277
662
137
12
13
15
12
3
10
32
6
15
1
2
17
25
2
8
6
2
4
3
2
5
7
1
2
4
7
21
19
36
Ambitious project, maybe too ambitious.
This is exactly the type of a story that requires a longer format. It's not even about complexity, but rather the type of a storytelling - building it on the small hints about the connections and past events, the lasting feeling of familiarity between the characters that the audience cannot grasp at first. Slow buildup is not something you can achieve with less than 115 minutes or runtime.I can clearly see the production team did their best, but some things cannot be overcome just by trying hard. Here’s the thing, I am not sure I would truly understand the whole plot if I was not checking out comments from people who read the webtoon. Especially Denis’ part of it, which also seemed to be made far more simple and passive? There was simply not enough time to present his side of the story and explain his feelings and motivations.
That’s about Denis, what about the other mains?
Dong Baek is such a stock character, the best of the NPCs. Rarely speaks when others argue about him right next to him, mostly interacting with people if they interact with him first. He acted the way the plot needed him to act, no matter if it made sense or not.
Yu Dam could have had far more depth and I wish we could see more… desperation and sadness? Taking into consideration his story, dude was way too chill about everything. Again, I do believe it was caused by the short runtime.
It does not mean I disliked everything about the show. I enjoyed the chemistry between the leads, I actually enjoyed how annoying Denis was and strangely he was my favorite character. I liked the production quality and the soundtrack. I loved the ending - truly. The conclusion and last few scenes were probably my favorite part.
Overall, a great concept that should have been kept on the shelf till the BL industry got bigger and more profitable, so they could do the story justice with enough support.
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Office drama that will evoke in you the makjang level of emotions.
A character driven tale on the workplace environment, self-worth, values, principles and one bug of a human being called Han Se Kwon that you want to step on with the heaviest shoes you own.It’s not an overstatement to call this show a perfect office drama. Mixing realism with entertainment is not an easy task - On the Verge of Insanity managed to do that. With the variety of unique characters, it’s a story relatable even for people who never worked in a similar environment. It tackles issues like retirement, layoffs, job hunting, reassignments in the workplace, power struggle, but also more universal topics like acting in line with your principles, loyalty, friendship, selfishness vs selflessness.
The three main characters present different takes on life and dealing with problems. Dang Ja Yeong tries to go by the book, following instructions, seeing it as the best and most efficient way. Choi Ban Seok is a hardworking and loyal person, who is willing to risk his career if faced with moral dilemmas. There are many nasty ways to describe Han Se Kwon, and I’m truly forcing myself to stay civil here. Let’s say he represents the inferiority complex in the perfect way, spiced with his cunning and shady behavior.
As the drama progresses, we see how they manage to face all the problems happening in Hanmyung Electronics and what are the results of their actions. There is no plot that goes from point A to point B, as the drama focuses more on the relationships between the characters, different departments, higher-ups and the employees.
The comedy, though, how good it was! There is nothing better than situational comedy based on the character’s personalities and relationships. No cheap jokes that could work in any scenario.
The casting was a pure perfection. Each of the actors fitted their roles perfectly. Big props to Kim Nam Hee for his job on Shin Han Soo’s character, who became one of my favorites.
The production value is insanely good. I have truly nothing to complain about. The soundtrack has plenty of amazing songs from slow ballads to indie pop and rock.
Realistically speaking, this show might not have the same entertainment value for people preferring fast paced, plot driven dramas. There are many questionable choices made by all the characters, so if you look for a clear cut “smart at any occasion” or “good at any occasion”, you will not find it here. Characters excel in some areas, but fail on others - for me, that’s the charm and the realism of the show.
Overall, On the Verge of Insanity made me smile, laugh, cry, curse at my laptop, and hug my pillow. Vast range of emotions have been awoken and I’m so amazingly thankful. It’s a solid watch from the first to the last episode.
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STORY AKA CONCEPT
So freaking fun and refreshing. The best thing a director and writer can do is to invite viewers to enjoy the show more actively, and this is exactly what happened here. Guessing which places were real and which were fake was extremely entertaining (even though I failed more often than not). The concept was just something I have never seen before, and I have to say the scale was huge. They must have had some big $$.
One thing that I would change - more variety of the themes in the episodes. There has been just a little bit too much food. They could have had strange hobbies, surprising online celebrities, etc. Anything, other than food? That said, I must admit, the restaurants’ episodes were the most fun.
CAST
That's the core of the show. I cannot think of a better cast for it than the one we’ve got. Ladies were truly crazy, and Jae Suk was balancing the craze with the work perfectly. Even if the concept of a particular episode was "meh" for me, it was still extremely entertaining because of the interactions between the cast members.
Same goes for guests. Only Lee Sang Woo did not fit into the picture that well (hence I found that episode the weakest). It was fascinating to watch the male guests trying to understand the mess that is happening and try to match the hype.
MUSIC AKA PRODUCTION VALUE
Through the roof! I truly don't even want to think how much money was put into the production of all the places they made. I am simply amazed how they created whole fake businesses in a week, to the point it was almost impossible to distinguish them from the real ones. A lot of hard work and care was put into it.
EPISODES
As I said, not all episodes were equally entertaining. If I had to pick my favorites I'd go with: Sang Yeop episode (truly won everything. Jessi and Sang Yeop were unforgettable), Dong Yoon episode (I loved how dedicated he was to finding the fake place, and he had great chemistry with the cast) and of course Tae Hyun, who truly felt like the regular cast member.
Overall, this is a show I would recommend to everyone. Cannot think of one type of person who would not enjoy it. It had jokes, heart, amazing cast, mystery, elements of surprise. All I can say is - I cannot wait for season 2.
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Yeah, this ain't that.
It had a strong beginning and seemed like a fun, well executed cross-dressing show with tons of cliches that make you laugh. Later, it became so amazingly bad I could still enjoy it. But.. At some point every episode either bored or frustrated me.
The plot just seemed like a whole mess. The beginning was strong on romance and had minimal politics, just enough to create the tension between the leads. But then, closer to the end they dropped all the heavy politics' plots, but since I could not care about them with the lack of explanation and elaboration previously... What exactly was the point of it? And when they tried to be semi surprised who the main villain was, WHEN EVERYONE KNEW and they knew since they talked about it more than once. The string of ridiculous events that happened in the 2nd half (and especially the last two episodes) had me questioning my existence.
Another flaw of the show was the male lead. Literally everyone was a better man than him. Heck, the female lead was a better man than him. He had truly nothing going on to make him more believable and relatable. He was a huge block of muscles with little to no expression and personality.
Now to the practical effects. This show made me laugh like maniac while watching the attempted murder of a child. The bridge scene (if you saw the show, you know exactly what I'm talking about) brought me to tears with how bad it was. I had to stop watching for a good 15 minutes because I could not calm down from the silly giggle/mad laugh. If you don't have money for the proper props, use smart camera angles so the viewers know what's going on without you really showing it. Just... be a smart director.
This drama had nothing innovative or refreshing. If you can think of any drama cliche: this had it in. It had the strong and smart female lead, but only for certain episodes and scenes, since she went full 180 closer to the end. The only reason I finished watching it was for Wang An Yu and the doctor guy. While I loved them, I still regret wasting the time…
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The Exorcist meets MARVEL.
Rather than a horror movie, it felt much more like a superhero origin story with a religious twist, and I loved every second of it. It was extremely entertaining, the effects were nice, and so were the fighting scenes. The acting was believable. Except for a bit of a false advertisement (the trailers made it seem like more of a horror than action movie), I'd say this is a solid film.The best part was definitely Park Yong Hoo's character and how amazingly unimpressed he was about all the crazy stuff happening around him. I chuckled a few times simply because of his reactions, or rather lack of it. He was a rather well written hero, who struggled with accepting his true calling. As I said, it sounds like a superhero origin.
Since I myself don't believe in any of the things presented in the movie (hi there all the atheists) I cannot rate how scary this movie was, coz for me it was not at all. That said, I've been watching horror movies since I was around 6 years old, so it's not easy to scare me anymore.
All the characters were nicely done, we got a believable main villain (in terms of his motivations), the side stories and characters fitted the overall tone of the movie. It was a consistent storytelling without any plot holes and unexplained storylines. The ending felt a bit like a final boss fight in a video game, but that was fitting with how "superhero versus the villain" the whole movie was.
It's obvious how high the production value was. The shots were extremely aesthetically pleasing, the background music was fitting, the set design was amazing (the last scenes in the club: loved them). I also want to thank the demon for not ruining Do Hwan's face close to the end of the movie. He knows the true beauty and how to appreciate that.
Overall, really enjoyable. I might rewatch some scenes with Park Yong Hoo from time to time, since as of today, he is my favorite "horror" movie character.
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What’s bad? Whole first 5 minutes. You can’t just open a show with sexual assault and borderline rape. Not good. And no, just because the bed scene was not shown, does not mean I didn’t have a problem with it. Vee as a character has literally zero redeeming qualities. Watching him being sad and crying was a delight for my soul.
War did a good job. I quite enjoyed his character, even though he was a mess too. I don’t know... I watched the show because of his pretty face. That’s the tea.
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This review may contain spoilers
Love Like the Black Hole - sucking the energy out of me.
It was just truly not a good follow-up after part 1. They limited/removed all the good aspects of it, and the new things they added/developed did not grab my attention or were just ridiculous.One of the things I struggled with was the random shifts of tone - from drama to comedy, sometimes happening multiple times in one scene. I did not feel the emotional impact because of the random comedy lines, but I could not quite laugh about the comedy, because of the serious tone and situation the characters were in. This lighter tone fitted part 1, since the setting was less serious and less prone to major incidents. The moment Shao Shang entered the palace, it all changed, and I feel like her character and how the scenes were carried should have been tweaked to fit the new environment. I’m not saying make Shao Shang a completely different person, but character development exists in writing for a reason.
Yes, some of her behavior could be excused because of her young age and the lack of education/neglect. Some things though were so out there, it was too much to take even for me. Random treason? Why not? Making more or less the same mistake a few times in a row? Shao Shang will deliver. Here’s the thing - she was never that impulsive in part one. We saw her plan and scheme a sweet revenge quite a few times. Rarely ever she just randomly jumped into action without prior preparation. They amplified her hot-headed temper so much in part 2, it was hard to watch, and she went from one of my most beloved characters, to one of the most frustrating ones.
Not to mention, she demanded from everyone to accept her for who she is, while not doing the same for others. The egocentrism made it hard for me to like her.
With all that, there was one thing I liked about her character - her strong belief that women are as capable as men. That women can be individuals with their own goals, plans and motivation. That she can be happy and fulfilled without a man. Yes, sometimes they presented it more as her being just stubborn and not wanting to communicate/cooperate, but the overall sentiment stays the same - she knew her value and she knew she was capable.
Here’s another thing about her age though - it makes the romance creepy. I do not want to hear how “time period accurate it is”, because the whole drama is NOT accurate and realistic. Shao Shang with her bevarior in that time period would be dead in a few episodes. There is no reason to keep the semi-pedo age difference between the leads for accuracy, while also making sure everything else does not follow the time period customs and norms. On one hand I had to mentally age Shao Shang to be 18, to feel fine with the romance, but then I had to constantly remind myself she is just 15 to excuse her stupid behavior.
On the stupid behavior - what the heck happened with Buyi? The last few episodes were especially ridiculous. He was known to be meticulous, able to turn any situation for his benefit, and patient with his schemes. Now - all out of the window, left in the trash as he slays his way straight to treason and basically exile. He did not even try to find a different way. The Emperor was so painfully biased towards him, I’m sure he would agree to execute his uncle under false allegations, if it meant keeping Buyi safe.
And what’s up with the massive self-victimization of the leads? Both acted as the most pitiful people on the planet, acting as if they were the only ones who ever suffered hence their actions, no matter how egregious, were justified. Buyi thinking he never felt real love since his childhood is basically a slap in the face to the Emperor, Empress and even Consort Yue. All these people literally cared for and loved him more than their own children. Buyi had literally such a huge support system, and he willingly refused to use it. His loneliness is on him. It’s his own choice. He literally refused all the love people were giving him.
In the eariler episodes I was joking around saying he is basically a psychopath, because he distresses by torturing prisoners and hunting down traitors, but the closer to the end of the show I got, the more real it became. Dude was a psychopath. Machiavellian might be a better term.
Family drama, all the tea spilled during the dinners and gatherings was an easy 10/10. Shao Shang went from 10 to 5, back to 7 on good days. The romance was lukewarm, and Leo Wu carried it all on his back. Sorry, but Shao Shang gave me nothing in that aspect. Technically she did say she loves him and all that, but did she really? Like, really? I felt nothing, not a tiny bit of romantic feelings from her to Bu Yi. One day she was questioning what love really is, and how it feels, next day she was making some random love declaration and lecturing others about her undying love for Bu Yi. And my brain went - since when? How? It was literally: she doesn't love him, next scene: she loves him. And even then it felt more like her trying to convince herself she loves him, rather than her actually having these feelings. So since I did not understand when and how she fell for him, even the more emotionally impactful scenes felt a bit flat.
As much as I disliked the writing, I have to say the performances were truly strong. Especially Zhao Lu Si - this girl has such an emotional range I am amazed every time I watch her on screen. Leo Wu did well delivering the emotionally broken man too, especially during the more intense scenes. Other roles were not as demanding, but the performances were just as solid.
Another really minor and random thing that was good - some kills. They did not shy away from blood and truly showed the injuries and pain that comes with slashing someone up and running someone over with a horse.
Overall, I think I just feel disappointed? It hit me while watching the last episode, how good part 2 could have been if it was focused mostly on the separation and what happened after they reunited. The more serious and dramatic tone would make sense with the characters being older, the angst would be more impactful if it lasted longer than a few episodes. They would have had more time to show how Shao Shang changed through the years, and how she matured. I also feel like it would make much more sense if she truly fell for him after they reunite in the future.
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If you present an awful message, at least be entertaining to cover it up.
These 4 episodes commit 3 grave mistakes: questionable takes on serious issues, painfully repetitive story, extremely dumb main character that they tried to cover up with the cast and good production . The only thing I truly got from it was boredom and frustration.The whole idea of suicide being a sin is simply gross to me. What it means is being sick is sinning. It’s like saying someone who has Tourette syndrome that leads them to say profanities is rude and ill-mannered. They are not. These are the result of their disorder. And I think the drama could have been saved, if they focused not on him committing suicide, but how his act killed an innocent person. That I could partially understand. Saying suicide is a sin though - that’s just uneducated statement from people who know little to nothing about psychology and human’s mind. What you are saying is - being sick is a sin. Maybe reevaluate your opinion.
As for the repetitiveness - where to even begin? The whole being reborn in a new body was fun for the first three deaths, after that it became boring. The way almost all deaths were linked to greed made me roll my eyes so bad. Who gives a fuck about the complexity of human’s experience I guess. Not the writer, that’s for sure. All the reincarnations ended before they truly began, nothing was explored, there was no depth to anything. Extremely simplistic and basic. It lacked excitement and the cause of it was mostly the 3rd mistake: the male character.
Now, being perfectly honest, I think I was the most offended by how dumb the male lead was. Here’s the thing - his suicide was not a selfish act itself. That said, he was a selfish person. Egocentric to the core. Lacking any understanding of other people’s perspectives. And so painfully dumb. Did he even want that second chance? At some point I was almost convinced he started to enjoy dying since he did not really do much to survive in any of the bodies. He focused on random things that were insignificant, was always led by his impulsive emotions and never made any proper plans and back-up plans. He was overconfident in his non-existing skills.
There is not much to say about this part 1. I’m completely not interested in watching part 2.
Sure, the drama was visually well produced and the cast did an amazing job with the characters they were playing. So what, when the writing was mediocre?
Overall, I would not recommend it.
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Peak level of conflicting feelings about this show.
It all went so well, until it did not. It’s hard to just ignore the issue that happened with the 23:00 team, since they dealt with it in the worst way possible. For the show that was created to give groups a second chance, to publicly shame them in this way was just gross. They could have easily given a written statement and moved on. So even if I loved the premise and many great elements, I cannot stop myself from feeling conflicted…I love a show that focuses on the idols that struggle to shine in the oversaturated market. So much talent and potential is being wasted simply because their companies might be too small to fight against the bigger ones, or they are not that good with marketing, or the team debuted at the wrong time, not being able to secure their place. This show gives them hope and chance to gain more fans, so even if they won’t win, they will still be in a better position than they were before they joined the competition.
Another aspect I for sure enjoyed were the mentors/judges. We’ve got solid feedback, words or encouragement and some funny jokes and interactions. They were not acting mean for the purpose of creating a drama and I could feel they truly cared about these idols. Ryan S. Juhn crying over shirtless men will be remembered as the most iconic moment in the kpop industry. Dude was truly sobbing.
The performances were great. It’s sad we did not get to see all the first round stages in the episode and could only check them on youtube channel, but I understand the time restrictions. I also appreciate that even the eliminated teams could keep the new songs produced for them, even if some of the songs were of questionable quality…
That said, the new songs and the round with them are actually the beginning of the issues I had. First of all, the way they decided which team gets what song was painfully ridiculous and unfair. The songs themselves were not that great either. Close to none of them was memorable.
Another issue with the production were the benefits - what a useless thing. In many occasions the benefits from different rounds had a different value - one time they had exactly zero impact on the ranking, next time they changed it completely.
The first elimination? A freaking joke - how many “fake” rankings can they show before we get to the one that actually matters? They could have used that screen time to show more behind the scene moments.
Overall, it was a nice show with a meaningful idea behind it, but I think they had too many budget restrictions. They did what they could to make it work and the efforts are obvious. Them having such a strong reaction to 23:00 team “scandal” might have also been a panic mode to make sure the program does not suffer any losses.
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Strong beginning, mediocre middle, lackluster ending.
Not gonna lie, I thought it’s going to be more comedy based with focus on Kaneda being a massive fanboy and trying to deal with working alongside, and later dating his idol. It was not. While it still had some scenes here and there focusing on that aspect, it was mostly just an office romance, with not that much romance.It worked so well at first. Kaneda was sweet and in the constant panic mode because of any most basic interaction with Yanase. Yanase was a nice and helpful mentor, who slowly started to see how adorable Kaneda is. And then they moved to the most basic rom-com stuff one has seen and all the spark was gone - still enjoyable, but ain’t special.
Sadly, they apparently wanted to finish with something more emotionally charged? The artificial, overexaggerated identity crisis Yanse has at some point just seemed so not fitting and out of place, I wish it was never included.
That said, the most frustrating aspect must have been the last two episodes - the fillers. This is the stuff writers add in their 16 episodes dramas when they run out of ideas. It was a completely unnecessary new chapter added at the end of the show. If they truly wanted to dive into the change of dynamics and unsureness in their current situation, it could have been quite a nice short second season - why add it at the end of this one?
Still, I did enjoy the characters a lot. Yanse was such a sweetheart and such a good boy, it was hard not to love him. He was smart, caring, trusting and hardworking. Kaneda gave me some good comedy bits that made me laugh. Sadly… the side characters were extremely forgetful. There were two female co-workers with questionable hobbies. That one guy who complained how he is not valued at work, while also not doing his work well. There was that white/half-white dude who showed up just to cause some emotional trouble. They filled the space, but that’s it.
Production wise, it was really nice. Good camera work, good set design and smooth editing. The transition between the scenes was decent and it never felt like they were completely jumping from topic to topic without caring for cohesiveness.
What was great? The outro. Expanding it after each episode was a great idea, so - to people who are about to watch - don’t skip it, watch till the end.
No complaints about the acting. I was honestly quite impressed with Seto Toshiki - he delivered both the over the top, and more subtle performance, and they both felt natural.
Overall, it’s a nice show with some fun scenes and good chemistry. Better as a binge watch.
Random side note: it had quite a few questionable falls with questionable physics.
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It takes a village to raise a child…
A tale of a broken system and juvenile crime.Who is at fault when a child commits a crime? Juvenile Justice tries to present the complexity of the issue, and for the most part, it succeeds (as much as a fictional drama can). It presents kids as both the victims and perpetrators, rightfully pointing out the roles are not mutually exclusive. It shows the effects of neglect, bad or lack of role models, abuse.
A small group of people trying to do their best in the system that does not support their efforts and does not protect the people it was created to protect. While showing the gruesome reality, it sticks to a more positive, but still realistic approach. Often justice is served, but only in the frame of the current juvenile court system, that for many is not harsh enough.
From the first, till the last episode the drama does not fail to keep the tension high, keeping me on the edge of my seat. The cases are not one dimensional, showing different sides and perspectives, at times, leaving me with only one conclusion: everyone failed - the parents, the teachers, the judges, the kids themselves.
The plot and presentation wise, the only thing that it lacks in my eyes is the context some of the kids were in. What pushed them to become what they are? What could be the possible motives for their actions? What behavior was a norm in their house? These are the questions I hoped to get a more elaborated answer for than a short note “abused by step-father” in the case file.
Moving back to the positive aspects: I appreciate how we do not get an outstanding character development from any of the main cast. They all made mistakes, they all got carried away by their emotions and fears. That said, how they handled Na Geun Hee’s character by the end of the show left me with a few things to desire. Did not buy that arc, which might have been the result of the lack of the screen time.
Acting wise - no complaints. For a show full of the younger cast, all kids and teens did an amazing job with presenting their characters. Especially impressed by Lee Yeon. To present a believable acting of a teenage boy, when she is a 27 years old woman, must have been quite a challenge.
As for the production, even the opening scene made me love the visuals of the drama. The dark and cold tones used throughout the show intensified the gloomy atmosphere surrounding tacked topics.
Trigger warning - the drama presents quite a number of scenes showing child abuse. They are not short, they are not vague.
Overall, as long as you can handle child abuse and exploitations of children, this is a drama most people should watch. Understanding that kids are capable of doing evil acts is a first step to figure out how to prevent tragedies from happening. Turning a blind eye and giving excuses is not a solution, as it gives only one message: no matter how drastic measures you will take, no one will care. Supporting them through their struggles while punishing for the wrong actions should become a standard.
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Underutilized everything, but the chemistry.
I’m just kind of underwhelmed by everything I witnessed - the last episode just made me crave for me. Why center your plot around such an interesting concept to barely use it? What’s the point?Starting from the good - the chemistry between Pond and Peterpan was amazing. Fireworks on screen, literally and metaphorically. The tension was there, the desire, love, fear and hope. I did believe every emotion that was presented in the context of their relationship. Especially from Thada. Yes, I do believe Armin loved Thada, but Thada LOVED Armin - all caps. The devotion this man presents. I am sorry, but he deserves better than Armin - I said it and I’ll stand by it. Both actors delivered amazing performances though.
Then we have the true MVP, easily my favorite character Veynai. What a comedic timing this man had. There was not one bad scene of him. He often delivered just one or two lines, but they were so on point we did not need more. Also, shoutout to Janine who was the best pro manager ever. I wish they actually did more than vague hints that maybe one day there might be something between them. What an unstoppable duo they would be.
From the good I’d also give props to music and aesthetics. So many songs were such bangers, and even if the night sky at times gave me AI generated vibes, the drama was still visually stunning.
Onto the bad - everything else.
The plot was so mid it’s actually sad. At least they could have made it ridiculously entertaining. The villain was both tragically cartoonish, and painfully boring. The whole mystery was non-existing, we know from the start who is behind everything and it’s just frustrating for the leads to do NOTHING to eliminate the issue from the start. The “reincarnation/waking up in old body” aspect is barely used too. This could have brought so much more angst and tension, but instead we had like “I’m old” jokes every 2 episodes. And then there is the whole issue of the last “accident” which I rant about in the comment under spoiler. That thing though, almost broke my brain, I was so frustrated.
Overall, yes for the chemistry, no for the plot.
Side note, around half way through the drama I was chatting with a friend how whenever someone says Tada, I always repeat after them with the ‘ta-da” intonation and I’ve sent this gif: https://media.tenor.com/8pLlGDVzPRYAAAAM/muppet-family-christmas-muppets.gif and then… till the end of the show I had that muppet in my brain whenever someone said ML’s name.
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The ultimate sweet romance.
You think you saw unproblematic, cute, heartwarming and wholesome dramas? Let me tell you, none comes even close to Hidden Love. It’s an ultimate sweet romance.Easily the best aspect of the show was how natural and real everything felt, and I’m not talking about just the romance. The relationship between the siblings? Exactly how it usually looks like in real life. The friendships? Hilarious and relatable - both for guys and the girls. How people act when they are drunk, sick, sad, happy, shy, excited - both the way it was written and then performed was just… natural, and that’s the best compliment a drama can get.
Still, the highlight, the core, the true beauty of Hidden Love was the blooming romance between Sang Zhi and Duan Jia Xiu. What started as a teen crush, turned into one of the most healthy and balanced relationships I have seen in any drama ever. Getting into the show I was afraid how they would handle the age gap. 5 years is not much, but it is not little considering the age Sang Zhi was. The writer did not disappoint.
What I loved the most about the relationship was the fact I could see true partnership between the leads. It was not an older guy just taking care of a younger girl sacrificing everything for her happiness. They also did not make Sang Zhi this unrealistically mature, 20 acting 30. They became each other's emotional support, they handled issues in a mature way while still believably presenting characters in their early and mid twenties. They also delivered some good kissing scenes, no fishes to be found on set ;)
And you know what’s great? The leads were amazing as a couple, but they were also great as their own individuals! While there were moments I found Sang Zhi’s behavior too sweet for my taste, it’s simply impossible not to love her. She was emotionally strong, empathic, driven and supportive. Then we have Duan Jia Xu - honestly too good to be real, and that makes me feel depressed. Good natured, patient, protective. But I also appreciated his own arc and the depiction of the loneliness he was facing.
What’s more to love? The sibling dynamics between Sang Zhi and Sang Yan. I’ve got both comedic and touching scenes. Yes, they might have fought a lot, but they also cared for each other deeply. And honestly? The bickering scenes between them were some of my favorite moments in the drama.
One thing that caught my attention production wise were the outfits picked for the characters. Not only did I love the slight couple matches Sang Zhi and Duan Jia Xu were wearing (even before they became a couple, their colors always matched), I also literally wanted to steal the whole wardrobe from Sang Zhi.
The acting from the whole case was so good it got me jealous watching. Jelly for the romance, the friendship, the family dynamics. It all seemed so real and so wholesome. I knew Chen Zhe Yuan is a good actor after watching Our Secret, but he was so much better in Hidden Love (even though I did not think it’s possible). Zhao Lu Si's little mannerism added to the realism of the character she was portraying and I could not stop smiling while watching her performance.
Anything I did not enjoy? Not that into the “debtor” story, or rather the closure it got. With how serious it was introduced, I expected something more to happen for it to end. I was also completely not interested in a love story of one of Sang Zhi’s roommates.
Overall, for modern romance fans, this is a golden standard. I’m extremely pleased I’m ending 2023 with this drama. Nothing better than entering the new year with a new found crippling loneliness after seeing the most perfect couple in dramas history.
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It took quite a few detours for them to reach the destination.
Flight to You is a drama that somehow manages to be both amazingly realistic and painfully ridiculous at the same time. How? The characters represent the realistic part, while the plot, especially in the last 8-10 episodes gets a little bit too close to a mental circus you just have to accept and not question the logic behind.The best aspect of the drama is how the characters have real flaws which have real consequences. Cheng Xiao might be smart, driven and friendly, but she is also impulsive and overconfident which affected her career quite a few times. Gu Nan Ting might be patient, fair and hardworking, but he is also closed off and too strict. Similar descriptions can be written by other characters, even the “bad guys” - no one is just good and pure, or evil and flawed.
Speaking of which - I loved Jiang Tao (or loved to hate him would be more fitting). What a well written antagonist. He was just a normal man that was painfully sexist and too power driven - something we see in real life more often than we should. At some point I even started to feel bad for him - his old fashioned and full of prejudiced worldview was simply limiting - both for him and for the company he cared so much about.
I also appreciated how the supporting characters felt both familiar, as many followed well established tropes, and fresh, by adding small twists to their characterization. The whole show is truly driven by how likable and relatable these characters are.
Onto the plot. Romance was so slow at times it felt like we were walking backwards. It was all in the hands guys, all the romance, love, frustration, pinning, doubt. Pay attention to the hands (not like you can miss it with all the close ups…). Truth to be told, I was completely fine with this snail pace. I appreciated and enjoyed the relationship between Gu Nan Ting and Cheng Xiao not only for the sparks, but also the partnership and friendship they built. How much they influenced each other and grew to be better pilots and better people because of it.
As for the airport related plots - you gotta close one eye and ignore some illogical aspects of it. Closer to the end you might need to close two, since the show just gives up the realism as it struggles to keep up with the plots and give them all a proper closure. That said, by then I was so in love with the characters, I was not even frustrated, but rather amused by some of the developments.
The performances were strong. Wang Kai can deliver any role and make it believable. He makes any character seem like a real life person. Tan Song Yun also aced her portrayal of Cheng Xiao - she was literally THE center of the whole drama and she carried the show on her back with no issue. Each and every supporting cast member did a fantastic job and I honestly have no complaints.
The production value was on the high end of the drama/slice of life workplace c-dramas. Something I want to compliment the show on were the transition scenes - the sped up shots of the sceneries showcasing different times of the days were beautiful.
Overall, a great show that focuses on self-improvement, fairness or lack of it in the workplace, taking on responsibilities and dealing with the aftermath and consequences of both the achievements and failures. It tackles the issues of mental health (at times in a questionable manner) and sexism and how hard it is to fight against it in a workplace. It’s easy to binge watch and surprisingly engaging.
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Predictable and rather simple, yet surprisingly charming.
Not gonna lie, this is not the most complex story I have seen. It’s the same old crime for greed dressed in fantasy elements. Yet, this fantasy set up makes it stand out compared to other shows and make the watch more enjoyable.I honestly don't care much about the investigation, if it was not directly linked to finding the bodies of the people living in Duon Village. Sure, the mystery was well crafted and had great pacing, but I honestly don't care about the living people involved with it. The plot shines the most when it focuses on the residents and how/why they died.
Some of the characters I liked the most were Thomas, Jang Pan Seok and Baek Il Doo. Most of the cast had a great chemistry between each other, and the friendship between Wook, Pan Seok and Thomas was fun to watch.
Sadly not all characters had much to offer. Personally I found Choi Yeo Na painfully annoying, and at times quite selfish. She had little going on as an individual character, and mostly served the role of delivering exposition and motivating other characters to do some work. There was nothing interesting nor entertaining about her.
No complaints about the production. Maybe some of the cgi was questionable, especially when the residents were leaving the village - the more detailed, longer and more close up the scene were, the worse it looked. That said, Missing: the other side was a beautifully crafted show with quite a number of screenshot worthy moments.
Overall, a fun and easy to binge watch show. I took my time with the first half, but watched the second in one sitting. While there will be a second season, this one can be easily watched as a stand alone, as it provides all the necessary closure.
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