The genres that are not quite fitting.
Honestly speaking, this is far more of a comedy drama, and I don’t see many thriller elements in it. The poster presents what the mood of the movie will be far more than the genres listed, so take that into consideration when watching.I have to say, it’s been a while since a movie made me so excited to watch. I was interested in the characters, in the court case, in the truth behind the case. Each element was so well written and constructed, and intertwined into the overall plot, there wasn’t a second wasted of the screen time.
The movie seems like a low key battlefield between the professional judge who forgot the core aspect of her work and a Juror 8, who got himself involved in the case and now simply wants to do a good job with it.
The aspect I enjoyed the most was the character development and clever ways they indicated how and when specific Juror’s started to be more engaged in the case. Especially Choi Yeong Jae, with whom they did a brilliant job.
The acting was amazing. Not surprised with a cast like that. Having great and well established actors playing supporting, and even guest roles made each scene truly enjoyable. Big props to Seo Hyun Woo, even though he did not have that much screen time, his depiction of the defendant was stellar.
Is the movie realistic? Definitely not. I do believe the comedic leaning makes it okay though. It still presents the importance of the job jury has, the potential issues in the system, but also the benefits it might bring, while adding a lot of entertainment with the exaggerated scenarios.
On the other hand, saying it’s even loosely based on the original story is nothing but misleading. The cases are nothing alike, the result is not the same, the behavior of the jury is completely different. It especially bothered me with the last narration on the screen, where they mixed the events of the show with real life statistics - it was simply confusing. Before I did some research, I was sure that part describes the real life case from 2008, which was not correct. Hence I’m not sure selling it even to that extent as being related to real events was a wise choice.
Overall, extremely exciting, interesting and engaging. Has some amazing situational comedy, but does not forget to have good content behind the jokes.
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Saving the human race at the cost of humanity.
Rather than a destination, The Silent Sea served me a direction with countless possibilities and roads to follow. The questions have been asked, and it’s on me to answer them for myself.Personally speaking, I like the shows that do not tell me everything, so I can dwell on the issues myself. Which decisions were correct, which were selfish, which showed humanity and which made the character greedy - The Silent Sea leaves enough room for me to decide on my own.
The dire reality of Earth’s water supply slowly ending was quite a nice and more realistic take on a potential dystopian scenario we might face. Showing us some details on how the nations work around the problem, the inequality in water distribution - both in the case of the quantity, but also quality of water, all that created a cohesive setting that made the mission seem justified, and the risk worth taking. The more I believe the setting, the less I question life-risking decisions the characters are making.
The Silent Sea tackles the topics of social inequality, distribution of necessary resources, corporate greed and misguided decisions that were made in hopes of bettering the lives of others. How far can we go to save the human race? Are we willing to give up humanity in the process? Should we focus on the struggles of individuals when we need to save the collective? But what is collective if not a group of individuals?
Another aspect that I greatly appreciated was the contrast between the individual goals and needs of the crew and the worsening situation on the Earth. On one hand, the contrast might make the personal issues trivial, on the other hand, it showed how important it is to consider these small, seemingly insignificant issues, as they might help us make morally sound decisions.
Moving to the cast and the performances - could we ask for me? Probably not. Bae Doona and Gong Yoo truly aced their roles, presenting all the emotions and dilemmas in the most realistic and subtle way possible. All the supporting cast did their best in bringing these characters to life, and they succeeded. Big props to Lee Joon who moved on from the meme English line “you shouldn’t do that” to the whole English dialogues (obscure references only A+ would know). His performance was for sure one that surprised me the most.
Adding to the value of the show, we’ve got some aesthetic feast. The color contrast between the warm yellow tones on Earth, and cold blue shades on the moon, the space shots, the use of light and shadows - all creating a number of beautiful pictures.
While the scenes taking place on either Earth or artificial gravity were amazing, all the physics in the rest, at times felt… oof. The movement of actors in zero gravity was an obvious wire work that took away from the realism. Some CGI could have either been improved, or the scene completely removed (was that fake lion truly necessary?).
Talking about science… just try not to think about it too hard, especially closer to the ending.
Overall, I appreciated how they did not slam me in the face with the answers, but left enough info in for me to puzzle it all together. Some twists were easier to predict than others (some could have been seen from miles away), but I was highly entertained from the beginning till the end. It’s slow at times, not action packed, but that’s the type of shows I appreciate the most.
There is also one aspect of the plot that made me quite “happy”, but since it is a spoiler, I will talk about it in the comment under the review.
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When you feel like a plot twist is the whole plot of a show.
Let’s start with the setup: When a drama incorporates sci-fi, but does not commit to it. Was I slightly frustrated that time travel was never really explained and no one even tried to ask questions about it? Yes. At the same time, it might be better not to talk about it, if the alternative is us getting some explanation that wouldn’t make any sense. At the end of the day, sci-fi was not the main genre, but rather a tool to introduce main plot and mystery. Not explaining all the rules of “reset” was a perfect way to keep viewers on the edge of their seat, trying to figure it out themselves.What this drama did well was caring for all the characters. While Hyung Jo, Ga Hyun and Lee Shin might be the mains, we also got enough background information and screen time to know and care about the supporting cast. What are their motivations, why they do what they do and where does it lead them. We’ve got the answers for it all.
It might take a while to get used to the fast pace and countless plot twists, but once you dive deep into the style and storytelling, it's hard to get out. Questioning each and every characters’ motives and actions, trying to figure out who is the mastermind behind it all. There are definitely a lot of aspects that make the viewer interested in the story and engaged in what is happening.
Sadly… the plot twists became too much. At some point I stopped being excited and curious about them, but rather frustrated. Oh… we get another one? Cool. How about you chill a bit? There was no point in me trying to puzzle out the plot when the whole picture changed every few minutes. The last three episodes I just wanted to finally find out what is going on and be done.
I was also hoping for some cohesive one big picture created by all the plot lines, but I felt like the two main ones went a bit separate ways.
Overall, it was an exciting ride with a little bit too many plot twists for me liking. I would enjoy it more if I binge watched it. Watching just 2 episodes per week killed the hype. It was a tough beginning and the ending, but the middle part was truly good.
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When Self-Reliance Meets Shameless Flirting.
Proper noona romance. The age gap is decently big - enough to potentially cause problems, but not big enough to make the romance feel weird. What’s more? The characters actually acted their age and certain external conflicts were the results of their past experiences and the maturity levels.One thing I for sure enjoyed a lot was the male lead who gets caught in his own trap. I adore how they handled him falling in love. Initially I kept questioning his motives - is he just using her for peace of mind at work? Was it love at first sight? Is he flirting just to have fun and from pure curiosity, or are his feelings deeper? I knew he was interested, but how much? And the performance? Perfection. I love when we can actually see the attraction in the characters’ eyes, even if the character himself is not aware of it yet.
Then we had the female lead, who was far more reserved - she was burned once, and preferred single stress free life. I like how she was not completely clueless about everything that is going on between her and Katsuragi Yukino - it was less about her denying he likes her, and more about her hesitation to allow herself to be in a relationship. I appreciated how in that aspect the dynamics between leads felt more mature and realistic.
We know Katsuragi Yukino has been in relationships, so if they tried to sell her as a character that is clueless about romance, it would not work. Rather than that they centered the story and the conflict on her self-reliance that she struggled to let go - being alone felt more comforting and comfortable and she was not sure she wanted to and was ready to change.
Sadly, I do not think Nakamura Anne did as much of a good job acting wise. She aced the majority of the scenes, but I feel she struggles with conveying fear - the moments where she should feel scared, whatever the reasons were, just did not land.
All that said, the chemistry between the leads was great. Mizuki shamelessly flirting and Yukino keeping her guard, but also going along with it to not blow their cover, while mentally probably wanting to strangle Mizuki was fun to witness. What’s more, from the start Yukino had the door to her heart closed, but not locked so while she was hesitant, she was not completely opposed to the idea of starting something with Mizuki. That created fun interactions that did not make me feel like Mizuki was pushing himself onto her without her consent.
Them kisses though… With how flirty and confident Mizuki was, and with Yukino who we knew had past experiences (so the “first kiss, don’t know what I am doing” excuse does not work) I do not understand these utterly disappointing kisses. Of course they could have been worse, they did not go fill “frozen surprised fish”, but in the context of the drama and the characters personalities, this just did not sit right with me.
As for the plot outside the romance: the drama added unnecessary spice concerning Mizuki’s family dynamics. At first it served as an outlet to verbalize Mizuki’s internal dialogue and doubts, allowing me to understand the character more. But then unexpectedly another element was added that existed purely to create mediocre chaos that led to nowhere.
For the production, one aspect I truly appreciated was the styling that was in fact age appropriate. Male lead dressed like a typical guy in his mid 20s, the female lead dressed like a typical officer worker in her mid 30s. What dramas sometimes try to do is make the age gap less apparent with the outfits by either dressing male leads into mature fits, or female leads into trendy outfits that were clearly targeted for someone 10 years younger.
Overall, it was fun and a light watch. It was not groundbreaking, it did not try to be more than it set out to be in episode 1 - entertaining rom-com.
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They not only combined two different fighting styles...
they also combined two different movies into one.Here's the thing: was it entertaining? Yes. Was it good? Ehh. I like both ideas of the plot they tried to fit into one, but you just cannot make it happen in one hour and thirty minutes. "Underdeveloped" was the theme.
Let's start with the story the synopsis describes, the ultimate fan service. The second half is THE Karate Kid movie you are expecting to see. Li Fong being trained by Mr. Han and Daniel LaRusso in a painful, but entertaining fashion. All to get him ready so he can defeat "the bully". The core of the franchise is to never give up, always get back up and use that secret move you've been training during montages to give the final blow.
First half thought? Way more refreshing, more interesting and I wish it was used as a completely separate movie (also, it's weird how it was completely hidden from the marketing). It gives a nice twist to the known formula and now the kid becomes the master. Personally I had way more fun watching that part of the plot.
As a whole movie it's not the greatest, but it does have some great moments. Back alley fight behind the pizzeria? Probably my favorite fighting scene - it had that comedy Jackie Chan style to it. Existence of Alan, the most random character in any Karate Kid movie? Perfect. The number of times Li Fong gets his ass kicked by Mr. Han and Daniel LaRusso? Pure chaos and fun. The boxing match and training (yes, there is boxing in it) - awesome.
But then we also have the bad. Conor Day was just painfully poorly written. The actual tournament? Barely existed - they fast forwarded all the fights, we saw close to nothing. Ming Na Wen practically being just a guest role was sad - her character could have delivered some good external conflict. Than we have the trauma that was less than a background.
Somehow, because nothing was truly developed I did not feel the grand victorious feeling when the movie ended. You know how Karate Kid movies make you want to learn martial arts? This one just made me want to rewatch previous movies in the franchise. It just did not have that kick to it.
The casting was great. The cast was criminally underused, but still great. Jackie Chan at 71 still has it. Probably on his worst day he is still better than 99.9% of people on their best. Surprisingly Ben Wang delivered probably my favorite version of "Karate Kid" as the leading character. Good personality with real flaws and fears.
Overall, it was fun. I'm kind of sad they did not make it into two great movies, and instead settled on delivering not that well blended mix.
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Love can truly cure everything.
We had love curing depression, anxiety, cancer - this time we take on insomnia! Surprisingly, it did make sense.Not gonna lie, this is not some unexpected, fresh masterpiece, but it has a really calming and… sentimental vibe to it. It does feel like a snippet of a larger story. The characters have far more complexity and depth based on their background and past, that is sadly not shown because of the short format.
We get a lot of answers for “what”, but not many for “why”. We know what the characters are struggling with, but not why it happened, especially with Dong Uk. They hint the fact he feels lonely and somehow unsafe - why though? The whys are the interesting part.
Long story short, it’s a story about two people who provide each other solace and warmth. Story that is well presented - be it pacing, directing or editing. The acting was also really good.
That said, some choices were… questionable. Random new person with dialogues, but no face - why? Then we have the kissing scenes. The actors were obviously not uncomfortable, since we’ve got one “normal” one, so why were the rest so bizarre in comparison - more or less stale shots from behind the back of the characters showing… nothing.
Overall, short and sweet, High mid.
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“Whatever you believe, believe in these boys.”
It's always hard to watch anything that is based on true events. There is no "separating fiction from reality" when the show is supposed to present said reality. It hits hard, it makes you feel more. There is no safety of thinking: it’s just a story, because that story was these people’s lives.The drama perfectly captures the intensity and the tragedy of the events that happened between 23rd June and 10th July 2018. But it also presents how we are capable of great things, cooperation, miracles beyond comprehension. On one hand everything that could go wrong, went wrong. Whenever the plan was formed, they had to change or abandon it, because of the ever changing circumstances. Fate kept punching them down, but they all refused to give up.
The drama made me think about the hard choices that had to be made. After so many days the chances of the kids being alive were slim. But the chances of the rescue team dying during the rescue were high. “I'm not risking lives for dead bodies” - it is an honest question you need to ask yourself... The choices they made led to the boys being rescued.
I also like how the drama clearly presents both the heart and brain are needed to make that happen. Be it conviction, faith, trust - you need that drive that keeps you and your hope alive to even take the action. But you also need science to solve the issues and achieve the goal.
Human kind is the worst, but sometimes it's the best.
About the more technical aspects - I am in awe. What a production. It represented the harsh reality of cave diving in such a terrifying way. The struggles and obstacles these people had to overcome. The claustrophobic nightmare these 18 days were. And with the amount of people involved in the rescue (10,000 people, including more than 100 divers, scores of rescue workers, representatives from about 100 governmental agencies, 900 police officers and 2,000 soldiers) showing how truly big the operation was could not have been an easy task, and yet they made it. They cast just the right people to portray the people involved - no bad acting, no awkward english delivery with non-distinguishable accents. Every aspect of the drama seemed to have a purpose, and the screen time was efficiently used to both showcase the length of the events, but also the press of time they all faced.
Overall, extremely touching, uplighting, but also scary. Even knowing how it ends, I was tense watching each and every moment. I cried, and cried some more. I’ll end the review on the quote that truly touched even my atheistic ass:
"The odds are nearly impossible. But we've all seen statistics be wrong before. We've all seen the power of the mind overcome the power of the body. We all have doubts. We all have crises of faith. We've all had days of rain that never end. But the rain ended. It wasn't supposed to. But it wasn't supposed to start when the boys entered the cave either. Fate has a way of dealing us a hand that we don't always want, challenges we could do without. But challenges can be opportunities. Maybe you don't believe we have an opportunity here. Or maybe you believe it has passed us by already. Maybe you believe the boys died on the first day or the third day. Drowned in the water or got sick or starved. But I've seen a shrine bloom in the jungle, filled with offerings. I've seen Buddhists, Christians, animists, heads bow in prayer. I've even bowed my own. Whatever you believe, believe in these boys."
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Surprisingly bland.
I wanted to love it, but there was truly not that much to love about it. I feel awful saying that. The fact is, the drama barely made me feel anything.The bromance was fine, the cases were fine, the stakes were fine. But I felt like the whole show lacked... emotions. With the rather diverse variety of the cases, victims and perpetrators, it seemed like the majority of them reacted the same subdued way. Even for situations that would validate a proper rage, despair, fear - there was barely anything. I felt like the whole show lacked... emotions.
As I said though, we do get quite a variety of different cases that focus on different social struggles and dilemmas - social and workplace discrimination of women who struggle to secure their place despite presenting outstanding skills, loneliness of the youth, desperation that comes from love, social stigma towards victims of sexual abuse and how it can lead to not seeking justice, cyber crime against seniors that uses their lack of technological literacy and love for their families against them and many more.
What’s more to love? The acting was amazing, I give it to them. Tan Jian Ci might be one of the most diverse young actors in China right now. The way he can deliver a baby girl energy here, and edge lord energy in Lost You Forever alone should be the proof. He truly becomes the character he is playing - nothing about his performance seems fake.
While he truly became the star of the show, I do want to give props to the casting director. Crime procedural shows have a lot of guest roles for all the witnesses, victims and perpetrators - it’s not easy to have good actors play every role. Under the Skin managed to achieve that.
I think my biggest issue was how unrealistically good Shen Yi was at his job. I understand that professional forensic artists can do this, but he was not one when he took the job for the first time. The level of skill he showcased fitted more the “about to retire, working criminal cases for past 50 years” scenario. If they made him make some mistakes, maybe I could accept that, but they truly made his skill borderline supernatural.
So it did not matter how much I loved his character, when I could not stop laughing every time he started to sketch. I don't even want to talk about the prosopagnosia case, because that was a bit of a clownery. While it’s clear the production team researched a lot about forensic art and art overall, I cannot say the same about various other topics that were presented.
What’s more? Bromance was not truly bromancing for me. There were a few scenes here and there, but overall, I don’t think Tan Jian Ci and Jin Shi Jia have that much chemistry on screen, or maybe it was the issue of directing their scenes? I guess we will see in the second season.
Overall, something did not click right with me when I was watching. I was enjoying it, but I was not obsessed, even though on paper it seems like a drama I should want to binge watch in one sitting, forgetting to eat, sleep and pee…
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Horror never found…
It’s for sure more of an action fantasy with just some elements of horror. Truth to be told, it had more comedy than horror and I’m not mad about it.It was an entertaining and light watch. A lot of jokes were basic, but they landed well. Simple plot works well with simple writing and good visuals, and that’s exactly what this movie delivers.
Timing for some revelations was a bit questionable, like when we find out what is the actual goal of the main villain. Or what is the importance of each and every character. Still, the pacing is great and the pay off is decent.
Honestly speaking, the production value was for sure the best aspect of the show. Great special effects, great set design, beautiful lighting and use of colors and filters. Stunning for many scenes, screenshots worthy.
For the acting, no complaints, but the roles were not that demanding anyway.
Overall, fun and simple sometimes is the best combination. Not everything has to be a complex philosophical tale with double meanings, sometimes a movie has to be just an entertainment.
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Naked Dining: Love, Life and Liberation
4 people found this review helpful
You don’t always need an eventful plot…
... and I wish writers would keep that in mind from time to time. I honestly wish they removed all the pointless, ridiculous and frustrating misunderstandings and just gave us a slow burn slice of life and two people getting closer to each other as they simply spend quality time cooking.It was so enjoyable at first. And then all the unnecessary tension, annoying supporting characters and lack of communication happened and I gave up.
Sure, the acting was great, but the characters were just so frustrating to follow, the performance could not save it. Does not matter how tasty the dish might look, when it’s not actually tasty.
Overall, this is for sure a ship. It does not really work as romance nor a slice of life.
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Mike Angelo’s face was the best part, not gonna lie. The whole cast did a decent job, the writing at times has been just too messy to follow. Who is related to whom? How do these people know each other? What are their goals? Why is it that no one uses their brain?
The biggest surprise for me was the good CGI. I have seen a fair share of monster flicks, and most are pitiful in that aspect. Seeing some decent effects and design for the creature was refreshing.
Overall, I was not bored, but I was not as entertained as I hoped I would be.
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Atmosphere that carried a vague plot.
Something we often get from Japanese horror - vague plot with good atmosphere, great music and sound effects and still images inducing panic response. That’s also what we’ve got from Pulse.By the end of the movie we are offered little to no real explanations, and most are left to the viewers interpretation. Is this a commentary about the dangers of the internet? Is this a commentary about the human need for interactions and the terrifying portrayal of loneliness? It’s up to the viewer to decide.
The characters were rather bland. I kind of stopped paying attention to who is who at some point, and it did not really take away from the watching experience. I honestly believe them as individuals was not that important plot wise.
The thing I loved about Pulse was the atmosphere and built up tension. There are no cheap jump scares and all the horror is based on the fear of the unknown, perfect choice of music and the prolonged shots of uncanny images.
Overall, I would recommend it if you are in for a rather calm, but tense horror.
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Life so hard it feels like an endless night.
Stellar performance with a well executed story presented in three different timelines. While the show was not perfect with the execution, the strong points kept me interested enough to finish and give quite a high rating.The Long Night has quite a number of positive aspects. Starting with a well written criminal case that does not lead to many unexplained events and plot holes. While the case was quite complex, as it connected many events throughout the years, it never felt ridiculously over the top. It was big enough it did not feel boring nor mundane, but realistic enough for me to believe it could happen in real life.
Then we have the amazing cast and the characters they portrayed. Not gonna lie, Bai Yu stole the show for me. The emotional impact his character had on me by the last episode was something I did not expect at all - especially since we know (to some extent) what kind of end he will face in episode 1. That one scene in the last episode literally made me hold my breath and I could not move a millimeter until it was over.
Jiang Yang, Chen Ming Zhang and Zhu Wei were the trio I especially enjoyed and their striving for justice and truth was both heartwarming and heartbreaking.
Another aspect that amazed me were well presented transitions between all the years and time lines. They clearly indicated what year specific scenes take place in and how they relate to the current situation. This type of plot could easily be confusing, but they managed to present it in an easy to follow manner. The transitions between two timelines with the use of voice recorded were ones that I especially enjoyed.
The issue I had with the drama was how they tried to evenly use the screen time for two timelines. As the result, for quite some time, I was not that invested in any. Logically speaking, I knew the case was extremely interesting, but I could not get myself to feel that much curiosity. For me, they should have established one (present) timeline first, and only after that slowly expanded on the past stories, but this mix and max as we progressed was a bit too much storytelling wise.
What’s more, the first few episodes led me to believe this will be a mystery driven show with unusual investigation that will have the intriguing cooperation between the police and journalist, to uncover the truth behind the murder case, that has it’s beginning years ago and involves far more people than anyone could have predicted. But shortly after it started to look like any other investigation show, and all the fun and refreshing additions were forgotten.
That said, you know how dramas usually have mediocre last episodes, when they had a good start? This ain’t that. Last 4 episodes were extremely thrilling and got me on the edge of my seat. Truth to be told, only then I started to feel the severity of what was going on and how it affected the characters. It was easier to tap into the emotional connection. The last episode was especially dark, and I had to take a few breaks while watching.
Overall, a solid watch. I feel like this is one of the rare cases in which the rewatch would actually improve the entertainment value. Knowing the whole picture would make me appreciate all the detailed connections between the cases and scenes.
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It's never too late to redefine yourself and start anew.
Dear My Room is a short and simple story that gives hope to all the young adults that are still searching for their purpose in life, feel like they are stuck in a grim reality, not finding happiness in any aspects of their lives. It questions what it truly means to be a responsible adult and how (un)important it is to follow other's expectations towards ourselves.We follow the life of Eun Joo, who, after quitting her job, starts to explore her surroundings, relationships and finds her true passion. The drama shows how one small event in our life can be a start to self-improvement.
The show does a good job with not following the expectations of the viewers. Some plot lines went in a completely different direction that I thought, and I could not be more happy about it. We are also presented with truly wholesome and natural romance between main leads, with no painful Second Lead Syndrome (even though Jae Hyun was an extremely nice character, that quickly became my favorite).
Hye Jin was frustrating at times, but she plays an important role, showing us the contrast between her and Eun Joo. We can see how vital it is to have loyal friends, be true to yourself and your convictions and sometimes take a risk for the things you love and enjoy doing.
The production of the show just made me feel warm and happy. That's it. Each episode made me feel hopeful. People from their mid to late 20' could easily relate to the struggles of the characters and emotionally invest in the story.
The OST was perfect. It never felt out of place, had this sweet indie vibe. It perfectly matched the scenes, making them that much more enjoyable, and at times moving.
Overall, a perfect slice of life that tackles serious topics that young adults have to face, while not being depressing about them. The show truly motivates me to act on my ideas and hopes, instead of wanting to give up any plans I might have.
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That said, I had lots of fun for the majority of watch time. They committed to the gruesome and violent scenes and questionable/ evil characters. I watched it and asked - is this really Korean? Where they censor and blur knives from scenes?
Editing was spectacular, except for some special effects, but I'm picky about these. Most people would probably love them. The fighting scenes were well choreographed, but it was the editing that added that special and unique edge to them. And the violence was... well, violent. Ain't some random few punches here and there.
The acting was for sure the strongest aspect after the directing and editing. Kim Da Mi's performance truly amazed me, especially closer to the ending. She showed a lot of skills and duality in her acting. Truth to be told, the whole cast did an amazing job. I was frustrated with the random English lines here and there, especially since Netflix does not provide subs for them, and as a not native speaker, with the accent, I did have some problems with understanding some of them...
So what went wrong?
The reasoning, explanations and motivations of the characters were all over the place. I enjoyed the movie up till the moment they tried to explain what exactly is going on. Why? Coz the explanation was simply dumb. They gave the same excuse many low sci-fi movies give, which was proven false countless times. Still using it, in my eyes, means lazy and unoriginal writing.
Was it a good movie? Yes, just do NOT think as you watch.
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