Kate

Exaggerated portrayal of how we failed the youth.

Starting from the message, that for me was completely overshadowed by the pure entertainment that the killing aliens brought.
What this show tries to present is how we as society created a false sense of security, purpose and goals for the teens - a path that is supposed to guarantee success and happiness. That path being higher education. The extent these teens were willing to go to get just a few more points that will help them get into a university - it showed how they truly believed that’s the only way to live a fulfilling life, to have it easier as an adult. The empty promises, the use of the pressure teens feel about their future was used to manipulate them to make dangerous choices and control their behavior. Exaggerated in the drama, but sadly truly happening in real life.

While the teens willing to risk their safety for a few points is believable, the fact teens were able to survive and fight better than train military was not. Did this completely lackluster and stupid take on the army annoyed me? Not really. They clearly showcased how delivering solid entertainment was the biggest goal and they aced it in that aspect. You just have to turn off a few neurons in your brain as you watch.

As long as you won’t question every unrealistic aspect, you will have a blast! The show is great at creating tension and keeping the viewer entertained with great pacing both in overall story, but also the episodes themselves. It had great comedic moments, good action sequences, solid character development, friendship and bonding, and some truly touching and heartbreaking scenes.

Did a lot of people die? Yes. Not enough from the main cast if you ask me. And not the right ones… Not gonna lie, the show got my blood boiling a few times when some of the most frustrating and annoying characters kept surviving against all odds. I also wish a few more students would die to make the stakes a bit more real. This is the luckiest group of teens I have ever seen and at some point I stopped being worried about them dying, because it seemed like they would be able to survive even with a nuclear bomb being dropped directly on their heads.

In terms of acting, what can I say? I am not worried about the future of Korean cinema. With this large cast of great young actors who can deliver a versatile performance, the future of movies and dramas is in good hands.

Production value was phenomenal. I love the design of the aliens, I love how they look, how they move, even the sounds they make. For some strange reason I always thought that if aliens exist they may look like fancy sea creatures, and this is exactly how the spheres look like. I have no complaints about the filming, editing, sound effects, lighting, set design. I only wish the female characters tied their hair, that was a bit so unrealistic even I could not ignore.

Overall, what a fun and exciting watch. With such a large cast they still managed to make all the characters memorable. The level of entertainment and engaging characters (be it for their awesomeness or how annoying they were) allowed me to ignore any possible flaws and just enjoy they ride. I cannot wait to see the second season.

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When the mystery (almost) ruins the show.

I’m just frustrated, because the good parts were really good, but the bad parts made it close to impossible for me to enjoy them.

What seemed like a bitter-sweet slice of life, that will move you to tears and make you appreciate the small things in your life, changed into a ridiculous no brain mystery about a character no one truly cared about and mobs. There was truly no reason to give them so much attention, and I highly doubt anyone would complain much, if they were used just as backstory devices and nothing more.

You know when a heartwarming slice of life shows work? When they are relatable. When the stories told in them hit close to home, since you either experience these things yourself, or you know someone who experienced them. It’s meaningful, because it’s a daily life we all have to deal with at some point. So why ruin the best aspect of slice of life, by adding borderline makjang plot lines and then focusing the majority of screen time on them as the drama gets closer to the end?

You can probably feel my frustration, but it’s because I truly adored a lot of the elements of this show, just for my joy to be cut short by things that were not even necessary.

Everything that was related to the Genie team? Amazing. I loved Gyeo Re and how raw the character was. The complexity of the emotions presented - perfection. Ji Chang Wook made a good choice picking this role and it’s nice to see him back on track with some more challenging projects. He managed to show vulnerability, but also emotional strength. The gradual development of the character was impeccable. Not to mention how his story clearly shows men can be victims of abuse too, and psychological abuse is as much of an important issue as physical abuse.

While I was not amazed with the writing of Seo Yeon Joo, Choi Soo Young did a great job with the role. The character was just slightly too perfect for me. The impulsivity at the beginning was gone after maybe 2 episodes, and from that point, it was close to impossible to find any real flaw in her.

Sung Dong Il is Sung Dong Il - he always delivers. Kang Tae Shik won my heart. Must say though, I liked his (sadly limited) interactions with Ha Joon Kyung the most. She was also one of my favorite characters - such a troubled person with so much pain. I wish the writers gave her a little bit more screen time, so we could truly dive deeper into who she was. That said, she might be a character many people fail to sympathize with. Girl had issues and she created a lot of issues for other characters.

The compliments go to the whole Genie cast - all actors did an amazing job, and the characters felt like real people. Most of them got enough screen time to make them an important part of the team and the plot, and flesh them out a bit.

The stories of the patients and their last wishes were tears-inducing and I welcomed the pain, but also the warm feeling they brought. Some I enjoyed more than the others, but all had meaningful messages and presented cohesive stories that many could relate to.

And then we have two side plots that I could truly not stand - the mystery of room 403, and the mob/mafia. When I started the show, I did not exactly sign up for soft makjang plot lines, but that’s what was delivered. Compared to the rest of the stories told in the drama, these two just felt cheap. Technically it wasn’t a massive part of the plot, but I found these scenes unnecessary, and that influenced how the whole episodes affected me emotionally (or rather did not, since I could not shake off the frustration caused by these two plotlines).

Still, the drama offers more good than bad. The production value was top notch - screenshotable for sure. Soundtrack, while not exactly memorable, fitted the scenes and overall atmosphere of the show. The songs I personally enjoyed the most were: I Can't Forget You by Kim Feel; I'll Protect You by Choi Yu Ree.

Overall, If You Wish Upon Me is similar to a protagonist from any well written drama - great spirit, depth, complexity that makes you emotionally invested in them, but also having a major flaw needing a major character development. Sadly, dramas don’t get character developments so the flaws stay as part of it forever.

Bonus: I want a short 2nd season with Lee Yoo Mi. She can deliver anything. Just don’t add mobs please ;)

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Grief, hope and sacrifice - human drama with mediocre scares.

I will forever fail to understand why movie-makers are so obsessed over filling their horror stories with mediocre scares and overused special effects, especially when the plot could be actually turned into a solid horror drama that focuses more on the human emotions, rather than supernatural aspects.

The good parts of the scripts were: the desperation and grief that Seung Do felt after his daughter's death. The regret about his choices. The sacrifices he made. Ban Hae Sin's past trauma surrounding Father Michael, and how it affected him currently. These were the gripping parts. The possession and supernatural elements should have been there to add the flavor. And yet... they went full cliche with black eyes, cults, over the top performances and epilepsy attack like possession scenes.

Performance wise, it was just flat.

Overall, nothing new, nothing fresh. Decent to pass time, but there are better movies even as mild entertainment.

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“It feels like I’ve been stuck here in silence for so long.”

What for me this drama represents is a feeling of technically living a rather good life, and yet feeling trapped in the normalcy, habits, memories and past that blocks us from moving forward. So we just stay in that safe zone of known patterns. And that’s where more or less all the characters were stuck - hunted by their past.

What at first seemed like a mish-mash of different people living completely different lives, ended up presenting a rather small community with many entangled relations I did not notice at first. Slowly I was understanding more and more about their past, present and potential future. The pacing and storytelling made me feel like a new neighbor who gets to know people living next to me in a natural manner.

“Why don't you aim for something more than just a “certain extend”? Try enjoying your life to the fullest.”

It is amazing how with just 12 episodes each 20 minutes long I do feel like I know and understand all the characters rather well. Some were stuck because of guilt, some because of fear, others because of the sense of responsibility… or the past traumas. Some stayed behind for people they care about. All uncertain, all searching.

But it never felt heavy, even if the subject they were touching cannot be called light either. Subtle presentation is a fitting description. Sometimes too subtle if you ask me - a deeper exploration of at least some of the themes would make the show better for sure. I’m kind of hungry for me… a bit unsatisfied.

Performances wise - great. Be it the main cast, or the supporting cast, everyone delivered. At the same time, I don’t feel like any performance was excellent to the point it especially stood out.

Directing and editing was exactly what you expect, but also what you love about Japanese shows. Really distinctive and unique style that sets it apart from the “high production aesthetics” from other countries. This more raw, simple and realistic approach fits the tone of the writing and story really well.

Overall, a nice watch. Personally, this was my “right after work, let’s get into chill mode” pick for the past week. Had some touching moments, some questions left unanswered, but at the end of the day, it was a positive experience.

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Low key uncomfortable.

When the dudes are flirting in some questionable moments and situations, it’s impossible to even care about the romance, which was sadly the biggest part of the plot.

I think the whole story lacks depth and details to create a more realistic picture of the events - it’s simply a juvenile presentation. There are no answers for the most basic questions the writer should ask themselves while writing a story. Did Kawin’s mom and her sister not contact each other for over a month before Kawin went to Thailand? How come they were not informed about what happened? Who paid the bills in the house? The set up was just ridiculous.

Then we have the issue of the romance, that made me feel a bit uncomfortable because a lot of the flirting and make out sessions had weird timing. Every time there was some romantic progression, all I could think about it - it’s not the right time for it.

The saddest part was the fact the family was actually the best part of the show and they were sidelined by the couple and their mediocre romance. What opened as a wholesome family comedy, became a weird mix of drama, slice of life and romance with cringey “spicy” scenes. Why?

If only good acting saved this show, but we did not even get that. During the wholesome daily and comedy bits everyone did great, but every attempt to deliver anything more emotional was flat and unconvincing. They just did not tap into whatever the characters were supposed to be going through.

The editing and directing was also a bit questionable. The progression between specific scenes was not smooth, and I had to check a few times if I played the right part of the right episode.

Overall, you can skip it.

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How did this movie happen?

This is literally the quality of writing we get from poorly done high school PSAs. The movie was confusing from start to finished, and not because of the complex plot, rather because of the unnatural, dumb decisions that characters were making.

I start with the good, because there was literally only one good thing about this movie - Lee Hak Joo’s acting A+, acting the role, 10/10 would recommend.

To the bad. Let’s start with the female lead. Even the most dumb person who always dies first in horror movies is smarter than her. And as much as I know Kang Ye Won is a lovely person, her acting here classifies as tragic. This was the worst performance I have seen in any Korean production.

Then we have the most ridiculous and random plot twists dropped left and right closer to the end, which made the movie even less realistic. I could barely take it seriously from the start, but this just made it a whole new level of clownery.

Overall, god bless Lee Hak Joo and his acting, but I would recommend everyone to stay away from this movie.

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Sherlock Holmes on crack.

Ever thought that some of the Holmes’ cases are rather unrealistic and impossible to predict from the perspective of the reader? Well, this is worse. Not gonna lie, for some that might add to the entertainment value, but for me, it just made me completely not interested in the investigation itself.

That said , the great chemistry between the main characters was amazing to watch. Serizawa Go was for sure my favorite. I loved how he was trying to act low-key, but in fact was truly interested and engaged in the cases. Him trying to keep the good image also led to many funny moments. Aoto Junko was a good case of a smart and strong female character. She was not perfect, sometimes driven by her emotions too much. Yet, she possessed many good characteristics which made her quite a lovable heroine.

Enomoto Kei was quite a mystery - after seeing the whole show and the special episode, I am still not sure who he truly was. He did have one of the most interesting “conclusions” of all the characters, but I wished his backstory would be more integral and a bigger part of the show.

So, if the cast was so good, why did I not quite like the cases? Putting aside how unrealistic and at times convoluted they were, they also at times sent a questionable message. I especially felt a lot of discomfort after finishing the Go Game episode.

The acting? Great. From the main cast, to all the supporting characters, all did an amazing job. There was no exaggeration of facial expressions and line delivery, and even though most of the characters were quite eccentric, the portrayal done by the cast made them rather realistic and approachable.

Overall, quite an enjoyable ride. Even though, for me, the cases were lacking, the cast was so entertaining, I still had a good time watching.

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A slice of a slice of life.

Try to see the whole picture from just a few puzzle pieces. That’s the essence of the movie. Figuring out the relationships and backgrounds of the characters from their short, taken out of their lives' context conversations. Why they are? Why they met? What will happen after they leave the table?

Have to say, not all the stories were equally interesting and enjoyable. Without giving any spoilers about the characters background, I’ll try to describe why they resonated with me or not.

Yoo Jin’s story - one that evokes the most emotions in me, and by emotions I mean anger and frustration. While at first I was unsure where it leads, with each new line I could sense the probable direction.

Kyung Jin’s story - the most chill and down to earth, the only one that put a smile on my face. The easiest to understand from the start too, you kind of know what you will get right away.

Eun Hui’s story - serving some unexpected twist as the conversation progressed. To some extent moving, if we try to understand the characters a little bit.

Hye Kyung’s story - the one I did not vibe with at all. Not only I couldn’t resonate with Hye Kyung, I also strongly believe Yeon Woo Jin is incapable of having chemistry with any of his female co-stars.

Overall, for a short movie like that, which tries to present 4 completely unrelated stories, it did a fairly good job. The acting was truly good, but then the characters and scenes were not exactly complex and well-developed to serve as an acting challenge. As I mentioned at the beginning, the entertainment comes from trying to understand who the characters are, even though nothing is set nor explained by narration or exposition. You are thrown into a random moment in their lives.

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Rather thrilling and gripping, yet quite predictable movie. I don’t think they served even one plot line that was not obvious. Even with that, I still enjoyed it quite a lot.

I think the best part of the movie is the lack of realism and sanity? These characters had issues, and I mean serious ones. The whole setup made little sense. They were committing crimes in daylight, often showing their faces, yet no one knew who they were. Sure. Suspension of belief is required to enjoy it.

Another aspect that I greatly enjoyed was the performance. Yeo Jin Goo as Hwa Yi was one of his strongest performances. The amazing on screen transformation that teen went through was just an interesting tale, with quite a satisfying conclusion.

Kim Yoon Seok as Yoon Seok Tae could be described as a cold, tamed madness - rather terrifying character. At the same time, the more I saw of him, the more pathetic he seemed. That said, I am thankful all the bad characters were truly awful, so I could watch without any sense of empathy towards them.

The movie had some unnecessary elements. While I understand why Yoo Kyung was an important person for Hwa Yi’s journey, I believe keeping her more as a symbol of normal life compared to actually getting her to interact with him would be better.

The emotional aspects of the movie depended on the well built relationship between Hwa Yi and the gang members, yet I barely felt anything. There were a few moments that showed him and Yoon Seok Tae have quite a deep, but also complicated bond, but I needed more than two or three scenes of it. Not to mention how all the rest of the characters were painfully one-dimensional.

The visuals were nice. They dive a bit into those gruesome scenes, not shying away from violence. The most powerful scenes though were the few emotional bits delivered by Yeo Jin Goo.

Overall, I would recommend watching for the performances. The cat and mouse chase between Hwa Yi and Yoon Seok Tae was exciting, and the emotional games and manipulation thrilling.

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This movie made me uncomfortable, scared, annoyed, speechless, confused, angry, and I think it's amazing. Truth to be told, this review was written for myself, to make sense of the movie and how I see it, not for others. There are so many different interpretations everyone can have, I don't think anyone is truly wrong with how they view it.

I went into this movie without knowing much about it. I have seen the trailer once and that was it. Miraculously, I was able to avoid any spoilers, and I'm sure it made the experience even better.

While „Parasite” is often described as dark comedy, the comedy aspect died for me pretty quickly. The whole set up for every family and the situation made me feel extremely anxious. For the longest time I felt scared for the Park family, seeing Kim's as more questionable people. It frightened and frustrated me how easily they were able to slip into the house and daily lives of Parks. The closer we got to the ending, I was starting to see more flaws in the rich family too. The biggest one was their ignorance about anything not related to their life. They lived in the bubble, being scared of even rumors that might break it. That's why they didn't even try to find out the truth about the driver and Moon Gwang. It was easier to just cut them off and pretend like the problem never existed.

What makes the movie so good, was the idea that there are no good characters here. Everyone is twisted to some extent. Kims are willing to cross a lot of lines to gain a better life, but they never put the effort into making a realistic plan. Gi Taek does not act like the head of the family, and in my eyes, he was the one dragging them down. He seemed like the least skilled of them all, failing all his businesses. Both Gi Woo and Gi Jung had amazing potential that was killed by the environment they were living in - both economic and social. They adopted the existence of their parents, dreaming of a better life, but not striving for it, which can be clearly seen in one of the beginning scenes when they barely put any effort while working for the pizzeria. Even the ending shows how twisted the view of reality Gi Woo has. He does not have any meaningful plan, he just wants to be rich. He doesn't want to create, has no idea what he can offer others, that would make them want to invest in him. He has no idea. He just wants to be rich to buy that house. The dream that is impossible to reach. He does not want a better life, a life out of poverty. He wants to be rich, buy the house that became his obsession and live there with his family.

Moon Gwang and Geun Sae had the most parasitic-like mentality from all the families. Geun Sae accepted his life the way it was, in the dark basement, not even being part of the society. It was far more like an existence, as passive as possible. Both he and his wife did not find the situation that strange, keeping it as it was for 4 years. They got used to it, so they didn't really try to change it, until the external situation forced them into action. Even then, they didn't even have a plan. When they've got the upper hand over Kims, they didn't try to come up with an way out of the situation, they just enjoyed their time in the house, making fun and treating Kims like less of a human. There was no planning, no future in their minds.

Parks are living in denial of reality. Their biggest sin (how much I hate this word) was their ignorance. They didn't deliberately try to hurt anyone, but they were not aware of the suffering of others. It simply didn't even cross their minds. My biggest struggle while watching the movie was placing Yeon Kyu somewhere in my judgment bin. She was a good person extremely unaware of everything that was going on around her. She was oblivious about the advantages she had based on her social and economical status. She didn't try to hurt anyone, but she also didn't try to help and be concerned. All she cared about was herself and her family. It never crossed her mind that the choices she made might have tragic consequences for people around her.

The problem of economic differences and inequality is huge and truth to be told, almost impossible to solve. The idealistic idea of taking away from the rich and giving to the poor is "nice", but would never solve anything. After some time we would end up with exactly the same social structure as we have today. Some people who were on top would not be able to climb back, some who were poor, would be able to invest in their life. But we would still end up with people barely surviving, and the rich getting richer. Some people would be able to produce goods that others want to buy, while some would have no idea how to invest the money to have a long term profit from it. The movie presents an amazing social commentary on the topic that just breaks my brain when I try to think about it. At the end of the day, the money made Kims, Moon Gwang and Geun Sae do despicable things, treating each other like bugs and dogs, not worth even being called humans. It also allowed Park's to ignore it all and not care about the painful events of people who, to some extent, are part of their life.

I think it's also important to add how amazingly shot the movie was. Even just the beginning scene gave me chills. The stunning scenery we've got, the symbolism behind some scenes. It all made a perfect picture that will hunt me for some time.

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The long ballad of supporting characters.

Amazing development, reliable traits with believable strengths and flaws, emotionally gripping stories that made me invested in the plot progress - what I’ve got from the supporting characters and side plots. Confused teens with good fighting skills are what the two main characters delivered.

So why did the main leads not work for me? Poorly presented context of their struggles. Li Chang Ge was introduced as a military prodigy for her young age. After facing the murder of her parents, she sets on the journey of revenge, that leads to countless self-reflection and changes of her goals and motivations. The issue is, the drama made me feel like an idiot.

All the characters around her kept saying how impulsive she is, how her actions are wrong, how the killer of her family is a good and a nice guy. I was sitting in front of my laptop questioning my sanity and the character's morals. Yes, I understand that there was more behind the story. I understood that the relationship between her and her uncles is not all that we see. My issue is, even the characters that had no reason to like or trust Li Shimin, ended up on his side right away, and I was just supposed to accept that. The writer wanted to make sure the viewers see Li Shimin as a good guy, without explaining why we should not view him as the villain. Even the most loyal people of the late emperor changed their affiliation in one or two days.

I was amazingly frustrated how no one tried to explain anything to Chang Ge, and she was just supposed to accept everyone’s claim that the new emperor is a good guy and she is wrong. As if everyone did not try to hunt her down without first giving her a chance to understand what truly happened. She was the traitor that needed to be killed.

Because of the unreasonable context, her journey just felt flat to me. Not to mention, while they showed her to be physically strong, she was extremely easily influenced by other people. Her morality, goals, views on the world shifted each time she met someone new. While self-discovery is based on exploration, the fact she just adopted whatever principles the people that were currently around her had, was a bit much.

Then we have Ashile Sun. There were fascinating ideas that could have been explored on a greater scale: how long are you obligated to stay loyal to the people who helped us in the past, should you accept all their demands or is our individuality as important, how long can you surrender to others’ demands and what are the long term consequences? His internal conflicts connected to Yan Li Khan were sadly overshadowed by his instant love for Li Chang Ge.

And the romance was not that great. He literally fell for her because “she was not like other girls”, remembering all the behaviors she presented that are usually linked to masculine traits. He fell fast and hard, and she was the initial reason for his character’s development - I find it disappointing. Often he did not feel like an individual character, but rather a shadow of the female lead.

Luckily, we’ve got some interesting side characters who made me like the show a lot. Easily my favorite, Li Le Yan had one of the best written character developments I have seen in a while. Her character development was built on her already existing characteristics. She did not become a completely different person - she simply worked on her flaws while staying true to her peaceful and gentle approach. She trusted the people around her, knew her limits and when to ask for help. She showed maturity and emotional strength when other characters were struggling to control themselves.

Hao Du, everyone’s favorite. Truth to be told, it took me a while to truly understand why everyone was so obsessed with his character, but he does creep on you - you don’t even know when, and you love him. I wish his story had a bit more screen time, so the development would be more gradual and well paced. Sill, the progress from distant, lone wolf to lost, adorable puppy was extremely entertaining and endearing to watch. I also appreciate his efficiency - kill first, ask questions later.

Even if not as well developed, the other characters that I appreciated by the end of the show were She Er, General Li Jing, King of Mobei, Gongsun Heng, Situ Lang Lang, Zhen Zhu and probably a few other supporting characters. They all had distinctive personalities, motivations, goals and aspirations. They all played an important role in the plot, affecting the events in a meaningful way. None of them felt like a background filler.

The characters made the show, because the plot was slightly all over the place.

Then we have the production issues. I am sorry, but they did not even try to make the cross-dressing believable. When Chang Ge was addressed as “he” after her first appearance, I had to pause the episode, I was so confused. All I could think about was: how could anyone ever assume she is a guy? And the show did not improve on that aspect at all.

Then there is the issue with kissing scenes. One could say - small detail if we take into consideration the whole show. But romance was a huge portion of it. The romance was what drove a lot of the characters. So when we’ve got birds’ make out sessions, a non-existing kiss fading to a white screen and even a dead body getting more action than the lead characters, one would start to get frustrated.

The Long Ballad had a lot of unintentionally hilarious moments. The new emperor being surprised his daughter was starving when she was a refugee (little grasp on reality he had, no?), “think for yourself” being seen as a lifelong experience that can be passed on to only the worthy one, the fact male lead had to be told he loved female lead 31 episodes in, after he risked his life and lives of other people he cares about for her, the overall vibe of “people die, get over it” everyone gave, female lead telling male lead he can’t kill his brother for killing his mother, while she herself has been on the revenge trip for months to kill her uncle for killing her parents. To sum it up, everyone lacks brain cells.

Overall, The Long Ballad was addicting and entertaining and I had a lot of fun watching. Undeniably sharing my rants and views on mdl feeds did make the whole experience a bit better, but even without it, I would appreciate what I’ve got from the show. For 49 episodes, it was a quick watch with likable characters, fast paced plot that does not require much brain power to understand, which makes it perfect late night binge watch material.

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Rather simple, but well constructed plot that, thanks to the interesting cast of characters, serves as an entertaining watch.

The best thing about this show was for me Wang Zhi. While at first I was quite cautious about him, soon he became one of my favorite characters from all the shows I have seen in 2021. Loyalty, desperation, wits, drive - all fitted into this one, morally gray character. Whatever he said or did, I could not stop myself from thinking “he makes sense here”. Did I sell my soul to Wang Zhi? Maybe. He could be going around killing and torturing people and I’d be like: good for you honey, keep it up!

Even though Tang Fan and Sui Zhou were not as complex of characters, they still presented some nice nuances. On one hand, Tang Fan, in a quite refreshing way, combined reasoning brilliance and social stupidity. At the end of the day, a lot of problems he solved in a clever way, happened because of his social ignorance.

On the other hand, Sui Zhou represented both strength, emotional maturity, but also vulnerability and emotional struggles. It was interesting to see that the character who seemed the strongest, was the one that had to face his internal demons and tragic past the most.

The trio had an amazing dynamic, pushing each other to strive for better, while not ignoring each other's shortcomings. How it usually went, you ask? Tang Fan causes the problem, Sui Zhou tries to help Tang Fan, Wang Zhi actually does all the work to clean the mess - what a perfect group of friends, relatable af.

All the supporting characters had their place in the story, and none felt redundant. What's important, most did not just vanish after their cases were solved, and they've been brought back at the important plot points. This small detail of not removing characters from existence after they've done their part, made this whole fictional world seem more real.

Another aspect of the show I had to appreciate was the pacing. For some, it might have been slow - it took them quite a few episodes to deal with each case. For me, it was perfect. Watching crime related shows, I want to witness how the cases are solved, what actions and steps have been taken, and it’s impossible to achieve in the "one episode for one case" format.

The Sleuth of Ming Dynasty presents the viewers with some amazing visuals - from the scenery, sets to beautiful costumes. Do you like food? You might want to prepare some nice snacks before watching the episodes - the cooking scenes will make you hungry even after eating dinner.

That said, the show is far from perfect. To be honest, I did not notice many flaws since I was preoccupied going crazy over Wang Zhi, but there are a few that caught my attention. First of all, there were not many characters that were just… normal people. Everyone was highly skilled in something, and me being a typical potato could not relate to the skills and brain power going on. At the same time, around episode 44-45 everyone’s brain collectively shuts down, to make room for the villains to try their schemes.

While I found Tang Fan being an idiot, cute and funny, I can see how he would make some people’s blood boil. Some mistakes this child made were on a whole new level of “I forgot to bring my brain to work today”.

Since this is an adaptation of a BL novel, it will not satisfy people who watch it for the bromance. Honestly speaking, the show has little “censored adaptation of same sex original work” vibes, to the point that these few scenes, giving the bromance feeling, actually felt out of place for me.

Overall, great directing and writing, good acting, nice soundtrack - everything making this story an addicting and fun ride. It made me laugh, it made me cry, it made me bang my head on the wall. I became obsessed with Wang Zhi, and had withdrawal symptoms right after I saw the last episode.

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Nishiogikubo Mitsuboshi Youshudou is a short, yet surprisingly deep drama that made me dwell on various social issues.

Each episode focuses on a different customer of the bar and their personal problems and worries. Amamiya Ryoichiro serves a role of a mediator, rarely ever giving his own opinion on the subject - focusing on making the guest comfortable enough to share their stories. On the other hand, Nakauchi Satoru and Kobayashi Naoki present usually opposite takes on the presented situation, which helps the viewers see that most issues are not just black or white scenarios.

Taking into consideration the short duration, the social issues are never presented in a complex and detailed way, but the show still opens the door for the viewer to reflect on the topics on their own.

The acting was on point, and the casting team did a fantastic job, not only with the main characters, but also all the supporting and guest roles. The natural expressions and line delivery, mixed with simple directing created this familiar feeling that made it easier to relate to the characters, even if we could not get to know them that well.

The only criticism I have would be the lack of backstory of the main characters, especially Amamiya Ryoichiro. His character was like a blank canva - focused on reflecting what is happening around him and guiding other people's thoughts and emotions. While it might have been a writing and directing choice, I wish we could get to know him and his story more.

Overall, it’s a short yet meaningful series that presents you many interesting and realistic stories in a heartwarming and pleasant way.

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Too much drama, not enough variety.

In my eyes, season three repeats the same mistakes season two made. Everything felt scripted, even the jokes and fun interactions between the cast.

While in season two the plot presented at least seemed interesting, and separate cases were for sure fun to follow, here... I couldn't care less. The crimes were not exciting, the games were not entertaining. I was left with close to nothing.

I'm not gonna lie, there were moments when I could not stop laughing, but they were few and far between. More often than not I wished the episode would just end and I wanted to skip some scenes.

One thing that truly took me aback was the amount of violence in this season. Some in the form of jokes and some part of the plot. I get it, it's a crime driven show, but it does not mean we need to witness someone getting killed (mostly shot) outside of the investigation, aka the dead bodies that were the source of cases. Not to mention the recurring "slapping" joke. It was funny the first time, but after that, it was too much.

I still love the cast, some of their interactions were amazing, but the script was weak and the overall flow of the show depended too heavily on it. The best and most memorable moments for me would be the traveling between houses in the last episode. It felt organic, natural, funny and not painfully rehearsed and scripted.

Since there will be no season 4, I am truly confused why they included the last scene in episode 8. They wrapped it all up quite well, just to open a new door that will never be closed.

Unless someone is a big fan of the cast, I wouldn't really recommend watching it.

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“The TV station needs to use sweet moments between Nubsib and Aey to promote the series, so as to gain viewership.” aka the tale that exposes how even the people behind the BL industry know the quality of the content they create is not good enough to gain the viewers, so they can only rely on cheap tricks attracting delusional fans.

Lovely Writer had a great beginning and the end, with a rather mediocre middle part. Exploring the romantic relationship between Gene and Nubsib in the context of the BL industry was interesting, but the moment the focus moved from that to a childhood connection, it lost the appealing aspect that made me invested in the story.

Gene was also quite a frustrating character. One would think by episode 11 we would witness some character development, him standing up for himself, not being so easily swayed and manipulated. Sadly, that is exactly who he was till the end of the show.

Nubsib was rather one dimensional. Everything about him revolved around Gene. All his goals and motivations were related to Gene. Each decision he made was influenced by what he thought would get him closer to Gene. Sure, their scenes together were extremely cute, they were an adorable couple, but I always wish to see the characters not only as a part of a relationship, but also as their own individuals.

Many character developments happened in the last episode, and I was questioning where most of it came from? We had a 4 month time jump, so I guess all the self-reflection happened off-screen.

I have to say, after I picked this drama again, I started to appreciate the fakeness of Aey more. His “I’m fine, I’m not sad about Gene and Nubsib” live was truly iconic. Him trying to manipulate the situation left and right was simply entertaining to watch. He was the definition of a professional victim.

One thing I for sure appreciated was how the comments fans were making in the show truly reflected the nonsense some fans are saying in real life, for example “How can prime minister allow this” - I’m sorry, but what does prime minister has to do with 2 young gay dudes dating?

It’s nice to see a BL drama drag the problematic aspects of BL industry, even if the topic was addressed only at the beginning and the end of the show. Discrimination happening during the production, the lack of personal freedom for actors, the overbearing and intrusive delusional fans and many other issues that go even beyond the industry itself.

That said, some things missed the mark for me. Lines like “I might look gay, but I’m straight” - I get the good intentions, pointing out that liking feminine stuff does not make one gay, but framed in such a manner it suggest there is in fact something like “looking gay”.

The thing that bothered me the most was the introduction of the past/kids story. It was borderline inappropriate. While just the scenes did not really cross the line, how they were framed was a problem. Adding music typically associated with romantic scenes, Gene saying they will reignite their past affection (if they were not romantically involved, there would be nothing to reignite) and how salty he was simply because a child from his past did not show up to say goodbye. How Nubsib kept saying he was already in love with Gene back then. All that context made it borderline wrong. Gene was a teenager, Nubsib was a child - it did make me feel a bit uncomfortable.

Acting wise, Up delivered what he was asked to deliver and what the audience might want to see. I loved him in the role of Gene, even if at times I felt frustrated with the character. Kao… looked nice? For sure he can sell the confident flirty look, but sadly, I was not convinced by more emotional scenes. Overall, the whole cast did well. My favorite ones were definitely Up and Zorzo.

Overall, Lovely Writer has some amazing elements that were truly refreshing to see in BL. It falls back into some stereotypes and cliché bits, but at the end of the day, it was quite an enjoyable watch.

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