Kate

They were milking the denial so hard it became exhausting.

It started great, but then they could not handle their own conflict well enough. I am honestly not sure if the issue was the writing, directing or the delivery from actors themselves, but something did not work.

I loved it at first. I was ready for the soft angst and pinning, instead in the second half I got a lot of annoyance and running in a circles. This could work, but I don’t think Amemiya Kakeru as the skillset to deliver that internal conflict of wanting to be with Yokoi Minato and being scared it would ruin what they already had, while also somehow trying to gaslight himself into believing he does see Minato as just best friend. A lot to handle for a rookie actor. While I saw a lot of love in Minato’s eyes, I mostly saw hesitation in Wataru’s and I am not sure it’s because of the character’s feelings, and not just the actor being confused how to deliver a cohesive performance. Amemiya Kakeru was not bad, but rather than amazing performance I’ve got a good potential.

Supporting characters were all rather shallow, I remember not one of them. Maybe the photo studio boss and the little son.

Plotwise, they were milking the denial so hard it became exhausting. I usually have no problem with characters not allowing themselves to admit to their feelings, and even when they do, not acting on them. But I feel it should be built on some underlying angst and hesitation of what could be and what they can lose. But here the feelings felt quite shallow. I don’t think I was fully convinced by this romance. It felt more platonic on one side. While I understand they both have feelings for each other, after finishing the drama I keep having this feeling: Was Wataru afraid of getting into a relationship because it might ruin the friendship, or did he get into a relationship because he was afraid of losing his best friend? I know it’s not the case, but with the presentation I cannot stop thinking it’s too much of a fitting possibility.

Then we have the issue with the structure of the story, for example: there was one episode filled with flashbacks, usually used to sum up the whole show before the conclusion or provide additional perspective, but it gave me neither and did not do much to push the story forward or change the dynamics. Or when the majority of the episodes focus on the flashbacks of the past and conclude on confession in the present, but they did not establish at all what change in present timeline for the confession to happen - what pushed the character to do it.

Production wise, the drama was pretty, but there were some editing and lighting issues. Ending scene in episode 3? What exactly happened? It feels like they filmed during the day and then edited it to look like night post-production… but it didn’t quite work out.

It was a nice show, but being too long ruined the experience. Some dramas truly should stick to 6 episodes, if it’s all the plot can fill.

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How did this movie happen?

This is literally the quality of writing we get from poorly done high school PSAs. The movie was confusing from start to finished, and not because of the complex plot, rather because of the unnatural, dumb decisions that characters were making.

I start with the good, because there was literally only one good thing about this movie - Lee Hak Joo’s acting A+, acting the role, 10/10 would recommend.

To the bad. Let’s start with the female lead. Even the most dumb person who always dies first in horror movies is smarter than her. And as much as I know Kang Ye Won is a lovely person, her acting here classifies as tragic. This was the worst performance I have seen in any Korean production.

Then we have the most ridiculous and random plot twists dropped left and right closer to the end, which made the movie even less realistic. I could barely take it seriously from the start, but this just made it a whole new level of clownery.

Overall, god bless Lee Hak Joo and his acting, but I would recommend everyone to stay away from this movie.

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The genres that are not quite fitting.

Honestly speaking, this is far more of a comedy drama, and I don’t see many thriller elements in it. The poster presents what the mood of the movie will be far more than the genres listed, so take that into consideration when watching.

I have to say, it’s been a while since a movie made me so excited to watch. I was interested in the characters, in the court case, in the truth behind the case. Each element was so well written and constructed, and intertwined into the overall plot, there wasn’t a second wasted of the screen time.

The movie seems like a low key battlefield between the professional judge who forgot the core aspect of her work and a Juror 8, who got himself involved in the case and now simply wants to do a good job with it.

The aspect I enjoyed the most was the character development and clever ways they indicated how and when specific Juror’s started to be more engaged in the case. Especially Choi Yeong Jae, with whom they did a brilliant job.

The acting was amazing. Not surprised with a cast like that. Having great and well established actors playing supporting, and even guest roles made each scene truly enjoyable. Big props to Seo Hyun Woo, even though he did not have that much screen time, his depiction of the defendant was stellar.

Is the movie realistic? Definitely not. I do believe the comedic leaning makes it okay though. It still presents the importance of the job jury has, the potential issues in the system, but also the benefits it might bring, while adding a lot of entertainment with the exaggerated scenarios.

On the other hand, saying it’s even loosely based on the original story is nothing but misleading. The cases are nothing alike, the result is not the same, the behavior of the jury is completely different. It especially bothered me with the last narration on the screen, where they mixed the events of the show with real life statistics - it was simply confusing. Before I did some research, I was sure that part describes the real life case from 2008, which was not correct. Hence I’m not sure selling it even to that extent as being related to real events was a wise choice.

Overall, extremely exciting, interesting and engaging. Has some amazing situational comedy, but does not forget to have good content behind the jokes.

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Morally gray and painfully human.

Not gonna lie, this drama has one of the most misleading synopsis and posters. By all means this is not really a revenge drama, it’s scheming the con artists type of a story. Inflicting pain? Does not really take center stage at all. It felt far more like a constant survival for everyone involved - be it in the present or past timeline, bad or good guys.

The biggest highlights of the drama for me were how the story unfolded and how many well delivered plot twists were added. Who is involved, what are their motivations, with whom they align - the writing keeps you on your toes always trying to guess future developments. Are the good guys actually good? Are the bad guys truly that awful? Can a person be both the perpetrator and the victim at the same time? Can a victim turn into a perpetrator?

I also loved how clumsy the female leads were. It just made sense - they are not criminals, they are normal women who got themselves involved in a situation you cannot truly prepare for. They made many mistakes, overlooked certain aspects of their plans. At times it was frustrating, sometimes funny, sometimes scary. Especially with how vile the villains actually were.

As the drama progressed, rather than anyone winning, I just wanted it all to end, for the sake of the victims. Seeing how far they can go, how deeper into unethical ways they drive - it was more sad than freeing and rewarding.

About the villains - let them burn in hell. As awful as they were to watch, the scenes depicting the crimes and how the young girls were treated were truly effective. Just telling me what happened to them would not have even half of the emotional impact on me. Rather than gore that comes from the revenge part of the plot, the abuse in the past timeline is the true horror.

For the good parts, I have to talk about the acting - phenomenal. It's hard to pick my favorite performance. Whenever we talk about the desperation from Wang Hui Chun and Chao Ching, egocentrism driven by the will to survive in Chang Shih Ka, pure greed in Chang Chia Feng, or the shattered innocence of the teens - everyone delivered exactly what they needed.

Production wise it was also great. I always appreciate when there is a certain balance between aesthetic and more stale/mundane shots. Maybe I am weird, but I dislike when the dramas look like music videos where every second is highly stylized - it’s distracting. Knowing what and when to highlight is a skill.

The drama is obviously not without flaws - no drama is. Starting with a bit of uneven tone. Two aspects I love actually did not form a good synergy. The clumsiness and at times borderline silliness of the mother’s plan at the beginning stages mixed with the horror and realism of what the teens went through seemed odd.

Then we had the absurd last episode - not the biggest fan of the conclusion and the open door for another season. I just cannot see how they will carry the resurrection and revenge theme, and without these, it will be a completely different drama.

Overall, definitely a refreshing drama. While the portrayal of abuse and crime is ever-present in the majority of shows (even rom-com have their own murder mysteries), this level of realism is not common. One one had it made the drama that much more intense, on the other hand it’s for sure not a title everyone can watch.

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There is no justice when seeking revenge.

Revenge will never give you a peace of mind, because it will always create victims that will hunt you till their last day. Never ending spiral of survival in the world that does not care.

It’s a drama that requires a lot of patience - 10 episodes in I still felt rather clueless about the past events and their impact on the current timeline. Maybe not completely blind, for sure not seeing the big picture thought. The writer takes their sweet time to explain the murders, their motive, connection between victims and the wanted outcome depending on the side. While the actual explanation is more or less spoon-fed to the audience, it does not feel like they tried to insult my lack of perception, but rather elaborate on the vague idea I already had in my head. It was delivered in a way that seemed appropriate taking into consideration the long and detailed set up.

I am not sure how much of a main character Qu San Geng was. For me I saw him more like a vessel for narration. While the story directly impacted him, somehow he seemed a little bit detached from it. Technically he was the force driving the investigation forward, so why does his presence feel so passive? I’m not mad about it, I think he served his purpose perfectly, but maybe I just expected to connect to his character a little bit more?

Ripe Town is a story about injustice - be it legal or social. About the power of status and money. About idealistic ideas that are crushed by reality. This is not a fun investigation, one could even say the ending feels unsatisfying. But that unsatisfying ending actually perfectly fits the story. I felt deeply frustrated more than once and even the more lighthearted moments left a bitter taste in my mouth.

That said, it was not all pain and suffering. Thanks to many interesting main and supporting characters, I can with full confidence say it was an enjoyable watch. Song Chen easily being the best of them all - not exactly good, but definitely not bad. Sticking to his convictions and morals. I also really like the “sidekick trio” Leng Gui Er, Gao Shi Cong and Feng Ke Zhui. Their dynamics were the ray of sunshine and fun that gave me a little bit of peace of mind.

One thing the drama did a phenomenal job with was making me switch my opinions about characters back and forth depending on the amount of information I had. It clearly shows the depth of the story and the characters’ actions. Nothing is quite as black and white as it may seem.

Performance wise, Yu Yao as Lu Zhi was probably my favorite along with Ning Li and Bai Yu Fan. Personally these 3 were the true main characters for me, and everyone kind of faded into background compared.

As for the production, I loved the color schemes used - the grays, blues and greens with hints of warm tones from lanterns created a somber and grim picture that accompanied the at times bleak reality of the characters.

Overall, I would for sure recommend it, but it is better as a binge watch. Be patient with how the story unfolds, you will get your conclusions at the right time.

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Could've been a thrilling ride or an emotional journey. Wanted to be both so it became neither.

It might be a “me problem” since I caught myself having similar complaints about other dramas too - they are not simple enough. And this is also how I felt watching this show.

On one hand it was a crime “who did it” mystery with twists and new revelations at every turn. We followed a few characters, all with their individual stories that at the end connect into a whole picture. On the other hand it’s a one man psychological drama about how obsession over your own regrets can affect your life and lead you to a point of no return. And these two just did not mash well for me.

The tension was rising when the plot was following the mystery bits, but then we got a full on episode that seemed like a borderline slice of life drama of romance between Xiang Dong and Fen Fang. Then we go back to mystery, but we focus on a completely different set of characters, and then come back to Xiang Dong and turn it into a character driven show. But then again we are back to following Yong Hong, Yao Xin and Wen Guo and I was getting whiplash from all these switches. Whenever I got interested in the “who done it” aspect, I was put back on the path of Xiang Dong’s obsession. When I was getting invested in his character, they switched the focus completely to someone else.

I really enjoyed all the elements, characters, plots and themes. The stakes were high, the progression of the plot made sense. The acting was fantastic, but I just could not get that invested with all that switching of the focus points.

Directing and production wise it was visually beautiful, but unreal about intentions from time to time. Some scenes had your typical grand revelation editing, but the content of what was shown was obvious by all the previous hints given. I honestly did not know if it was stylistically overdramatized for no reason, or if it was the big revelation because the writer thinks I am an idiot and did not figure it out a few episodes ago with all the obvious hints…

Overall, I still believe it’s a solid show. It has its ups and downs, but it can for sure maintain your attention and interest.

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Love can truly cure everything.

We had love curing depression, anxiety, cancer - this time we take on insomnia! Surprisingly, it did make sense.

Not gonna lie, this is not some unexpected, fresh masterpiece, but it has a really calming and… sentimental vibe to it. It does feel like a snippet of a larger story. The characters have far more complexity and depth based on their background and past, that is sadly not shown because of the short format.

We get a lot of answers for “what”, but not many for “why”. We know what the characters are struggling with, but not why it happened, especially with Dong Uk. They hint the fact he feels lonely and somehow unsafe - why though? The whys are the interesting part.

Long story short, it’s a story about two people who provide each other solace and warmth. Story that is well presented - be it pacing, directing or editing. The acting was also really good.

That said, some choices were… questionable. Random new person with dialogues, but no face - why? Then we have the kissing scenes. The actors were obviously not uncomfortable, since we’ve got one “normal” one, so why were the rest so bizarre in comparison - more or less stale shots from behind the back of the characters showing… nothing.

Overall, short and sweet, High mid.

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It’s fine to hurt people, if you were hurt first - all forgotten and forgiven…

What a hot mess this show is. I am amazed.

I won’t lie, the drama was entertaining. But I also find C class horror movies entertaining. Entertainment does not truly equal quality. I was in a constant state of confusion, and that’s what made it fun.

First of all, I still do not understand when Lee Shin A started to have feelings for Noh Go Jin. She was already liking him before he started to act like a human being and not a psychopath. What made her attracted to him? Was it just his handsome face? I cannot comprehend it. It’s not the case of “he seemed cold, but he showed warmths towards her, so she started to see the good in him” - she was already into him when the tiny bits of goodness started to force their way out of the depth of his trauma and trash personality.

About trash personality and excusing bad behavior because of a painful past - that was a whole ass trend in this show. Except for Lee Shin A, LITERALLY every significant character acted shady and did bad things because of either their current bad situation or past issues. And then it was forgotten and forgiven. The level of scheming was a bit too big for such a sweet resolution if you ask me. Consequences of your actions? Don’t know them.

While the romance had rather good pacing, and even though I do not understand Shin A’s reasoning, I can see a proper progression of both of their feelings. I cannot say the same thing about the mystery aspect of the drama. For the longest time the writer makes you believe male lead is a naive idiot who ignores all the red flags of everything wrong happening around him, when in fact everything was happening behind the scenes, outside of script, probably only in the writer’s imagination. We see none of the process, just the results and it’s so fucking unsatisfying.

I did like a lot of supporting characters. I found every teacher in the academy unique and entertaining. I liked that they were written to stand out on their own and not just fill the space. The side plot for the ex-secretaries was also endearing, especially with their inside woman ;)

The acting was good. Nothing amazing, but I did not have any bigger issues either.

Overall, there are so many better rom-coms, I cannot recommend it with a clear conscience.

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If you look at all the separate scenes, if you describe the plot, if you look at most of the acting alone: this is a great movie. What’s the issue then? It was glued together with an old chewing gum - it just does not stick together. All scenes felt disjointed, nothing transitioned smoothly and it ended up as a confusing mess.

Honestly, what was wrong with these weird transitions between scenes? They showed a really well acted, emotional scene - a dialogue of a mother describing her pain of losing her child who went missing. But in the middle of it, they just cut to flashback of her looking for the child on the day she disappeared - all the emotional impact gone with this weird cut. And then they came back to the mother now describing what was shown… So why even show it? Usually I’m more of a show don’t tell, but here the tell was important, because the emotions the mother was feeling were the focus.

It would be a decent thriller if they did a better job in the post production and completely removed the laughable supernatural elements. It’s not like the plot could not happen without that aspect and it didn't even take that much screen time anyway. It was just another not well executed idea the writer and director had…

The detective was amazingly hot, so that’s a plus I guess.

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It feels like a passion project for someone who really dreams of making movies…

but are not quite there in terms of skills.
I could feel that a lot of care was put into this movie and it was taken seriously. I could also feel all the limited resources and how they impacted the final result. The plot had quite a number of twists, but the writing and directing was not smooth and detailed enough to truly tell the story well.

I think one of the biggest issues I had was the fact, I was not exactly on board with male lead. I don’t know how old he is supposed to be, but clearly old enough to know better. Yet he acted like a teenage boy. Sure, his mother would not win an award for the best parent, but he completely disregarded her struggles and just dumped all his grievances - whenever justified or not - on her. Dude had some issues and I struggled with rooting for him.

As for the storytelling - it was a bit confusing. The main lead investigates the attack on his grandpa, keeps referring to the attacker as a killer, barely does anything, but still finds more information than the police? And there is also a dirty lady in the forest that lurks here and there. Also a lot of focus on romance and romantic feelings people have. It all does make sense at the end, but to get there, you need to truly push forward feeling like nothing connects and it’s just a few random scenes put together.

Every character had their traumas, and they yelled about their traumas… and yet we as viewers did not really know what said traumas were. Everything felt extremely detached and awkward because of that.

The acting was decent. Some actors did better than the others, some scenes and lines felt more natural than the rest. Nothing major to praise nor to complain about.

The production was kind of all over the place. The transitions between the scenes were distracting and rough. They had hard-cut the background music during some scenes, not to mention some choices of the songs were rather questionable. The views though, some were quite beautiful. Also… I was over 6 minutes into the movie and they still kept showing credits here and there…

Overall, it dragged painfully. 30 minutes in I felt like I already watched 2 hours. It picks up by the end, but I feel like too much information and actions are dumped in that last 20 minutes so the whole pacing of the movie is off.

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Fanfic like story we all crave in the middle of the night.

I have hardly any thoughts about this show except for the fact that the female lead was amazing and the character deserves a full length drama. Strong, smart, confident - we need it.

The political schemes are complex as a set up and deserve a more in depth exploration too. The delicious angst this could bring if it was longer - I can only imagine.

The fanfic-like romance between confident and domineering female lead and puppy male lead with deadly skills was everything one might ask from a short show like this.

What surprised me the most was quite decent acting for a short, low budget web drama. This could have been a cringe fest and not fun entertainment if delivered with poor acting.

Overall, confident, hot male lead who? I only know Li Yun Zhen.

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It lacked a big brain energy.

It’s not like I expected realism - I went in to watch a fun action flick and it is more or less what I’ve got. Yet, it still bothered me how little it took for the main character to infiltrate the scammers and how the scale of their project did not match their security.

What’s more, the movie lacked interesting characters. Gwak Pro had some personality and that’s where the list of interesting characters ends. Everyone felt painfully flat and boring.

Truly the best part of On the Line was the behind the scene of how voice phishing works and how many victims may there be with just one fake call center. It’s a good watch for everyone who is on the more gullible side.

That said, the movie serves more as a criticism to the government and the lack of effort and work put into catching the criminals, over a valuable lesson for the viewers. There are no real hints on how to deal with similar issues if they happen in real life, except “hang up” - the issue is, you only hang up when you know something is a scam, and figuring it out is usually the problem.

Acting was fine. Since everything was rather flat, it’s hard not to deliver decent performance.

Overall, I would say a documentary on the similar subject would be a more interesting watch.

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While other shows that center around youth that are set in high school make me glad I’m not in that age group anymore, Twenty-Five Twenty-One made me wish I was back in my late teens with all the glorious cringe, freedom and passion that represent that age. It also hits you hard with the reality of growing up, making me appreciate the memories I have of my younger self.

I think it’s important to know the title of the drama is more of a destination and not an indication about what the plot will be. Most of it is set when Hee Do is a teenager - last year of high school and the beginning of her 20s. We join her on the journey, as she tries to follow her goals and dreams, builds friendships, experiences sweet victories and bitter loses. She is both mature and innocent with her approach to problems and how she interacts with people. Truly a wonderful female lead that could inspire a lot of younger and older audiences.

Baek Yi Jin perfectly represents the time of our life when we are not quite kids anymore, but we still have a long way to becoming adults. New responsibilities are piling up, and you are slowly learning how to handle them. He was also one of the best male leads in the history of Korean dramas - understanding, supportive, pointing out the mistakes in a mature way, which helped Hee Do grow as a person. Was his selflessness too much? I think it served as a quite well structured flaw that led to many interesting internal and external conflicts he was facing.

He was not perfect, taking steps back when he was overwhelmed by the given situation or unsure of the future results. On the other hand completely immersing himself after he makes a decision to take action - these realistic flaws made him an even greater character.

I think it’s also important to mention how great of a job the writer did with Go Yu Rim’s character. She was quite flawed, self-centered at times, extremely insecure - all that led to many unfortunate moments, making her behave in an awful way. Yet, by the end of the show, the majority of the audience adored her, felt sympathy and wished her happiness.

Not only the main characters, but also the supporting cast did a wonderful job. That said, I find it slightly disappointing how little we got to know both Moon Ji Woong and Ji Seung Wan. I think both of them could present an interesting and unique perspective, but they were not really given the chance to do that. Yes, Seung Wan had a few truly moving and inviting further reflection scenes, but overall, she was mostly pushed to the side lines.

The character that I could not fully understand and root for till the end was Hee Do’s mom, Shin Jae Kyung. I found her striving to be a good journalist and presenter rather one-dimensional and boring. Her reasoning often made little sense and her overall stand on the issue seemed a bit artificial - only existing to create some drama between her and her daughter.

Most of the performances were solid, some truly amazing. I’m surprised how well Kim Tae Ri delivered the role of Na Hee Do. It’s honestly not easy to give a believable performance of a teenage girl by a woman in her 30’. She aced the role and no other actress could do as well as she did.

I’m not the biggest fan of Nam Joo Hyuk, granted it had more to do with the roles he took than his performance. That said, he was born to play the role of Baek Yi Jin. He did great with the duality of the character - mature and protective, but at the same time scared and struggling.

Go Yu Rim’s character and her arc was not an easy task, but Bona did the character justice. Probably one of the characters that evokes the most emotions in all the viewers - be it positive or negative.

The only performance that did not convince me at all was Kim So Hyun as an adult Hee Do. Watching her on screen, she had that theater actress characteristics, so I was not exactly surprised when I found out she is in fact a musical theater actress. Theater and dramas demand a completely different approach, and I am not sure she was able to successfully switch from one to the other. Things needed on stage will work against you in front of the camera.

What a beautiful show it was. My screenshots folder is full of amazing pictures. The pacing was perfect - slow enough for me to have time to appreciate the scenes and dialogues, but fast enough to always keep me entertained. Loved the shots that focused on the details, objects, often hands - they at times served as the guidance of what is the center of the scene and where our focus should be.

The arrangement for the song truly perfectly fits the 90’ and early 00’ sentiment. Being perfectly honest, I am not the biggest fan of the music style from these times, but the show could not have a better list of songs. Wonstein’ Your Existence is probably my favorite song from the drama.

Overall, this is far more than just a romantic comedy. I would say the romance, even though presented throughout the show, is not the focus point. It’s a heartwarming story of finding yourself, fighting for your dreams and convictions, creating meaningful relationships and beautiful memories while slowly facing the reality of adulthood.

If it just concluded on the ending of episode 15. I actually think the last scene from that episode would be the superior and more fitting ending. Where is a white truck of doom when you need it? I’d take one dose of amnesia - please let me forget I’ve seen that last episode. Still, the journey was worth it.

If I had to leave with one last complaint - the whole present times storyline was useless and the drama could do without it.

My explanation for the ending and how for me it makes sense in the comment under the review (hidden for spoilers).

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Sadly, not as strong as the first season for quite a few reasons. The leads were probably one of the weakest parts, not to mention villain, cast, romance and pacing. Yes, I did have quite a lot of problems with it. Overall, mess. I was thinking about rating it 7, but the "it's okay" that goes with 6.5 fits my feelings towards the drama more.

VILLAIN
I truly dislike when dramas use the same villain in two seasons, especially if the first season had a nice conclusion. There was nothing exciting about Do Yoon Wan since we already knew him and his motivations. I didn’t have to ask myself "why he does what he does". Not to mention, he was barely in the drama in the first place. You can have a strong villain and not show him much, but the viewers need to have this feeling of him being the puppet master behind the scenes. We did not get that here. They brought him back every time they had to somehow push forward the politics, and I couldn't care less.

Park Min Guk could have saved the drama, since his morally grey way of thinking was like a bridge between Teacher Kim and Yoon Wan. For the longest time he was my favorite character. Him struggling so much kept me interested, and wondered on whose side he will stand on at the end. But even his character was losing his charm the closer to the ending we’ve got. From a complex person, to a shallow, stereotypical greed and pride driven villain to a random quick redemption? How amazingly boring. How amazingly pointless.

CAST/CHARACTERS
I was not feeling Lee Sung Kyung’s acting, especially during the romantic scenes. Her emotional scenes did not evoke any type of emotions in me. She was there, there were a few tears, she screamed a lot, and I was bored. That said, I did see quite a lot of improvement as the drama progressed, so maybe my lack of warm feelings for her at the beginning clouded my judgement.
I cannot be sure if it was her performance or the writing that made me skeptical, since I strongly disliked how her character was written too. Truth to be told, Cha Eun Jae at the beginning episodes was an EXTREMELY bad doctor, and if it depended on me, I’d give her an ultimatum: therapy or I’ll revoke her license. The writer stripped her from the character development she quite deserved. The quick and easy way of solving her problem with placebo killed any chance of Eun Jae overcoming it herself and becoming stronger in the process.
To the second lead. I was extremely excited to see Ahn Hyo Seop in a new project, after what a train wreck Abyss was. I do believe he has a talent for acting and we could see some of it in this project. Sadly, his character did not interest me either. I believe both main characters were either boring or frustrating, but I would blame the writing not the actors themselves for it. Both Eun Jae and Woo Jin had their moments, but it was not enough for me to love or even care for them.

That said, the whole supporting cast was amazing. I liked all the characters and the actors aced the roles. The only supporting cast that left me frustrated by the end was Shim Hye Jin. Her character was extremely inconsistent. The whole show she was portrayed as a person who avoids “drama” and conflicts and unnecessary risk taking. She treated being a doctor as a job she was doing, not an amazing career nor a mission. Last three episodes the writers decided to give her a sad story, a heart and a brain of her own. It was so out of nowhere I questioned if I’m watching the same character. I loved who she became by the end, but the change in her image should be more gradual.

ROMANCE
The main romance did nothing for me. I would much rather see Eun Jae with Bae Moon Jung, or no one... Luckily, the side couple saved the romance part of the drama, stealing the whole spotlight even with the limited screen time they had. There isn’t much to say on this aspect, since not much happened throughout the whole show. It would be better without any romance in the first place. Even my angels Ah Reum and Eun Tak had some unnecessary drama brought in the last two episodes. What was the point of it, will forever be a mystery to me.

PACING
The editing ruined the pacing. We kept jumping from scenes and timelines and it made me confused. Let’s start with the fact that episode 12 and 13 ended up at the almost exact same time on the timeline, and it was confusing af. Remembering how episode 12 ended, I started the next one and had to check if I did not miss anything, because there was no continuation of the plot.

The ending was quite messy, I don’t know what was the goal of non-linear storytelling, but I did not buy it. The few flashback scenes did close to nothing to explain Eun Jae’s condition, nor to present her relationship with Woo Jin and how it all began. We kept getting new hints about the background of certain characters but nothing followed.

Overall, after the amazing show we’ve got with season one, this was simply disappointing and unnecessary. They tried to fit too many storylines, characters, backgrounds so at the end, nothing felt well developed.

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This is not a rom-com, this is life - with all the pain and happiness, traumas and healing.

The way I expected a silly and fun rom-com with a bickering “friends to lovers” couple… The way I got existential crisis and free therapy instead.

Objectively it’s a good drama, subjectively it’s an amazing drama. Undoubtedly it will hit you hard if you share the experiences of the main characters - you will pick up on subtle things, connect seemingly small and not quite related moments of their lives, analyze their behavior and connect to them on an embarrassing level. This happened to me. But I also had enough discussions with people to know where I found meaning, they saw nothing. Scenes that made me write essay long posts were just plot points for others.

For me, this show is a slice of life first, rom-com second. It shows the effects neglectful upbringing and parentification can have on a child and I think that’s something everyone who starts watching should understand. There are a lot of scenes where main leads do not interact. We get a well developed view of the parents’ relationships, neighborhood friendships and even some worklife. This could get boring if what you are looking for is a romantic comedy.

The center of the drama were complex family dynamics. Growing up neglected, growing up with internal and external pressure to succeed. Questions like - how to rebuild a relationship that never really started, how to have conversations with your child, understanding that just because you have good intentions and doing something "for their own good" might actually be the poison that slowly kills them. It was as much of a family drama as it was a romance.

What I loved about Love Next Door is how realistic the characters seemed and how all of them had real flaws that truly negatively affected their lives and relationships. Flaws you can relate to. Seok Ryu being an independent and ambitious woman was not all good. You can be too ambitious and too independent. Seung Hyo was quite egocentric in how he viewed other people’s issues - it was all about how it made him feel, and not how other people felt. I did see a lot of flaws Seok Ryu has in myself, hence with the biased point of you, it was easier for me to understand her and explain her behavior. On the other hand, there were moments I was on the verge of hating Seung Hyo for his behavior, and was saved by great discussions with people who were more accustomed to his point of view. I honestly feel like I had my own character development when I was watching the drama.

I loved how they were spitting facts about many social issues - shading even the leads. I think that's something I especially enjoyed. The leads were not there just to deliver the message, sometimes they were the ones who learn the lessons after they've been called out. Talks about privilege, biased perspective, fears, setbacks, family issues. It's not like one person is right and the other is wrong - both are correct and incorrect at the same time and the trick is to combine all the perspectives to get a whole picture. No one is just privileged or underprivileged, because it depends on what and how you measure and what is important to you.

In the earlier episodes there was quite a lot of talk about the workplace environment, jobs, careers, passions. Victims of workplace abuse viewing their own behavior as the issue, contradicting goals based on preferred outcomes and priorities (idealism vs realism), living to work vs working to live, working long hours because you enjoy what you do vs doing overwork because you feel pressured to do that.

What’s more? There were no villains and assholes - all characters and all relationships were complex and well developed. The more you watched, the more you understood each point of view. Sometimes no one is wrong, you are just different people, you just don’t match, the timing is wrong, life is too hard. Sometimes you cannot meet the expectations and only later you see how they were impossible to meet in the first place.

The variety of relationships? Perfection. Different parenting styles even towards your own children, friendships between older women, fathers, neighbors, childhood friendships, new formed friendships in adulthood - all different in flavor, all entertaining to watch.

Women supporting each other in subtle ways. Honestly, the friendship between the mothers was AMAZING. They were all different, from different economic and professional backgrounds, but you could see how much they care for each other. Even if they were fighting, when one needed help, the others did not even hesitate.

Some of my favorite relationships include: the awkward friendship between Seung Hyo and Dan Ho, heartwarming bond between Seok Ryu and her dad, Geun Sik and Gyeong Jong and their drinking therapy, Hye Suk and Gyeong Jong - the romance I would never expect to love so much, Dan Ho and the most adorable child Yeon Du.

Surprisingly I was extremely invested in all love lines - even for the parents. There were moments in the show when I was actually the most interested in their story and development. For me that’s a clear sign they were not written to just be the background fillers for the main leads.

Love Next Door was the drama that at times made me feel like a judgemental asshole when I formed opinions on the characters even though they barely showed up, just based on my expectations of what’s going to happen, or limited knowledge based on the perspective of other characters. I appreciate that: a drama that makes me question my own behavior.

To the performances - we were blessed. You scroll down that cast list and you know you will get some good acting. My favorite performance actually did not even belong to the main cast. Jo Han Chul and Bae Geun Sik just stole my heart. He was so amazingly expressive and realistic in portraying the character’s struggles and the happiness. I cried when he cried, I laughed when he laughed.

Was it all good? No. Technically speaking it’s a story of both Seung Hyo and Seok Ryu. Practically speaking, she is the main character, and he is there to support her story. It’s a thing that exists in almost all kdramas: the lack of balance in the main couple. Usually one is better developed, faces well constructed conflicts, and has a more detailed story written around them. Here it’s clearly Seok Ryu. It’s her journey and while Seung Hyo takes a large space in it, he is still not as well developed as she is.

What’s more - Bae Dong Jin’s character… wasted opportunity. I wish they spent more time developing his perspective. For most part of the drama he was just annoying and I could not stand him. While by the end I saw his point of view, I wish it was more detailed and hinted at from the start.

Sadly, I am not sure I 100% bought the transition from friends to lovers between Seung Hyo and Seok Ryu. For some reason it felt too jarring. The friends part was amazing, the lovers part was amazing, the transition between the two? Lacking.

Still, what a blast this drama was. Feast for my brain, as I overanalyzed everything. Every time I got scared the drama might start leaning towards the cliches, they surprised me with more realistic portrayal of known tropes. It’s as if they baited me with empty calories, but delivered a healthy and filling meal.

Some of my favorite quotes:

"Why do I... Why do I always have to be your pride and joy? Can't I just be your daughter for once, no matter how pathetic or flawed I might be? Why do I have to cover up for your life?"

"Dreams? Do you think dreams can just be had? Only those who have the luxury to search for them can dream. Those who get the chance to rise again after failure can pursue their dreams."

"You're marvelous. You speak beautifully like a poetry. You;re an idealist who loves dreams more than reality. You're always so full of pride. But do you know where all of that comes from? Privilege."

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