The Lifespan of Kun is 100,000 years. Since Kun has never been around humans, it had no idea 100 yrs is lifespan of a human. She was just trying to be a good Samaritan but inadvertently caused a bigger problem.
i have said this before that han ting will break the record of lu sicheng in terms of looks πππ
well.. Xu Kai says he had regrets when he went for dubbing, so he worried me, but he had to answer the question "do you ever have regrets as an actor?" so he gave ABAY as an example. But Xu Kai sets a high bar. I do hope he can make a breakthrough soon, keeping my fingers crossed for him.
i have said this before that han ting will break the record of lu sicheng in terms of looks πππ
His appearance is rare for an Asian man. From the moment I saw him in Yanxi Palace, I was struck that a Chinese actor has the same charm as any handsome popular leading actors in Hollywood. I feel he has to work harder to prove himself because some people want you to believe that he relies on his good looks.
SAF6: adorable and romantic, yet heartrending, unforgettable, soul-stirring, bittersweet, resonant, and gut-wrenching, full of noble courage, bravery, camaraderie, chivalry, valor, and loyalty, a captivating drama, the characters fate will hit you emotionally and leaves an indelible mark, that resonates long after it's over. It delves deeper, exploring emotions, sacrifices, and complexities that extend far beyond simple love stories.
If your episode tracker is accurate (dropped at episode 12), Iβd highly recommend trying to stick it out a few…
This is not an open or uncertain ending. It is a clear, unambiguous ending, full of hope. In ep35, Qi connected to the fog soul, and the fog soul is in charge of the power of time, her pendant was already glowing indicating it had absorbed the power of the fog soul. In ep36, the jade pendants collided and lit up at the same time indicating that the power of the fog soul is working again, triggering the power of time.
gamer review: "The drama version appropriately softens the sharp plot and characters so that she is no longer a heavy and depressing tragedy, but a tragedy full of hope and warmth. The ending offers hope.".
Looking back to pray for the present day, there will be some new feelings about the character of Bian Luohuan (the first time I watch the drama, it will feel more fragmented). Especially in the end, when Bian Luohuan created Yue Jinchao in Longtan Exchange, let Yue Jinchao completely copy his face, and I will feel that this adaptation is a bit of a genius. Bian Luohuan's appearance from the beginning has a cold temperament, and every time he looks at the interaction between Qi and Jinchao, he is exploratory, playful and thoughtful. Only in the dead of night or when others can't see it, will the sadness and forgotten heartache be revealed. Bian Luohuan is transparent, and when he saw the existence of the Yue Dynasty and the resonance power of the prayer early, he understood the result that the established facts could not be changed. Bian Luohuan is indifferent, knowing his doomed fate early in the morning, and for the responsibility and mission he bears, he has never chosen to resist or escape towards his established destiny. But transparency and indifference do not mean that he has transcended life and death and let go of all the shackles in the world. He cherishes the affection with the eldest brother, the second sister, and the little yuan, and will regard the ideals of Hengdaozhong as higher than the ultimate goal of his life. Having been abandoned by his loved ones as a child, he fears abandonment and forgetfulness, a feeling he says suffocates in agony. So no matter how long he prepares, he said that he can't really accept the ending of being erased from all traces of existence, and for Bian Luohuan, this is an ending that is ten million times more terrible than death. But even so, in order to protect the highest goal of the Six Realms, even if he would be suffocated in pain and fear in the dead of night, he still chose to go to the predetermined fate without hesitation. The benevolent hands of the healer are stained with blood and cannot redeem themselves, the people who are attached to the righteous are completely forgotten by their loved ones, and Bian Luohuan's whole life is in the ruthless fate to push the next step towards a catastrophe, the cause and effect are established, and there is no escape. Personally, I like Bian Luohuan's performance at the end of the exchange of Yue Jinchao in Longtan. When he finally walked into Longtan and prayed to stop him, Bian Luohuan didn't dare to look at her from beginning to end, and the last "pray, goodbye" burst into tears and couldn't help laughing at himself. All kinds of things in the past are about to turn into ashes, and all kinds of things in the future, he no longer exists, and all the reluctance and fetters in this world can't stop his determination and footsteps to enter Longtan at the last moment. And when he really entered Longtan, when he really came to the end of his life, all kinds of pain, unwillingness, and sadness in the past have been completely over, and Bian Luohuan has finally completed his mission and returned to his true self at the last moment of his life. Therefore, after entering Longtan, Bian Luohuan's whole person seemed to be finally relieved, obviously relieved, and began to look carefully at the "exchange" in front of him that was about to replace his existence with curiosity. With a warm smile in his eyes, he gave the name he once gave himself to the male protagonist, implying the inheritance of life. So, will this Yue Jinchao, who replaced himself with everything he has, including his body, soul, and resonance imprints, hope that he will have a face exactly like himself, accompany his loved ones in the future, and complete the road that he cannot finish? The complexity and unfathomability of human nature is nothing more than what people want, think, and think, rather than God's desirelessness. The performance of the 30 episodes of Bian Luohuan off the line and the previous 28-29 episodes of Bian Luohuan and Heng Daozhong, and the performance of the prayer one by one farewell three years ago will feel very ingenious when you look at it, and the previous farewell scene or pretending to be relaxed under the solemnity (drinking with the boss on the roof), or the nostalgia is unbearable (holding the prayer three years ago), or the sadness is uncontrollable when saying goodbye (and the boss three years ago made a final goodbye), and at the end of his life, Bian Luohuan's state of relief, letting go, and returning to his true self is more real and sad. Bian Luohuan's lifelong love and hate will turn into nothingness with his passing, and no one will remember him anymore, and in the end, Yun Danfeng chuckled and turned into ashes, which will make the audience sigh, and repeatedly reminisce about the beauty of this sadness, which is also in contrast to the way Yue Jinchao performed when he went offline. The distant and unfamiliar confession in the conch in the end is a lament that Bian Luohuan's lifelong family love is destined to be ignored and forgotten. The conch turned into powder, just like his existence, destined to disappear with the wind without a trace. Xiao Yuan finally repeated that she couldn't remember who was going to weave 100 straw dragonflies for her. At this time, Xiaoyuan has completely forgotten that the third brother who really loved her is Bian Luohuan, but whether the family affection that once belonged to her and the "third brother" still stubbornly exists in the bottom of her heart, indelible, when she dreams back at midnight, is there a person who can never see her face clearly, so that she calls "third brother" with tears.
Don't let it get to you, let's talk about other things besides the rating of this drama. I noticed everytime the…
thanks, but it doesn't go up. in fact, the 35-44 just dropped to 7.6, so now just about every age group has dropped in past two days and the overall is calculating to 8.03. So the 7.8 won't be changing, I saw a low score just because the person thought there were too many unnecessary deaths. The problem with these rating systems is that people can give all kinds of reasons to rate a drama.
ALP is my favorite Xu Kai drama. I hate it when I see people write that Xu Kai is best known for his appearance and for having famous female leads as if he deserves no credit for his acting. His performance in ALP is on par with ZDY who to me is top tier actress, a four Dan actress. His expressions are as deep as ZDY. His portrayal of Qing Mu is as different as Bai Jue as is his portrayal of Yue Jinzaho and Bian in SAF6. He puts his whole being into each character, with a different set of expressions and mannerisms. Every character he portrays becomes an entirely different personality that as a viewer I feel that I know this character. I can turn on any episode in ALP and just fall in love with it. The entire cast is talented. This drama is a very emotional and moving drama. I love the second couple too.
i am addicted to these 3 osts ...ππtop 1 . https://www.youtube.com/watch?v=NlbB71ZOpHo&list=PLxZj1wvrVH2StMzoDkpmMXSwwSjasnv1B&index=3top2…
You might need to repost the first one, it says video unavailable on my end, maybe it's just me. This is such a beautiful drama. There is so much to appreciate about it.
I had to drop it despite some of the positive sides of this drama. The first few episodes were interesting and…
The reason the main leads take the spotlight is that the entire drama is centered around their conflicts of interest. The drama is heavy on their relationship to highlight how two people with such different values and way of thinking can work together and ultimately fall in love. Their relationship is the stronghold of the drama, without which there is no story to tell. To me, there is more real-life mature interactions between the couple than you normally find in an idol romance. The characters are deeper than what you see on the surface. If viewer just want to see brainless romance, then WOL is not their cup of tea. The relationship is quite complex, complicated, and deep, and acting is so natural, leaves the viewer feeling like they are watching real-life couple.
SAF6 to me feels more like watching a play on stage than your usual idol drama, which is why the casting and acting shined through. It is a refreshing experience.
hover your mouse over the rating 7.8 at the top of the page, it shows breakdown. the dropped has gone back down to 3.74. It means roughly for every 8.5, there are two 1's, that means more 1's and 2's recently diluting it, most likely more 1's. If you're going to do this, why even bother with a 2, just go for a 1 for maximum impact.
Dropped ratings typically goes up over time. WOL 5.59 to 6.24 (Xu Kai haters), SOKP 2.98 to 4.33 and AJTL 6.21 to 6.92. AJTL had a ending that shocked its viewers so the dropped did go down but eventually recovered, but SAF6 has no shocking ending. There is nothing about SAF6 that would cause viewers who has been watching to change their ratings dramatically. Low ratings below a 7 are usually given by passersby who never really watched the drama.
after seeing ratings of so many recent dramas ... i think in future dramas like this which have good script will…
some say this drama is more of a "real" drama than the usual "idol" drama, a true work of art, so it was destined to "not be cool", which makes it more polarizing
Recently ended drama COMPLETED rating moves from 7.9 to 8.8 in 1 day but this one is stuck at this with 15 - 20…
The airing is done but the % of completions is only 7.1%. Are viewers not updating their ratings to completed? The age group rating has declined to 8.13 today.
dropped % moves from 3.7 % to 4.3 % in just 2 day ...seems like haters are still downrating this drama ...
this adaptation will be more appreciated as time goes by because there will never be another one like it ever again. it's amazing what they did with it given the constraints of time, money, and inexperienced director who did a good job overall. The cast and acting made up for the deficits.
Another gamer detail and insightful review, full detailed article in spoiler below." The only work that restores…
The world is a 9-year closed loop of time and space - as a game fan, I am willing to claim the drama change this time.
"Praying for the Present Dynasty" failed to keep the name of Sword and Fairy Six for some historical reasons, but it is far more respectful of the original work than some fairy dramas with the name of Sword and Fairy, and it can be said that it is THE ONLY WORK THAT RESTORES the essence of the original in the 20-year drama reform history of Sword and Fairy Game.
What is the essence & core core of the fairy sword? If one word sums up the core proposition of the fairy sword series, it is "FATE". This is a super large group of elephants with a thickness of nearly 30 years, recording the life-seeking path of countless large and small people. Among them, there are three religions and nine streams in the market, descendants of gods and demons with a background against the sky, sons of families who are proficient in literature and ink, and Jianghu Ronin whose background is a mystery, spanning all identity classes. The Sword and Fairy series uses nine stand-alone game works to outline the complex proposition of "fate" through records from all angles. She has never been a "thug growth history" with private goods in some dramas, let alone a "great love" that pretends to be profound, and the so-called "chivalry" personally believes that it is an externalization of destiny.
In the past 30 years, the IP of Fairy Sword itself has also grown with the changes of the times and the creative team, and by the generation of Xianliu, the pleasure of Edgeworth has been completely shattered, replaced by the most realistic story in the history of the series, and it can also be said to be the story CLOSEST TO THE PERSPECTIVE OF ORDINARY PEOPLE in the whole series. She doesn't think that God has any innate superiority over man, nor does she think that ordinary people must realize their value through the leap of ability & identity. The power of mortals is small, and the precision of planning and the firmness of the mind can also be compared to the gods, relatively speaking, the gods can indulge in the warmth of the world and fall into the mortal world without regrets.
For example, my empathy for Ju Shifang lasted from the game to the play. The evasive personality of the drama version of Shifang has weakened, and at the beginning of the game, he even dared to talk to himself as a "big hero" in emo, and the drama version of Shifang released a lot. He declared the concept of heroism to his teammates in Linyang Road, and he was a kind of young critic hero, and the initial emotional germination of Shuo Xuan came from this. But what happened in the future made him realize that the real hero is not easy to be, and force, courage, and credibility are indispensable. Such a little person, who was coerced into the chaotic world of demons, was not a powerful person until he died, and he confessed to Shuo Xuan forever. After his death, Shifang finally became a "big hero" in the world's mouth, but his long-cherished wish came true and the world was a little more impermanent.
Lu Bansuo's second creation can be described as a STROKE OF GENIUS, no matter what position, the pursuit of "heroes" has always been grounded, pinned on some daily life things. Similar examples such as Shuangyue's egg noodles, Luo's twin paintings, Han's embroidered hibiscus trees, and conch seas in the clear sea are all the same.
Another thing that makes me empathize with is the drama version of Bian Luohuan that many fans of the original book are not interested in, but I think THE DRAMA VERSION HAS A DEEPER EXCAVATION OF BIAN. The drama version does not have the letter of the eldest brother, and Bian knew his fate three years ago. For three years, he helped Shuangyue to bond Ridu, and at the same time watched himself fall into infernal purgatory step by step. For everything he once cherished, he became more and more nostalgic and unwilling, but when the verdict came, he still calmly took off his mask and faced his fate in style. THE ACTOR'S RENDITION GOES FAR BEYOND THE SCRIPT β three years ago, three years later, with and without a mask are completely different states. The image of the Holy Father of Bai Yueguang in the game is greatly enriched in the play, becoming the real "soul male protagonist" who is full of arcs. (Bian's emotional line personally thinks that it has basically no effect on Bian, but it can be seen that it was written in a hurry, and the presentation effect is "vulgar", and there is a problem with the plot ratio, see the next drama review for details).
There are also many examples, such as the grassroots male protagonist who was unwilling to leave in the end after three ups and downs on the way to find his life, such as the Jing'an NPC who "is strong for the mother" in the Yueqi game DLC "World Furnace", such as the ancient divine beast Kunpeng who was torn apart in maternal love & responsibility & delusion, and the Han embroidery master and apprentice who fought against the way of heaven with the body of a mortal. The six dramas dig a lot of things on the basis of the original work, many of which seem to be original strokes of genius, and are also based on the unique penmanship of Sword and Fairy Six, it is such a DEEP RESTORATION THAT MAKES EACH CHARACTER SHINE, and in turn, such a second creation based on the logic and technique of the original work further interprets the theme and core of Sword and Fairy Six.
She doesn't talk about changing her life against the sky, let alone saying that fate is difficult to violate, because of the existence of a closed loop, because of the disparity between friends and enemies, because of the responsibility of guarding, "choice under fate" is the theme. The drama and the game give a common answer, you can't stand still, you must actively go to your fate, even if the result is not satisfactory, there is no regret.
History is an established fact, and when there is an opportunity, we cannot change it, we can only promote it, but we can change it in the future, and it is not impossible to use enough force to go against the track of heaven to make it embark on another path.
"Pray for the Future" is the same as "The Legend of Sword and Fairy VI", it is DESTINED NOT TO BE A COOL DRAMA that the contemporary sinking market is keen on, and countless details will be missed when you look at the past again, although the drama version has made some changes to cater to the market, but the general style is still consistent with the game. I saw someone say that restoration doesn't mean it's good-looking, so I'm here to take a stand. For such a profound story as the fairy sword series, The active pursuit of restoration is a minimum of respect, Only respect can make a good script, It is possible to be really good-looking, For now, The game plot of the domestic Three Swords is still a state of dimensionality reduction and blow to the Xianxia ancient puppet book of internal entertainment, The exploration and excavation of the Xianxia theme is also much deeper than that of contemporary fairy puppetsγ A highly restored game reform script is an absolutely SCARCE resource for domestic entertainment and even the cultural market.
Of course, many people watch dramas just to have a good time, and they don't think about anything, this is a matter of personal choice, so don't criticize too much here, let's spend it in their own eyes. In short, please trust your own aesthetics.
Talking about restoration, I might as well talk about what I personally think is the deepest adaptation.
The two tell the same story, but the second taste is completely different. Some people say that the six dramas are the game's "parallel world dream version of the same humanities", but I think it's more like a "closed-loop world phased same humanities". There is an intrinsic evolutionary relationship, which is equivalent to the 20 and 30 years of life.
I think of a fitting analogy. "Praying for the Present Dynasty" and "Fairy Sword Six" are very similar to the drama version of Yue Jinchao and Bian Luohuan. The latter passed through the 9-year gap of the fog soul, and he went to Longtan with reluctance and regret to break everything he had, trying to reconstruct a new story, pinning his unfinished mission and hope, but in the end, he ended up with the same path under the traction of his soul and mission. (Who would have thought that 9 years later, the situation of the two in and out of the play will be so similar?) By the way, with some of my "private goods", "Yue Jinchao" is a person, but also a slogan or a blessing.) The two people of Chao Bian are just two stages of the process of "Yue Jinchao", and it is very worthless to argue about one person and two people to belittle Yue Jinchao or elevate Bian Luohuan!)
"Sword and Fairy Six" is a maverick high-level suspense drama in the series, with strong realism and irony, and she is never a work that makes you dream. This world is oppressive and gloomy, full of ghosts in the human heart, and the Soul Enlightenment cult takes advantage of the weakness of human nature to expand wildly. Shuangyue left Wuyan Village in the poor mountains and bad waters, and wandered in this river and lake for three years. The few friends I met were full of gray personalities, or disguised virgins, or world-weary birthday stars, or autistic warriors, or cowardly good people, this large group of portraits is full of dark crawling conditions, some people even grow in the negative feedback of each other, but the friendship they have developed over a long time is precious, this is the most real and strong friendship at this time. With all their strength and countless reversals, the protagonist group saved the world as villains, and in the end some people were misunderstood, some were remembered, and some were forgotten. In such an atmosphere, the last Jing'an storyteller and people don't know each other, just like two slapsticks, this ending seems to be HE, you also know that there is still a chance when you meet, but it is so depressed that people can't breathe.
"Praying for the Present Dynasty" appropriately softens the sharp plot and character of "Sword and Fairy Six", so that she is no longer a heavy and depressing tragedy, but a tragedy full of hope and warmth. In the world of the drama version, the color of the building has become brighter, Wuyan Village has become a paradise, the team has let go of their guard early, Mingxiu no longer slaps people, and even called out "Shifang" very affectionately on Jing'an's boat, and the two quickly reconciled after the plot of the main altar. Zhengwu League is no longer a nasty decency, Qiyuanzong is no longer even a nasty villain, the people in the streets and alleys know exactly what they want, and the "Ming Master" is undoubtedly the public enemy of the whole people. Shuangyue and the protagonist group harvested love and growth in the fireworks in the world, and later after the half-day tour of Jing'an after the life story was revealed, Shuangyue firmly established the idea of protecting the common people in the peaceful fireworks. Even though the ending is a look at each other without knowing each other, but it doesn't feel bleak and miserable, sweet songs sound, dandelions float up, and the audience has begun to imagine the days after the reunion of the new "Shuangyue", whether it is six or sixteen years, there is still hope for the encounter.
Mu Hibiscus's genius is also suitable for the Ming embroidery of the original book and the drama version, but the "Instant Lamp" DLC and "Samshang Embroidery" are exclusive to the game version of Ming embroidery, she keeps all her tears and sorrows to herself, and looks at the whole world with a more cold, sharp and rational gaze.
"Wouldn't it be nice not to be bound by prophecy for the rest of your life. β
"After crying, I have the strength to go on. Some mountains are difficult to climb because the person who can give you courage is your mountain, but it is also for that person, no matter how bruised we fall, no matter how ugly we climb, we must climb that mountain. β
"Life and death, which is more important, which is happy and which is bitter, everyone has their own conclusion in their hearts. You think life is precious, maybe in her opinion, if it is impossible to see you at this time, then the suffering of life is far better than death. β
"You don't have to put on a posture that only you are the most pitiful, you are never the only one who has lost your loved ones, constantly hurting yourself to force Wanchen to appear, but relying on him to value you. That being the case, you should know that every time you hurt yourself, you are hurting her. Do you really care about him? In my opinion, you are just obsessed with playing the tragic woman who is burdened by the world, and in essence you are just a despicable villain who entertains herself. You don't care about Wan Gongzi, and you don't deserve him. β
(I originally used the spirit lantern to see my mother, but I have never seen her, she has probably already entered reincarnation), and Master, Master, I know that I will never see "Gu Hanjiang" again, even if it is to force me forward, you will definitely not be nostalgic for the world, give me a reason to move forward. Although you are a gentle person, as a master, you are stricter than anyone else. I'm going to live well, and one day, I'll see you again, definitely. The deceased is gone, the living are long, Master, you will definitely say so, right?"
Many people say that the Chaobian Prayer Triangle is the biggest adaptation of the six dramas, and I think the change of tone is. But there is nothing to blame, the audience of dramas and games is different after all, and the creative environment is also very different, whether it is the rationality of Xianliu or the sensibility of the six dramas, the entire story of the six generations is precious. For me, some changesIt is also a wonderful experience to be able to see the B side of the same story, and "Praying for the Future" gives this forgotten IP of Sword and Fairy Six a second life.
The works of two different fields in the 9-year period walk at both ends of the closed loop of time and space, and the moment of collision is an unspeakable tragic fate, I don't know if it is a swan song.
I HOPE THAT THE SIX DRAMAS (SAF6) WILL BE SEEN BY MORE PEOPLE, and I also hope that one day there will be a more relaxed creative environment, so that the light of "Sword and Fairy Six" can fully bloom.
HE = Heartening Ending
HE = Heartfelt Ending
gamer review:
"The drama version appropriately softens the sharp plot and characters so that she is no longer a heavy and depressing tragedy, but a tragedy full of hope and warmth. The ending offers hope.".
summer
From: Summer
2024-02-16 12:59:17 Tianjin
https://www.douban.com/group/topic/301861359/?_i=80734431QUv2c4
Looking back to pray for the present day, there will be some new feelings about the character of Bian Luohuan (the first time I watch the drama, it will feel more fragmented). Especially in the end, when Bian Luohuan created Yue Jinchao in Longtan Exchange, let Yue Jinchao completely copy his face, and I will feel that this adaptation is a bit of a genius.
Bian Luohuan's appearance from the beginning has a cold temperament, and every time he looks at the interaction between Qi and Jinchao, he is exploratory, playful and thoughtful. Only in the dead of night or when others can't see it, will the sadness and forgotten heartache be revealed. Bian Luohuan is transparent, and when he saw the existence of the Yue Dynasty and the resonance power of the prayer early, he understood the result that the established facts could not be changed. Bian Luohuan is indifferent, knowing his doomed fate early in the morning, and for the responsibility and mission he bears, he has never chosen to resist or escape towards his established destiny.
But transparency and indifference do not mean that he has transcended life and death and let go of all the shackles in the world. He cherishes the affection with the eldest brother, the second sister, and the little yuan, and will regard the ideals of Hengdaozhong as higher than the ultimate goal of his life. Having been abandoned by his loved ones as a child, he fears abandonment and forgetfulness, a feeling he says suffocates in agony. So no matter how long he prepares, he said that he can't really accept the ending of being erased from all traces of existence, and for Bian Luohuan, this is an ending that is ten million times more terrible than death. But even so, in order to protect the highest goal of the Six Realms, even if he would be suffocated in pain and fear in the dead of night, he still chose to go to the predetermined fate without hesitation.
The benevolent hands of the healer are stained with blood and cannot redeem themselves, the people who are attached to the righteous are completely forgotten by their loved ones, and Bian Luohuan's whole life is in the ruthless fate to push the next step towards a catastrophe, the cause and effect are established, and there is no escape.
Personally, I like Bian Luohuan's performance at the end of the exchange of Yue Jinchao in Longtan. When he finally walked into Longtan and prayed to stop him, Bian Luohuan didn't dare to look at her from beginning to end, and the last "pray, goodbye" burst into tears and couldn't help laughing at himself. All kinds of things in the past are about to turn into ashes, and all kinds of things in the future, he no longer exists, and all the reluctance and fetters in this world can't stop his determination and footsteps to enter Longtan at the last moment. And when he really entered Longtan, when he really came to the end of his life, all kinds of pain, unwillingness, and sadness in the past have been completely over, and Bian Luohuan has finally completed his mission and returned to his true self at the last moment of his life. Therefore, after entering Longtan, Bian Luohuan's whole person seemed to be finally relieved, obviously relieved, and began to look carefully at the "exchange" in front of him that was about to replace his existence with curiosity. With a warm smile in his eyes, he gave the name he once gave himself to the male protagonist, implying the inheritance of life. So, will this Yue Jinchao, who replaced himself with everything he has, including his body, soul, and resonance imprints, hope that he will have a face exactly like himself, accompany his loved ones in the future, and complete the road that he cannot finish? The complexity and unfathomability of human nature is nothing more than what people want, think, and think, rather than God's desirelessness.
The performance of the 30 episodes of Bian Luohuan off the line and the previous 28-29 episodes of Bian Luohuan and Heng Daozhong, and the performance of the prayer one by one farewell three years ago will feel very ingenious when you look at it, and the previous farewell scene or pretending to be relaxed under the solemnity (drinking with the boss on the roof), or the nostalgia is unbearable (holding the prayer three years ago), or the sadness is uncontrollable when saying goodbye (and the boss three years ago made a final goodbye), and at the end of his life, Bian Luohuan's state of relief, letting go, and returning to his true self is more real and sad. Bian Luohuan's lifelong love and hate will turn into nothingness with his passing, and no one will remember him anymore, and in the end, Yun Danfeng chuckled and turned into ashes, which will make the audience sigh, and repeatedly reminisce about the beauty of this sadness, which is also in contrast to the way Yue Jinchao performed when he went offline.
The distant and unfamiliar confession in the conch in the end is a lament that Bian Luohuan's lifelong family love is destined to be ignored and forgotten. The conch turned into powder, just like his existence, destined to disappear with the wind without a trace.
Xiao Yuan finally repeated that she couldn't remember who was going to weave 100 straw dragonflies for her. At this time, Xiaoyuan has completely forgotten that the third brother who really loved her is Bian Luohuan, but whether the family affection that once belonged to her and the "third brother" still stubbornly exists in the bottom of her heart, indelible, when she dreams back at midnight, is there a person who can never see her face clearly, so that she calls "third brother" with tears.
His performance in ALP is on par with ZDY who to me is top tier actress, a four Dan actress.
His expressions are as deep as ZDY. His portrayal of Qing Mu is as different as Bai Jue as is his portrayal of Yue Jinzaho and Bian in SAF6. He puts his whole being into each character, with a
different set of expressions and mannerisms. Every character he portrays becomes an entirely different personality that as a viewer I feel that I know this character. I can turn on any episode in ALP and just fall in love with it. The entire cast is talented. This drama is a very emotional and moving drama. I love the second couple too.
This is such a beautiful drama. There is so much to appreciate about it.
the dropped has gone back down to 3.74. It means roughly for every 8.5, there are two 1's, that means more 1's and 2's recently diluting it, most likely more 1's. If you're going to do this, why even bother with a 2, just go for a 1 for maximum impact.
Dropped ratings typically goes up over time. WOL 5.59 to 6.24 (Xu Kai haters), SOKP 2.98 to 4.33 and AJTL 6.21 to 6.92. AJTL had a ending that shocked its viewers so the dropped did go down but eventually recovered, but SAF6 has no shocking ending. There is nothing about SAF6 that would cause viewers who has been watching to change their ratings dramatically. Low ratings below a 7 are usually given by passersby who never really watched the drama.
"Praying for the Present Dynasty" failed to keep the name of Sword and Fairy Six for some historical reasons, but it is far more respectful of the original work than some fairy dramas with the name of Sword and Fairy, and it can be said that it is THE ONLY WORK THAT RESTORES the essence of the original in the 20-year drama reform history of Sword and Fairy Game.
What is the essence & core core of the fairy sword? If one word sums up the core proposition of the fairy sword series, it is "FATE". This is a super large group of elephants with a thickness of nearly 30 years, recording the life-seeking path of countless large and small people. Among them, there are three religions and nine streams in the market, descendants of gods and demons with a background against the sky, sons of families who are proficient in literature and ink, and Jianghu Ronin whose background is a mystery, spanning all identity classes. The Sword and Fairy series uses nine stand-alone game works to outline the complex proposition of "fate" through records from all angles. She has never been a "thug growth history" with private goods in some dramas, let alone a "great love" that pretends to be profound, and the so-called "chivalry" personally believes that it is an externalization of destiny.
In the past 30 years, the IP of Fairy Sword itself has also grown with the changes of the times and the creative team, and by the generation of Xianliu, the pleasure of Edgeworth has been completely shattered, replaced by the most realistic story in the history of the series, and it can also be said to be the story CLOSEST TO THE PERSPECTIVE OF ORDINARY PEOPLE in the whole series. She doesn't think that God has any innate superiority over man, nor does she think that ordinary people must realize their value through the leap of ability & identity. The power of mortals is small, and the precision of planning and the firmness of the mind can also be compared to the gods, relatively speaking, the gods can indulge in the warmth of the world and fall into the mortal world without regrets.
For example, my empathy for Ju Shifang lasted from the game to the play. The evasive personality of the drama version of Shifang has weakened, and at the beginning of the game, he even dared to talk to himself as a "big hero" in emo, and the drama version of Shifang released a lot. He declared the concept of heroism to his teammates in Linyang Road, and he was a kind of young critic hero, and the initial emotional germination of Shuo Xuan came from this. But what happened in the future made him realize that the real hero is not easy to be, and force, courage, and credibility are indispensable. Such a little person, who was coerced into the chaotic world of demons, was not a powerful person until he died, and he confessed to Shuo Xuan forever. After his death, Shifang finally became a "big hero" in the world's mouth, but his long-cherished wish came true and the world was a little more impermanent.
Lu Bansuo's second creation can be described as a STROKE OF GENIUS, no matter what position, the pursuit of "heroes" has always been grounded, pinned on some daily life things. Similar examples such as Shuangyue's egg noodles, Luo's twin paintings, Han's embroidered hibiscus trees, and conch seas in the clear sea are all the same.
Another thing that makes me empathize with is the drama version of Bian Luohuan that many fans of the original book are not interested in, but I think THE DRAMA VERSION HAS A DEEPER EXCAVATION OF BIAN. The drama version does not have the letter of the eldest brother, and Bian knew his fate three years ago. For three years, he helped Shuangyue to bond Ridu, and at the same time watched himself fall into infernal purgatory step by step. For everything he once cherished, he became more and more nostalgic and unwilling, but when the verdict came, he still calmly took off his mask and faced his fate in style. THE ACTOR'S RENDITION GOES FAR BEYOND THE SCRIPT β three years ago, three years later, with and without a mask are completely different states. The image of the Holy Father of Bai Yueguang in the game is greatly enriched in the play, becoming the real "soul male protagonist" who is full of arcs. (Bian's emotional line personally thinks that it has basically no effect on Bian, but it can be seen that it was written in a hurry, and the presentation effect is "vulgar", and there is a problem with the plot ratio, see the next drama review for details).
There are also many examples, such as the grassroots male protagonist who was unwilling to leave in the end after three ups and downs on the way to find his life, such as the Jing'an NPC who "is strong for the mother" in the Yueqi game DLC "World Furnace", such as the ancient divine beast Kunpeng who was torn apart in maternal love & responsibility & delusion, and the Han embroidery master and apprentice who fought against the way of heaven with the body of a mortal. The six dramas dig a lot of things on the basis of the original work, many of which seem to be original strokes of genius, and are also based on the unique penmanship of Sword and Fairy Six, it is such a DEEP RESTORATION THAT MAKES EACH CHARACTER SHINE, and in turn, such a second creation based on the logic and technique of the original work further interprets the theme and core of Sword and Fairy Six.
She doesn't talk about changing her life against the sky, let alone saying that fate is difficult to violate, because of the existence of a closed loop, because of the disparity between friends and enemies, because of the responsibility of guarding, "choice under fate" is the theme. The drama and the game give a common answer, you can't stand still, you must actively go to your fate, even if the result is not satisfactory, there is no regret.
History is an established fact, and when there is an opportunity, we cannot change it, we can only promote it, but we can change it in the future, and it is not impossible to use enough force to go against the track of heaven to make it embark on another path.
"Pray for the Future" is the same as "The Legend of Sword and Fairy VI", it is DESTINED NOT TO BE A COOL DRAMA that the contemporary sinking market is keen on, and countless details will be missed when you look at the past again, although the drama version has made some changes to cater to the market, but the general style is still consistent with the game. I saw someone say that restoration doesn't mean it's good-looking, so I'm here to take a stand. For such a profound story as the fairy sword series, The active pursuit of restoration is a minimum of respect, Only respect can make a good script, It is possible to be really good-looking, For now, The game plot of the domestic Three Swords is still a state of dimensionality reduction and blow to the Xianxia ancient puppet book of internal entertainment, The exploration and excavation of the Xianxia theme is also much deeper than that of contemporary fairy puppetsγ A highly restored game reform script is an absolutely SCARCE resource for domestic entertainment and even the cultural market.
Of course, many people watch dramas just to have a good time, and they don't think about anything, this is a matter of personal choice, so don't criticize too much here, let's spend it in their own eyes. In short, please trust your own aesthetics.
Talking about restoration, I might as well talk about what I personally think is the deepest adaptation.
The two tell the same story, but the second taste is completely different. Some people say that the six dramas are the game's "parallel world dream version of the same humanities", but I think it's more like a "closed-loop world phased same humanities". There is an intrinsic evolutionary relationship, which is equivalent to the 20 and 30 years of life.
I think of a fitting analogy. "Praying for the Present Dynasty" and "Fairy Sword Six" are very similar to the drama version of Yue Jinchao and Bian Luohuan. The latter passed through the 9-year gap of the fog soul, and he went to Longtan with reluctance and regret to break everything he had, trying to reconstruct a new story, pinning his unfinished mission and hope, but in the end, he ended up with the same path under the traction of his soul and mission. (Who would have thought that 9 years later, the situation of the two in and out of the play will be so similar?) By the way, with some of my "private goods", "Yue Jinchao" is a person, but also a slogan or a blessing.) The two people of Chao Bian are just two stages of the process of "Yue Jinchao", and it is very worthless to argue about one person and two people to belittle Yue Jinchao or elevate Bian Luohuan!)
"Sword and Fairy Six" is a maverick high-level suspense drama in the series, with strong realism and irony, and she is never a work that makes you dream. This world is oppressive and gloomy, full of ghosts in the human heart, and the Soul Enlightenment cult takes advantage of the weakness of human nature to expand wildly. Shuangyue left Wuyan Village in the poor mountains and bad waters, and wandered in this river and lake for three years. The few friends I met were full of gray personalities, or disguised virgins, or world-weary birthday stars, or autistic warriors, or cowardly good people, this large group of portraits is full of dark crawling conditions, some people even grow in the negative feedback of each other, but the friendship they have developed over a long time is precious, this is the most real and strong friendship at this time. With all their strength and countless reversals, the protagonist group saved the world as villains, and in the end some people were misunderstood, some were remembered, and some were forgotten. In such an atmosphere, the last Jing'an storyteller and people don't know each other, just like two slapsticks, this ending seems to be HE, you also know that there is still a chance when you meet, but it is so depressed that people can't breathe.
"Praying for the Present Dynasty" appropriately softens the sharp plot and character of "Sword and Fairy Six", so that she is no longer a heavy and depressing tragedy, but a tragedy full of hope and warmth. In the world of the drama version, the color of the building has become brighter, Wuyan Village has become a paradise, the team has let go of their guard early, Mingxiu no longer slaps people, and even called out "Shifang" very affectionately on Jing'an's boat, and the two quickly reconciled after the plot of the main altar. Zhengwu League is no longer a nasty decency, Qiyuanzong is no longer even a nasty villain, the people in the streets and alleys know exactly what they want, and the "Ming Master" is undoubtedly the public enemy of the whole people. Shuangyue and the protagonist group harvested love and growth in the fireworks in the world, and later after the half-day tour of Jing'an after the life story was revealed, Shuangyue firmly established the idea of protecting the common people in the peaceful fireworks. Even though the ending is a look at each other without knowing each other, but it doesn't feel bleak and miserable, sweet songs sound, dandelions float up, and the audience has begun to imagine the days after the reunion of the new "Shuangyue", whether it is six or sixteen years, there is still hope for the encounter.
Mu Hibiscus's genius is also suitable for the Ming embroidery of the original book and the drama version, but the "Instant Lamp" DLC and "Samshang Embroidery" are exclusive to the game version of Ming embroidery, she keeps all her tears and sorrows to herself, and looks at the whole world with a more cold, sharp and rational gaze.
"Wouldn't it be nice not to be bound by prophecy for the rest of your life. β
"After crying, I have the strength to go on. Some mountains are difficult to climb because the person who can give you courage is your mountain, but it is also for that person, no matter how bruised we fall, no matter how ugly we climb, we must climb that mountain. β
"Life and death, which is more important, which is happy and which is bitter, everyone has their own conclusion in their hearts. You think life is precious, maybe in her opinion, if it is impossible to see you at this time, then the suffering of life is far better than death. β
"You don't have to put on a posture that only you are the most pitiful, you are never the only one who has lost your loved ones, constantly hurting yourself to force Wanchen to appear, but relying on him to value you. That being the case, you should know that every time you hurt yourself, you are hurting her. Do you really care about him? In my opinion, you are just obsessed with playing the tragic woman who is burdened by the world, and in essence you are just a despicable villain who entertains herself. You don't care about Wan Gongzi, and you don't deserve him. β
(I originally used the spirit lantern to see my mother, but I have never seen her, she has probably already entered reincarnation), and Master, Master, I know that I will never see "Gu Hanjiang" again, even if it is to force me forward, you will definitely not be nostalgic for the world, give me a reason to move forward. Although you are a gentle person, as a master, you are stricter than anyone else. I'm going to live well, and one day, I'll see you again, definitely. The deceased is gone, the living are long, Master, you will definitely say so, right?"
Many people say that the Chaobian Prayer Triangle is the biggest adaptation of the six dramas, and I think the change of tone is. But there is nothing to blame, the audience of dramas and games is different after all, and the creative environment is also very different, whether it is the rationality of Xianliu or the sensibility of the six dramas, the entire story of the six generations is precious. For me, some changesIt is also a wonderful experience to be able to see the B side of the same story, and "Praying for the Future" gives this forgotten IP of Sword and Fairy Six a second life.
The works of two different fields in the 9-year period walk at both ends of the closed loop of time and space, and the moment of collision is an unspeakable tragic fate, I don't know if it is a swan song.
I HOPE THAT THE SIX DRAMAS (SAF6) WILL BE SEEN BY MORE PEOPLE, and I also hope that one day there will be a more relaxed creative environment, so that the light of "Sword and Fairy Six" can fully bloom.
The path is different, and I have no regrets.