with the perspective of being in someone's mouth as they get check up by hot dentist Hoya. I'm not sure how scary it was, but it did make me feel extremely uncomfortable. Acting wise - Hoya delivered!
Necromancy ★★☆☆☆
This story was more of what I was expecting to see when I started Seoul Ghost Stories - typical creepy pasta type of a deal, with decent effects for a short like that. the acting was also fine.
The Wall ★★★☆☆
That was a short, fun and wacky story. A unique love line if anyone asks me.
The Closet ★★★☆☆
This is scary because of the more realistic scenario. I do wish they were a little bit more clear if there was any supernatural involvement, but nevertheless, this still gave me the most creeps. A bit exaggerated, but something that could potentially happen.
Ghost Marriage ★☆☆☆☆
When horror stories deliver shower abs scenes - I cannot force myself to complain. Sadly, that was the best part of the story.
The Girl in the Mirror ★☆☆☆☆
When you are hunted by the horror snapshot filters, even outside of the app. That's the story. Yes, it's as boring as it sounds.
The Mannequin ★★★☆☆
This was a win. They were able to built quite a tension in just few minutes and the design for the mannequin was extremely good. It just looked so weird and uncanny - and the movement. I would pee my pants if I ever come across something like that.
Escape Games ★★★☆☆
I'm impressed with Alexa's acting (funny how her Korean line delivery was more natural than the English one) and the props aka the bodies. Good stuff. Probably best practical and special effects from all the stories. The concept was not exactly unique - Escape Room meets occultists. Still, a fun watch. Better than majority of the stories in this compilation.
The starts next to the title will tell you how good they are compared to each other, rather than overall quality.
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Great concept, confusing storytelling.
On paper I understand what I’m supposed to get from the story, but I am not sure the director did a good enough job for me to say the idea was translated well on screen. It ended up with me feeling like everyone is unhappy, because of the choices the female lead made.While the movie had many great and poetic moments, I kept getting distracted by my own feelings which were: I felt extremely bad for the husband. Especially during the bar scene - whatever charm the scene was supposed to have, lost for me coz I kept thinking about the husband and how awful the whole situation must be for him.
The performances were great, though I was just not that into how the characters were written. Personally, I did not find Nora either likable or interesting. Not sure if I liked Hae Sung or just Yoo Teo’s pretty eyes and face, but he for sure aced the melancholic nostalgia feeling.
There was one scene that I really liked, and it was the “waiting for uber” one. I felt like it perfectly sums up the themes of the movie - connection, timing, hesitation. Would prefer if the movie actually ended there.
Overall, kind of enjoyable, but you truly need to completely ignore the husband and his side of this whole story not to feel at best awkward, at worst awful.
Side note - Polish subtitles in the cinema were awful. Maybe Korean phrases were translated in such a weird and “strong” way as if the characters were swearing left and right, when the meaning was supposed to be much lighter in tone.
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Slice of life with touch of investigation and grim undertones.
Technically The Silence of the Monster had all the typical slice of life elements - a group of characters creating a bond with each other, learning many useful and meaningful life lessons and learning how to overcome their struggles and traumas. It was cute and fun to watch. And yet, the drama managed to add the darker twist to it all, making it seem like the happiness was diluted, and the bubble could burst any time.It was all possible thanks to the characters and how they were portrayed - especially for Luo Bin and He Chu Feng. The events of their past were still haunting them in the present, and even though they tried to move on, sometimes you need to face the tragedy, before you can build your happiness.
Luo Bin and Chu Feng had a great dynamic going on - one more reserved, the other not being able to stay still and quiet for more than a few minutes. What the show did well was giving small tweaks to who we thought the characters were. Chu Feng was not really this cold and quiet type, and Lou Bin was not as happy and carefree as it seemed.
On the other hand, while I enjoyed Sui Yi a lot, her character had nowhere near as much depth and complexity as the two male leads. For me, she represented the normality in the show - pretty, smart, hardworking, good natured. She brought the sunlight and warmth to Monster Vintage.
But then, we have Xiao An, whom I would not even consider one of the main characters. She showed up really late, she had little to no personality and presence on the screen. The development of her relationship with other characters was poorly paced and she never truly seemed like a part of the team for me.
The plot of The Silence of the Monster might seem like an investigation focused story, but for me, playing Sherlock Holme was more of a means to deliver the messages. It never felt like the focus was on the cases themselves, but rather on the people involved, especially the victims. Through the investigation, the drama presented many important social and personal messages. It tackles subjects like stalking and cyber crime, prejudice, animal cruelty, divorce/remarriage and the impact it might have on the child, mental health issues, trauma, the consequences of the white lies, and many more.
Sadly, plot wise, around episode 20 it all slowed down and I started to lose interest. The cases were nowhere near as interesting as the ones at the beginnings, the transition from the case by case scenario, to linking them to create a bigger picture was questionable. And the big bad guys were simply laughable.
The performances in most cases were great. I especially liked the raw emotions Annie Sun showed in the last few episodes. Both Bi Wen Jun and Zhu Zheng Ting had a strong delivery throughout the whole show. Ye Peng was capable of portraying Gu Nam in a way I had moments when I did empathize with him, even though I completely disagreed with his actions. The only performance that did not convince me at all was Baby Zhang, but it’s hard for me to judge how much was it the actress's fault, and how much I should blame the writing of the character.
The thing that stood out the most in a positive way were the costumes, styling, set designs, sceneries and the soundtrack. The whole show seemed like a piece of art, proven by 468 screenshots I took. I loved the vintage vibes they used, that felt stylish and not outdated. I liked a lot of the wide shots with the focus point not being in the center, but rather on one of the sides.
Soundtrack wise, I think Clare Duan - Tao Hao was my favorite song, but honestly speaking, literally every song was perfect and a gem worth adding to the playlist. Well fitting the drama, the scenes and the atmosphere created by the visual means.
Overall, it was a great watch, but the few complaints I had, had quite an impact on the overall quality of the show. It’s still worth watching and diving into the mysterious, but somehow welcoming and warm world of Monster Vintage.
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Predictable and rather simple, yet surprisingly charming.
Not gonna lie, this is not the most complex story I have seen. It’s the same old crime for greed dressed in fantasy elements. Yet, this fantasy set up makes it stand out compared to other shows and make the watch more enjoyable.I honestly don't care much about the investigation, if it was not directly linked to finding the bodies of the people living in Duon Village. Sure, the mystery was well crafted and had great pacing, but I honestly don't care about the living people involved with it. The plot shines the most when it focuses on the residents and how/why they died.
Some of the characters I liked the most were Thomas, Jang Pan Seok and Baek Il Doo. Most of the cast had a great chemistry between each other, and the friendship between Wook, Pan Seok and Thomas was fun to watch.
Sadly not all characters had much to offer. Personally I found Choi Yeo Na painfully annoying, and at times quite selfish. She had little going on as an individual character, and mostly served the role of delivering exposition and motivating other characters to do some work. There was nothing interesting nor entertaining about her.
No complaints about the production. Maybe some of the cgi was questionable, especially when the residents were leaving the village - the more detailed, longer and more close up the scene were, the worse it looked. That said, Missing: the other side was a beautifully crafted show with quite a number of screenshot worthy moments.
Overall, a fun and easy to binge watch show. I took my time with the first half, but watched the second in one sitting. While there will be a second season, this one can be easily watched as a stand alone, as it provides all the necessary closure.
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This review may contain spoilers
You really have to turn your brain off before watching. Is the chemistry between Jae Hyun and Jimmy good? Sure. They are cute. Yoon Oh and Peach as characters have good dynamics with contrasting personalities. But is this enough to watch the show?
I feel like the show tried to portray the subjects of loss, regret, miscommunication/lack of communication. How some people can be so focused on their own feelings, they can’t see other people and the truth that is there. It all felt extremely flat though. Having not much screen time, it’s not wise to add many plot lines and side characters. Pick one main and one side plot and develop them as well as you can - that’s the way to go.
Quite a number of things make no sense. Peach staying at his dead friend's house, and no one questions it. The investigation of the police was a joke itself. Yoon Oh can manipulate objects in real life, since his mom heard him playing the guitar, but it’s not really brought back for them to communicate with each other in any way? Give him a laptop, making him type! Peach flirting with the air with the people around him. These are just a few things that happened without proper explanation, and were there just for the sake of the plot progression, even though they made little sense.
The biggest let down was Yoon Oh’s relationship with his mom. It would be an amazing plot for his character development and driving force of the show, but they decided to just… resolve it in the first half of the show and bring it back at the end. This should be the focus!
The quality of the acting depends on the actor. Jae Hyun for sure does well in his role, while Jimmy struggles quite a bit. He has improved a lot since his Why R U days, but I don’t think he has yet reached the level worth compliments. Got to love them dry crying scenes.
The drama is for sure pretty. Saved quite a few screenshots. The cafe scenes were just aesthetic heaven for me. The soundtrack was also one of the better aspects of the show. All songs were fitting the scenes they were used for.
Overall, it was all just misdelivery. Not once have I felt sad, even with such an emotional topic. Yoon Oh vanishing Thanos style made me laugh my ass off at the end, especially with how they robbed fans of that kiss.
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Entertainment over quality… repetitiveness on the rise.
Don’t get me wrong though. It’s not necessarily bad quality, rather… basic? I’m gonna write a few criticisms I had with the show, but I want you to know, I still enjoyed it quite a bit - I would drop it otherwise.Starting with the short points, I will elaborate on them later.
So what’s good?
◽ The characters’ personalities and the chemistry between them. The variety of amazing interactions we’ve got depending on who was on screen was perfect.
◽ The comedy was to die for. Even if some episodes felt like fillers, I was still mostly okay with them because I got to laugh a few times. Especially any scene with the Crown Prince and Mu Deok was a comedy goal.
◽ The lore. For the first proper high budget Korean fantasy drama like this, they did quite a good job with creating a believable and detailed world. Yes, they broke some rules they set themselves, but overall, in this aspect the writing was rather consistent.
◽ The production quality. This show is simply beautiful. I have no complaints about CGI either, which is a surprise, since I always complain about some details related to it.
◽ The acting from the majority (but not the whole) cast.
What had a potential, but could be improved?
◽ The villains. While on paper everything adds up - they had proper goals, motivations, plans, enough power for it to be believable, the presentation left quite a bit to desire.
◽ Love lines. There were just too many. Cutting off half of the love lines, and exploring more the ones that are left would be a huge improvement.
What did not work out?
◽ The female characters. They told us how strong, smart, brave, driven they are, but then relegated them to be some sidekick characters or just a background for the story to unfold. Including the female lead.
◽ The present plot and pacing. Having such an elaborate lore and using so much time to explore and explain the characters and their background, sadly hurt the current plot a lot. Too much repetitiveness, too much narration and filler scenes, that, while entertaining, did nothing to move the story forward.
Getting into more detail now.
So, what’s up? It was built on extremely basic and boring tropes. And while I love everything around it, the core is still... basic. Especially in terms of Jang Uk's writing - a special boy, with his special powers and special fate. Magically learning all the magic that he needs at any given time. There are literally no real stakes with him - we know he will somehow get out of all the issues with no real long term consequences.
The worst crime this show committed was reducing the revenge seeking, confident, skilled female lead into nothing more than a love interest for half of the young male cast. Girl just gave up her goal at some point and was nothing more than Jang Uk’s maid. How sad it is, when she opened the whole show with a bang and badass fighting moves. Realistically speaking, she was a far more interesting character than Jang Uk, and yet she was pushed to the sidelines.
I feel like the drama overall failed its female characters. For example, Jin Bu Yeon was an extremely important character, and yet the majority of viewers shared the “I don’t care about the oldest daughter plotline” sentiment. What does it tell me? Hong sisters and Park Joon Hwa failed to convince us it’s worth following the story. They failed at setting it up in an interesting way and failed to show how connected it is to everything happening. Which is sad, because from the few scenes we have seen with Jin Bu Yeon, she seemed like an extremely strong, brave and worth watching character.
There is another interpretation of Jin Bu Yeon’s wasted potential - Hong sisters from the start did not care about her character and never planned for her to be anything more than just a background story. And this just makes me sad to even think about. She is literally one of the most interesting characters in terms of her story - one of the most complex backgrounds and connections, and yet she was nothing more than a background?
Honestly speaking, the majority of the characters lack the complexity and depth, but they make up for it with the extremely well written and directed chemistry. There is a huge variety of different relationships (not all romantic) that are entertaining to watch. Some of my favorites are - Mu Deok and the Crown Prince, Mu Deok and Yul, Crown Prince and Jang Uk, Master Lee and basically everyone, dumb Scooby Gang aka Crown Prince, Yul and Dang Gu.
So, we know there was a high entertainment value in terms of the characters, but also some painfully unused potential. What about the plot?
The pacing was awful. Honestly tragic. They did an amazing job with expanding and explaining the lore and character’s backgrounds, but as for the present plot - it was barely moving. We were getting closer to the end of part one, but I felt like we took maybe two steps forward, and mostly just ran in a circle. And the precious screen time was wasted on random comedy scenes (which were great, does not change the fact they mostly added nothing to the plot), romance EVERYWHERE, and side plots that a lot of viewers, me included, did not care about.
The romance? Jesus Christ, you think love triangles are annoying? Wait to see all the love lines and all the geomatics love shapes. Everyone is somehow related to everyone in a romantic way - be it past relationship, present relationship, arranged relationship, one-sided crush etc. At times I felt like the love lines were more complicated than the actual plot.
What exactly was the villain's plan? They had literally everything they wanted and needed to take over… but they didn’t. Because, reasons? They were just chillin doing the bare minimum waiting to get caught.
AoS tries to set up quite a few plot twists and big revelations, most are sadly predictable for anyone who watched even a few wuxia shows. It just follows the most stereotypical story with the most common tropes leading the way. They also kept explaining things that were already revealed and explained - the plot is not THAT complicated so I would need a constant reminder about each and every plot point.
Production quality and acting were good. What many fantasy shows fail at is the over the top, complex CGI. AoS did a spectacular job with it. Everything crafted to make the show pleasant to the eye.
Acting wise, I have to talk about Jung So Min. She is one of my favorite actresses and I knew she could deliver any role, but I was still surprised how she was able to manage so many personalities and shift her acting to fit specific scenes. I’ve also been a fan of Lee Jae Wook since his debut as Marco in Memories of the Alhambra, and knowing how diverse the roles he took so far were, I did not worry about his performance at all.
I’m also quite impressed with Shin Seung Ho. The Crown Prince was not an easy role since the character has quite a few contradicting qualities, that could seem ridiculous with the wrong delivery.
Overall, being perfectly honest, I did enjoy it for most part, but I would not recommend it. At some point I had more fun ranting about it on feeds with friends than watching. Not sure if the few entertaining scenes here and there truly make up for all the mediocre and bad aspects. I might just be biased because I love the cast so much. And since this is basically a 30-episodes long drama, is it worth it to spend 40 hours watching it just for the interesting set up?
Taking 0.5 from the rating for the fact it was split into two parts for no reason whatsoever.
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Great moments, but moments only.
Who likes a healing show about a timid female lead who moves away from the toxic environment to end up in another toxic environment and receive close to no character development? Not me.Like many other slice of life shows, this one also has little to no plot, which is completely fine. These are not supposed to give you thrills and excitement, they are supposed to be relaxing and warm. When I go into slice of life, I’m getting ready for a little bit of life lessons and characters I want to befriend, ones that make me want to root for them. Did this show deliver any of these? Not really.
Starting from Lee Yeo Reum - doormat, timid, no self love nor self respect. No issue with that. I wanted to go on that self improvement and self discovery journey with her. But damn this girl got on a merry-go-round and ended up in the same circle of self pity. The moment I thought she learned her lessons, she went back to the old ways - ready to blame herself, ready to take a step back, ready to run away. Trying to fix it all in the last episodes is not the way to go.
While An Dae Beom was better and for sure a stronger character, he also got easily manipulated by others, mostly by Ji Young. At some point I started to question myself - am I liking the character or am I just completely biased towards Yim Si Wan and I will just buy anything he sells?
Then we have all the other characters who either: started well and ended annoying, started annoying and miraculously became nice in between scenes, started annoying and ended annoying. There was honestly barely anyone to root for… Which is a true nightmare for a character driven slice of life drama.
To be perfectly honest though, I can deal with annoying characters, but I cannot stand conflicting messages. Yeo Reum tells herself to only think about what she wants and feels and not care for others, but also tells Bom to put her grandma and her family before her own emotions and well being. Protecting an alcoholic and abusive father is fine, but protecting your son with developmental issues makes you the top enemy. I am sorry, but what am I supposed to learn from this show? What is the message? What does the writer want to present and tell me? For me, it all made no sense.
Yes, the ending message was great - appreciate what you have, find happiness in little things, you don’t have to excel in everything, just being happy is enough of a reason to be alive and enjoy the moments. IT’s all great, but why did they fail so badly with all the other issues they talked about?
And I know how some people will scream “realism” as an excuse for some of the topics. Sorry, but you cannot explain some awful takes with it, while also ignoring the complete lack of realism in other aspects. You can’t have both.
Last, but not least plot wise - the “mystery”. When the characters have to explain EVERYTHING to me through the dialogues and flashbacks, it means the writer completely failed to set it up. I should be watching and connecting the dots myself, not get everything served with a narration.
From the acting and production side, it was great. Kim Seol Hyun improved greatly since her debut, and everyone knows Yim Si Wan is one of the best idol turned actors. The teens did an amazing job too, I especially liked a.mond’s performance - cheerful and hyped, but with hints of sadness and tons of loneliness.
Visually, Summer Strike is beautiful, I cannot deny it. They used the environment they were filming in to its full potential. What’s the point though, if the story is not on the same good level of execution? This year we had a holy trinity of dramas with amazing and beautiful moments, but also poorly executed overall plot and character’s development, and laughable villains - Today’s Webtoon, Cheer Up and Summer Strike.
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