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It is just one of the many 'what the f' moments, and there was a lot.
First the story - a love story with a supernatural twist and that's what brought me to the series. It was slowly setting up the mistery and then midway i felt duped into watching the show - the supernatural elements was so scarce (or was intentionally dialed down) that you almost dont feel it. To add to the insult, none of that was explained, not in the tiniest bit. The writers are just taking the viewers for a ride and they think you'd be ok with it. Seriously, more on that in the end of this review. Also, the way people grieve for their dead in the series is just over the top, its as if their love ones died just recently when the fact of the matter is, both featured loved ones died at least 5 years before the present time.
Second, the characters. Runway is pretending to be an angel but a user in real life. Dream is a perverted being. Guide is a 'confused' gay guy with a mustache. Yim is, i dont know what Yim is, you take advantage of him and he will say thank you. Yaimai is a martyr pretending to be a mean girl. Good may be the only good one here. Elle is a shapeshifting homecrasher/homewrecker demon. Oh there's also a rapist and a crazy mother. Did i mention 5 of them are in a love pentagon?
I do appreciate that they tried to do a series without any real antagonists and that comflicts and complications were the result of the characters acrions rather than creating fake bitches and villains.
The pacing was so painstakingly slow where in some episodes nothing really happens and then they just insert one small moment to tease the audience. Its like they had a story in mind and then the producers had a brilliant idea that this series can go on for three seasons and instead of thingking of new twists to the plot they just decided to cut their story into three parts and stretched the middle part into these 12 very long episodes. Yes this is the middle part because apparently from the teaser there is SUPPOSED to be a next season which is going to be a prequel of some sort. Whats worst, like i mentioned earlier, is when you realize in the end that nothing will be resolved and explained after very slowly building up the events, not even a single happy ending. To add salt to the injury, it looks like there is no more second season so yeah full marks for leaving all the stories hanging and bailing on the viewers.
I finished the series screaming to the telly "what the effin f**k?"
Stay away from this one. Dont even think about trying it. I wasted my time to see it so you dont have to waste yours. You are warned.
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This review may contain spoilers
Three Is Not Always Better Than Two
When it was announced Penthouse would have 2 more seasons, I was extremely excited since I loved the drama. Even though I stopped watching lots of western tv shows due to the drag with multiple seasons, I was happy for Penthouse to get more seasons... but now I don't think that was the best idea.I don't want to spoil this season, but it's so hard to state how I truly feel without doing so, so major spoilers will be towards the end with possible small spoilers throughout my review.
Story:
With season 2 ending, I was extremely excited with season 3... but then that excitement turned into frustration. Slowly I realized that season 3 was erasing things that season 2 brought. For example, they all get arrested in the final episode of season 2, but then in the first episode of season 3, they are all roaming free. Why would you make them all arrested only for them to freely get out? I don't need this drama to make full-on sense- I mean, the way they got out just doesn't anyway, but I'm fine with that- but I don't understand what was the point of getting them arrested at the end of season 2 if it means nothing? I can't believe I didn't even worry when that happened. Of course, there are other problems, some I skipped over so, I don't even want to mention them, but the last thing I will mention is that it feels like more things happened in this season than the last 2. I think season 2 should've had 3 more episodes and wrap up the whole drama then since Season 3 added some things that I feel could've been left out. But regardless, I still enjoyed how hectic it was since that's Penthouse's signature style; over the top dramatic!
Characters:
One thing that I will always agree with between all 3 seasons is the acting was off the charts. Every actor did a fantastic job with the material given to them. Now, for the characters in general... Joo Dan Tae was the same crazy man who wanted revenge, and Cheon Seo Jin... I'll mention that in my spoil segment. I enjoyed the other characters and their "character development," except Joo Seok Kyung. I thought that she was finally getting that well-needed character development at the end of season 2, but the beginning of season 3 just erased that and made her a straight-up villain. I'm glad she was able to come to her senses at the end, even if it took shocking news for that to happen. I liked Ro Na this season and thought she was one of the best characters in this whole drama, including Shim Su Ryeon and Joo Seok Hoon. As I said in my previous reviews, no other actors can portray these characters, and I stand by that after this season.
Others:
I still think SBS should've had Penthouse air on Friday and Saturdays instead of just Fridays. I understand, in a way, why they would make it air once a week. The suspense kills, and it looks like SBS thought that season 3 will be their biggest and most successful, but they were wrong. The few OST's we got were good, but just like the last 2 seasons, I wish we got more.
Now, for my spoil segment:
I don't mind when the main character dies, but only if it makes sense with the plot. Oh Yoon Hee dying just makes 0 sense, and for it being Cheon Seo Jin? In season 1, sure, Cheon Seo Jin would push her off the edge without hesitation, but she went through season 2. This is another evidence of "season 2 erasure" that I mentioned earlier. Oh, Yoon Hee saved Eun Byul's life, and to thank her, Cheon Seo Jin kills her. When Logan Lee became the 3rd character to be brought back from the dead, I got even more upset with her death because I knew that there was no way they would do 2 fake deaths in one season, and her body being shown was proof of that.
And finally, the ending... 48 episodes... for that? Shim Su Ryeon did not deserve to die! I'm glad everything finally got resolved, character development was given to characters that deserved it (ex. Ma Ri), but killing the whole trio was too much for me and, in my opinion, not a good ending. You don't always need the main heroine to survive, but in Penthouse's case, it would have been a sense of victory. Even though she got victory regardless, her living was the biggest one of all because she would outlive those who had killed her child and ruined her life. It's rare for a drama to have such a perfect ending these days, but Penthouse was so close to achieving that.
Final thoughts:
If I were to watch this drama again, which I might since I did enjoy it, I think maybe I'll just stop a few minutes before season 2 ends. If you stop the last episode of season 2 after they all get arrested, season 3 isn't (exactly) necessary to watch. I still think this is one of the best makjangs out there and am glad I watched this drama since day 1. Even though I became frustrated with some things, I will miss this drama greatly, since It's been with me for almost a whole year.
Penthouse is not perfect, as it has its flaws, especially in season 3, but in my eyes, it is still a masterpiece, and forever will be.
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Song Hye Ko does an admirable job feigning blindness. Jo In Sung looks amazing in fashions that seemed to be lifted right out of American gangster movies based in the 20's and 30's. Besides the fact that he definitely looks the part of an attractive womanize, the man can also act. I spent pretty much all of the drama heavily sympathizing with and rooting for him, even while realizing what he was doing was highly questionable/just plain wrong.
Kim Tae Woo was awesome as Moo Cheol. I definitely felt all sorts of emotions towards him as his story progressed.
I just thought the story was beautifully acted and filmed. I was on my toes for the whole thing, and could not stop watching it until it was all over. It really got me out of my drama slump!
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Soredemo, Ikite Yuku is an unforgettable drama. It’s simple, yet captivating, slow-paced, but addicting and sad, but at the same time very optimistic.
It tells the story of two families whose normal, everyday life was suddenly broken by a terrible crime and shows how people who were affected by it try to live on, cope with this tragedy. What I liked about this drama is the fact that it shows that both sides suffer, although differently – not only a victim’s family’s life is changed forever, but also those, who are related to murderer have to continue living with guilt and knowledge that somebody close to them killed an innocent person and destroyed lives of many people. It’s rare (at least for me) to find a story that gives a right to suffer not only to the victim’s side, but also for the other side too, so that’s a huge plus for writers.
The plot of this drama is really simple – it shows how the younger generation tries to heal their families and find the reason why the tragedy had to happen. Both main leads – Hiroki and Futaba are amazing, not only in terms of acting, but also as the characters. They feel real in their social awkwardness and their stubbornness to make things right is heartwrenching. Also, their relationship is unique and charming – two people who should be on the opposite sides join forces, change themselves and their families and also find in each other something akin to soulmates.
The pace in this one might be considered a bit slow by some, but for me this was surprisingly an advantage; because of that screenwriters could show us a very believable character development; everything was happening slowly, yet in the right moment and nearly every single behavior was justified and didn’t seem rushed or out of place. Also, I loved it that this drama despite taking on a really hard, seemingly depressing subject, is not overly dramatic and sad – it leaves the viewer with optimistic feelings. It’s like a catharsis.
Acting in this drama deserves a separate essay, so I’ll try to keep it short. Everybody was amazing! Yeah, yeah, it sounds like an exaggeration but believe me, it is not. Every single actor played his part perfectly – Eita ended up being my favourite Japanese actor ever, I’m stalking him now and plan to watch all his dramas. He was just natural in his role of an awkward guy for whom the time stopped when he was a teenager and who has to cope with his conflicting feelings for a family of his sisters murderer. His co-star, Mitsushima Hikari was great too, she’s a versatile actress who, in my opinion, has a huge potential to be one of the best Japanese actresses in few years. Just watch her in this drama and then see Love Exposure – I still can’t believe she’s the same person! Supporting actors, especially Hiroki’s mother, a woman who never accepted her daughter’s death (her monologue in ep.5 left me speechless) and Futaba’s father, a man who tries to atone for his son’s wrongdoings with all his might - they were outstanding in their roles, they could easily make the viewers feel the pain of the parent who lost his/her child. The only actor I was not impressed by was Kazama Shunsuke who played the murderer, but well, his role of a slightly autistic guy who never really grew up was really hard and still, he did a decent job, he was just not as amazing as the rest of the cast.
As for music in this drama I’ll only say that the opening song was really annoying at first. It slowly grew on me, but I still think it’s horrible. This wailing guy should keep his mouth shut for his entire life.
So to sum it all up, what I was trying to tell (or more write) in this review is that Soredemo, Ikite Yuku is one hell of a drama. I’ll use those corny descriptions again: it’s beautiful, thought-provoking and original, but see yourself if I’m not exaggerating!
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Finally something worth watching?? I don't have words.
I didn't know that I would say this about a vampire centric drama but it was really a breath of fresh air. After a long wait Cdrama world finally gave something worth watching which ended the spell of boring dramas of this year. We were inundated with many overhyped shows which could not do justice to all the anticipation. I wasn't sure about this one either (especially if it is a republican era one) but the first episode was more than enough to intrigue me with its unique plotline. The cinematography looked really nice plus the music beautifully accentuated the scenes. I loved the acting of all the actors and hoped this one could surprise us the way 'The double' did this year. However my hopes came down shattering pretty soon. It was already becoming impossible to ignore all the loopholes in the plot but by the time we reached the end, the drama totally took us as a fool. I was no longer mesmerized by the cinematography as I was in the beginning. The side characters completely took over the main leads and I could clearly see that they were forcibly giving more screen time to yinling. (Plus their efforts to justify all the wrong actions of some characters to gain sympathy of the viewers is just so... incomprehensible ). The show didn't really give proper closer to most of the characters (I wonder what was the rush?) The ending was so disappointing that I don't have words to explain it. If it wasn't for the good cast I would have dropped the show but I continued just for them..Their acting on the other hand kind of... began to look stiff towards the end as if nobody was feeling the emotions that their characters were supposed to feel or perhaps it was the weird editing that made me feel that way.(Except for Mi Lan, she was pretty good till the end).To conclude it all...this one could have been a great show with solid performance but they did their magic and ruined it all and made it another one time watch drama at most.
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It’s a special type of emotional experience, watching a drama like Skate Into Love, which has solid strengths yet also a fair share of wobbly flaws. It took some serious consideration for me to establish how to reconcile all the positives and negatives; but after watching the conclusion, I can say that for its genre, Skate Into Love can stand tall in its field.
The basis of the plot is a concoction of classic rom-com tropes. The leads know one another from early childhood and, upon reuniting years later, their relationship becomes an “enemies to lovers” affair. This show's primary differentiating factor is its inclusion of ice sports, which dictates significant plot points and is crucial in the growth of several characters.
The first half of the show overflows with sweet and humorous moments between Tang Xue and Li Yu Bing as their constant bickering turns into genuine care for one another. Their romance is a strong force because they, as separate characters, are both independent people who have flaws as obvious as their strengths. They manage to grow together and are capable of helping each other because they understand the person opposite them incredibly well. It warms the heart to watch and you can’t help but root for them as a couple and as individuals.
That being said, there are some other plot points that beg to be mentioned:
One: third wheels. It’s a rom-com rule that they have to stick their head into the plot. Listen, I don’t make the rules. Take it up with the screenwriters upstairs. They’re the ones who insist on including several love rivals. Some of them can actually pique your interest as they evolve over time, so not all of them are a total waste of your attention. However, it’s my civic duty to throw one of them – Mr. Bian “creepy chuckle” Cheng – under the bus for starting as a minor headache, then evolving into a complete migraine by intervening in the main couple’s relationships in the most boring and inconsequential ways possible. He is, hands-down, the weakest link of this show. You don’t hate him because he’s an actual threat, you hate him because he could be interesting but just isn't.
Then, there are the side couples. Like the third wheels, I don’t even remember how many of them there are. But nonetheless, they pass around the baton for taking over the show every once in many a while. A key positive point about all the supporting characters is that the writers did try to make them more dimensional. Just like the main characters, they each have unique motivations and insecurities, making them feel a lot more human than what could be said for many non-leads in other shows. Whether it be friends, family members, or rivals of the main characters, I really liked how they all had their own lives and problems. That further helped make all of the platonic relationships much more enticing. Even so, it’s incredibly difficult to have a drama effectively focus on a main couple as well as multiple side stories – some will certainly feel like plot filler, especially in early parts of the show, because we don’t see their full development like we can with Tang Xue and Li Yubing.
There are also some moments involving the leads that feel a bit iffy considering their personalities. Don’t you just love when a relationship, consisting of two amazingly communicative characters who deeply seek to understand one another, abruptly crumbles due to external factors that existed but didn’t matter before? To have problems within a relationship is completely normal; and while I’m glad to see them addressed, the way that they’re depicted is sometimes too theatrical. I’m not going to lie. Seeing all the age-old melodrama cliches enter the picture and challenge the romance is almost entertaining – in the same way that watching someone slip and fall is entertaining after you told them beforehand, “careful, it’s slippery”: the ridiculousness of something happening when it shouldn’t is quite…amusing, to say the least.
These flaws aside, I overall found the story to be a good balance of being amusing (even hilarious) at times and serious during others. I liked how sports are involved in some of the characters’ lives, providing them with dreams and purpose. Part of me wishes that there were more competition scenes shown, as the action during them was fun to watch (and inaccurate, but come on. It’s people on ice with knives on their feet; that in itself is deserving of a thumbs-up). Much of that may be due to my own preference, though, since personally like some ice sports and would hardly object to seeing more of them.
As for the acting, I genuinely appreciated the life that the lead actors brought to the story. Tang Xue is a character who – if assigned to a poor actress – could easily be depicted as annoying due to her outspoken nature, but Wu Qian does an excellent job balancing that boisterous behavior with kindheartedness. Zhang Xincheng also shines in the role of Li Yubing. His depiction of a childish yet determined young man is spot-on. Together, these two actors created an excellent picture of a happy and young relationship, full of promises and hope for the future. When evaluating the supporting actors, I found their abilities sufficient for the roles that they're given and certainly wouldn’t mind watching their future projects.
As far as rom-coms go, Skate Into Love is satisfactory. Though it occasionally stumbles, none of that changes how it put some of the biggest smiles on my face out of many of the rom-coms I’ve seen thus far. You really just have to go in prepared to brush off all the cliches, because what’s underneath all that dust is a very sweet story that is worth sitting through.
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1Sincerity and Hilarity
I just . . . <3 ❤❤❤Such wholesome and supportive MLs! Ida and Aoki were everything good in this world.
The first episode did an amazing job setting up not just the characters and comedic style of the drama (which I adored) but also showing who Ida and Aoki are as people.
Ida is the kind of guy who thinks about things very seriously and carefully and despite not being exposed to/experiencing what many others already have is open to something unfamiliar to him. He also cares deeply about the feelings of others and always takes them into consideration, though he appears quite stoic and awkward at times. Lol.
Aoki is the kind of guy who doesn't let jealousy guide him in acting in ways that would benefit him personally while hurting others. He is willing to make sacrifices for the people he cares about even if it is to his detriment. And, he is very outwardly emotional and expressive, but also quite shy at times. Lol.
That was an impressive thing to accomplish in just the first episode alone.
This is the kind of drama that will not only make you cry from laughing so hard at Ida's dry humor, Aoki's meme-worthy and iconic reactions/facial expressions, Hashimoto's violent/impulsive nature, and Aida's blissful ignorance, but also from how much consideration and kindness oozes from the MLs.
Ida's sincerity was seriously too much for my poor heart to take! And Aoki made my cheeks ache from how many times I couldn't contain my giggles and abrupt bursts of laughter! Needless to say, I along with many of you now have to figure out a way to share custody of the absolute mood that is Aoki Sota.
Something a bit underrated and beautiful I didn't fully notice about this drama until it had a few episodes left was Aoki and Ida saying statements Directly expressing their emotions about things related to their relationship, and also the other paying attention and taking them seriously. Such as, "That made me upset," "That made me happy," etc. Saying This thing you did made me feel This. Basically, "I" statements.
I can't think of very many dramas that do this/have done this.
I've actually read that couples counselors will advise their clients to communicate in this way to directly address their feelings and not be accusatory when/if they're upset with their partner. Yet another reason for me to adore Kieta Hatsukoi and the precious couple in it.
This drama was not only a great showcasing of healthy and communicative relationships, it was also highly addictive. I rewatched each episode (until it was completed) about a dozen times before the next one aired.
Regarding representation, I could not be more happy! Aoki was a wonderful and respectful representation of Bisexuality. It was also delightfully easy to show. He was in love with Hashimoto and then he fell in love with Ida. Simple. He didn't declare that he "doesn't like boys and just likes him" (I hate that trope so much) nor was there any line indicating he never truly loved Hashimoto and was just "confused." He didn't deny his past love and also accepted his present love. I could cry!
I think this was as perfect Bi representation as you could get without actually saying the word Bisexual.
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1A Delightful Sweet Fluffy Romance
If you want a romance that is sweet from the beginning till the end, this is it. Since their first meeting in episode 1, our main couple holds hands, sleeps together and hardly gets separated. There’re hardly any moments they are not together, and when they are not, they miss each other dearly and cannot wait to get back into each other’s arms again. This drama is easy to watch with very little angst though the last few episodes become rather tensed. All the characters are lovable, an antagonist that is revealed from the beginning, and an ending everyone loves.Ji Dinglan (Wang Xingyue) is a prince born with no taste buds nor emotions. He cannot feel pain, happiness nor sadness. No one knows about his condition because if exposed, he is deemed a demon and would be persecuted. He becomes a hermit, changes his name to Mo Qingchen (meaning strange light dust), and lives far away from the palace and everyone else. When he accidentally touches Lin Chi (Bu Guanjin), all his senses come back temporarily. For the first time in his life, he experiences a new world which he has never known before. Since then, he attaches himself to Lin Chi and they quickly fall in love and inseparable from each other. They also realize they can transfer their power to and fro via each other’s tears. Lurking under this romance is Ji Dinglan’s ambitious and vindictive half-brother, Ji Dingyue (Nie Zihao). Time and time again he tries to expose Mo Qingchen’s secret, and he tries to hurt the couple to achieve his goal. Again and again he fails because of the unyielding love and devotion Mo Qingchen has for Lin Chi and she him; both do not hesitate to sacrifice for the other.
I have watched some of Wang Xingyue's previous dramas and find him an excellent actor. This drama is his first drama as a main lead, and his acting here is believable and again outstanding. At the tender age of 19, Wang Xingyue has a chisel good look and mature in his demeanor. He has a great potential ahead of him. Bu Guanjin on the other hand is a lot older than Wang Xingyue, but the pairing doesn’t look awkward because the couple has great chemistry together. Her acting is natural without trying too hard making the Lin Chi character very lovable. As with most young actors, Wang Xingyue is not stingy with his kisses. Nie Zihao has been acting as antagonists for several dramas I have watched. He has a very good-looking face with a sliver of hideousness in it and he is perfect for this tormented role as Ji Dingyue whom I’ve come to empathize. His acting here is applaudable.
I like the second couple and all the side characters. The acting by the whole cast is solid with an intact script and commendable editing. The background props look authentic and the costumes are carefully designed and made. The official soundtracks are some of the most impressive ballads in recent historical dramas.
My Verdict
This is such a delightful drama that has a very clear plot with very few visible plot holes or flaws. The flow is good and the pace is on spot. Despite the couple spending a lot of time conveying their love and admiration for each other, this doesn’t feel draggy because there are other things happening simultaneously. The acting is solid by the whole cast. The comedy is light and dialogues are humorous. Though rather predictable, I find this drama a great de-stressor that gives us a make-believe world that perhaps such love and devotion do exist. If you’re a romance buff and want something easy to watch with no angst, this is it. This is a story well told and deserves a bravo!
Don't miss it!
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1
1This review may contain spoilers
Woahhhh I'm literally so attached , they just broke the cute-o-meter ( a cheek pinch or ...) .....
I'm literally so done with this level of sweetness , Opps ! there's a lot of ants around me .Let's start with the very first episode :
Honestly, it was very boring ( just talking about the first episode ) , Well somehow I
lost my interest in it after I watched it cause dao was so damn rude and the ghosts were so annoying , literally how can you let your future husband sleep in a bathtub ?????
I just felt like I'm so done with itt (no hopes) and almost missed all the episodes till ep 5 . I saw a reel about Arthit in love and danggggg I was suddenly so excited and decided to watch it even if I was bored .
Well I kinda liked the 2nd ep cause things were so much better between my sweethearts , not just that gotta learn about dao's powerss that's unique uk ...
After they solved that murder case I was so glad when dao finally agreed to help Arthit , I found it quite interesting cuzzz that little guy was opening up ..
Some parts were funny , I just had to control my laughter with people around .
~ The best thing was the relationship between Direk and Arthit so chaotic and narakkk
•I've to give them the best paaa son duoo awardd fr 🤟🏻
•North's my boyyy I like his reactions mann , funniest guyy ever and waitt don't forget about his overprotective lover .
Wait a minute :::: Where are you going it's just the trailer.
So noww whattt from where should I start !?
Okkkayyy , it was so adorable when dao cried for thit , listen to his voice awwww .
Arthit look at this guy he fell for dao just like that , suddenly caring bout him thinking about him , most funniest decision getting over himmm loll . Can you see how mad he is bout his first love . I literally love to see thit in love the most .
So concerned , so obsessed with dao I can't believe that thit used to hate him naaahhh ...
He turned into a lover boyy isn't it ?
The journey FROM Dao's guard dog TO Dao's puppy .
Those scenes were so sweet : Dao patting thit's head , pinching his cheeks , I wanted to scream out louddd
I was so hot after the car kiss part I can't stop blushing even when I'm just thinking .
I remember : Don't you think Arthit is so aggressively impressive , he was so stunned by just looking at dao wearing shorts , I don't actually like that part cuz I wanted him to respect dao as he looked so uncomfortable
but thit's face was to weirdly funny too .
I honestly like the calm ( outside ) , flirty and gentle Arthit more than the agressive one .
The fight part ep 7 after car race made me even more and more curious about the last episode , I was waiting for the whole time.
Honestly , I changed my mind it's not boring but unpredictably accurate . Believe me just go through the first ep and you're going to love the next episodes for sure remember don't bail after the first one like me , I'm regretting. .
*** Overly recommended by me it's even more beautiful than whatever I just wrote about...
I'm not so good at expressing , but from my opinion I quite like the way I express myself by writing , please don't mind me ...
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This review may contain spoilers
Why Mask Girl was great and why some couldn't understand the meaning behind it!
Some are free to dislike or even hate this Kdrama, but it is important to recognize that not every female lead in a Kdrama has to fit the mold of a "strong good girl." We need more complex, enigmatic, and twisted female characters. Personally, I look forward to the day when I can witness a compelling kdrama centered around a female serial killer. Because why not?Among the many memorable scenes in this K-drama that I loved, two that stood out to me were when Mi Mo murdered Oh Nam and when she and Chun Ae joined forces, gripping the rope from opposite sides, killing Chun Ae's abusive boyfriend. These scenes beautifully conveyed the feeling of saying, (I'm done!) even if they weren't executed most kindly.
This kdrama delved into the lives of women from different eras and age groups who harbored dreams and aspirations but were compelled to conceal their true selves, wear a mask, and conform to societal expectations and the whims of men. Some succumbed to defeat and strayed down the wrong path, while others, like teenager Mi Mo, representing the new generation, came to understand the essence of their experiences. This realization was poignantly depicted in the scene where Mi Mo watches a videotape of her mother's performance when she was an innocent child at the end of the show. And even she said that since then, the nightmares that haunted her about her mother have stopped.
To some, it may appear as if there are too many stories interwoven within this story. However, upon closer look, each character embodies a distinct facet of the female experience:
- Kyung Ja represents the older generation of women who were unable to even realize their dreams, thereby dedicating their entire lives to their children and utilizing them as instruments to accomplish their own aspirations and desires that they couldn't do themselves. Hence the obsessiveness in her mind & her crazy way of holding on to God's beliefs as the women in her generation were told.
You can see some of this in Mo Mi's mother as well, as she hates how her daughter wasn't good enough for her expectations.
- Mo Mi embodies the generation of women who were told to be beautiful and finding a tall, handsome, and charismatic man was the ultimate dream and the sole path to love, even if said the man turned out to be the ultimate idiot.
And if she happened to feel good about herself or her body in some way, some creep will see her as a thing to claim!
Nonetheless, women like Mi Mo fail to comprehend that loving oneself is the key to happiness and earning the affection of others. Thus, in her pursuit of conforming to society's superficial beauty standards, believing that it would enable her to start fresh, be beautiful, and be loved, she inadvertently destroyed herself. Consequently, she was labeled a monster despite her "new attractive appearance".
- And finally, Mi Mo symbolizes the younger generation, a girl who is angry at people "the society views on her", dreading the possibility of ending up like her mom, "the previous generation of women," and has a hatred towards her grandma's way of thinking, "the older generation of women.
But in the end, she gradually grasps the reality that the world is not simply divided into black and white, decides to accept herself as she is, forgives her grandmother (Mo Mi's Mother), and contemplates how her mother's fate might have been different had the world been more understanding.
Overall, the show was crazy and dark indeed, but so are the lives of these 3 women.
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The Great Doctor
52 people found this review helpful
An epic historic love story, playing with time and space. Waggish. Affecting. Wonderful acting.
A special dramaturgical drive given by time travel and parallel worlds are quite common in KDrama. Thus contrasting perspectives from different backgrounds quite regulararly add unconventional fun and extra thrill to story dynamics.Additionally, KDramas like to chose a historically exotic context for its intriguing and romantic stories, while still giving them an epic scope. Even if not always historically exact, these plots offer plenty of material for drama and at the same time convey historical facts and heroes in a colorful dress. Epochal personalities and their impact come to life again. As Korean history goes far back in time, there are yet many more heroic stories to be told...
"Faith or the Great Doctor" combines both, the historical approach as well as playing with time and space in one story. In fact, history is thus presented even more funny and colourfully. On the historic side, this KDrama revolves around the legendary General Choe Yeong (1316-1388) who went down in history as the protector of the Goryeo Empire and its royal family. Incidentally, this is not the only KDrama that has been dedicated to him to date... As early as 1983, a series monument was erected for him in "Gyegook" and "Chu Dong Mama". He is also featured in "Tears of the Dragon" (1998), "Shin Don" (2006), "The Great Seer" (2012), "Jung Dojeon" (2014), and "Six Flying Dragons" (2016). You guessed it, he´s a real hero for the Korean Peninsula.
-------------------- SIDE NOTE: --- General Choe Yeong ---
Known for his strength from an early age, the son of a civil servant learned martial arts and studied books on military strategy. Over the centuries he had finally achieved the status of legendary protector of the Goryeo dynasty. Although he was also exiled for 6 years due to intrigues, in the course of his life this did not prevent him from fighting around 80 more battles in the service of the king. He lost his last battle against his former brother-in-arms, General Yi Seonggye, when he seized power in a coup d'etat in 1388 during the Battle of Liaodong. This was also the birth of the Joseon Dynasty.
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"Faith or the Great Doctor" traces the path and integer character of Choe Yeong, whose motto has been handed down as "consider gold as if it were a stone". It´s obviously not pure poetic freedom when he is portrayed as sincere, stylish and gallant. And also does his combative superiority not seem exaggerated - his skills are historically documented. The focus of this KDrama is rather on the young general. He is not only presented as a strong leader, but as a young man who falls in love with a woman who is almost 10 years older. This (fictional) constellation offers some extra driving dynamics to the romance - as well as a comparably pleasant maturity at times as well.
The title plays with the different language styles in Korean - the old Hanja, which was written in Chinese characters until 1443, and the Hangul writing, which was newly created during the Joseon dynasty (and in which many Hanja terms have been preserved to this day.) So the original title "Sin-ui" may be understood both as 'trust in law and order' or as 'gifted healer'. In this sense, the title not only values Choe Yeong, the protector of law and order in the Goyeo Empire (refering to the Hanja translation), but also the gifted female healer (refering to the meaning in Hangul) - Eun Soo, a cosmetic surgeon from Seoul in 2012.
In the midst of waggish and heartbeat, this epic love story with all sorts of dramatic twists and turns absorbs within an eventful chapter of Korean history. The contrasts between modern and traditional medicine, somehow clashing in the middle of the 14th century, as well as between the almost rebellious, outrageous self-confidence of the by modern Seoul life spoiled doctor Eun Hoo and the ancient court of the Goryeo royal family guarantee 24 episodes of evocative entertainment.
"Faith or the Great Doctor" is an epic historic drama and at the same time playing with time and space. With two wonderful leading actors and more. The perfect mix for an epic Rom+/-Com.
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My bad. To top it all, I agree with her: this movie is beautiful. I know this is a remake of an older Korean movie with the same title which I haven't seen, but from the start it reminded me a lot of the american/french film "Before Sunrise", with the two leads carving out for themselves a tiny bubble in space and time, far from their present lives and the world outside.
The difference - a notable one for me - is that while in Before Sunrise the two protagonists talk a lot, too much for my taste, here silences are a lot more poignant and meaningful. I am actually glad I watched it raw, to the point I think everybody should do so. To elaborate: most dialogues take place in English, but there are moments when Anna speaks in Chinese and Hoon in Korean. English is their communication tool, but the reason why they understand each other is not a language. Apart from the dance scene mentioned by Violet, I fell in love with another, in which she tells him her story in Chinese and he only comments "bad" or "good", depending on what he feels is her mood. Watching it raw, made me live the entire surreal dialogue as if I were him, not grasping one word, but trying to understand what she conveyed with her posture and eyes.
I also agree about the direction, and I have come up with a sort of theory of my own as to why the colours are so subdued. What we are offered is the world outside the prison as Anna sees it. Since colours only depend on our perception, there isn't much reason for her to paint her life. No wonder she wears make up and happier clothes only for a brief moment: they look fake, in contrast with her mood. The only colourful moments are those in which she imagines.
I guess the choice of Seattle wasn't accidental either: as I recall, it is known as the rainiest city in the States.
The acting is spectacular. Hyun Bin is a gorgeous man, but that's definitely not the point of this movie, where he doesn't have to be good-looking: he has to look vain. And I'm glad it is so, for dwelling on his looks would be an offence to his acting skills.
Wei Tang's performance is outstanding. As I said, she expresses a world via silences.
Beautiful music. I wouldn't have minded a little more of it.
I recommend this movie, but only if you are prepared for its pensive pace and all the untold. Not a fluffy watch by all means, and not for anyone looking for comedy.
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I disagree with all of the above statements. Cha Eun Woo has some serious acting chops. I am not really a critic. Honestly, I usually think everyone is great, but all the negative comments he was getting made me pay extra attention. His character was pretty traditional stoic and standoffish. But I thought he played the part well. He would have these minute facial expressions that showed what he was thinking. And his character grew and progressed as the story went on.
Im Soo Hyang did an awesome job for the part. Because of the plastic surgery she was supposed to look more "mature" than her fellow students, so her age wasn't really a problem. The actress was excellent for the part. I can't imagine anyone else doing such a good job portraying someone who looks beautiful but feels ugly.
As for the rest, haters gonna hate.
This was a lovely show about a girl who was bullied all through her childhood for being "ugly". Before entering college, she gets plastic surgery done on her whole face in hopes that she can have a new life. But it turns out, it takes more than a new face to change your life. She has to learn to love herself and to not judge herself or others based on the way they look.
Most importantly, at least for me, the ending was perfect. It had everything I want in a drama ending. And for me that is pretty rare.
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Moving Forward
To think that it was only in 2020 when (arguably) the first Korean BL Drama was released to now in 2022 when we have Korea's first Gay reality dating show is truly surreal.They managed to make this show comforting but also not shy away from hardships. While watching I was wondering to myself if they were ever going to discuss coming out or the posible consequences of being on the show at all, only to see them dedicate one episode specifically to having everyone share their experiences and feelings on the matter. I felt like the creators of this show genuinely cared about Queer people and sharing their stories.
In Korea, we've gone from merely having some side LGBT+ characters to some dramas centered specifically around them and their romances to actually portraying real Queer people on the screen.
His Man and Merry Queer are important stepping stones, for sure. Let's not just stop here though. Let's keep going!
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Lukewarm.
Warm on a Cold Night is a fantasy historical investigative drama set in a fictional Qian kingdom. Qian is a rich kingdom that attracts immigration from the neighboring Qi kingdom. The Qian are more cerebral and capable administrators with strong legal frameworks and institutions. The Qi subsist in the cold and harsh Northern climate and are ridden with internal strife. They are more primitive shapeshifters with formidable and fantastical physical powers. A longstanding treaty enables Qi immigrants to better their lives in Qian defending the border and engaging in more physically demanding professions.A young Qian constable Su Jiuér questions a hot-blooded Qi suspect Han Zheng in connection with a serial murder case. She discovers that he has a strange ability to alleviate the incurable cold disease that afflicts her and latches on to him like a lifeline. They work together grudgingly after it turns out that Han Zheng is also after her suspect Mu Yan. They get off to a bickering start but predictably fall for each other as they investigate a series of mysterious cases that stoke tensions between the Qian and the Qi in the Qian capital. They are aided by friends in high places including Jiuér's admirer and budding playwright Prince Wen Jun, his brother Crown Prince Wen Ying, and the gorgeously spectacular Qi general Chi Lan.
The main romance is carried by Li Yitong's and Bi Wenjun's chemistry; their stunning visuals and incredible charisma. These compelling actors are short-changed by two-dimensional and inconsistent character designs and a frustrating script that is lacking in both character and relationship growth. Jiu'er is a smart and logical character, a keenly astute investigator of consequential crimes in Jiuxiao City. Except when she regresses into childhood, talks to herself in a whiny and high-pitched tone, and behaves like a complete nincompoop. I was dumbfounded at this exaggerated and shallow character interpretation. Still, Li Yitong is so innately likable that she successfully pulls off such a difficult character to connect with and invest in. Although Bi Wenjun delivers a more nuanced portrayal, Han Zheng as a character is equally exasperating. All this grumpy 60-year-old Qi shapeshifter seems to do is scowl, get jealous, lose his temper, and become reckless; rinse and repeat. This is a role with the potential to be interesting and multi-faceted but that is never realized. Initially, I was too busy marveling at how he makes a fanny pack and flowery kimono print robes look so hot. As I soak up his bold, expressive eyes, the high-tanned cheekbones, haughty nose, down to... dry, chapped full lips... wait... did they run out of money for lip balm? Ouch - hope they didn't need to do too many retakes of those kiss scenes. Fabulous visuals don't cut it for long - I was quickly left wanting more from these stagnant roles locked in a juvenile romance that moves at a snooze pace.
In sharp contrast are Chi Lan and Wen Ying's much more complex and interesting stories. Both personas were clearly written by a much more sophisticated and mature writer and they anchor the show. Chi Lan is an awesome female role; measured, analytical, poised, and as cool as a cucumber with a barely perceptible air of danger about her. This lady knows when her head is being turned but if it pleases her, she permits it anyway. And you don't want to mess with her because she makes for a deadly adversary on any battlefield. Her interactions with Wen Ying are laced with tension and have real depth and complexity. Wen Ying is her true equal, another fascinating and layered personality who is at the surface cultured and sincere yet incredibly difficult to get to really know. Theirs is the romance I cared about and they are the main reason I did not drop this drama. I would love to see their story continue down the road. He Ruixian proved to be the true star of this show with her incisive portrayal of a remarkable character.
In terms of world-building, this is a wildly imaginative one that is original and different but errs on the side of being overly far-fetched. The world's "rules" are not firmly established and seem to be made up along the way. This is especially true in terms of the many functions and effects of the cyborg like the Qi vitality stone stuck to the chests of these shapeshifters that are wolves until they become apes. The writer also unnecessarily creates insurmountable biological obstacles between the Qi and Qian races just to impress upon us the depth and endurance of the main love story. It smacks of the work of an immature and lazy writer who couldn't be bothered to show us that their love is epic instead of forcing it upon us. What I like best about the world is the Qi's superpowers and how they engage in combat. The fight scene choreography is amazing; energetic, hard-hitting, lethal, and thrilling. I especially enjoyed watching Chi Lan's badass and deadly grace in combat.
As for the mysteries, they run too long and while they are quite interesting, the only memorable one is the painting case. Their strength is not in the plot but in the wonderful job the production does humanizing the victims as people who lived, laughed, loved, and will be missed. They also tie in nicely with the main conspiracy which is well-conceived. While some of the villains are too obvious, the mastermind hides in plain sight and surfaces with a nice twist. Although I suspected them quite early on, the acting was so masterful I doubted myself until the reveal. As for the ending, it was a mixed bag - an epic showdown, a great escape, some noble idiocy, a bizarre reversal, a ruler is anointed and loose ends aplenty. All things considered, this drama is true to its hot and cold theme in leaving me lukewarm. I rate this 8.0/10.0 simply because of the mastermind twist, without which it was a solid 7.5 all the way for me.
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