Kate

I have the artistic sensibility of a raw potato…

and yet I still enjoyed the drama a lot. I can only imagine how much of a cinematic experience it would be for someone who deeply feels the arts and experiences it on a more spiritual level.

Jokes on me because I neither like the music style presented in the drama, nor this tortured obsessed artist persona Naoki had, and yet I loved every song here and even if I would avoid someone like Naoki in real life, I appreciated him a lot as a character. That’s this title's charm - it makes you feel emotionally involved and connected, even if usually you are more of a pop-girlie.

The music was the forefront of the show, the characters' motivations, the center of some of their existence. Can I relate? Hell no. Personally I find the ultimate obsession over your passion quite sad, hence it was at times painful to watch Naoki so deeply affected and connected to music. There was a level of selfishness under his love for music that I could not stomach. But that’s also what made him an interesting character and it gave me the ultimate question I had while watching Glass Heart - will he touch the grass or nah?

Personally I for sure gravitate towards more mundane and “normal” characters. While eccentric personas can be entertaining, it can also easily become exhausting. Luckily Glass Heart understood potential dangers that come with centering the show around “pure genius” and softened the dynamics with all the people surrounding Naoki.

Akane was not a ray of sunshine, she was the sun flare that demanded ultimate attention with her positive energy and determination that grounded Naoki and helped him get out of the artistic daze and focus. I loved this girl with all my heart and she was easily my favorite character.

Side note, but why was this girl so shippable? I shipped her with 4 different people and all of these seem legit and reasonable choices.

While Akane felt like the force that kept them going, Takaoka Sho was more of a pillar that made them stable during their journey. There is no denying he understood Naoki the best and had the patience of a saint. For all the bromance fans - this pairing will not disappoint you.

And then we have Kazushi who determined the structure and was the silent supporter willing to sacrifice his own goals and desires for people whom he cared about. As a soft potato myself I appreciated him a lot. He led me into the ghost ship that was destined to crush like titanic and I’m not even mad about it.

I have to mention Toya, because I need someone to explain to me why I even liked this rude ass? That styling was also a lot to take, and I did not even recognize Suda Masaki in episode one. Is this man for real? His ability to completely transform into various characters is honestly magical.

As much as I want to focus on the positive and uplifting aspects of the show like - chasing your dreams, found family trope, passion for music, caring for people around you, there was also some underlying sadness in it that drew me more.

The idea that your brilliance might be the downfall for people around you - whenever intentional or not. How deep insecurity and comparing yourself to others can kill whatever talent you have. How co-dependency in any form kills creativity and cages you with the thoughts of self-doubt. The hyperfocus on your passion that you are unable to see other aspects of life worth living for. The obsession is so deep you cannot even take a break - you rather risk dying with it, than live without it.

I truly appreciate how I was able to see the more dark and sad aspect of creative endeavors and how deep sensibility can create beauty while slowly ruining the creator himself. At the same time it highlights the importance of a support system and how slowing down, but being surrounded by like-minded people can be more rewarding than sprinting to your goal all alone.

Production wise this is beyond the typical high quality Netflix gives - here it felt far more intentional. It wasn’t pretty and flashy without restraints. They knew exactly what moments should be highlighted, what directing choices will make the viewers focus on the important aspects of the storytelling, characters dynamics and developments. And what’s most important - they knew how to use visuals to enhance the music. Also all, and I truly mean all producers and directors need to sit down and take notes on how to open a drama, because that drumming in the rain scene was a cinematic experience that perfectly set the tone for the whole show.

At the same time there were some choices I slightly questioned. All the guys saving Akane from trouble Boys Over Flower style. Or when Yukino started to sing at random moments - we get it, singing is your life, but you can in fact use spoken words to communicate too.

Now the music - slays. I love how much focus we had on drums here. Whenever the camera focused on Akane playing I wanted to jump from my seat - the excitement she experienced playing was perfectly translated to screen and infectious. It’s surprising how many dramas that focus on bands and music do not actually have good music in it. TENBLANK is basically a real band with real high quality music and I can 100% believe their songs would top charts.

I have zero notes on acting, because I feel like I’m not in the position to judge the perfection I witnessed. Name me one bad performance. You can’t.

Overall, this was an experience I did not fully relate to on a logical level, but connected on an emotional one.

Read More

Purest form of entertainment.

Realism does not exist in the dictionary of the creators, that’s for sure. And it goes beyond the usual fantasy/adventure elements in shows like that. Did it bother me? No. I laughed and joked about it, and moved on. The plot moves so fast, there is no time to think about all the ridiculous aspects.

Tomb of the Sea does a fairly good job establishing characters, their motivations and overall world buildup. You can watch it without any prior knowledge of the series and the prequels, and still enjoy and understand it. It follows quite a few plotlines - Gutong Jing adventure, Wang conspiracy, politics between Nine Clans, and all the small flirty romances. Sounds like a lot, but it's truly not hard to grasp when watching.

The large cast of the characters makes it easy to find someone to relate to, love and, if that's what you fancy, hate. Personally, I adopted Li Cu. At first, my attention was more on Wu Xie, but as the drama progressed, this slightly emo and over the top child stole my heart. Surprisingly, I had a soft spot for Liang Wan - quite flawed, but also a loveable and fun character, which brought a more realistic reaction to all the events unfolding.

One aspect I truly loved about the characters was the realistic portrayal of teenagers. The hero complex, the lack of situation analysis and getting yourself into danger without even taking a second to truly think about the consequences, the over the top and sometimes childish interactions - all of that made me think about the time I was their age and was just as stupid.

For a drama with 52 episodes, it’s surprisingly binge-watchable. The plot moves fast, even if the timeline makes little sense. Word of advice - don’t try to keep up with how much time passed for each side plot, you won’t be able to puzzle it out anyway. You might think just a week has passed, and they fit you with the revelation that it’s been a month or more. They cut off some plot lines to come back to the characters a few episodes later, with me having no idea what they were doing and what happened to them between the events I witnessed. Just go with the flow and don’t question it.

The soundtrack could not be more perfect. Chen Xue Ran’s Song of the Desert became one of my favorite songs in 2021. It was so good, I did not even skip ending credits scenes after each episode, just so I could listen to it.

Overall, it’s a flawed drama - weird plot pacing progression, makeup that can survive sandstorms, cutting plot lines and then coming back to them as if no time passed, and yet, I truly enjoyed it a lot. I also appreciate the death count - nothing more frustrating than when no one dies in a story like that. It would be too Disney for me.

If I had to name one thing that truly bothered me, it was the treatment towards the kids. At times it was simply physical and mental abuse, and it did make me feel uncomfortable at times, especially since the drama never explained why the characters had to be high schoolers. In my eyes, they could have been easily made into young adults, and not much would change plot wise.

Read More

Rom-com turned psychological thriller

Imagine all the unhealthy relationships in dramas. Now, multiply that image by 100. And guess what, it still does not get close to the toxic ride I’ve got from this show.

Truth to be told, the first 10-11 episodes were a top grade hate watch. I had so much fun with how ridiculous the plot was, how toxic the ML was and yet no one saw any problems with it. After that though, it turned into a snooze fest. It was not even entertaining enough for a solid hate watch anymore.

Ling Yi Zhou is easily the worst main lead in the history of romance dramas, and yet, no one had much problems with his awful schemes, including the female lead.

I don’t even want to talk about Xia Lin. Girl needs some serious psychological help. Honestly don’t know who had more issues, her or ML.

Anything good about the show? Chu Yan, one of the semi realistic people. The chemistry between Xu Kai Cheng and Simona Wang was really good and natural. I almost enjoyed their domestic scenes when I was able to block the toxic parts out of my brain for a few seconds here and there.

Overall: I don’t know. I had fun at first because of the ridiculous writing - the plot twists were so over the top and gross (if we talk about real life) I was crying from laughing, but after some time it got boring… There are some makjang plot lines that cannot be topped. The show picked at episode 11, and went downhill from there.

Read More

Seeking the chance without regret

Beautifully written and directed tale on chasing after your dreams and hopes regardless of external factors, whenever they are your age, family, social expectations or past demons keeping you away from taking that chance.

The true star of the show was Shim Deok Chul played by Park In Hwan. Both, how the character was written, and then portrayed on screen made me as a viewer relate to him, empathize with his journey and root for his success even though, practically speaking, we had close to nothing in common. The story was so touching and beautiful that it left me dehydrated because of all the crying (not all the tears were sad).

Acting wise, I had a small beef with Song Kang - his emotional scenes were just… not emotional. The sadness, fear, loss, frustration his character was supposed to feel, were not translated via his acting on screen.

Sadly, Shim Deok Chul arc was both the blessing and the curse of the drama. All the other plot lines felt flat when compared - there were just too many characters that at the end of the day, were relaying the same message. Dropping some characters from the script, and allowing the rest to present better structured and developed plot lines could have potentially elevated the quality of the overall storytelling.

The production quality was, dare I say, perfect. Props to Song Kang double and the director for filming the ballet scenes in a way that was consistent and it did not feel like I’m watching two completely different people doing completely separate takes of the same scene.

The OST is one big bop, having both slower and sentimental songs and faster tracks.

Overall, it was a ride that, at times, was tough to emotionally deal with, but still worth all the tears. It did not leave me completely depressed, as I was fearing, taking into consideration the used themes. What I’ve got was a beautiful conclusion to a beautiful story.

Read More

Fast, fun, and already fading.

Almost worked, but not quite right. The characters were fun, the set up was interesting, the chemistry did sparkle a few times, but why do I feel so unsatisfied with what I’ve got?

What I enjoyed was the curse of extremes - I liked how they presented both bad luck and good fortune as potential sources of negativity and isolation. On one hand Fukuhara Kota kept to himself, because he was afraid of affecting others with misfortune. On the other hand Naoya struggled with creating deep connections with people after countless bad experiences of being exploited because of his good luck.

The grass is never greener on the other side, it’s green where it’s taken care of. It was great to witness how the characters slowly come to that conclusion. They learned how to change perspectives as a way of dealing with their circumstances. Instead of running away from potential issues, they focused on the positive outcomes they previously neglected.

When I think about the characters as individuals though, Fukuhara Kota was quite confusing. Technically they told me he built a fake personality as a way to protect himself, but I don’t think they were truly clear about what aspects of how he acts were fake and what was real. The drama opened with him approaching Naoya with the “fake”, but later when he shows his true self, it’s not really much different - he still is bubbly, overexcited about certain things… The only difference is how he lets himself explore and present frustration which he was more likely to conceal before. That said, I did adore the inside voice commentary Kota kept giving whenever something he disliked happened, but he still wanted to play fake nice about it.

Then we have Shinomiya Naoya lacking some depth. I wish they dived deeper into his insecurities concerning his good luck and how he kept being used by people around him. We did not really get much of it and he was a bit too perfect for me liking. Patient, caring, nice - I cannot even name any flaw in the character. And the flaws are what makes them feel real.

The romance was surprisingly the weakest part. Kota was so hyperactive and animated it was hard to truly get into his chemistry with more laid back Naoya - they did not keep the tension between the characters, always breaking it with some overexaggerated reactions from Kota. While I did enjoy the few looks of adoration Naoya delivered, overall there was something missing… I feel like many scenes did not use the full potential of the set up presented and it was always somehow half-baked.

I did like all the performances, be it from the main cast or the supporting one. Even with limited screentime and their stories not being shown, Naoya’s friends did feel like distinctive individuals.

Overall, this was an extremely fun and fast watch that I will equally extremely fast forget.

Read More

Way more slice of life than I thought it would be.

Even though there is no comedy genre, I somehow went into it thinking it would be far more silly in terms of plot, characters and relationship. What I’ve got had far more depth and complexity and even if I disagreed with certain choices, I understood where they were coming from. Be it result of miscommunication, fear, insecurity, need for growth, care or love - nothing felt arbitrary.

But also, not this drama turning me into a redditor screaming “divorce!”, “break up!”, “move on!”. The conflicts were so annoyingly real it was impossible not to connect to the characters and experience what they are feeling. Be it fear of losing or starting a relationship, shame concerning their own desires and wants, incompatibility - whatever the core of the issue was, they managed to present it in an easy to understand and relatable manner.

Maybe because the characters and conflicts had so much depth I did not feel fully satisfied? These 8 episodes were enough to give me set up and proper closure, but not enough development.

As for the sex - yes, there is sex in the drama. Quite a lot of it. No, it’s not “artsy blurred make out scenes ending on hand holding”. The sex scenes are actually really… normal. Which is kind of the point of the show - sex is normal. What surprised me was the almost complete lack of nudity. Even during the scenes we know characters are naked, we don’t really see much thanks to the well planned camera work and use of props.

Acting wise - I dare anyone to have any complaints. No matter how normal or eccentric the characters might have been, how exciting, mundane, heartbreaking or uplifting were the moments in their lives, the actors delivered.

I saw many people describe this drama as educational, which I would for sure agree with, but I think it’s more about encouraging reflection about topics like sex, intimacy, honesty, communication, relationships, setbacks and traumas. It’s not just “sex lessons”, it’s life lessons and sex is just a part of it.

Read More

What the author had in mind?

First thing first: trigger warning for real animal cruelty. Damn 2000's was a different time for this movie to be able to exist. It's mostly fish, but they are not that nice towards dog, bird and frog either...

This movie is kind of hypnotising - you cannot stop watching not matter how gross and weird it gets. You question everything and yet you don't hit that pause button. I think the depth of that movie is hidden deep down in the mind of the author. Is this deep symbolism, or is it a shallow pretentious symbolism? I don't know.

The movie has little to no dialogue and yet it was directed in a way I did understand easily what was going on and what the characters were thinking and feeling (it was all fucked up, but I could grasp it). It's a story of two broken people becoming more broken and more fucked up.

The acting was great, not gonna lie. Seo Jung as Hee Jin was simply disturbing.

Overall... that was quite an experience and I don't think I know even one person I would recommend this movie to.

Read More

Going into this show one needs to understand this is not really a dating show. It definitely focuses on the hardships of existing couples and any “dates” seem more like a distraction from what’s going on. You won’t really get butterflies watching it, there is no “hot tea” of who likes whom and why. It’s more frustration, pain and a lot of sadness and this is kind of why I liked it.

Quite quickly you can figure out no new couples will form here. While the dates provide a new perspective for the couples to view their own relationship, it would be painfully ridiculous and unrealistic for any of these people to fall in love with a new person in just two weeks. And that’s one of the aspects I did not like - short duration. I honestly don’t think 2 weeks is enough of a time for a show with a premise like that. It probably would be better if the filming took a month - just keep them all in Seoul and let them go to work, so they don’t take a full 2 weeks off.

Because the duration was so short, a lot of things felt rushed and we kind of got bombarded with new developments, constant arguments and unresolved issues. I cannot even imagine how exhausting it must have been for the participants.

That said, it’s still a surprisingly great show. Somehow, no matter how flawed the relationships might have been, I rooted for most of them to stay together. It was nice to watch them learn how to communicate with each other and appreciate the bond they have.

Read More

Bumpy road with not so smooth storytelling.

Copycat Killer is for sure not anything groundbreaking, but it has its charm thanks to the 90’ set up and great performances.

It’s best to watch it without trying to figure it all out. If you start to pay too much attention to the plot and certain details, you’ll start to get more and more frustrated. Yes, it’s the case of poorly done detective work and letting the killer get away a few too many times before the final face off. If you just go with the flow, it’s a rather entertaining watch and game of wits from people who don't really have that much wits in the first place.

Honestly speaking, I truly enjoyed the first 3 and last 3 episodes, but the middle part was just not well constructed and, at least for me, it failed to connect the initial set up to the given conclusion. All the revelations made sense, but they never truly felt earned. I also wished we had more background on the mastermind, more information and explanation for his motives. They spent a lot of time developing things that by the end did not matter as much as the vital aspect that were left underdeveloped.

Copycat Kill in a not so subtle way delivers a message about the biased portrayal of victims in media and the negative consequences of chasing after topics, disregarding feelings of people who are involved. While the message was clear, even that felt a bit wishy-washy in the presentation.

Best aspect of the drama? Undoubtedly the performances. Chris Wu aced the role of the justice driven, hardworking prosecutor with a tragic past. The raw emotions and vulnerability he delivered on screen amazed me quite a few times. That was truly a one man story. Technically speaking there were 7 main characters, but by the end of the show, everyone seemed like a supporting character for Guo Xiao Qi’s journey.

Personally, I loved the production quality. Great and detailed set designs, beautiful use of lighting, smooth editing and transitions between scenes. The 90’ aesthetics were presented in a realistic way without making the show look dated. The few gore scenes had perfectly done makeup and practical effects. It's not over the top graphic just to shock the audience, but it also does not shy away from the reality of the gruesome crime.

Overall, a nice watch. Nothing thrilling enough that would make you binge watch in one sitting, but something that might make you want to watch an episode every few days.

Read More

The initial hesitation and resignation I felt when I started watching, turned into interest and excitement by the end. I mean, I did not think a group of annoying and obnoxious teens that are basically asking to be killed could make a fun watch - I was wrong.

Somehow, I slowly got invested. I honestly didn’t care who would survive, I just wanted a few dead, and after each vote I got more and more anxious and annoyed - what if they will survive? Not really caring about these kids is actually a good thing. This movie is not made to awaken empathy in viewers, it’s not deep, and does not serve as social commentary. You are here for the thrills of who will die and who will survive the mind games.

What I also liked about this story is how we saw both the participants and the operators' perspective. Personally, I think it made the movie more digestible.

Acting was good. I don’t think it needed strong performances. Asakura Fuyuna was probably my favorite.

Overall, surprisingly fun, building the tension and thrills as it goes with a great ending that actually made me appreciate it even more.

Read More

Being brave does not mean not being afraid...

It means doing what's right despite your fears. Great message for a movie that obviously has kids as their target audience. And for kids I would for sure recommend it.

It was painfully cheesy, especially the ending. The messages were literally slapped into my face, no ambiguity, no need to dwell on them more. The power of love, care, friendship, bravery, apology, reconciliation - everything kids should be learning about, you have it here.

Watanabe Kei is honestly a great character - usure and scared, but willing to learn and improve if it means helping others and saving his younger brother. He is not a perfect hero, he is a normal kid that other children can relate to. What helps is also an amazing performance from Terada Kokoro - this child knows how to scream and has actually great comedic and dramatic skills.

Production was nice, typical for fantasy movies for younger audiences, focused on the practical makeup and costumes with CGI just as an addition slapped on top.

Overall, while I obviously was not in mind of the creators when they made it, I still had a great time and even cried by the end. As cheesy as it was, it’s a nice and simple story that can teach kids some life lessons.

Read More

Another nonsensical movie for the win.

The most surprising thing is: it was not that bad at the beginning. I would even call it decent. I went into it thinking “piranhaconda”, but got an opening of a not bad disaster movie. The joy did not last though, and it turned into a full on laughter about all the absurdities.

Trying to find logic and realism would be harder than finding Wally with blindfold on. Truly nothing made sense. The villain was comical, the physics did not work, the crocodile had some magical powers to do all the stunts he did. Most characters had a negative will to live too. As brainless as it was, I did have fun watching.

My favorite part was when the crocodile was running wild and everyone on set was looking everywhere, but the crocodile. Obviously they did not even use a toy electric car to give the actors indication where the animal is supposed to be at any given scene - unintentional comedy goals.

Have to say though, while the CGI was not great, it was actually better than many Chinese wuxia shows I have seen. Easier to make it decent with all the dark sets - you can care less about the details. Still, surprised with the not awful quality.

Overall, it’s a good fun watch with a group of friends. You can place bets on who will die first too, or who will survive till the end.

Read More

Vast improvement in storytelling compared to previous movies.

I always had exactly the same issue with Whispering Corridors - they always try to make the audience question if the events happening are the result of supernatural or not, but they also always dump over the top spooky stuff in the last 15 minutes. Here, the pacing and storytelling was more gradual and the ending actually gave a solid answer to the events happening.

For sure my favorite installment. You still need to pay more attention than while watching other horror movies to get the story and not get confused by anything, but it is possible to truly understand everything, and that’s something I cannot say about all Whispering Corridors films. The Humming was simply a solid plot with good storytelling.

It does tackle some triggering issues (TW in the comment under spoiler), but it’s not explicit - they set it so everyone knows what happened, but they don’t slap you in the face with scenes you would rather not see. Can’t say the same about gore - while nothing bothered me (I’m not exactly easily grossed out), there is some blood, there are some mutilated bodies. Nothing too intense, but better know about it before picking up the movie. Especially since the previous Whispering Corridors movies were not exactly known for bloody content.

I liked the acting a lot. A lot of characters were rather basic, but Kim Seo Hyung as Noh Eun Hee delivered a perfect performance. Well presented gradual transition of where the characters started and where it ended.

Production wise it was a well made horror, honestly nothing spectacular. Two semi-jumpscares bothered me, because they were painfully unnecessary and cheap. Glad we did not get more of it.

Overall, that’s the Whispering Corridor movie I would recommend with no regrets. You can skip all the rest.

Read More

Love the sismance, hate the dad.

One thing for sure - the dad in this movie will not win the award for the best father. While the sismance between the three sisters was amazing, I kept getting slightly frustrated every time they mentioned the dad, and how little reaction everyone had with the fact he had basically 3 different families in 3 different countries.

Hsia Ru Shu? A saint. The way she just took everything in, did not really complain much, never freaked out or yelled at anyone - is this emotionally detached reaction even possible in real life? It’s not that she did not care, just just accepted everything, as if it’s normal. Maybe it just shows her attitude towards her father at the beginning of the movie - she had such little expectations, even a big news like that did nothing to faze her.

That said, I did love her interaction and bond with the other two sisters. I loved how fast they clicked, and more realistic and emotional reactions from any of them would make it far less enjoyable. As long as I did not try to dive deep into their current situation, and just enjoyed what was happening on screen - it’s quite a well paced and moving journey.

The one thing I disliked about the show were the countless excuses made for the dad. I had no issue with him being a questionable parent, my issue was the fact they tried to make him look like a good, but misunderstood one - which was not true. The framing matters, and I hated it here.

One of the best parts of the movie? How visually beautiful it was. I am one that appreciates nice shots a lot. I’m willing to watch a bad movie, as long as it’s beautifully done. This had both good writing and amazing filming.

Performance wise, I especially enjoyed Sammi Cheng and Megan Lai. Their emotional delivery, even though quite different, just worked so well with who the characters they were playing are.

Overall, I would definitely recommend it. There is not much plot, and the whole movie focuses on forming relationships, grieving, reconnecting with people in your life and letting go of past misunderstandings and regrets.

Read More

Why did it feel like a comedy?

Something about pathetic people thinking they are "all that" makes me laugh. I don’t think I ever laughed so much watching a film focused on so much murder, blood, gore and all the other awful things you can think of.

While I was rather entertained watching, this was not enough content for an over 2 hours movie, especially since this had less depth than a puddle. And there was some good potential, don’t get me wrong. Better writing could make it into some solid psychological thriller.

The thing I enjoyed the most about the movie was how amazingly sloppy Bayu was in ALL aspects of his life. Nomura Shuhei was not much better, but some practice made him deal with issues just slightly better.

The performances were good. Kitamura Kazuki’s english delivery was so exaggerated, it added to how hilarious the whole movie was. Loved Oka Antara and his portrayal of Bayu.

I did like some directing choices, especially the opening kill and the plastic bag shots. The last scene gave me a low budget bollywood, and it was the cherry on top I needed.

Overall, I had fun, I would have liked it more if it was shorter by at least 20 minutes.

Read More