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11
3
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Why add plot when you clearly do not want to have a plot?
Nor do you need the plot to be perfectly honest. I am genuinely confused about what happened and what this drama wanted to be. It claims to be a fantasy rom-com, but it feels like a cooking slice of life. It sets the plot as this epic love story that defies time with political schemes in the background… but delivers a cooking slice of life. So why not just… be a cooking slice of life and not cosplay as something else?The whole drama is a sandwich. Episode 1-3 and 10-12 have a plot, episodes 4-9 have cooking and close to no plot. Anyone willing to explain to me how I am supposed to care about all the events happening at the end, when they were never developed and existed only in my memory from the first few episodes? I’m honestly annoyed, because I actually love the slice of life genre, and I love historical rom-coms with fun set up and some political schemes. But I was expecting a plot, and got disappointed when I did not get it. And since I was not expecting a slice of life cooking comedy, I kept waiting for the plot to happen, and ended up not quite enjoying it either.
This could have been just a slice of life cooking comedy - 8 episodes, remove Kang Mok Ju and Prince Je San from the story completely since they were useless. Also remove the whole backstory of the king's mother - useless. Serious political schemes? Useless. Male lead being tyrant for like 2 hours of the screentime? Useless. Basically, remove the crumbs of the plot we’ve got, and I will love it.
The cooking? Amazing. The bond between the cooks? Awesome and fun to watch. Making meals more than just food, but rather an emotional experience that connects people and makes them remember their happy memories? Beautiful. The visuals - breathtaking. I even enjoyed the romance, which was mild and cute, a nice backdrop to the cooking itself. And if the drama was that, and only that, it would be an easy 8.5 out of 10.
Then we have the issue of the casting. Acting wise everyone did a good job, but it’s obvious Lee Chae Min was to some extent miscast. I know it was a last minute decision, and he aced the role itself. But when you put him in the context of the other actors, his presence makes no sense - he is simply too young. All the main characters are supposed to be more or less of a similar age, and so are the actors. And then we have this 2000s baby. I want to be clear that I do think he did a great job acting wise though.
As for the romance - outside of the set up it was great. Loved the fluff, loved the initial banter. I loved the growing trust and actually decent communication. In the context of the set up? Flat. I don’t know, I’m just confused and want to ask the writer: why? I liked their relationship, I do think they like each other. Did I feel love? No. Ji Yeong felt mildly interested. I did not feel that deep bond that can change the trajectory of the future, that would make their souls crushed if they end up separated. It gave me more - you are my type, let’s see where it will lead us.
Production wise - beautiful. I was in awe with all the cooking scenes, still giggling when I remember the editing of the reactions when characters were testing female lead’s dishes.
Overall, I would be fine with no plot, just good vibes and cooking, if they did not set up an actual plot that also seems interesting and would have exciting conflicts. But now I’m just confused about what was the goal and what the writer and director wanted to deliver with this project.
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I have no issue with pure fluff dramas, but they have no issue being this long.
I think this show is actually kind of like Chinese medicine - you won’t get spectacular results, but it will sooth your mind and heart. But it also somehow left a bitter aftertaste in my mouth.I do think this is a rather nicely delivered and healthy romance and great chemistry. The progression of feelings between Su Ye and Xi Fan had such the right pace. I enjoyed Xi Fan’s friends. Loved her family. Even though I am not convinced with the practice of traditional Chinese medicine, I think they did an amazing job with balancing it with western medicine - showing the pros and cons of both in the larger picture (and not claiming TCM can cure cancer or something). And if the drama was truly just them falling in love and some background progression at work, with less characters, that would in fact be a great drama for me.
Sadly, I think my biggest issue was the fact it was not really a pure fluff feel-good type of a show. Both leads had to deal with truly serious issues that were negatively impacting their lives, but these issues were introduced, not developed and then had a quick closure. So I could neither just chill watching the drama, nor I could get in depth about the themes they were introducing. Because they never truly explored these conflicts and issues and just glossed over them, the whole show just felt flat.
Then we have the difference in quality of writing between Su Ye and Xi Fan. One was a layered character with real flaws, real struggles and nice development (Xi Fan), one was stagnant with no versatility, too perfect to exist (Su Ye). By all means he felt like a supporting character for Xi Fan’s story. And while I was also in love with him at first, at some point I wanted to see a little bit more.
The acting was great. I wouldn’t say I was especially amazed by any of the performances (it’s not the best of the year type of situation), but they for sure satisfied me. The chemistry between Zhang Ling He and Xu Ruo Han was refreshingly natural.
Production wise, I for sure loved the little addition of herbs description at the beginning of each episode - took screenshots of every one of them. I do think they overdone the slow motion candy sweet romance styling for some scenes though.
Overall, I know many people loved it, so did I at first. But the drama lost me somewhere in the middle and I never got back on the hype train.
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Not bad, but also not good enough to validate its existence.
There are two reasons to make a remake - different time period/culture (cultural changes between countries that are vital for the plot, or modernizing older titles), or significant changes to the content that explain the reason for retelling (changing genres, changing the pov of the story etc.). Sadly, Tanin wa Jigokuda is just retelling exactly the same story, without additional nuance, stripping a lot of depth from the characters and their relationship to fit the plot into a movie format. Basically, all the changes made it actually worse.Yes, I do understand it's unfair to judge a movie by comparing it to the original drama, but when the movie is so similar and fails to stand alone, it's hard to ignore existing bias.
One of the things that made me disappointed is how this movie was just a horror, while the original story was clearly a psychological horror. Yu was not this guy who from the start we can see has some issue, and we are just waiting for him to finally snap. Yu was just a normal guy that was driven mad by the environment.
Because there was far less focus on Kirishima compared to his character in the Korean version, he never had this unnerving presence. He did not feel like a psychopathic wolf in sheep clothing, he was just full on psycho. Him and Yu also barely shared the screen, so the movie more or less completely skipped the depth of their relationship, dynamics and how they affected each other.
I also feel like the ending was less vague - here some people might like it, depends on the preference. One plot twist got me giggling though, I did not think it made that much sense.
On the bright side - if someone prefers less of a tension, and more of the actual creeps, the Japanese version for sure presents more of a horror style. Less subtle, more weird. The acting was also solid. Even if I was not completely sold on Kirishima as a character, Yanagi Shuntaro's portrayal was dreadful and dire, which was exactly the point.
Directing wise - they knew how to make you uncomfortable. Close up to chewing, quick cuts between the shots. sometimes showing more than I might have wanted to see.
Overall, it's the type of movie you kind of enjoy, but there is nothing really unique about it so you will forget it in a week.
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“We don’t discriminate”.
The thing I got the most from this movie is the complete lack of education about trans issues we have, honestly globally. The lack of education leads to insensitive comments and questions. The intent might have been just a normal curiocity, some might even think they are being playful or joking, some that it's just teasing, but the effect on the person being asked? Rather negative. “We don’t discriminate”, but we also do not care enough to take a second and reevaluate if the comment we are about to make might be insensitive or worded in the worst way possible.Do I think it is a tricky situation for people who fall into the “norm”? Sure. Everyone has their own limits, boundaries, expectations. Things they feel comfortable about, and things they hate. There is no guideline “how to treat a transgender person”, because they are all different, just like literally every human being is different. The same question can be viewed as rude to one, and completely fine for another. Still, some comments and questions are objectively a big no-no. Sadly, most people don’t know what they are and don’t care enough to find out.
As for our heroine - Hikari. What a strong character. I am not one with any type of anxiety, especially none that involves social interactions, but the way the movie was shot and structured, I was feeling anxious for her. I was also getting annoyed, angry and frustrated watching her interactions with strangers and how… inconsiderate they were. “I am curious, so I am asking, because I am an egocentric asshole who only thinks about their own needs, and not about other’s feelings” - this is how I viewed the majority of them.
On one had it was great to see her move forward even when she felt hurt. On the other hand I wanted her to just start hell and say a few “rude” words to a couple of people. Easier said than done though. Still, seeing her walk with a smile on her face in that red dress (amazing look if you ask me) was to some extend liberating.
I’m sure there are a lot of hidden meanings and symbolism going on, sadly my brain is not quite wired to catch the hidden meanings and the poetic, less straightforward messages. Someone with a more abstract mind would for sure appreciate the movie even more.
I feel like the review is more me just ranting about society, and less how the movie was. For that I'm sorry...
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Why make it so complicated?
I will never understand why Korean writers are so obsessed over adding so many external conflicts to every drama ever, while also making them so over the top and not relatable for the majority of their audience. Love in Contract is a rom-com, not a business politics drama, we do not need this much focus, or even any focus on the shenanigans of the chaebols.I honestly think removing the whole aspect of the “rich elites” from this show and making it at best 12 episodes long would vastly improve the quality. The whole second half was just a dramatic mess. All the important bits about learning how to rely on others, trust them, move on from past traumas, heal, find your own dreams and goals - drowned in the pool of misogynist powerful men and overprotective mothers.
That said, the first half of the drama was a blast to watch. Choi Sang Eun is a great female lead with a strong personality, clear views that impact her behavior, but also a solid dose of insecurities that we get to explore as the drama progresses. Jung Ji Ho, being one of the most unique male leads in dramaland, had some of the most solid character developments - improving his communication skills, creating social connections, improving his understanding of other people’s views and perspectives, while still keeping the core of his persona true.
Out of all the supporting characters, I for sure enjoyed Jung Ji Eun the most. Appreciated her understanding nature and willingness to improve and not just be a menace to the main couple. And it would be a crime not to mention Woo Gwang Nam. I have to say, that’s honestly a solid representation - a character that is gay, but his whole existence, personality, internal and external conflict do not only resolve around his sexuality. He was neither comedic relief, nor the typical tortured soul. Easily the most complex and well established supporting character this drama had to offer.
Would be lying if I said I was impressed by any of the performances, since I feel I have seen similar characters from these actors in their previous roles. I’d even say it’s impressive how type-cast the drama was.
I have little to nothing to say about the production value. There was nothing bad, nor outstanding about the directing, editing, soundtrack, set design. Sure, the female lead’s outfits were amazing, but that’s not enough for me to praise the overall quality.
Overall, the show was simply basic. It had great moments, nice supporting characters, but when it’s surrounded by mediocrity, I question if it’s worth watching the whole show for scraps.
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Fairly entertaining, insanely ridiculous.
Did I have fun? Kind of. Did it take me 4 hours to finish it? Yes. Did I feel bad about being bored while watching all the kids dying? No. And that all kind of sums up all the problems I had with the movie.Personally, I’m the person who needs some kind of explanation for the events happening, otherwise I cannot connect to what I see on the screen and I get bored. And we got exactly zero explanations in Battle Royale. What was the goal of the law? What was supposed to be the positive effect it has? What was the motivation make it happen? We don’t know and I honestly cannot think of a truly logical one myself that would make sense in any universe. So the movie ends up with being just… kids killing themselves and each other. And that’s kind of boring.
That said, there were two aspects I did enjoy:
My favorite part of the movie was for sure everyone taking their sweet time dying after being shot 4868374587439 times. They do need to give their final monologues after all.
Jokes aside, one thing I truly liked is how the kids are accused of basically the collapse of moral standards and crumbling society, but as the movie progresses, we see many flashbacks of all the adults who failed the same kids that are blamed now. Great way to showcase how youth is often blamed the negative consequences of adults’ actions and decisions - still relevant 23 years after the movie was made. It’s not the kids that ruined the society, it’s the society that failed the kids.
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On the other hand it felt like the panelists were not quite treating the participants as real people. It’s one thing to “ship” them when watching the show and seeing specific interactions that were edited to look romantic, it’s a completely different story to ship these people in their face and keep saying how they see “signals” between them. I feel like After Signal took one step too far into the private lives of these people.
Still, I did enjoy it a lot. I feel like this showed some new sides of the couples - it makes it so much easier to understand why these people picked each other, but it also proves how shitty editing and directing of Heart Signal 4 was…
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When lack of communication skills is your whole personality.
This is not a sweet rom-com. This is a frustrating journey that will test your patient, and I have no idea why I enjoyed it.It’s a story of two people who love jumping to conclusions and never verbalizing their feelings and issues. Female lead was slightly less frustrating than male lead - she was at least aware of her own feelings, which cannot be said about the other half of this infuriating couple.
All these miscommunications were blast to watch though. Why? Thanks to all the supporting characters, who had some of the best and most reasonable reactions to all the childish shenanigans going on. I appreciate how it was established that it’s not the writing that is stupid, it’s the main duo only, and it’s done on purpose. I can go on board with it.
Female lead had little self-esteem, male lead had no self-awareness, I had no business using my brain watching it. Love triangle of poor character traits - best relationship between the drama and the viewer.
The performances were great. Seino Nana somehow made Akiha a character worth rooting for and Sakaguchi Kentaro was able to calm my distress caused by Shu’s character with his cuteness. I also love Kursahina Kana and her portrayal of Miharu - probably one of my favorite characters in the whole show.
Production wise - this is your typical rom-com. Nothing bad, nothing good. Standard quality, nothing to complain about. Bless them for having the cat though, he was amazing.
Overall, this was entertaining for all the wrong reasons.
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The lack of chemistry was evident…
Which made me enjoy it more as a slice of life drama, rather than a romantic comedy. Not gonna lie though, with the amount of “love lines” and feelings the characters had for each other, the fact that there were exactly zero sparks felt was disappointing.I honestly think it would be better without the romance. Focusing on friendship and personal growth would make it a nice, warm and inspiring show. What we’ve got was a borderline Jekyll and Hyde male lead, that flipped between his two personalities in the matter of seconds and a questionable romance - no one will convince me Sato Ai was not too focused on the familiarity and the nostalgia, while ignoring all the flaws.
We also have the whole aspect of changing appearance, which I found ridiculous. For me Koshiba Fuka actually looked better and more attractive before the “glow up”. I think the natural look fits her far more, and the idea she was thought to be extremely ugly was laughable.
There were still quite a few aspects I truly loved. The themes of rediscovering yourself, finding your dreams, working hard to improve, taking accountability for your actions - this is what I enjoyed the most.
Sato Ai was a great character with a great journey. Higuchi Takuya was a walking sunshine with a glowing personality that was impossible to dislike. And then we have Sosuke and Risa who were both underdeveloped which made them kind of boring - I truly did not care about them at all. Their struggles and motivations were shown in such a vague and shallow manner, why should I care?
The performances were good. Akaso Eiji impressed me the most - the natural and quick switches between the happy puppy to angst were amazing. They were clearly visible to the viewers, but subtle enough that it made sense the other characters did not notice. This Japanese version overall improved in the characterization aspects - keeping the core of who these characters were supposed to be, while toning down the cartoonish overreactions to make them more realistic.
Overall, a nice watch for binging. Nothing outstanding. Perfect as a palate cleanser when someone wants to watch something mildly amusing, but not too engaging.
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The story behind the Sewol is extremely complex. It’s not just a case of one person negligence - it’s a story that involves individual workers, coastal guards, press, police, politicians - you name it, more or less everyone was involved.
So does this documentary tell us how it happened? Why it happened? Does it provide any concrete explanations? No. But it paints a horrifying picture - when people on the site were too scared to even talk about what was going on. It focused on just a small portion of the events - the use of a diving bell, and how the government was doing its best to not make it successful. Exposing that lie in such detail, with interviews and video/recordings proof is how you break the well crafted picture the government and press created.
The movie shows how much effort was put into creating and upholding a lie and shifting the blame on others, when half of that effort would probably be enough to save the people trapped in the sunken ship.
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This review may contain spoilers
Directing and writing chaos.
I truly have no idea what was the vision and direction for this show. What was the main conflict? What was the plot? What was the genre? It was everything and nothing.Starting from the plot, I think Fighting Mr. 2nd does a huge disservice to season one - the cute, fun and a little bit dramatic story. Here we get full on makjang for the first episodes, that turns into corporation politics, and then into big old nothing.
None of the conflicts make much sense. Shi De agreeing to cut contact with the love of his life, because the dad said so was unbelievably stupid. Shu Yi trying to get his revenge at first made him one of the most toxic (for everyone around him) and unstable characters ever (at least that made sense, it was destructive but fitting). Then we have the "blond lady" misunderstanding and no true chat about it between the main characters. Not to mention the stolen files in the firm, which brought exactly nothing to the story - just stole the precious screen time that could have been used in a better way.
Zhen Xuan and Shou Yi romance could have been an amazing story, but it was simply impossible to do it justice as a side couple in a 3 hour story. Both characters were too complex and had serious underlying issues that should have been addressed in a more detailed manner. I am quite confused why they said Shou Yi has affective disorder though, since the ones that go into that category are stuff like depression, bipolar and manic disorder - mood disorders, so his lack of apparent empathy and incapability to form relationships with others was not quite fitting the label he was given.
Then we have the messy directing. What exactly was the plan? Was the dad supposed to be a scary controlling figure or a laughable, but a slightly obsessive comedic addition? Was the main romance supposed to be realistic struggles of the couple or over the top dramatic melo? I'm not saying you can't have comedy in the serious shows, or deeper topics in a lighter story - the tone needs to fit though. Here, it was a mess.
At the end we get to the problematic aspect of drinking on the set. For some it might not be a problem, for me it is. I see no excuse for drinking on the set. It puts the actor, co-actors and the whole production in danger. You don't just get your actor drunk for the sake of realism.
The only redeeming quality of the show was the acting and the music, and more specifically Unbreakable Love, which isn't even the original song made for the show.
Overall, season one was a good BL with nice characters and good pacing. This was just... a mess.
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The plot lost between the simping, stalking and the sea of angst.
This drama makes me confused. Logically, I don’t even think it’s that good. Sure, some characters are interesting, some have great arcs, but the overall plot was barely developed and it’s mostly the female lead bouncing between the three and half male leads (I’m sorry Feng Long, but I forgot you were even a legit option and actually part of the main cast).That said, it’s ridiculously addicting and entertaining. I saw all the flaws, but I could not stop watching. I feel like it’s one of the dramas with well written characters and basic, underdeveloped plot. Xiao Yao had barely anything going on for her in terms of the story, but just her personality and her interactions with other characters were enough for me to adore her. Xiyan Cang Xuan's fight for the throne seemed more like a first draft than a proper strategy, and yet I love him and the internal struggle, suppressed emotions and the conflicts he had to face were amazing. Xiang Liu had some of the best character developments in the whole show, slow, well paced, realistic. He did not become an angel, the core of the character never changed, but with each and every scene we’ve got to see all the layers of personalities he had.
While I disliked Tushan Jing a lot, even his character was written in a proper way, I just don’t vibe with him. That said, the struggle between his own desires and the newly found responsibilities was well presented.
Another aspect deserving some appreciation was the variety of female characters. More straightforward and tomboyish Xiao Yao, who is truly daring and loyal. Nian who went from annoying brat, to sweet sister (whom I also adored by the end of the show - biggest surprise for me), Fangfeng Yi Ying with her cunning nature and desperate actions, calculative, but also honest Chenrong Xin Yue. Truth to be told, I appreciated all the female characters, and at times I wished the drama would focus on them more.
What’s more to love? The visuals. Not me taking over 1000 screenshots. The costumes were beautiful, the scenery breathtaking, set designs amazing. Visually speaking, there was nothing to hate and a lot to love.
The acting was great. The only performance I struggle to judge is Deng Wei as Tushan Jing - I disliked the character so much, I am not going to act like a clown and pretend like I can be objective here. That said, the whole cast MASTERED the suppressed angst - everyone delivered in that area and these scenes were truly the highlight of the whole drama for me.
Overall, extremely enjoyable watch, even if by the end I felt like there was barely any plot. I wanted to see more detail in Xiyan Cang Xuan journey. I also wished to see more of Nian, since she became one of my favorite characters. I disliked how unbalanced all the relationships were, as someone who prefers partnership, the simping and pinning, and sacrificing at times was too much - rolling eyes was inevitable.
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When the victim becomes the perpetrator.
Can trauma and growing up in a toxic environment excuse someone’s awful actions? If yes, then no one is guilty in this show. From my perspective, this show quite well presents how a person can be both the victim and the perpetrator and society should make sure not to ignore their tragic past while also acknowledging their horrific actions in the present and punishing them for them.This is not a story about righteous characters - there are no heroes. With how dramatic and excessive everyone’s actions were, it’s hard to even call them gray. It’s a journey into madness. It presents an interesting dilemma - up till which point a person is a victim that needs help, and when exactly can we see them as perpetrators that need to be stopped and punished? Can you still be called a victim if you yourself create more victims?
Not gonna lie, what started as a “fun revenge story”, ended on a bitter note, and I’m not mad about it. I thought it’s going to be a “put morality on the shelf, turn off your brain and enjoy some bullies getting their punishment” type of a deal, but the further into the story I went, the more it made me think about it and how complex of an issue bullying is. Bullies themselves are often victims of either bullying by upper classmates or abuse at home. So here’s the question - if their actions were not excused in the drama based on their circumstances, why would we excuse what the main character did?
One thing to keep in mind - the ending might leave a bad taste in your mouth, but I think it’s fitting the story, even though it fills me with rage. And the literally last sequence of scenes broke my heart.
It’s a story of the friends trio - Kyungmin, Jong Suk and Cheol. All complex, all raw and interesting. And then there is Jin Ah. Why she exists in the show is beyond me. Clearly the story could have been told without adding her, as she is not a character in the original animation. Her being the good cop, moral one just does not fit the mood of the drama. Not to mention, the whole investigation plot line was simply ridiculous and boring. I found her to be rather obnoxious, flip flopping between following the rules and playing the proper cop, to ignoring the rules when the show needed that, but still acting like a voice of reason.
All the supporting characters were rather one dimensional, but they played their roles well and created the cohesive picture of the world presented. That said, one of the issues I had with the show was how extreme it went. It’s not exactly a realistic portrayal of school bullies as adults - everyone was either awful or went on a guilt trip that dominated their whole life. I guess the closest to a more typical story was the first victim/bully, which for me was the most questionable.
The acting was great. The two performances that stood out for me the most were Kim Sung Gyu and Choi Hyun Jin. Hyun Jin, this child - he has a bright future ahead of him. His performance also led to Cheol being my favorite character. The actor is only 14, but I could feel the pain, desperation, sadness, glimpses of hope and happiness in him. It was all so well delivered, I will for sure check any of his future projects.
Production wise, I appreciate how they did not shy away from creating truly gory scenes (yes, they were blurred, but with all the horrors I have seen, my imagination kicks in fast). Some of the pictures created were just hitting hard emotionally. The pig and wolf masks were truly detailed and creepy. Honestly speaking, I have zero complaints about the production. Maybe sometimes the scenes were a little bit too dark, so it was hard to see what was actually happening.
Overall, it’s a great drama that could have been amazing if they did not decide to add Kang Jin Ah and her whole investigation side of the plot. Still, I was interested till the end and in a strange way, I was satisfied with the ending, even though it felt a little bit half assed.
Trigger warnings: school bullying, abuse, sexual harassment, blood, gore, psychological abuse, animal abuse, and probably many more. I would not call it a safe drama for the majority of people, so be warned.
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This review may contain spoilers
Stunning visuals and the thrilling game of wits.
Your expectations will make or break this show. If you expect a typical noble king versus corrupted officials power struggle, this will be a huge disappointment. You need to be aware of the fact that for a lot of the show the king takes the side lines in this power political scheme and the focus is put on other main characters and the overall context of the current court situation. Lee Tae for many episodes is shown being too preoccupied protecting Yoo Jung taking detours in his plan.This is not a story of a hero fighting for power to create a better world. This is a story of a king with no vision, trying to gain power for the sake of power. A king who is willing to sacrifice many innocent lives and put the whole country in danger for his personal goals. A king who, while possessing some wits and strategy skills, has no wisdom and is unable to foresee the consequences of his actions. A king who should never be a king (until they give him last minute change of heart, I don't want to talk about it...)
While most of this review is my personal subjective interpretation (which mostly talks about the events excluding the last episode, as I feel like ot did disservice to the whole show) of the events and the characters, it is a fact that this is not the good versus evil type of a story. It’s a great portrayal of the aftermath that could happen in the country after deposing a tyrant king. Putting a new one on the throne is not the end of the struggle, It’s just the beginning. The subject and officials learning how to trust the new ruler, and the new king proving his worth and gaining power with their wisdom and not the political schemes would be the ideal scenario, which could not be more different than what the drama presents.
The new king tries to gain more power against the officials. The officials fear the tyranny they just ended, so they try to limit the power of the royal family. The royal family works even harder to gain more power. Both sides started to use evil tactics to achieve their goal. No one is right, no one is good. To understand the motivations of the characters you need to take into consideration the context the drama sets.
Let’s start with the characters, as they are the core of this story. Before you proceed though, know I am a pro Gye Won type of a girl.
Lee Tae and his family reminded me of all the evil royal families in all chinese dramas - creating a mess because of their bad planning and actions, and then blaming other people for them. No one was willing to be accountable for what they have done. The late Queen would rather “die a queen” which led to many innocent lives being sacrificed, than lose the honor. The late king would rather put the blame on innocent people for her death, instead of telling the truth. Lee Tae would rather risk the whole country’s safety with his poorly planned schemes (I mean, dude was surprised Queen Dowager turned into a full tyrant after he led her to take over… the lack of insight was amazing) than put in the effort to unite the people.
And none of the Lee Tae’s family members had a real goal, except gaining power and honor for the royal family. The country was not in chaos. People were not living bad lives, the officials (while there will always be some bad apples) were not all corrupted groups who used their power for their own benefit. Yes, they limited the royal family, but they did it out of fear, not out of greed. And The royal family did nothing to make the officials trust them. Who decided to make a queen a daughter of the killed tyrant and then act surprised when officials start to be more on edge?
Lee Tae was not fighting against the bad guys, he was fighting for power, and that’s where his plan ends. He never presented any ideas of how he will use said power to make the lives of his subjects better, how to make the country stronger. From episode one they showed countless hints how he is in fact a tyrant in making, even though being one was never his actual goal. Throughout the show he kept seeing himself as a victim and justified all his actions. In his mind, the people that died because of his schemes were not victims of his ploy, they were sacrifices he made. But he failed to see that one cannot sacrifice what is not theirs, and their lives were not. One can scarify THEIR life, THEIR dignity, THEIR possession. Taking it away from other people for your own gain is NOT sacrifice.
I think from the start we saw how he was not fit to be the king. The more episodes I have seen, the more on Gye Won’s side I was, even though he himself was nowhere near being a hero. With how the story was told, it made complete sense that he tried to keep the royal family’s power in check after surviving the tyrant king, especially since Lee Tae never showed any signs of possibly doing a better job at ruling. He was pretending to be a foolish king not interested in politics, so why would Gye Won put the trust in him? And when Lee Tae finally started to make some moves, they were all focused on fighting against the officials, and none on trying to make the country a better place. We saw how Gye Won was willing to give up his power as long as someone shows the qualities of a good ruler - putting the people ahead of their goals, plans, honor and pride. The moment he saw Yoo Jung has these qualities, he was willing to serve her and respected her plans and decisions she was making. He was supporting her and trusted her.
Gye Won became one of the most interesting characters in all 2022 dramas. At first it might seem as if his goal of “putting the righteous king on the throne” is just a way of keeping the power to himself, as no king will ever meet his arbitrary ideals, but later on we can see that’s not the truth. He was never loyal to the royal family, he was loyal to the country. He was willing to sacrifice his life, and in consequence dooming his whole family, just to make sure no tyrant will ever gain the absolute power. He went against the love of his life the moment she seeked the power she should not have. He was willing to lose all his merit, honor and pride, becoming a traitor if it meant saving the country.
Truth to be told, both Lee Tae and Gye Won did some shady things during the drama. The difference here is the motivation - Gye Won was fighting FOR the country, while Lee Tae was fighting AGAINST the officials. One had a vision of a prosperous country in mind, the other had a vision of absolute royal power. One was willing to sacrifice themselves for the country, while the other was willing to put the country in danger for his goal.
It became a question - what makes a good king? Political strength of the royal family as Lee Tae wanted? Or wisdom and benevolence that Gye Woon sought in the new king?
And then we had the brilliant Yoo Jung. While the first 4 episodes made her seem like nothing more than just a love interest for Lee Tae and a pawn in political schemes, she quickly became one of the sources of power in the court. Compared to Gye Won and Lee Tae, she, from the start, used her own wits, at times putting her own life at risk, instead of using people around her. She was able to gain the trust of both Gye Won and even the most trusted person on Lee Tae’s side, to help her with her plans. She knew when to compromise for the good of the people, putting her own wants to the side. Since her goal was to protect the people, fighting against others was not always her go to opinion, as it more often than not created more victims. She tried to negotiate and find a common ground. As a true ruler should.
Her trust in Lee Tae by the end of the show was a bit delusional, I have to admit it. Her trying to whitewash his crimes, acting as if he was different than Queen Dowager or Gye Won was simply laughable. Stating that he will not take the same path that Queen Dowager took, when he was the one who created the path himself was just painful to see.
The complexity of the characters and the no obvious morals were the best part of the show. Putting a complete twist to the typical court period drama was a delight and got me engaged on some next level. I was analyzing and discussing the characters and their actions with many users after each and every episode, and they always left me with some issues and ideas to reflect upon.
All that said, the show is not without flaws in terms of the characters and writing. The biggest issue I had was Queen Dowager’s characterization. I honestly had no issue with her becoming just a pawn in the game. She was never shown to be a witty, smart and driven person. From the start she was passive and relied on Gye Won to make all the decisions. What bothered me was her motivation which made little to no sense. They did not set it properly. Yes, I understand that her fear of abandonment made her seek the power, but with how she was presented, her reasoning behind it should be “I will give you the country to rule, you don’t need Yoo Jung” instead of “I will take away everything you have and burn the country you tried to protect”. Her out of the blue defiance and war against men in power was just laughable, because nothing about how she was presented before fitted that scenario.
Another character that had questionable presentation was Jo Won Pyo. I understand that he was supposed to represent a person who “goes with the flow” does not fight for nor against to keep themselves safe. I understand it’s supposed to give us the viewers commentary on how not standing up against evil does not mean you are neutral, it means you are on the side of the bad guys, as it supports their actions. I don’t think they truly delivered that message well. We knew from the start that he and Gye Won worked together to depose the tyrant king. We know he took the right actions when needed, so this “will he/won’t he” closer to the end seemed a bit out of place.
What’s more, the show relied a little bit too much on surprising reveals to deliver impactful plot twists, which led to sacrificing some character development and limiting the attachment the viewers might have had. Some of these tactics worked well - Yoo Jung deciding to stay in the palace against Lee Tae’s wishes. It was a short, one episode side story, did not take a lot of the screen time and with all the other information we had about Yoo Jung, did not impact how viewers saw her in terms of her wits and intelligence. We knew she was smart, we did not need the step by step explanation on how she did it. On the other hand, they tried to use the same style of storytelling for some longer plotlines, and that just failed. I’m not the biggest fan of making Lee Tae the mastermind of it all in the last 4 episodes, when he was presented as a smart, but impulsive and emotional person during all the previous ones. My issue was the fact he was shown to behave like that even when there were no people around him, when he did not have to pretend for his plan to work. I honestly felt lied to. The direction of the plot was brilliant, but the writers trying to keep it hidden for so long was not the best choice for me.
Same story happened with the young monk - with how much of an impact he had on the plot, we knew nothing about him, he was added to the plot in later episodes. Before we could try to understand him and his motivation, he was gone - a painful case of a character being just a plot device and nothing more.
Some people might also dislike how the schemes were mostly just talking and plans, and close to none of them actually happened, as they were stopped or negotiated before they took place. It was not - kill, poison, lie, hire assassins, over the top type of political schemes. It was far more based on the game of wits, threats and mutual convincing that the actions someone wants to take will not be beneficial, as the other person might have hidden some tricks up their sleeves. One could say the plot is slow and barely anything happens. It’s true that there are just a few big events. The plot is the shifts in dynamics and creating new alliances. The core of the show are the characters, not the plot itself. Why do they do what they do? What do they stand for? What are they willing to do to achieve that? Whom should the viewers root for?
What’s worth mentioning are the visuals of the show. The whole show is like a moving painting. The number of breathtaking scenes was high. Some of my favorites were the aerial shots - I’m a sucker for these. If dramas have them, I will always give some bonus points. This is for sure the most visually stunning drama I have seen in 2022. And these visuals are supported by the amazing soundtrack. While I loved all the songs, the instrumental arrangement had more impact for me.
The acting was almost perfect. I cannot stop myself from thinking Lee Joon exaggerated some line delivery. Especially when he added that raspy quality to his voice every time the character got angry, sad or emotional - after a while it became just too much. Instead of getting emotionally affected by the scene, I was thinking how much his throat has to hurt after all that.
I was also not amazed by Choi Ri’s acting as Jo Yeon Hee. Even though the character was rather unlikeable, I felt indifferent because of the portrayal.
All the rest of the cast did amazing. Jang Hyuk is an actor that was born to act in period dramas, so no surprise for her. That one that caught me off guard with how well they did was Kang Han Na. She is an amazing actress, but the role of Yoo Jung was extremely hard to deliver correctly. Being both strong, but also delicate. Empathetic, but also assertive. Emotional, but also rational. Give that role to a worse actress and the character will be all over the place. Kang Han Na aced the role and made Yoo Jung one of my favorite female characters.
I honestly don't even want to talk about the ending. Pacing wise it made no sense for any of the characters to do a 180 like that. If they wanted this conclusion, the events in episode 15 should have happened at least 2 episodes earlier, so the change would be more gradual. My issue is not even the ending itself, but how it was delivered.
Overall, you can enjoy the show if you just casually watch it, but the true value comes from truly analyzing it and trying to understand the characters and context of the show. The more you invest your attention and time into this show, the more you will enjoy it. It leaves you with many moral questions that are truly not easy to answer.
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“One lie leads to a hundred more.”
And one untreated trauma leads to many more issues… Han Tuo needs a “hot” date with a therapist, not a boyfriend. Not that a few sessions would not help Lu Jun Xi too. But then, it would probably help us all.There is a huge difference between supporting your partner while they work through their issues, and working around your partner's issues. And with how it is right now, Lu Jun Xi is going to live a rather exhausting life. And I’m just here asking - why the tone at times became so serious? Either keep it light and fun, or overdramatic and entertaining. But they actually tried to be serious with inner conflicts, while also doing an extremely poor job tackling the subject, since they did not have enough screen time to dive deep into it and explore it enough…
I really enjoyed how chaotic the first few episodes were, the on crack pacing was actually what kept me interested - what random thing will they throw at me next? But then the pacing actually slowed down, and it did not bring much development. Han Tuo was insecure and unsure about Lu Jun Xi's feelings and it kind of stayed like that till the end. They made up a few times, but is the issue actually gone? Then we have poor Lu Jun Xi who in the speed of light had to deal with his newly found discovery of his sexuality AND being in love with his best friend. This alone could (and should) be the internal conflict for the whole show, not a small setback for one or two episodes.
Were they cute? Yes. Was the chemistry nice? Yes. Did I enjoy the friendships as much as the romance? Yes. Were the kids’ scenes great? Yes. Was I getting more and more bored with every new episode? Also yes. I don’t know… maybe because they started with a bang, I expected explosions later on in terms of plot developments, but was met with the emotional aftermath of the blast instead. Blame my expectations, but also they made me have expectations based on the first few episodes, so who is truly to be blamed here?
Overall, it just felt… fine.
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