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Those That Follow tells a simple story of regret, guilt and fear - the past can literally haunt you. We are introduced to two characters that start with the same baggage, but as the plot progresses, take different paths to deal with it and face the consequences of their actions.
Realistically speaking, the strongest point of the movie were the visuals - it’s simply beautiful. Being an ad for a phone, they took all the steps to make sure the final product can wow any possible customers. Surprisingly, the fact it is an ad made the movie better, since it pushed the director to use a variety of different shots to show he all the capabilities of the camera.
Acting was good. It did feel like some reactions were exaggerated, but nothing that would distract you from what was happening on screen.
Overall, truly a great short horror movie. Simple, but effective.
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Nightmare for all women.
“It’s her right to live alone, not a reason to hurt her”.Putting aside who the stalker is, what is also unsettling is how all the men in her life were acting creepy enough to be considered a potential perpetrator. The whole movie had little to no moments that did not make me feel uncomfortable.
Honestly speaking, I did enjoy it more than the Korean version. For starters, the police did not seem as painfully bad at their job. I am pretty sure they had less involvement in this version, but that was a good call. Detective and investigative work should never be the focus of a story like that.
Then I also appreciate how the female lead made more reasonable and smart decisions. While I appreciated some mistakes the female lead in the Korean version made, because they made her more realistic, by the end I was a bit frustrated. Here, they were able to keep the realism without making her make questionable decisions.
What the movie failed at a few times were the transitions between scenes and sequences - some felt extremely jarring and confusing - that made me rewatch some scenes to make sure I did not miss something. It just felt out of place.
My biggest issue though was the ending - as over the top as the Korean version, if not more. It was going so well with presenting an unnerving experience women can truly face in real life, and then they had to make it more dramatic at the end, completely unnecessarily if you ask me.
Still, it was a great watch. The atmosphere was perfect and some scenes made me want to go around my house and check “just to be sure and safe” that ain’t no creep hiding somewhere. The performances were also solid - kudos to all the male cast for delivering that creepy factor. What’s more, I enjoyed some of the audio editing/mixing and the music picked for some scenes.
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There are many good aspects of it. It’s rather unpredictable - it has quite a few twists and turns that all felt understandable (at least to the extent a short length allowed). I also appreciate when at the beginning the built up tension is broken by a joke/one liner from a new character on screen. Delivering scares each time the tension is high is not a way to go, because the viewers start to know what to expect. That’s why I appreciate when movies take a step back from time to time.
Drowned out sounds and slow motion used to indicate the distorted perception and fixation on a specific situation by a character? Love it. It’s always effective and I wish more movies used it.
The acting went from good to decent for a smaller production like this. I’m not the biggest fan of Ha Joon’s character, and weirdly I enjoyed a bit twisted Min Woo more.
All that said, I appreciate the movie from the objective standpoint, but I did not quite vibe with it subjectively.
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Surprisingly good tale on dealing with trauma and growing up.
I did not expect all the emotional depth and tears. I got in thinking “evil kids with powers”, but I could not be more mistaken.The overly sweet and sugar vibes created this unnerving, uncomfortable atmosphere - everything seemed unreal, over the top and stomachache creating. I would not even classify it as a horror movie, but rather fantasy drama with horror elements. Something along the lines of Pan's Labyrinth. The focus is the story and the characters, not the cheap scares.
The visuals were quite stunning for a movie from 2007. Starting with more bright and light colors, something you could see in an over the top Christmas commercial, slowly turned more dark and grim as more of the mystery started to be revealed.
Performances? Quite good, especially with how young the young actors were. Shim Eun Kyung did the best job and the powerful emotions Yeong Hee was feeling were delivered in a convincing way. Was not as much of a fan of Eun Won Jae performance - the character felt flat.
Overall, I would for sure recommend. Lee Eun Soo was a bit of a mess as a character, but realistically speaking, he was just a tool to tell the children's’ story so I don’t mind it that much.
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Disastrous codependency that limits everyone involved.
Yet somehow, it’s both just as bad, and not as bad as it sounds. Perfect case of a relationship unintentionally turning toxic, when everyone involved thinks they have good intentions.Double is a perfect character study, with so many various meanings to all interactions, that leave the final interpretation of the events and characters’ motivations to the viewer. Depending on what you will focus on, which scenes and moments will seem more important, what actions done by the characters feel more genuine, you might see quite a different tale than other people watching. And that’s the beauty of the show.
Personally, I see it as an artistic presentation of obsession - be it over art or a person, and countless human flaws and weaknesses.
When I think of Yujin, I think about egocentrism and this may seem like a counterintuitive view at first. He is introduced as someone who was willing to sacrifice a lot for Takara to succeed, but were his intentions as pure as it might seem? There is no clear cut answer to this question, but with each episode, watching him interact with Takara made me feel more and more uncomfortable. He had quite a duality about how he carried himself and interacted with Takara that made it hard to understand his character from the get go.
On the other hand we have Takara - a guy that was completely not capable of taking care of himself, and I truly mean what I say. The phrase that quite well describes him is “lack of self” - be it in the roles he portrays, decisions he makes, relationships he forms - everything is dependent on external influences.
He got hyperfixated on things and saw acting as his only goal in life. At the same time, for the longest time I could not truly pinpoint what exactly he wanted to achieve. Technically he verbalizes his wishes, but often they do not quite fit the reality and the action he would have to take to achieve them. He might seem like the victim of the situation, but what this drama is not, is simple - so there is more to his character and how he maneuvers his daily life.
Sounds like a lot? Looks like these are some complex characters? This ain’t even a fraction of what the drama presents. Honestly speaking, it’s best to go into it knowing as little as possible - not getting influenced by other people’s analysis and thoughts. Making it your own unique experience.
Complex characters and relationships are not the only aspect this drama delivers on an impossible high standard - the directing and editing were top notch as well. I am amazed how beautiful Double is. It truly feels like every scene was a deliberate choice and not one frame was left in by an accident or to simply fill the screen time.
Prolonged close ups to the actors’ faces, giving this eerie feeling, accompanied by simple yet dramatic in tone soundtrack? True perfection. The variety of different angles? Beautiful. The use of light and shadows? Could not ask for more. It’s just a perfectly crafted picture.
Onto the performances, both main actors did a phenomenal job, but I did prefer Nagayama Kento’s casting here. He embodied the gentle, caring yet strangely intimidating and unsettling character. On the other hand, while I do not have even a fraction of complaints about Chiba Yudai’s acting, it was simply hard for me to believe he was able to grab people’s attention… doing nothing, standing, walking. When he was not performing, he gave more of a lost puppy vibe, not this charismatic actor who might change the cinema. And yet, this is what they tried to tell me - that people just saw it in him.
Overall, what an uncanny watch it was. Each and every episode left me with so many thoughts to be organized, so many moments I had to analyze. One could easily write a whole book trying to decipher all the characters. More of my thoughts about them in the comment below.
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There is no real goal nor destination. It’s just part of the never ending journey.
Let’s start with: everything was mild, but in the best way possible. We don’t really get any intense thrilling medical cases, the friendship between the leads is not this deep bond, the romance is more in the background, the development of the characters is a slow and not epic process. And yet it worked and it kept me entertained. Somehow how mundane it was became the asset not the flaw.Residents Playbook did have a rocky beginning - none of the characters were that likeable and if we add a rather simple and slow paced plot, it does not have a typical start that gets you hooked. It does grow on you, a lot. It’s been ages since such long episodes (around 1 hour and 15-20 minutes) seemed this short to me - I did not even know when the time passed and wanted to see more.
One of the aspects I especially enjoyed was the fact the characters did not in fact get a complete 180 change, removing all of their flaws. I Young did not out of the blue start being passionate about her residency. Nam Gyeong was still focused a bit on how people perceive her. Sa Bi did not become an empath and Jae Il was till the end often driven by his emotions. They all improved in a realistic manner, but their personality traits were still there.
What’s more was the more realistic approach to how it looks like working at the hospital. It’s not everyday high tension hard cases. Sometimes half of your day will be dealing with paperwork. And sometimes there will be emergencies. There are great seniors who will teach you, and those that will take credit for your work. In many areas it’s a workplace like any other, and I like how they did not try to either glamorize it nor sensationalize it.
While I loved the slice of life vibe and how slow paced it was, I have to say - with the length of the episodes and the show I got a little bit annoyed with how little closure and focus we’ve got about certain plotlines. It really is like seeing just a part of characters’ lives without much context and background. The drama does not really start on the day one of many relations, and it does not have a specific ending. It’s like meeting a friend you have not seen in quite some time, talking about how their life is going currently, and then never meeting them again, not knowing where they ended up. Which often is the case with more character driven shows - there is no real goal nor destination. It’s just part of the never ending journey.
Even though the romance was not the focus part of the plot, I still loved it a lot (well, most love lines). They were adorable, wholesome and just kept making me smile. The chemistry was really fun and natural between all involved characters.
Surprisingly, while I loved the whole main cast, most of my favorite characters were the supporting ones: Seo Jeong Min, Ryu Jae Hwi, Cha Da Hye to name a few. From the main cast (I cannot believe I’m going to say that, because I had zero hope for that character at first in terms of making me interested) my heart was stolen by Pyo Nam Gyeong.
Acting wise - perfect. The characters truly embodied their roles making them feel like real people, and at some point friends. Watching this show after a hard week at work was truly therapeutic - comrades in overwork and stress.
I know a lot of people viewed the cameos as highlights of the episodes, but for me they were so insignificant in terms of my enjoyment - I just liked the drama a lot as it was, so while the guest appearances were fun, they were for sure not the best part of the show people should look for.
Overall, I would quite honestly not mind a new season for each year of residency. There is so much potential for these characters and their stories. I feel like I both know them so well, but also barely scraped the surface of their journeys.
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The thing that I loved about the directing was how all the cases were linked together - each chapter had a scene we already saw in a previous story, but from a different perspective.
Chapter 1 - Room 504 - The Writer
One of the weakest plots of all the 5 chapters. While the small details in the background added to the eerie atmosphere, overall I was not impressed. The story was not scary at all, but I have to appreciate the acting from Lee Chang Hoon, who played a driven writer on the edge, because his writing has not been going too smoothly lately. I could feel his frustration.
Chapter 2 - Room 907 - The Pharmacist
The best of all the chapters. From the interesting story, to the creepy visuals - I was sold. The setup for the plot reminded me a little bit of P.T., with the radio station giving news about the murder. The loop of the characters’ actions and the corridor shots that made it seem as if I am there observing the situation, made this my favorite part of the movie.
Chapter 3 - Room 708 - The Salesman
Annabelle, but creepier. Except for the "companion" making me uncomfortable, there is not much to say about this chapter. The pictures created for some scenes were nice, but overall it was more entertaining than scary.
Chapter 4 - Room 604 - The Student
Trigger warning for gross body horror. Pimples and a lot of weird stuff happening to the face of one of the characters. Rather nauseating. That said, the body horror was quite well made - no complaints on my part about the effects and makeup. The story is rather simple, and focuses more on the visual aspect of it.
Final chapter - Room 1504 - The Caretaker
Had one of the scariest scenes from the whole movie - the elevator moment got me on the edge of my seat. The Caretaker concludes the story is a coherent way that makes sense, while leaving a door open for a possible sequel.
Overall, The Grotesque Mansion is just a simple and easy watch. Good for an evening when you might be a bit tired and you want to be entertained, but without forcing your brain to do any work.
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Hits many cliches but still likeable
It’s a really simple story that we all saw hundreds of times. A shy boy and a popular boy on their journey to getting to know each other. Nothing groundbreaking or new about it.What makes it worth the watch is the acting and the simple concept. Many times the writer and director tries to shock the viewers with over the top plotlines to compensate for a limited length of the shows - it’s truly unnecessary. The Best Story keeps it relatively simple, with few characters and plot lines. What’s best in my eyes was War’s acting. He truly aced the “shy teen crush” portrayal.
Some characters are more likeable than the others. Some you will just end up hating, it’s inevitable. Be ready, because it might be a frustrating watch, especially since the show tries to tackle some sensitive issues by the end, but does not have enough time to dwell on them more.
For a mini series like that, the production quality was quite good. I loved the few aesthetic shots and how they did what they could with a probably limited budget.
That said, the ending caught me by surprise and left me with a big “WHAT” on my face. My initial reaction was closer to: That’s it? Wait… there’s more, right? There will be a 2nd season or something, right? After a few minutes of calming down, I don’t hate it. I don’t think it fits the vibes of the show that well, but it fits reality.
Overall: Since it’s a short watch, I’d recommend it if you want to watch a simple, inducing frustration teen love story with little to no plot, but good acting. Going with no expectations would be best.
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Let them stay bad and cunning - for that I am grateful.
To sum it up: great pacing, interesting and likable characters, solid chemistry, thrilling schemes, problematic gege throwing hands at both his enemies and his lady (which in this drama was perfection, don’t call me out). On the other hand, I was not crazy about how all the romances developed and in some areas, the acting could have been better.Still, top level of solid entertainment. Thank god I was watching it as it aired - otherwise I would not be able to stop and binge watching all of the episodes would simply kill me - I’m too old for it.
It truly surprised me how much I enjoyed the pity palace drama. Usually I’m barely stopping myself from skipping this type of scene, but here they were some of the best aspects. I appreciated glorious slaps, calling out stupidity even on your own team, backstabbing for survival - it all sounds so dramatic, but in the drama itself, it’s presented in an engaging, but palatable manner.
What’s more to love are all the women in the drama. Variety of the characters, personalities, strength and weaknesses - exactly what I want to see. You don’t just get your typical - smart and cunning, and dumb, but loyal. They nicely mix it up. We get the asshole who overestimates her abilities, we have a smart and loyal friend. We saw women who push their limits and ones that prefer to not push them. We have bad, good and morally gray.
On the other hand the drama lacks quality men. Those that are fun are not developed enough, those that are developed more are annoying. Xie Wei being the only true saving grace. Yes, Zhang Zhe is cute and righteous, but that’s all he is. Yan Lin might be fun and good at fighting, but he is the definition of the “supporting from background while having little to no individuality”. I enjoyed them as I was watching, but by the end of the show I had little to no thoughts about them.
I’m glad plot wise the overall arc was well explained. I understood the motivation of all the characters, why they made the choices they made and what was their goal. Some strived for power, some for survival and some for redemption. I do wish the drama was longer. While they wrapped up everything quite skillfully, I still wanted to see more. Especially in terms of romance.
And that’s my biggest regret. Not even a flaw, since the final execution was done well, it just made me crave for more. All the romance driven plot lines were quite sidelined, so by the end, they tried to put 20 episodes worth of development into maybe 8. I enjoyed every second of it, but I wanted more.
Acting was good. Bai Lue did what she does best. In no universe she could fail delivering a character like that - it’s made for her and her only. Zhang Ling He was great in some scenes, not so great in others. Wang Xing Yue and Zhou Jun Wei both did not really have a space to show any skills - how the characters were written did not really allow that. I’m glad that the whole cast had a great chemistry though - be it platonic, romantic or rivalry. And them kissing scenes… we do not get kissing scenes like that often.
I know many people complained about the make up, personally I liked it. The over the top magical red eyeliner that showed up when Xie Wei turned into his toxic hot gege persona. Yes, the eyebrows for the female characters were… a choice, but after a few episodes I just stopped paying attention to them.
Overall, high level of entertainment. Story of Kunning Palace has such a high binge watchability, it’s actually scary and could be a health risk if you are not careful. It’s both exciting, but approachable - balances well between how dramatic, but also easy to digest it wants to be.
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A tale of twisted characters.
I am honestly in awe how refreshing and gripping Beyond Evil was - even taking into consideration how, at times, it follows rather well known scenarios and clichés. The key to its success lies in the versatile characters and dynamic relationships between them.The plot gives us the same old story of a serial killer on the loose, detectives with personal stakes and bits of political scheming surrounding it. Does not sound that groundbreaking, does it? Thanks to the complex, amazingly written and dynamic characters, the story is not as simple as we might have initially thought.
Each character had their own story, secrets and goals. There were no noble good guys, but we did get a lot of amazingly gray characters and a variety of villains, each of them having a unique reasoning behind their actions and wrongdoings. Slowly we gathered more puzzle pieces that form a complex picture that goes beyond the actions of just one person. I am truly incapable of describing how perfect the set of characters in this show was. They were all so unique and intriguing, I could literally watch them just talk to each other, and it would be entertaining.
That said, the explanation of the big mystery felt flat. With how amazingly the tension was building, how we could not predict which of the characters were involved - the answers just didn’t do it for me. For some aspect, I just didn’t get any explanation. To avoid spoiling the show, more about it in the comment under the review :)
As for the acting, Shin Ha Kyun went beyond what’s humanly possible in delivering us the compelling character - Lee Dong Shik. There are not enough positive adjectives in the dictionary to truly describe this performance - he was simply talented, brilliant, incredible, amazing, show stopping, spectacular, never the same, totally unique, completely not ever been done before… you know what’s up. The acting gave me the best type of goosebumps - some scenes were worth rewatching countless times.
What’s more, I genuinely believe this is the best performance we have seen from Yeo Jin Goo. Just the fact he was able to keep up with Shin Ha Kyun and his performance did not feel flat at all, but rather I saw it as gripping and convincing, means a lot.
Of all the main and supporting actors, I did have a small beef with Son Sang Gyu in episode 11 and 12 - the acting was just not right. There was too much going on for my liking. Taking into consideration this was his first role, and he was surrounded by quite experienced actors, I am not mad about the end result and I am willing to let it slide.
The production value was pure perfection. Not one frame felt off, not one detail has been out of place. From camera work, to editing, up to soundtrack - everything crafted in a way to elevate the story to an artistic level. With no hint of exaggeration, Beyond Evil has one of the best soundtracks in the history of kdramas. Choi Baek Ho’s “The Night” is simply a masterpiece.
Overall, it’s a characters and relationships driven drama, with the plot serving as the background for us to understand and enjoy the ever changing dynamics between them. Beyond Evil might not seem as a masterpiece for people preferring fast paced shows, that said, with how gripping and fascinating the characters and performances are, I would highly recommend everyone to at least give it a chance.
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This review may contain spoilers
What started great died a slow painful death.
I really wanted to love this season, and I did enjoy it a lot at the beginning. I found all the cast entertaining and interesting and what’s most important: everyone actually felt unique. But then we started to get the same annoying drama between the same few people over and over again and I was just done.There were many production wise choices that made the show less enjoyable. First of all not everyone going to the ex room changed a lot - that’s the thing that usually puts possible reconnection into movement. Then we have the double ex idea that was just shocking as a revelation, but then changed close to nothing in the actual show itself. When they decided to introduce new people was also ill timed and did not allow them to truly explore their options. What’s more, I wish next time they will encourage more dates with a variety of people, especially at the beginning. Make them choose more blindly, for example - pick a person for a date based on the ex letter, not knowing who it is about. Pick a person to go on a date based on a photo they took, favorite movie.
I’m just kind of disappointed. There were not that many romantic and butterfly inducing moments, and a lot of crying and blaming each other, borderline manipulation etc. One of the reasons the first two seasons were so fun to watch was the fact it was less dramatic, more genuine. But this season just pushed the drama to the forefront instead of focusing on the positive connections.
Overall, would not really recommend…
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Delivered the sweet, failed with angst.
I liked it, but I did not love it. It was so close to being so good, it makes me feel more disappointed. It gave us so much to appreciate - good chemistry between the leads, THE height difference, interesting set up for the plot and future conflict, decent acting… but then it kind of did not deliver on any of these.Was the chemistry good? Yes. And if it was not for the supporting couple, I would probably even say it was great. But these few moments we’ve got from Ju Ha and Kyu Sung felt so natural I could not see the main couple in the same light. Good example: both couples had that “one person leaning on the other when they are sitting, semi backhug position” - Ju Ha and Kyu Sung felt like couple, Si Yeol and Ae Jun felt like actors who are playing the couple and are ready to get back to normal sitting position right when they hear “cut”.
Still, the interactions felt mostly natural. I loved how Si Yeol was confidently flirting and how confused, but also happy Ae Jun was about it (living his best delulu life).
Then we had the height difference straight from the webtoon, so big my neck hurt just watching Ae Jun look at Si Yeol. So my question is… why wasn’t it used? Like, ever? There are so many perfect (cliche) moments and scenes that many viewers love, and we’ve got none.
Even the set up was great - scheming idol and a dishonest fan. One would be enough for a great conflict and angst to follow, but these two? What an amazing combination. So where is the angst? The way I almost felt nothing when all the tea started to spill. The way things were set up to be future conflicts ended up as nothing, but a few seconds scenes.
I do believe the issue here was the acting from Kim Kang Min. His performance was fine, but the moment the plot leads more into heavy themes, he just did not deliver. Which was even more evident when he shared the screen with Park Jin Woo who actually aced the sadness and anger.
Production value was good. One of the issues I often have with dramas about idols is how unrealistic the details of their work are (e.g. awards ceremonies in small rooms with barely any people). Here he did feel like a real idol - from merch, songs, interviews, stages, radio interviews. The school also felt like a school, the classroom had students that acted like students. The environment was crafted in a way that made the story feel more real.
Overall, it was almost there. A few changes in the last 3 episodes and we could have gotten a solid show.
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This ain’t a story for a 90 minute movie.
No proper setup, no proper development, ridiculous conclusion - this is what I’ve got from a story that was in fact quite interesting if explored enough.As a movie it was bad. Honestly close to nothing works. I didn’t get to see the team long enough to care for their teamwork. I’ve got 30 seconds of flashbacks to know about their past, so as individual characters they are also giving me close to nothing. The world built up was just confusing because of how vague it was. Yes, I understand the most basic rules and premises, but with how complex the lore seems, I could as well know nothing.
Ba U is punching demons back to tell, Sharon is exorcising demons back to hell, Kim Gun is there making vlogs - the hell was this dynamic? Yes, they did show us Kim Gun doing some research, but they for sure focused more on him running around with a camera. He seemed quite… useless.
The exorcism scenes were ridiculous. Mix match of everything. It gave me Marvel meets Exorcist meets any fighting focused video game meets every found footage horror.
The best part of the movie? The animated ending scene. And here’s the thing - this would not only work better as a series, but especially animated series. With the crazy aesthetics and over the top drawings? This would be a hit. As a movie, even with crazy CGI, it gave discount vibes.
The acting was fine. The characters were such a stock bunch it’s hard to tell at times if the delivery was good or not. The effects were decent, but there was literally zero creativity behind the design of all the supernatural elements.
Overall, skip.
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The resilience of college students knows no boundaries.
This is how action comedies should be - simple and borderline silly plot, well choreographed exciting fighting scenes, fun comedy and likeable characters despite their questionable circumstance with a tiny bit of positive message hidden deep behind the badass punches. You truly do not need more and you should not add more.If you read the synopsis you know exactly what you are getting yourself into. Tone wise it’s for sure leaning more towards dark comedy than grim serious revenge, but that’ s exactly why I enjoyed it. Making it serious when you have a college student being possessed by a hitman would be a circus not many people would enjoy.
What I enjoyed is the fact Matsuoka Fumika was not this defenceless baby who just happened to be at the wrong place at the wrong time - she had agency in what was happening, she made her own choices. That said, she also was freaking out about things that were happening, not being able to fully grasp her situation and potential consequences of her actions.
Initially I was not sure Kudo Hideo as a character makes much sense. He is a hitman, murderer. Why is he so… polite? Nice? Would death truly change who he is at the core? But as the movie ended, it actually made perfect sense - be it flashbacks or current dialogues, they explain his reasoning quite well.
Then we have baby boy Kagehara Riku - the least fleshed out of the main trio, but also the one of the best chemistry with both leads. Not gonna lie, I’d love another project with Kuroba Mario and Takaishi Akari - I don’t care about the genre nor the plot, just put these two together on screen again.
What’s more to appreciate? The fighting scenes. First of all I want to give props to Takaishi Akari for actually doing some of them. With this set up they could have easily made her take a seatback and let Mimoto Masanori do all the hard work as Kudo Hideo possesses Matsuoka Fumika. We had a solid number of fast paced, well choreographed and amazingly executed fight scenes done by all 3 leads. I also really liked the transitions between showing Matsuoka and Kudo fighting moments - the flow was just right and the cuts never felt jarring.
I personally loved the aesthetics of the movie too. Contrast turned up a bit more than usually, colors darker, but popping anyway. While a lot of fighting scenes were filmed in “darker” locations, they were never so dark you could not see anything.
Overall, I had so much fun. Was grinning throughout all the fighting scenes. It had a solid conclusion, though I wished for a different, but for sure less realistic one.
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Why were they even friends?
There was exactly one normal person in this whole show and I hope no one is surprised it was a woman - Chueam. It was a mess, everyone needs individual therapy and couple therapy to barely exist, but damn it was also extremely entertaining. On paper none of the characters was exaggerated or unrealistic, but to put them all together is just a circus no one would survive long term.Starting from the most boring pairing - Top and Mew. Playboy tamed by a virgin is such a cliche story I don’t even think it’s possible to make it refreshing. No matter how you tweak it, it has been done, and probably done better. Top was basically an idiot and Mew was painfully immature. His confidence backed up by zero experience was at times fun to watch, but more often than not just frustrating. The acting was also not it. Force truly needs to stop using smirk as a comma.
Then we have Boston and Nick - the ship that opens the hell gates. Filled with pain and annoyance, but also a surprisingly good conclusion. Personally I believe Boston needs therapy the most, because he does not even truly know there is something wrong with him. I do not believe he is just this playboy who would have sex with a wall if he could. Dude is self-sabotaging without knowing while obviously craving actual connection. Nick was just a pure child who got himself into a mess, but came out of it so much wiser and stronger. Good for him.
And then we have fans favorites - Sand and Ray. Sand pretended to be normal and almost fooled me - that did make it a bit more fun. Ray though, as cute as he was, he also had the most serious internal issues that led him to more bad choices in one show than I did in my whole life. The guilt, abandonment issues, constant need for acceptance. Amazing performance from Khaotung, which should not surprise anyone, but I actually liked First’s performance more. Whichever someone preferred, they were both great.
Except for the “established” BL couples we had some mixes and mashups here and there, that felt like unsatisfying tease. Now I want drama with First and Force, which will never happen. Why show me the possibility when you will never deliver?
Truth to be told, I think I expected something even more crazy? I think the lack of any consequences washed down the story a lot. There was a lot of “what you did could lead to that”, but then it never did. I mean, the way they were literally doing crack (or some other hard drug), but no one was actually shown to be addicted. How lucky they must be?
Overall, it was fun and brainless entertainment. All the characters were awful, I would never want any of them as my friend, and I’m surprised they stayed as friends after all that happened. They don’t even have that much in common. Will I watch season 2? Definitely not lol
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