Kate

The first few episodes made me so happy. I was in heaven with the cute and fun interactions between the characters. The romance was sweet and down to earth. Jung Ha was able to fight for her rights, Hye Joon stayed true to his morals and Hae Hyo was on the way to crossing the villain line. And then… nothing happened.

There are quite a few plot lines here; basically every character gets one, but none is truly explored nor well established. At first, this messy and unbalanced way of directing and editing seemed charming to me. Life is messy and unbalanced too. I liked how some important plot lines were not explained right away, but instead, we got a whole scene of the female and male lead discussing how one should apply hand cream. It worked, because I was sure the plot lines will be slowly addressed as the drama progresses… Sadly, they weren’t.

All the characters were rather poorly written, though had great potential to be amazing. Hye Joon is boringly perfect and everything works out for him. Jung Ha has a great 180 closer to the end of the show, Hae Hyo was truly useless plot wise. All the supporting characters were there filling the space, but their motivations were never explained. Why do they do what they do? Who knows?

It had its moments. Park Bo Gum crying? A+. Well, that would be it.

How did the relationship between Jung Ha and Hye Joon go from perfect communication and understanding each other, to never communicating what they truly want and feel and making all the decisions on their own? We had so many dramatic plot lines that could bring the tension in the last episodes, why add new bullshit one?

Why introduce Ahn Jung Ha’s mom into the picture when this story was never truly explained nor explored? She just shows up to give Jung Ha an excuse to be sad and cry, and then she is gone. They ONCE mentioned how Jung Ha has problems accepting help because of her mom, but it was never mentioned again, it has no meaning in the story itself.

Why did they never do anything with Won Hae Hyo? He was neither good, nor bad nor gray. He was just kind of there. How interesting would it be to actually see more of his internal struggle between being a loyal friend and disappointed actor?

Why give us a side romance between Jin Woo and Hae Na? Probably the most useless plot line in the whole show. This could let us explore more of the controlling behavior of Kim Yi Young or be another burden for Hae Hyo: one friend “stealing” his spotlight, and the other dating his little sister and hiding it, pushing him into “I have no one I can trust” state of mind and explaining his feelings for Jung Ha, who was always honest with him.

Why did they never truly use the Charlie story? It was always somewhere in the background, but at the end it had no lasting consequences on the characters at all. When dating make up artist affected Hye Joon more than having a famous designer as his gay sugar daddy? Where is the logic? Why even add the story when it was never important to anyone?

Kim Su Man was painfully dumb.

The "2년 후" aka the boring ending.

That’s it. Not really. But I have no strength left to write more. Damn… this could have been such a good show.

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I blame my high expectations…

And writers who cannot grasp the idea they do not need to pair up all the characters in their dramas. It’s fine to leave some as single by the end. You do not have time to develop so many relationships and make them worth watching. Be smart, pick two and focus the story around them.

How great did this show start? How happy I was with some more realistic representation of trauma and mental health issues. How happy I was with them showing how it can truly impact one’s life and it was not just used to make the romance more “angsty”. And then… it went away. After all the talks and so many great and important scenes… the topic just stopped existing and it yet again seemed like a borderline case of love can cure you.

Here’s the thing - this romance had such great potential, because all the conflicts could have been based in the internal struggles the leads had, without adding any external over the top drama. So what did the writers do? Added external bullshit drama in the last few episodes. As if there was not a lot to unpack even without it and little to no time to make it happen in a proper way and give a decent closure.

Both Bai Lang and Jin Xun An were amazingly complex and flawed characters. It was interesting to watch them on screen try to figure out each other’s feelings, but also how they themselves come to terms with this new relationship.

The side characters were also well crafted, even if some of their stories were underdeveloped. I appreciated Bai Qing and even if I did not agree with her overprotectiveness of her brother, I still understood where it came from, and it’s all I could ask from a drama. RJ and Alex were adorable and it’s a crime they did not have more screen time. I also wished they were more clear about RJ’s home situation.

Production wise it was great. Quite a few screenshot worthy scenes. Same goes for acting - great. Especially Andy Wu, damn he delivered every line, every movement and every facial expression!

Overall, great first half, good 3rd quarter, pain of the last 2 episodes.

Also, just a small, but awfully painful complaint from me: how could they NOT give a reference later of Pink Lady? How could they set it up in such a perfect way, and then not deliver?

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It’s so basic, but so good.

There is exactly nothing innovative about this show. Typical exaggeration of the unfair social structures currently existing in the world, typical villain with selfish motivations, typical hero with personal story. And yet, I had so much fun watching.

I would agree that the world buildup and storytelling is rather vague - lacks the details on how the society truly works, what are the motivations of all the characters and groups. Some do things because they are good people, some because they are selfish or desperate, some scared, sometimes (most of the time) it’s personal story or revenge, but we don’t really get a proper and more elaborate exploration and explanation - neither about the past, present nor the future.

I might be in the minority here, but it honestly did not bother me at all. I think with post-apocalyptic stories, I actually prefer when a lot of things are left with a question mark that I have to think about and find the answers for myself. For me, the process of filling the gaps with my own ideas is actually a part of the entertainment. All that consider, I can see how others might view it as a rather big flaw.

The performances were great. Do I think they will be remembered for a long time? No, since the characters were not exactly that complex and well written. That said, the actors did a phenomenal job with delivering performances that made the characters seem real and cohesive, even if the writing was rather imprecise. The brotherhood between 5-8 and Sa Wol was both entertaining and low key heartwarming - all thanks to good on screen chemistry between Kim Woo Bin and Kang Yoo Seok.

Being a fan of Song Seung Heon, it was rather disappointing how little acting this man had to do. Probably one of the weakest aspects of the show performances wise, and it’s all on the character’s writing and not the actor himself. Since the character was rather boring, I honestly don’t think anyone could make him stand out more.

Directing wise, everyone should look at this drama as a great example on how to end episodes - these were true cliffhangers that made you curious! I honestly could not stop watching. Binge watched all 6 episodes with just pee breaks.

What’s more, the pacing is great. They don’t focus unnecessarily on unimportant bits, highlighting the scenes that matter the most. Sadly, the final confrontation was a let down. It ended before I could even register what’s going on and I was left with the thought: that’s it? Well, that’s anticlimactic.

As for the production - I loved the set design. You know what is one of the most ridiculous things in post-apocalyptic and sci-fi shows? The over the top complex designs. The world is shattered, people would lean towards the simplicity that would be cost efficient, except for the rich elites who would try to pretend the reality is either the same it was in the past, or not as bad as it truly is. We got just that here - simplicity for the poor, trying to maintain the idea of normal life for the rich.

For the negatives - the show is really dark during some scenes. Yes, in context it makes sense, but you still need to think about your audience and not just the realism of the situation. Watching just a black screen is not entertaining. If you make it impossible to see, you can as well just make it into an audio book. That problem mostly existed in the first two episodes and lighting got a lot better later on. There were a few scenes that managed to create a beautiful picture just with the right lighting in the right spot.

A small bit that got me laughing - truly questionable blood splashes during the fight scenes. The gun wounds were fine, but the poorly animated CGI blood during fist fights was just comical.

Overall, I had a blast watching. It can be both: brainless entertainment and a start for some conversations and reflections about social issues and structures as it reflects our reality rather well.

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This is not strictly a sports drama. It's a political and power-struggle drama that is happening in a baseball profession setting. I know nothing about baseball, but I was never, not even once, confused about the plot because of my lack of expertise. So, if the minimum interest you may have in sports is the reason you are on the fence whenever you should watch this show, rest assured, it’s far more than just baseball.

It has one of the best varieties of different characters representing different viewpoints. The supporting cast is not just a background for the main character to shine. They all have individual stories to tell that are well incorporated into the main plot. As much as they are shaped by Baek Seung Soo’s decisions and actions, he himself is also affected by people around him. It’s an amazing group dynamic that makes you care for every and each character.

For a drama focused on the sport, it deals with a lot of different, important topics like: women in positions of power and workplace, nepotism, disability, patriotism, family versus work. All in a really natural and not “in your face” manner. This way you can enjoy the depth of the story without feeling lectured and patronized.

The cast did an amazing job in bringing these characters to life. While I’m not the biggest fan of Nam Goong Min, I loved him in the role of Baek Seung Soo and I could not picture any other actor playing it. While at the beginning Seung Soo was a bit mysterious of a character, and it was not easy to figure out his motivation, as we progress more into the story, we can discover how gentle and simply good of a person he is.

I also truly enjoyed how much of a loser the main villain was. He was not this powerful, all knowing, smart and cunning mastermind. He was a power hungry man who was willing to give up his integrity to keep the social status he was able to achieve. Extremely scared, extremely cowardly, extremely desperate.

It had its fair share of character development, making me, by the end of the drama, love a character that I despised at the beginning. We see a truly natural and gradual change in our main character, as he slowly opens to people and is willing to let go of his fears and struggles.

Overall, I thought it would be a sure drop from me, and I gave it a chance only because I adore Park Eun Bi, and yet, I enjoyed every second of it. The strongest point of the drama is for sure the amazing cast and set of main and supporting characters. I fell for more than one character and will come back to at least rewatch some scenes from time to time.

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The world-building that lacks the necessary detail.

I knew what I would get, but I honestly wanted to love it. I adored the first two episodes and thought they were as strong as an introduction can get. And then it led to nowhere.

The idea was there, it just lacked the necessary detail to make it truly engaging for me. Too many questions were left hanging, the folklore was barely touched, the backgrounds of the characters were shallow, the motivations were not set up that well. I don’t even want to talk about the villain on the human side, because that was some next level of clownery.

Loved the “first act” - the introduction to the characters, the initial set up for the story, the questions that were asked that we were supposed to get the answers for as the drama progressed. All that got me curious - I wanted to know more. The variety of the characters was perfection - we had the hardworking and strong female lead who just tried to survive, the scholar that tried to solved the decades long mystery and the sceptic detective who tried to make sense of all the unexplainable. And behind it all an evil force that seems untouchable and always one step ahead.

Sadly, the second act was just too damn long and not written well enough. Some stories were just dropped without proper explanation, how the ghosts work and what can be done with them was not explained either. A 30 second google search can give me more information about all the types of ghosts that were introduced. They just never explored any ideas they introduced.

What's more, I was just too frustrated with the characters. It took them too long to learn from their mistakes and their actions often were simply stupid. Hae Sang was unnecessarily cryptic refusing to explain anything to anyone until it was too late, San Young was all over the place it’s actually hard to even describe her character, and while Hong Sae was fun to watch, for 80% of the show he seemed out of place for the story written - his bits felt more like crime rom-com than supernatural thriller.

For a story like that to work, you need one of the two: rich and interesting folklore or great teamwork. Revenant had none of these. As I already said, the whole world buildup was weak. As for the scooby gang - we had to wait way too long for them to actually start working together, and when they did… the drama ended.

All that said, I adored the casting for the leads. It was refreshing. Oh Jung Se in a serious and stoic role is what we needed. I'm far more used to seeing him in more animated and exaggerated characters, so this was a fun new take.

Hong Kyung going from Oh Beom Seok to Lee Hong Sae is something I thought I would struggle with, but surprisingly, I had no issue putting my hate behind me and enjoying his character in Revenant.

Park Ji Young as a "weak" character was also so weird, but so good! Kim Tae Ri's role was not surprising since her career is short enough to not be type cast yet. She was also smart enough to take roles that are rather different from each other since day one. Loved the duality of her performances even if I was not obsessed with how Gu San Young was written. Kim Tae Ri just simply never dissapoints with her acting.

The production was great. Can we all collectively appreciate the lack of black eyes as the indicator someone is possessed? No cheap snapchat filters for ghosts. Amazing use of light and shadows, good special effects - it never felt like they overused them. Even the supernatural events felt realistic and grounded in the presented picture.

I guess I just have a love-hate relationship with Kim Eun Hee’s writing. I am obsessed with how creative her ideas are, but I’m also pissed at how she cannot truly execute them in a correct way. I feel like she needs someone who will ask her questions about her stories. How does it work? Why did the character act this way? What was the origin of that issue? How does this premise work into the world you built? Answers that will fill the framework of the idea she has.

Overall, was it a fun watch? Sure. Did it have a lot of issues I just cannot see passed? Yes. I knew the directing would be my style based on the people behind it, I knew I would have specific issues with the writing based on the past works of the writer. I knew I would love the acting and I knew I would overall enjoy it, but I would not be amazed. And that’s exactly what I’ve got.

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Being perfectly honest, there was close to nothing I liked about this show. While at first I liked some supporting characters, in the end I was done with everyone except for Na.

Technically speaking, the plot is nothing new: guy who didn’t know he was gay, finds out he is gay and liked his best friend (ignoring the bullshit plot twist by the end). It’s simple, you can make it work, but not the way they did it here. The biggest problem was the pacing. Good majority of the episodes showed Tonhon being a homophobic asshole, to magically be all “love is love” and accepting about his new found attraction in one episode. It was not gradual - he went from no homo to “love is love” in a matter of a few minutes of screen time and one day of drama time. Because of the poor directing and writing, the scenes that would usually indicate his jealousy (which would hint his feelings for Chon), truly just felt like he was angry at any gays getting close to him or his friends.
And don’t even get me started on “I loved you for a long time” bullshit, because I am about to (┛ಠ_ಠ)┛彡┻━┻.

Speaking of Tonhon… What a mess of a human being he was. The show tried to convince me that he was so homophobic, because of his dad, but I didn’t buy it. He was a grown up man, he was not living with his parents, no one from his circle of friends was openly homophobic, and looking at some scenes in the 2nd half of the show, only his ex-girlfriend was homophobic. This leads to one conclusion: he was ignorant, unwilling to learn or to change his mind. I already talked about his unrealistic switch of personality, but what makes it even worse: he gives shitty excuses after breaking promises. The fact he kept claiming that he did not cheat on Chon was laughable. You kissed your ex. That’s it. There is no excuse that would make it not cheating (in the scenario they presented). Except for his looks, he had no redeeming qualities. I have to ignore the revelation of him loving Chon since they were kids, because it contradicts everything that was shown in the previous episodes.

At first, I enjoyed Chon a lot. I liked how he did not judge people based on their looks, occupation and sexual orientation. He was a sweet boy with a massive crush on his best friend. But then a whole “let’s bait/force Tonhon to come out and admit his feelings, even though he is obviously not ready” plot hit me in the face, and the only thing I could think about was: this is gross.

Ai, Ni and Miriam are guilty of the same “crime”. Again, I adored their characters at first, especially Miriam. The more I thought about the situation though the more borderline toxic they became. One could ask, what was toxic about the adorable Ai and Ni? Well… For starters, they enabled Ton’s homophobic behavior. How the guy was supposed to learn that being gay is not bad, when even his closest friends were agreeing to every homophobic line he was saying and went with all the crazy ideas of “what a real man should do” he had? I call that being bad friends. Miriam was quite a busy body and one of the biggest supporters of forcing Ton to come out. Enough said.

Amp was just trash. That’s it. Nueng was trash 2.0. He tried to rape Chon is a toilet, when Chon was drunk. And no one had close to any reaction to it. Like it’s not a crime. Like what he did was not disgusting. I am so done with this trope, and the fact the perpetrator is never dealt with in a just way. Yes, let’s just ignore and not seek any punishment for attempted rape. No big deal in the land of many BLs I guess ¯\_(ツ)_/¯.

I liked Chon’s mom, but then she went “if husband and wife have a disagreement they should sit down and talk about it”. LADY! This is not a disagreement. The dude cheated on your son. Honestly, her whole speech about “don’t let that one woman ruin your relationship” was out of place.

And now, the only saving grace characters wise: Na. His behavior at first was a bit frustrating. He seemed extremely overconfident and too full of himself. The more I got to know the guy, the more I started to adore him though. From the beginning he was honest and straightforward about his feelings and intentions. He was clear about the fact he is truly going to “hit on” Chon, and for him it’s not about making Ton jealous. Even after he got rejected, he was the one to support and talk with his love rival, making sure he is ready to accept his feelings and it’s not too much of a burden to him. He was just truly a good guy surrounded by trash and semi-trash.

Also, can anyone explain to me why they censored Ni and Ai kissing scenes, because that was one of the most ridiculous things I have ever seen. It was so obvious Toptap and Mike did not kiss once during the whole show, and that’s why the scenes of them being lovey-dovey with each other were cut in such weird places. If the actors for any reason cannot kiss on screen, either don't write any kissing scenes for them, or recast the characters.

Anything else I enjoyed except from Na? The production value was high. The show was pretty. I also did enjoy the cute scenes we got by the end between Ton and Chon. Don’t get me wrong, I was still pissed how nothing makes sense plot and pacing wise, but it was cute for the few seconds here and there when I was able to turn off my brain. So yeah… that would be it.

And you know what is the worst? All the problematic things in the show were added, and they don’t exist in the novel. And I’m just sitting here asking: why? What is wrong with people?

Overall, this ain’t that guys. The only reason I finished the show was to see how bad it will get. And let me tell you, it got worse with each and every episode.

+ Can we talk about the fact Miriam is pregnant? Okay... no. I don't want to think about that ridiculous plot line at the end.

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How to describe this drama with one word - CURIOSITY. It’s confusing and it feels like you are being sucked into someone’s memories, showing you just bits and pieces of what happened, but instead of feeling frustration, you just want to know more.

The characters are quite unusual, but in a refreshing and realistic way. Every one of them has a unique perspective on life and can teach you a few important lessons. Watching them interact and see them conquer their fears, accepted failures and move on to happiness is quite therapeutic.

All the characters have some kind of struggles they are facing, and all of them deal with them in a different way. We can relate to some and learn from others. Each presents a specific approach to life and striving for happiness.
It shows how people deal differently with pain: some pretend to be strong, some crumble, others live in denial and some chase after the lost happiness even when it's impossible to get it back. In a surprisingly heartwarming way, it shows the various sides of depression that does not leave the viewer drained of life, but rather hopeful.

The directing and editing has this dreamlike feel to it, which makes the drama even more appealing. Some might say it was too slow paced, too confusing, but for me it was pure perfection. Usually I dislike dramas that are this slow. I feel like they just try to be artistic for no reason. Somehow, the slower pace added a whole new level of charm that made me love A Piece Of Your Mind even more.

Any flaws? The device itself. While I can accept its existence, how it was made cannot be explained no matter how far-fetched sci-fi approach you take. Did it bother me while watching? No, since the device itself was never the focus point of the plot. It was always about the people and their relationships and how they can affect each other, not the electronics that made the connection happen in the first place.

Overall, it’s a healing story that will make you feel like you have dreamed it.

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The Yakuza was not mafiaing enough.

Instead of making the female lead less bland as the drama progressed, they decided to make the drama itself more bland to match her vibe. Why? No one knows.

If you want to watch it for mafia romance? Don’t bother. Bad guy turned good for female lead? Don’t bother. High stakes and thrills? Don’t bother. I feel like what the show initially presents and what it actually delivers is completely different.

The mafia plot, even though central to the story, somehow barely exists and feels like it lacks impact. It’s the “good mafia” if you know what I mean. I did enjoy how puppy-like Odagiri Ren was towards the female lead, but when faced with danger and trash people, I wish he was more… mafia like. Otherwise, why is the yakuza even part of the plot?

I enjoyed Sugawara Makoto as a character at first, because I expected well delivered character development. And no, I don’t need her to become a confident extrovert, but girl needs to grow a backbone and learn some assertive skills. At the end of the day, she always had to be saved and could not deal with anything alone.

While the chemistry between them was great, it was the best when they were not kissing. Yet again - my man you are almost 40, playing a character who is probably in his mid 30’ - what is that fish kiss? What is this k-bl from the early 2010s? He is supposed to be madly in love with her, so why does it feel like they don’t really want to kiss each other?

Performances were decent. I think it’s hard for me to judge since for me the characters were weirdly written - a bit too juvenile for the age and circumstances they were in.

At the end of the day, the Yakuza aspect ruined the experience for me, because I kept expecting something else, something more. If it was just an office show with forced co-habitation, I’d probably rate it higher. Adjust your expectations and it might actually be a decent watch.

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Cliches overload - the whole system crashed.

There is nothing wrong with cliches, I love them. If they are well placed and executed in a proper manner they elevate the drama to new heights. Here it felt like they started throwing everything in the second half hoping something would stick - most did not.

Dynamite Kiss had a phenomenal start. The right amount of cliches, with a perfect ratio of little twists and changes to make it refreshing. Ji Hyeok was technically this “cold rich male lead”, but he was also extremely goofy with a puppy heart. Ko Da Rim was technically this good hearted and pure female lead, but she was also surprisingly assertive and witty. I was able to enjoy the cliche plots with fun characters that are so loveable it’s hard to look away.

The first half gave me nice characters, great comedy, butterflies inducing moments, pinning and well structured internal and external conflicts. The second half just gave me a lot of stupidity and I’m annoyed it mostly affected the female lead - at least make everyone equally dumb.

About Da Rim… It went beyond being naive, she was simply stupid. The disrespect the writer shows towards her character in the second half is embarrassing. To ruin the lead just to push forward a mediocre plot is never a good choice. I started the show loving how unapologetically good she was, to get disappointed when they turned that goodness into dumb naivety. What they did was make her strength into her weakness - which, with good writing, could be a great character development, but the writing here was simply not that good.

While Ji Hyeon was not as infuriating, he was equally disappointing by the end. The drama opened with a solid internal conflict he had about his feelings towards who he thought was a married woman, to make him somehow the most stagnant character with little to no growth or development. Why? Because he did not really need it - he was a good guy with smarts, drive and loyalty to his people - that’s boring, that’s bad writing.

Truth to be told, I think there was far more nuance in writing for both second leads compared to the mail pair. I liked how they gave us a nice presentation of different priorities people have, and how someone with and without a child sees the same situation in a completely different light. There are things you can do and situations you can jump into with not much consideration when you do not have a child, but you need to be far more conscious when you are a parent.

Yoo Ha Yeong was probably my favorite character. At first she might seem like a spoiled princess, but she is hardworking, driven, honest and nice. And I love how she was not without flaws - being way too pushy and getting herself involved way too much into other people’s lives. While it created many heartwarming moments, it also gave me a bit of a discomfort at the back of my mind.

Putting aside separate characters, what I truly adored about the drama was the mother’s team which was the best part hands down. I like how they were not from the start showed as this savvy workers who were just overlooked by society - they were in fact not that interested in working hard at the office and at times felt entitled, but with good leadership from Da Rim every one of them changed for the better and was able to understand they are more than just mothers and appreciate each other for who they are outside of that life role. Sometimes we are so focused on who we are expected to be, we do not appreciate who we can become.

I do believe the writing for the positive things was nice, but a failure in terms of the villains so my question is: why even bother including them? Why did we even get that plotline when the shorter drama without it would be so much better? Ji Hyeok's father, sister and Tae Yeong were just stock characters with no value. The villain's arc was neither set up nor developed well. It was laughably bad and useless. Waste of screen time.

If they kept the conflict more concentrated on Ji Hyeok's family dynamics between him, his father and his mother and how it impacts his relationship with Da Rim, his work life, life choices - what a good story it would be. But no, we need some typical business shenanigans because why not. I truly wish Ji Hyeok's mother had more presence in the drama. As much as her story was heartbreaking, I also enjoyed her journey the most out of all the characters.

For the core of the drama - the romance. I loved the initial "misunderstanding" between the leads and how some people were in on it and some were completely clueless - many different interesting dynamics came out of it.
The relationship was fine, but I do feel the best part was actually the part where they were not together.

For the production, I will start with an extremely random note - I both loved and hated the styling for Ahn Eun Jin. She looked stunning. All the outfits were pretty and highlighted her beauty. Did the majority of these outfits belong to the office setting for a woman who pretends to be a mother of a kindergarten kid? No. I am sorry, but no big office would be like: ah yes wear that mini skirt and crop top to the office, that’s completely appropriate. Still, she did look amazing so I’m only half mad.

The show is pretty, like any other kdrama - they are all pretty in the exact same way. I understand there are filming and editing trends, but sometimes just following trends is not enough.

The soundtrack though? Perfect for a rom-com. Some of my favorite songs: Weny’s Say You Love Me, Sondia’s Love Is, BBGIRLS’ Don’t Give It Up (the best one if you ask me).

Was the acting good? Yes. Was it good enough to save this drama? No. At the same time, I believe the only thing that could save it is a completely different script for the second half. That said, I am glad it put Jung Ga Hee on my radar, looking forward to seeing her in more, hopefully leading roles.

Overall, Dynamite Kiss gives me a kid who got excited for the new hobby and gave up half way through. The writers need to ask themselves not only: how do we get from point A to point B in the plot, but also - will this journey in that format make any sense?

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*Inserts the reversed horse drawing meme*

It started as a cringe is the best way possible. I cannot believe I enjoyed something that brought me so much 2nd hand embarrassment. And yet, I liked every second of it. All the awkward situations that have no place in reality, but that put a smile on my face. All the moments that made Seon Ho question his sexuality, and me question my sanity. If only the show stayed on the path of silly comedy and did not venture into the miscommunication and misunderstanding hell, burning both the souls and brains of all the viewers.

It’s not like the plot did not have a potential to be a really fun and light BL. We had all the elements needed to deliver a perfect mutual pining romance with some over the top, but enjoyable comedy. So why, oh why was most of the show based on the most ridiculously easy to explain misunderstanding? Mental gymnastics the writer had to go through to come up with the ways for the characters NOT TO find out the truth deserve a golden medal in the Olympics.

Still, there were things I enjoyed.

First of all, Seon Ho was a great character. Sweet, caring, hardworking, honest and open minded. He had a cute puppy-like demeanor and it was impossible not to like him.

The few scenes between Seon Ho and Gu Mu Yeong that were not focused on the misunderstanding were also truly fun. The way Mu Yeong gave a few soft smiles because of Seon Ho was just cotton candy warm marshmallow sweet. I even enjoyed Han Joon Seok and thought he would serve as a better reason for the conflict than what we actually got.

The acting was also nice. I was not thrilled with Ko Chan Bin’s performance, but overall the character was such a mess… How does one even deliver anything decent based on that writing? Song Seung Hyun, Lee Do Ha and Seo Min Seo honestly did well in their respective roles.

One thing though - even Park Shin Hye had more realistic kisses in the beginnings of her career...

Production value had its ups and downs. Overall, the quality was good. A bit over the average for the short k-bls. One scene in episode 7 thought… If you watched the show you know which one I am talking about. Who thought that was good enough quality to be included in the final product?

Overall… It just left me feeling disappointed. I went from hyped excitement after the first 2 episodes, to complete resignation after the last two. It got progressively worse with each episode and if it was a full length drama, I would definitely drop it half way through…

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Mame, why?

Also, Kate why? Why are you always giving a chance to Mame shows, even if you know where it leads and how it ends. Why am I torturing myself?

Theoretically speaking, Mame's ideas are not bad, but for the love of God she cannot write a good story based on them. So she adds bullshit plot lines to fill the screen time that should be used on developing well written characters and relationships.
Don't Say No with better writing would be legit good BL, focused on the realistic portrayal of friends to lovers (with all the awkwardness and unsureness of it), the struggle with accepting your past, thinking it's holding you back, or affects how your loved one views you, found family trope...

But she just cannot put these ideas into writing. There are truly good scenes here and there, but they are surrounded by so much trash. What seemed like a refreshing story of two completely different individuals with different past and romantic and sexual experiences trying to make their relationship work, turned into a bingo game of what kind of external excuse will Fiat get for sleeping with people. I guess having someone who just likes sex and does not mind having different partners is still too much of a taboo topic.

As I said, it started well. I loved the scenes where the internal monologues show how both Fiat and Leo are unsure, how Fiat's past affects both of them and the choices they make in their current relationship. None of them wanted to take the first step - Leo in fear of being seen like the other Fiat’s partners, who only wanted him for his body, and Fiat in fear of looking like an easy guy who only thinks about sex. Scenes like that were truly well written, and presented both the lead's perspectives and what type of problems they need to face.

But then we’ve got the usual Mame tropes of sexual assault/rape (yes, blackmailing someone into sleeping with you when they don’t want to, and would never do it willingly is a rape). I just don’t understand the reasoning behind these themes in the majority of Mame’s adapted works. They are just cheap ways of making the show more angsty, and one of the lead characters to be either jealous or protective. The dynamics between Fiat and Leo were interesting enough to fill the screen time without adding that dark past. Why is this woman so obsessed with toxic sexual relationships and rape? It’s not like I’m completely against using these toxic tropes in the stories, but there is no novel of hers that does not include them. At best it shows her lack of skills in writing good quality conflict, at worst showcases her unhealthy view and romanticisation of assaults.

That one plot line addressing the blackmail annoyed me for one more reason - the focus that was placed on how bad Leo felt about it, and not Fiat who was the actual victim. Everyone was going around asking Leo if he was okay, Fiat included. I am sorry, but what the heck? Shouldn’t they care a little bit more about the guy that was the victim, and not his boyfriend?
Then there is the mom with psychological issues, Fiat’s suppressed trauma and the explanation behind his bad relationship with dad. Why? Was it needed? No. Not to mention, the whole topic of child abuse, like always in Mame’s adapted stories, was written with complete lack of understanding and respect.

The second couple was cute, and that’s kind of it. Pretty much the cliché stereotypical BL story of a shy good guy who is reserved about the hot playboy, who was never in a serious relationship but wants to give it a chance when he meets that cute shy potato. That said, I did like their ending a lot. It just makes sense. Relationships end, sometimes the timing is not right, sometimes there are more important aspects of your life that you should prioritize.

One of my favorite aspects of the show was Fiat’s interactions with Leo’s family. The found family trope is strong here and I’m all for it. Loved how Fiat and Leon seemed more like real brothers - bickering all the time, but caring for each other a lot. Watching Fiat and Leo’s mother just made me smile more than once. It was amazingly heartwarming and pure. If only the writing focused more on Fiat gaining the confidence while being surrounded by people who love and care for him...

Moving to the actual performance of the actors. I actually liked Ja a lot. He is quite good at conveying emotions with his eyes. The melo and romance were more believable than the few instances of him getting angry, but he just does have this soft aura about him.

And then we have First and I want to cry. This child is so cute, but he truly cannot act. Probably some of the worst dry eyes crying scenes I have seen in years. Even his less emotional scenes were sadly not the greatest. He tends to overreact with his face. I did not mind his line delivery though. It was all about not being the greatest in controlling his facial expressions.
The supporting cast did fine. There were no outstanding performances, but I also have nothing to complain about. I liked Smart a lot, but since the role itself was not exactly demanding, I can’t go into detail about his performance. He also lost me a bit in the last episode.

Production value and music are the typical Thai BL quality - good, but not breathtaking. Have to say though, the styling of Fiat is just amazing. Makes little sense for him to be the only student wearing checked long sleeved shirts over his uniform and walking around the house in a fashion show like outfits, but I still loved it.

Overall, I have no brain left. It started well, taking into consideration past Mame works as comparisons, but then it went into the same rabbit hole of toxic tropes. I don’t even want to talk and think about the stalker girl and King.

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Recipe: Loveable characters, relatable stories and heartwarming messages.

20+ minutes long episodes that leave you with hours of reflections and open you up to perspectives you might have never thought about.

What the drama does great is showing the variety of issues people who are hard of hearing might have. They are not monolit group - depending on their personal experience, personalities, social circles, environment, they might deal with different hardships. And that’s when communication enters the chat! One of the clear messages of the drama was to speak up - whenever you need something, do not understand something, are curious about something, dislike or like something.

While the hearing disability was obviously on the forefront of the story, the plot was not limited to that. The writing was not stuck in the bubble of presenting the struggles of the minority - for me the writing was clear in showing that even though they have their own unique problems, they also face mundane issues and daily hiccups like any other person. There is far more that we share, than what differs us.

And that’s where the two mail leads shine - Kohei and Taichi obviously shared the same world, and they made an effort to stay connected. Kohei did not blame Taichi for mistakes he made that were the result of his lack of knowledge. Taichi was trying to see the world from Kohei's perspective and understand potential hardships that he himself never had to deal with on a daily basis. It was such a heartwarming story of two people fitting so naturally together, but also working hard to improve their understanding of the other’s point of view.

Even though their connection was clearly deep and obvious for anyone that was watching, it’s hard to call this drama a romance. At some point the writing focuses a little bit too much on Taichi and his personal journey of self discovery, making Kohei seem more like a supporting character in his own story. I’m not sure how I feel about drama that centers around representation sidelining the character that is the key to said representation.

As for the supporting characters - Taichi's friends were amazing. They’ve got exactly as much screen time as needed for me to see them as real people with distinctive personalities and not just fillers for the screen, but I never felt like we are wasting time on them. But then, I do feel like Maya’s story could have been improved. On one hand (this might sound weird), I truly appreciate how they were not afraid to show her as a complete egocentric asshole who is unable to see anything outside of her own perspective, because yes, people with disabilities also have personality flaws. On the other hand, I think they spent too much time on her “annoying phase” and the flashbacks, explanation and development happened way too late.

Performances though - so good. Nakazawa Motoki aced the surprise and amazement every time he looked at Taichi. Kobayashi Toranosuke perfectly presented how bad at hiding his feeling Taichi was, but also how he failed to understand his own emotions, while also understanding others.

On technical aspects, I am still mad about the “fake kiss” camera angle. I do not care how accurate it was for adaptation - some things that work on a still drawing will not on a moving film. You need to adjust to the media you are using.

Overall, with flaws, yet great drama. It’s for sure more than romance, I’d even say romance takes a backseat for the majority of the runtime and I’m not mad about it. Adding one or two episodes to give a bit more fulfilling closure to the relationship the boys had would be preferable, but even with a bit rushed ending, I’m just happy with the journey I’ve got to experience.

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Not a show you regret watching, but…

You can also just watch a compilation of the best scenes on youtube and get a similar experience. Honestly speaking, I watched it for the enjoyment of flirting between Juns, and not the actual plot.

That’s honestly what the show has to offer - really enjoyable moments with great chemistry. It’s such an unrealistic fanfic scenario with unrealistic casting, but you can still enjoy it, because Choi Jun just delivers with each and every pick up line and obvious flirting.

I don’t really have much to say about the plot, because it does not really exist. Rookie interns doing their rookie work unrealistically well, while one of them gets into a situationship with the team leader. Nothing makes sense, but no one watches it with their brain sharp and focused.

The acting was decent. During the romance scenes the cast did great, some more daily life moments felt awkward.

Overall, I really liked the first two episodes, but later I just needed more than just great chemistry during some scenes to truly keep my interest.

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The complete lack of chemistry was fascinating to watch.

This drama should be studied. We need a whole master thesis presenting various theories about what happened, because it’s been ages since rom-com gave me this little, basically nothing in terms of romance between the main couple.

What’s even more confusing is the fact I actually finished it, and I did not even have to force myself to watch it. Not many things worked in this show, but somehow I still kept watching the next episodes. Don’t know what weird spell this show put on me, but it worked.

On the bright side, production wise it was great. Not outstanding, but definitely on the high level of production. I wish we would get more in-game scenes since these were for sure entertaining.

What’s more, the second couple was amazing. What a refreshing pairing. Both Ha Jin and Sin Won are the type of characters I have seen in other projects. Their whole storyline was rather unpredictable in terms of typical cliches.

That would be the end, now we have reached the border to the bark side. And there is a lot to talk about.

I already talked about how weirdly weak the chemistry between the leads was. Not one scene awoke any butterflies in my stomach, there were zero sparks. By all means, the main characters felt like siblings, not like a couple. Sadly I think Choi Hyun Wook jumped into adult roles too fast, without graduating from university first. I do believe picking one or two titles set in the uni after all the high school dramas is the best option for the majority of the actors. He looked too much like a baby here, and how the character was written did not help.

And that’s what bothered me a lot - instead of making him an adult who has what is perceived as childish hobby, they actually made him childish. And with how mature and independent Su Jeong was, it felt like a babysitting job, not a romance.

Then we have Jung Hyo Seon - what was that? They painted her as a complete psychopath, zero understanding of human emotions, not just rude and cold, but simply abusive. Even in the last episode she was “confused” by normal human emotions, to then take 180 next two scenes and reconnect with Ju Yeon by apologizing. This just pissed me off. Not only did her development make no sense, it was insulting that it was accepted by people around her in the first place. Apology is a bit too weak when you were LITERALLY abusing your grandson for years.

The writing was just bad. 12 episodes, but it’s hard to describe what actually happened in the show since most of the topics and plot lines were poorly developed. Sure, they did bring some interesting topics like feeling embarrassed about your hobbies, need for acknowledgement and how it can negatively affect your life, guilt that comes from not addressing grief, inequality in the workplace, but none of them had any depth to it, worth reflection and discussion.

Overall, this is such a weird show. Majority of it does not work, but still makes you want to watch the next episode.

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2x speed to the rescue.

I have barely any thoughts, because this had barely any plot. They just threw things at me without establishing them well, so for each conflict that happened all I could do was ask “why?” or “since when?”. How did I view the plot? They did not have the content for 12 episodes, each 45 minutes long, so they stretched whatever they had to the oblivion. When you have a slow paced show, with your actors moving slowly and delivering their lines slowly, you should not be adding slow motion on top of that. 2x speed to the rescue.

The thing is, there were a lot of good elements in this. Great acting from both Mark and Zung. The supporting cast delivered a stable performance too. The chemistry was heartwarming and clearly there. The cooking scenes were beautiful and the soundtrack, even though at times cringy, overall, made me happy, and that’s the point. The directing just lost me.

Internal and external conflicts Aek was facing were not there until they suddenly were, and I was just supposed to accept that. Since when? All his outbursts of emotions made little sense and they never explained why he was so paranoid about every little thing in his life, when most of problems were exaggerated and could be solved with one conversation. The writer made him do quite a number of things that did not line up with how he was written in the previous episodes, just to insert more unnecessary drama.

Aue and his ex should never happen. One of the side plots that did nothing to either plot progression nor character development. She was there to add screen time. Instead , they could have shown more attention to the contest plot, explain why it's important for each character.

Overall, I don’t know. The show happened. I loved the first two episodes, good slow paced beginning to establish the characters and their surroundings, but then the pacing never picked up. It was slow the whole time, with few plot bombs dropped here and there. That said, I am excited to see more projects from both Mark and Zung, since I quite enjoyed what they delivered on screen.

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