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It’s so basic, but so good.
There is exactly nothing innovative about this show. Typical exaggeration of the unfair social structures currently existing in the world, typical villain with selfish motivations, typical hero with personal story. And yet, I had so much fun watching.I would agree that the world buildup and storytelling is rather vague - lacks the details on how the society truly works, what are the motivations of all the characters and groups. Some do things because they are good people, some because they are selfish or desperate, some scared, sometimes (most of the time) it’s personal story or revenge, but we don’t really get a proper and more elaborate exploration and explanation - neither about the past, present nor the future.
I might be in the minority here, but it honestly did not bother me at all. I think with post-apocalyptic stories, I actually prefer when a lot of things are left with a question mark that I have to think about and find the answers for myself. For me, the process of filling the gaps with my own ideas is actually a part of the entertainment. All that consider, I can see how others might view it as a rather big flaw.
The performances were great. Do I think they will be remembered for a long time? No, since the characters were not exactly that complex and well written. That said, the actors did a phenomenal job with delivering performances that made the characters seem real and cohesive, even if the writing was rather imprecise. The brotherhood between 5-8 and Sa Wol was both entertaining and low key heartwarming - all thanks to good on screen chemistry between Kim Woo Bin and Kang Yoo Seok.
Being a fan of Song Seung Heon, it was rather disappointing how little acting this man had to do. Probably one of the weakest aspects of the show performances wise, and it’s all on the character’s writing and not the actor himself. Since the character was rather boring, I honestly don’t think anyone could make him stand out more.
Directing wise, everyone should look at this drama as a great example on how to end episodes - these were true cliffhangers that made you curious! I honestly could not stop watching. Binge watched all 6 episodes with just pee breaks.
What’s more, the pacing is great. They don’t focus unnecessarily on unimportant bits, highlighting the scenes that matter the most. Sadly, the final confrontation was a let down. It ended before I could even register what’s going on and I was left with the thought: that’s it? Well, that’s anticlimactic.
As for the production - I loved the set design. You know what is one of the most ridiculous things in post-apocalyptic and sci-fi shows? The over the top complex designs. The world is shattered, people would lean towards the simplicity that would be cost efficient, except for the rich elites who would try to pretend the reality is either the same it was in the past, or not as bad as it truly is. We got just that here - simplicity for the poor, trying to maintain the idea of normal life for the rich.
For the negatives - the show is really dark during some scenes. Yes, in context it makes sense, but you still need to think about your audience and not just the realism of the situation. Watching just a black screen is not entertaining. If you make it impossible to see, you can as well just make it into an audio book. That problem mostly existed in the first two episodes and lighting got a lot better later on. There were a few scenes that managed to create a beautiful picture just with the right lighting in the right spot.
A small bit that got me laughing - truly questionable blood splashes during the fight scenes. The gun wounds were fine, but the poorly animated CGI blood during fist fights was just comical.
Overall, I had a blast watching. It can be both: brainless entertainment and a start for some conversations and reflections about social issues and structures as it reflects our reality rather well.
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Fluff sprinkled with emotional dread - best combination.
Probably the most surprising and refreshing concept and execution of it we have seen in any k-bl so far. The seamless transition between the cute romance and borderline psychological horror was masterfully crafted, making me crave for a longer and more developed version of the same story.Not gonna lie, the show peaked during episode 6, and the ending fell a little bit short of my expectations, but even with that. I am quite satisfied with the overall progression. Yes, it does face the usual issues as a result of a short drama limitations, like underdeveloped side characters, less detailed world building, lack of side plots to make the story seem more full.
But the good was so good, you kind of don’t care about the rest.
First of all, Tae Myung Ha was a surprisingly complex character forced into an unusual situation that made him face both internal and external struggles, leading to well executed character development. And honestly? He was also simply extremely fun. His cheeky one-liners and confidence of an adult in a teen “drama” was a blast to watch. Lee Tae Vin’s performance just made the character so much better. Easily one of the best performances from k-bls, especially when the actual emotional stakes start to make their entrance.
Cha Yeo Woon was adorable. I do think this character had less to offer compared to Myung Ha (to be fair, it also might be the result of me focuing more on Myung Ha compared to Yeo Woon), but it was also impossible not to care for him with his surprisingly well balanced mix of cat and puppy energy, which Cha Joo Wan aced in his delivery.
Still, out of all the characters, Chun Sang Won was the one that stole my heart. What an iconic character, one that deserves a spotlight and his own drama for sure - especially since we’ve been hinted about his own personal struggles. Fun, driven, confident, but also compassionate and perceptive. Oh Min Su better get his main role project soon, or I will riot.
While the drama is for sure not character driven, and you won’t get any elaborate commentary on social and personal issues, it still torches some topics close to many people's hearts, being a good opener for personal reflections: What happiness means to you? How to open your heart to others? How to allow others to help you, care for you? How to well balance your own needs and the needs of people you care about?
All that said, I think the biggest highlight for me was the execution of the concept with a “nice” twist. Instead of going full silly rom-com, they used the game scenario to add some depth to the characters and some painful thrills. Undoubtedly the director had a clear vision of what and how they wanted to present and thanks to that thoughtful approach, the contrasting atmospheres fitted well together. You think you know how the show will progress, but then you get a massive error and all your expectations fall apart.
What’s more, using the game scenario also allowed the director to deal with the usual issue of “time skips” and not enough screen time to showcase the whole time progression. I need to appreciate when directors and writers use their own set up to their advantage when dealing with potential issues and shortcomings. All the confusion and the feeling of “randomness” was clearly intentional, and for me, matched perfectly with the story.
Overall, extremely enjoyable, well produced, beautifully directed, perfectly acted (especially Lee Tae Vin), with nice and cute chemistry, fun jokes and less fun, but just as enticing stakes.
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It has one of the best varieties of different characters representing different viewpoints. The supporting cast is not just a background for the main character to shine. They all have individual stories to tell that are well incorporated into the main plot. As much as they are shaped by Baek Seung Soo’s decisions and actions, he himself is also affected by people around him. It’s an amazing group dynamic that makes you care for every and each character.
For a drama focused on the sport, it deals with a lot of different, important topics like: women in positions of power and workplace, nepotism, disability, patriotism, family versus work. All in a really natural and not “in your face” manner. This way you can enjoy the depth of the story without feeling lectured and patronized.
The cast did an amazing job in bringing these characters to life. While I’m not the biggest fan of Nam Goong Min, I loved him in the role of Baek Seung Soo and I could not picture any other actor playing it. While at the beginning Seung Soo was a bit mysterious of a character, and it was not easy to figure out his motivation, as we progress more into the story, we can discover how gentle and simply good of a person he is.
I also truly enjoyed how much of a loser the main villain was. He was not this powerful, all knowing, smart and cunning mastermind. He was a power hungry man who was willing to give up his integrity to keep the social status he was able to achieve. Extremely scared, extremely cowardly, extremely desperate.
It had its fair share of character development, making me, by the end of the drama, love a character that I despised at the beginning. We see a truly natural and gradual change in our main character, as he slowly opens to people and is willing to let go of his fears and struggles.
Overall, I thought it would be a sure drop from me, and I gave it a chance only because I adore Park Eun Bi, and yet, I enjoyed every second of it. The strongest point of the drama is for sure the amazing cast and set of main and supporting characters. I fell for more than one character and will come back to at least rewatch some scenes from time to time.
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Ever changing layers of happiness and sadness, pain and survival.
I went into this drama with a lot of trust and hope. Hwang Jin Young amazed me once with Rebel: Thief Who Stole the People, and I was ready to be amazed again - and she did not disappoint.Set around the year 1636 during the Qing invasion of Joseon, the story centers around the themes of social structures and expectations put on different social classes, inequality of genders, women solidarity, the role of the royal family, all mixed with a beautiful, well paced romance that keeps breaking your heart and mending it back together - the sweetness and the angst perfectly balanced.
The story opens with what one could describe as open ended closure - showing us the future, but just a direction of where it all went, vague frame of the characters’ fates, while leaving enough uncertainty to keep you curious and striving to make your own interpretations and theories.
The core of the show are its characters. Yoo Gil Chae is exactly what I always wanted to see from a strong female lead - realistic depiction of pure survival based on wits and determination instead of unrealistic superhero like skills. She is introduced as a naive, egocentric and slightly delusional young woman, who thinks the whole world centers around her. Her bold attitude and cunning nature is truly refreshing, even if at times cheesy.
As the drama progresses, she shows an enormous amount of emotional strength and wits. The same cunning nature she used to seduce men, she then used to keep others alive. Even though her whole behavior and demeanor changes in a matter of days, it feels organic, believable and right - all the development happens on top of already existing traits she had.
And then we have Lee Jang Hyun introduced as a resourceful casanova dressed in a veil of mystery, surprising everyone with his skills, insightful understanding of politics and unconventional takes on matters of loyalty, patriotism, marriage and love. A man who seems too perfect to ever exist. A man who can make viewers' hearts flutter with sweet teasing and playful flirting, but also sincere confessions and yearning gazes he gives Gil Chae. A man who is willing to try to stop the war for the woman he cherishes.
Compared to Gil Chae and Jang Hyun, who present this opposition to accepted social norms and values, we have Nam Yeon Jun and Kyung Eun Ae, whom I would describe as prisoners of their upbringing and expectations put on them.
Yeon Jun, the loyal subject with an idealistic idea of protecting the royal family when needed. Eun Ae, the perfect pure woman who protects her chastity. His worth lies in his devotion to the king, her worth lies in her purity that should be given only to her husband. Both characters were truly sad to watch and fascinating to analyze.
What more has the drama to offer? First of all, the amazing, and at times painful to watch social commentary, often presented in the format of contrasting scenes intertwined with each other. Patriotic moments put against complete defeat, happy celebration in contrast to upcoming invaders, inconvenience of the royal family opposed to dying subjects. Sometimes just seconds, passing moments that stay with you long after you finish watching.
What adds to the gripping storytelling is the more realistic depiction of war and how gruesome it can truly be for commoners. All the scenes of the invaders attacking villages, killing all the men, the horrifying fate of the women, struggles of the slaves and pain of the ones thought to be the enemies of the Qing. People trying to survive, people trying to get back to normal, even if the peace was not fully obtained.
Everything created ever changing layers of happiness and sadness, pain and survival. How the tragedy hits us harder thanks to the happiness we previously witnessed, and how we appreciate the joyful moments, remembering the pain the characters went through.
All that emotional impact was possible thanks to the phenomenal performances from the cast. While watching Namgoong Min in this drama, I accepted that I will stay single for the rest of my life. My standards in men reached unobtainable levels all thanks to his portrayal of Jang Hyun. You wish to be in mortal danger so he can save you, while also making you want to protect him. The perfect balance of confidence and vulnerability, playful nature and sincere love, bravery against the enemy and the fear of losing people he cares about.
Ahn Eun Jin was the perfect choice for Yoo Gil Chae. An actress skilled enough to present the pure innocence, cunning nature and mature strength in a way that it never felt contradictory. I ended up adoring the character’s little schemes, feeling the pain she was feeling and rooting for her with all my heart in times of hardships and danger.
Lee Hak Joo and Lee Da In had an extremely hard job of presenting characters whose usually praised traits became their flaws. A delivery that at times makes you feel a whole ra(n)ge of emotions. Love them or hate them, but you for sure will not be indifferent.
From the production standpoint, I cannot describe how happy I was with the styling of the characters during the turbulent times. The raw perfection of the imperfections. No porcelain like white skin. The blemishes, imperfections, dirt and sweat - all adding to the realism of the story.
And then we have the touching soundtrack. Only With Heart full of feelings of hope, the innocence of pure love hidden in Road To You, The Painted On The Moonlight filled with longing and the desperation in Unforgettable Love.
Realistically speaking, words cannot describe how much I love this drama. It took complete possession of my brain, heart and soul. It gives you sweet moments that will make you grin from ear to ear and scream into the pillow. It breaks your heart times and times again, and yet you will feel grateful for every tear it made you shed. It introduces uncomfortable topics and scenarios that will make you contemplate your own beliefs and ideas. It served me everything and I could not ask for more.
Is the show flawless? No show is. But if you ask me to name any flaws, I would struggle, because all the tiny issues I might have had seem so miniscule and insignificant it would truly feel like looking for something to criticize just for the sake of finding any negativity. One thing that bothered me slightly in the later episodes: there were some unclear time passage issues, the contextual hints of how much time passed were not always clear and it affected the understanding of the characters, their motivations and emotions. It was not extremely hard to figure out, but it did require a bit more analysis and thinking.
(Some additional analysis and thoughts about the ending of part 1 in comment below under spoiler).
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This review may contain spoilers
Being perfectly honest, there was close to nothing I liked about this show. While at first, I liked some supporting characters, in the end, I was done with everyone except for Na.Technically speaking, the plot is nothing new: guy who didn’t know he was gay, finds out he is gay and liked his best friend (ignoring the bullshit plot twist by the end). It’s simple, you can make it work, but not the way they did it here. The biggest problem was pacing. Good majority of the episodes showed Tonhon being a homophobic asshole, to magically be all “love is love” and accepting about his new found attraction in one episode. It was not gradual - he went from no homo to “love is love” in a matter of a few minutes of screen time and one day of drama time. Because of the poor directing and writing, the scenes that would usually indicate his jealousy (which would hint his feelings for Chon), truly just felt like he was angry at any gays getting close to him or his friends.
And don’t even get me started on “I loved you for a long time” bullshit, because I am about to (┛ಠ_ಠ)┛彡┻━┻.
Speaking of Tonhon… What a mess of a human being he was. The show tried to convince me that he was so homophobic, because of his dad, but I didn’t buy it. He was a grown up man, he was not living with his parents, no one from his circle of friends was openly homophobic, and looking at some scenes in the 2nd half of the show, only his ex-girlfriend was homophobic. This leads to one conclusion: he was ignorant, unwilling to learn or to change his mind. I already talked about his unrealistic switch of personality, but what makes it even worse: he gives shitty excuses after breaking a promise. The fact he kept claiming as if he did not cheat on Chon was laughable. You kissed your ex. That’s it. There is no excuse that would make it not cheating (in the scenario they presented). Except for his looks, he had no redeeming qualities. I have to ignore the revelation of him loving Chon since they were kids, because it contradicts everything that was shown in the previous episodes.
At first, I enjoyed Chon a lot. I liked how he did not judge people based on their looks, occupation and sexual orientation. He was a sweet boy with a massive crush on his best friend. But then a whole “let’s bait/force Tonhon to come out and admit his feelings, even though he is obviously not ready” plot hit me in the face, and the only thing I could think about was: this is gross.
Ai, Ni and Miriam are guilty of the same “crime”. Again, I adored their characters at first, especially Miriam. The more I thought about the situation though the more borderline toxic they became. One could ask, what was toxic about the adorable Ai and Ni? Well… For starters, they enabled Ton’s homophobic behavior. How the guy was supposed to learn that being gay is not bad, when even his closest friends were agreeing to every homophobic line he was saying and went with all the crazy ideas of “what a real man should do” he had? I call that being bad friends. Miriam was quite a busy body and one of the biggest supporters of forcing Ton to come out. Enough said.
Amp was just trash. That’s it. Nueng was trash 2.0. He tried to rape Chon is a toilet, when Chon was drunk. And no one had close to any reaction to it. Like it’s not a crime. Like what he did was not disgusting. I am so done with this trope, and the fact the perpetrator is never dealt with in a just way. Yes, let’s just ignore and not seek any punishment for attempted rape. No big deal in the land of many BLs I guess ¯\_(ツ)_/¯.
I liked Chon’s mom, but then she went “if husband and wife have a disagreement they should sit down and talk about it”. LADY! This is not a disagreement. The dude cheated on your son. Honestly, her whole speech about “don’t let that one woman ruin your relationship” was out of place.
And now, the only saving grace characters wise: Na. His behavior at first was a bit frustrating. He seemed extremely overconfident and too full of himself. The more I got to know the guy, the more I started to adore him though. From the beginning he was honest and straightforward about his feelings and intentions. He was clear about the fact he is truly going to “hit on” Chon, and for him it’s not about making Ton jealous. Even after he got rejected, he was the one to support and talk with his love rival, making sure he is ready to accept his feelings and it’s not too much of a burden to him. He was just truly a good guy surrounded by trash and semi-trash.
Also, can anyone explain to me why they censored Ni and Ai kissing scenes, because that was one of the most ridiculous things I have ever seen. It was so obvious Toptap and Mike did not kiss once during the whole show, and that’s why the scenes of them being lovey-dovey with each other were cut in such weird places. If the actors for any reason cannot kiss on screen, either don't write any kissing scenes for them, or recast the characters.
Anything else I enjoyed except from Na? The production value was high. The show was pretty. I also did enjoy the cute scenes we got by the end between Ton and Chon. Don’t get me wrong, I was still pissed how nothing makes sense plot and pacing wise, but it was cute for the few seconds here and there when I was able to turn off my brain. So yeah… that would be it.
And you know what is the worst? All the problematic things in the show were added, and they don’t exist in the novel. And I’m just sitting here asking: why? What is wrong with people?
Overall, this ain’t that guys. The only reason I finished the show was to see how bad it will get. And let me tell you, it got worse with each and every episode.
+ Can we talk about the fact Miriam is pregnant? Okay... no. I don't want to think about that ridiculous plot line at the end.
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The world-building that lacks the necessary detail.
I knew what I would get, but I honestly wanted to love it. I adored the first two episodes and thought they were as strong as an introduction can get. And then it led to nowhere.The idea was there, it just lacked the necessary detail to make it truly engaging for me. Too many questions were left hanging, the folklore was barely touched, the backgrounds of the characters were shallow, the motivations were not set up that well. I don’t even want to talk about the villain on the human side, because that was some next level of clownery.
Loved the “first act” - the introduction to the characters, the initial set up for the story, the questions that were asked that we were supposed to get the answers for as the drama progressed. All that got me curious - I wanted to know more. The variety of the characters was perfection - we had the hardworking and strong female lead who just tried to survive, the scholar that tried to solved the decades long mystery and the sceptic detective who tried to make sense of all the unexplainable. And behind it all an evil force that seems untouchable and always one step ahead.
Sadly, the second act was just too damn long and not written well enough. Some stories were just dropped without proper explanation, how the ghosts work and what can be done with them was not explained either. A 30 second google search can give me more information about all the types of ghosts that were introduced. They just never explored any ideas they introduced.
What's more, I was just too frustrated with the characters. It took them too long to learn from their mistakes and their actions often were simply stupid. Hae Sang was unnecessarily cryptic refusing to explain anything to anyone until it was too late, San Young was all over the place it’s actually hard to even describe her character, and while Hong Sae was fun to watch, for 80% of the show he seemed out of place for the story written - his bits felt more like crime rom-com than supernatural thriller.
For a story like that to work, you need one of the two: rich and interesting folklore or great teamwork. Revenant had none of these. As I already said, the whole world buildup was weak. As for the scooby gang - we had to wait way too long for them to actually start working together, and when they did… the drama ended.
All that said, I adored the casting for the leads. It was refreshing. Oh Jung Se in a serious and stoic role is what we needed. I'm far more used to seeing him in more animated and exaggerated characters, so this was a fun new take.
Hong Kyung going from Oh Beom Seok to Lee Hong Sae is something I thought I would struggle with, but surprisingly, I had no issue putting my hate behind me and enjoying his character in Revenant.
Park Ji Young as a "weak" character was also so weird, but so good! Kim Tae Ri's role was not surprising since her career is short enough to not be type cast yet. She was also smart enough to take roles that are rather different from each other since day one. Loved the duality of her performances even if I was not obsessed with how Gu San Young was written. Kim Tae Ri just simply never dissapoints with her acting.
The production was great. Can we all collectively appreciate the lack of black eyes as the indicator someone is possessed? No cheap snapchat filters for ghosts. Amazing use of light and shadows, good special effects - it never felt like they overused them. Even the supernatural events felt realistic and grounded in the presented picture.
I guess I just have a love-hate relationship with Kim Eun Hee’s writing. I am obsessed with how creative her ideas are, but I’m also pissed at how she cannot truly execute them in a correct way. I feel like she needs someone who will ask her questions about her stories. How does it work? Why did the character act this way? What was the origin of that issue? How does this premise work into the world you built? Answers that will fill the framework of the idea she has.
Overall, was it a fun watch? Sure. Did it have a lot of issues I just cannot see passed? Yes. I knew the directing would be my style based on the people behind it, I knew I would have specific issues with the writing based on the past works of the writer. I knew I would love the acting and I knew I would overall enjoy it, but I would not be amazed. And that’s exactly what I’ve got.
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The characters are quite unusual, but in a refreshing and realistic way. Every one of them has a unique perspective on life and can teach you a few important lessons. Watching them interact and see them conquer their fears, accepted failures and move on to happiness is quite therapeutic.
All the characters have some kind of struggles they are facing, and all of them deal with them in a different way. We can relate to some and learn from others. Each presents a specific approach to life and striving for happiness.
It shows how people deal differently with pain: some pretend to be strong, some crumble, others live in denial and some chase after the lost happiness even when it's impossible to get it back. In a surprisingly heartwarming way, it shows the various sides of depression that does not leave the viewer drained of life, but rather hopeful.
The directing and editing has this dreamlike feel to it, which makes the drama even more appealing. Some might say it was too slow paced, too confusing, but for me it was pure perfection. Usually I dislike dramas that are this slow. I feel like they just try to be artistic for no reason. Somehow, the slower pace added a whole new level of charm that made me love A Piece Of Your Mind even more.
Any flaws? The device itself. While I can accept its existence, how it was made cannot be explained no matter how far-fetched sci-fi approach you take. Did it bother me while watching? No, since the device itself was never the focus point of the plot. It was always about the people and their relationships and how they can affect each other, not the electronics that made the connection happen in the first place.
Overall, it’s a healing story that will make you feel like you have dreamed it.
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The best level of pining one can imagine.
I’m willing to call it a perfect binge watch material. It’s easy to digest, has amazing chemistry and loveable characters. There is not much unnecessary drama and over the top events. It’s not a groundbreaking story, but it’s a nice and believable youth romance.Not gonna like Cake was the main reason I loved it so much - both with how the character was written and how Santa portrayed him. Funny, charming, entertaining, loyal, but at the same time caring and mature. I am surprised how understanding he was, when his initial introduction was a chaos impersonation. Santa’s acting too, I could see the hearts in his eyes even before he was aware of them. Damn, this boy makes your heart flutter like crazy.
Then we have Seeiw - THE cinnamon roll. Even though more proper and organized, I would say he was acting more his teenage age compared to Cake - especially with more challenging and emotional moments. Which was nice to see - teens acting their age. I do believe his crying got a bit frustrating a few times, but I blame the writer. Sadly Earth’s delivery in that aspect was also not that good, at least in some scenes. Sometimes I watched his scenes and was not sure if he was crying or laughing…
For everyone who enjoys mutual pining - this is THE show for you. The feels were amazing. It’s so obvious to everyone they like each other, but these two teens were painfully blind to it. And I loved every second of it.
Production value was high, especially for the BL. I did not have many issues with directing. The pacing got a bit fast by the end. Not to mention, in my opinion the last two episodes should not even exist - the whole last minute plot addition was unnecessary and did not fit the show.
One of the side couples also made me question reality. I don’t have issues with age gaps, but there are some lines that should not be crossed, and I have a weird feeling that if the genders were swapped, more people would complain.
Overall, I enjoyed it a lot. I appreciated a lot how it was more grounded in reality and not the typical “everyone is gay and the only homophobic people are jealous exes” and no one is afraid of coming out, or even worse - no one is really gay, they just love this one specific person of the same gender.
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Immersive experience that makes you part of the plot.
Incantation is a 2022 found footage horror movie directed by Kevin Ko, loosely inspired by a real life case that happened in Kaohsiung in 2005. That said, the real events give more of a framework for the plot, and nothing that actually happened in the movie was related to real events. Apparently, it’s not easy to find any truly reliable info about it in English.Incantation might have one of the best opening sequences of any horror I have ever seen. By directly addressing the viewer, presenting the optical illusions in the context of the power of will and personal framing, and by asking the viewers for help - it’s hard not to feel the immediate immersion. Breaking of the 4th wall is an aspect that comes back quite a number of times during the movie, which made me far more engaged than I initially thought I would be.
What about the plot? We are presented with two different timelines - present time of Ronan trying to gain the custody of her daughter and the bond with her, and the past timeline explaining the fear and ritual she was a part of a few years ago. As much as it’s a horror, it’s also a drama - showcasing the variety of emotions a parent can feel in relation to their child, and the actions they are willing to take to help them.
Are the scares actually scary? Truth to be told, the few jump scares I’ve got were a bit disappointing? The core value of the show is the eerie atmosphere, which was built in a perfect way. From the start we know, the plot is leading to some awful events, so even the happy and warm moments between the mother and daughter feel bitter.
Incantation is a movie that obviously cares about the details of world building. The Buddha-Mother, hand gestures associated with it, chant, symbols and rituals were well designed and planned - created a cohesive picture of that fictional spiritual belief. That’s why, even though I knew it’s not real, it was impossible not to feel affected by what's happening on screen - especially during the “directly addressing the audience” moments. The minor detail I was especially impressed by, was the use of the after-image closer to the end of the movie. Small, clever trick that felt like the last nail in the coffin for me.
The acting was perfect. While all the adults did an amazing job, with Ina Tsai portraying the conflicted emotions, fear, desperation and hope in a clear and realistic manner, the one that surprised me the most was the little girl Huang Sin-ting who played Dodo. Not only was her performance great, it was amazing to see a child act like a child in a horror movie. Why they always try to present the kids as demons incarnated with cold and detached behavior is beyond me.
Any flaws? I do believe the movie was slightly too long. Keeping it around 90 minutes instead of 110 would be preferable for the pacing to feel more tight. While I understand it was important to present the relationship between Ruo Nan and Dodo in great detail, the moments diluted the tension quite a few times. Personally, I could do without a few jump scares, especially the “cheaper” looking ones - the movie just did not need them.
Best to watch for scares: alone, evening/night, headphones on, no distractions.
Best to watch for the analysis: buddy watch, talking about the symbolism as the movie progresses, trying to predict the outcome.
Trigger warning; trypophobia, child neglect/child harm, body horror, gore.
The movie has some rather… gross moments. Also, might be too much for people who strongly believe in the supernatural - I can see it messing up with someone a bit.
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Not a show you regret watching, but…
You can also just watch a compilation of the best scenes on youtube and get a similar experience. Honestly speaking, I watched it for the enjoyment of flirting between Juns, and not the actual plot.That’s honestly what the show has to offer - really enjoyable moments with great chemistry. It’s such an unrealistic fanfic scenario with unrealistic casting, but you can still enjoy it, because Choi Jun just delivers with each and every pick up line and obvious flirting.
I don’t really have much to say about the plot, because it does not really exist. Rookie interns doing their rookie work unrealistically well, while one of them gets into a situationship with the team leader. Nothing makes sense, but no one watches it with their brain sharp and focused.
The acting was decent. During the romance scenes the cast did great, some more daily life moments felt awkward.
Overall, I really liked the first two episodes, but later I just needed more than just great chemistry during some scenes to truly keep my interest.
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It’s another show about a confident jerk male lead and a nice and madly in love female lead who is willing to get dumped countless times and still cannot give up on the dude. What is surprising, though: they are both somehow likable (many would disagree, so don't quote me on that). I wanted to slap Soo back to reality more than once, but I also loved all his scenes and found him to be an interesting character. Woo Yeon, even though desperate with her unrequited love, still seemed like a strong character that is slowly gaining more confidence and learning how to put herself first. The flaws were presented in a way that made me curious about the development, rather than annoyed with their current state.
The show is full of cliches, but I was weirdly not mad about them at all. I saw these plotlines in other dramas, I should be bored, but somehow I wasn’t. Why? Because I cared for these characters. I was emotionally attached to them and was genuinely interested in their stories.
I also have to appreciate they at least tried to give a better explanation for Soo being such a selfish jerk. It wasn’t just random, short conversations we usually get in dramas to explain the behavior. His past was mixed well in the overall plot and, even though it did not excuse his actions, it made me understand him more.
They took a similar approach with Woo Yeon. While she was a weak person in terms of her love life and the desperation she presented, she also was strong and striving to achieve her dreams. She wasn’t weak in all areas of her life. She was flawed in one. And that made her an interesting character.
The chemistry between all the characters was amazing. Not only romance felt natural, but also the friendship between the main and supporting cast. Nothing felt forced or unrealistic. Great acting from the cast for sure helped achieve that.
The sub-plots were also interesting, with 2 supporting couples bringing something different to the table. We got comedy and we got melo. Such a striking difference, but even when their scenes were one right after another, it never felt disconnected or like they belonged to different shows. The flow and transitions were just right.
For me it was just a fun romantic comedy that had a good amount of sub plot surrounding the main one. Nothing felt like useless fillers for me (though I am sure many people would disagree).
Do I think this drama could have been shorter? Sure. I honestly believe getting 12 and not 16 episodes would be ideal, but I have exactly the same opinion about ALL romantic comedies. They are just not meant for a longer format. The last 4 episodes were painfully full of cliches. I'm pretty sure I saw my brain a few times when I rolled my eyes so hard. That said, I am unable to name even one rom-com that avoided cliches at the end. I think it's just given and expected in the genre.
Overall, if you cannot get over the over-confident male lead that is extremely selfish most of the time and desperate for his love female lead, this ain’t for you. The characters are far more than the flaws, and I myself found them likable, but if these are your personal pet peeves, you will not like it.
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*Inserts the reversed horse drawing meme*
It started as a cringe is the best way possible. I cannot believe I enjoyed something that brought me so much 2nd hand embarrassment. And yet, I liked every second of it. All the awkward situations that have no place in reality, but that put a smile on my face. All the moments that made Seon Ho question his sexuality, and me question my sanity. If only the show stayed on the path of silly comedy and did not venture into the miscommunication and misunderstanding hell, burning both the souls and brains of all the viewers.It’s not like the plot did not have a potential to be a really fun and light BL. We had all the elements needed to deliver a perfect mutual pining romance with some over the top, but enjoyable comedy. So why, oh why was most of the show based on the most ridiculously easy to explain misunderstanding? Mental gymnastics the writer had to go through to come up with the ways for the characters NOT TO find out the truth deserve a golden medal in the Olympics.
Still, there were things I enjoyed.
First of all, Seon Ho was a great character. Sweet, caring, hardworking, honest and open minded. He had a cute puppy-like demeanor and it was impossible not to like him.
The few scenes between Seon Ho and Gu Mu Yeong that were not focused on the misunderstanding were also truly fun. The way Mu Yeong gave a few soft smiles because of Seon Ho was just cotton candy warm marshmallow sweet. I even enjoyed Han Joon Seok and thought he would serve as a better reason for the conflict than what we actually got.
The acting was also nice. I was not thrilled with Ko Chan Bin’s performance, but overall the character was such a mess… How does one even deliver anything decent based on that writing? Song Seung Hyun, Lee Do Ha and Seo Min Seo honestly did well in their respective roles.
One thing though - even Park Shin Hye had more realistic kisses in the beginnings of her career...
Production value had its ups and downs. Overall, the quality was good. A bit over the average for the short k-bls. One scene in episode 7 thought… If you watched the show you know which one I am talking about. Who thought that was good enough quality to be included in the final product?
Overall… It just left me feeling disappointed. I went from hyped excitement after the first 2 episodes, to complete resignation after the last two. It got progressively worse with each episode and if it was a full length drama, I would definitely drop it half way through…
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Mild angst, major miscommunication.
Can I even call it miscommunication? Was it not just a reverse delulu - Shirasaki Yuki truly lived in his unfounded convictions and denied any possibility of mutual feelings between him and Hayama Asami. The only thing left for me to do was keep watching and keep sighing - little guy was chickenblocking himself.Truth to be told, I actually loved the plot itself. I'd just tweak how Shirasaki Yuki was written to make him a bit less frustrating. His character effectively lowered my rating with each action he made. Dude kept acting as if he was rejected without being rejected. At some point his explanation of Hayama’s actions became so illogical all I could do was laugh. What the drama failed at was convincing me there was a valid reason for him not even thinking there is a chance Hayama might like him.
I do appreciate how it led to a nice pinning and angst from Hayama Asami tho, which was in fact the highlight of the show for me. With just two episodes focusing on his point of view, I somehow believe I understand his character and reasoning far better than Shirasaki’s. His hesitation made sense. How cautious and at times passive his behavior towards Shirasaki was - it was well explained and it was the most fun part of the drama to watch. I’m a connoisseur of mild angst and I was quite pleased with what I’ve got from 25 Ji, Akasaka de.
How about the chemistry ( which is undeniably important in romance driven shows)? Depends on which scene we are talking about. The first kiss the part shared was atrocious. It was not even a dead fish kiss. It was not a cute peck, they literally just put the lips together, barely touching, and stood there. The context of this scene made it even more ridiculous and I almost dropped the show when it happened. Luckily it only gets better from that point, so don’t give up hope (not that it could get any worse).
For the acting - it was good, just not my preferred style. I did not quite connect with Shirasaki Yuki’s character and Niihara Taisuke’s acting did not help either. I would not even say Komagine Kiita did an outstanding job either, but I just prefer the subtle ways emotions are shown, and that’s how the character was written and the performance directed.
Production wise I did like the drama a lot. Not only they wanted to present a cohesive story, but they wanted to do it in a visually pleasing way, that’s always a plus in my book.
Overall, it’s a nice show, but it’s not something I’m going to talk about and recommend after some time. I enjoyed it as it aired, and will have no issues quickly moving on to other new titles.
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2x speed to the rescue.
I have barely any thoughts, because this had barely any plot. They just threw things at me without establishing them well, so for each conflict that happened all I could do was ask “why?” or “since when?”. How did I view the plot? They did not have the content for 12 episodes, each 45 minutes long, so they stretched whatever they had to the oblivion. When you have a slow paced show, with your actors moving slowly and delivering their lines slowly, you should not be adding slow motion on top of that. 2x speed to the rescue.The thing is, there were a lot of good elements in this. Great acting from both Mark and Zung. The supporting cast delivered a stable performance too. The chemistry was heartwarming and clearly there. The cooking scenes were beautiful and the soundtrack, even though at times cringy, overall, made me happy, and that’s the point. The directing just lost me.
Internal and external conflicts Aek was facing were not there until they suddenly were, and I was just supposed to accept that. Since when? All his outbursts of emotions made little sense and they never explained why he was so paranoid about every little thing in his life, when most of problems were exaggerated and could be solved with one conversation. The writer made him do quite a number of things that did not line up with how he was written in the previous episodes, just to insert more unnecessary drama.
Aue and his ex should never happen. One of the side plots that did nothing to either plot progression nor character development. She was there to add screen time. Instead , they could have shown more attention to the contest plot, explain why it's important for each character.
Overall, I don’t know. The show happened. I loved the first two episodes, good slow paced beginning to establish the characters and their surroundings, but then the pacing never picked up. It was slow the whole time, with few plot bombs dropped here and there. That said, I am excited to see more projects from both Mark and Zung, since I quite enjoyed what they delivered on screen.
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This review may contain spoilers
“You can always be on the receiving end.”
To say I was impressed is an understatement. I am honestly shocked how well this story was presented, acted and developed for how short it was. It was engaging from the beginning till the end. It completely took over my life for a month. I am not ashamed to admit, this will be a full on positive analysis of the unforgettable story. I will point out some minor flaws I have seen, but for making me this obsessed, I cannot care for them too much.This is a great presentation of how external circumstances can shape a person. How one can be a perpetrator without being a victim first, be a victim and become the perpetrator, and sometimes just be the victim who tries to free themselves out of the abuse. How one cannot be saved from toxic relationships, they need to leave them willingly. How our current situation is not always our fault, but it is our responsibility.
I appreciate so much that Da On did not fall under either a submissive shy mouse, nor a chaotic victim who acts with no reason. I loved how he did try to set boundaries, sometimes he managed to, sometimes he failed. He knew the limits of how much he can do without putting himself in harm's way. There was a clear pattern to his behavior - he was more willing to say no to Su Hyeon in public, than in private. He set boundaries and when the situation escalated, he gave in. Yes, him not being straightforward was frustrating to watch, but that’s life. Su Hyeon had too much power over Da On’s life. There was too much trauma associated with his aggressive behavior to move past it quickly. Leaving an abusive relationship takes time, learning how to set boundaries has to be learned. It’s a process.
Even with limited length, they were able to explain the context of Da On’s life. Being neglected, living in a toxic environment, feeling like he has to carry too much responsibility from a young age, being ridiculed for being poor, isolated from others by Jae Min, attacked and abused, and on top of that abandoned by the person he liked. He did not know what it means to be in a healthy relationship. Or what is an appropriate behavior. He was simply groomed by Jae Min - to trust him only, alone with no other relations. Being groomed for 11 years has a massive impact on you, and you cannot just cut these people off like it’s not a big deal. Even if they do something awful, traumatic, scary - they have been part of you and your life. Da On acting like that was annoying, but it was not lazy writing. People wanted him to go from victim to a completely healthy person with proper coping mechanisms right away, and were frustrated when it did not happen.
Out of all the scenes, the one that truly got me a bit confused was when Da On willingly left the building and got into Su Hyeon’s car just to avoid Seong Hyeon. This scene was weirdly constructed and contradictory. They were really clear Da On wanted to have nothing to do with Su Hyeon… but then he put himself in the position to be with him alone with no valid external reason.
I also lowered my rating from a perfect 10 to 9.5 because of that presentation. That scene was more psychotic than anything Jae Min did in the whole show. After being kidnapped and almost killed, witnessing the man he loves stabbed, having his face smeared with blood… He went and did the presentation. What the actual fuck.
That said, except for these two moments, while his actions were frustrating, they were cohesive, they made sense in the context of the show and who he was as a character, they were believable. I will die on this hill if needed, but I do believe Da On was not a weak person nor weak character. And here comes the compliments for Kim Jun Seo’s acting. I cannot believe this was his first role. To be able to present so much vulnerability and deep emotions, while also showing determination and strength. The duality!
Then we have the toxic and the psycho - Su Hyeon and Jae Min. Can we appreciate that we got two completely different and distinctive versions of different abusive relationships thanks to these characters? We really got a deep dive on what can go wrong between two people. Be it constant criticism and belittlement, psychical violence and intimidation, excessive jealousy and controlling behavior, lack of respect and boundaries that Su Hyeon presented, or lies and deception, emotional manipulation and gaslighting, unhealthy dependence and isolation that we saw with Jae Min. They are both toxic, they are both unhealthy, even if they are vastly different.
I know people love to have a soft spot for Su Hyeon, mostly because of his rather tough upbringing in a psychotic family and how he was not as aggressive in the flashbacks. I get it. But the fact is - there is nothing redeemable about him in the present timeline and I strongly believe even without Jae Min in the picture, he would still turn violent at some point. Why? Because from the start the issue was not Jae Min, but Su Hyeon’s complete lack of emotional maturity and emotional regulation. If it’s not Jae Min, he would snap because of his family. If not the family, he would snap if Da On would not be able to handle the constant micromanagement, jealousy and possessiveness. Su Hyeon does not know how to deal with negative emotions and frustration, they always lead to anger and aggression.
Yes, the flashbacks were great. I agree that the library scene with him pinning Da On on the desk and the chat about the ring was great. But putting it into the context of who his character is and how he behaved - this is way too little for me to see him as a right person for Da On. Or anyone if I must be honest. Maybe a “hot date” with a psychiatrist. Can he get better? Yes. But that would require a lot of work. To be honest, I did not want him to be redeemable, but the last episode changed my mind a little bit. I struggled with seeing what could possibly happen for me to believe he might change. But with how psychopathic Jae Min became, I think the shock of that situation could potentially be enough to make Su Hyeon do 180.
On the other hand I believe Jae Min cannot get better. The difference for me between Su Hyeon and Jae Min is why they act the way they do. Su Hyeon had bad tendencies that were reinforced by his environment - he learned a lot of negative actions from his aggressive father. As far as I see it, Jae Min’s natural negative tendencies were actually held back by his environment. The advantages of acting good and not going full psycho were strong enough to keep him in check. Let’s be honest, if he grew up in the same environment that Su Hyeon did, by university age he would be a serial killer.
And that’s when I knew the one that kidnapped Da On was Jae Min. Because it’s not something Su Hyeon would be capable of doing. Not that he wouldn’t want to, he just couldn’t. Su Hyeon would never go full psycho, because he still has many things that limit him and things he fears - especially his family and his father. He acted out as much as he could with the external restrictions he had.
On the other hand the only restrictions Jae Min had were the ones he placed on himself. He acted as this model teacher, great friend, cool hyung - perfect man, because it was advantageous for him. He controlled himself, because it was worth it. But when he lost control over Da On, keeping that perfect persona was useless, he let go of all the restrictions he placed on himself, and now nothing was stopping him from going full loco.
And when Jae Min went full loco, he truly did not hold back. What glorious moments these were. I am amazed with Kim Ho Young’s acting. You watch him act and you understand why people believed his fake personality. But you also truly see how out of control he is when the hell breaks loose. Whenever it was his nice act, or the chaotic outburst - they were acted perfectly.
Cha Jung Woo did not do worse. Truth to be told, the whole cast did an amazing job. Kim Su Hyeon was such an annoying character, and yet even I saw the charm he had during some scenes. I could understand why Da On fell for him. And the last episode? Outstanding.
While these character had many differences there was one thing that they had in common - they wanted to own Da On, claiming they love him. Love and obsession are different though. Neither of them truly cared about Da On, his feelings, happiness, life, well-being. All that mattered was to possess him. They both believed it would be better to have him in their life broken (or dead), than set him free. From the start they kept using terms like “What I want”, “What I lost” - indicating they saw Da On not as a person, but as a thing they wanted to possess.
And that’s when Seong Hyeon shows up. And you know what I love about this character? That he makes mistakes. That he is not in fact this perfect green flag with no flaws. He is a human being with his own feelings that also get hurt. He sometimes reacted emotionally, childish even. And that’s what made him real. Because of these moments when he acted more selfish, when he did something without thinking - that’s what made his character more interesting.
While he had a lot of great personality traits like being helpful, kind, patient, mature when dealing with setting boundaries, and confident, he also had many relatable flaws. He was childish and pity when he thought someone was not following certain social norms he deemed important. Sometimes he regretted saying something, sometimes he regretted taking actions. And then at times he regretted backing off.
One of the aspects of his character I found the most fascinating was his ability to be really flexible in his reactions and behaviors. Depending on the external context, he reacted differently to the situation, but it was all consistent with his motivations and goals. He was more straightforward with Da On when he saw he was in a good “state”, he tried to distract Da On instead if he saw he was exhausted. Even without understanding the reasons behind Da On’s state, he was really good at reading his emotions and acting accordingly.
What separates him from Jae Min and Su Hyeon is the fact he knows how to love and how to receive love. How to care for people and receive that help. How to view relationships as mutual support and not transactions. For Seong Hyeon it is not “I want”, but “Can I?”. Can I stay with you? Can I hold your hand? While Jae Min and Su Hyeon try to control Da On, Seong Hyeon gives Da On the choice. He asks instead of stating. While Jae Min and Su Hyeon said they want to be with Da On, Seong Hyeon asks if he can stay with Da On. Yes, he is persistent in his approach, but there is something gentle about it. Rather than forcing himself and his presence, it seems more like a reassurance that he is willing to wait, to fight for Da On, to be there for him. Reminder that he is waiting and still there, whenever Da On is ready.
One thing I feel like Seong Hyeon and Su Hyeon share is the fact they are rather emotionally expressive. The difference? Seong Hyeon is expressive, but in control of his emotions and how he expresses them, while Su Hyeon is completely lost in his emotions and has no control over them. Then Jae Min is not expressive, but also in control of his emotions (until he is not… oops).
Here sadly comes one issue I had writing wise - the non-consensual kiss between him and Da On, and the aftermath of it. Truth to be told, I was not even “angry” at the writer for including the kiss. As I said, I love the fact that Seong Hyeon fucks up from time to time, and this was one of these cases. There was no excuse for that kiss to happen and then continue with Da On being this drunk. But while I can understand what led to it happening, the fact that it was not once addressed later on kind of annoyed me. He apologized for wrong things. It’s less a character fault, but more cultural norm fault though.
Now, Cha Sun Hyung’s acting. I still cannot get over how he switched from Puppy to Guard Dog depending on the scene. The way he was able to present that golden retriever energy, but without looking dumb and silly that often happens with characters like him. He still looked mature, strong and confident.
For the general writing, directing and editing:
I really liked the structure. I think the placement of the flashbacks was perfect. The way they were cut in just the right places to give some information, but also mislead us as viewers. The way they made it seem like Da On liked Jae Min in the past, just to reveal it was Su Hyeon. Or who Su Hyeon attacked and why. They just cut the scenes smartly. How much we want to show, how much we want to confuse the viewers - all seemed like deliberate choices, carefully crafted.
Was the “borderline childhood connection” needed? No. I honestly dislike that so much. This was just… unnecessary and added nothing to the show for me.
I’m not going to lie, I am more of the internal analyzer of the bigger picture and the context, than someone who looks for details and symbolism. So to truly appreciate the production, I had to do some research, because I simply do not pay that much attention to things that are in fact important.
Let’s start with the fact the drama was more or less color coded for specific characters (Da On - yellow, Su Hyeon - green, Jae Min - pink, Seong Hyeon - blue). The scenes for the characters were actually often light in a specific color hue. Even in the intro scene with Da On and Jae Min they used this peach pinkish hue, the scene where Su Hyeon attacked the guy with the bottle was yellowish-green. The color flipped only between Da On and Seong Hyeon. Da On’s narration had a blue background, and the scene between Seong Hyeon and Da On had the yellow/orange warm tone from the setting sun. Am I reading too much, or was it a deliberate choice to hint who the end game is? Who knows, I like to pretend it was all planned and hype myself more about why I love this drama.
Colors aside, they also really did a good job with just the lights and the warmth of it. Perfect example - the scene when Su Hyeon dragged Da On away to his apartment, leaving Seong Hyeon behind. The part of the corridor with Su Hyeon and Da On is cold and dark, while where Seong Hyeon is staning it has this warm orange light.
Then we have the symbolism of chess connected to Jae Min - how from the start it was hinted (for some less, for some more obvious), how he was the mastermind behind it all, how he manipulated both Su Hyeon and Da On for years. How he was the one controlling the situation.
Also, extremely random thought, but white is such a psychopath color, so the fact Jae Min was the only one wearing the white outfit in the intro is just cherry on top. And how it had a comeback when he completely lost his marbles in the last episode. Greatly appreciated.
Overall, what a fucking ride. I get it. This drama had flaws. It was not some high budget production, but the way it won my heart is illogical. One could say I was in a completely toxic and dependent relationship with it for the past month. I’m Da On - blind to flaws the same way he was blind to all these red flags.
If you want to tell me that I’m reading too much into it, overanalyzing things that make no sense. How there was no logic behind the characters behavior and it was all ridiculous - you are free to do so, I might even entertain you with a few replies. But I am not changing my mind. I’m annoyingly stubborn.
Added characters' analysis in comments under spoiler. Written them after episode 6, and damn Jae Min's one had to be quite tweaked - I overestimated how loco he was.
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