Kate

When Self-Reliance Meets Shameless Flirting.

Proper noona romance. The age gap is decently big - enough to potentially cause problems, but not big enough to make the romance feel weird. What’s more? The characters actually acted their age and certain external conflicts were the results of their past experiences and the maturity levels.

One thing I for sure enjoyed a lot was the male lead who gets caught in his own trap. I adore how they handled him falling in love. Initially I kept questioning his motives - is he just using her for peace of mind at work? Was it love at first sight? Is he flirting just to have fun and from pure curiosity, or are his feelings deeper? I knew he was interested, but how much? And the performance? Perfection. I love when we can actually see the attraction in the characters’ eyes, even if the character himself is not aware of it yet.

Then we had the female lead, who was far more reserved - she was burned once, and preferred single stress free life. I like how she was not completely clueless about everything that is going on between her and Katsuragi Yukino - it was less about her denying he likes her, and more about her hesitation to allow herself to be in a relationship. I appreciated how in that aspect the dynamics between leads felt more mature and realistic.

We know Katsuragi Yukino has been in relationships, so if they tried to sell her as a character that is clueless about romance, it would not work. Rather than that they centered the story and the conflict on her self-reliance that she struggled to let go - being alone felt more comforting and comfortable and she was not sure she wanted to and was ready to change.

Sadly, I do not think Nakamura Anne did as much of a good job acting wise. She aced the majority of the scenes, but I feel she struggles with conveying fear - the moments where she should feel scared, whatever the reasons were, just did not land.

All that said, the chemistry between the leads was great. Mizuki shamelessly flirting and Yukino keeping her guard, but also going along with it to not blow their cover, while mentally probably wanting to strangle Mizuki was fun to witness. What’s more, from the start Yukino had the door to her heart closed, but not locked so while she was hesitant, she was not completely opposed to the idea of starting something with Mizuki. That created fun interactions that did not make me feel like Mizuki was pushing himself onto her without her consent.

Them kisses though… With how flirty and confident Mizuki was, and with Yukino who we knew had past experiences (so the “first kiss, don’t know what I am doing” excuse does not work) I do not understand these utterly disappointing kisses. Of course they could have been worse, they did not go fill “frozen surprised fish”, but in the context of the drama and the characters personalities, this just did not sit right with me.

As for the plot outside the romance: the drama added unnecessary spice concerning Mizuki’s family dynamics. At first it served as an outlet to verbalize Mizuki’s internal dialogue and doubts, allowing me to understand the character more. But then unexpectedly another element was added that existed purely to create mediocre chaos that led to nowhere.

For the production, one aspect I truly appreciated was the styling that was in fact age appropriate. Male lead dressed like a typical guy in his mid 20s, the female lead dressed like a typical officer worker in her mid 30s. What dramas sometimes try to do is make the age gap less apparent with the outfits by either dressing male leads into mature fits, or female leads into trendy outfits that were clearly targeted for someone 10 years younger.

Overall, it was fun and a light watch. It was not groundbreaking, it did not try to be more than it set out to be in episode 1 - entertaining rom-com.

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So mid it’s actually painful.

This could have worked as a short movie - not longer than 40 minutes. There is just not enough to the story to justify 1 hour and 30 minutes.

I actually enjoyed the ritual scenes and the mechanics of getting the answers was quite creepy. This alone would be enough. But no, they always have to give a plot twist that is obvious from the start. They always need to make things unnecessarily complicated, when just a ghost ritual story that leads to scares is enough.

Everyone was to some extent annoying, I wanted everyone dead, but especially Park Ja Yeong - what a menace she was with her no facial expressions and obvious issues.

They did not even do the freaking ritual correct, not even once. Which made the ending senseless.

Overall, sad it was a full length movie, when it could have been a solid short one.

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They not only combined two different fighting styles...

they also combined two different movies into one.

Here's the thing: was it entertaining? Yes. Was it good? Ehh. I like both ideas of the plot they tried to fit into one, but you just cannot make it happen in one hour and thirty minutes. "Underdeveloped" was the theme.

Let's start with the story the synopsis describes, the ultimate fan service. The second half is THE Karate Kid movie you are expecting to see. Li Fong being trained by Mr. Han and Daniel LaRusso in a painful, but entertaining fashion. All to get him ready so he can defeat "the bully". The core of the franchise is to never give up, always get back up and use that secret move you've been training during montages to give the final blow.

First half thought? Way more refreshing, more interesting and I wish it was used as a completely separate movie (also, it's weird how it was completely hidden from the marketing). It gives a nice twist to the known formula and now the kid becomes the master. Personally I had way more fun watching that part of the plot.

As a whole movie it's not the greatest, but it does have some great moments. Back alley fight behind the pizzeria? Probably my favorite fighting scene - it had that comedy Jackie Chan style to it. Existence of Alan, the most random character in any Karate Kid movie? Perfect. The number of times Li Fong gets his ass kicked by Mr. Han and Daniel LaRusso? Pure chaos and fun. The boxing match and training (yes, there is boxing in it) - awesome.

But then we also have the bad. Conor Day was just painfully poorly written. The actual tournament? Barely existed - they fast forwarded all the fights, we saw close to nothing. Ming Na Wen practically being just a guest role was sad - her character could have delivered some good external conflict. Than we have the trauma that was less than a background.

Somehow, because nothing was truly developed I did not feel the grand victorious feeling when the movie ended. You know how Karate Kid movies make you want to learn martial arts? This one just made me want to rewatch previous movies in the franchise. It just did not have that kick to it.

The casting was great. The cast was criminally underused, but still great. Jackie Chan at 71 still has it. Probably on his worst day he is still better than 99.9% of people on their best. Surprisingly Ben Wang delivered probably my favorite version of "Karate Kid" as the leading character. Good personality with real flaws and fears.

Overall, it was fun. I'm kind of sad they did not make it into two great movies, and instead settled on delivering not that well blended mix.

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Love can truly cure everything.

We had love curing depression, anxiety, cancer - this time we take on insomnia! Surprisingly, it did make sense.

Not gonna lie, this is not some unexpected, fresh masterpiece, but it has a really calming and… sentimental vibe to it. It does feel like a snippet of a larger story. The characters have far more complexity and depth based on their background and past, that is sadly not shown because of the short format.

We get a lot of answers for “what”, but not many for “why”. We know what the characters are struggling with, but not why it happened, especially with Dong Uk. They hint the fact he feels lonely and somehow unsafe - why though? The whys are the interesting part.

Long story short, it’s a story about two people who provide each other solace and warmth. Story that is well presented - be it pacing, directing or editing. The acting was also really good.

That said, some choices were… questionable. Random new person with dialogues, but no face - why? Then we have the kissing scenes. The actors were obviously not uncomfortable, since we’ve got one “normal” one, so why were the rest so bizarre in comparison - more or less stale shots from behind the back of the characters showing… nothing.

Overall, short and sweet, High mid.

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“Whatever you believe, believe in these boys.”

It's always hard to watch anything that is based on true events. There is no "separating fiction from reality" when the show is supposed to present said reality. It hits hard, it makes you feel more. There is no safety of thinking: it’s just a story, because that story was these people’s lives.

The drama perfectly captures the intensity and the tragedy of the events that happened between 23rd June and 10th July 2018. But it also presents how we are capable of great things, cooperation, miracles beyond comprehension. On one hand everything that could go wrong, went wrong. Whenever the plan was formed, they had to change or abandon it, because of the ever changing circumstances. Fate kept punching them down, but they all refused to give up.

The drama made me think about the hard choices that had to be made. After so many days the chances of the kids being alive were slim. But the chances of the rescue team dying during the rescue were high. “I'm not risking lives for dead bodies” - it is an honest question you need to ask yourself... The choices they made led to the boys being rescued.

I also like how the drama clearly presents both the heart and brain are needed to make that happen. Be it conviction, faith, trust - you need that drive that keeps you and your hope alive to even take the action. But you also need science to solve the issues and achieve the goal.

Human kind is the worst, but sometimes it's the best.

About the more technical aspects - I am in awe. What a production. It represented the harsh reality of cave diving in such a terrifying way. The struggles and obstacles these people had to overcome. The claustrophobic nightmare these 18 days were. And with the amount of people involved in the rescue (10,000 people, including more than 100 divers, scores of rescue workers, representatives from about 100 governmental agencies, 900 police officers and 2,000 soldiers) showing how truly big the operation was could not have been an easy task, and yet they made it. They cast just the right people to portray the people involved - no bad acting, no awkward english delivery with non-distinguishable accents. Every aspect of the drama seemed to have a purpose, and the screen time was efficiently used to both showcase the length of the events, but also the press of time they all faced.

Overall, extremely touching, uplighting, but also scary. Even knowing how it ends, I was tense watching each and every moment. I cried, and cried some more. I’ll end the review on the quote that truly touched even my atheistic ass:

"The odds are nearly impossible. But we've all seen statistics be wrong before. We've all seen the power of the mind overcome the power of the body. We all have doubts. We all have crises of faith. We've all had days of rain that never end. But the rain ended. It wasn't supposed to. But it wasn't supposed to start when the boys entered the cave either. Fate has a way of dealing us a hand that we don't always want, challenges we could do without. But challenges can be opportunities. Maybe you don't believe we have an opportunity here. Or maybe you believe it has passed us by already. Maybe you believe the boys died on the first day or the third day. Drowned in the water or got sick or starved. But I've seen a shrine bloom in the jungle, filled with offerings. I've seen Buddhists, Christians, animists, heads bow in prayer. I've even bowed my own. Whatever you believe, believe in these boys."

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Surprisingly bland.

I wanted to love it, but there was truly not that much to love about it. I feel awful saying that. The fact is, the drama barely made me feel anything.

The bromance was fine, the cases were fine, the stakes were fine. But I felt like the whole show lacked... emotions. With the rather diverse variety of the cases, victims and perpetrators, it seemed like the majority of them reacted the same subdued way. Even for situations that would validate a proper rage, despair, fear - there was barely anything. I felt like the whole show lacked... emotions.

As I said though, we do get quite a variety of different cases that focus on different social struggles and dilemmas - social and workplace discrimination of women who struggle to secure their place despite presenting outstanding skills, loneliness of the youth, desperation that comes from love, social stigma towards victims of sexual abuse and how it can lead to not seeking justice, cyber crime against seniors that uses their lack of technological literacy and love for their families against them and many more.

What’s more to love? The acting was amazing, I give it to them. Tan Jian Ci might be one of the most diverse young actors in China right now. The way he can deliver a baby girl energy here, and edge lord energy in Lost You Forever alone should be the proof. He truly becomes the character he is playing - nothing about his performance seems fake.

While he truly became the star of the show, I do want to give props to the casting director. Crime procedural shows have a lot of guest roles for all the witnesses, victims and perpetrators - it’s not easy to have good actors play every role. Under the Skin managed to achieve that.

I think my biggest issue was how unrealistically good Shen Yi was at his job. I understand that professional forensic artists can do this, but he was not one when he took the job for the first time. The level of skill he showcased fitted more the “about to retire, working criminal cases for past 50 years” scenario. If they made him make some mistakes, maybe I could accept that, but they truly made his skill borderline supernatural.

So it did not matter how much I loved his character, when I could not stop laughing every time he started to sketch. I don't even want to talk about the prosopagnosia case, because that was a bit of a clownery. While it’s clear the production team researched a lot about forensic art and art overall, I cannot say the same about various other topics that were presented.

What’s more? Bromance was not truly bromancing for me. There were a few scenes here and there, but overall, I don’t think Tan Jian Ci and Jin Shi Jia have that much chemistry on screen, or maybe it was the issue of directing their scenes? I guess we will see in the second season.

Overall, something did not click right with me when I was watching. I was enjoying it, but I was not obsessed, even though on paper it seems like a drama I should want to binge watch in one sitting, forgetting to eat, sleep and pee…

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Horror never found…

It’s for sure more of an action fantasy with just some elements of horror. Truth to be told, it had more comedy than horror and I’m not mad about it.

It was an entertaining and light watch. A lot of jokes were basic, but they landed well. Simple plot works well with simple writing and good visuals, and that’s exactly what this movie delivers.

Timing for some revelations was a bit questionable, like when we find out what is the actual goal of the main villain. Or what is the importance of each and every character. Still, the pacing is great and the pay off is decent.

Honestly speaking, the production value was for sure the best aspect of the show. Great special effects, great set design, beautiful lighting and use of colors and filters. Stunning for many scenes, screenshots worthy.

For the acting, no complaints, but the roles were not that demanding anyway.

Overall, fun and simple sometimes is the best combination. Not everything has to be a complex philosophical tale with double meanings, sometimes a movie has to be just an entertainment.

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You don’t always need an eventful plot…

... and I wish writers would keep that in mind from time to time. I honestly wish they removed all the pointless, ridiculous and frustrating misunderstandings and just gave us a slow burn slice of life and two people getting closer to each other as they simply spend quality time cooking.

It was so enjoyable at first. And then all the unnecessary tension, annoying supporting characters and lack of communication happened and I gave up.

Sure, the acting was great, but the characters were just so frustrating to follow, the performance could not save it. Does not matter how tasty the dish might look, when it’s not actually tasty.

Overall, this is for sure a ship. It does not really work as romance nor a slice of life.

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Well, this was mildly interesting. A movie that leaves you with more questions than answers, but since I never took it seriously, I don’t even mind.

Mike Angelo’s face was the best part, not gonna lie. The whole cast did a decent job, the writing at times has been just too messy to follow. Who is related to whom? How do these people know each other? What are their goals? Why is it that no one uses their brain?

The biggest surprise for me was the good CGI. I have seen a fair share of monster flicks, and most are pitiful in that aspect. Seeing some decent effects and design for the creature was refreshing.

Overall, I was not bored, but I was not as entertained as I hoped I would be.

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Atmosphere that carried a vague plot.

Something we often get from Japanese horror - vague plot with good atmosphere, great music and sound effects and still images inducing panic response. That’s also what we’ve got from Pulse.

By the end of the movie we are offered little to no real explanations, and most are left to the viewers interpretation. Is this a commentary about the dangers of the internet? Is this a commentary about the human need for interactions and the terrifying portrayal of loneliness? It’s up to the viewer to decide.

The characters were rather bland. I kind of stopped paying attention to who is who at some point, and it did not really take away from the watching experience. I honestly believe them as individuals was not that important plot wise.

The thing I loved about Pulse was the atmosphere and built up tension. There are no cheap jump scares and all the horror is based on the fear of the unknown, perfect choice of music and the prolonged shots of uncanny images.

Overall, I would recommend it if you are in for a rather calm, but tense horror.

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Life so hard it feels like an endless night.

Stellar performance with a well executed story presented in three different timelines. While the show was not perfect with the execution, the strong points kept me interested enough to finish and give quite a high rating.

The Long Night has quite a number of positive aspects. Starting with a well written criminal case that does not lead to many unexplained events and plot holes. While the case was quite complex, as it connected many events throughout the years, it never felt ridiculously over the top. It was big enough it did not feel boring nor mundane, but realistic enough for me to believe it could happen in real life.

Then we have the amazing cast and the characters they portrayed. Not gonna lie, Bai Yu stole the show for me. The emotional impact his character had on me by the last episode was something I did not expect at all - especially since we know (to some extent) what kind of end he will face in episode 1. That one scene in the last episode literally made me hold my breath and I could not move a millimeter until it was over.

Jiang Yang, Chen Ming Zhang and Zhu Wei were the trio I especially enjoyed and their striving for justice and truth was both heartwarming and heartbreaking.

Another aspect that amazed me were well presented transitions between all the years and time lines. They clearly indicated what year specific scenes take place in and how they relate to the current situation. This type of plot could easily be confusing, but they managed to present it in an easy to follow manner. The transitions between two timelines with the use of voice recorded were ones that I especially enjoyed.

The issue I had with the drama was how they tried to evenly use the screen time for two timelines. As the result, for quite some time, I was not that invested in any. Logically speaking, I knew the case was extremely interesting, but I could not get myself to feel that much curiosity. For me, they should have established one (present) timeline first, and only after that slowly expanded on the past stories, but this mix and max as we progressed was a bit too much storytelling wise.

What’s more, the first few episodes led me to believe this will be a mystery driven show with unusual investigation that will have the intriguing cooperation between the police and journalist, to uncover the truth behind the murder case, that has it’s beginning years ago and involves far more people than anyone could have predicted. But shortly after it started to look like any other investigation show, and all the fun and refreshing additions were forgotten.

That said, you know how dramas usually have mediocre last episodes, when they had a good start? This ain’t that. Last 4 episodes were extremely thrilling and got me on the edge of my seat. Truth to be told, only then I started to feel the severity of what was going on and how it affected the characters. It was easier to tap into the emotional connection. The last episode was especially dark, and I had to take a few breaks while watching.

Overall, a solid watch. I feel like this is one of the rare cases in which the rewatch would actually improve the entertainment value. Knowing the whole picture would make me appreciate all the detailed connections between the cases and scenes.

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It's never too late to redefine yourself and start anew.

Dear My Room is a short and simple story that gives hope to all the young adults that are still searching for their purpose in life, feel like they are stuck in a grim reality, not finding happiness in any aspects of their lives. It questions what it truly means to be a responsible adult and how (un)important it is to follow other's expectations towards ourselves.

We follow the life of Eun Joo, who, after quitting her job, starts to explore her surroundings, relationships and finds her true passion. The drama shows how one small event in our life can be a start to self-improvement.

The show does a good job with not following the expectations of the viewers. Some plot lines went in a completely different direction that I thought, and I could not be more happy about it. We are also presented with truly wholesome and natural romance between main leads, with no painful Second Lead Syndrome (even though Jae Hyun was an extremely nice character, that quickly became my favorite).

Hye Jin was frustrating at times, but she plays an important role, showing us the contrast between her and Eun Joo. We can see how vital it is to have loyal friends, be true to yourself and your convictions and sometimes take a risk for the things you love and enjoy doing.

The production of the show just made me feel warm and happy. That's it. Each episode made me feel hopeful. People from their mid to late 20' could easily relate to the struggles of the characters and emotionally invest in the story.

The OST was perfect. It never felt out of place, had this sweet indie vibe. It perfectly matched the scenes, making them that much more enjoyable, and at times moving.

Overall, a perfect slice of life that tackles serious topics that young adults have to face, while not being depressing about them. The show truly motivates me to act on my ideas and hopes, instead of wanting to give up any plans I might have.

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“It’s the unwritten first page of my story.”

Our Unwritten Seoul is a story that will make you reflect on your complex past, face your everchanging present and hope for a beautiful future.

Different paths that present inspiring life lessons ⇢ the characters and their struggles.

As the Korean title states - it’s Miji’s story. Story of her lost dream, fear for the future and overwhelming present. It’s hard to describe in words how perfectly her character was written. How complex and realistic was that portrayal of her anxiety and depression, how longlasting the effects were. How one can look happy, but suffer inside. How healing is a process that at times might feel like it will never end.

I loved how Mi Ji was not this strong and confident woman with no fears. She bravely helped others, while also feeling deeply insecure about her own shortcomings. She stepped up for others, and backed down for herself. But she changed, at her own pace. What the character shows is that there is no time limit for growth, it’s never too late to start over. It’s never too late to start moving forward.

On the other hand Mi Rae was one that did not know how to stop, take a break, hit the pause. From a young age she felt responsible for acting as the backbone of the whole family - feeling the responsibility, not wanting to disappoint. I honestly loved the contrast between the two sisters - one did not know how to move forward to find herself, while the other could not find herself, because she did not know how to stop.

Then we have Ho Su with his fear of being a burden to others. But what interested me more was where it came from - his egocentric thinking that was at least partially caused by guilt. It’s so human to overestimate the effect we have on people, to see every situation from our point of view and not accept there might be different perspectives. With Ho Su everything started with “I” - I don’t want to burden others, without really thinking if he actually is the burden. What I also really liked is how he never truly grew out of that egocentrism, he just learned how to ask questions and listen to people around him instead of making his own theories and conclusions. I appreciate how the characters did not really get rid of their flaws, but rather learned how to cope and make them affect them less.

Sadly I would not say the writing for them was flawless, though the issue lies in the structure overall, and is a problem in all Korean dramas. Notice how I wrote nothing about Se Jin? That’s because he was painfully underdeveloped compared to other main characters. Why? Because by all means this show does not have four main characters. It has one - Mi Ji. Mi Ji who is the main hero. Then we have Mi Rae and Ho Su who are second lead characters and Se Jin who is just a supporting one. We need to move on from the idea that being a "love interest" to a main character makes you one too. It does not. That said, it’s not a unique issue for this drama - it’s more of a labeling problem. It might give viewers some false expectations though. It did for me. I kept wishing to see more of Se Jin’s story, to understand him as deeply as I did the other three. It never happened.

Hurt people hurt people ⇢ the relationships that highlighted larger issues, but also the glimpses of hope

Starting from Mi Ji and Mi Rae and how uneven parenting can cause trauma. Mi Ji felt ignored - the lack of expectations placed on her made her not even attempt to move forward. Mi Rae who had all the attention on her, feared disappointing others so she just pushed forward, bore the pain in silence. Often dynamics like that cause resentment between siblings (glad it was not a case here) - one being jealous of the love and attention, and the other being jealous of the freedom and what might seem like trust to always manage and take care of themselves.

On a larger scale, the parenting issue did not start with Ok Hui and how she raised Mi Ji and Mi Rae. Dynamics between her and her mother give a good representation of what generational trauma might look like. How can one become a good mother, when they did not experience what good parenting is as they were children? Where one learns from? How to not make the same mistakes our parents made? But also how not to overcompensate which leads to its own issues...

One relationship I wished to see more was Ho Su and Chung Gu - there was so much more meat here, potential, depth to be explored. The way the characters mirrored each other, but also were a complete contrast. Their interactions, but also the relationship between Mi Ji and Ho Su presented a clear lesson - take your own advice, care for yourself like you care for others, don’t see the traits you appreciate in other people as your flaws. The way we as humans often have way higher standards for ourselves than we have for others - instead of being our own best friends, we turn into our own enemies.

There are different types of love ⇢ romance driven dramas can be more.

Our Unwritten Seoul is for sure leaning more towards the Life over Romance genre. Don’t get me wrong - there is plenty of romance, but it’s never the core of the drama. Romance? No, but love for sure is: love between parents and their children, step parents and their step children, siblings, friends, colleagues. The variety of human interactions, how acts of kindness can change someone’s life.

I loved how they did not segregate the characters into pairings that should only interact with each other. I loved how Ho Su was an important part of Mi Rae’s life. I appreciate how Mi Ji interacted with Se Jin completely outside of his connection to Mi Rae. Everyone was one way or another connected to each other, it did not feel like different plotlines living their own lives never crossing the paths.

Personally, I like that some of my favorite relationships were not romantic ones. Friendship between Kim Ok Hui and Yeom Bun Hong? Amazing. Mentorship between Ho Su and Lee Chung Gu? Food for thought. Kim Ro Sa with Mi Ji and Ho Su - heartwarming. Even Mi Ji and Mi Rae’s interactions with Gyeong Gu and Park Ji Yun were interesting to watch.

What’s more, one has to appreciate the lgbtq representation Gyeong Gu as the clear one, and Ro Sa and Sang Wol a vague (not so vague) one. Personally I think it was clear they were in love with each other and were living as partners not "roommates"...

Bringing the character to life ⇢ acting that never disappoints.

Can Park Bo Young chill a bit? How is she so good? The way she portrayed two characters in a way I had no issue differentiating between them, without making them caricatures of contrasting traits? The way Mi Ji and Mi Rae were so different, yet so alike in many aspects. The way she presented complete heartbreak, but also silent pain. The way I could see the boldness, but also hesitation. The way each scene seemed so natural. I have to give props to the whole production team - be it writing, directing, acting or editing, they managed to bring these two characters to life on screen and it did feel like two real people interacting with each other.

Then we have Park Jin Young and I’m amazed with the level of vulnerability he was able to present as Lee Ho Su. Ryu Kyung Soo managed to bring comedy as Han Se Jin, without turning the character into just a comic relief - his character, as funny as he was, was also clearly one of the more mature and wise ones and it showed.

Beauty in simplicity ⇢ production value that compliments, but does not impress.

Here’s the thing - I’m not even mad this show does not stand out in terms of its aesthetics. It’s your typical high value production kdrama with some pretty shots, good lighting, great set design, clean camera work. It works, it compliments the story without being distracting. The writing was so strong you do not need some innovative and creative editing to make it better. Was I especially impressed by any shot? Not really. Sure, I did take a number of screenshots, I did whisper “that’s pretty” a few times as I watched the episodes, but if someone asks me in a month, or even in a week to describe any scene that visually sticked in my mind - I won’t be able to name any.

Perfection does not exists ⇢ what I did not like

I already wrote how unbalanced this drama felt in terms of development, depth and care put into presenting what they claimed were four main characters. It just made me want more and sadly feel a bit disappointed when I did not get it.

The “vague” bit of lgbtq representation. Personally, I do not understand why they could not be more straightforward with it.

The main romance between Mi Ji and Ho Su. Here’s the thing - I really liked their teen romance phase, and I like where they ended. They were losing me a bit during the “misunderstanding” phase of the plot when Mi Ji was pretending to be Mi Rae. On one hand I understand why it was important for them to go about it the way they did, on the other, it was frustrating to watch and a bit inconsistent with how Ho Su was written.

Justice for Se Jin. Did Park Bo Young have it in the contract that she can only kiss one male lead? Did they fear viewers might seem uncomfortable with her kissing both, even though she was playing two different characters? We've got an amazing hug, but damn I was waiting for that kiss in the last episode.

Random thoughts to close the review:
Ryu Kyung Soo looked especially hot in his “rich boy in suit doing business” takes.

Overall, what a journey. I feel like I honestly wrote down maybe 20% of my thoughts and feelings about the drama. What it teaches you is: it’s never too late to learn from your past. It’s never too late to improve in the present and it’s never too late to work on your future.

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The will to live is not always just our own.

What a pleasant surprise this show is. Though pleasant might not be the right word to describe it. Touching? Heartbreaking? Hopeful? Enlightening?

What started as a fun eerie monster flick, turned into a deep and enriching exploration of the meaning of life, will to survive, depth of connections and consequences of choices. In just 8 episodes the drama presented well structured, well paced stories of 12 unique and relatable characters. We’ve got the answers, but we are also left with questions that reach beyond just the plot - questions about our lives, experiences and ideas.

What’s even more surprising, how detailed the lore of the afterlife was. Light Shops being the borders between life and afterlife - shop keepers being the guides for souls. People who are still alive become a sort of ghost in the afterlife, seen only by people who are not willing to move on and accept their death. Delirium after near death experience is nothing else, but the memory of the life in the afterworld - memory that keeps you connected to the afterlife that will let you see the ghost in the “real world”.

The shopkeepers help the dead move on, or the alive to wake up. Those who decide to not forget their memories from near death experiences can become helpers in the living world - either dealing with ghosts like Yang Sung Sik or guiding the lost souls like Kwon Yeong Ji.

With all the vague clues and more questions, I was honestly doubtful they would be able to explain all the mysteries. What is this place? How do people get here? How can they leave? Where are they leaving? Who can live? What choices do they have? What are the consequences of said choices? I honestly feel like I’ve got a proper answer to all of these. But it also left me wondering about the actions of the characters, their choices and what I would do in their place.

❔How much we are willing to sacrifice to protect people we love.
Jung Won Yeong the shop keeper who was willing to give up the peace of afterlife to help his daughter survive. A character that seemed stoic to the point of feeling emotionless. Initially I did not know how I should feel about him. Ju Ji Hoon can deliver quite an emotionally rich performance so this role seemed to fit below his capabilities. Little did I know he would deliver scenes utterly devastating and heartbreaking. The way he broke down after finding out he died and his daughter is left alone. How desperate he got to help her. How he was willing to sacrifice himself to make sure she could make it.

❔How once being lost can lead to us finding the right path.
Kwon Yeong Ji found her calling after her near death experience. With her newly gained knowledge of the afterlife and the struggles one can face to find their way home, she put it on herself to become the guiding presence helping others find their light. Similarly Yang Sung Sik after losing everything, was able to gain new motivation. Combining his expertise as detective and the ability to see ghosts, he took the role of a guardian - keeping the balance between the world of living and dead.

❔How sometimes other’s will to keep us alive is more important than our own.
The question that kept coming back during the first half of the show is: what keeps them alive? The answer, as heartbreaking as it was, it also became one of the highlights and most touching aspects of the drama.
The visual presentation of Lee Ji Yeong sewing Kim Hyun Min back being compared to keeping his heartbeat, keeping him alive. The determination she went through to make sure he can survive. The hope that he will remember. Jung Yu Hui who kept sending her daughter for new light bulbs with hopes she will be able to find her one light in the process. How Park Hye Won tried to do her best to make Yun Seon Hae leave the house, because only if she leaves she can find the light shop. Seung Won carrying Heo Ji Ung on his back, Kim Sang Hun guiding Yang Sung Sik.

All these stories broke me to pieces. I cried with every new revelation. I cried with every new person waking up. I cried with every goodbye. Honestly, the whole second half was just a crying fest, and I’m happy I was able to experience it.

❔How not every situation can have a happy ending, and sometimes the negative consequences will haunt us forever.
Lee Ji Yeong at the end became a vengeful ghost. The sadness of being forgotten by the man she loved, by the man that she died for was too much to handle. When I watched where her and Kim Hyun Min ended, I kept thinking: maybe her determination to keep him alive was just a selfish act? Maybe he should have died? Maybe them staying together in the afterlife would be their happy ending? Now all that’s left is pain and regret.

Then we have Ju Hyun Ju - what seems like a good resolution, weirdly feels incomplete, without the closure for the teen. Being separated from her mother, when she desperately wanted to stay in the afterlife with her makes me question if she even can live a normal life. Not getting treated for delirium she lives in a constant state of confusion - what is real, what is not. She is in a daze, not being able to connect with the people around her, she refuses to connect. She lives in her past memories that block her from moving on. I sadly struggle to see how she can reach the point of living a normal life.

❔How sometimes the choice we make can seem like giving up, while for us it’s starting over.
Yun Seon Hae chose to die. She found the shop, she found her light and then she made the choice to destroy it. There was nothing waiting for her in the world of living and there was so much she would lose if she left. She decided to stay with her girlfriend Park Hye Won and somehow it felt like they truly started living only after their death.

At the end of the day, Light Shop is a tale of love, care, devotion, desperation, regret and choices. Brilliantly acted, stunningly shot, perfectly directed (cannot believe this is Kim Hee Won’s directorial debut) and carefully crafted in any and all areas. It’s a story with many twists and surprising cohesiveness. Giving you the sense of hope, dread, sadness and happiness. The true portrayal of what it means to live, to die, to survive and to give up.

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Lots of fun if you leave the brain out of it. Do not try to understand it or find a logic behind anything, coz it ain't there. The whole premise of the show is built on misconception about a certain topic.

That said, I had lots of fun for the majority of watch time. They committed to the gruesome and violent scenes and questionable/ evil characters. I watched it and asked - is this really Korean? Where they censor and blur knives from scenes?

Editing was spectacular, except for some special effects, but I'm picky about these. Most people would probably love them. The fighting scenes were well choreographed, but it was the editing that added that special and unique edge to them. And the violence was... well, violent. Ain't some random few punches here and there.

The acting was for sure the strongest aspect after the directing and editing. Kim Da Mi's performance truly amazed me, especially closer to the ending. She showed a lot of skills and duality in her acting. Truth to be told, the whole cast did an amazing job. I was frustrated with the random English lines here and there, especially since Netflix does not provide subs for them, and as a not native speaker, with the accent, I did have some problems with understanding some of them...

So what went wrong?
The reasoning, explanations and motivations of the characters were all over the place. I enjoyed the movie up till the moment they tried to explain what exactly is going on. Why? Coz the explanation was simply dumb. They gave the same excuse many low sci-fi movies give, which was proven false countless times. Still using it, in my eyes, means lazy and unoriginal writing.

Was it a good movie? Yes, just do NOT think as you watch.

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