Kate

The correct title: Heesu In the Background Of Class 2.

I loved Hee Su and Seung Won, but if we actually gathered all their scenes it would be the length of a fan made youtube video. They were both sidelined getting supporting characters treatment in their own story.

And no, I do not only mean romance wise. Which characters got more elaborated individual stories presenting them outside of their love lines? Chan Yeong with his Tennis arc and Ji Yu with her music. What about Hee Su and Seung Won? Nothing. I’m sorry, but if you describe the plot of the drama to someone, Hee Su perfectly matches the typical second male lead - in love with the male lead, trying to win him over just to give up when the female lead shows up. Ending up with the female lead’s best friend.

No amount of pretty poetic narration done by Hee Su will convince me he got the proper treatment as the main lead of the story. For me, these lines sounded great, like out of context motivational quotes since the episodes often did not focus on his perspective enough to validate their existence. I mean… even the last episode could not have been all about the mains, we also needed a montage of the love story of the second leads.

If I was to rate just Hee Su and Seung Won, it would be a good 8. They were sweet and fun to watch. The misunderstandings actually seemed realistic for their age. The low key pinning was great. Seung Won was just calm perfection - so many of his simple few words amazed me - the simplicity with the greater message behind them was just right.

But then we have Chan Yeong and Ji Yu. I would not even be that mad if they were not just so painfully boring both as a couple and as individual characters. But to take away from the gay couple, to focus on this mediocrity is just a crime.

Maybe because their characters did not have much to offer, the acting also felt mid. Ahn Ji Ho though - amazing. The hesitation around his crush, the glances he kept stealing, the anger and the frustration when certain things came out to light.

The production value was obviously a lot better than many other k-bls - the bigger budget was clear. Can better production quality save uneven writing? Probably not.

Overall, disappointment. I was one of the people who was not initially angry about the straight couple, but I was still naive thinking they will stay in the sidelines complimenting Hee Su’s and Seung Won’s story. I did not expect them to come to the forefront and stay there till the end.

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Gold medal for underdeveloping… everything.

What happened? Someone explain, because I am confused. What started as a loveable cliche mess, ended as just a mess. Around half way through I could sense it - no development, no quality of writing, no details to the storytelling, no real stakes…

Personally, I just think there were too many characters and plots for that many episodes. We did not need the stupid siblings duo - truly brought nothing to the table. The side romance was cute, but also unnecessary. The writers should have picked either a tragic mysterious past or the power struggle in the company and focus on developing it more. Random ex to show up 3 times to cause a little bit of trouble that led to nowhere? Why?

I was watching the second half with constant thought - so much is happening, but why does it feel like nothing is happening? Maybe because the plot seemed more like a brainstorm on a whiteboard rather than a full narration with detailed setup and development… The way almost nothing got a proper closure…

What carried the show for me were the characters of Ah Jung, Ji Han and one and only unproblematic powerful queen Chae Won. These three were fun, entertaining, dynamic. Their scenes always left a smile on my face. These three also had an amazing chemistry.

On the other hand, every character other than these three was boring or frustrating, with little to no redeeming qualities.

What’s more, the quality of acting was on average mediocre - either because the characters were too poorly written for the actors to make it work, or because the actors just could not connect to the emotions they were supposed to present.

Overall, what a waste of time. Another case of a great first half and disappointing finish.

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The tale of involuntary naps and ass whopping.

So, I’m not gonna lie, Midnight Museum is a complete mess - from how the characters are written, through the countless plot holes and underdeveloped plotlines, up till the rushed ending. It’s entertaining though. I think it is… I honestly cannot be sure how much of my enjoyment came from all the chats, comments, posts and discussions with other mdl users. This is a perfect show to hype each other up about. (psst... I do love the show though. I sold my soul to it).

While the idea behind the plot is brilliant, the execution left a lot to desire. From the start it was an episodic type of a deal, which seemed to exist more as a promo for all the GMMTV actors and less as a means to tell a cohesive story. Not to mention the mix of supernatural, fantasy and even sci-fi theories - nothing to be explained or explored. It’s just a big bag of everything, that ends up being nothing.

I understand where they were going with the plot, but I honestly think they lacked a writer and director with experience in that genre. Midnight Museum is just not a smooth viewing experience. They did not highlight important details in the scenes, lines that were explaining connections between plotlines, hints that would make it easier for viewers to understand the whole picture. When you watch the episode, it’s hard to tell what you should focus on and what info might be useful later on.

You know what it feels like? Like watching just a middle season of a tv show - you don’t get a proper setup for the characters nor a well explained conclusion. It just felt like there should be more at the beginning and the end. All that said, the second half of the last episode was just phenomenal. Added 0.5 to my rating just because of these last 40 minutes. But it also made me truly see how much potential to be a masterpiece this drama had.

While I love Khatha and Dome for their interactions (local straight boys acting gay, if you know what I mean), and Khatha was quite a “mood” on many occasions, I don’t think I have ever seen weaker main characters than them. Dome was forced to take a few too many involuntary naps and Khatha got his ass whooped by almost every bad character. That said, this was a bromance on the level of Chinese censored gay romance and for that I am grateful.

Then we have all the supporting characters: Anthika served looks, Triphop and Bam got the “kind of competent, but not really” presentation with a 0.5% fling going on, June was there to make Khatha accept his feelings for Dome and Boon… barely existed. That’s more or less what the characters brought to the table. I think it’s kind of an achievement to have 10 episodes and not one character actually developed.

What saved all of these characters? Amazing acting. Tor and Gun did a great job and their on screen chemistry was to die for. It’s nice to see two competent actors together, because too often we watch one person carry the whole show on their backs.

Supporting cast did a great job too. Yes, I would appreciate Saiparn going one step further and exaggerating the character just a little bit more and Tay giving me a little bit more expression during some scenes, but overall, I don’t really have many complaints. I’m especially content with all the guest appearances and the quality of acting there.

The MVP award goes to Nanon though. This guy delivered probably his best performance up to date.

For the production value - it fluctuated. I was not exactly on board with the set designs. The museum felt painfully empty and not grand enough. I think the majority of the costume budget went to dress Tor, so the rest was underwhelming (especially June - the design for the dress was great, but the quality of it seemed cheap). Some special effects were nice, some were rather questionable. There is also the case of actors not being used to acting with nothing, which made the CGI elements stand out more and not feel like they were part of the picture.

Overall, entertaining mess. It had a lot of potential, but most of it was not used. They tried to pack too much into these 10 episodes so we ended up with a diluted story with little details and world building. I would highly recommend it as a group watch, because it benefits greatly from exchanging theories and hyping each other up as you watch. It’s a great memes and joke source.

That ending though. I don't think I could be more happy with all that crazy shit at the end. Exactly my type of a deal.

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Uncanny, but in a fluffy way with some important lessons.

First of all, I have to say this had some of the best castings I’ve seen. Lee Jae Bin and Kim Seong Hyuk both embodied the animals they were acting as. Especially Seong Hyuk. He was acting more like a cat than my actual cat does.

That said, I think they did so well with showcasing the traits said animals have, it was actually hard for me to get into the romance side of it. Especially with Choco - he was both acting too much like a dog, and was treated too much like a dog for me to ship him with anyone. It just did not sit right with me… The casting was so good, I think it was too good, however weird it might sound. Still, they were able to charm me by the end, I left my brain outside of my room as I was watching, and just enjoyed the sweet moments.

Plot wise, I enjoyed it a lot. That’s a story on crack for sure. I had to stop myself from thinking about my animals being human, because the cringe was too strong. I appreciated this fluffy way of dealing with the topic of loss and acceptance of it. How different characters showed different ways of dealing with it - be it acceptance, denial or a hopeful outlook or just postponing it a little bit to enjoy the company for as long as possible. Not to mention the importance of chasing after things that bring you happiness.

Acting was good. Lee Jae Bin and Kim Seong Hyuk for sure did the best job. I bought everything they sold and have no complaints.

Production wise, initially I did have one complaint - the show felt empty. Few people pointed out how there was never anyone in the café in the beginning episodes. Small things like that take away from the show, as the story does not feel real. Luckily, that “emptiness” became a part of the plot the moment characters addressed it, so the issue was solved in my eyes. Except for that, it was a really good production for a short show like this.

Overall, it was enjoyable. Probably better as a binge watch, like many shorter dramas - would be a good movie. Waiting for that last episode was truly painful.

Milk was my favorite and I wanted to see more of him. Give him a nice short spin-off pretty please!

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Mnet at its finest, delivering some manipulative editing.

I’m not gonna lie, this was a fascinating watch. Trying to see all the shady business and tactics Mnet delivered, seeing viewers' different reactions depending on their knowledge of the industry and how Mnet works. What a ride it was. And behind all that mess was a bunch of talented trainees who could not breathe in the wrong direction, or they will be evil edited till their elimination.

This is probably the worst survival show I have seen from the production standpoint. The editing was atrocious - they gave us 10 takes of the same 2 moments from different angles and different speeds, while completely cutting out most of the performances. How can we judge the stages and trainees skills when we see the same smile or wink just repeated countless times?

Then there is the issue of evil editing. I’m not saying just exaggerating existing issues, I’m saying complete lies, like using footage from two different interviews and making it seem like they were both filmed about the same situation. Translating what foreign trainees say in a vague and misleading way to frame it as them being disrespectful. Making it seem as if teams had massive disagreements in the episode, when we could see them work just fine during the practice lives.

And I don’t even want to talk about the G versus K trainees concept - that was dumb, since the plan was to debut a mixed group. Mnet framed it as rivalry so hard, I’m not surprised Koreans went so strongly voting for Korean trainees - it seemed like a matter of pride for them with how it was presented in the initial episodes. Showing G trainees in a bad light, only “promoting” G trainees that are either Koreans just living in different countries, or been in Korea for years…

What’s more? The legal rigging votes. they knew exactly what info should be released when to make people mass vote for specific trainees out of fear of them not debuting. Just naming the 2 or 3 k-trainees’ ranks that went down - panic voting from the audience. Only showing the 3 trainees ranks based on ONLY G votes - panic voting.

All that said, I loved the kids so much. While I am sad we did not get many strong rappers, and literally barely any in the finale, I’m still more than happy with overall skills presented. Yes, some got into the show as a joke to make the public laugh, but in their case, I could see they truly put in the effort and tried to grow from this experience. The level of talent was high and honestly, one could randomly pick 9 trainees from top 18 to make a team, and every variation of it would make a strong debut.

The trainees had amazing friendships and I loved to see them support and encourage each other. We could see the most honest versions of them in the additional behind the clips mnet uploaded on youtube, and for these I am grateful.

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The best kind of normalcy.

Adults playing adults, no over the top childish miscommunications, realistic (though underdeveloped) problems one can face in the workplace, great natural chemistry and likable female characters - all that made me happy.

Not gonna lie, Kim Jong Chan was the star of the story. I’m so done with cold and emotionless bosses, as if you cannot be professional and dedicated to your work and have personality. Luckily, Jong Chan does not follow the stereotype we usually get. He might be direct and focused, strict with people who work in his team, but he also has a really warm and fun persona outside of the workplace.

Woo Seung Hyun was a great character to watch, but I wished they set up the fact he was a “late bloomer” more, and explain what it means. For me, it was obvious, but I can also understand if people started to complain he was too childish and naive for his age.

Personally, I enjoyed his story. Not quite knowing yourself, your goals, what you are good at and what kind of job would be best fit for you in your late 20’ is not exactly uncommon, and I think many could relate to Seung Hyun in that aspect.

Storytelling wise, I do think they did a decent job with presenting all the different plotlines. Sure, some kind of died without much exploration or closure, some got a rushed conclusion - but for 7 episodes, the show had a good flow and pacing.

Cast did great. Kwon Hyuk fits both the strict boss at work, and sweet boyfriend after, and Moon Ji Yong made Seung Hyun seem like a believable character as this innocent and hardworking intern. I also cannot stop myself from hyping Ye Ji Won being part of the cast, because we have not seen such a big name in K-BLs yet - maybe this is the first step to make the genre more mainstream.

Production was great. It did have this web series on the lower budget vibe for just a few shots, but overall - no complaints.

Overall, I’m just happy we got to see a normal relationship in BL. Yes, I do enjoy the exaggerated plots too, they are entertaining, but this wholesome mundane take is something I truly crave in the romance genre, and The New Employee delivered.

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“It’s not about getting better. The next stage just comes...

Then comes another stage, followed by more stages to go”.

I don’t think I have ever watched a show that introduces so many interesting topics to think about in such a light and heartwarming manner. The episodes might have been only 24 minutes long, but the impact lasted for hours, making me reflect on my opinions, thoughts and behaviors.

From the opening till the end - it felt both realistic and strangely eccentric and dream-like. Following Ha Jyung on the trips allowed me to take a moment to just relax and enjoy the views and the scenery. The straightforward and honest personality of our female lead added to the charm. I also appreciated how real her character was - a normal person in normal circumstances, taking a break from the busy and overstimulated world.

The wide range of topics tackled in the show included, but was not limited to: reflecting on our past goals and dreams, the role of an educator, adults' involvement in creating certain paths for children, focusing on their future rather than the current happiness, the disagreements and different perceptions generations have, where we always villainize the other side, not seeing the flaws in our own thinking and behavior.

We were faced with questions like: is striving for success correct, or should we just focus on doing what we love, even if it does not bear fruits? Why is it so hard to show interest towards another person and since when saying “I love you” or even “I like you” becomes so hard, that we found new ways to convey exactly the same emotions?

This is not all, and I’m sure each and every person would focus on different aspects, different scenes and different lines - seeing their own unique version of what’s presented in the drama.

Lee Na Young was such a perfect casting choice to portrayal Ha Kyung. On one hand her character was truly relatable, on the other hand she had her own charms and quirks that not many people possess. Creating a character that is both unique, but also relatable is not an easy job.

The production was stellar. All episodes were filmed, directed and edited in a similar fashion, but at the same time, all had specific tricks that enhanced whatever story was told in each episode. Be it adding more blur and slightly distorted shots to create these dream-like sequences, or using first person perspective to make viewers connect to the scene and potential feelings the characters are experiencing. The soundtrack was the cherry on top, making me want to drop whatever I was doing and set on a trip myself.

Overall, I feel like no matter how much time I would spend on writing this review, it would be impossible for me to truly convey how much I love One Day Off. It's a rare clean 10 for me.

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oof… where to begin. The premise of the show is borderline offensive. The scene where a guy pretending to be gay lectures an actual gay man on gay rights and coming out made me want to dig a hole and bury myself alive.

It’s obviously a straight story, but they were pushing the “gay love line” so badly. The scenes between ML and SL were more romantic and shot in a more “typical for romance” way than the ones between the actual main couple. As if they wanted brownie points for being “progressive”, but they were not willing to actually give us a gay couple, just bait us with stuff like we had here.

So, let’s talk about the characters, because there is quite a lot to unpack.

Park Jin Sung is a disaster of a character. I love me some flawed ones, but he had no redeeming qualities. While I can empathize with his initial decision to join the pilot episode of the show to get money for his dad’s surgery, the fact he kept going with this lie later on was laughable. Why? His reasoning for not dropping the show was: it will hurt my crush. What was in the brain of that dude? He became so amazingly preachy, I wanted to teleport myself into a drama and slap him at least a few times. This whole mess happened, because he did not think about anyone else except what Ah Jin thought and felt. What’s even more frustrating? He didn’t really lose anything in the end. He got his happy ending and we didn't see that much backlash happen directed at him. None of the characters were even that angry with him. Karma ain’t real here ¯\_(ツ)_/¯

Kim Ah Jin… well. I like to think there are two types of naive female leads - nice naive and dumb naive. She is the latter one. When people questioned her on the reasons for the “gay chef” show, she had no real answer. She said she wanted to show how gay people are normal and not different from others, but that’s dumb, since the main focus of the show and its promotion was that it’s a GAY chef as if this was the most important description of him as a human being. She had NO IDEA what she was producing. It shows when she gets so amazingly shocked about these 3 people protesting and asking for the cancellation. “Their eyes were full of hatred” YES HONEY, THERE ARE HOMOPHOBIC PEOPLE.

As someone who was willing to make a whole show focused on the fact your host is gay, you should do some research to know what you are getting yourself and said person into. So you can prepare. So when homophobes show up, no one needs to protect you and make you feel better. It’s you who should stand strong and defend your host and the program you are creating. Her whole character was so amazingly useless and no true development happened.

Luckily we were graced with Kang Tae Wan, the true star of the drama. First, I want to say Lee Hak Joo is an amazing actor and I believed every line he delivered. When he was happy, I was giggling like an idiot, when he was sad I wanted to fight whomever made him sad. Thanks to that awesome performance I was able to engage in his part of the story more. I also appreciate that they avoided going with stereotypes and making the gay character “less manly” with over exaggerated movements, way of speaking and fashion. Tae Wan was none of that. I loved to watch his emotional journey and how he slowly learned how to smile and get close to people around him. I loved the closure he was given and his scene with the dad in the last episode.

The plot had so much potential and could have offered us so much, but for some strange reason they decided to not do it. Why did they give us the typical side couple? They could use that time to explore Park Jin Woo’s character more. Deliver more scenes of Park Jin Sung cooking while they film the show, with some nice messages and a calming mood. Dive deep into the struggles of LGBTQ community. Let Jin Sung taste it a bit, so when he finds out Tae Wan is actually gay, it would truly hit him how much of a bullshit what he did was. Truth to be told, the whole 12 episodes felt like the beginning of the drama, just an introduction. What happened to the characters’ development? We only got Tae Wan opening to people a bit and Gyu Jang being slightly less of an asshole. That’s it.

Not to mention the random journalist which was used in the show two times, when the plot needed it. They should simply incorporate him more into the plot. Otherwise, him being so invested when we saw him only twice makes no sense. Then there is the last episode. They legit got the main couple to break up 20 minutes before the ending, then we jumped to the future and the last scene they met again… wow. hOw oRiGiNaL! In the last scene, I was hoping we will get all three main characters live their lives and move on, taking different paths and not seeing each other anymore. With that I would consider giving it 7.

That said, I might have disliked the story, but I truly liked the directing. How at times the camera focused on smaller details and not the faces of the actors as they were talking about emotional topics. Or when the screen turned to black as the important lines were delivered. This allowed me to truly focus on what was being said and how it was being said. How the whole drama was not overly produced and had this cozy feel to it. Not to mention that bop of ost. I need it all on my laptop asap.

Overall, I would truly not recommend watching. Sure, Tae Wan was amazing, but the amount of frustration I had to deal with as I was watching the rest of the characters was unimaginable. If you decide to watch it, don’t get invested in any character in hopes of seeing them improve and have some nice development - it ain’t gonna happen.

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Thoughts left the room, all that is left is me simping for the oppa.

Not gonna lie, this show made me feel pathetic - reminded of my young teen self getting obsessed over the rich entitled oppas. It’s been ages since an oppa oppaing so hard evoked so many emotions in me. He served us nothing, but served so much. The never changing face, monotone line delivery, 2-dimensional writing spiced up with all the possible cliches - all that to deliver the truest oppa ever. How shallow of me to open the review with that statement.

Surprisingly enough, no matter how ridiculous, unrealistic and over the top the drama might have been (which, by the way, were all the reasons I loved it so much), it actually had some thought-provoking scenes and moments. Social commentary dressed as fancy makjang? That might be an overstatement, but I’d be lying if I said it did not present even one aspect worth reflecting on. Basing your worth on your popularity, addiction to attention, seeing people around you as tools to be used and discarded when they stop being useful, how far can one go to achieve success, differences in how people perceive reality depending on their socioeconomic status and more. Bits and pieces of potential, all overshadowed by the entertainment.

And I’m not even mad about it. This is such a stress-reliever brainless entertainment I’m actually grateful it exists. Once you start watching, it’s hard to stop. There are awful and selfish characters to bitch about, a female lead that’s worth rooting for, a few characters you end up loving (even if the reasons are painfully shallow), twists and turns that come out of nowhere and make you question the reality that already makes no sense. And then there is the glamor and fashion that’s just so pretty you can’t turn your eyes away from it.

How’s the acting? On average mediocre. Some performances were good (looking at you Lee Chung Ah), some were fine (I love you Park Gyu Young, but not all of your scenes were to my liking), some were either barely existing or yet again typecasted (Kang Min Hyuk serving nothing but hot looks and Lee Dong Jeon playing the same character he did for the past few projects). Did it bother me? No. I have no idea why. I have no idea why all the things that usually make my blood boil just did not bother me here at all.

Overall, I finished the online exam in 15 minutes just so I can continue watching this drama as soon as possible - that will tell you how addicting it is. The pacing was fast, there was no time for chill and breaks, the characters were either unrealistically great or comically awful. Han Joon Kyung was the most oppa of all oppas. Whoever the casting director was - they need a raise.

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Dating show with k-drama plot quality.

The show was weirdly addicting, even though it was far softer compared to western dating shows. The focus on the feelings and not just sexual attraction made the stakes higher, even though I knew it’s all over the top behavior. They knew each other for 8 days, how much in love can they truly be?

The aspect that was for me as interesting as the show itself was the audience reaction. The double standards we had were strong, and it has been just hilarious to watch. JiA playing all the guys? Queen. Jin Taek showing interest in someone else, because he was not sure about the feelings for his first pick? Trash. So Yeon being true to her feelings and saying what she wants to say: honest and caring. Se Hoon being true to his feelings and saying what he wants to say: egoistic and selfish. And the same story happened with a lot of male and female contestants.

Truth is, the female contestants are not unproblematic queens that deserve better. They were all just normal people, who barely knew each other and had no obligation to stay loyal to anyone just because they picked them once. They guys were not trash, there were no red flags, we are all just hypersensitive about the most basic and normal behavior.

As entertaining as the show was, I had few complaints. First, it was way too short. I would say adding at least 2 more episodes would be better. Keep the 8 days format, but getting 2 episodes per day would be ideal. It would make it easier to understand the relations between contestants and understand their choices. I feel like sometimes we just missed the context, because it was never shown on screen.

Another thing was adding new contestants so late. If they decided to stir the pot, they should have added them after the first date - long term it would create more tension that they wanted, and not last minute cheap “twists”. Not to mention the idiocy of casting Cha Hyun Seung, when he knew few contestants, which goes against everything these shows are about (and the “not knowing each other's age and profession).

Overall, I had a lot of fun. My favorite person was An Ye Wow - the only one who took the show for what it was: a little bit of fun adventure. Everyone was so serious, as if they were about to get married the moment the program ended, while she was just having fun meeting new people and enjoying herself. The best chemistry for me was between Hyun Joong, So Yeon and Se Hoon - these three were such an underrated comedic trio who radiated best friends vibe, I wish we could just watch them chilling and joking around a bit more. Best thing was: I did not really feel bad for anyone. Picking extremely good looking, popular, successful people makes me take their love hardships less seriously. “Oh no, this hot dude in his mid 20’ just got rejected for the first time in his life, what a tragedy”.

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Refreshing dynamics is exactly what we all need from time to time.

Love Tractor just does not follow any of the cliché character portrayal and I love it.

Is the story complex? No. Do any of the side characters have any depth? No. Is there any solid conflict? No. And that’s why it’s so good and serves as a perfect fun and relaxing watch. Each episode makes you fall in love with a new aspect of the drama. At first I just adored Yechan, then I started to appreciate the aesthetically pleasing shots of the rural area. Without me even noticing I started to like Yul more and more and by the end I was completely smitten by his dynamic with baby Yechan. It just gradually builds positive emotions and energy - I could not stop smiling as I was watching.

Some scenes and plotlines seemed a bit random, most were underdeveloped, but at the end of the day, the focus was on the growing relationship and trust between Yul and Yechan, and I’m fine with it.

The acting was great and I will even defend the village head chief (or however they called him). Was his presence extremely random? Yes. But somehow even that aspect was endearing and his friendship with Yechan was simply adorable. I loved how Yoon Do Jin was able to make extremely expressive Yechan feel natural and never over the top in an unrealistic manner. I appreciated how Do Won’s presentation of Yul showed you can have a more reserved character that does not come across as cold and distant.

Production value was great. The visuals were stunning - both in terms of cast and the scenery ;)

Overall, such a pleasant watch.

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Fluff sprinkled with emotional dread - best combination.

Probably the most surprising and refreshing concept and execution of it we have seen in any k-bl so far. The seamless transition between the cute romance and borderline psychological horror was masterfully crafted, making me crave for a longer and more developed version of the same story.

Not gonna lie, the show peaked during episode 6, and the ending fell a little bit short of my expectations, but even with that. I am quite satisfied with the overall progression. Yes, it does face the usual issues as a result of a short drama limitations, like underdeveloped side characters, less detailed world building, lack of side plots to make the story seem more full.

But the good was so good, you kind of don’t care about the rest.

First of all, Tae Myung Ha was a surprisingly complex character forced into an unusual situation that made him face both internal and external struggles, leading to well executed character development. And honestly? He was also simply extremely fun. His cheeky one-liners and confidence of an adult in a teen “drama” was a blast to watch. Lee Tae Vin’s performance just made the character so much better. Easily one of the best performances from k-bls, especially when the actual emotional stakes start to make their entrance.

Cha Yeo Woon was adorable. I do think this character had less to offer compared to Myung Ha (to be fair, it also might be the result of me focuing more on Myung Ha compared to Yeo Woon), but it was also impossible not to care for him with his surprisingly well balanced mix of cat and puppy energy, which Cha Joo Wan aced in his delivery.

Still, out of all the characters, Chun Sang Won was the one that stole my heart. What an iconic character, one that deserves a spotlight and his own drama for sure - especially since we’ve been hinted about his own personal struggles. Fun, driven, confident, but also compassionate and perceptive. Oh Min Su better get his main role project soon, or I will riot.

While the drama is for sure not character driven, and you won’t get any elaborate commentary on social and personal issues, it still torches some topics close to many people's hearts, being a good opener for personal reflections: What happiness means to you? How to open your heart to others? How to allow others to help you, care for you? How to well balance your own needs and the needs of people you care about?

All that said, I think the biggest highlight for me was the execution of the concept with a “nice” twist. Instead of going full silly rom-com, they used the game scenario to add some depth to the characters and some painful thrills. Undoubtedly the director had a clear vision of what and how they wanted to present and thanks to that thoughtful approach, the contrasting atmospheres fitted well together. You think you know how the show will progress, but then you get a massive error and all your expectations fall apart.

What’s more, using the game scenario also allowed the director to deal with the usual issue of “time skips” and not enough screen time to showcase the whole time progression. I need to appreciate when directors and writers use their own set up to their advantage when dealing with potential issues and shortcomings. All the confusion and the feeling of “randomness” was clearly intentional, and for me, matched perfectly with the story.

Overall, extremely enjoyable, well produced, beautifully directed, perfectly acted (especially Lee Tae Vin), with nice and cute chemistry, fun jokes and less fun, but just as enticing stakes.

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“You can always be on the receiving end.”

To say I was impressed is an understatement. I am honestly shocked how well this story was presented, acted and developed for how short it was. It was engaging from the beginning till the end. It completely took over my life for a month. I am not ashamed to admit, this will be a full on positive analysis of the unforgettable story. I will point out some minor flaws I have seen, but for making me this obsessed, I cannot care for them too much.

This is a great presentation of how external circumstances can shape a person. How one can be a perpetrator without being a victim first, be a victim and become the perpetrator, and sometimes just be the victim who tries to free themselves out of the abuse. How one cannot be saved from toxic relationships, they need to leave them willingly. How our current situation is not always our fault, but it is our responsibility.

I appreciate so much that Da On did not fall under either a submissive shy mouse, nor a chaotic victim who acts with no reason. I loved how he did try to set boundaries, sometimes he managed to, sometimes he failed. He knew the limits of how much he can do without putting himself in harm's way. There was a clear pattern to his behavior - he was more willing to say no to Su Hyeon in public, than in private. He set boundaries and when the situation escalated, he gave in. Yes, him not being straightforward was frustrating to watch, but that’s life. Su Hyeon had too much power over Da On’s life. There was too much trauma associated with his aggressive behavior to move past it quickly. Leaving an abusive relationship takes time, learning how to set boundaries has to be learned. It’s a process.

Even with limited length, they were able to explain the context of Da On’s life. Being neglected, living in a toxic environment, feeling like he has to carry too much responsibility from a young age, being ridiculed for being poor, isolated from others by Jae Min, attacked and abused, and on top of that abandoned by the person he liked. He did not know what it means to be in a healthy relationship. Or what is an appropriate behavior. He was simply groomed by Jae Min - to trust him only, alone with no other relations. Being groomed for 11 years has a massive impact on you, and you cannot just cut these people off like it’s not a big deal. Even if they do something awful, traumatic, scary - they have been part of you and your life. Da On acting like that was annoying, but it was not lazy writing. People wanted him to go from victim to a completely healthy person with proper coping mechanisms right away, and were frustrated when it did not happen.

Out of all the scenes, the one that truly got me a bit confused was when Da On willingly left the building and got into Su Hyeon’s car just to avoid Seong Hyeon. This scene was weirdly constructed and contradictory. They were really clear Da On wanted to have nothing to do with Su Hyeon… but then he put himself in the position to be with him alone with no valid external reason.

I also lowered my rating from a perfect 10 to 9.5 because of that presentation. That scene was more psychotic than anything Jae Min did in the whole show. After being kidnapped and almost killed, witnessing the man he loves stabbed, having his face smeared with blood… He went and did the presentation. What the actual fuck.

That said, except for these two moments, while his actions were frustrating, they were cohesive, they made sense in the context of the show and who he was as a character, they were believable. I will die on this hill if needed, but I do believe Da On was not a weak person nor weak character. And here comes the compliments for Kim Jun Seo’s acting. I cannot believe this was his first role. To be able to present so much vulnerability and deep emotions, while also showing determination and strength. The duality!

Then we have the toxic and the psycho - Su Hyeon and Jae Min. Can we appreciate that we got two completely different and distinctive versions of different abusive relationships thanks to these characters? We really got a deep dive on what can go wrong between two people. Be it constant criticism and belittlement, psychical violence and intimidation, excessive jealousy and controlling behavior, lack of respect and boundaries that Su Hyeon presented, or lies and deception, emotional manipulation and gaslighting, unhealthy dependence and isolation that we saw with Jae Min. They are both toxic, they are both unhealthy, even if they are vastly different.

I know people love to have a soft spot for Su Hyeon, mostly because of his rather tough upbringing in a psychotic family and how he was not as aggressive in the flashbacks. I get it. But the fact is - there is nothing redeemable about him in the present timeline and I strongly believe even without Jae Min in the picture, he would still turn violent at some point. Why? Because from the start the issue was not Jae Min, but Su Hyeon’s complete lack of emotional maturity and emotional regulation. If it’s not Jae Min, he would snap because of his family. If not the family, he would snap if Da On would not be able to handle the constant micromanagement, jealousy and possessiveness. Su Hyeon does not know how to deal with negative emotions and frustration, they always lead to anger and aggression.

Yes, the flashbacks were great. I agree that the library scene with him pinning Da On on the desk and the chat about the ring was great. But putting it into the context of who his character is and how he behaved - this is way too little for me to see him as a right person for Da On. Or anyone if I must be honest. Maybe a “hot date” with a psychiatrist. Can he get better? Yes. But that would require a lot of work. To be honest, I did not want him to be redeemable, but the last episode changed my mind a little bit. I struggled with seeing what could possibly happen for me to believe he might change. But with how psychopathic Jae Min became, I think the shock of that situation could potentially be enough to make Su Hyeon do 180.

On the other hand I believe Jae Min cannot get better. The difference for me between Su Hyeon and Jae Min is why they act the way they do. Su Hyeon had bad tendencies that were reinforced by his environment - he learned a lot of negative actions from his aggressive father. As far as I see it, Jae Min’s natural negative tendencies were actually held back by his environment. The advantages of acting good and not going full psycho were strong enough to keep him in check. Let’s be honest, if he grew up in the same environment that Su Hyeon did, by university age he would be a serial killer.

And that’s when I knew the one that kidnapped Da On was Jae Min. Because it’s not something Su Hyeon would be capable of doing. Not that he wouldn’t want to, he just couldn’t. Su Hyeon would never go full psycho, because he still has many things that limit him and things he fears - especially his family and his father. He acted out as much as he could with the external restrictions he had.

On the other hand the only restrictions Jae Min had were the ones he placed on himself. He acted as this model teacher, great friend, cool hyung - perfect man, because it was advantageous for him. He controlled himself, because it was worth it. But when he lost control over Da On, keeping that perfect persona was useless, he let go of all the restrictions he placed on himself, and now nothing was stopping him from going full loco.

And when Jae Min went full loco, he truly did not hold back. What glorious moments these were. I am amazed with Kim Ho Young’s acting. You watch him act and you understand why people believed his fake personality. But you also truly see how out of control he is when the hell breaks loose. Whenever it was his nice act, or the chaotic outburst - they were acted perfectly.

Cha Jung Woo did not do worse. Truth to be told, the whole cast did an amazing job. Kim Su Hyeon was such an annoying character, and yet even I saw the charm he had during some scenes. I could understand why Da On fell for him. And the last episode? Outstanding.

While these character had many differences there was one thing that they had in common - they wanted to own Da On, claiming they love him. Love and obsession are different though. Neither of them truly cared about Da On, his feelings, happiness, life, well-being. All that mattered was to possess him. They both believed it would be better to have him in their life broken (or dead), than set him free. From the start they kept using terms like “What I want”, “What I lost” - indicating they saw Da On not as a person, but as a thing they wanted to possess.

And that’s when Seong Hyeon shows up. And you know what I love about this character? That he makes mistakes. That he is not in fact this perfect green flag with no flaws. He is a human being with his own feelings that also get hurt. He sometimes reacted emotionally, childish even. And that’s what made him real. Because of these moments when he acted more selfish, when he did something without thinking - that’s what made his character more interesting.

While he had a lot of great personality traits like being helpful, kind, patient, mature when dealing with setting boundaries, and confident, he also had many relatable flaws. He was childish and pity when he thought someone was not following certain social norms he deemed important. Sometimes he regretted saying something, sometimes he regretted taking actions. And then at times he regretted backing off.

One of the aspects of his character I found the most fascinating was his ability to be really flexible in his reactions and behaviors. Depending on the external context, he reacted differently to the situation, but it was all consistent with his motivations and goals. He was more straightforward with Da On when he saw he was in a good “state”, he tried to distract Da On instead if he saw he was exhausted. Even without understanding the reasons behind Da On’s state, he was really good at reading his emotions and acting accordingly.

What separates him from Jae Min and Su Hyeon is the fact he knows how to love and how to receive love. How to care for people and receive that help. How to view relationships as mutual support and not transactions. For Seong Hyeon it is not “I want”, but “Can I?”. Can I stay with you? Can I hold your hand? While Jae Min and Su Hyeon try to control Da On, Seong Hyeon gives Da On the choice. He asks instead of stating. While Jae Min and Su Hyeon said they want to be with Da On, Seong Hyeon asks if he can stay with Da On. Yes, he is persistent in his approach, but there is something gentle about it. Rather than forcing himself and his presence, it seems more like a reassurance that he is willing to wait, to fight for Da On, to be there for him. Reminder that he is waiting and still there, whenever Da On is ready.

One thing I feel like Seong Hyeon and Su Hyeon share is the fact they are rather emotionally expressive. The difference? Seong Hyeon is expressive, but in control of his emotions and how he expresses them, while Su Hyeon is completely lost in his emotions and has no control over them. Then Jae Min is not expressive, but also in control of his emotions (until he is not… oops).

Here sadly comes one issue I had writing wise - the non-consensual kiss between him and Da On, and the aftermath of it. Truth to be told, I was not even “angry” at the writer for including the kiss. As I said, I love the fact that Seong Hyeon fucks up from time to time, and this was one of these cases. There was no excuse for that kiss to happen and then continue with Da On being this drunk. But while I can understand what led to it happening, the fact that it was not once addressed later on kind of annoyed me. He apologized for wrong things. It’s less a character fault, but more cultural norm fault though.

Now, Cha Sun Hyung’s acting. I still cannot get over how he switched from Puppy to Guard Dog depending on the scene. The way he was able to present that golden retriever energy, but without looking dumb and silly that often happens with characters like him. He still looked mature, strong and confident.

For the general writing, directing and editing:

I really liked the structure. I think the placement of the flashbacks was perfect. The way they were cut in just the right places to give some information, but also mislead us as viewers. The way they made it seem like Da On liked Jae Min in the past, just to reveal it was Su Hyeon. Or who Su Hyeon attacked and why. They just cut the scenes smartly. How much we want to show, how much we want to confuse the viewers - all seemed like deliberate choices, carefully crafted.

Was the “borderline childhood connection” needed? No. I honestly dislike that so much. This was just… unnecessary and added nothing to the show for me.

I’m not going to lie, I am more of the internal analyzer of the bigger picture and the context, than someone who looks for details and symbolism. So to truly appreciate the production, I had to do some research, because I simply do not pay that much attention to things that are in fact important.

Let’s start with the fact the drama was more or less color coded for specific characters (Da On - yellow, Su Hyeon - green, Jae Min - pink, Seong Hyeon - blue). The scenes for the characters were actually often light in a specific color hue. Even in the intro scene with Da On and Jae Min they used this peach pinkish hue, the scene where Su Hyeon attacked the guy with the bottle was yellowish-green. The color flipped only between Da On and Seong Hyeon. Da On’s narration had a blue background, and the scene between Seong Hyeon and Da On had the yellow/orange warm tone from the setting sun. Am I reading too much, or was it a deliberate choice to hint who the end game is? Who knows, I like to pretend it was all planned and hype myself more about why I love this drama.

Colors aside, they also really did a good job with just the lights and the warmth of it. Perfect example - the scene when Su Hyeon dragged Da On away to his apartment, leaving Seong Hyeon behind. The part of the corridor with Su Hyeon and Da On is cold and dark, while where Seong Hyeon is staning it has this warm orange light.

Then we have the symbolism of chess connected to Jae Min - how from the start it was hinted (for some less, for some more obvious), how he was the mastermind behind it all, how he manipulated both Su Hyeon and Da On for years. How he was the one controlling the situation.

Also, extremely random thought, but white is such a psychopath color, so the fact Jae Min was the only one wearing the white outfit in the intro is just cherry on top. And how it had a comeback when he completely lost his marbles in the last episode. Greatly appreciated.

Overall, what a fucking ride. I get it. This drama had flaws. It was not some high budget production, but the way it won my heart is illogical. One could say I was in a completely toxic and dependent relationship with it for the past month. I’m Da On - blind to flaws the same way he was blind to all these red flags.

If you want to tell me that I’m reading too much into it, overanalyzing things that make no sense. How there was no logic behind the characters behavior and it was all ridiculous - you are free to do so, I might even entertain you with a few replies. But I am not changing my mind. I’m annoyingly stubborn.

Added characters' analysis in comments under spoiler. Written them after episode 6, and damn Jae Min's one had to be quite tweaked - I overestimated how loco he was.

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The first few episodes made me so happy. I was in heaven with the cute and fun interactions between the characters. The romance was sweet and down to earth. Jung Ha was able to fight for her rights, Hye Joon stayed true to his morals and Hae Hyo was on the way to crossing the villain line. And then… nothing happened.

There are quite a few plot lines here; basically every character gets one, but none is truly explored nor well established. At first, this messy and unbalanced way of directing and editing seemed charming to me. Life is messy and unbalanced too. I liked how some important plot lines were not explained right away, but instead, we got a whole scene of the female and male lead discussing how one should apply hand cream. It worked, because I was sure the plot lines will be slowly addressed as the drama progresses… Sadly, they weren’t.

All the characters were rather poorly written, though had great potential to be amazing. Hye Joon is boringly perfect and everything works out for him. Jung Ha has a great 180 closer to the end of the show, Hae Hyo was truly useless plot wise. All the supporting characters were there filling the space, but their motivations were never explained. Why do they do what they do? Who knows?

It had its moments. Park Bo Gum crying? A+. Well, that would be it.

How did the relationship between Jung Ha and Hye Joon go from perfect communication and understanding each other, to never communicating what they truly want and feel and making all the decisions on their own? We had so many dramatic plot lines that could bring the tension in the last episodes, why add new bullshit one?

Why introduce Ahn Jung Ha’s mom into the picture when this story was never truly explained nor explored? She just shows up to give Jung Ha an excuse to be sad and cry, and then she is gone. They ONCE mentioned how Jung Ha has problems accepting help because of her mom, but it was never mentioned again, it has no meaning in the story itself.

Why did they never do anything with Won Hae Hyo? He was neither good, nor bad nor gray. He was just kind of there. How interesting would it be to actually see more of his internal struggle between being a loyal friend and disappointed actor?

Why give us a side romance between Jin Woo and Hae Na? Probably the most useless plot line in the whole show. This could let us explore more of the controlling behavior of Kim Yi Young or be another burden for Hae Hyo: one friend “stealing” his spotlight, and the other dating his little sister and hiding it, pushing him into “I have no one I can trust” state of mind and explaining his feelings for Jung Ha, who was always honest with him.

Why did they never truly use the Charlie story? It was always somewhere in the background, but at the end it had no lasting consequences on the characters at all. When dating make up artist affected Hye Joon more than having a famous designer as his gay sugar daddy? Where is the logic? Why even add the story when it was never important to anyone?

Kim Su Man was painfully dumb.

The "2년 후" aka the boring ending.

That’s it. Not really. But I have no strength left to write more. Damn… this could have been such a good show.

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“I had to be flawless not to be looked down on.”

One’s in love and one is clueless - probably my second favorite trope right after enemies to lovers. Both create many opportunities for funny scenes and interesting interactions with the proper amount of angst to spice things up without breaking my heart.

The plot is rather simple, giving a nice slice of life sentiment, tackling various issues young people might face, while also telling a compelling love story of two interesting characters with wildly different backgrounds, pasts, personalities and behaviors.

Cha Si Won was a deeply insecure boy who needed a lot of external validation. From the start we get a good glimpse into who he is - craving the attention, enjoying people praising his looks. He takes appropriate steps to make people look in his direction. He feels anxious when there is someone equally attractive as he is - feeling the need to work even harder to stay at the top of that social ladder.

On the other hand Hyeong Da Un seems to be born with good looks and does not need to work hard to get the attention Si Won wants so much. That said, from the start I could clearly sense loneliness and sadness about him. That emo vibes creeping in. We did not get to understand who he is from the start, but the writer dropped hints that his life might not be as sweet and perfect as Si Won assumed, for example when his smile dropped after hearing the door from his house opening. To quote Shrek - Da Un is like an onion and the writer was slowly peeling off the layers of his personality and struggles as the drama progressed, showing who he is as a character and making me cry the tears of pain in the process.

So how did their relationship start? Cha Si Won just had no idea how to act around Da Un. He wanted to make sure Da Un knows he is this confident guy, but it turned rather awkward, and the small lie he told to create that persona was exposed rather quickly and concluded with one simple “맛있게 먹고”.

At the same time Da Un tried to get close to Si Won, joking around and showing real interest in him - which was at first taken as teasing and a sign of him acting superior. Poor boy, to be this misunderstood by your crush, when he just wanted to spend time with him and get to know him better.

Si Won’s whole drunk monologue in episode 2 was a new level of 2nd hand embarrassment, and yet Da Un thought it was endearing and funny. Si Won was literally trashing him saying there was something fishy about him, and Da un was just smiling about it - he was already gone into the love land by that time.

Si Won’s insecurities led to misunderstandings, but thanks to the god of kdramas, these two boys were forced to work on different assignments together, which created many opportunities for Si Won to see how his initial judgment might have been just a misconception. And the sweet love story slowly developed.

The plot line that got me extremely interested was the contest and the aftermath of it. From the start Si Won was not confident in his writing and the script, not to mention the work was autobiographical which would mean being vulnerable about your past in front of many people.

He feared it’s not strong enough to be picked, so even though he was tempted by the opportunity, he alone wouldn't take it. After his sister did it for him, resulting in him winning the first place he felt conflicted. From the start he believed the rumors that he only won thanks to Da Un’s involvement, but at the end he decided to believe in Da Un’s denying it. His words of assurance that the scenario was good and worth the award gave Si Won the confidence to share it with the class…

…and then he found out it was all a lie - the fear of not being good enough became a reality. At that point though, his priority and what he cared about changed. He loved Da Un, he was more angry about him not being honest than the actual contest.

It’s also interesting from Da Un’s perfective. From the start he had an instinct of taking care of, helping and protecting Si Won. From serving him food on the night out with other students, taking him home when he was drunk, going after him after he ran away from the book cafe. His priority was making sure Si Won is fine. Hence when he found out Si Won submitted his work for the contest, he feared not winning would hurt his confidence even more - he wanted to protect him from that disappointment. His good intentions led to misguided actions and awful aftermath. He feared Si Won would be disappointed in himself after losing, but at the end he led to Si Won being disappointed in him.

Except for the personal internal issues the male leads have and their relationship, the drama does quite a good job at showing how bad parenting can hurt the child - be it putting too many expectations on them, or neglecting them assuming they will do well on their own. Both can create trauma and scars that are hard to heal and can carry to adulthood. Both leads struggled because of their family relations and it influenced how they behave now - one feeling the constant need to prove himself, and the other struggling with truly opening to others.

Presentation wise, I loved how Si Won’s family issues were often present in the background - we could hear his mother badmouth their father to Si Yeong, questioning if she likes her father, guilt tripping her into admitting she does not.

Another interesting side plot was Yun Jeong and how she had to deal with the sexist senior - from inconsiderate remarks about her looks to situations where she truly felt uncomfortable and even threatened.

It would be a crime not to mention Si Won’s sister Si Yeong and her adorable crush on Yun Jeong. The cuteness that the character radiated was just amazing.

The acting? Really good. Jo Hyuk Joon just broke my heart with his sad puppy emo eyes, and Kang Eun Bin made me want to die from embarrassment quite a few time with his perfectly delivered lines based on his misconceptions and misunderstandings of people and situations - he was so confident about all the things he was wrong about. At the same time he managed to deliver the more emotional scenes. The scene that impressed me the most was his argument with the mother and them crying in each other's arms - the pain was real.

Production quality for such a small show was great. I also liked the directing that emphasized the characters current situation. For example, how they showed Da Un sitting with his back to the camera when his family was mentioned. It gave an even stronger impression how lonely he is, how he is unable to show his pain to others and he deals with it alone. And then, to add by the end of the show a shot of his and Si Won’s back, sitting next to each other telling us, he is not alone anymore.

Another great example would be how in episode 5 during one of the classes the lecturer talks about the magic/golden hour in photography “This magic hour is called the time between dog and wolf. When seeing a man walking toward you at that time of a day, you’re not sure if it’s a dog by your side or the wolf of your enemy”. Then in episode 6, after Si Won asks Do Un if his parents had anything to do with him winning, we can see a shot of Do Un filmed in that “magic hour” which could be seen as foreshadowing his involvement in the contest behind Si Won’s back. And then later, the whole episode 10 was titled “The time between dog and wolf” when the truth came to light. I appreciated how some references were coming back in different forms and times to tell the story.

Was the production perfect? No. Some scenes were dubbed (if the characters were sitting or walking far away), but it was still clearly visible the sound did not match what the actors were saying. Sometimes some shots seemed blurred and the colors were not sharp enough compared to the previous scene, but honestly, all of these things I only noticed while rewatching the drama.

Surprisingly, this show gets better on the second viewing. Some lines just hit differently when you know the whole story and context. For example Si Won telling Da Un “you were born with everything at the tip of your hands and loved by your parents so much” in episode 2, which could not be further from the truth with how he grew up emotionally neglected, receiving close to no love and attention from his parents who were always busy with work.

Overall, not sure why this show feels so special to me, but it does. The second viewing made me love and appreciate it even more. I would recommend it to everyone, as it delivers nicely written characters that are easy to sympathize with and relate to, soft commentary on some personal issues we might face in our lives and a truly sweet romance with great chemistry that will make you feel lonely like never before.

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