Kate

This show is like an abusive partner - gaslighting you into thinking the trauma was not that bad.

What an emotional journey it was. This is how you write a complex female lead and realistic portrayal of how hard it is to deal with your past traumas and fears. Sometimes after moving forward one step, you go back two.

This is a one woman story. Kang Hui is the main character and everyone around her is just an accompaniment to her solo performance, and it’s great. She was a deeply hurt, scared, insecure, but also strong-willed and brave person. Yes, you can present the opposite characteristics depending on the circumstances you are currently in. That duality was what made her unique compared to many other kdrama characters.

She was so beautifully flawed and frustrating to watch. Constantly making mistakes, not knowing how to stand up for herself, lying, running away, pushing forward. I wanted to slap her back to reality, and hug her to console her. But when you frame her behavior in the context of her life, it all makes sense.

She faced abuse and neglect since childhood. She had the whole town against her. Adults telling her she is the reason her mother died. She felt unwelcomed whenever she went. She was blamed for her mother's actions. She was blamed for others’ mistakes. The town treated her as a plague that brought misfortune, even when she was just a small child.

The way they presented her get back on her feet and then crumble over and over again was painful to watch, but also so refreshing. She felt like a real person.

However, as good as the journey was, the conclusion could not have been more trash. Since when do we show victims of years of abuse apologize to their abusers on their knees? The whole last two episodes were kind of insulting. The way one beautifully shot scene of Kang Hui apologizing to her younger self was a conclusion to years of abuse, bullying and built up trauma she faced in that town just made me angry.

Why try resolving and fixing the extremely unhealthy relationship between father and daughter and make the father take accountability of the neglect, when you can just give him cancer and make the daughter feel guilty about it?

I honestly feel gaslit. With the last two episodes and how casual everyone was about Kang Hui’s past and how everyone treated her, I started questioning if I imagined parts of the plot. The same people who screamed at her and told her she is the reason her mother died are now saying her father raised her well? Am I losing my mind, or is the drama truly showing this? WHY WERE THE BULLIES INVITED FOR THE DINNER AT THE END?

Every time they showed one of the town people acting nice I kept asking - Why? What happened? What changed? Did you all have group therapy behind the scenes and reflected on your actions? Why now? Ladies and gentleman, the credits are about to roll - smile and act nice, we need a happy ending. It does not matter if it makes sense or not.

You CANNOT make a whole drama focused on how hard it is to heal from your traumas, with the female lead who keeps going back to her bad habits, running away, pushing people away. Showing how poorly she was treated not only as a child, but also as an adult. How none of the people in her life truly understood how abusive they were. To then magically heal everyone and make it the peaceful happy town where everyone is friendly and they all support each other.

The whole show was filled with hypocrisy that was never addressed. Love cures it all was the ridiculous approach to this story. Probably one of the worst conclusions I have seen in the past few years.

Back to the good - the performances. To be honest, I picked this drama to get over my unreasonable dislike towards Lee Se Young, and the magic happened. Her portrayal of Kang Hui was truly stunning. Perfect in every area. There was nothing I would change nor improve. On the other hand, Na In Woo was kind of there, filling the space. Maybe because they never truly developed his character to the same extent they did with Kang Hui, his take on Yeon Su felt a bit flat. While I disliked Chun Pil as a person, I adored Choi Min Soo’s portrayal of him. What a vibrant performance it was. The role was painfully hard to present. He had to show both the nonchalance, but also the seriousness of his personality.

For the visuals - it is a show that you will want to take screenshots of every few seconds. Beautiful.

Overall, I might have been traumatized by the laughable Disney ending. Magically everyone was cured, everyone was nice, pretending like the past never existed. I loved Kang Hui, I loved her journey, but the express trip to Happy Ever After by the end, kind of made me angry.

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What a nice surprise. I started the drama with zero knowledge and expectations. I knew the acting would be top notch with a cast like that, but truth to be told, the story did not sound like something I might enjoy. Well... I was wrong.

I fell for each and every character presented. This is how everyone should write interesting, fresh, original and flawed ones. I hated so many of the choices they made and actions they took, but I could understand why they did them. All the bad behaviors were never excused, but always explained. And I found it extremely refreshing.

The story slowly presents to you that whatever happens is almost never just one person's fault. At the end of the day, it is your choice to stay in a bad situation and turn a blind eye to what happens in your surroundings.

The drama has a lot of really meaningful and deep messages, including: consent in a relationship, understanding your worth, impact the past struggles have on your current self, fear of happiness and losing it. You learn as you watch it. More than once I read a line a character has said and just simply nodded my head in agreement.

Any flaws? The ending was too good. I was quite honestly hoping for some twist by the end. I was sad with how Maru and Soo Kyung's story was dealt with. There clearly were hints left, but they never followed with any conclusion. It's worth mentioning the painfully unnecessary Dong Goo's story line. From the beginning till the end, I was not even slightly interested in his character and the romantic subplot he's got.

Overall, I believe it's an extremely underrated drama and I wish more people would give it a shot. The first two episodes might leave you speechless and it's hard to understand the characters and their motivation, but as we get to know them better, they start to feel like old friends. The familiar feeling just calls you in.

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Came for the plot, stayed for directing - indie heart in a mainstream body.

Writing wise it’s a cliches overload. Successful male lead with initially egocentric attitude, haunted by his mandatory past trauma. Poor female lead struggling in her daily life, with mandatory past trauma. The plot was painfully predictable, but smooth sailing. I predicted the majority of plot points around episode 3 - ending included. I did not really mind, I watched it for vibes, not for the thrills.

The leads were fine. As a local pinning enthusiast I was both well fed, but also robbed. The first few episodes delivered such a good low-key angst with Su Bin pinning over Ju I Jae as she pushed him away, I just wanted more and more of it. But then they moved on from it so fast. That one time you wished the misunderstanding was not actually resolved in a mature manner…

There was depth on paper, but not in the delivery. I think they dealt with issues too fast. Less conflicts, but better explored please. Out of both leads, I for sure liked Ju I Jae arc more - from surviving to living and chasing her lost dream. Ready to face her fears to improve.

On the other hand, while I liked what they tried to present with Su Bin, it never truly hit the mark for me. Personally I loved how flawed he was. How desperate and misguided he acted at times. This makes for a compelling character. Yet again, similarly to external conflicts, his internal struggles were also not explored enough. He thought he was brave enough to stop running away, but the truth is, he just decided to hide behind Ju I Jae instead of learning how to be emotionally independent and healthy. This would be such an interesting internal journey if they cared to dive deeper into it.

I think the chemistry between Hwang In Youp and Lee Hye Ri was good, but not outstanding. A lot of heavy lifting was done by the editing. That silhouette kissing scene? Cinema!

Luckily, in terms of romance, everyone can find something for themselves since we get 3 separate couples with different flavors. Leads deliver the youthful romance, second couple sprints from bickering to friends to lovers tropes and the third just jumps straight into bed with initially no strings attached.

Of course no kdrama can happen without abuse plotlines, so be prepared for that - it goes both emotional and physical. Some of the abusers did not face enough karma if you ask me - forgive and forget should not be that easy to achieve.

For the acting, I was content, but not impressed. You know what's funny. Usually actors do decent in every day mundane scenes, but struggle with more emotionally heavy. But I actually liked Hwang In Youp's acting in these more heavy scenes more than the daily stuff. Not that he did a bad job per se, but it was just fine. Sidenote - Lee Sang Yeob was as hot as always.

Truth to be told, what I loved the most about this title was the directing. The indie vibe with mainstream quality just worked so well. There were many little filming techniques and editing choices I loved. Slow close ups from medium-full/full shots that hold the camera on the reaction of the character longer than usually. I also liked how “slow paced” the editing was - rather than creating dynamic shots by cutting to different angles, they used one shots with zooms in/out and camera movement.

It's not like the whole drama is some masterpiece of unique editing and directing, but it always had moments that I especially enjoyed. Fun transitions between scenes, POV you would not expect to see, mixing romance with comedy by showing different people’s reactions in the same wider shot. Changing the person in focus in one shot, instead of cutting the scenes between the two characters. So many little things that just worked for me.

Overall, it was a fine watch. Around half way through I caught myself being more excited to see what kind of fun filming/directing/editing choices they make, and not the plot progression itself. It feels like there was a lot of heart and thought put into all aspects of the production, but the writing itself.

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“It hurts because you seem so comfortable leaning back into sadness.”

Butterfly instead of white rabbit, magician instead of Mad Hatter, magical world and a lot of unresolved emotional trauma - get ready for it all. The Sound of Magic delivers both the enticing fantasy and the harsh reality.

A lot of the things I liked about it, the details in the created world, were the result of the hard work of the webtoon writer Ha Il Kwon. The best examples are the names of the main characters - 아이 (child), 일등 (first; if we add his surname to the mix, it would literally mean I am first) that represent the internal conflicts the characters were facing. Seems on the nose? Maybe, but it fits the story and the approach they took with presenting it.

Ai was forced to grow up fast because of her family situation. Her dreams, hopes, wishes were all focusing on gaining money, as she believed being poor was the reason for her misery. She viewed every situation in her life from the perspective of her financial situation. She did not want to believe in magic, since for her, magic symbolizes hope for better life. All the good things end, like waking up from a beautiful dream, so why even start when you are deemed to be disappointed at the end, when you are back to unfair reality?

Ildeung follows the path his parents picked, doing his best to stay at the top. This takes a toll on his mind and his body. He realizes how trapped he was, yet he wasn’t sure if he is brave enough to stop chasing after the future his parents chose, and try to find his own path. His whole arc was built on small things that might seem like non existing issues, but in reality can take away your sense of individuality and self-worth: things like his dad not calling him by his name, but “Na Jin Man’s boy” - first he is his parents’ son, then he is himself.

Both main characters do not know how to be happy, feel free, make personal choices, act like children their age. And this is the story of them slowly freeing themselves from the cages they were locked in.

It’s hard to talk about Ji Chang Wook’s character without diving into spoilers, since we are mostly kept in the dark about who he is and his past till the end. That adds to the thrills though, creating that mystical and magical aura around him, making the viewers question if the magic is real till the last moment. I was invested in the simple question: who is this magician?

What I also liked about the show is how it spoke about the faults in adults while also not truly making the adults into villains (mostly). Some of them were annoying, sometimes acted unfair or selfish, but most of them were not evil, they were just humans.

The performance from the cast was great. Yes, some movements and facial expressions during the musical numbers were rather cringe and awkward, but it happened only a few times. I was quite surprised by all the emotional scenes, since they all hit me hard (yes, I cried), especially any scene with Ji Chang Wook in the second half - been a while since I enjoyed his performance so much.

Visually they did more than I ever expected. A few times the special effects, especially in terms of the motion, were slightly off, but nothing that would take away from the stunning pictures created.

A lot of the songs had stage-like performances that just sucked me in and I could not take my eyes off it. The A Curse of Asphalt scene was especially breathtaking, even though compared to some other songs, it had a more simple approach. Yet, with how instrumental, lyrics, vocals, visuals, set design, arrangement, all fitted perfectly like puzzle pieces, this song became my favorite performance.

Were the musical aspects all that perfect? No. Some songs just felt awkward with how they were placed in the story, at times feeling unnecessary. I understand why it became a musical-like drama, some lyrics had a really strong message and the performance features added to it - which would not be possible to achieve with simple dialogue. That said, at times I would skip a song or two as they felt redundant at that specific moment.

Speaking of music - all the instrumentals are to die for. Some melodies reminded me of Tim Burton’s Alice in Wonderland movie (2010) - which fitted the theme perfectly. Even the sound design at times surprised me - taking into consideration the place the songs were sung in and mixing the vocals according to it.

Overall, I truly enjoyed it a lot. Had some questionable choices, acting and directing wise, but I still believe it’s a solid drama. While at first I was not sure about making it into a semi-musical, after seeing all the episodes, I understand the value that was added with some numbers and I appreciate the rather bold move they took with it (let’s get real, musicals are not exactly a mainstream genre loved by all). Ending review with a quote that I loved:

“Flowers don’t bloom on smooth asphalt, but on bumpy dirt”.

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Romantic comedy fitting XXI century standards.

Not having much inside on how sub-dom relationships work, I cannot comment on the accuracy of the depiction, but I can for sure say the movie does an amazing job in presenting it in a positive light. The word best describing the movie is: consent. Everything that happens is the result of mutual agreement that focuses on the preferences and needs of both sides.

What’s more, while the movie presents Jung Ji Hoo as someone with, to call it broadly, issues, it flips the expectations the audience might have. It shows how the problems he faced were not the reason he sought that type of preference, but rather the judgment, he faced because of his preferences made him doubt himself. From the start, there was nothing wrong with him, but rather the society that puts unreasonable expectations and limits on everyone’s freedom of expression.

The thing that made me appreciate the movie more was the fact it never centered around sex itself. Focusing on other aspects of the relationship, with explanatory narration was a great choice.

Honestly speaking, the movie was just adorable. Watching Ji Woo and Ji Hoon try to figure out themselves, their preferences, but also work it out within their relationship was just an entertaining journey. I feel like there was a level of innocence presented on screen that will surprise many viewers.

The cast did an amazing job. There was only one scene that got me “this is just too scripted and unnatural for me to ignore” because of Lee Suk Hyeong’s delivery and the weird timing of the scene itself.

Production wise, I could not ask for more, though I might have asked for less. For me, some of the special effects were unnecessary. That said, they did not really lower my enjoyment of the movie.

Overall, it does a good job in presenting sub-dom relationship in a new light, that shows the more realistic and broad perception of it, without only focusing on the sexual aspects of it. It serves as a good criticism of the standards society creates, that serve no one and often hurt us. I would truly recommend it to all the 16+ audiences for sure.

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“I didn’t come to Love Village to find romance. I came to find the final partner of my life”

And that quote presents both the best and the worst aspect of the show.

I found it interesting how vastly different were the motivations of contestants in this show compared to all the dating shows with young people. Romance and thrills were almost never the priority. With how almost all dating shows are focused on the initial attraction, Love Village shines with something different.

At the same time, the production team was not quite on the same page. From participants' side we saw how they were looking for someone to be their partner, but not necessarily lover. Which is fine, but there was a disconnect on how the production team was presenting it. They kept making it seem as if these people had true romantic feelings for each other, when their interactions and conversations painted a different picture.

Some other flaws were how little interactions we actually saw - the real time progression completely did not match the episode's pacing, so when a couple started to have feelings for each other, I often questioned when they even got close to each other, when we saw them talk maybe three times. What’s more - adding contestants close to the end was questionable at best. It was obvious they won’t have a chance to even get to know others, not to mention find a partner, so what’s the point?

On the other hand, I loved Anchovy. This guy is an unintentional comedic genius. He lived in delulu land, misunderstanding every interaction he had with any women. Gold quality of content.

Also, Minane is such a kind and thoughtful woman. I do think she should start thinking about herself more, but I’m also truly impressed how she can see different situations from different perspectives. I have a lot of respect for her and how she presented herself in the show.

Overall, the show was a bit too condensed for my liking. I would love to see more meaningful interactions - slower pacing by either adding more episodes or making them longer.

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You’re never too old to enjoy life.

Allowing yourself to feel happiness, enjoy small things and create a deeper connection to other people at times might feel like either a luxury, unobtainable pleasure or inappropriate whim. Old Fashion Cupcake shows you how we all deserve happiness in our lives, and how growing older doesn't mean you need to put it aside.

Have to say, even though the romance was quite a treat, and the mutual pining was a blast to watch, the “anti-aging” plot was the one that grabbed my attention the most. Following Nozue on his journey to discovering himself again - outside of his daily routine and work, was fascinating and extremely heartwarming.

Togawa's low-key chase after Nozue gave me all the best feels and just enough angst at times to make me fall for the couple hard. I appreciated how he not only wanted to be with Nozue, but he was also truly trying hard to help him enjoy life, enjoy his work, and enjoy all the small things he was too afraid to try in the past.

Both main actors aced the roles. The passive attitude Nozue had for a lot of things, how he just tried to survive each day, how he fell into the routine and forgot how fun life can be - I could see that all in the performance. Kimura Tatsunari perfectly acted the small possessive and jealous moments, Togawa striving to help Nozue come out of his shell, the care and admiration - all and more.

Honestly speaking, it was just a fun, enjoyable short watch with some uplifting messages and moments that most adults (and younger folks) would appreciate to hear.

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Cat and dog dynamics done in the best way possible.

For the main couple, this is close to perfection. Simple story that presents both enemies to lovers and friends to lovers trope, depending on the perspective taken.

The relationship progression between Shu Yi and Shi De was really well paced. It didn't feel rushed, the milestone moments were happening at the right times, and never felt out of place. The dynamics between them sold the show. Both Shi De and Shu Yi have this trickster quality to their actions, which makes We Best Love that much more entertaining. The plot could be simply described as: two main leads getting closer to each other, one step at a time.

Speaking of the cat and dog dynamics, Shi De reminded me of a Golden Retriever with his warm and patient demeanor, and Shu Yi was like a small cat - playful and curious. Seeing them interact with each other just brings happiness to my heart and a smile on my face.

Shou Yi was one of the characters I was the most curious about. Sadly, if his story gets any more depth, it will happen in season two. That said, him being the relationship MVP for Shu Yi and Shi De was one of the funniest aspects of the show. I never enjoyed someone being such a busybody as I did with his character.

Being perfectly honest, some side characters were unnecessary, or rather, they got unnecessary side plots. Some of the scenes and developments came out of nowhere since there was not enough screen time to dive deep into the side plot progression.

The production value was amazing. I especially appreciated the transition scenes, which are usually extremely generic, but here they became either pretty or fun screenshots (shout-out to best supporting character - Mr Skeleton). Music wise, I cannot remember one song. On one hand, it means OST was not that memorable for me, but on the other, it also means they were fitting for the scenes they were used for, since I was not bothered by them.

Overall, amazing chemistry that, at times, almost set my laptop on fire. On point acting, especially from Sam Lin - boy shocked me in one scene (good acting always gets me overexcited). One of the nicest and well paced BLs that tells a simple yet extremely engaging love story.

See you in season two!

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I wanted to love it. I did love the first two episodes, but I "only" enjoyed it till the end. From episode three, I got disconnected from the story. Maybe, being an adult, I could not relate to all the amazingly dumb decisions the teens made. With that, the emotional and sad scenes that were supposed to make me cry my eyes off, just made me laugh my ass off.

It just felt as if they were trying too hard with the presentation of emotions. There was nothing subtle about them in a lot of scenes. The aggressive crying, especially when done by Billkin was comical. I just couldn’t connect nor relate to what the characters were feeling coz of that excessive presentation.

The plot was amazing until it became teen makjang. I loved to see the friends in the past rediscover their relationship and struggle with figuring out if what they feel is truly just friendship or something more. The clues were subtle, hints dropped here and there… and then I was slapped across the face with insta story dramatic war talk with hysterical crying, posting shit on public feeds instead of sending dm, like a normal person, not to mention doing things that should not be done in the presence of family members. These kids had no brain.

I will be honest, I was “traumatized” by episode 4. It was just so not fitting compared to the rest of the story. We had subtle coming of age and rediscovering relationships plot, but episode 4 just went HARD on everything. After that episode I was kind of confused. This one episode completely threw me out of the story. Normally, not liking one episode would not have much impact on my views, but here it’s ⅕ of the whole story and a lot of important moments happened in it. So even though it’s just one episode, it had quite a negative effect on my viewing experience.

Out of all the characters, Bas was my favorite. He was a loyal friend, and even though his feelings were hurt, he was still willing to help the person he liked.

Teh was just a ball of frustration that caused me to feel annoyed more often than not. By episode four I didn’t even wish him a happy ending in terms of romance. I was truly done. Not to mention I am not the biggest fan of Billkin’s acting. A lot of his facial expressions just made me laugh at inappropriate moments.

Oh Awe was a baby that needed to be protected. He worked hard, but sometimes it’s not enough. He was true to his feelings and spoke about them openly, but when the other person is not being honest with you and themselves… Well, it simply made him miserable.

One thing that for sure was truly a high quality level - production value and visual directing. Damn. This show is beautiful. I am not one to take screenshots of the shows, but I wanted to take quite a few while watching I Told Sunset About You. Stunning.

I loved the serious topics they decided to comment on with this show. I love the ideas behind some of the truly impactful scenes, BUT the approach and the end result was not always something I enjoyed.

Overall, it’s still a step in the right direction for Thai BLs. While I love the silly rom-coms with only entertainment value, we also need some more serious series, which will balance the easily digestible ones. I don't think we need a continuation for this one though. This had perfect closure.

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The black hole of brain cells the Alphas had - the true entertainment.

Where to even start? The manipulations, red flags, black flags, assaults, temporary and plot convenient “face blindness”, amazing brainpower versus negative brainpower - the mix of everything one can imagine. And my brain struggles with comprehending all of that. But maybe that was the point?

The best and the worst aspect for me? Shen Wen Lang. I loved him and I hated him so much. How can one character be this dumb? It’s magical. And so entertaining. Frustrating too, but in an entertaining manner. I think the key to enjoying the show is to… not feel bad for any character and keep reminding yourself it’s just a makjang werewolf coded Omegaverse trash tv. It’s a bit like a horror movie - you are not supposed to feel bad for the victims… That’s sounds bad, but it is what it is ¯\_(ツ)_/¯

So first we have the biggest victim - Sheng Shao You. That’s your smart-dumb male lead who knows enough to be impressive to others, but also lacks any street smarts and insight to see through Hua Yong’s schemes. To be manipulated this bad for this long is a skill itself. Still, one thing I did appreciate a lot was how his pairing with Hua Yong went against typical conventions. The “top” was the scheming feminine force, and the bottom was the manly man. It was surprisingly well written and delivered.

Then we have the blackest of black flags - Hua Yong. What a casting to be honest. Huang Xing was able to deliver the feminine vulnerability and the badass bitch energy seemingly without any problems and both cases were perfectly believable and made sense for the character he was playing. The fake smiles, smirks delivery when no one was watching, fake tears, anger issues, complete obsession and devotion. All so wrong, all so entertaining.

Gao Tu was the most heartbreaking character of them all. Of his own making, that’s also true, but no matter how you look at it he was a victim of his social and economical situation. Truth to be told, his character was the only one that made me feel uncomfortable while watching There was one scene, a close up moment to his face that lasted maybe 3 seconds, but it was so raw and felt so wrong, even thought I was laughing like a maniac few seconds earlier because of the ridiculous plot, this one moment slapped me in the face with how wrong what I was watching actually was. And dear lord, that was such a bad choice from the production team. The way to enjoy these shows is to NEVER make them hyperrealistic, they are not supposed to be taken seriously.

As for the plot itself - what a mess. The only well written and delivered things were Hua Yong’s schemes. All the rest? Oh so bad. Starting from anything related to business - why? 80% of business related scenes were useless and had no impact on the overall story.

Then we have a joke that Gao Tu and Wen Lang story was . I do not care that they had even less presence and development in the novel. The good adaptation knows how to fix the shortcomings of the source material - you either remove bits you know you cannot elaborate more on, or you expand on the bits that were underdeveloped to create a more cohesive story with a strong and fitting conclusion. Here we have just wasted the potential that their dynamic was. And I don’t even want to talk about the clownery the conclusion they received - I cried, screamed and laughed, because I could not believe that was it.

Acting was hit and miss. Huang Xing and Li Pei En easily delivered a solid and convincing performance. Qiu Ding Jie was a hit or miss depending on the scene - overall passable. Jiang Heng gave me nothing. That’s the “I got dragged here by a friend and got involved, but I don’t really know what I am doing” vibe. Kind of hope acting is not his dream job (oops).

The production… Where to start? I did like how they managed to film and deliver the intimate scenes. There are obviously limits to how much they can show since it’s a Chinese BL, but without showing much, they were still able to deliver the sensual and at times a bit spicy image. Maybe I’m just tired of the soft porn we are getting from Thailand? Anyway, this was a pleasant surprise. They did go a bit too artsy with some filters, but since they used them to "censor" certain things - I will give them a pass. They clearly tried to do their best with the limits they had.

But then there are the ridiculous issues with editing - especially sound design and dubbing. There was one scene that lasted a good 10+ seconds where the characters were obviously talking, but there was no dialogue sound, just the background music. Stuff like that, things related to post production and smart planning more than the budget are hard to excuse.

Overall, what a bullshit drama it was, but how entertained they made it amazes me. There were a lot of things that should have been fixed, but I’d be lying if I said I did not have fun watching. But it’s for sure not the “it’s so good I love it”, but rather “it’s so bad, I love it” type of a deal. I ranted after every episode, my blood kept boiling, but I could not drop it, and I watched all episodes as soon as they dropped.

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Great comedy, lukewarm romance, underdeveloped drama…

which means only 1 of the 3 main genres are truly worth your time. And with how serious the topics that fall under “drama” were, I cannot just move past it and enjoy the funny fluff.

For the comedy - they went into it and put all their brain power to make it work, and it truly did. Every episode had at least a couple of jokes that made me laugh and smile. Some were slapstick, some were filly, some were more subtle. I also appreciated at times dry delivery, which was obviously a deliberate choice. The absurdity of some scenes were perfectly used to create comedic moments.

For the romance, that’s just my subjective opinion, but I did not see that much chemistry between Shin Min Ah and Kim Young Dae. With how in love he was and with how open about sex her character was - there were truly no real sparks going on.

At least the second couple had more dynamic and fun to watch relationship. Gyu Hyun and Ja Yeon were the spark of chaotic fluff and I’m extremely happy we are getting (even though short) a sequel for them.

Then we have the true issue of the writing - a mess that was any and all serious scenes, storylines and plot points. For 12 episodes, they truly tried to have it all without putting in the work and it just left a bad taste in my mouth. Hae Yeong and her mother’s relationship was a tragic case of parental neglect of a child's emotional needs, but why at the end did it feel like it was all a “misunderstanding” on FL’s part and her mother “truly loved her”? Why does it feel like the drama is trying to tell me the mother did not really do anything wrong? Why the conclusion to this extremely complex and damaged relationship is the death of the mother? Why was there no real conclusion? The mother was selfish till the end. The mother chose other people over her own child till the end… the mother lied till the end. But now I as a viewer am supposed to forgive and forget because she dies and FL is sad about it? If that’s not it, then what is? Because the drama was not clear what exactly their message here was.

Then we have the issue of Nam Ja Yeon’s abusive father and how they decide to give a close about that story by adding a dildo fight between him and Gyu Hyun… that was just a new level of lows. That was the issue that kept coming back - good comedy, but ill timed comedy.

I also at some point started to see how selfish each and every character was and instead of liking them more with every episode and seeing their growth, they started to annoy me more and more. Some examples: .

For Ji Uk the promise he made as a teenager was more important than being honest to the person he claims to love. With how her whole life something and someone was always more important than Hae Yeong, to now know her partner also chose someone over her… painful.

Hui Seong deciding to not take a DNA test for her child is also selfish. One would assume a child would want to know who their biological father is… I guess it is on brand with overall message of the show: how biological parents don’t give a fuck about their biological kids. Not one good parent in this show… I am honestly impressed.

Overall, I just felt frustrated. They could have had a good pure rom-com with great comedy, but mishandled too many important issues. If you don’t give a clear message of what you want to say, you need to give more details about the circumstances so the viewers can form opinions - it lacks said details. And if you are not willing to put the work and time into developing these stories, don’t make trauma a major motivation and factor for almost all characters…

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A little bit too ambitious…

Here’s the thing, I refuse to give brownie points for a good idea that was not quite well executed. Time travel romance is hard, because if you want to do it well, it won’t be easily digestible. Why? Because old times were awful. And that’s where I Fell You Linger In The Air fails - the realism of the setting.

Did I enjoy Jom and Yai’s love story? Yes. But did I feel emotionally affected by it? No. Because I felt like all the issues were presented in an extremely simplistic manner I just did not feel the pain and the angst at all. At the end of the day the time period became a plot device to deliver some mild angst, rather than a proper setting. Even the truly awful and traumatic moments were presented with not enough care to make a real impact.

The plot tackled some important issues like inequality of genders, abuse, exploitation, and the generation gap, but the solutions and conclusions were laughable with little depth and meaning behind them.

It’s hard for me to take this epic time defying love story seriously, when everything else about this show was juvenile in terms of writing. I honestly feel like I would appreciate the connection between Jom and Yai more if I only saw their clips on youtube, because everything that surrounded it made it seem less valuable and worth the watch.

That said, I did enjoy quite a few characters. The main duo obviously being part of the approved group. Except for the, I also loved James who was the true MVP of the whole show and Fongkaew who was the one to take matters into her own hands. Great characters and great performances.

At the end of the day, I feel like it was simply too careful and too focused on being more approachable.

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Fun, exciting, engaging and entertaining - just a bit diluted.

I would be lying if I said I did not have a fun time watching. So Hee was as unique as always, Ji Yeon as crazy and Ji Gu as grumpy. Their friendship was still the best and strongest part of the whole show (till one specific scene). Compared to season one, it also focused on them outside of their friendship, so we’ve got less group drinking moments, but instead could see them interact with other people more.

One thing I liked was the fact Kang Buk Gu did not really feel like the main character. I don’t think he had more scenes or importance than for example Kim Sun Jong, which I don’t complain about since he was never a character I looked for while watching the episodes even in season 1. It might be something that others dislike though.

The issue I had with this season is how disjointed it felt. First two episodes don’t fit into the timeline at all and while I understand they had to give a proper closure to the events from season 1, I am not sure they handled it in the best way storytelling wise. And the similar “individual stories not quite connecting together” feeling lasted for the whole duration of the show.

Some episodes were truly great, some were nice, some were not memorable at all. The quality fluctuated a lot. As a whole it was less funny, less moving and less entertaining. It’s still a great drama though, far above the majority of comedy shows. It just pales in comparison to season 1.

The arc this time was them as individual people learning how dependable they are on each other, and how it does not always have positive effects. I understand it on paper, but I think it was not quite well presented in the show itself.

Then, there was one side plotline that was the biggest issue for me. Without giving any spoilers of what happened, the events just made me question why these 3 girls are even friends and how did this friendship last so long. We got an unsatisfying conclusion to an extremely complex problem. The writing of this one side plot was so bad, I actually lost any interest in ever rewatching season 1 and 2. I just cannot see the friendship in the same light anymore (more about it in a comment below).

Performances were amazing - great continuation of the phenomenal deliveries from previous season. It truly feels as if the actresses were born to take these roles.

Overall, you can sense that this season is different and I think the change of the director is obvious. Personally I preferred how Kim Jung Shik handled the story. Season 1 was my first 10 in 2 years. While season 2, while I don’t regret watching, I would not exactly recommend others to check out.

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Was it a perfect show? No. Did it have some flaws? Yes. But holy hell it was amazingly entertaining. So what exactly worked for me, what could have been better, and what was so bad I actually loved it?

The good

Dare I say this had one of the best set of supporting characters I have ever seen? They all were competent in their areas of expertise, but flawed in other departments, which made them more realistic and relatable. They had their own side stories that were simple enough not to overshadow the main plot, but engaging enough for me not to skip any scenes. The number of badass ladies this drama has is also amazing. I would be confident in saying this show was run by the girls.

The romance. I know a lot of people complain it was not this epic love story, but that's exactly what I loved about it. The romance felt natural and slow paced. The characters had so many important issues to deal with, the fact we didn't spend too much time on them being lovey dovey made sense. It made me appreciate the small moments between them more, as they all felt special.

The main characters and cast. I want to compliment Angela Yuen especially, seeing as it was her first main role in a drama. She made me hate Ming He so much, but also enjoy each and every scene with her. All the actors and actresses did a phenomenal job portraying their characters. A few Crystal Yuan scenes felt slightly off, but not to the point it made me annoyed or frustrated. Her performance was still quite solid.

The storytelling. Exactly my type. We had the main plot slowly unfold as we followed the main characters dealing with side plots. And these side plots were actually entertaining. With each story we were introduced to a new side character, that later on had an impact on the main plot. Nice! Not to mention the progression from revenge to justice leading to the well being of others that main characters wanted to achieve. The moral dilemmas they had to face and the choices they had to make were interesting to watch.

The fighting scenes and aesthetics. This show is simply beautiful. The fight in the rain between Yi Qing and Ah Jing was probably the most beautiful scene I have ever seen. The set design, camera angles, editing - it all contributed to this visual feast.

My boi Bi Luo.

The bad

The last episode felt... flat? Especially with how intense the few leading to it were. Quite anticlimactic. They were building up to something epic, but they did not deliver. It wasn't bad, not even that disappointing. I was just expecting something more.

Qing Lan reasoning in the last few episodes. Maybe I am dumb, but the lack of logic behind his actions was amazing. I think they have wasted a little bit of potential this character had.

Slight lack of consistency with the skill sets of few characters by the end of the show. For the sake of the plot progression, some characters that were known to be amazing fighters suddenly weren't that strong anymore. It wasn't that easily noticeable, but since I paid a lot of attention to them, it did make me sigh with a bit of frustration.

Too much poisoning, not enough death caused by it.

THE "SO BAD IT'S GOOD"

GLORIOUS UNDERWATER SCENES! The thing is, in all shows I hate bad CGI, but somehow in wuxia, I love it. The whole show is amazing and beautiful and perfect, but then the underwater scenes and CGI used there was so bad I loved it. I had the same experience with The Untamed - the bad CGI was one of the reasons I loved the show so much.

Yi Qing's coughing... slowly... I started laughing about it and appreciated it more.

Overall, if you want a show that focuses heavily on romance, this is not for you. While the romance is ever present, it's not slammed into your face every second. For me it was a perfect combination of nicely done characters, interesting plot lines, great production value and pure entertainment.

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Countless misfortunes with Disney solutions.

Idol: The Coup opens with quite refreshing, more accurate depiction of idols and the Korean music industry as a whole, but ends on an over the top, makjang note. And yet, I truly loved the show. Somehow, it convinced me to ignore all the flaws and only focus on the true entertainment and emotional connection I have made with the characters. And for that, I am thankful.

The drama tells the story of Cotton Candy, who are deemed as "'망돌(망한 아이돌)” (mangdol - failed idol). Both the company and the members themselves gave up on trying to succeed, with Jenna, the driven leader, being the last person who still tries her best to make the team overcome the issues and survive in the industry.

Each member has her own traumas, hardships and obstacles they need to face, and as the drama progresses they learn how to trust each other again, how to work as a team, protect and support each other.

Idol: The Coup truly takes the viewers on a whole journey of “hate to love”. At first, you might despise the majority of the characters, just to end up loving them and rooting for them by the end of the show.

It’s also the first drama with an idol driven plot, where the songs are truly good, and something I could see in a music show. Both, the songs that are suppose to be part of the fictional groups’ discographies, and the songs that were only used as a soundtrack easily found a place on my playlist, with few favorites being: “Home”, “Honest”, “You Can Cry”, “Fly Up”, “Pray” and “Remember Me”.

It would be a crime to write this review and not mention the amazing chemistry between Jenna and Jae Hyuk. This dynamic was extremely entertaining to watch. While at first it might seem that Jae Hyuk holds all the power, each disagreement they had, leaves the viewer thinking he was the one who lost and was more affected by it. It became a battle of wits and determination, over one character just abusing another.

The acting was not outstanding, with some idols struggling to connect to the emotions and truly deliver the lines in a natural manner (I’m looking at you Kim Min Kyu and EXY), but overall, none of the performances were truly cringeworthy, and the few miss-deliveries became a charm of the show too. Maybe I am biased, maybe I just convinced myself to love even the bad aspects of the drama, but at the end of the day, does it matter? It was a fun watch, whenever it had or had not had any issues.

That said,

If you want to watch idol romance, this ain’t that. While the female and male leads have amazing chemistry, and many viewers wished to see some kind of feelings spark between them, it never crosses the line of hints and future possibilities.

If you want to see a realistic portrayal of idols’ life, this ain’t that. While the first 3-4 episodes did a good job showcasing the struggles “failed” idols might face and the industry trend to see the idols as replaceable assets and not human beings, at some point, the amount of tragedies happening to Cotton Candy reached a ridiculous number. The solutions were coming out of nowhere, just as the problems were showing up with little explanations, and at times, as complete contradictions to what already was established in the drama. That said, the issues themselves were not unrealistic, but rather the fact they all happened to this one group in such a short period of time.

If you want a wholesome drama with nice characters you can root for from the beginning till the end, this ain’t that. There were moments when I wanted the group to disband, there were moments when I totally understood why they were failed idols and maybe they should not work as a team. I went from “let them disband”, through “I’m an ot4 stan”, to “I don’t care if it will make no sense, these babies need a happy ending”. The characters are truly flawed, but you might end up loving them despite their shortcomings.

Overall, what a ride it was. Idol: The Coup has countless flaws, and yet it made so many viewers enjoy it and get excited for more episodes. The idea of one hour and thirty minutes long episodes scared me, but when they went down to just one hour, I was truly disappointed. Each episode made me want to see more, and wish for just a few more minutes of the content. I got addicted to this soft idol makjang with fun, but frustrating characters, over the top tragedies and Disney solutions.

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