Kate

Amazing buildup with blurry conclusion.

I did not have such a level of mind-f**k in a long time. Half way through the show I stopped making any theories, because it was just impossible to predict and evaluate anything. The only thing I knew was - anything can happen.

The events present in the show happen in 4 different timelines, and like puzzle pieces put together, slowly showcase the whole picture. Sadly, along the way some pieces have been lost, and the answers were not fully delivered, leaving me with my own interpretations and theories.

The story follows quite a number of characters, with their own back stories and plot lines, that are all connected in a convoluted way. The moment you might think you start to see the whole picture, they do 180 on you, and you are back to the beginning - confused and frustrated.

Without the doubt Uhm Tae Goo was the star of the show. Jo Kyung Ho was such a glooming and enigmatic presence throughout the drama, I could do nothing, but get intrigued and drawn to him. The calmness, confidence and the assured tone with which he delivered the lines made it that much more terrifying.

On the other side of the events we had Choi Hyung In - emotional and driven detective, and Jo Jung Hyun, who failed to run away from her fast and was forced to face it. With each episode we see the paths of the three characters getting closer, leading to an inevitable clash.

From my perspective, the show tells the story of the different ways people deal with trauma, grief, anger and fear. Some give up, some fight till the end, some run away and some dive into a revenge fueled path. Hometown presents how turning a blind eye to suffering can lead to more pain and more victims. Facing your past, working through the pain, accepting the responsibility, regretting the mistakes and working to fix them, even if it seems too late to take any actions - it’s worth living even if we suffer.

The acting from the main cast was a top level of awesomeness. I felt sad and defeated thanks to Yoo Jae Myung, confused and trapped thanks to Han Ye Ri’s performance, and uncomfortable with, but enchanted by Kyung Ho’s character, thanks to Uhm Tae Goo’s skills.

Some of the teens' performances were questionable - the characters did not feel quite real and the emotions did not reach me. Luckily, it only happened during a few scenes, and overall, all of them did a fairly good job.

The production quality could not be better. The mix of horror elements perfectly elevated the thrills, blurring the lines between the reality and creations of one's mind. For a show that is not mainly a horror, it delivers the tense atmosphere in a skillful way, giving the viewers goosebumps during a number of scenes.

Are there any complaints? Yes.

Set up that is not explained well. Till the end, even after the credit rolls on the screen, you won’t get all the answers of “how” and “why”. If we limit the story to what’s possible in reality - this makes little sense. Me and many other viewers voiced how the presence of supernatural elements could elevate the show to a new level, explaining some plotlines and character’s choices and skills.

By the end of the last episode, I was still confused about what exactly started the whole plot - what made Jo Kyung Ho what he was, why he did what he did, when he started and what exactly was his desired outcome. I have my theories, but the point is - I don’t think the show did enough in explaining what drives the villain - they fail to explain his motives properly.

Confusion surrounding some plotlines, especially circumstances around Im Se Yoon and the timeline of her death. The last two episodes confused the heck out of me. I tried to sum up all the information I’ve got since episode one, but it just does not work in my brain. I might have missed something, they might have made it far more convoluted than needed, or it might be both.

Overall, it was an extremely intense ride. The journey was so entertaining, even with the disappointing conclusion, I can’t help, but love the show. Hometown ends with a question mark rather than a full stop, but for me, sometimes it’s better to not give the answers than give the ones that are not satisfying.

Read More

It was a simple story, simple romance and a simple watch.

Sang Yi helped In Soo hold onto his dream, In Soo helped Sang Yi step out of his comfort zone, and it was all done in a quite subtle way. We never get to actually meet the big bad guy, and his presence is introduced later on, but didn't really have that much impact on the story. Or rather, it had a huge impact, but it didn't feel like it.

It's a sweet story about two boys that fall in love with each other (and each other's music). There is a vague background about going against other people's expectations and chasing your dreams no matter what, but in only 80 minutes, the plot is not explored enough to have an actual emotional impact.

The acting was nice? Overall Lee Sang did a better job than In Soo, but none of the actors convinced me during their "sad" scenes. The emotions just weren't translating onto the screen well.

The production value was quite good. The shots had a nice indie vibe to them and the music was definitely one of the strongest points. That said, for a show that centers around music production, the audio quality in the beginning episodes was questionable...

It was an easy watch that never really got me excited, but I wasn't bored either. Watching it won't be a waste of time, but skipping it would not be much of a loss either. It is what it is: a short cute BL romance with a simple plot and pretty leads.

Read More

Being loyal to your party, your principles or are you just fighting against your enemies?

As a Polish person watching Chinese shows depicting the rise of the Communist Party and being so pro communism is always a bit of a surreal experience. So rather than focusing on the ideological picture of who is wrong and who is right, I usually focus on the personal convictions of the main characters and their psychological journey. This show for sure gave me a lot to think about.

We truly got completely different takes on convictions and their impact on decision making. Wei Ruo Lai who had a clear idea of his principles and followed the path that matched them best.. Shen Jin Zhen who was in line with the ideology that presented the future she wished to see - dedicated to a specific path, not letting anything stop her. Shen Tu Nan, who on one hand had a specific set of ideas that he deemed important, but at the same time being unreasonably loyal to the side that goes against what he believes. And then we had Lin Qiao Song (whom I would include in the set of main characters) who rather than fighting for what he believed, he fought against his perceived enemy no matter what.

What’s more - the difference, but also similarities were extremely interesting to witness when I was watching the characters actually interact. The dynamic that was especially fascinating was the relationship between Wei Ruo Lai, Shen Tu Nan and Lin Qiao Song. The way their views completely contradicted each other countless times, the way they were forced to work together, how and why they decided to fight against each other - what motivated each one of them and how far they were willing to go to reach their goals. While more often frustrating than exciting, I cannot deny it was probably the highlight of the drama for me.

Then we have Shen Jin Zhen and I’m a bit on the fence about her. Compared to the complexity and depth other characters presented in their motivations and actions, she was rather… bland. Exactly what you saw was what you’ve got till the end, and there was nothing really much to analyze or reflect on.

I refuse to talk about the big picture, the struggle between two ideologies, and war, fights etc - I did not care which one of the two bad choices would win. The first half that focused more on the economic aspects was surprisingly far more investing than when actual revolutionary acts were happening closer to the end. Me knowing nothing about economics, banking or investment, still caught myself glued to the screen. The plot was presented in a simple and easy to follow way. I kind of wish the financial setting was the center of it all till the end.

Acting wise I have no complaints. I am a big fan of Wang Yang and up till now he did not disappoint me in any role he took. Whenever it's a more subtle or more expressive and raw scene - he can deliver it all. Zhang Tian Yang as Lin Qiao Song was so perfectly rage inducing all I can do is be impressed. The pathetic desperation this character represented was infuriating in the best way possible. Wang Yi Bo is clearly improving as an actor a lot and it’s great to see him take on more challenging roles and actually deliver a really good performance. I don’t really have that much to say about Li Qin - she did what the writing of the character allowed her to do, but it was not much.

The production quality was really good. Be it makeup, costume or set design, I could see the dedication to present the proper details. The make up for wounds? Perfection. No pink or orange blood, no scars that you can see are peeling off from skin because of the cheap glue. The wounds simply looked real. There were also a few explosions and fires in the drama - also done well. Probably a mix of practical effects and cig - whatever it was, it worked.

Overall, I am surprised how much I got into it. It's a show I thought I would drop half way through, but somehow I kept being invested till the end, even if my excitement slowly started to decrease in the second half.

Read More

There are different paths one can take to reach their destination.

I have such conflicting and mixed feelings about this show. There were 2 or 3 episodes that seemed too perfect to be true, but at the same time, I weirdly felt a lot of emptiness as I watched. The drama kept building up the nostalgia, the longing, fear of missed opportunities, forgotten past and unsure future, but it never reached the climax - at some point it completely emotionally plateaued and stayed this way till the end.

The non-linear storytelling of First Love bothered me at first, but I grew to appreciate it even if it just fueled the depressing vibes the drama presented. There was a lot of low-key relatable sadness and the lack of positivity in the characters, the emptiness of their lives just slowly crept in and kept me up at night wondering if I am not on the similar path of loneliness. And I’m not sure if it’s a good or bad aspect of the drama though...

I cannot say it was all sad. One of my favorite things about First Love was Noguchi Yae’s relationship with her son. A great portrayal of love and sacrifice, but also support and trust. Watching their little family dates was just calming and heartwarming. What’s more, I loved the support system Noguchi Yea had around her, even if she was not fully aware of its existence. She was so used to keeping to the sidelines so she did not notice how many people liked and appreciated her.

On the other hand, some plotlines and relationships did not get enough of the closure I wished for. Some past encounters, decisions that were made - lacked the resolution, conversation and… ending.

Luckily you can forget it all and truly get immersed into the story thanks to the great performance of the whole cast, but especially our leading couple both in the past and present: Mitsushima Hikari and Satoh Takeru, and Yagi Rikako and Kido Taisei. Some of the best casting for younger versions of the characters I have ever seen. The actors matched each other's dynamics, presentation, interpretation of the characters perfectly! There were a lot of moments where strong emotions had to be presented in a subtle way, and they delivered it and much more.

As for the production, I’m just glad that even though it’s a Netflix production, it has that unique melancholic styling Japanese dramas perfected throughout the years, while adding the high production value a big company like Netflix can achieve.

Overall, it was for sure enjoyable and surprisingly good for binge watching. Chances are that if I watched it at a different time, when my mood was more in the “looking for nostalgic feelings” state, I'd have enjoyed it a lot more.

Read More

It almost worked.

Why, oh why are Korean writers so obsessed with overcomplicating everything. Not all romantic comedies need a slapstick over the top side characters, not one, but two obsessive exs with various levels of traumatic past, and 978674 random plot lines. Remove 70% of plot lines and elaborate on the remaining 30%, give characters more depth and time to develop and you would have a truly amazing healing rom-com. Sadly, we still had to deal with the unnecessary 70%, because the Korean writers believe in a simple rule of “more means better”.

I loved the relationship between Hae Kyung and Woo Do Hee. Even though at first it might have seemed like a one way street, by the end of the show it was clear that they both helped each other a lot. Jung Jae Hyuk truly stole the show in the second half and Lee Ji Hoon easily delivered the best performance. The connection between Jae Hyun and Keanu was one of the best side plots of the drama and I would have loved to watch a show focused on them more. On the other hand Jin Noh Eul was one of the most boring and cliche second female leads ever. Even though she was nowhere near as toxic as the second male lead, I somehow hated her more, simply because she was so poorly written.

Dinner Mate had some great messages and the overall plot, but too much was going on for anything to be truly developed in a meaningful way. One thing I did appreciate though is how it clearly showed that dealing with mental issues is a long process that at times takes many attempts and different approaches - sometimes it takes years to face what you fear and what holds you back, sometimes you will never be ready to fully accept it.

Overall, everything was good, but almost nothing was truly great. The few plots that stood out the most could not save the drama, when there were most scenes and plots that felt completely useless and empty. Maybe it should have been a 8 to 12 episode drama with none of the filler?

Read More

Sex jokes, poop jokes, pee jokes - that's the content you will get.

This is one of the movies that left me wondering why it was made and why did the cast agree to do it. It does nothing to their career, there was no way on the planet they got paid a lot for it, as the budget itself seems limited, and not much probability of it becoming a hit.

You know what the movie is mostly about? 3 people sitting down and talking about the most boring things ever and making awful jokes. Anything even remotely connected to horror happens in the last 15 minutes. I saw no real comedy in it either. It’s just full of nothing.

Sure, the performances were nice and the cast was solid, but what’s the point when the writing had nothing to offer?

Overall, just don’t bother watching. It's juvenile humor and poor storytelling.

Read More

Way to strip a plot of any suspense by revealing everything from the start.

Welcome to the world of one of the worst storytelling examples in the history of horror. Why did they decide to show so much of the background and context of the supernatural events, when the unknown is the vital and most important part of any horror movie?

My brain hurts so much. I feel like the only people who put any effort into this project were the actors, and I honestly feel bad for them.

The level of ridiculousness? Unimaginable. The pacing? PAINFUL. The remake of the game takes about 4 hours of gameplay to complete. They tried to fit that into a 1 hour and 30 minutes movie, and they failed. Since there was so much to show and tell, there was no breathing moment, no time to build the atmosphere and the suspense - I was bombarded with information, action and poor CGI.

There were so many laughable moments. They literally introduced, explained with dialogue and flashbacks, and concluded a whole new past plotline 7 minutes before the movie ended. I think this tells you a lot about the writing and pacing of The Labyrinth.

Do yourself a favor and just watch a whole playthrough on youtube or play the game yourself - the story makes more sense, there is a better suspense and even the graphics for the phone remake are better than any CGI this movie gave us.

Read More

Low-key intense.

I was extremely invested in the characters, but not nearly enough in the plot. I was not that interested in the events themselves, nor the past crimes and investigation, but I did care how they affect the characters. With that, I have mixed feelings.

There is no denying that the core of the plot are the characters and their relationships. How far can you go for people you care about? What are you willing to sacrifice? What kind of person will you become by the end? All these questions have been asked countless times in the span of these 10 episodes. I did not quite like all the answers, but that’s life - some things work out, some don’t.

For a show that tries to link a few cases and stories from different timelines in a one cohesive story - they did quite a good job. The plot was not hard to follow, I could clearly see how seemingly unrelated situations were in fact the aftermath of a larger problem. The drama even managed to deliver quite a plot twist/revelation in the last episode that I did not predict - maybe I just stopped my brain from even going in that direction?

Saiai has an amazing cast of characters played by skilled actors, who were able to portray them in an engaging and convincing manner. I might be playing favorites, but I’m totally in love with Kase Kenichiro. This character truly stole the whole show for me.

What’s also worth mentioning is the soundtrack. When the Saiai theme song starts, you know shit is about to hit the fan. I’ve gotten chills quite a few times when the first few notes started.

Overall, it’s a truly solid drama that is carried by the characters. It does not necessarily mean the plot and investigation itself was bad, it was just not as gripping as the relationships presented. I don’t even know when, but the characters creeped into my heart and at some point I stopped caring about the plot and just wanted to see them safe and happy.

Read More

We are patterns seeking creatures.

And when you mix that with religious fanaticism driven by guilt and fear, you are on a highway to hell.

Revelation for sure falls stronger on psychological thriller than supernatural horror. It’s not the scares, but the mystery that is the focus point of the movie. How far will Min Chan go? What will be his next action? And who will suffer the consequences.

The movie shows how religious belief can literally alter your perception and find patterns in places they don't exist. The way Min Chan saw Jesus literally everywhere from mountains to altars, angels in the sky - all to unconsciously convince himself he is on the right path and everything that happens is the god's will. Just to take the responsibility off of his back.

While I appreciated the fact we witnessed how easy it is to slip into religious fanaticism, I wish the introduction to the main character was a bit more elaborate and detailed. Not everyone spirals so bad when faced with the situation he was facing - what made him go so far? What internal and external factors led to that outcome? It’s something this story did not explore enough.

Surprisingly, what I enjoyed a lot was the fact that Seong Min Chan was actually not the smartest guy, I would even call him dumb. I mean… googling about the potential legal consequences of the crime you just committed is literally helping the police and prosecution with the investigation. And that was just one of many idiotic decisions and actions he made.

Acting wise - great. What else to expect from this cast. Obviously the most spotlight fell on Ryu Jun Yeol and oh boy he delivered. The psychological change his character went through from beginning till the end was so well portrayed I wish this was a short drama and not just a movie. On the other hand, some of the supporting actors kind of missed the mark, especially Moon Joo Yeon as Min Chan’s wife.

As much as I liked the production, somehow I wished the “holy images” he saw in random things were just slightly more vague. At the same time, I feel like they kept being more clear the more obsessed and delusional he became. Maybe it was just a visual way to present how much his perception is being affected by his mental state.

Overall, it was a weirdly light watch? Taking into consideration how serious the crimes of the criminal were, how far into delulu Min Chan went, I did not really feel that tense - more on the side of curious and entertained.

Read More

There is a level of stupidity even horror movies should not cross - they crossed it.

Kind of a Paranormal Activity meets The Exorcist, but worse. It did not have the fun campy feeling as paranormal activity had. Neither was it able to create the atmosphere The Exorcist delivered. Kind of all over the place, with a bit too exaggerated plot. I simply feel like they tried way too hard on this. It was also unnecessarily gross.

The things the possessed girl did were so over the top I could not stop laughing. At times it felt like a poor attempt at a dark parody movie. The level of stupidity of other characters? Unimaginable. I could have excused it, if the main lady was not literally a professional shaman - she should have known better. All these characters could easily achieve Darwin’s Award. They truly contributed to human evolution by removing themselves out of the gene pool of that fictional world.

I mean, when the movie tries to tell you a person can be possessed by the grass, you know this is going to be a crack ride. Sadly… it was not even silly entertaining - the movie dragged so much I could not even finish it in one sitting. It’s disappointing, because I actually enjoyed the first 40 minutes.

I don’t really have that much to say about the movie. It was so stupid I feel like I have to restart my brain.

It was pretty though. Quite a few screenshots taken.

Read More

I was promised angst, what I’ve got was clownery... kind of.

But I still enjoyed it quite a lot. The core of the show were the relationships and these in most cases they aced. For such perfect writing of the main characters, how come it did not move me on any deep level? The answer is easy - failed villains and unnecessarily complicated politics.

One and Only is a love story that was created and led by tragedies. The stepping stones for the relationship development were in most cases linked to bad events happening to the main couple. The tragedy led to sweetness, which led to more tragedy. Honestly speaking, Ren Jia Lun and Bai Lu had more on screen chemistry just looking at each other, than many other couples with full on romance going on from other dramas. The tension, love and care was so intense, I did not even need anything more than stole glances, a few hugs and not straightforward poetic love confessions. Their bond was so meaningful, it needed no reassurance .

As individual characters, I failed not to love them, even though they both possess the traits that for me is a big sin - they were too good, too trusting and too naive. Usually, this would make my blood boil, here - I completely did not mind. The fact that everyone told me to be really for the angst might have been the reason I was not annoyed too. I knew they would have a tragic ending one way or another, and it was obvious that their good nature would be the reason for their demise, so I just accepted that fact and watched in peace.

This was especially evident with Zhou Sheng Chen. He had a really bad habit of giving people chances to redeem themselves, when it was obvious some of them were unredeemable. He took too many chances with too many people, and some of these encounters and good deeds literally led to his death. Still, it’s impossible not to love the guy. He had a personality of a warm smashed potato, yet… he was perfect. How loyal he was to his people and the country was commendable.

Then we have Cui Shi Yi - the adorable angel. I don’t think I have ever seen a character more pure than her. I found strength in her innocence? She was for sure a passive character - she went with the flow of the things happening around her, barely ever taking any active steps herself. Sounds awful right? Somehow it was not. Somehow it was perfect and I loved her as a character a lot. Yes, we all love our badass warrior princesses, but sometimes a more realistic approach is much needed and just as charming.

We also have some extremely fun and memorable side characters, and few… existing with little to no personality. My ultimate favorite, the one and only mr. Sexy Monk, aka Xiao Yan. He was truly perfect - and by perfect I mean he had some interesting personality, he was good and moral, but not completely selfless and overall smoking hot. I also loved Feng Qiao with her badass fluff. That’s kind of it? I feel like many side characters were rather one dimensional. There were “the good guys” and “the bad guys”, but in many cases, they presented little if anything as individual characters.

Talking about presenting little to nothing - what a joke the villains were. The clownery was amazing. They be killing all the good guys, all the skilled people, and then being surprised the country is falling apart. What did you think will happen when you made THE ARMY your enemy? What did you think would happen after killing the only dude that was able to defend the border for years? It’s not like Liu Zi Xing had any plan formed on what to do next, after getting power. What a joke. I am truly curious how his brain works and how he perceives reality, because the level of denial he presented was truly something I struggle to understand.

Still, he was the best of all the clowns we’ve got. There was also Queen Dowager who showed up here and there to cause the issue for the main couple, but had nothing going on for herself and was just boring. There was one Prince that got involved because “power”, but he was also painfully stupid. Not to mention Yang Shao… this guy. What did he even want? What was his goal? Why was he on that side? What motivated him? We don’t know ¯\_(ツ)_/¯.

As I said at the beginning, the villains were the reason the emotional impact the show showed has just felt flat for me. The ending of Zhou Sheng Chen and Cui Shi Yi was tragic - truly it would be hard to make it more sad. But, since it was a result of constant extremely dumb decision making on everyone’s side (both the good and the bad guys), I could not make myself care. Last episode, I truly hoped everyone would just die (except for the monk), some side evil dude would win, and the whole country would burn and collapse. It was that ridiculous. I mean… 24 episodes and they changed the emperor 4 times - what the heck. It was never needed to go this nuts in the last few episodes. Having one, well written and presented villain would do the trick. You can get the same angsty result with less shit happening on screen.

Plot wise, not that much happened in the show - the main couple got to know each other, the main couple fought the evil guys, and the main couple died. Seems like nothing, yet because of the presentation, it was not boring. Sure, I skipped some scenes in the second half, simply because some characters felt extremely empty, but overall, I enjoyed the watch.

The amazing cinematography and some great directing choices had a lot to do with it. An aspect that I loved about One and Only was the fact, the director let some scenes breathe for a while. Lingering a little bit during some emotionally impactful scenes, with nothing but visuals and music was a great idea. Grounding the emotions, instead of skipping between the scenes as soon as the narrative was done. The show had this poetic quality to it. Not to mention, it was beautiful. Cui Shi Yi suicide was a whole ass cinematic experience.

The acting, ladies and gentlemen - Ren Jia Lun and Bai Lu are a class of their own. To be able to present so many emotions and so many raw scenes, with the plot barely happening, and most of the interactions being so tamed - they deserve an award for it. Saying I am amazed would be an understatement.

Overall, the first half was perfect. Middle dropped in the quality, but was still fairly enjoyable, but the mess that we’ve got by the end just took all the emotional impact away and left me crying from laughing so hard. Am I evil? Heartless? Soulless? Or were the events poorly established because of the weak writing of the villains?

Read More

Calming, uneventful charm.

Nothing really happens in this movie. It’s a bunch of random stories and at times completely out of context conversations between characters you know close to nothing about, and somehow it was truly enticing.

After finishing the movie I truly wished there was a guy like Master with his small diner somewhere in my neighborhood. The small sanctuary after the hard day of work, that sense of a small community the regular clients created.

It would be a crime not to talk about the amazing aesthetics of the show. The camera angles, the lighting, the editing and directing - it all created a beautiful movie that was just pleasant to watch.

The acting left nothing to desire. With characters that are not exactly well defined, it might be tricky to truly present them as unique individuals, but Midnight Diner made it. All performances made me believe these are the people I could potentially meet on the street myself. Normal, relatable people with their normal, mundane lives.

Overall, I have no idea why I liked it so much, but I did and that’s what matters. A movie about technically nothing, yet it never felt boring. I was engaged from first to the last scenes.

Read More

This show was not perfect, no show is. But it was so engaging, I was able to ignore and not think about any possible plot holes or “convenient” plot lines until I finished it. My overly critical and overanalyzing brain was so emotionally connected to the characters and plot, it couldn't care less about any mistakes.

If I had to describe the plot in just a few words I would say: Fight against the supernatural evil, and the one hidden in humanity, that leads to bettering oneself. The format is repetitive, it’s undeniable truth. They dealt with one evil spirit, a new stronger one showed up. How come it’s not boring?

At first, the cases are simply a background for introducing the characters, creating a team work and So Moon’s dive into a whole new world. Slowly, the past connections between different characters are discovered, and the background plot starts to take a forefront position. The progression from the simple procedural plot to uncovering the past mystery and dealing with the main villain is perfectly gradual, and speaks of the great pacing The Uncanny Counter has.

The core of the show are the characters. The cast is pure perfection, and whoever was the casting director, they should get a raise. We are presented with more or less four teams: high school friends, Counters, Yung partners and the evil assholes. Each group is well written and portrayed, and even the villains are charming in their own twisted ways. I still wanted to see them dead, but I was also curious about their next actions and shenanigans. The loyalty among the young friends, the protectiveness of Counters, the moral dilemma the partner’s faced - all that made me love each and every character.

The acting is top notch. Jo Byung Kyoo is a true star of the show. His acting made me cry, scream, laugh, hit my head on my desk… He was So Moon. Kind, smol, positive, but also flawed character, that was willing to slowly learn, mature and improve himself. Easily in my top 5 favorite characters of all time.

Each and every actor committed to their roles completely. I honestly did not feel that even one scene or expression was off. I was especially surprised by Kim Se Jeong's performance. I knew she was a good actress, but she improved so much with the few roles she had previously.

Production value was everything I could wish for. It is a mainstream kdrama, high quality of visual aspects is expected though. The directing of the fighting sequences was well done, making them exciting to watch. Some of the stunts in the first episode felt slightly off, but they quickly improved and became way more natural.

I’m not gonna lie, I did not pay that much attention to the soundtrack as I was watching the show. I was completely “distracted” by the plot to notice what kind of music is being played in the background. That said, I usually don’t care that much about the OST, unless they are extremely bad, not fitting or painfully overused. After listening to the song as I was writing the review, I must say: they are good. Each has a completely different feeling and emotional quality, but they are all making me want to listen to them on repeat.

So what are the flaws? The biggest one was the slightly anticlimactic ending. With all the set up, I was expecting a bit more. Tiny, convenient plots that are either added or forgotten, like Moon, at some point, is never shown attending school. We just don’t see him going there at all. Never to be addressed nor mentioned. He is still a student, he wears his uniform… but he ain’t even close to being in class. Then we have the introduction of Oh Jeong Gu close to the end that felt out of place and useless.

Taking into consideration how well crafted the story and characters are, I was able to ignore the flaws. These cons barely moved the scale, since the pros were that good.

Overall, damn yes. This show had such an emotional impact on me, there were moments when I had to pause the episode, since I was scared/not ready for whatever was going to happen. I loved each and every character. I was curious about the plot and how the team would deal with the obstacles they were facing. There was not one boring episode, and even though I am fine with the given conclusion, I would not mind a possible second season.

*Trigger warning: severe bullying. It’s pretty bad guys, especially in the beginning episodes.

Read More

What have I just watched?

I am quite honestly annoyed. It was an easy 10/10 for me at the beginning. The story was simple yet effective in making me excited and interested. I cared deeply for Praewa and was anticipating all her "evil" shenanigans. But then they added so many plots and background stories for characters I couldn't care less about, it went downhill quickly.

If only they kept it as simple as they presented the plot at the beginning: revenge with pure chaos and death. Let Preawa win, let everyone die. Focus the mystery part of Preawa finding out the real culprit of her misery. Why do we need the "past events" story? It brought NOTHING to the plot, was dumped on me in the last episode, and I was like: cool... But why? What exactly was the purpose of it?

Truth to be told... the last episode was just bad. Amazing letdown compared to the rest of the episodes. The ending was neither shocking nor exciting. They definitely did not construct the story well enough for me to think "wow... yes, this makes total sense, why I haven't seen it coming" as the last few scenes happened.

Best part of the show? Ticha Wongtipkanon and Nene Pornnappan Pornpenpipat. Truly aced the roles given. Preawa looked mad AF and I believe every scene she gave. Nene surprised me a lot in the last episode, being the saving part of it. I also appreciate how daring they were with some graphic elements.

Overall, I don't even know. It's hard to judge a show that had an awesome beginning and tragically bad ending. On one hand, I want to recommend watching the first 4 episodes and drop after that, on the other hand... What's the point of watching just half of the show? Do with that information whatever you like, but don't get too excited while watching at first, because the letdown will be massive later on.

Read More

I want to start by saying:
Roy Chiu is extremely good looking and I legit got distracted by his beauty a few times.

The movie did exactly what I expected it to do - entertained me. The plot is fairly simple and they explained the lore of the ghosts enough for me to understand what is going on. The funny scenes made me laugh, and the emotional ones made me feel things (though I'm easily moved, so this is an extremely subjective statement). I enjoyed all the characters and random English words thrown by them.

I must say, the way the movie was filmed and edited was exactly my type. From the beginning I was enjoying the aesthetics of it.

Any flaws? The final scene between the big bad guy and the hero was... extremely anticlimactic. It was built up well. I could see that male lead is trying to outsmart the villain, while Hsueh is dealing with, let's say, trauma. Sadly, what followed was weak. With how entertaining the movie was, I expected some epic fight by the end.

Overall, a short, fun movie for a relaxing evening with which you don't have to strain your brain too much. If you are searching for pure entertainment based on some crime/supernatural elements, go for it.

Read More