Kate

Mame, why?

Also, Kate why? Why are you always giving a chance to Mame shows, even if you know where it leads and how it ends. Why am I torturing myself?

Theoretically speaking, Mame's ideas are not bad, but for the love of God she cannot write a good story based on them. So she adds bullshit plot lines to fill the screen time that should be used on developing well written characters and relationships.
Don't Say No with better writing would be legit good BL, focused on the realistic portrayal of friends to lovers (with all the awkwardness and unsureness of it), the struggle with accepting your past, thinking it's holding you back, or affects how your loved one views you, found family trope...

But she just cannot put these ideas into writing. There are truly good scenes here and there, but they are surrounded by so much trash. What seemed like a refreshing story of two completely different individuals with different past and romantic and sexual experiences trying to make their relationship work, turned into a bingo game of what kind of external excuse will Fiat get for sleeping with people. I guess having someone who just likes sex and does not mind having different partners is still too much of a taboo topic.

As I said, it started well. I loved the scenes where the internal monologues show how both Fiat and Leo are unsure, how Fiat's past affects both of them and the choices they make in their current relationship. None of them wanted to take the first step - Leo in fear of being seen like the other Fiat’s partners, who only wanted him for his body, and Fiat in fear of looking like an easy guy who only thinks about sex. Scenes like that were truly well written, and presented both the lead's perspectives and what type of problems they need to face.

But then we’ve got the usual Mame tropes of sexual assault/rape (yes, blackmailing someone into sleeping with you when they don’t want to, and would never do it willingly is a rape). I just don’t understand the reasoning behind these themes in the majority of Mame’s adapted works. They are just cheap ways of making the show more angsty, and one of the lead characters to be either jealous or protective. The dynamics between Fiat and Leo were interesting enough to fill the screen time without adding that dark past. Why is this woman so obsessed with toxic sexual relationships and rape? It’s not like I’m completely against using these toxic tropes in the stories, but there is no novel of hers that does not include them. At best it shows her lack of skills in writing good quality conflict, at worst showcases her unhealthy view and romanticisation of assaults.

That one plot line addressing the blackmail annoyed me for one more reason - the focus that was placed on how bad Leo felt about it, and not Fiat who was the actual victim. Everyone was going around asking Leo if he was okay, Fiat included. I am sorry, but what the heck? Shouldn’t they care a little bit more about the guy that was the victim, and not his boyfriend?
Then there is the mom with psychological issues, Fiat’s suppressed trauma and the explanation behind his bad relationship with dad. Why? Was it needed? No. Not to mention, the whole topic of child abuse, like always in Mame’s adapted stories, was written with complete lack of understanding and respect.

The second couple was cute, and that’s kind of it. Pretty much the cliché stereotypical BL story of a shy good guy who is reserved about the hot playboy, who was never in a serious relationship but wants to give it a chance when he meets that cute shy potato. That said, I did like their ending a lot. It just makes sense. Relationships end, sometimes the timing is not right, sometimes there are more important aspects of your life that you should prioritize.

One of my favorite aspects of the show was Fiat’s interactions with Leo’s family. The found family trope is strong here and I’m all for it. Loved how Fiat and Leon seemed more like real brothers - bickering all the time, but caring for each other a lot. Watching Fiat and Leo’s mother just made me smile more than once. It was amazingly heartwarming and pure. If only the writing focused more on Fiat gaining the confidence while being surrounded by people who love and care for him...

Moving to the actual performance of the actors. I actually liked Ja a lot. He is quite good at conveying emotions with his eyes. The melo and romance were more believable than the few instances of him getting angry, but he just does have this soft aura about him.

And then we have First and I want to cry. This child is so cute, but he truly cannot act. Probably some of the worst dry eyes crying scenes I have seen in years. Even his less emotional scenes were sadly not the greatest. He tends to overreact with his face. I did not mind his line delivery though. It was all about not being the greatest in controlling his facial expressions.
The supporting cast did fine. There were no outstanding performances, but I also have nothing to complain about. I liked Smart a lot, but since the role itself was not exactly demanding, I can’t go into detail about his performance. He also lost me a bit in the last episode.

Production value and music are the typical Thai BL quality - good, but not breathtaking. Have to say though, the styling of Fiat is just amazing. Makes little sense for him to be the only student wearing checked long sleeved shirts over his uniform and walking around the house in a fashion show like outfits, but I still loved it.

Overall, I have no brain left. It started well, taking into consideration past Mame works as comparisons, but then it went into the same rabbit hole of toxic tropes. I don’t even want to talk and think about the stalker girl and King.

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Recipe: Loveable characters, relatable stories and heartwarming messages.

20+ minutes long episodes that leave you with hours of reflections and open you up to perspectives you might have never thought about.

What the drama does great is showing the variety of issues people who are hard of hearing might have. They are not monolit group - depending on their personal experience, personalities, social circles, environment, they might deal with different hardships. And that’s when communication enters the chat! One of the clear messages of the drama was to speak up - whenever you need something, do not understand something, are curious about something, dislike or like something.

While the hearing disability was obviously on the forefront of the story, the plot was not limited to that. The writing was not stuck in the bubble of presenting the struggles of the minority - for me the writing was clear in showing that even though they have their own unique problems, they also face mundane issues and daily hiccups like any other person. There is far more that we share, than what differs us.

And that’s where the two mail leads shine - Kohei and Taichi obviously shared the same world, and they made an effort to stay connected. Kohei did not blame Taichi for mistakes he made that were the result of his lack of knowledge. Taichi was trying to see the world from Kohei's perspective and understand potential hardships that he himself never had to deal with on a daily basis. It was such a heartwarming story of two people fitting so naturally together, but also working hard to improve their understanding of the other’s point of view.

Even though their connection was clearly deep and obvious for anyone that was watching, it’s hard to call this drama a romance. At some point the writing focuses a little bit too much on Taichi and his personal journey of self discovery, making Kohei seem more like a supporting character in his own story. I’m not sure how I feel about drama that centers around representation sidelining the character that is the key to said representation.

As for the supporting characters - Taichi's friends were amazing. They’ve got exactly as much screen time as needed for me to see them as real people with distinctive personalities and not just fillers for the screen, but I never felt like we are wasting time on them. But then, I do feel like Maya’s story could have been improved. On one hand (this might sound weird), I truly appreciate how they were not afraid to show her as a complete egocentric asshole who is unable to see anything outside of her own perspective, because yes, people with disabilities also have personality flaws. On the other hand, I think they spent too much time on her “annoying phase” and the flashbacks, explanation and development happened way too late.

Performances though - so good. Nakazawa Motoki aced the surprise and amazement every time he looked at Taichi. Kobayashi Toranosuke perfectly presented how bad at hiding his feeling Taichi was, but also how he failed to understand his own emotions, while also understanding others.

On technical aspects, I am still mad about the “fake kiss” camera angle. I do not care how accurate it was for adaptation - some things that work on a still drawing will not on a moving film. You need to adjust to the media you are using.

Overall, with flaws, yet great drama. It’s for sure more than romance, I’d even say romance takes a backseat for the majority of the runtime and I’m not mad about it. Adding one or two episodes to give a bit more fulfilling closure to the relationship the boys had would be preferable, but even with a bit rushed ending, I’m just happy with the journey I’ve got to experience.

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Not a show you regret watching, but…

You can also just watch a compilation of the best scenes on youtube and get a similar experience. Honestly speaking, I watched it for the enjoyment of flirting between Juns, and not the actual plot.

That’s honestly what the show has to offer - really enjoyable moments with great chemistry. It’s such an unrealistic fanfic scenario with unrealistic casting, but you can still enjoy it, because Choi Jun just delivers with each and every pick up line and obvious flirting.

I don’t really have much to say about the plot, because it does not really exist. Rookie interns doing their rookie work unrealistically well, while one of them gets into a situationship with the team leader. Nothing makes sense, but no one watches it with their brain sharp and focused.

The acting was decent. During the romance scenes the cast did great, some more daily life moments felt awkward.

Overall, I really liked the first two episodes, but later I just needed more than just great chemistry during some scenes to truly keep my interest.

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Honestly, what happened?

I want to start by saying - splitting it into 2 parts is dumb and I truly do not understand the logic behind it. I refuse to call it a season, because it is not - it’s the same story, same arc, same characters, direct continuation, no?

The 6 episodes we’ve got were truly just an introduction to the characters and plot - nothing less, nothing more. And I don’t even think the introduction was that good for a lot of the elements.

Van has no personality and the only interesting and entertaining aspect of his character were the few reactions he gives when interacting with Mi Ho. That’s it. I love Kim Nam Gil, I do, but this role ain’t it.

Mi Ho is fine and I love her chemistry with other characters. The issue was - for a fantasy driven action flick, they wasted too much time telling us who she is in the present time. We don’t care. I couldn't care less about her struggle for power in her father’s company and the nasty aunt. I did not need a lengthy set up on why she had to go to Jeju. Only 6 episodes - time is precious, why are we wasting it? Also, this is a side rant, but every time the magic happened and Da Hee made the moaning sound I was like: girl, this ain’t the sound you should go for in this situation…

Surprisingly, the character I was the least excited about ended up the most fun and entertaining. Kang Chan Hyuk aka Father Johan. Eun Woo should take more roles like that, fitting his personality. Yes, the more "emotional" scenes were often lacking, but overall this is a lot better than many of his previous performances.

The cold emotionless lead is just not his thing. I liked how Father Johan was honestly a rookie compared to the forces he had to go against and he was too confident for his own good. I especially loved him testing Van and how far he can push before Van starts punching back.

Eun Woo as a cheeky priest was to die for. The child became a man. Man of faith and man of kinks for many viewers.

Production was painfully questionable in the CGI department. Just the manifestation of the power/energy was great. The barrier set by “the villain” looked amazing. But then, the design of the possessed was laughable, the execution was wanky. I liked the tree spirit monster, but that’s it. The worst of it all? The CGI models for the actors when they were doing the crazy fighting scenes - the movements were just bad. Then we also have the awkward scenes where the use of harness and lines could not be more obvious. I don’t think they practiced enough…

Overall, a mess. As much as I had fun watching it and joking about it with other users on feeds, the quality of the show itself is just bad. I’m so confused… What happened? I assume they had the budget, the cast was also good… So why was the end product just mediocre at best?

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Being honest with everyone: there isn’t anything amazingly fresh nor outstanding about this show. Whether you will like it or not, depends all on whenever you will like the characters and their interactions.

It’s another show about a confident jerk male lead and a nice and madly in love female lead who is willing to get dumped countless times and still cannot give up on the dude. What is surprising, though: they are both somehow likable (many would disagree, so don't quote me on that). I wanted to slap Soo back to reality more than once, but I also loved all his scenes and found him to be an interesting character. Woo Yeon, even though desperate with her unrequited love, still seemed like a strong character that is slowly gaining more confidence and learning how to put herself first. The flaws were presented in a way that made me curious about the development, rather than annoyed with their current state.

The show is full of cliches, but I was weirdly not mad about them at all. I saw these plotlines in other dramas, I should be bored, but somehow I wasn’t. Why? Because I cared for these characters. I was emotionally attached to them and was genuinely interested in their stories.

I also have to appreciate they at least tried to give a better explanation for Soo being such a selfish jerk. It wasn’t just random, short conversations we usually get in dramas to explain the behavior. His past was mixed well in the overall plot and, even though it did not excuse his actions, it made me understand him more.

They took a similar approach with Woo Yeon. While she was a weak person in terms of her love life and the desperation she presented, she also was strong and striving to achieve her dreams. She wasn’t weak in all areas of her life. She was flawed in one. And that made her an interesting character.

The chemistry between all the characters was amazing. Not only romance felt natural, but also the friendship between the main and supporting cast. Nothing felt forced or unrealistic. Great acting from the cast for sure helped achieve that.

The sub-plots were also interesting, with 2 supporting couples bringing something different to the table. We got comedy and we got melo. Such a striking difference, but even when their scenes were one right after another, it never felt disconnected or like they belonged to different shows. The flow and transitions were just right.

For me it was just a fun romantic comedy that had a good amount of sub plot surrounding the main one. Nothing felt like useless fillers for me (though I am sure many people would disagree).

Do I think this drama could have been shorter? Sure. I honestly believe getting 12 and not 16 episodes would be ideal, but I have exactly the same opinion about ALL romantic comedies. They are just not meant for a longer format. The last 4 episodes were painfully full of cliches. I'm pretty sure I saw my brain a few times when I rolled my eyes so hard. That said, I am unable to name even one rom-com that avoided cliches at the end. I think it's just given and expected in the genre.

Overall, if you cannot get over the over-confident male lead that is extremely selfish most of the time and desperate for his love female lead, this ain’t for you. The characters are far more than the flaws, and I myself found them likable, but if these are your personal pet peeves, you will not like it.

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Mild angst, major miscommunication.

Can I even call it miscommunication? Was it not just a reverse delulu - Shirasaki Yuki truly lived in his unfounded convictions and denied any possibility of mutual feelings between him and Hayama Asami. The only thing left for me to do was keep watching and keep sighing - little guy was chickenblocking himself.

Truth to be told, I actually loved the plot itself. I'd just tweak how Shirasaki Yuki was written to make him a bit less frustrating. His character effectively lowered my rating with each action he made. Dude kept acting as if he was rejected without being rejected. At some point his explanation of Hayama’s actions became so illogical all I could do was laugh. What the drama failed at was convincing me there was a valid reason for him not even thinking there is a chance Hayama might like him.

I do appreciate how it led to a nice pinning and angst from Hayama Asami tho, which was in fact the highlight of the show for me. With just two episodes focusing on his point of view, I somehow believe I understand his character and reasoning far better than Shirasaki’s. His hesitation made sense. How cautious and at times passive his behavior towards Shirasaki was - it was well explained and it was the most fun part of the drama to watch. I’m a connoisseur of mild angst and I was quite pleased with what I’ve got from 25 Ji, Akasaka de.

How about the chemistry ( which is undeniably important in romance driven shows)? Depends on which scene we are talking about. The first kiss the part shared was atrocious. It was not even a dead fish kiss. It was not a cute peck, they literally just put the lips together, barely touching, and stood there. The context of this scene made it even more ridiculous and I almost dropped the show when it happened. Luckily it only gets better from that point, so don’t give up hope (not that it could get any worse).

For the acting - it was good, just not my preferred style. I did not quite connect with Shirasaki Yuki’s character and Niihara Taisuke’s acting did not help either. I would not even say Komagine Kiita did an outstanding job either, but I just prefer the subtle ways emotions are shown, and that’s how the character was written and the performance directed.

Production wise I did like the drama a lot. Not only they wanted to present a cohesive story, but they wanted to do it in a visually pleasing way, that’s always a plus in my book.

Overall, it’s a nice show, but it’s not something I’m going to talk about and recommend after some time. I enjoyed it as it aired, and will have no issues quickly moving on to other new titles.

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That was a proper rom-com with actual plot, good pacing, characters that you learn to appreciate and relationships you root for. That said, it still leaves me craving for more.

I’m not even mad about bls delivering all the cliche tropes, romances based on misunderstanding, the amazing soft angst, the naive lead falling for the grumpy lead that we’ve got in the post from straight romance stories. These plots sell, these plots attract the biggest audience and these plots are simply entertaining. And this is kind of what we’ve got from the Unintentional Love Story.

It was a fun journey to follow. While Ji Won Young was a painfully frustrating character at first, I cannot deny - this child grew on me. Surprisingly, he delivered some of the best and most mature lines out of all the characters. Yoon Tae Joon was one of the soft emo guys that makes your heart ache just the right way. Dong Hee and Ho Tae were rays of sunshine impossible not to love.

Truth to be told, at some point I started to be more curious and invested in this second couple, and I cannot stop myself from being quite disappointed with the lack of screentime and development, and only hope for a separate show that will follow their story.

The quality of acting depends on which actor you will focus on. Personally I enjoyed Han Do Woo's and Won Tae Min's performances the most (which was also one of the reason I enjoyed following their characters’ story more).

Cha Seo Won did an amazing job with the “I’m hurt, but I want to hide it and control my facial expression, but I still need to show it enough for the audience to see” scenes. Moments when we need to both clearly see what emotions the character is feeling, but also understand they want to hide it. On the other hand, Gongchan delivered a deer caught in headlights acting - mostly looking confused or scared with his pretty big eyes.

The kissing was basically like trying to stick two magnets together by the same pole. I could literally see how much force they had to put into getting so close together. I laughed... badly.

Production was great. Vast improvement from many k-bls. Would appreciate a little bit less smoothing filter on the actors’ faces though.

Overall, for such a nice watch. Not as emotionally touching as I wished it would, but something I for sure do not regret watching and would probably recommend others to check out.

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A piece of advice to whoever wants to watch this movie: watch it alone. Watching it with a group of friends might ruin it for you. The ideas of where the plot is going might make the ending feel flat.

The story is quite complex and the characters' motivations make you question their every behavior. At the same time, a quick guessing game will lead you to the correct answer, because at the end of the day, the ending is not as unexpected and surprising as one could wish for.

The acting was for sure the best aspect of the movie. To say I was impressed would be an understatement. While Haneul aced the role, I didn't expect any less of him. I was the most drawn to Kim Mu Yeol - acting and character wise. He showed both a soft/friendly, but also mad and driven performance, and both were done perfectly.

There was one moment in the movie that caught me off guard and I could not stop laughing for a good five minutes. One of the quite common tropes used in Korean dramas, that turned this movie into a comedy. Thank God it was close to the end, because I wouldn't be able to take any scenes seriously after it happened.

Overall, the process of watching the movie and guessing where it's going was more entertaining than the movie itself.

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When the characters regress and you are questioning reality.

After watching one episode one would think the female lead will get an amazing character development and slowly will learn how to prioritize her own needs. One could not predict she will infect male lead with her Jesus complex - and yet this is kind of what happens.

Not gonna lie, Takumi was adorable. The twist on the contract marriage and the initial presentation of him as a cold male lead was done perfectly and set my expectations for the rest of the show slightly too high. On the other hand, Yae was just frustrating. While at the beginning the situations she put others’ needs ahead of her own made at least some sense, later it was just too much to handle and the script was leaning into some ridiculous territories.

I think the writer just fails to deliver a character development. I know not all characters need one, but her behavior was truly pathological on a whole new level. If anyone needs character development, it’s her. What’s worse, I feel like her “giving up so others can be happy” persona started to influence male lead too, which led to at best questionable last episode.

That said, I did enjoy them as a couple and their scenes were adorable and blast. The actors had amazing chemistry and as a viewer it was clear to me how in love they are. I also really liked all the side characters - which, surprise surprise, actually got more character development than our leading lady…

Overall, a decent rom-com that is lacking in some major areas.

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Non linear storytelling at its best (with few "flops").

Undoubtedly thrilling and unique story that does not give you a minute of a break - fast paced, well packed with both the plot and the action. Cleverly showing you just bits and pieces of a larger context, uncovering the whole story with each and every episode. While A Shop for Killers had a few issues, it’s still a title worth checking out - perfect for weekend binge watch.

One could say it opens like a fish out of the water type of scenario. Not quite. From the start we can see that Jung Ji Ahn is far from being a defenseless young woman, even if she herself is not quite aware of it. Personally, I found the story of her growing up under the careful watch of Jeong Jin Man the best out of the whole show. The bizarre, but obviously strong bond they had, the silent understanding. It was amazing to watch her connect the weird training from the past with her current situation, and use said lessons to survive.

At the same time, Jeong Jin Man’s past seemed a bit messy and did not get the conclusion that fitted the initial tense atmosphere surrounding it. By the end of episode 8, I had to rewatch certain scenes just to make sure I did not miss anything. Where are the answers? Nowhere, just more piling up questions.

Another aspect that was a bit frustrating was how they at times utilized the non linear storytelling by repetitive usage of scenes. The show was short. There were some scenes that truly expanded on what was previously shown - giving us the whole context and full story. At the same time, there were some moments where the “already shown” part was simply too long. I’ve already watched these scenes one episode ago, you do not need to show it to me from start again. I could not stop myself from skipping minutes of the drama, just to get to the point where the story moves forward.

Performance wise? Amazing. Some actors were a bit typecast, which made it easier to guess the their intentions and possible actions, nonetheless - everyone delivered. Personally, I am a fan of Lee Dong Wook in dark roles, so this one hits the spot perfectly. Jung Jin Man is obviously not a good person, not a good character, but there is good in him and that’s what differentiates him from some of his, let’s say “co-workers”. Seeing these detailed differences was an interesting experience. They are both bad, but are they equally bad? How much of someone's actions is understandable, can be explained and excused, where is the line that should not be crossed?

Kim Hye Joon was amazing as Ji Ahn. Well executed character development. Loved the strong and raw emotions she was able to present when Ji Ahn was cornered and truly exhausted with the dangerous situation she got dragged into. Loved the more soft scenes of her as a carefree child and teenager. Loved how Kim Hye Joon was able to present the duality of the character in such a great manner.

Shout-out to the cute guy who helped Ji Ahn when she was a child, if you watched, you know.

Production was great - the soundtrack was full of bops, the fighting scenes had amazing choreographies, the practical effects of blood and other painful “things” were on point.

Overall, left a lot to explore, by the end felt like a borderline bait for possible second season with quite a few aspects not being fully explored. And yet, I’m not mad. It was highly entertaining, had many interesting characters on both the good and the bad side (and let me tell you, the bad side is BAD). Keeps you interested and engaged from episode one till the last scene of episode eight.

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No logic, no cohesiveness, no brain… and I have no self respect for watching this.

When watching this movie, every new revelation made me ask one simple question “why?” - everything about the characters, their relationship and plot progression was so unnatural all I could do was laugh about the piling up cliches.

Alpha male with a soft heart and an innocent kid with a warm nature will give you a second hand embarrassment with every little ridiculous interaction and painful dialogues. Who needs decent writing when you can just throw poorly executed cliches at your audience?

And the ending? I don’t think I would manage to write something similar even on crack. What happened? How high were the characters? How high was the writer? It took me 30 minutes to finish the last 10 minutes. I kept pausing because my brain could not take this level of prolonged idiocy.

Acting wise… I think it’s time for me to leave the delulu land and admit Zee is not really a good actor, he is just good at delivering heart eyes. It truly pains me to say, since I basically wrote an essay about how amazing of an actor with great potential he has 4 years ago. On the other hand NuNew did quite well trying to deliver good performance even though the script made it an impossible task.

Overall, I regret watching it alone. I think this is a perfect title to group watch and joke about all the stuff that makes no sense. The movie truly invites you to rant your heart out.

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Less means more, more means less…

At least in terms of number of cliches, politines, schemes and unnecessary side characters. Develop and elaborate on what you already have - sadly the writer did not get the memo.

Yes, I am aware that all these unnecessary side plots and twists were part of the source material, but I am also quite aware of the fact one should be selective of how much they decide to bring to the adaptation. It’s okay to remove some characters from the plot if they don’t really add much to it anyway.

First half of the show was honestly pure perfection. Female lead with good character that you want to root for. Too perfect to be true male lead. Supporting characters that feel like real people. Well paced drama and conflicts and get reasonable resolutions. Villains that are so awful you kind of start to appreciate how much of a hazardous waste they are.

And then the second half happened… Adding one dimensional characters just to annoy the viewers (since the same plot could have been achieved with the already existing cast). Why? Tell me why they decided adding side plots and characters to never develop them, never give a proper closure and actually make the already existing set up more messy and unrealistic, would be a good idea. Adding one dimensional, poorly written and poorly acted characters will never increase the quality and value of your project.

But even with that messy last few episodes, the drama managed to end on an enjoyable note. One thing I for sure appreciated was the message - you do not really need magic powers and time travel to change your life. Pay attention to your surroundings, see the value in people who support you, don’t be scared to ask for help, do not let people treat you badly - you deserve better. You have more power in your hands than you might think, you just have to take that first step and start using it.

That would be the “message” part, how about the romance? As for the chemistry, it was mediocre. I honestly think Park Min Young does not have good chemistry with any of her romantic co-actors. All of her rom-coms usually feel one sided - I see a lot of feelings and passion from the men, and then… not much from her. It’s the same case here. For how unreasonably perfect and poorly developed Yoo Ji Hyuk was, Na In Woo truly sold the character and even if by the end of the drama I did not feel like I know Ji Hyuk that well, I knew how much he loves Ji Won.

While I did not vibe with Park Min Young’s romantic scenes, I do think she did a great job with the personal journey of Kang Ji Won - from the shell of a human, defeated, angry, dying, to a confident, driven and strong woman. I felt her pain, I felt her frustration, I felt her fear, but I also felt the satisfaction and the sense of victory with each and every positive step she took.

All that said, I think we can all agree that the true stars of the drama were Lee Yi Kyung and Song Ha Yoon - what a powerful duo. They could be given as a definition of characters you love to hate. Cannot believe I’m saying it, but I will miss their selfish, crazy, self pity shenanigans.

Production value? Soundtrack? Set design? Makeup and costumes? All typical mainstream drama level - great, but not outstanding and for sure not memorable.

Overall, it was extremely entertaining, then it became extremely frustrating, but still entertaining. Closer to the end it hit rock bottom and almost made me drop, just to finish on a high note again.

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So why was Jae Pil here? - An entertaining failure...

The drama that initially presents itself as a story of female friendship, that's how it sets up the plot, that's who they introduce as main characters, that's how the synopsis is written… and yet the way they went about it and told the story got people hating either female leads and fighting who is worse of a friend. There is no real message, there is no clear vision. There are just things happening and a lot of frustration. It was fun, but at the end felt cheap. Like eating fast food - you might enjoy the taste as you eat, but later you suffer from indigestion.

Personally I think there are 3 major flaws in the show that truly could ruin a viewing experience and almost ruined it for me.

First of all - the hard cut that happened with the time jump. By all means you will basically watch 2 completely different shows. All the character development happens behind the scenes and we never witness it, hence who you saw in the first half is not who you follow in the second half. The transition was poorly planned and delivered. They needed to reintroduce all the characters since they are in a completely different point of their lives which, with how many plotlines the drama had anyway, feels like a waste of time. Even though I prefer linear storytelling, I do believe in this case mixing the two timelines throughout the show would be a better way to present the story and make it feel more balanced.

The time jump leads me to the second issue - Yeong Rae and Jae Pil’s relationship. First of all, no it’s not like I disliked them because I wanted him with Jong Hui (I was full on Jong Hui and Yeong Sik shipper). I disliked them, because the way their story was directed and presented was just trash planning that took away all the things that should make me feel something. Sadly they literally skipped all the butterflies inducing moments, all the build up, falling in love, the moments that made them appreciate each other more. We got none of that - just a short one minute flashback. This is NOT how you write romance. Romance is all about feelings. You cannot just tell me he fell in love with her, because she supported him. You need to show me that journey, I need to experience it with the characters. Otherwise I won’t give a shit. And so I did not give a shit about them. Were they cute when they started to date? Sure. Did I care? No really. I guess I didn’t even dislike them, I just did not care at all.

There was literally zero set up for their romance, at least on Jae Pil’s side. He was completely not interested in her in the first half. There were zero romantic feelings. No attraction. So for that love line the whole first half was useless. Young Rae’s story of falling in love was “love from first sight” that could be done in just one episode. And then after the time jump we are told by all the characters around Jae Pil that there is more between them. Everyone is convinced they will date. Everyone tells him to look into his feelings. And I’m sitting in front of the laptop and think: how the fuck did this happen? When? What exactly made him fall for her? Was it gradual? Was it a specific moment that made him see her in a different light? Why aren’t they showing us THAT? And the way they just wanted to cover it all up with a short flashback montage was a pathetic circus of writing.

Going back to the topic of lack of balance - what was the writer thinking when they decided to put all the pain and misfortune on Jong Hui while surrounding Young Rae with all the love and happiness? What kind of sick trauma porn was it? When yet another bad thing happened to Jong Hui, at some point I just started to laugh, because it was purely ridiculous. While for Young Rae the bad things that happened led to better outcomes long term, even if Jong Hui received something good, it then led to more pain. For example - Yeong Rae got fired from work in an unjust way? Right away she got a new better job with far more opportunities. Jong Hui saved someone from attempted suicide and thought she found a new family and home? The mother turns out to be abusive and manipulative. It was just exhausting to see her get slapped in the face by life over and over again, when by all means she did nothing wrong.

I’m just struggling to grasp and understand what this drama is about. What is the message? Because the last minute happy ending cannot erase all that happened for the remaining 11… Personally life lessons I’ve got from it were:

Life is not fair, deal with it no one cares.
Don’t help people, you get screwed in the process - whenever intentionally or not.
Be selfish - at the end of the day your needs should matter the most.
You cannot escape abuse, life be like: out of the frying pan into the fire.
Also abusers are not really bad people, they are good REALLY DEEP INSIDE and you just have to apologize to them.
Even if you find someone that cares for you, they most likely care for someone else more.
There is no real female friendship if a guy is involved as a third party - only more trauma can bring you back together, communication is overrated.
Being ignorant about other people’s suffering will make your life easier.

And here’s a thing that made me the most annoyed, frustrated and uncomfortable - I started to dislike Yeong Rae as we got closer to the end of the show. She was in fact a great character - smart, dedicated, brave, driven, caring, adorable, bubbly. She did shine bright. But with how sad and tragic Jong Hui’s life was, I sadly could not enjoy her character. When I knew she was able to lead that life, because Jong Hui protected her in the past. When I knew how bad the aftermath of it was for Jong Hui. How she ended up with no support system, thinking of dying, struggling to survive every day, just to end up in a fake doll house with an abusive adoptive mother… It was hard to be happy for Yeong Rae, when her happiness was unintentionally built on someone else’s suffering. And no, it was not Yeong Rae’s fault at all. It’s not like Jong Hui took the blame for something Yeong Rae did. It’s not like Yeong Rae asked Jong Hui to stab the manager. It was Jong Hui’s choice, but with where it led… There were moments where I wished she did not protect Yeong Rae. And for that feeling I blame the writer. Instead of making me root for both female leads, the writer made me resent one, when she did nothing wrong.

No matter what happened, the story always had to go back and focus on Yeong Rae - she was the forefront of the drama, every main plotline led to her and concluded on her. She was the main character and all the rest were just support. And this is not what I wanted to watch. I wanted to see her and Jong Hui together, as partners, and equals, as individuals with their own stories, that are connected by a close bond.

For the minor issues: unreasonable double standard in terms of abuse. Jong Hui’s mother was justifiably pained in bad light for hitting Jong Hui “and loving her when it fits her, and hitting her when things don’t go her way”, but Jae Pil’s dad was “misunderstood soul that actually cares deeply for Jae Pil and deserves apology from Jae Pil for misunderstanding him for years” - excuse me, but what the fuck? No. He was just abusive and trash. He did not deserve the ridiculous redemption and the scene of Jae Pil crying and apologizing made me feel sick.

On the redemption arc - Jong Hui’s brother gets one too. Why? He literally beat her so bad she almost died and was living in fear for years. And now he is not that bad, because he wants to save her? Nope.

What was the point of wasting screentime on Kim Jeong Sik [Bus driver] in the second half? He served his purpose as a dick and created the set-up for romance between Sang Cheol and Jeong Bu with the adorable little family they created. There was literally no real reason for him to show up in the second half - ZERO.

Go Young Sik not having more presence. We truly needed his brain and maturity more amongst that brainless land of lack of communication and stupid decision making.

I do not understand why Noh Sang Sik decided to only get revenge on Jong Hui. Yeong Rae was the one to screw him over first, Jong Hui got involved to help Yeong Rae, Yeong Rae then was the one to blackmail him with what she knew, so he could not step forward and his life got screwed. Don’t get me wrong, if we go by facts his life got screwed because of his own choices only, but from his messed up head perspective, I just do not understand how he did not blame Yeong Rae at all for any of it.

Ko Yeong Rye in the Miss Korea competition made no sense. There was nothing wrong with Ko Yeong Rye, but the girl is not a Miss Korea type. She does not have to be. Her being part of it made no sense in terms of realism.

Moving on to things I actually enjoyed. First of all, the show was somehow both predictable and unpredictable. I feel like the overall big picture was rather obvious. From episode 2 I knew what the end game was, but what the drama delivered was enough ambiguous content that made it possible to dive deep into delulu land with just enough hope for different ships to happen. They were baiting different relationships so skillfully, creating such a good chemistry between different pairings, I believe there is a fun ship for everyone, even if most of them are Titanics.

The friendship between the female leads in the first half was literally the best part of the whole show. Honestly - they were the best ship at first. The level of care and support they had for each other. The fact they both were willing to give up the guy for the other (adorable, but also dumb. Why not have a proper conversation instead of "sacrificing your feelings” when no one asked for that?). There were nice messages about standing up for yourself and your friend, amazing vibes of found family trope.

The acting was great. Kim Da Mi did a phenomenal job presenting first the truly innocent and shy young version of her character, and then more mature and confident, but just as bubbly as an adult. Shin Ye Eun aced presenting how hurt Jong Hui was, while hiding her feelings and pretending to be strong. I feel bad for Heo Nam Jun, because Jae Pil was rather a mess. The least cohesive and constant character. That said, Nam Jun did what he could with what he was given. His scene where he confronted his father in front of the mother’s grave? Amazing. All the other actors and actresses did as much of a great job as the main three. Acting wise there was honestly no real weak link.

Then we have the styling - perfection. While I loved the wardrobe of Jong Hui in the second half, I want to focus on how all the characters had their own style that fitted their personalities and their lifestyle.

Any and all drinking scenes of Jae Pil, Jeong Hyeon and Yeong Sik. You know what I need? I need them to go back in time and reshoot the show so they can add the aftercredit scenes that last for like 5 minutes of these three chilling and drinking after every episode. Or better, give me a spin off focused on their growing friendship.

Just Ko Yeong Sik. God bless him.

Overall… What a ride. Props for evoking so many feelings in me and making me care so much. Too bad they were mostly negative feelings and they made me care about the wrong things that just made the show more frustrating.

PS. Justice for Jeong Hyeon.

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U-turn on expectations and clichés.

Not gonna lie - I dropped the show after the first two episodes. They were fine, but did not grab my attention. Next week I felt like watching a rom-com, so I picked it up again, and from that moment I just enjoyed the silly ride it took me for. They really played into, and at the same time broke all the cliches of kdrama rom-coms, and it was so much fun to watch

The story is something we have seen countless times - a fake relationship leads to a real one. Rich guy falls for a poor girl, yet few twists made it much more compelling and interesting. The female lead was not a damsel in distress - she is competent, friendly, strong. The male lead was not a cold lead - he is a cute and soft potato. The father was not evil, rather funny and a bit childish. The best friend second lead deal is dealt with in a realistic manner.

While the conflicts and issues between the main couple come from their different backgrounds, the second couple’s issues come from the differences of their personalities. Thanks to that we see a variety of interesting situations that kept me entertained.

That said, there was one side plot situation that had quite an impact on the characters and their behavior, but then was gone and never mentioned, simply because the current plot progression did not need it anymore. I wished we had some kind of closure or explanation for it.

The characters were all quite fun to follow. Except for the main cast that delivered a good performance, I want to talk about Seo Hye Won who played Jo Yoo Jung Young Seo's cousin. The girl was hilarious. Her random English lines with cartoonish subtitles on screen were some of the best scenes. She was extremely over the top, but it worked perfectly in the context of the show and overall tone.

While I have no huge complaints about any of the performances, I was slightly disappointed with Kim Min Gue. His character lacked expression. I get that he was this well mannered, stoic, logic driven guy, but I was just not completely convinced by his delivery.

It’s an over the top romantic comedy - funny sounds, funny animations, funny subtitles on the screen, but all of that was rather fitting and elevated the scenes - be it making them more funny, cute, sometimes cringe. I mean, the whole show is cringe, but I appreciate how they embraced that. Sometimes it’s the way to go - don’t take yourself too seriously, so people can enjoy it for what it is.

I don’t really have much to say about the soundtrack. All the songs were nice, cute and matching the drama, but the only one that truly caught my attention was Han Seung Yoon’s Whatever You Want.

Overall, if you are in the mood for romance, I don’t think you will find any better production from the past few years. It was cute, entertaining, did not have any over the top problematic plot lines, no random murder mystery we sometimes see in Korean rom-coms. Sometimes all one needs is good looking people falling in love with each other and all the cringe and sweet butterflies that come with it.

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Staying delulu is the solulu

That was an unforgettable journey for sure. Be it for interesting plot, great scenarios, entertaining main and endearing supporting characters, villains that are actually vile and will make your blood boil, beautiful set designs, fitting soundtrack… and the questionable ending - that one you will for sure never forget.

The Spirealm is simply addicting. Bromance was romancing hard and let’s be real, many people started this show because of the censored BL aspect. The same way once the characters enter the first door they cannot escape, there was no turning back for me after the first episode - I was completely in love with the drama.

Ruan Lan Zhu has an extremely enticing charm about him - carefree and confident nature with glimpses of worry towards Ling Jiu Shi that grew stronger as the show progressed. You know there will be angst brewing from day one and you cannot wait for it. I loved how fake he was in the games, shamelessly switching his personality whenever needed. I loved how he slowly became friends with people around him, how he started to care about them and was willing to change his ways to help them. Well presented, not over the top character development. Xia Zhi Guang’s performance just made what was already a well written character shine even more. His expressive eyes stole my soul and turned my brain off. Him being the perfect man makes sense when you think about the fact he was… well, not real. I guess Jiu Shi’s perfect man is also my perfect man, we share the type in the delulu land.

While I liked Ling Jiu Shi a lot, I did find him far less interesting as an individual. I enjoyed his interaction with other characters a lot and he was obviously the force that changed everyone around him with his empathic and emotional side, but for some reason I felt like they accidentally made him too perfect - smart, brave, caring, with a new different perspective that is usually right, driven. The dude had no flaws. Even things that were supposed to technically be negative - at times too emotional and impulsive, were never truly bad. Sadly, Huang Jun Jie did not save the few lacking aspects with his acting. Some performances can elevate the character, here they chopped some of its charm. The emotional scenes were just not it - quite awkward.

Then we have a whole bunch of supporting characters I adored: Li Dong Yuan wholesome “playboy” with a golden heart, Tan Zao Zao bravest of them all, Xiao Ke surprised badass, Zhuang Ru Jiao loyal sunshine. Even though these characters show up just for a few episodes here and there, they did such a good job with presenting their unique personalities it was impossible for me not to get attached. I am surprised how much their deaths hit me.

What’s more to appreciate? The villains. The worst crime a drama can commit is making their villains bland - you gotta either hate to love them, or love to hate them. And I for sure loved to bitch about them while watching. The way I sometimes had to pause the episodes, because they annoyed me so much. The way I could not wait for their demise. And for all that I am grateful. They made the drama more dynamic and the stakes real. They weren’t useless and inferior to the main characters - the similar skill level actually made the watch that more entertaining.

Cannot believe Yan Ba Lang’s Clark Kenting with a beard/lack of beard actually worked and I did not recognize him - I will admit though, I completely lost my brain while watching. No idea what kind of weird subliminal interfering signals this drama was sending, but I was blind to everything and could predict nothing. I was clowning hard with how confused I was about the most basic and obvious things.

All these characters could shine thanks to the game settings and let me tell you, the stories presented in them were actually interesting! When I don’t mind bromance separating and having episodes of them not interacting at all - that’s when you know they were selling a good plot. My favorite door was probably the second door - The Apartment. It was just so weird and creepy - the image just made me feel uncomfortable and unnerved, but in the best way possible.

Honestly speaking though - all the doors were great. The unique stories presented with enough detail and world building you got immersed whenever you liked it or not. The presentation leaned towards dark fantasy rather than horror, but I don’t really mind. I feel like extremely explicit gore would actually be distracting.

And then we have to bromance ( that b is silent). I’m just going to ignore the fact Jiu Shi fell in love with an AI modeled to literally be his perfect man and this is a top level of delulu behavior I have ever seen. I still love these two. Truth to be told, Ruan Lan Zhu carried the romance for most of the show with his loving gaze and overprotective nature. For obvious reasons he could, should, and even had to focus on Ling Jiu Shi. While he might have been written to support Jiu Shi, it’s not the reason why he started, but the reason why he stayed that matters. And let me tell you - he stayed because he loved the boy. \

We also had one of the best love confessions in any (b)romance drama” "Don't worry. I'll protect you. I'll protect you forever. Until your life comes to an end, or my life comes to an end". So what he was saying was "for better, for worse, for richer, for poorer, in sickness and in health, to love and to cherish, till death do us part" -low key wedding vows. Yes, the censorship made the production team be more “creative” with some scenes for example: ain’t no cheek stroking. Lan Zhu was just removing a car hair from Jiu Shi ‘s face - in the most tender and loving way ever, with eyes screaming worry and devotion.

The performances were mostly strong. Even the more questionable and wacky ones seemed to fit the given characters and scenarios (I am looking at you Zhang Ji Nan). Putting aside Xia Zhi Guang who obviously aced the role, my favorites were Liu Xiao Bei and Lu Meng Lin. I think they perfectly delivered the vulnerability of accepting their own death and it was heartbreaking to watch. As I already said, Huang Jun Jie did well for most of the show, but failed when it mattered. When the angst hit its tipping point and I kept being distracted by his delivery…

Now, let’s talk about the twist and the ending, because I don’t even know how I feel about it. I dislike it, but I cannot be mad about it.

Let’s start with the NPC twist. I almost had to take a break from the show when they revealed it. I did not predict it so I had smack in the face with that revelation hard. To my defense, I think I gave the drama too much credit to be a “decent” sci-fi, when it’s borderline fantasy, so the idea that an AI algorithm can interact with the real world, bleed etc. just never crossed my mind. Him not being real crossed my mind, but on a larger scale - nothing is real, which, depending on the interpretation, could be the case.

Anyway, him being this perfect makes sense when you get to that point of the story. I honestly think my negative reaction to that twist came from me focusing too much on the use of the NPC abbreviation. He is not your typical NPC, he is more of a conscious AI that in all aspects, cannot really be differentiated from humans. They basically made Lan Zhu Pinocchio. So while I hated it at first, the more I thought about it, the less bothered I became.

On the other hand, the longer I thought about the ending, the more annoyed I was. Personally I can see two different interpretations of the ending - either everything that happened in the game did not happen, and it was in fact the result of Jiu Shi’s coma or it all happened and the game can basically overwrite time and space, change the past, present and the future of the Earth and I don’t know what makes me more mad…

If we go with the first one, it’s a full on delulu clownery. What you are saying is - Jiu Shi got so immersed in the imaginary world his brain created, he dedicated his whole real life to create his fantasy world with his fake boyfriend where he can spend his second life. I’ve never seen a more romanticized version of pro virtual reality over real life in my whole life. Why does this interpretation make sense? When Jiu Shi woke up from the car accident, he saw all the players his brain created as people around him. It’s fair to assume he might have crossed paths with all of them one way or another in his daily life, without even consciously noticing them. It does not explain how he knew about the man living in Obsidian’s headquarters though. So while this theory seems fair at first, it fails at the end.

So we are left with “the game is just all powerful”. This makes perfect sense when we take into consideration the original novel is in fantasy and not sci-fi genre. There are no real rules nor limits for fantasy, but there are rules and directions for sci-fi - that’s why it’s so hard to change a fantasy story into a logical sci-fi. Here they obviously failed. It just makes zero sense, and what’s worse - it was so fucking unnecessary. They could have had exactly the same ending of Jiu Shi dedicating his whole life to create The Spirealm and rebuild all his friends who became NPCs and Lan Zhu, after he passed the 11th door without going back into past, before he got into first door, making it car accident and all the players having different lives in this alternative reality. I kind of felt cheated and all the moving and heartbreaking deaths started to feel cheap. Clearly, I did not vibe with the ending…

I think I would rather like the drama ending on the 11th door farewell scene. Make it sad, bittersweet and impactful instead of over the top and illogical.

All that said, I still loved the show. It’s not a perfect drama, but it is perfect entertainment for me. I was thinking about Spirealm daily, wanting to watch the next episode. I skipped some precious hours of sleep for “just one more episode” and spammed friends with reactions and opinions. I’m planning to binge rewatch it soon, maybe even start right away. Once I was in and watched that one episode, there was no going back.

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