Kate

A piece of advice to whoever wants to watch this movie: watch it alone. Watching it with a group of friends might ruin it for you. The ideas of where the plot is going might make the ending feel flat.

The story is quite complex and the characters' motivations make you question their every behavior. At the same time, a quick guessing game will lead you to the correct answer, because at the end of the day, the ending is not as unexpected and surprising as one could wish for.

The acting was for sure the best aspect of the movie. To say I was impressed would be an understatement. While Haneul aced the role, I didn't expect any less of him. I was the most drawn to Kim Mu Yeol - acting and character wise. He showed both a soft/friendly, but also mad and driven performance, and both were done perfectly.

There was one moment in the movie that caught me off guard and I could not stop laughing for a good five minutes. One of the quite common tropes used in Korean dramas, that turned this movie into a comedy. Thank God it was close to the end, because I wouldn't be able to take any scenes seriously after it happened.

Overall, the process of watching the movie and guessing where it's going was more entertaining than the movie itself.

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Not a show you regret watching, but…

You can also just watch a compilation of the best scenes on youtube and get a similar experience. Honestly speaking, I watched it for the enjoyment of flirting between Juns, and not the actual plot.

That’s honestly what the show has to offer - really enjoyable moments with great chemistry. It’s such an unrealistic fanfic scenario with unrealistic casting, but you can still enjoy it, because Choi Jun just delivers with each and every pick up line and obvious flirting.

I don’t really have much to say about the plot, because it does not really exist. Rookie interns doing their rookie work unrealistically well, while one of them gets into a situationship with the team leader. Nothing makes sense, but no one watches it with their brain sharp and focused.

The acting was decent. During the romance scenes the cast did great, some more daily life moments felt awkward.

Overall, I really liked the first two episodes, but later I just needed more than just great chemistry during some scenes to truly keep my interest.

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Being honest with everyone: there isn’t anything amazingly fresh nor outstanding about this show. Whether you will like it or not, depends all on whenever you will like the characters and their interactions.

It’s another show about a confident jerk male lead and a nice and madly in love female lead who is willing to get dumped countless times and still cannot give up on the dude. What is surprising, though: they are both somehow likable (many would disagree, so don't quote me on that). I wanted to slap Soo back to reality more than once, but I also loved all his scenes and found him to be an interesting character. Woo Yeon, even though desperate with her unrequited love, still seemed like a strong character that is slowly gaining more confidence and learning how to put herself first. The flaws were presented in a way that made me curious about the development, rather than annoyed with their current state.

The show is full of cliches, but I was weirdly not mad about them at all. I saw these plotlines in other dramas, I should be bored, but somehow I wasn’t. Why? Because I cared for these characters. I was emotionally attached to them and was genuinely interested in their stories.

I also have to appreciate they at least tried to give a better explanation for Soo being such a selfish jerk. It wasn’t just random, short conversations we usually get in dramas to explain the behavior. His past was mixed well in the overall plot and, even though it did not excuse his actions, it made me understand him more.

They took a similar approach with Woo Yeon. While she was a weak person in terms of her love life and the desperation she presented, she also was strong and striving to achieve her dreams. She wasn’t weak in all areas of her life. She was flawed in one. And that made her an interesting character.

The chemistry between all the characters was amazing. Not only romance felt natural, but also the friendship between the main and supporting cast. Nothing felt forced or unrealistic. Great acting from the cast for sure helped achieve that.

The sub-plots were also interesting, with 2 supporting couples bringing something different to the table. We got comedy and we got melo. Such a striking difference, but even when their scenes were one right after another, it never felt disconnected or like they belonged to different shows. The flow and transitions were just right.

For me it was just a fun romantic comedy that had a good amount of sub plot surrounding the main one. Nothing felt like useless fillers for me (though I am sure many people would disagree).

Do I think this drama could have been shorter? Sure. I honestly believe getting 12 and not 16 episodes would be ideal, but I have exactly the same opinion about ALL romantic comedies. They are just not meant for a longer format. The last 4 episodes were painfully full of cliches. I'm pretty sure I saw my brain a few times when I rolled my eyes so hard. That said, I am unable to name even one rom-com that avoided cliches at the end. I think it's just given and expected in the genre.

Overall, if you cannot get over the over-confident male lead that is extremely selfish most of the time and desperate for his love female lead, this ain’t for you. The characters are far more than the flaws, and I myself found them likable, but if these are your personal pet peeves, you will not like it.

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Immersive experience that makes you part of the plot.

Incantation is a 2022 found footage horror movie directed by Kevin Ko, loosely inspired by a real life case that happened in Kaohsiung in 2005. That said, the real events give more of a framework for the plot, and nothing that actually happened in the movie was related to real events. Apparently, it’s not easy to find any truly reliable info about it in English.

Incantation might have one of the best opening sequences of any horror I have ever seen. By directly addressing the viewer, presenting the optical illusions in the context of the power of will and personal framing, and by asking the viewers for help - it’s hard not to feel the immediate immersion. Breaking of the 4th wall is an aspect that comes back quite a number of times during the movie, which made me far more engaged than I initially thought I would be.

What about the plot? We are presented with two different timelines - present time of Ronan trying to gain the custody of her daughter and the bond with her, and the past timeline explaining the fear and ritual she was a part of a few years ago. As much as it’s a horror, it’s also a drama - showcasing the variety of emotions a parent can feel in relation to their child, and the actions they are willing to take to help them.

Are the scares actually scary? Truth to be told, the few jump scares I’ve got were a bit disappointing? The core value of the show is the eerie atmosphere, which was built in a perfect way. From the start we know, the plot is leading to some awful events, so even the happy and warm moments between the mother and daughter feel bitter.

Incantation is a movie that obviously cares about the details of world building. The Buddha-Mother, hand gestures associated with it, chant, symbols and rituals were well designed and planned - created a cohesive picture of that fictional spiritual belief. That’s why, even though I knew it’s not real, it was impossible not to feel affected by what's happening on screen - especially during the “directly addressing the audience” moments. The minor detail I was especially impressed by, was the use of the after-image closer to the end of the movie. Small, clever trick that felt like the last nail in the coffin for me.

The acting was perfect. While all the adults did an amazing job, with Ina Tsai portraying the conflicted emotions, fear, desperation and hope in a clear and realistic manner, the one that surprised me the most was the little girl Huang Sin-ting who played Dodo. Not only was her performance great, it was amazing to see a child act like a child in a horror movie. Why they always try to present the kids as demons incarnated with cold and detached behavior is beyond me.

Any flaws? I do believe the movie was slightly too long. Keeping it around 90 minutes instead of 110 would be preferable for the pacing to feel more tight. While I understand it was important to present the relationship between Ruo Nan and Dodo in great detail, the moments diluted the tension quite a few times. Personally, I could do without a few jump scares, especially the “cheaper” looking ones - the movie just did not need them.

Best to watch for scares: alone, evening/night, headphones on, no distractions.
Best to watch for the analysis: buddy watch, talking about the symbolism as the movie progresses, trying to predict the outcome.

Trigger warning; trypophobia, child neglect/child harm, body horror, gore.
The movie has some rather… gross moments. Also, might be too much for people who strongly believe in the supernatural - I can see it messing up with someone a bit.

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Less means more, more means less…

At least in terms of number of cliches, politines, schemes and unnecessary side characters. Develop and elaborate on what you already have - sadly the writer did not get the memo.

Yes, I am aware that all these unnecessary side plots and twists were part of the source material, but I am also quite aware of the fact one should be selective of how much they decide to bring to the adaptation. It’s okay to remove some characters from the plot if they don’t really add much to it anyway.

First half of the show was honestly pure perfection. Female lead with good character that you want to root for. Too perfect to be true male lead. Supporting characters that feel like real people. Well paced drama and conflicts and get reasonable resolutions. Villains that are so awful you kind of start to appreciate how much of a hazardous waste they are.

And then the second half happened… Adding one dimensional characters just to annoy the viewers (since the same plot could have been achieved with the already existing cast). Why? Tell me why they decided adding side plots and characters to never develop them, never give a proper closure and actually make the already existing set up more messy and unrealistic, would be a good idea. Adding one dimensional, poorly written and poorly acted characters will never increase the quality and value of your project.

But even with that messy last few episodes, the drama managed to end on an enjoyable note. One thing I for sure appreciated was the message - you do not really need magic powers and time travel to change your life. Pay attention to your surroundings, see the value in people who support you, don’t be scared to ask for help, do not let people treat you badly - you deserve better. You have more power in your hands than you might think, you just have to take that first step and start using it.

That would be the “message” part, how about the romance? As for the chemistry, it was mediocre. I honestly think Park Min Young does not have good chemistry with any of her romantic co-actors. All of her rom-coms usually feel one sided - I see a lot of feelings and passion from the men, and then… not much from her. It’s the same case here. For how unreasonably perfect and poorly developed Yoo Ji Hyuk was, Na In Woo truly sold the character and even if by the end of the drama I did not feel like I know Ji Hyuk that well, I knew how much he loves Ji Won.

While I did not vibe with Park Min Young’s romantic scenes, I do think she did a great job with the personal journey of Kang Ji Won - from the shell of a human, defeated, angry, dying, to a confident, driven and strong woman. I felt her pain, I felt her frustration, I felt her fear, but I also felt the satisfaction and the sense of victory with each and every positive step she took.

All that said, I think we can all agree that the true stars of the drama were Lee Yi Kyung and Song Ha Yoon - what a powerful duo. They could be given as a definition of characters you love to hate. Cannot believe I’m saying it, but I will miss their selfish, crazy, self pity shenanigans.

Production value? Soundtrack? Set design? Makeup and costumes? All typical mainstream drama level - great, but not outstanding and for sure not memorable.

Overall, it was extremely entertaining, then it became extremely frustrating, but still entertaining. Closer to the end it hit rock bottom and almost made me drop, just to finish on a high note again.

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Mild angst, major miscommunication.

Can I even call it miscommunication? Was it not just a reverse delulu - Shirasaki Yuki truly lived in his unfounded convictions and denied any possibility of mutual feelings between him and Hayama Asami. The only thing left for me to do was keep watching and keep sighing - little guy was chickenblocking himself.

Truth to be told, I actually loved the plot itself. I'd just tweak how Shirasaki Yuki was written to make him a bit less frustrating. His character effectively lowered my rating with each action he made. Dude kept acting as if he was rejected without being rejected. At some point his explanation of Hayama’s actions became so illogical all I could do was laugh. What the drama failed at was convincing me there was a valid reason for him not even thinking there is a chance Hayama might like him.

I do appreciate how it led to a nice pinning and angst from Hayama Asami tho, which was in fact the highlight of the show for me. With just two episodes focusing on his point of view, I somehow believe I understand his character and reasoning far better than Shirasaki’s. His hesitation made sense. How cautious and at times passive his behavior towards Shirasaki was - it was well explained and it was the most fun part of the drama to watch. I’m a connoisseur of mild angst and I was quite pleased with what I’ve got from 25 Ji, Akasaka de.

How about the chemistry ( which is undeniably important in romance driven shows)? Depends on which scene we are talking about. The first kiss the part shared was atrocious. It was not even a dead fish kiss. It was not a cute peck, they literally just put the lips together, barely touching, and stood there. The context of this scene made it even more ridiculous and I almost dropped the show when it happened. Luckily it only gets better from that point, so don’t give up hope (not that it could get any worse).

For the acting - it was good, just not my preferred style. I did not quite connect with Shirasaki Yuki’s character and Niihara Taisuke’s acting did not help either. I would not even say Komagine Kiita did an outstanding job either, but I just prefer the subtle ways emotions are shown, and that’s how the character was written and the performance directed.

Production wise I did like the drama a lot. Not only they wanted to present a cohesive story, but they wanted to do it in a visually pleasing way, that’s always a plus in my book.

Overall, it’s a nice show, but it’s not something I’m going to talk about and recommend after some time. I enjoyed it as it aired, and will have no issues quickly moving on to other new titles.

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U-turn on expectations and clichés.

Not gonna lie - I dropped the show after the first two episodes. They were fine, but did not grab my attention. Next week I felt like watching a rom-com, so I picked it up again, and from that moment I just enjoyed the silly ride it took me for. They really played into, and at the same time broke all the cliches of kdrama rom-coms, and it was so much fun to watch

The story is something we have seen countless times - a fake relationship leads to a real one. Rich guy falls for a poor girl, yet few twists made it much more compelling and interesting. The female lead was not a damsel in distress - she is competent, friendly, strong. The male lead was not a cold lead - he is a cute and soft potato. The father was not evil, rather funny and a bit childish. The best friend second lead deal is dealt with in a realistic manner.

While the conflicts and issues between the main couple come from their different backgrounds, the second couple’s issues come from the differences of their personalities. Thanks to that we see a variety of interesting situations that kept me entertained.

That said, there was one side plot situation that had quite an impact on the characters and their behavior, but then was gone and never mentioned, simply because the current plot progression did not need it anymore. I wished we had some kind of closure or explanation for it.

The characters were all quite fun to follow. Except for the main cast that delivered a good performance, I want to talk about Seo Hye Won who played Jo Yoo Jung Young Seo's cousin. The girl was hilarious. Her random English lines with cartoonish subtitles on screen were some of the best scenes. She was extremely over the top, but it worked perfectly in the context of the show and overall tone.

While I have no huge complaints about any of the performances, I was slightly disappointed with Kim Min Gue. His character lacked expression. I get that he was this well mannered, stoic, logic driven guy, but I was just not completely convinced by his delivery.

It’s an over the top romantic comedy - funny sounds, funny animations, funny subtitles on the screen, but all of that was rather fitting and elevated the scenes - be it making them more funny, cute, sometimes cringe. I mean, the whole show is cringe, but I appreciate how they embraced that. Sometimes it’s the way to go - don’t take yourself too seriously, so people can enjoy it for what it is.

I don’t really have much to say about the soundtrack. All the songs were nice, cute and matching the drama, but the only one that truly caught my attention was Han Seung Yoon’s Whatever You Want.

Overall, if you are in the mood for romance, I don’t think you will find any better production from the past few years. It was cute, entertaining, did not have any over the top problematic plot lines, no random murder mystery we sometimes see in Korean rom-coms. Sometimes all one needs is good looking people falling in love with each other and all the cringe and sweet butterflies that come with it.

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Calming and mundane. Wrapped in a thin layer of sadness that gets thicker as you watch.

"People can die of longing. Still, we were diligently making memories that we would be longing for every day."

Even with the heartbreaking theme, the show had this peaceful aura about it. While not much was happening (with half of the episodes being cooking scenes with Han Seok Kyu’s narration over it) it just felt right. This show gives you pause to breathe and enjoy the moment while also slowly taking the breath away when you know what’s coming at the end.

It has gracefully balanced between the warm and happy moments and the harsh truth of the reality the family had to face. Recipe for Farewell does not show you the whole journey. It gives you bits and pieces, the moments, but it’s enough to understand the whole process and relate to the characters.

It’s a small story, happening in a small area with a small number of characters, yet it has a big heart and many amazing messages. It’s going to make you smile, laugh, cry. You are going to feel grateful for what you have, appreciating all the small things we usually ignore and take for granted in life. It talks about loss, grief, accepting the inevitable, maturing and putting aside our egocentric nature, reconnecting with people in your life.

All of that was possible thanks to the great writing and directing, but also phenomena acting from the whole cast. I cannot even describe how amazing of the job everyone did in this project.

Is this show for everyone? No. And I don’t mean it in a rude way, as if only “intellectuals” can enjoy it. It’s just truly character driven, truly mundane and truly not focused on the entertainment aspect. As much as I enjoyed it, I can easily see someone else finding it boring.

Overall, it’s a true gem. It’s not a show you watch for entertainment. It’s not something you put as a background while cleaning. It’s something you should enjoy at your own pace, free from external distractions.

Side note at the end, but Yang Su Won is one of the most amazing characters from all 2022 drama. On the other hand, closer to the end I started to strongly dislike Yeo Jin…

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An essay about an unforgettable journey.

I’m not gonna lie, I hyped myself quite a lot while watching. I heard how complicated and mindblowing of a ride the show is, and how hard it is to predict the twists, I thought of it as a challenge. And a challenge it was - frustrating in the best way possible.

The issue with mystery shows is, they are either painfully predictable, or unpredictable to the point of randomness, when there is no point in trying to figure things out yourself, because the writers never give enough hints to make it happen. Someday or One Day is a hidden gem that was able to both deliver enough information I could somehow puzzle the pieces together and form my own theories, while keeping the mystery alive. A miracle most shows are unable to achieve.

It’s truly a masterfully crafted time travel, and I always have some issues with time travel stories. Me saying it’s good is a statement I never thought I would make about a time related story. With all the time lines, all the crossed paths and changes to the events, nothing was lost, nothing was contradicting, nothing felt out of place.

What is even more surprising, the plot itself is truly not that complex if you strip all the time travel aspects away. It’s a tale of loneliness, friendship, sacrifice and love. It was like a labyrinth that had an entrance and exit point right next to each other. Simple story presented in a complex and enticing way. While the core of the show were the characters and their relationships, I do believe it was more plot than character driven overall.

Was everything about the plot perfect? No. I do believe the psychiatrist's time traveling was one time travel too much and that arc was borderline makjang material. At the same time I accept that without it, it would be impossible to deliver the same conclusion to the story, which, after I slept on it, I found actually fitting and strangely beautiful.

Since it was not simply time travel, but actually body migration, I was disappointed how it was never truly a topic of conversation. How the characters never stopped to truly think about how morally questionable it is to live in someone else’s body. It was briefly mention at the end after Yun Ru’s suicide, but it was not enough for me.

I do believe some sequences are unnecessarily put in incorrect, non linear order, just to make the viewer more confused, when I felt the story was confusing enough without it. Yes, it all came together at the end, it is still a fact that at times I felt like I needed to start writing notes to make sure I can keep up with the story.

The last 3 episodes are something that is hard for me to make a judgment on. While I was not thrilled watching them, since the tone shifted from tight mystery to personal drama, after some consideration, they were necessary to give the show closure. As much as it was a love story, it was also a journey to acceptance of the loss.

Huang Yu Xuan was a character desperate to find her lost lover, to go back to the blissful days they shared. She was not able to heal from her loss, so when the opportunity arose to fix the future she could not accept - she took it. And yet, all that was futile and by the end, she had to accept she cannot produce the future she wants without hurting other people. I found her decision to destroy the tape brave and selfless. Not only did she give up reuniting with the love of her life (as she could not truly be sure they will be able to find each other in the future), she also gave up all the precious memories she had with him - all to keep the people she learned to care about alive.

It is true that she had faith that they would find each other, but she could not be sure about it. She took a chance, gave up the control over the events and put her trust in the connection they had, that was able to overcome countless setbacks.

Then we have Li Zi Wei. While I did find him adorable, dedicated, dreamy and perfect in all boyfriend type of ways, I did think he as an individual character did not have much to offer. Someday or One Day is his love story, but he does not really exist outside of it like the rest of the characters. And it makes it hard for me to truly talk about him, because there is not that much to address. He survived years of pain with the hope of reuniting with Yu Xuan. His love for her was deep. And yet, somehow I craved any scenes that were not connected with Yu Xuan, for example his friendship with Jun Jie. Things that would make him more than just Yu Xuan soulmate, lover, 2nd half.

The 3rd of the trio friends - Jun Jie. The character that was the hardest to read and one that left the most space for viewers interpretation. Was his love for Yun Ru based on his desire to save her? Or was he interested in her because he thought they were similar, could potentially understand each other? Personally, I found him to be one of the more heartbreaking characters. He made so much effort and yet it was inevitable he would be hurt by the end. All the tweaks to the timelines, all the changes and attempts to make things better, and yet he was always the one to suffer the consequences. I’m honestly happy that by the end of the show his life got back to normal and it was no longer affected by the two main characters trying to find each other and create the future they desperately wanted.

Talking about the characters, I cannot ignore both Chen Yun Ru and Wang Quan Sheng. First of all, justice for the boy. He got nothing from it. He suffered alive, got his body used by a lovesick guy after his death, and by the end of it all, his future was not affected in any positive way, he still ended up taking his own life. How much he was used in this scenario is honestly quite sad.

Chen Yun Ru had a little bit more agency. We get to know her more, understand her struggles on more than a surface level. She gets her 2nd chance and hopefully learns how to heal. Sadly, I find her story to be both hopeful and questionable with the presentation.

I am not sure how I feel about her change of heart at the end. Someone with such deep psychological issues getting better after hearing “manage your expectations” seems just silly. The vague message makes sense, don’t get me wrong. Many people are unhappy with their lives as they don’t see and don’t appreciate the things they have, fixating on things they want, but cannot achieve. And when their expectations are not met, they become even more unsure of themselves and unsatisfied with their lives. The issue is, Yun Ru was not just a gloomy and pessimistic girl who had issues making friends. Depression is not something you can easily change by fixing your mindset, and she was depressed. She tried to kill herself, and asked to be killed. So the idea that the few lines from Yu Xuan made such a huge difference felt flat.

I also feel like the message was quite conflicting. On one hand we were told her suicide was the result of the judgmental society who tried to changed her to match their expectations, the idea that whatever she did, it was never enough, because people did not accept her for who she was. But then they end her arc with the idea that it’s her who had to fix her expectations, not the society's approach towards people who do not meet the “norm”. So which one is it?

Time to talk about the glorious performances. Ko Chia Yen amazed me. Being able to deliver a believable portrayal of not only 2 characters, but in different stages of their life, making sure the small changes of approach and personalities make sense, making sure Yun Ru and Yu Xuan truly feel like two different people - she achieved it all.

Greg Hsu Li Zi Wei was painfully beautiful. The striking difference between his take on the teenage boy with cheerful demeanor and the adult version who suffered both physically and psychologically was perfect.

As for the production - I will never ever listen to Last Dance EVER again. This song goes right next to The Heirs “Moment” as the song used so much in a drama I’m actually sick of it. It’s a beautiful song, but I think I heard it enough for the lifetime.

Visually speaking it was low key beautiful. It felt like all these stunning moments we can actually encounter in our lives if we pay enough attention.

All that said, at the end of the day it’s a simple story about love and loneliness, presented in the most complex and convoluted, yet best way possible. It’s not a perfect drama, it’s not a perfect story and it’s not a perfect presentation of it, and yet I was invested from beginning till the end. I made wild theories and tried to uncover the truth as I watched every episode, and for that I am grateful. It made me rethink many issues and consider various situations from different angles. It invited me to explore various takes on the same problem and how, depending on one’s personality, preferences, expectations and past experiences, other people might see them in their own distinct way.

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In a circle we run, away from a cheeky teenager.

If you are ready for a whole lot of frustration, running in a circle, kids being scary straightforward and adults acting like shy teenagers - this is a perfect watch for you.

Here’s the thing - it was so exciting, fun and enjoyable at first. Being more or less the same age as Minato, I could easily understand his panic about starting to have feelings for a high schooler. Even the idea is scary. That said, I feel like they failed with Minato writing wise, since he just... existed and everything was happening around him. The guy did not try to process it at all and it left the viewers with repetitive scenes and plots, since nothing was changing character wise.

Shin was saving grace with his pro flirting, honesty and undying motivation to make Minato his. He was far more dynamic of a character, actually showing some change in his behavior depending on the situation and the circumstances.

There were also a few nice side characters like Sakurako and Asuka who added some wholesome platonic moments to this romance driven show.

Plot wise, we've got whole side plot of Sakuma Takayuki which was stretched so bad, taking too much screen time and becoming quite an annoying addition to the drama. The teacher might have been the sweetest dude ever, but that plot should have been resolved in 2 episodes max.

Performance wise I do not have any complaints. Kusakawa Takuya did his best with Akira - the character was just not it writing wise. Nishigaki Sho truly impressed me. He did quite well with some more subtle emotions and perfectly presented the angst related to the first big teenage love.

Production wise, it gave a high budget since of life webdrama vibes - which personally I truly love.

Overall, I am honestly not sure how I feel about it. On paper it works, but when I watched it, I was getting either frustrated or bored, and I was wishing for the show to finally end. I don’t regret watching, but I’m also not sure if I would recommend it for others to check out. I also crave second season or at least a special episode, because the payoff after all the running away was quite short-lived.

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It's hard to explain why this drama has a special place in my heart without giving any spoilers, but I will try my best to convey all my thoughts without giving any unnecessary details.

The first few episodes bombarded me with many plot twists and "shocking revelations" to the point, I started to call the show "soft makjang". So many things happened, I was left in a state of confusion, but it made the show that much better, since the main focus of the drama is the aftermath and the process of healing and re-connecting with the family. We were getting to know the facts with the characters, learning bits and pieces, which helped me empathize with them more. I could understand why they struggled with the new situation, since I myself was confused about what was truly happening.

It touches on subjects such as LGBT, rape (did not happen during the show, but one of the characters was a victim of it, and it played a part in their story), ending a relationship when both sides do not agree on when and how to part ways, misunderstanding based on differences of characters and how you show you care for people.

Through the 3 siblings, we can observe different struggles people face in life. The oldest, Eun Joo and how she always tried to be strong, level headed and control her emotions. The middle sibling Eun Hee, trying to keep the family together and pacify all the sides in times of conflicts, acting as if she is carefree. The youngest Ji Woo, who tries to find himself, learn how to be independent, as he watches his family fight with each other.

I just truly cared for these characters, so when the drama ended, I already missed them. Did I cry? Yes. Not to mention, it has some of the best, natural and well paced romance I watched this year and the best "not a confession" confession scene (you'll know when you see it).

Did anything bother me? Not really. I was not that interested in the Sang Shik and Jin Sook story, and it was the weakest part for me personally, as I was annoyed with some choices both of them were making.

Overall, I have a feeling I might rewatch the show, or at least a few scenes this year. The good set of characters was for sure the core value of it.

Ps. Kim Ji Suk... damn, he fine.

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When the characters regress and you are questioning reality.

After watching one episode one would think the female lead will get an amazing character development and slowly will learn how to prioritize her own needs. One could not predict she will infect male lead with her Jesus complex - and yet this is kind of what happens.

Not gonna lie, Takumi was adorable. The twist on the contract marriage and the initial presentation of him as a cold male lead was done perfectly and set my expectations for the rest of the show slightly too high. On the other hand, Yae was just frustrating. While at the beginning the situations she put others’ needs ahead of her own made at least some sense, later it was just too much to handle and the script was leaning into some ridiculous territories.

I think the writer just fails to deliver a character development. I know not all characters need one, but her behavior was truly pathological on a whole new level. If anyone needs character development, it’s her. What’s worse, I feel like her “giving up so others can be happy” persona started to influence male lead too, which led to at best questionable last episode.

That said, I did enjoy them as a couple and their scenes were adorable and blast. The actors had amazing chemistry and as a viewer it was clear to me how in love they are. I also really liked all the side characters - which, surprise surprise, actually got more character development than our leading lady…

Overall, a decent rom-com that is lacking in some major areas.

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Everything stays in the family… kind of.

I’m not gonna sit here and pretend like both romances in the drama were not questionable, they were. I also have to give props to the director and writer for doing their best to deal with potential issues a story like that could present. Age gap, family relations, grooming, predatory behavior, lack of informed consent - all that could have been an issue, but somehow they managed to avoid shooting themselves in the foot - for most parts.

What we’ve got, rather than just a romance, was a found family trope drama. The bond between Wei Qiao and Wei Zhi Yuan was deep and meaningful, slowly transforming into a partnership. They knew each other's shortcomings, they understood each other’s pain, they found home in each other’s presence.

Whenever the drama did a good job transforming the brotherly bond into a romantic one is a matter of opinion, personally I was quite fine with it. Being an overanalyzer, I appreciate how the show made me reflect on their relationship, examine how much of the connection was form on shared trauma and how much was driven by pure love. I’m glad the writer, with how the plot and characters were written, kept reassuring me that what they had was more than just codependency. Do I think both of them should go to therapy? Of course, but they are not the first, nor the last BL couple to never truly address or deal with the trauma.

We witness a story of two people who were abandoned and who found peace and happiness with each other. They had to face a lot of setbacks, both external and internal, to finally admit to each other feelings and allow themselves to be loved and love the other. The journey was not easy, but with love stories like that, it shouldn’t be. For me to enjoy this type of romance I need to understand it first, I need to feel like the characters also understand their own feelings. That they thought about it, talked about it, that there is no misunderstanding. And Unknown managed to do just that.

What made it possible were obviously the performances. Chris Chiu made the confusion and the strong internal denial Wei Qian was facing so real and raw. The way we could see on his face what he wanted, and how it went against what he actually did. The constant regret and fear of the situation and the feelings he could not quite understand and accept. Then we have Kurt Huang as Wei Zhi Yuan - from a chaotic teen, to resigned young adult, to confident adult. We witnessed his growth, we saw his dedication and unwavering feelings. And it all seemed so real on the screen.

All that said, there was one aspect of the show I just simply could not comprehend. One directing and editing choice that ruined quite an important scene for me. And I just cannot understand who thought this was a good idea and how no one questioned that choice on all the steps of the production.

Overall, it was less about finding a lover, and more about finding home. A partner that can understand and support you. One that you can rely on. One that always has your back. A partnership. Sharing the burden, sharing the happiness. A drama about finding a family and then working hard to keep it, in whatever form it might be.

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Sometimes I’m pro embracing mediocrity.

On paper it’s a story with depth about overcoming fear of abatement, fighting for what you feel is right, moving on from past traumas, gaining independence, fighting for your own happiness. In reality all these themes were shallow and barely elaborated on. They were introduced in a few lines and closed in a few lines. There was no real journey, but rather a TLDR version of it.

That said, there was one aspect of the writing that I was extremely grateful for - misunderstanding was not overused as a plot device. More than once the potential misunderstanding either did not happen at all, or was cleared right away through the magic of communication. What’s more, while the plot often leaded to the side of the cliches, the ending of many scenes took a refreshing turn. It balanced the feeling of familiarity with the well-known tropes with surprising small twists driven by the characters’ reactions.

Sadly, no matter how many little scenes and moments I enjoyed here and there, at the end of the day, it is a romance drama, but the romance was not romancing. Kang Hu Yeong was too good to be true, so even though it was fun to fangirl about him as I watched, there is nothing memorable about his character.

Lee Hong Ju was far more enjoyable in all friend and work related setting compared to her scenes with male lead - cannot believe I’m saying it, but the romance was the most boring part of her character’s journey.

Kim Hye Ji easily stole the show for me. She was so dynamic and bright, driven, smart, loyal, but not unrealistically inhumanly perfect. Sometimes she had to work through her emotions, but the fact she actually took time to think about them and what they meant and what she truly wanted the end result of any given situation to be, without just impulsively reacting was great.

Her romance was what kept me glued to the screen. I enjoyed every second of it. It's what gave me true butterflies.

I wish we’ve got more Kwon Sang Pil. He was one of the more relatable characters with fun dynamics. I always crave more female/male best friends representation with no romantic undertones or secret one sided crushes and Serendipity’s Embrace had the chance to deliver in that aspect.

Baek Wook easily became one of my favorite uncles in the history of kdramas. What I love about his character is the fact they were able to mix him being so extra and hyped, but also professional and good at his job. They never hinted he did a bad job managing the company, he seemed to have created a good working environment. Too often someone with more energy is equated to someone dumb and messy in dramas.

Bang Jun Ho was probably the worst character and it’s not about him being the toxic ex. It’s about him hitting too many tropes simply making him boring. Similar criticism about Kang Hu Yeong’s mom who ended up being one of the most underdeveloped characters I have seen in quite some time. I hate how we got close to zero explanations about that character and her motivations.

Acting wise, I think it’s time for me to accept the fact that Kim So Hyun is unable to have romantic chemistry with any of her co-stars. There is nothing behind these eyes. She looks with more care and love at chicken than Chae Jong Hyeop. I do not claim she does not have chemistry with anyone overall - the romantic one just does not translate on screen. Maybe she should dive into other genres? Chae Jong Hyeop be giving the most romance filled glances, to receive nothing back…

About said chemistry, 2024 and we still get surprised fish kisses. What makes it even worse is the fact Hong Ju kept saying how “sexually frustrated” she is, to then Park Shin Hye her way during that kissing scene. Girl, you are and will be forever sexually frustrated if that’s your game.

Big props for the perfectly fitting soundtrack. While these are not exactly songs I would listen to outside of the drama, they fit the mood and scenes sooo well!

Wide shots were to die for - visually speaking the best part of the whole drama.

Overall, it's so basic, but from the start I knew it would be and it's kind of what made me enjoy it. How this drama just... flows like 4567486754 other rom-coms, nothing stands out, you know EXACTLY what you will get. But sometimes that's how one can relax

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The Yakuza was not mafiaing enough.

Instead of making the female lead less bland as the drama progressed, they decided to make the drama itself more bland to match her vibe. Why? No one knows.

If you want to watch it for mafia romance? Don’t bother. Bad guy turned good for female lead? Don’t bother. High stakes and thrills? Don’t bother. I feel like what the show initially presents and what it actually delivers is completely different.

The mafia plot, even though central to the story, somehow barely exists and feels like it lacks impact. It’s the “good mafia” if you know what I mean. I did enjoy how puppy-like Odagiri Ren was towards the female lead, but when faced with danger and trash people, I wish he was more… mafia like. Otherwise, why is the yakuza even part of the plot?

I enjoyed Sugawara Makoto as a character at first, because I expected well delivered character development. And no, I don’t need her to become a confident extrovert, but girl needs to grow a backbone and learn some assertive skills. At the end of the day, she always had to be saved and could not deal with anything alone.

While the chemistry between them was great, it was the best when they were not kissing. Yet again - my man you are almost 40, playing a character who is probably in his mid 30’ - what is that fish kiss? What is this k-bl from the early 2010s? He is supposed to be madly in love with her, so why does it feel like they don’t really want to kiss each other?

Performances were decent. I think it’s hard for me to judge since for me the characters were weirdly written - a bit too juvenile for the age and circumstances they were in.

At the end of the day, the Yakuza aspect ruined the experience for me, because I kept expecting something else, something more. If it was just an office show with forced co-habitation, I’d probably rate it higher. Adjust your expectations and it might actually be a decent watch.

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