Kate

It lacked a big brain energy.

It’s not like I expected realism - I went in to watch a fun action flick and it is more or less what I’ve got. Yet, it still bothered me how little it took for the main character to infiltrate the scammers and how the scale of their project did not match their security.

What’s more, the movie lacked interesting characters. Gwak Pro had some personality and that’s where the list of interesting characters ends. Everyone felt painfully flat and boring.

Truly the best part of On the Line was the behind the scene of how voice phishing works and how many victims may there be with just one fake call center. It’s a good watch for everyone who is on the more gullible side.

That said, the movie serves more as a criticism to the government and the lack of effort and work put into catching the criminals, over a valuable lesson for the viewers. There are no real hints on how to deal with similar issues if they happen in real life, except “hang up” - the issue is, you only hang up when you know something is a scam, and figuring it out is usually the problem.

Acting was fine. Since everything was rather flat, it’s hard not to deliver decent performance.

Overall, I would say a documentary on the similar subject would be a more interesting watch.

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While other shows that center around youth that are set in high school make me glad I’m not in that age group anymore, Twenty-Five Twenty-One made me wish I was back in my late teens with all the glorious cringe, freedom and passion that represent that age. It also hits you hard with the reality of growing up, making me appreciate the memories I have of my younger self.

I think it’s important to know the title of the drama is more of a destination and not an indication about what the plot will be. Most of it is set when Hee Do is a teenager - last year of high school and the beginning of her 20s. We join her on the journey, as she tries to follow her goals and dreams, builds friendships, experiences sweet victories and bitter loses. She is both mature and innocent with her approach to problems and how she interacts with people. Truly a wonderful female lead that could inspire a lot of younger and older audiences.

Baek Yi Jin perfectly represents the time of our life when we are not quite kids anymore, but we still have a long way to becoming adults. New responsibilities are piling up, and you are slowly learning how to handle them. He was also one of the best male leads in the history of Korean dramas - understanding, supportive, pointing out the mistakes in a mature way, which helped Hee Do grow as a person. Was his selflessness too much? I think it served as a quite well structured flaw that led to many interesting internal and external conflicts he was facing.

He was not perfect, taking steps back when he was overwhelmed by the given situation or unsure of the future results. On the other hand completely immersing himself after he makes a decision to take action - these realistic flaws made him an even greater character.

I think it’s also important to mention how great of a job the writer did with Go Yu Rim’s character. She was quite flawed, self-centered at times, extremely insecure - all that led to many unfortunate moments, making her behave in an awful way. Yet, by the end of the show, the majority of the audience adored her, felt sympathy and wished her happiness.

Not only the main characters, but also the supporting cast did a wonderful job. That said, I find it slightly disappointing how little we got to know both Moon Ji Woong and Ji Seung Wan. I think both of them could present an interesting and unique perspective, but they were not really given the chance to do that. Yes, Seung Wan had a few truly moving and inviting further reflection scenes, but overall, she was mostly pushed to the side lines.

The character that I could not fully understand and root for till the end was Hee Do’s mom, Shin Jae Kyung. I found her striving to be a good journalist and presenter rather one-dimensional and boring. Her reasoning often made little sense and her overall stand on the issue seemed a bit artificial - only existing to create some drama between her and her daughter.

Most of the performances were solid, some truly amazing. I’m surprised how well Kim Tae Ri delivered the role of Na Hee Do. It’s honestly not easy to give a believable performance of a teenage girl by a woman in her 30’. She aced the role and no other actress could do as well as she did.

I’m not the biggest fan of Nam Joo Hyuk, granted it had more to do with the roles he took than his performance. That said, he was born to play the role of Baek Yi Jin. He did great with the duality of the character - mature and protective, but at the same time scared and struggling.

Go Yu Rim’s character and her arc was not an easy task, but Bona did the character justice. Probably one of the characters that evokes the most emotions in all the viewers - be it positive or negative.

The only performance that did not convince me at all was Kim So Hyun as an adult Hee Do. Watching her on screen, she had that theater actress characteristics, so I was not exactly surprised when I found out she is in fact a musical theater actress. Theater and dramas demand a completely different approach, and I am not sure she was able to successfully switch from one to the other. Things needed on stage will work against you in front of the camera.

What a beautiful show it was. My screenshots folder is full of amazing pictures. The pacing was perfect - slow enough for me to have time to appreciate the scenes and dialogues, but fast enough to always keep me entertained. Loved the shots that focused on the details, objects, often hands - they at times served as the guidance of what is the center of the scene and where our focus should be.

The arrangement for the song truly perfectly fits the 90’ and early 00’ sentiment. Being perfectly honest, I am not the biggest fan of the music style from these times, but the show could not have a better list of songs. Wonstein’ Your Existence is probably my favorite song from the drama.

Overall, this is far more than just a romantic comedy. I would say the romance, even though presented throughout the show, is not the focus point. It’s a heartwarming story of finding yourself, fighting for your dreams and convictions, creating meaningful relationships and beautiful memories while slowly facing the reality of adulthood.

If it just concluded on the ending of episode 15. I actually think the last scene from that episode would be the superior and more fitting ending. Where is a white truck of doom when you need it? I’d take one dose of amnesia - please let me forget I’ve seen that last episode. Still, the journey was worth it.

If I had to leave with one last complaint - the whole present times storyline was useless and the drama could do without it.

My explanation for the ending and how for me it makes sense in the comment under the review (hidden for spoilers).

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Sadly, not as strong as the first season for quite a few reasons. The leads were probably one of the weakest parts, not to mention villain, cast, romance and pacing. Yes, I did have quite a lot of problems with it. Overall, mess. I was thinking about rating it 7, but the "it's okay" that goes with 6.5 fits my feelings towards the drama more.

VILLAIN
I truly dislike when dramas use the same villain in two seasons, especially if the first season had a nice conclusion. There was nothing exciting about Do Yoon Wan since we already knew him and his motivations. I didn’t have to ask myself "why he does what he does". Not to mention, he was barely in the drama in the first place. You can have a strong villain and not show him much, but the viewers need to have this feeling of him being the puppet master behind the scenes. We did not get that here. They brought him back every time they had to somehow push forward the politics, and I couldn't care less.

Park Min Guk could have saved the drama, since his morally grey way of thinking was like a bridge between Teacher Kim and Yoon Wan. For the longest time he was my favorite character. Him struggling so much kept me interested, and wondered on whose side he will stand on at the end. But even his character was losing his charm the closer to the ending we’ve got. From a complex person, to a shallow, stereotypical greed and pride driven villain to a random quick redemption? How amazingly boring. How amazingly pointless.

CAST/CHARACTERS
I was not feeling Lee Sung Kyung’s acting, especially during the romantic scenes. Her emotional scenes did not evoke any type of emotions in me. She was there, there were a few tears, she screamed a lot, and I was bored. That said, I did see quite a lot of improvement as the drama progressed, so maybe my lack of warm feelings for her at the beginning clouded my judgement.
I cannot be sure if it was her performance or the writing that made me skeptical, since I strongly disliked how her character was written too. Truth to be told, Cha Eun Jae at the beginning episodes was an EXTREMELY bad doctor, and if it depended on me, I’d give her an ultimatum: therapy or I’ll revoke her license. The writer stripped her from the character development she quite deserved. The quick and easy way of solving her problem with placebo killed any chance of Eun Jae overcoming it herself and becoming stronger in the process.
To the second lead. I was extremely excited to see Ahn Hyo Seop in a new project, after what a train wreck Abyss was. I do believe he has a talent for acting and we could see some of it in this project. Sadly, his character did not interest me either. I believe both main characters were either boring or frustrating, but I would blame the writing not the actors themselves for it. Both Eun Jae and Woo Jin had their moments, but it was not enough for me to love or even care for them.

That said, the whole supporting cast was amazing. I liked all the characters and the actors aced the roles. The only supporting cast that left me frustrated by the end was Shim Hye Jin. Her character was extremely inconsistent. The whole show she was portrayed as a person who avoids “drama” and conflicts and unnecessary risk taking. She treated being a doctor as a job she was doing, not an amazing career nor a mission. Last three episodes the writers decided to give her a sad story, a heart and a brain of her own. It was so out of nowhere I questioned if I’m watching the same character. I loved who she became by the end, but the change in her image should be more gradual.

ROMANCE
The main romance did nothing for me. I would much rather see Eun Jae with Bae Moon Jung, or no one... Luckily, the side couple saved the romance part of the drama, stealing the whole spotlight even with the limited screen time they had. There isn’t much to say on this aspect, since not much happened throughout the whole show. It would be better without any romance in the first place. Even my angels Ah Reum and Eun Tak had some unnecessary drama brought in the last two episodes. What was the point of it, will forever be a mystery to me.

PACING
The editing ruined the pacing. We kept jumping from scenes and timelines and it made me confused. Let’s start with the fact that episode 12 and 13 ended up at the almost exact same time on the timeline, and it was confusing af. Remembering how episode 12 ended, I started the next one and had to check if I did not miss anything, because there was no continuation of the plot.

The ending was quite messy, I don’t know what was the goal of non-linear storytelling, but I did not buy it. The few flashback scenes did close to nothing to explain Eun Jae’s condition, nor to present her relationship with Woo Jin and how it all began. We kept getting new hints about the background of certain characters but nothing followed.

Overall, after the amazing show we’ve got with season one, this was simply disappointing and unnecessary. They tried to fit too many storylines, characters, backgrounds so at the end, nothing felt well developed.

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To quote the drama itself: Ridiculous, huh?

I did enjoy the show a lot for most of it, but the lack of cohesiveness in terms of themes and tone made what could have been an amazing drama, into just a decent one.

Here’s the thing - most of the show did not have one big plot that puts it all together. It felt like a borderline investigation slice of life - and I enjoyed it, but mostly because of the leads. I loved how Jiu Xuan Ye was not this powerful, cold male lead that changes thanks to love. I appreciated how Duan Ban Xia was not this badass lady warrior with no fears. They were both well written characters with great chemistry that felt more like a cosy fireplace than hell fires. Even the supporting characters were enjoyable, not following the typical copy paste filler roles.

Honestly - Ban Xia was perfect. She was so real with her reactions, the effect her traumas had on her, with how her character developed and progressed. One of my favorite female leads so far from the dramas I have seen in 2025. She was both adorable and vulnerable, but also brave. She was not fearless, but she was willing to act despite her fears.

But then the characters are kind of all the show had to offer for me. I know many people loved the demon stories, but for me they tried to both keep them eerie and dark, but also many scenes felt more whimsical and fairytale-like. On paper they worked, emotionally they felt shallow. The tone was neither this nor that and it made me disconnect from the story.

And that leads me to the biggest disappointment - the ending. I’m not even saying the ending was bad because it was bitter sweet. It was just an ending to a completely different drama than I was watching the whole time. While I agree that the theme of sacrifice was present throughout most of the cases, it was always related to sacrificing yourself for the person you love or cherish. So if the drama ended around episode 34-35 with Jiu Xuan Ye using the sword to set it all back to how it was before they met to save Ban Xia - I would be far more okay with it. It would make sense in the context of the show.

But then the last two episodes happened. Why is Jiu Xuan Ye’s conclusion about him saving the demon realm? This was never part of his arc until the last second twist. Why is Ban Xia’s conclusion letting Jiu Xuan leave? When her whole arc was about fighting to be with him - her choosing to stay with him no matter what was her gaining the agency for herself. Because no matter what happened and what everyone said - it was her decision. And now she is like: well, I guess that would be a goodbye.

I just simply do not feel satisfied with the ending, because it does not make much sense for him with how the characters were throughout the episodes. I don’t even want to talk about the fake cheap deaths - that’s another story. The last few episodes are a typical case of ending leaving a bad taste in my mouth, even though most of the meal was great. Sadly, the last bite is what we often remember the most.

No matter how many complaints I might have about the conclusion, I have to compliment the acting. Song Zu Er - she knows how to cry! The angst she delivered was pure perfection. At the same time the bubbly happy moments were also delivered in a way they were charming and fun to watch.

We all know Ren Jia Lun is great. I do think he might need to move away from romance though. My man is 36 years old and still delivered some of the worst kissing scenes.

Overall, somehow disappointed. I wish they would keep the lighter tone till the end. I loved how normal the supernatural plot felt, but then by the end they tried to turn it into something bigger and more grand than they were setting up.

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They went: what can we do? Without thinking: can we deliver?

I don’t think I have ever seen a drama more dramatic, but also one with the least amount of any real stakes. Nothing had any consequences. And at some point it killed all my enjoyment.

You can kill your political opponents in a shady manner and no one cares, there is no investigation, everyone just accepts “it is what it is”. The most important tournament for the whole country had either no rules or the rules were not enforced at all - both cases make no sense. They kept having obstacles presented to them, things they could not do… and they did them anyway… and nothing. Nothing followed, no long lasting consequences, barely any short term consequences.

I think one of the most frustrating aspects was the complete incompetence of the King of Beixuan and how throughout the show no one tried to assassinate his dumb ass, and they even protected him. I cannot be pro leads, when they are pro trash. Truly impressed how the writers managed to make me hate the male lead literally 15 minutes before the drama ended. Just kill the King of Beixuan and let the King of Yannan rule both countries, he is obviously far better for the job.

Overall, the villains and antagonists were painfully poorly written idiots who managed to get/stay in power by pure luck and the lack of investigation and interest from leads to find out what is even happening behind the scenes. None of their plans were smart, the fight between them and the leads were always ridiculous, especially everything that has been happening in Yanna.

Now to the main course: the romance. The way they baited me with enemies to lovers, to deliver almost none of that. They move from enemies to partners in love way too fast. It does not mean there were no conflicts between them, but they were all based on mostly external issues and conflicting priorities. The best part of the enemies to lovers trope is the gradual change of heart, slow burn warming up to each other, pretending like you don’t care, when you do and the soft angst that comes with it.

I also honestly hated how both characters lacked growth and personal development - both as individuals and as a couple. They both loved to set rules for the other, but did not want to follow them themselves. Qi Luo can hide facts and lie, but Xuan Lie has to be truthful on every occasion. Xuan Lie can break premises coz of the “greater good”, but Qi Luo has to keep her word no matter the circumstances. They lacked communication skills and it feels like they never learned from any of their mistakes.

Qi Luo's conviction was protecting her family, but not really, because no one was as good at finding excuses for their questionable choices as she was. Xuan Lie was basically an amoral character. He had no individual moral opinions. He just did what was asked of him - no thought in that brain. The only times when he stood up to dumb ideas was when they concerned Qi Luo, but even then it was never a full defiance.

Qi Min and Qing Kou was a full on clownery that led to nowhere, but at least they were entertaining. To be honest, Qi Min was easily my favorite character. If he was the main lead,the drama would end on episode 2-3 - he was the man of action and convictions and no bullshit (well, there was some bullshit, still he felt like the most decisive character of them all, one that actually made some plans and put work into investigation).

Acting wise it was all over the place. Angelababy delivered one of the most underwhelming performances. There was barely any muscle moving on her face. Song Wei Long tried, but since the writing was not the greatest, him trying was not enough to save the drama.

Production was fine. I like the different styling for the characters that set this drama apart from other costume shows. Wanted to see a bit more desert setting scenes and less palace shenanigans.

Overall, I would not recommend it. It’s not actually good for an enjoyable watch, and not bad/trashy enough for a fun entertainment. It’s just painfully mediocre with a lack of smarts and wits.

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This is not a rom-com, this is life - with all the pain and happiness, traumas and healing.

The way I expected a silly and fun rom-com with a bickering “friends to lovers” couple… The way I got existential crisis and free therapy instead.

Objectively it’s a good drama, subjectively it’s an amazing drama. Undoubtedly it will hit you hard if you share the experiences of the main characters - you will pick up on subtle things, connect seemingly small and not quite related moments of their lives, analyze their behavior and connect to them on an embarrassing level. This happened to me. But I also had enough discussions with people to know where I found meaning, they saw nothing. Scenes that made me write essay long posts were just plot points for others.

For me, this show is a slice of life first, rom-com second. It shows the effects neglectful upbringing and parentification can have on a child and I think that’s something everyone who starts watching should understand. There are a lot of scenes where main leads do not interact. We get a well developed view of the parents’ relationships, neighborhood friendships and even some worklife. This could get boring if what you are looking for is a romantic comedy.

The center of the drama were complex family dynamics. Growing up neglected, growing up with internal and external pressure to succeed. Questions like - how to rebuild a relationship that never really started, how to have conversations with your child, understanding that just because you have good intentions and doing something "for their own good" might actually be the poison that slowly kills them. It was as much of a family drama as it was a romance.

What I loved about Love Next Door is how realistic the characters seemed and how all of them had real flaws that truly negatively affected their lives and relationships. Flaws you can relate to. Seok Ryu being an independent and ambitious woman was not all good. You can be too ambitious and too independent. Seung Hyo was quite egocentric in how he viewed other people’s issues - it was all about how it made him feel, and not how other people felt. I did see a lot of flaws Seok Ryu has in myself, hence with the biased point of you, it was easier for me to understand her and explain her behavior. On the other hand, there were moments I was on the verge of hating Seung Hyo for his behavior, and was saved by great discussions with people who were more accustomed to his point of view. I honestly feel like I had my own character development when I was watching the drama.

I loved how they were spitting facts about many social issues - shading even the leads. I think that's something I especially enjoyed. The leads were not there just to deliver the message, sometimes they were the ones who learn the lessons after they've been called out. Talks about privilege, biased perspective, fears, setbacks, family issues. It's not like one person is right and the other is wrong - both are correct and incorrect at the same time and the trick is to combine all the perspectives to get a whole picture. No one is just privileged or underprivileged, because it depends on what and how you measure and what is important to you.

In the earlier episodes there was quite a lot of talk about the workplace environment, jobs, careers, passions. Victims of workplace abuse viewing their own behavior as the issue, contradicting goals based on preferred outcomes and priorities (idealism vs realism), living to work vs working to live, working long hours because you enjoy what you do vs doing overwork because you feel pressured to do that.

What’s more? There were no villains and assholes - all characters and all relationships were complex and well developed. The more you watched, the more you understood each point of view. Sometimes no one is wrong, you are just different people, you just don’t match, the timing is wrong, life is too hard. Sometimes you cannot meet the expectations and only later you see how they were impossible to meet in the first place.

The variety of relationships? Perfection. Different parenting styles even towards your own children, friendships between older women, fathers, neighbors, childhood friendships, new formed friendships in adulthood - all different in flavor, all entertaining to watch.

Women supporting each other in subtle ways. Honestly, the friendship between the mothers was AMAZING. They were all different, from different economic and professional backgrounds, but you could see how much they care for each other. Even if they were fighting, when one needed help, the others did not even hesitate.

Some of my favorite relationships include: the awkward friendship between Seung Hyo and Dan Ho, heartwarming bond between Seok Ryu and her dad, Geun Sik and Gyeong Jong and their drinking therapy, Hye Suk and Gyeong Jong - the romance I would never expect to love so much, Dan Ho and the most adorable child Yeon Du.

Surprisingly I was extremely invested in all love lines - even for the parents. There were moments in the show when I was actually the most interested in their story and development. For me that’s a clear sign they were not written to just be the background fillers for the main leads.

Love Next Door was the drama that at times made me feel like a judgemental asshole when I formed opinions on the characters even though they barely showed up, just based on my expectations of what’s going to happen, or limited knowledge based on the perspective of other characters. I appreciate that: a drama that makes me question my own behavior.

To the performances - we were blessed. You scroll down that cast list and you know you will get some good acting. My favorite performance actually did not even belong to the main cast. Jo Han Chul and Bae Geun Sik just stole my heart. He was so amazingly expressive and realistic in portraying the character’s struggles and the happiness. I cried when he cried, I laughed when he laughed.

Was it all good? No. Technically speaking it’s a story of both Seung Hyo and Seok Ryu. Practically speaking, she is the main character, and he is there to support her story. It’s a thing that exists in almost all kdramas: the lack of balance in the main couple. Usually one is better developed, faces well constructed conflicts, and has a more detailed story written around them. Here it’s clearly Seok Ryu. It’s her journey and while Seung Hyo takes a large space in it, he is still not as well developed as she is.

What’s more - Bae Dong Jin’s character… wasted opportunity. I wish they spent more time developing his perspective. For most part of the drama he was just annoying and I could not stand him. While by the end I saw his point of view, I wish it was more detailed and hinted at from the start.

Sadly, I am not sure I 100% bought the transition from friends to lovers between Seung Hyo and Seok Ryu. For some reason it felt too jarring. The friends part was amazing, the lovers part was amazing, the transition between the two? Lacking.

Still, what a blast this drama was. Feast for my brain, as I overanalyzed everything. Every time I got scared the drama might start leaning towards the cliches, they surprised me with more realistic portrayal of known tropes. It’s as if they baited me with empty calories, but delivered a healthy and filling meal.

Some of my favorite quotes:

"Why do I... Why do I always have to be your pride and joy? Can't I just be your daughter for once, no matter how pathetic or flawed I might be? Why do I have to cover up for your life?"

"Dreams? Do you think dreams can just be had? Only those who have the luxury to search for them can dream. Those who get the chance to rise again after failure can pursue their dreams."

"You're marvelous. You speak beautifully like a poetry. You;re an idealist who loves dreams more than reality. You're always so full of pride. But do you know where all of that comes from? Privilege."

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We were running a marathon, but the end became a sprint.

What it felt like was watching well paced 1st and 2nd act, and then teleporting on the last line of the 3rd act - as if we skipped a whole bunch of scenes and plot line developments to only get a semi-satisfying conclusion.

When you want a love triangle to become a square ⇢ Dynamics so good you don’t mind any mixes.
Probably one of the best love triangles (squares?) I have seen in kdramas for ages. No matter how I look at it, I believe in that aspect there was nothing to fix nor improve. Seong A with Gyeon U? Seong A with Ji Ho? Gyeon U with Ji Ho? However you mix it, they always delivered fun, heartwarming and entertaining scenes. And if we add one not so bad baddie to the mix, it becomes even more interesting.

You all could be heroes ⇢ Characters with individual charms and great presence.
As I said, all the dynamics worked perfectly, but that’s because these characters were actually well crafted individuals with distinctive personalities. Seong A might have seemed like a shallow cutesy teen, but under that bubbly persona there was so much emotional maturity and patience. Gyeon U might seem like your typical cold male lead with white wall personality, but there was actually so much warmth and determination behind it. And you might fear Ji Ho will be your typical jealous best friend, but this man had more heart in him than a lot of second male leads combined.

Turning casual jogging into race ⇢ When pacing escalates to ridiculous speed.
Up till episode 9 the pacing was amazing - balancing well the different plotline, building relationships, comedic bits and the thrills involving ghost and separate cases. You could clearly see it’s building to something bigger - the grand finale. And that’s where the disappointment lies - the ending. Honestly speaking the last act felt like watching a drama with a 9 years old child with zero attention span fast forwarding the plot to oblivion.

Maybe not everyone deserves a second chance? ⇢ Ending that leave a bad taste in my mouth
There were a few characters that had a bit too good of an ending if you ask me. Some got their “redemption” before the show ended and it all was just too… sweet and disney. I feel like the level of their bad decisions, acts and attitudes did not match the consequences they faced. Some characters had rather overwhelming stories that were concluded in an unsatisfying way. I understand the drama wanted to have a positive message and even the female lead was the pure ray of sunshine and hope, but maybe then they should have toned down the bad guys a little bit.

I actually really appreciated Yeom Hwa as a character. Her story was well built, explanations for her behavior hidden long enough to almost give me a heart attack from all the frustration, but not dragged too long I would drop the drama. Was the conclusion of her story satisfying? No. But then the only thing I truly found satisfying in the last 3 episodes was the comedy.

Fairytale land aesthetics - sometimes Disney, sometimes Grimm. ⇢ Production value fitting the story
I have to appreciate the aesthetics of the show. They knew exactly when to make it all pastel Disney to give us the cute and butterfly inducing moments. But they also knew how to make it more dark, but still well balanced and fitting the overall mood of the show. I must say, I liked the styling of the ghosts a lot and the way shamanism moments were filmed was just CINEMA.

Are you sure you are acting? ⇢ Performances that seemed natural
If I were to pick my favorite performances I’d go with Choo Young Woo (my guy was busy in the drama, delivered in all area, all type of emotions), Choo Ja Hyun (to make me hate a character so bad, and yet still feel pity for them, but yet still wanting them dead is a challenge) and Yoon Byung Hee (while Do Ryeong was mostly there for comedy, there were still many serious scenes, at times with more emotional impact that he was able to deliver perfectly). Cho Yi Hyun did a fantastic job too, don’t get me wrong, but somehow I was more excited for scenes of other characters than hers.

Overall, the ride was exciting and smooth until it wasn’t. The ending feels extremely rushed as if they cut 2 episodes from it. Technically we’ve got all the conclusions, but they mostly felt flat. Still - in terms of the rom-com vibes, it’s a solid A. Not even being a big fan of comedy, it was so good here, it became one of my favorite elements.

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Bad(ly paced story) and Crazy (good comedy and action).

As long as you put your brain on the shelf while watching, you will enjoy it a lot. The portrayal of DID makes no sense, the villain´s skills are so good, they seem magical as they have no grounds in reality, the plot has a number of plot holes, but oh boy, it was an entertaining ride.

Bad and Crazy presents a rather basic story with predictable plots and twists. What saves it are the characters, comedy and the action. The dynamics between Soo Yeol and K are pure entertainment, delivering the laughs and emotional depth I appreciated a lot. Kim Hi Eo Ra and Won Hyun Joon also delivered a solid performance as Russian-Korean drug gang leaders, making me, and other viewers care for them, and wish them at least a bittersweet ending, even taking into consideration their evil deeds.

Sadly, the plot just does not connect. First and second half feel like completely different shows, shifting from an action comedy to a mystery thriller. Plots and characters were gone for a good few episodes, just to bring them back later on, as if it does not create pacing and continuation issues.

The last two episodes serve as a rather mediocre conclusion to the plot. Everything happened too fast with not enough explanation. They dropped all the information on me and I was supposed to just accept it without asking any questions. The moment you start asking , you see how the whole plot crumbles.
About the bad guys - the corrupted, the business duo, the magician. Out of them all, only the Russian drug dealers that were focused on their business and making money were realistic, interesting and made me curious to know more about their past, goals, reasons and motivations. The rest was either predictable and full of cliche or borderline supernatural making it unrealistic.

Performance wise, Wi Ha Joon stole the show. K was the heart, soul and the driving force behind the drama. I laughed, I cried, I fell in love - all thanks to his portrayal. That said, the whole cast did a stellar job with their acting and delivery. I truly could not think of one example of even mediocre acting. With such a cast, it’s not surprising.

The soundtrack just paved the way and got me excited at all the right moments. Not surprisingly, tvN delivered in terms of production value. I especially loved the long corridor shots that represented Ryu Soo Yeol’s consciousness.

Overall, the comedy, K and Boss Yong were the elements I truly loved and appreciated the most. Would recommend it as a fun and entertaining watch. Even if you won’t get absorbed into the plot, you will most likely appreciate the comedy and the action.

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Holding the lantern so others can see.

Through the Darkness is a show that, in a skillful way, shifts the focus from the criminals and their mentality, to profilers and the psychological consequences that their job has on them. Yes, we still get the fair share of why criminals do what they do. We still get the eerie conversations with serial killers - the look into their deranged psyche, but the story focuses more on the interviewer, not the interviewee.

If you are looking for unreasonable wits and close to supernatural skills characters like Sherlock Holmes had in the BBC tv show, you won’t find it there. Profiling wise, it’s as basic as it can get. That’s expected from a show that is based on the book that depicts the beginning of Korea’s first criminal profiling team. And yet, it was never boring.

Song Ha Young was more fascinating of a character than any of the killers and criminals presented combined. The depth of the portrayal thanks to Kim Nam Gil acting was one of the best aspects of the show. The character represented pain, loneliness, desperation, fixation - all that could lead to a tragic outcome without a proper support system.

Kook Young Soo, who became my favorite character, was like an anchor that kept Ha Yeoung grounded. He was a perfectly balanced character - knew the importance of his work, but did not ignore his own needs, health and people around him.

What Through the Darkness does perfectly, is showcasing the variety of realistic characters that have believable flaws, but are never over the top caricatures. We see how some of them might be greedy, full of prejudice, corrupted, but there is a realistic limit to their flaws and how far they are willing to go based on just these characteristics.

The writing was that good. When you have solid source material and people who care not to misrepresent it, you get the quality content. The tension build-up in every episode was just phenomenal. The interviews were just... terrifying. The journey of Ha Young - heartbreaking.

Even the soundtrack leaves nothing to desire. Listening to Lullaby gives me chills and makes me tear up a little bit. Lyrics for Can’t Run Away are the perfect representation of Ha Young’s character, motivation and emotional state. Bloom and Fall Alone made me think about all the victims. Each song elevates different aspects of the story.

If I were to complain about one thing - how little we get Yoon Ji, the reporter. I think her narrative was also really important, since she served as a better connection for the audience to relate to, than the detectives did. How we as society view killers and psychopaths. What kind of narrative gets our attention, and what we find not "interesting". How we ourselves pay more attention to the perpetrators than the victims. I was waiting for her to be a more integral part of the show, but instead she started to show up less and less.

That said, as much as I loved the show, I would not recommend it to people who prefer action and fast pace. This is slow. There are countless scenes of main characters just walking around trying to find clues, observing the surroundings of the places the crimes took place. Ha Young is not this confident cop who is so assured in his skills and position, no criminal can get to him. We watch him waver, we watch him break, but we also see him push forward.

Overall, for me it was close to perfection. Last two episodes made me feel extremely emotional, as I got closer to the end. It was fascinating to see the journey the characters took, and it made me appreciate the people who are willing to step into that dark and twisted world, just to keep others safe.

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Truly amazed with how an interesting story can be ruined with bad directing.

The plot was there, the twist was there, the emotions should be there, but the storytelling was just a mess. There was close to no introduction to the characters and till the end some of their motivations were simply not explained (why was Yool even loyal to Deok Gi?). Scenes were not concluded in a proper way which led to weird jumps in the characters’ arcs progressions. And don’t even make me start on whatever was going on between Yool and Sul Hee, because that made exactly zero sense and was just a massive waste of screen time.

As I was watching Memories of the Sword I thought “Did they lose some files? This literally feels unfinished, as if there are scenes missing”. You know how at school you wrote essays, used different sources and just wrote all the relevant information in, but after rereading it from the top, you saw how some paragraphs just don’t connect and there is no flow to it? That’s this movie.

The two good aspects were visuals and acting, but that’s barely enough to make me finish the movie. In theory, this movie works. If someone showed me the screenshots and described the plot I would assume it’s an amazing movie… but then, the end product I actually watched was a mess.

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Depending on what kind of drama you want to watch, it can either be a hit or a miss. If you want a nice romance with a plot that (more or less) makes sense, Are You Human Too? will make you happy. If you are a big sci-fi fan and that's the reason you want to watch it, it might not meet your expectations.

THE GOOD

Likable characters with realistic flaws.
The majority of the motivations make sense and it makes it easier to put ourselves in the characters’ position. Not all the characters are developed to the same extent, but it's something we can't avoid in dramas - some just take more focus. As long as the mains are there making sense, I am content. Not to mention how refreshing it was to have so many morally gray characters.

The romance.
If you like fluff and cute, this will be one of the nicest shows you have seen. I could clearly see the chemistry between leads, and there isn't any unnecessary love triangle. It's hard to describe the growth of emotions in terms of Nam Shin 3, but we can clearly see that in our human protagonist So Bong - how her relationship with NS3 develops and how slowly her feelings change. The acceptance that she loved a robot and not a human was nicely presented.

Cinematography.
Being a person who values the visuals of the dramas, I must say this one was extremely pleasing to the eye.

The emotional aspects.
Basically, this drama is good at 'playing' with your emotions. In a good way. The pacing was fine and they didn't randomly change from sad to funny scenes. Since the characters were engaging, I could easily empathize with them, which made the watching that much more enjoyable.

THE BAD AND LESS CONVINCING

The villains.
I truly loved what they did with Nam Gun Ho. The way he played people around him to be played at the end. That said, the true main bad guy of the drama was disappointing. His motivations did not make much sense. They tried to frame him as a heartless person, but then introduced some scenes clearly showing that he is not as bad as portrayed and even he wants to protect people important to him, so in the end, it wasn't consistent.

The romance.
While the fluff was amazing, I believe they did not explore the robot-human relationship to the full potential. There are many questions that they never delivered answers to. How will society react to that relationship? Will So Bong be happy with a robot that might never truly love her back? Why had they never talked about getting old and how will they work it out? What will happen to Nam Shin 3 after So Bong dies? Is So Bong going to be okay without any intimate relationship? The relationship was cute, but the social commentary about it could have been deeper.

Real Nam Shin.
How much I loved his character and how much I did not want the writers to give him a quick last minute redemption arc . After all the bad deeds he did, we don't really see much change in his character. Instead of showing us the aftermath of his decisions, we get 'one year later' with Nam Shin being fine and everyone accepting him. No true apology, no reflection on what his choices brought on people he claimed to care about. The writers were so fixated on giving us a happy ending they did not stop for a second to think if it would make much sense.

Ending.
If for you getting a happy ending is the most important part, you won't be disappointed. If you rather have a bittersweet ending that fits the plot and is consistent with the characters, this might make you angry. The last ten minutes of the drama introduces even more questions than all the preview episodes combined, and gave no answers. We don't know what happens with the majority of side characters. What will happen to M-City? How were the legal aspects resolved? Why only few bad people who broke the law were punished for it? How is society dealing with AI being a real thing? The ending was a big plot hole.

Unresolved moral and social issues.
I would have no problem with drama not dealing with those deeper problems if they weren't introduced in the first place. But they were, so they should be explored more. When the robot is not just a robot? How human the robot must be? Is being conscious enough? Do you need to be able to feel emotions too?

Another EXTREMELY interesting plot point that was not explored at all: is the creator responsible for everything their creation does? If said creation is self conscious, can the creator control all aspects of its life? How far can the free will go? What is free will? The whole sci-fi aspect of the drama, instead of driving drama forward, has been just a plot device created as a background for the romance.

Ignoring the characters’ traits when they are not necessary for the plot and forgiving characters without a reason.
So Bong is a fighter, a really good one. Former athlete, currently bodyguard. And it's all ignored later in the drama. She does not fight, does not defend herself. The whole skill set is simply non existing. Reporter Jo is another character that has no place in the drama. She is supposed to be a funny friend of So Bong, but is she really? She kept getting everyone into trouble, manipulated them and used So Bong for her own profit. The fact that So Bong kept her as a friend till the end is irrational.

Overall, if you are searching for romance driven drama with emotional baggage that is not too heavy, go for it and you will love it. If you want more sci-fi, give it a try for a few episodes, but don't have high expectations. This drama presents many amazing dilemmas, but never explores any of them, and that was the biggest problem I had.

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Win and Bright had an amazing and natural chemistry since day one, but sadly not till the end. The slow pace, but extremely cute interactions we’ve got to see from the first episode were more than I could ask for if only they followed with a more cohesive take on their relationship.

Sarawat, for the good majority of the show, was for me one of my favorite BL characters out there. The “I don’t care, could not be bothered by others” attitude he had in the beginning episodes was so amazing and refreshing and when you pair it with how much of a cute, shy and romantically awkward, but clingy potato he is, I can die happy. Straightforward, but not in a rude way, we stan. But then something happened in episode 12 - that thing is called lazy writing. There is nothing worse than giving your character 180 just to create artificial drama and unnecessary conflict.

Tine was just a clueless bunny. Seeing how this was Win’s first role, I must say he has done an extremely good job portraying all the emotions his character was feeling. The new actors often either underact or overact, but I see some nice balance from him.

Since Tine was quite not aware of anything that was truly happening around him, it created many funny scenes that were natural and did not feel like a cheap comedy. Truth to be told, Tine was probably the best written character in the whole show.

The whole supporting cast did an amazing job, creating a nice atmosphere and many memorable comedic moments. The interactions between Tine and Sarawat’s friend felt organic and were enjoyable to watch.

What surprised me the most was the fact that I actually cared for the side couple and did not feel like skipping their scenes at all. Man and Type had nice dynamics and I truly loved Sarawat’s brother Phukong - cheeky little thing.

The plot is simple yet told in such an endearing way I just smiled watching each and every episode. Few small twists here and there kept the story more interesting and exciting. If we exclude the mess episodes 12 and 13 were, it's quite a nice, slower paced sweet romance. The chemistry between Tine and Wat was better in the first, than second half though. I put the blame here on writing and directing. Why? What happened?

I was just confused what Tine and Wat’s relationship exactly is and what they are comfortable with. I have no problem with shows being more on a romantic “PG13” side with one kiss happening as a finale, sealing the deal. I never expected TT or WRU type of content in this. But then why did things keep being hinted at and then scenes cut without proper closure? Why was Tine shy about the smallest romantic skinship, but at the same time be fine with more explicit things (that were hinted at, but never shown)? They felt like best bros, a couple that just started dating and a couple that has lived together for a few years at the same time… When a couple high fives instead of giving each other a kiss. I was lost at some point.

I have to talk about the production quality, because it was truly amazing… to a certain point. The set designs were perfect and the rooms of the character well represented who they are. Technical aspects like lighting or camera work were also good. Too bad I can’t say the same thing about editing. There were some pacing problems here and there that made me and some other viewers confused about the time progression. Some romantic scenes were cut in such weird places, it felt like they were trying to censor stuff. While I know it was not the case, it gave me that impression.

Any random complaints? First kiss from Sarawat and Win. Damn I felt like Bright didn’t quite want to commit.
The ever-changing hair of Bright too.

Overall, it’s a cute fluff story that failed when trying to do something else in the last few episodes. It started as 10/10 for me, but as the quality of writing and editing dropped, so did my rating.

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Feels like a fanfic written by an inexperienced teen.

And yet I enjoyed it so much. Let’s get real - the writing of everything except for the romance was laughable. When I found out that the actors actually had some training with the professionals, it made it even worse. Without it, I could excuse it on the lack of research, but there was some effort put into it, so why is the result so bad?

All that, it was pure entertainment. I must say, I actually enjoyed the villain the most. He had such a massive negative brain energy I could not stop laughing watching his shenanigans. Especially in the last episodes, everything was so dramatic, when realistically speaking nothing made much sense. It had its cons though - I felt nothing, no pain, no angst, no sadness - nothing. The lack of brains from the villain and the plot completely distracted me from actually connecting to the characters.

Then we have the medical aspect. It was so bad I honestly don’t even want to talk about it. The glorious closeups to the actors' faces as the medical procedures are happening, because the actor cannot deliver them in a realistic way - this tells you all you need to know.

Putting the villain and the medical aspects aside (which means just ignoring a massive portion of the plot lol), the romance itself was great. I liked how they emphasized that the characters make each other better, and how you need to put an actual effort in relationships - no first love type of a deal. The chemistry was great and very natural - no awkwardness, unless the scene literally demanded it.

I also had no issues with the performances. There were no groundbreaking deliveries, but everyone did a good job with their respective roles.

Overall, it was so dumb it ended up being great.

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Exploring happiness through hardships.

When the Weather Is Fine is definitely a well crafted piece of cinematic art, but it’s not made for everyone. I don’t mean it in a snobbish, elitist way, it’s just really clear in what it wants to be, and it does not try to cater to all the viewers - you either take it or leave it, both decisions being equally valid.

It’s an extremely slow paced character driven drama that is much darker than it might initially seem. Hardly any of the characters presented does not face serious problems and issues they have to overcome. It does present a few side stories tho, that can brighten the mood, making sure we won’t get depressed after finishing each episode.

The journey we take while the stories unfold might be sad and frustrating, since many of the characters are rather shielded, slowly learning how to open themselves to the possibility of happiness. It’s not a drama to watch for escapism.

Being perfectly honest, till the last episode, I did not find Hae Won to be a likeable person. She points out everyone's flaws, while not taking a step back to see things from other people's perspective herself. The fact she was so flawed, was exactly why I enjoyed the show so much. Each character presented a completely different perspective on life and relationships - each being right and wrong at the same time, depending on the perspective taken by the viewer.

When the Weather Is Fine is an aesthetic feast. All the shots capture that melancholic and slightly removed from reality feeling - making Bookhyun Village feel like its own world, separate from the fast paced reality we live in. The soundtrack added to that sentimental feeling, making a truly cohesive picture.

That said, it’s not a perfect show. The number of flashbacks was surprising, especially since the majority of them were copy-pasted the same, not presenting alternative perspectives or adding to previously presented events. Another aspect that bothered me was the sharp change of mood between scenes - we went from tragedy to teen slice of life comedy in a matter of seconds. In the end, for some scenes, I was neither able to explore the sadness, nor enjoy the silly happiness of what’s presented - it just clashed too much.

Acting wise, almost flawless. I am not sure if I completely bought Park Min Young’s portrayal of Hae Won. Logically speaking her story was full of sadness, yet I could not feel it on many occasions. I knew it was tragic, but I did not feel it.

Overall, I would recommend it to people who like slow paced, character driven shows. If you prefer fast paced plot driven dramas with many unexpected plot twists and thrilling feeling, you will most likely not enjoy it that much. It’s a bittersweet story that allows us to peek into the lives of the characters, without presenting a sharp beginning nor the end.

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Interesting story with poorly written characters

This had some good potential. Even though, technically speaking, it deals with the same old story of corruption in politics, adding the Agency for National Security Planning and (basically) deserted agent made it a bit fresh.

Sadly, the writers were incapable of writing intelligent main characters and villains. At the end, it was not about who outsmarts whom, but who will make more dumb mistakes. There were no winners, rather - bigger losers.

Han Jung Hyun was probably one of the least consistent characters in the history of dramas. Presented as outstanding agent in the past, the future version of him made too many dumb mistakes for me to ever take him seriously. At some point I assumed that the Agency for National Security Planning only teaches and cares about fighting skills, because he barely ever used his brain.

Then we have Im Hyeong Rak, another case of random nerve impulses - turning on and off his brain depending on what the plot needs. Mastermind that was able to cover up all his evil deeds for years… and yet, he cannot predict the most predictable decisions Jung Hyun makes. He overlooks the most obvious course of action. True disappointment.

That said, not all the characters were as bad. Choi Yeon Soo, even if boringly good, was fierce and smart, trying to work, limited by the rules set by corrupted people, to uncover the corruption. Then we have Do Young Geol, who was my favorite character - one of the most entertaining to watch. I wished the writers and director gave a little bit more attention and depth to his slowly growing internal conflict. Big props to the younger cast playing Jung Hyun’s kids - solid performance.

The plot itself could be better. It feels like there weren’t enough hints or clues leading to a “plot twist” to make it interesting, the bad guys were bad, the good guys were good. The guys that were at first good, without solid reasoning turned bad… and I was just sitting in front of my laptop questioning everyone’s motives. There was not enough payoff from any of the plot lines.

Overall, I think the burning frustration I felt while watching was the most entertaining part. The drama could be renamed “Why y’all like that?”. When all the involved parties became aware of each other, and you would have thought the cat and mouse chase would start… The drama ended. The last episode? Anticlimactic would be an understatement.

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