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One could mistake it for a censored romance.
I want to start by saying this review is written by an extremely casual viewer of the Tomb series. One that does not care for the release nor chronological order and never even attempted to try to grasp and follow the overall story. I watch it for a fun, easy to binge watch adventure, nothing more, nothing less.What I liked about the drama? The characters and the dynamics between them. While this Wuxie did not seem enough “Wuxie” to me (compared to other Tomb shows I have seen), he did grow on me and his interactions with other characters were some of my favorites.
Zhang Qi Ling, or as I call him Emo Boi, was the visual cherry on top. Let’s get real - the character has not much to offer in terms of depth. Even if his story is interesting and complex, because the character himself does not really show much reaction to it, or to almost anything around him, what we are left with his looks, fun fighting scene and the (bro)mance with Wuxie. I am not complaining though - because of his extreme personality, his interactions with character are always fun to watch.
Hei Yan Jing and Xie Yu Chen were the other heavy bromance duo - at times their bromance seemed more like a romance even when compared to Wuxie and the Emo Boi. This dynamic was one of the most enjoyable to follow. They were both confident and skilled, which made them true aces of the drama. Not to mention the perfect compatibility of one wanting money and the other having enough to spend.
I do believe they did Ah Ning and Xiu Xiu dirty, and they could have been a more vital and important part of the plot and the story. Technically we know they are capable, but somehow they were always put on the sidelines…
On the good aspects - quite an improvement in terms of CGI. Not gonna lie, I actually like the bad special effects in earlier Tomb shows, but getting a bit more visually pleasing ones this time is a nice change. Especially appreciate the mixing of practical and special effects - this is the best way to get good results.
I can’t really talk about the plot in terms of good or bad, because I honestly did not pay enough attention. Wu Xie was looking for the uncle and following the clues, while at the same time trying to discover the past of his (boy)friend Zhang Qi Ling. Others getting involved, because they are either loyal, want money, get dragged into it or are searching for immortality. Basically the same story all Tomb dramas have. It is one long journey, so it makes sense.
That said, I know close to nothing about all the details about each Tomb and the importance of specific journeys. Did it bother me? No. I simply gave up trying to follow the story for various reasons (change of the cast makes it hard to remember the characters, the shows drop not in chronological order, some shows overlap timeline and it makes it hard to understand what happened when) and just enjoy each of these dramas as a stand alone ride.
The acting was good. Zeng Shun Xi did great, especially with more emotional scenes. The chemistry between the whole cast was top notch. I did at times feel like Xiao Yu Liang was a few times quite close to losing it and at least smiling, during the more funny scenes - the disadvantages of playing an extremely stoic and detached character.
Directing was one of the most spoiled ones I have seen in Tomb shows so far. I enjoyed the way they presented the lore with the drawing like animation and I’m sure I would appreciate it even more if I actually cared about it.
Overall, it was a fun ride. Ultimate Note can be easily watched as a stand alone show, and I’m sure it holds even more entertainment value if someone grasps the Grave Robbers universe as a whole, at least on some basic levels.
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Fairytale quality with disappointing reveal.
I have to say, I enjoyed the whole movie quite a bit, up until the end. Love the mysterious aura the movie had, the complex and hard to grasp relationships and interactions between the ladies, the obvious ominous undertones. And yet, the ending was disappointing.What started as an atmospheric drama with horror elements that could potentially evolve into a fantasy dread, ended up underwhelmingly cheap. It’s like eating in a fancy restaurant, but for dessert they give you plain bread.
Saying it gives a censored romance vibe would be correct. Whatever was going on between Joo Ran and Yeon Deok definitely was more than just friendship - be it romantic feelings or just codependency.
The moment they started to explain all the “behind the scenes” and the cause of all the unexplained events, the movie started to get worse. When the villain has to almost spell their motivation with the dialogue, it means you did a poor job with showing the viewers what they want in a natural and gradual way.
I still enjoyed it though. The performances were truly strong. Not the last time Park Bo Young played a timid character - she gets the roles for a reason, she aced them.
Overall - beautiful visuals, decent scares, though number could be higher, great performance and well built characters. Sadly - weak ending.
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I have no idea why writers still like to pretend shows like that can be 40 episodes long and it makes sense - especially if the episodic elements of the plot ain’t that good to carry the show in-between the main plot moving forward.
I greatly liked the relationship between Mika and Ke Lei - before and after they got together. It’s rare to see a couple in a drama actually act like a couple, being silly, joking around, all the great and fun domestic business. The show did lose some spark after they officially started dating, but that’s because the writers kept keeping them apart. All the scenes they actually shared were great.
That said, do I think Mika and Ke Lei are good as individual characters? Not really. Mika is a saint - the good, moral, hard working, forgiving, flawless. I truly cannot think of one bad trait she had that would allow for some nice character development. She was truly boringly perfect.
Ke Lei was a bit better in that aspect. Still ridiculously good, but at least he showed lack of assertiveness when dealing with people he knew… a few times.
On the other hand, I had exactly the opposite issue with the second and third couple - they did not work that well together, but they were more interesting individually. Qing Xia was fun and a little bit spoiled, Wen Bo was an honest and reliable guy, also clueless af. Ke Yao and Dr. Shao felt the most realistic out of all the characters, but their interactions together were also the most boring.
Truth to be told 2 duos I like the best to watch were Ke Lei and Ke Yao, and Mika and Dr. Shao. Positive family relations and uplifting mentor-mentee pairs are some of my favorite aspects of the shows.
There were also some annoying side characters that deserve no redemption, and yet it was given.
For the plot, except for the romances blooming left and right and some nice slice of life elements, the show does not really offer that much. Majority of the work related plots and scenes were either boring, or poorly developed - sadly they took quite a bit of the screen time.
Everyone delivered in terms of acting. I did question some crying scenes from Ma Si Chun, but it was not bad enough to complain about. Wang Yang was my favorite - I am biased though, I love this man so much. He is just natural and he makes every role he plays a worthy performance.
Production value was nice - surprisingly many aesthetically pleasing shows. Editing was also nice. Liked the set design, even if at times it felt ridiculous how these people can afford the places they are staying at. For the soundtrack, I honestly do not remember one song from the show.
Overall, it’s a decent show. Nothing amazing, but serves as a good chill after work watch.
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The 8th Night has this simplistic, sharp, cold, grainy texture to it, which you’ll either like or dislike. At times it might even feel borderline cartoonish or gimmicky. The directing and editing style does not fit my preferences, hence I did not connect well with what was happening on screen. It seems to cater to a specific type of audience, and for those who like this type of styling, it will for sure be an interesting and entertaining ride.
The opening narration serves as an exposition, but crosses the line of telling us the general plot of what’s to happen. Later, as we follow the main characters, the story gets expanded and the details are added.
Surprisingly, I chuckled a few times as I was watching. Some scenes were clearly intended to be funny, some were unintentionally hilarious. I might be desensitized to horror, which leads me to have rather unexpected reactions to scary or disturbing scenes, so keep that in mind.
Even though it was a miss for me, I have to appreciate the fact they stuck to the vision and ideas they had, without trying to please everyone.
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This review may contain spoilers
The cast did well, the characters were entertaining, villains not that bad, production value was obviously high... so why didn't it work out? Not enough brain power was used in writing the plot.Fantasy set in modern times should explore the unexplained, but never go against what we actually know and contradict the reality. When they dropped the "I got resurrected in a new body, but my DNA stayed the same" I was extremely close to dropping it again. Honestly, I did not think it could go any more illogical.
Sadly, the lack of logic was a prominent part of the plot. Characters, depending on the given situation, turned either smart or dumb. The show used exactly the same plot lines over and over again. How many times can I watch Hee Jin's mom being kidnapped? Or Se Yun being in the same type of danger?
The ridiculousness of the script made it entertaining though. There is one secret child, and then there is another... and third. Cross-dressing Cha Min DEAD BODY and putting a wig on it, so the killer can bring him back to life... And the weird plot twist in the end with god (?) showing up, just to give us that sweet forced happy ending.
I'm sorry, but when Cha Min started disappearing Thanos style I laughed like crazy. How nice of the Abyss to start from the bottom to the top, so he had these few seconds to say goodbye. The rules of Abyss make no sense; that's the conclusion.
Also, at some point I wanted to (┛ಠ_ಠ)┛彡┻━┻ after hearing all the "Se Yun is not as pretty now, she looks average" jokes and comments. It was laughable with how beautiful Park Bo Young is.
So, did I like anything? Yes. I'd say the cast did an amazing job portraying the characters and the chemistry between the leads was truly great. The thing that caught my attention was how natural the skinship was.
Overall, I kind of enjoyed the experience of watching, simply because my expectations were as low as possible. My forehead hurts from facepalming.
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Why do we still have child-like leads?
Three completely different dudes randomly at the same time decided to pursue a vanilla child-like lead, after simping from him without him knowing for months/years. What even?Yoo Do Ha is honestly poorly written. There is a massive difference between being innocent/shy and being child-like. I have no idea why some writers are obsessed with making leads (be it male leads in BLs or female leads in romance dramas) act so much like a clueless toddlers with empty big eyes stare and not 0.000000001% of assertiveness in behavior. It just makes the drama unrealistic.
I am sure there are men who like this type of a partner - there is a type for everyone. But I also refuse to believe there are so many people into this type of behavior to create a love square out of it.
Not that the suitors were any better. All 3 were frustrating for just "keeping their crush a secret" and never doing shit to get Do Ha. Why the stalker behavior?
Not that the drama was tragically bad, but it was also not really good. The first half was better, but only because we did not yet know how shallow all the characters and the plot was - I was still excited to find out more. There was no “more”.
Acting wise we had some good, decent and bad examples. Cha Se Jin easily delivered the best performance. Both Cha Yu Hyun and Lee Do Han were decent in the roles, but Jung Su Bin - my guy for sure has better presence and financial expressions on stage. Maybe the issue was the writing of Do Ha, but the whole characters felt extremely… empty.
Overall, kind of waste of time, kind of decent for a background watch. I wanted to give it 6.5, but the last two episodes had too many weird, random and dumb moments for me.
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How to fail your main characters…
By making them the most boring part of the show. Quite honestly I found every aspect of the show more interesting than the leads, their individual stories and their romance.As always, the biggest issue is the fact nothing was truly well established for them. We barely know who they are before their journey starts, they fall in love with each other out of the blue with no real reasoning either. They don’t have any real flaws they need to overcome, there is nothing to improve, nothing to change. They were painfully stagnant.
On the other hand, there were quite a lot of supporting characters with more interesting personalities and plots. Yu Shi San with his playboy, but good nature persona mixing goofy and surprisingly mature takes in an excellent manner. Yuan Lu, the loyal boy whom you just love and care for - the only one who had well established real stakes that made you worried. Li Tong Guang with his unhinged psycho motivations, who had to learn how to control his feelings and desire and mature for the role he was supposed to take. Even the Empress Wu and Prince Danyang who had barely any scenes were more interesting than the lead couple.
And then we have the true queen and main characters of the story - Princess Yang Ying. This is how you are supposed to write your characters! Having a lot of strengths and good points, but also flaws that need to be worked on. A character that develops with the plot, whose motivation changes as they gather more information. One that slowly establishes their goals and needs to fight many different setbacks and accept sacrifices to reach them.
Putting aside poorly written leads, the second crime this drama committed was not doing a good job presenting the danger and the stakes. Even when shit started to hit the fan by the end of the show, I felt nothing. Everyone miraculously survived too many times, now I actually just wanted everyone to die. You cannot make the drama feel like there are no real threats and then expect me to care when something actually goes wrong. They filled the show with fluffy flirty dates of Ru Yi and Ning Yuan Zhou instead of putting some effort into adding more details to the story and the characters.
The acting was good. I don’t think Liu Yu Ning is the strongest actor out there and putting that with mediocre character, it’s a fail for me. Liu Shi Shi is amazing and extremely beautiful, acing the role for both the badass and the vulnerable scenes. At the end of the day though, He Lan Dou did steal the show in all aspects. The character was cute, funny, moving, badass, desperate, motivated, devastated, brave, scared, angry, sad, happy - you name it and she gave it.
The production quality was fine. I did enjoy a lot of fighting scenes, I enjoyed less at times excessive slow motion. The editing in the first few episodes was trash though - I felt borderline motion sickness, but it did get better as the drama progressed. I don’t remember one song - nothing memorable I guess.
Overall, at least 50% of the drama was a whole bunch of nothing that felt like filler scenes. I wish they spent more screen time on the Wu court plot, because the final shenanigans just felt flat. Less cute bickering and flirting, more character development. They had 40 episodes and they did not use them wisely.
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Simplicity with a twist that will keep you engaged.
Technically speaking it’s a really simple story with a simplistic presentation of complex issues, and yet it works so well and it does not feel boring thanks to the refreshing and fun characters.What you think you’ll get is a shy nerd who does not care for romance and a confident playboy who will try to win him over. What you get is a confident and at times sassy nerd and socially awkward “playboy” psycho who cannot say no. These two gave me some of the most enjoyable and unexpected chemistry.
Personally I loved Kim Jin Woo from the start, but Jung Ki Sub is a sneaky one, slowly making me fall for the character more and more. There was something irresistible about this character, it does not matter how annoying he might have felt, you kind of craved more of his screen time.
While I understand the appeal of the supporting couple (who does not like some angst in their lives?), I was not quite sold on their journey. I really like Balgeum, I did not care much about In Ho. That said, even if I was not that into them, the couple did deliver one of my favorite scenes in the whole show.
Plot wise - simple is the best. Were the issues at times presented in a comically simple way? Yes. The message was clear though, the story was not confusing and all the aspects got a closure. With short dramas like that, I could not ask for more. I appreciate the introduction of the topics like unintentional neglect, trying to please people and losing yourself in the process, being scared of your own feelings/not understanding your own feelings. The shame one can feel about their economic situation and how it can affect all aspects of a person's life.
The acting… I’m definitely a can of both Kim Sung Hyun and Nam Shi An now. Kim Sung Hyun did great with presenting both being rather cheeky and confident, and completely vulnerable with his feelings. Nam Shi An just… what an emotional journey we witnessed with the character he was presenting and how he slowly put away the positive mask and started to show more and more real emotions - that progression was perfect.
What’s more? The ost is just amazing. Silent goes straight to my playlist and I’m gonna play it on repeat for quite some time. Do It Over? Fun song perfect to start your day on a good note. I Will delivers great vocals and Isolation the best melancholic vibe.
Overall, I kind of want to rewatch it right away. It was sweet, fun and really entertaining. The characters were great and I would not mind either second season or a longer version (with the same cast, obviously).
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I’m here for pity fights and family drama.
Not many dramas can make a certified clown out of me, but this one did, and I kind of appreciate that. Countless rants in the first half, but at the end I became speechless - the twist did its thing.What got me to start the show was the premise of the female spy assassins arc. What made me stay were the family drama and pity senseless fights when the focus should have been on the enemy. The dynamics between all the siblings were extremely entertaining to watch. While I still believe some of the motivations were… not the smartest, I don’t think it’s the case of characters being poorly written - it was intentional. Because the reasoning was flawed at times, it made the characters more relatable, even if the setting of the drama itself was something none of us could relate to.
Did I care about any of the romances? No. Funny, because that was also one of the things I actually wanted to watch this drama for. The puppy love was too puppy, the “toxic” romance did not get enough highlight to be well developed, the comedy crush was too much. Personally I would prefer if they switched the pairings around a bit - get the puppy with the cunning one, and the cold and heartless with the good natured one.
What the drama did perfectly though were all the visual aspects of the production - from set design, costumes, make up, accessories to the way it was all shot. The fighting scenes? Perfection. This is how you use slow motion to highlight the sequences and certain moves, instead of overusing it to hide bad choreography and lack of skills. Each fighting sequence deserves to be watched at least two or three times to fully appreciate it.
The acting was great. I was kind of traumatized by Yu Shu Xin in Love Between Fairy and Devil and her toddler character, and I’m glad to see how well she does in more mature roles. Personally, I think they fit her better. Zhang Ling He was fine. I do believe Gong Zi Yu’s character was the most boring, so I never truly focused so much on him… My favorite performance goes to Lu Yu Xiao - easy choice. Ad for Ryan Cheng, let’s say I get why everyone got so obsessed with him in that role.
On the bad side - I hated the line delivery of most of the main cast. Separately, they were great. The issue is: they all spoke with exactly the same whisper, slow mannerism, it became exhausting. Any dialogue heavy scenes between Yun Wei Shan and Shangguan Qian? Close your eyes and it’s impossible to tell which one is speaking - they sounded the same. I get it, they are all mysterious spies, but that does not mean they have to speak in the same way.
At the end of the day, it’s a great show. The middle part is the slowest and probably the reason why someone might drop it (I was close to dropping it too), but it picks up later when a lot of things get slowly revealed and explained.
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Started for the romance, stayed for the friendship.
When I start any BL, I am in for romance. I am not expecting an amazing plot, complex characters and any meaningful, well built relations between all the characters. So imagine my surprise, when half way through the show, I cared more about all the friendships, than the main romance.Does it mean the romance was bad? No. For me, it was just really basic. It got me with “aww, that’s cute” a few times, but overall, I was not that invested. Maybe because there were no real stakes, and all the problems and conflicts were similar to each other, but I barely felt anything.
On the other hand, I adored every scene between Aoki and Hashimoto. I wish the focus of the show was on them building their friendship that started from a misunderstanding, and the romance was more of a side plot. Watching them support each other was delightful. That duo is probably the best thing that happened in BLs in a long time.
I even cared more about Hashimoto and Aida more than the main couple, thanks to Hashimoto’s bubbly, but also brave personality, which made their scenes that much more interesting.
The cast did an amazing job portraying the characters. Michieda Shunsuke aced the over the top, but still somehow realistic reactions Aoki had. Meguro Ren portrayed the gradual change in Ida’s feelings, and initial unsureness in an excellent manner. Fukumoto Riko made Hashimoto the fun real life version of “looks like cinnamon roll, is a cinnamon roll, but could still kill you” character and Suzuki Jin made Aida fun, even if at times frustrating character to watch.
Overall, it was a fun watch. I do believe it would be more entertaining as a binge watch type of deal, since it did not have the plot that made me anticipate each new episode every week. It’s just a fun, cute high school romance that will make you feel happy, but might not amaze you.
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Negative correlation between Prince Jing’s looks and the number of his working brain cells.
It took me 3 attempts and “harassment” from a friend for me to finish it. I said it once, I will say it again - this drama could be a podcast. I don’t quite vibe with the tell not show style of directing I’ve got here. I did not really watch the majority of the events unfold, I watched characters talk to each other about said events. While I did get more invested closer to the end, it was not because of the clever shenanigans, but because of the entertaining clownery.While the journey of me watching it did not become enemies to lovers for me and NIF, enemies to partners in crime, calling out everyone for being dumb, for me and Su might have been a more fitting conclusion. I feel like I went through a whole ass character development and existential crises while watching this drama, since complaining about it was part of my mdl personality for the past 5 years.
Do I think it's a masterpiece? Hell fucking no. I still think it's a podcast dressed as a drama. It should have been around 10 episodes shorter. They should have shown more, talked less. I want to see shit happen, not people describe it to each other as they sit in their fancy homes sipping tea spiked with poison. I WANT TO SEE THE TEA HAPPEN!
Is Chang Su a master strategist whose IQ is higher than the combined IQ of all of humanity? Maybe in that universe, but it's not hard to be a genius when everyone around you has a negative number of brain cells in their head. And yet, strangely I think I’ll miss Chang Su, even though I found his well organized plan to be more of a quick reaction to whatever issues other people created and the conclusion to his character being shockingly ridiculous in presentation. This man mastered the art of judging other people’s stupidity and I aspire to get to that level at some point in my life.
The whole court power struggle and the “who’s gonna be the crown prince and future emperor” question was for me dumb for a simple reason - the country would be doomed whoever wins. Prince Yu in his fancy attire was too egocentric and prone to conspiracy thinking while also being way too naive to rule, and Jing Yan and Jing Xuan were, to put it simply, dumb and dumber.
Jing might have been hot, but also had a surprising level of brainlessness at times. He was not connecting any dots whatsoever. Clueless. I was waiting for him to march with clown makeup at some point. You want to give him the country to rule when he cannot even control his own emotions? More often than not he needed to chill, relax, drink some tea and touch some grass.
Personally, I believe Jing's mom should have become the ruler and no one was even close to being as qualified as she was. Patient, smart, observant, good at manipulating people around her for her goals, taking good care of her people, and loyal. None of the men got anything on her.
The biggest issue I had was the fact I just did not care about any of the characters, I didn't care about who would sit on the throne, who would survive, if they would get the revenge. I just do not care. The tiny underlying love line between Chang Su and Ni Huang I should care about because why? They went full on melodrama on their 3rd or 4th meeting, while I still knew nothing about their past - so why should I get emotionally invested? Add to that some unexpected moments like a cameo from Bigfoot or Fein Liu fighting against gravity and winning, and you truly have a whole clownery making the watch entertaining, but lacking emotional stakes.
All that said, I truly did enjoy watching the last 10-15 episodes. Things finally started happening, all the characters were fully established, I understood their motivations and I could enjoy them proceeding with whatever plans they had in mind. The tea was spilling and it was scorching hot. I accepted the flaws of all the characters, tuned my brain to the level of brain energy the drama presents and just went on the final ride with a smile on my face.
Overall, I am completely incapable of objectively judging this drama. Truth to be told, the 5 years journey I had with it makes me incapable of judging it even subjectively - I don’t REALLY know what I think about it and how I feel about it. I don’t think I’ll ever know. My opinion is painfully blurred by the fun interactions I had with users about me struggling so much. Watching these 54 episodes became literally a memorable long term project/event in my life, and for that I know I am grateful.
Some of my favorite quotes:
“I said you are simple. Do you really not use your brain?” - said by the Emperor. Reach of him to say that when he himself had maybe half of a brain cell working.
“You have loyalty and honor, but why do you not have a brain?” facts Su said to Jing and I’m questioning why he wants him as the future emperor.
“The reason you lost to me is because you are stupid”
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So charming it bents the laws of optics and common sense.
Sometimes you don’t need logic, you need fluff and tension. You need the greatest dynamic of a cute unpopular boy and a possessive popular boy. The purest form of rom-com that is all about the characters and their relationship, but has none of the brain cells and care for reality. And the lead characters with good dynamics they delivered.Hioki Asahi was adorable and I don’t get where the idea of not fitting in with hot guys comes from. The most popular group of friends in school usually also had that cute one to add sweet to the spice. Luckily it was not really the focus of the drama, but it did add to some internal conflicts. On the bright side I loved how they did not make Hioki feminine. That's the typical pattern we see in dramas - the hot one is masculine, and they make the cute one act like a little girl. Here Hioki was your typical teenage boy. Was he shy and adorable? Yes. But he was not “anime teenage girl who actually is styled like a middle school girl” shy and adorable. A good example were his interests - he wan't into baking, or floral arrangements, he was into sports. That I appreciate a lot.
Watarai Tsukasa was for sure far more cliche, but I ate it all with no care. This is how you write a jealous male lead - you actually make them jealous and create scenarios where they can get jealous. It’s that simple, and yet most dramas miss the mark. This man had a vision and a long term plan. Yes, the plan was not only fueled by his endless edging the confession and being a tease, but also a tiny bit of awkwardness and fear. His whole existence could be summed up as: how far can I go without spelling out my feelings?
For the romance - thank you. They knew exactly what they were doing. They utilized the unsure unpopular and the possessive popular dynamics to the max. Looks, subtle touches, less subtle touches, amazing hugs, not a dead fish kiss. We had a reasonable amount of hesitation and miscommunication/lack of communication that just matches the age of the characters, but is not exaggerated to the point of pure frustration. I think that’s the charm of the drama - it was well balanced. Just when the lack of communication could start being annoying, they talked. Just when I’m starting to get bothered how we only get one point of view, they drop the other. Just when the tension is about to plateau, they break it and kick it to a higher level.
The rest of the "F4" gang? Let’s just say I died a little bit with them complaining about their pretty privilege and how people just love them for no reason. What a 1st word problem they had. Literally zero depth, zero nuance. And that’s actually good. Just a bunch of pretty boys having fun and being pretty while not distracting me from the main romance. It worked.
What didn’t work was the early 2000s portrayal of girls. Not literally every girl in the drama existing either to be annoying so it validates the unjustifiable distaste the guys had for girls, or to be a source of jealousy. I don’t need any depth from them, keep them as shallow as Watarai’s sidekicks, but make them fun, nice, and act normal.
The production was actually surprisingly great. Some scenes were straight up beautiful. I always enjoy the shows that convey emotions, meanings, desires, hopes, hesitations by other means than just close ups to the leads' faces, and we've got some nice variety here. I also really liked the use of light and how it gave certain scenes a really soft and dream-like feeling that was enhanced by the perfect amount of slow motion highlighting the beauty, the tension, without slowing down the momentum.
Acting was good with a small * in terms of Fujimoto Kodai - loved it all, but that one crying scene when he truly used all his facial muscles to squeeze these tears. Unless the actor is actually able to have the waterfall come out of their eyes, you do not need the complete break down moment - you can have the same emotional impact with more subtle portrayal. That said, that was just one scene I was not convinced by the acting, all the rest I enjoyed a lot. Be it from the main cast or the supporting one - the intense stare that Kan Hideyoshi delivered, the playfulness of Fujimoto Kodai, dynamics that felt like real friendships.
Time for some complaining:
There are dramas that are unintentionally illogical in some aspects, and there are dramas that intentionally drop the logic out of the window, because they had an idea for a cute scene. School Trip wins first place for bending the logic to curate fluff and I’m not even mad about it.
Okay I am a bit mad, but I got easily distracted by how cute the leads were. But even the power of adorable Hioki and jealous Watarai could not stop me from ranting about the idiocy that was the presentation of being short-sighted. Excuse me, but you do not become borderline disabled when you take your glasses off. Hell, someone who would have their eyes covered would probably function better than Hioki. Or how he literally put glasses on when he still had in one eye lens on. Or how he basically acted as if he had glass in his eye, because one of the lenses fell off.
More illogical things that became hilarious: getting drunk on 1/10th of a sip of alcohol. Or how Hioki literally could not eat any meal without getting it all over his face. Or how we had 8 teenage boys and they thought one small pizza for them makes sense.
Overall, this drama proves that as long as you are charming and do what you set out to do well, you can get away with truly a solid amount of silly and borderline stupid ideas.
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We need to learn how to listen, not just hear.
What a great surprise this show was. Not gonna lie, I am a bit tired of the “child/teen/young people with a variety of issues/illnesses/disorders/etc being taken care of by irresponsible new guardians just so the guardian can have pretty character development” - these stories simply often feel exploitative. Using one main character just to give another change of heart does not sit well with me. How happy can I be when this show is not that. Cho Sang Gu is not this extremely selfish asshole, Han Geu Roo does not get mistreated, it's just two people who slowly learn how to cooperate and live with each other.What the drama excelled at was telling different stories related to death, grief, regret, fear, abandonment, reflection on the past and what it means for the future. The separate cases presented in each episode were amazing and tackled a true variety of situations: lack of protection for people with disabilities, abandonment of elderly parents with cognitive issues, stalking and the psychological effects it might have on the victim, lgbtq, self-inflicted euthanasia, bullying, guardianship, searching for your own place and your family. Only 10 episodes, yet so many touching stories.
At the same time, I did feel like the main characters were rather stagnant. I did like all of them, especially Han Geu Roo, but it’s also the fact that the development that happened to some of them was really subtle, so subtle one could argue they started and ended up on the same note. The story was mostly about things that happened to them and around them, and not within them. And the few things that did lead to certain reflections were mostly opening and closing acts, and were not that impactful to everything in the middle (Geu Roo dealing with loss and Sang Gu finding out the truth and accepting his new family).
One thing I especially appreciated was the fact Geu Roo’s ASD never felt like the center of the story. It was not a story of an autistic young man learning how to deal with loss, it was a story of Geu Roo dealing with loss and learning how to live with all the changes happening around him. I don’t know how to explain it, but the presentation was just more sensible? His character was not just ASD, he was fun, and determined, curious, caring, striving to improve, respectable and responsible. It was not a story about Geu Roo having ASD, it just happened that Geu Roo who was the main character also had ASD. While it was obviously an integral part of the story, it never felt overwhelming.
Performance wise - amazing. I don’t think anyone would argue that Tang Jun Sang as Geu Roo was the start of the show. I can only imagine how much research he must have done to deliver such a believable and emotionally rich performance. Lee Je Hoon is always great, but I am a bit tired of him playing quite similar characters lately. Great performance, but I feel like I already saw it. I have nothing to complain about Hong Seung Hee as Yoo Na Mu, but since her character was the least developed, there is not that much to praise. I am impressed with the long list of amazing actors who participated in the production just for the guest roles. I can see that many people with experience valued what the show is and wanted to be a part of it.
I barely ever have anything to say about the production value in Korean dramas because they usually have similar standards. It’s high, but not memorable. Everything works perfectly, but nothing truly stands out. Here I had a similar issue. One thing I did enjoy was the way they visually presented Geu Roo’s analytical mind and how he connected the information he acquired.
Overall, an amazing show with great stories. I did think it was just slightly too positive in separate cases - wish we had seen some leaning more towards “failure” and see how the characters react to it.
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Rediscovering your relationship as you move from friends to lovers.
Well this was wholesome and adorable. Just the right amount of sweet pinning, unsure feelings and hesitation to build the tension.You know what’s the best part of both enemies to lovers and friends to lovers? The pinning era. The time when they are both unsure how the other is feeling, not sure how they are feeling and they are just dancing around the possibility not willing to take that risk and step forwards. This drama delivered in that aspect: Ohara Yamato with his repressed love and Ashiya Kakeru struggling with understanding his changing feelings.
While the lead characters were obviously the stars, I have to say my heart was also stolen by Hosaka Yui played by Matsumoto Leo and Ohara Mikoto played by Konno Ayaka. There was something really unique about these characters and I appreciated how both were rather bold, but different flavour.
The drama mixes all the typical tropes and themes associated with the genre and delivers them in a fun way. You have your favorite pinning against various surfaces, jealousy over each other, the bestie who understands everyone’s feelings better than they can themselves, pushing the boundaries, creating the boundaries, 5 stages of grief when your friendship moves into more romantic territories.
Performance wise it was good, but nothing truly noteworthy. Standard good quality. I did like how expressive Kashiwagi Haru was without making it unnatural and over the top.
Overall, it was a perfect afternoon chill watch.
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Everyone needs a break from responsibilities.
A cute and well paced romance between actor Shibuya Taikai and kindergarten teacher Aota Aika, focused on finding happiness.This drama is pure sweetness sprinkled with good old misunderstandings and noble idiocy. Far less infuriating than other titles with similar tropes, sadly it does make you roll your eyes with some of the plot progression.
Shibuya Taikai, even though a popular actor, is an awkward, focused on his family man who seeks little interactions with other people. Taking the role of the head of the family and to some extent a parenting role for his sister. And then he meets Aota Aika and slowly, but surely she puts a smile on his face and makes him want more from his life than just dealing with responsibilities the best he can.
What I found a bit disappointing is how we can truly see the depth of internal struggles Shibuya Taikai is facing only close to the end of the drama. One specific scene makes you understand all the previous choices that he made, but it feels a little too late.
What’s more, I actually have little to nothing to say about Aota Aika. She was cute and fun, but I don’t think she was interesting as an individual character.
The acting was great. Kyomoto Taiga presents a whole variety of different roles playing as Shibuya Taikai. The highlight of his performance was the crying scenes. He did master them, they were both heartbreaking and beautiful, because they were never exaggerated. Just well timed tears - all the expressions kept in the eyes alone.
Overall, a fun watch, probably better as a binge. Could have been a bit shorter, removing some layers of miscommunication.
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