This review may contain spoilers
Why Mask Girl was great and why some couldn't understand the meaning behind it!
Some are free to dislike or even hate this Kdrama, but it is important to recognize that not every female lead in a Kdrama has to fit the mold of a "strong good girl." We need more complex, enigmatic, and twisted female characters. Personally, I look forward to the day when I can witness a compelling kdrama centered around a female serial killer. Because why not?Among the many memorable scenes in this K-drama that I loved, two that stood out to me were when Mi Mo murdered Oh Nam and when she and Chun Ae joined forces, gripping the rope from opposite sides, killing Chun Ae's abusive boyfriend. These scenes beautifully conveyed the feeling of saying, (I'm done!) even if they weren't executed most kindly.
This kdrama delved into the lives of women from different eras and age groups who harbored dreams and aspirations but were compelled to conceal their true selves, wear a mask, and conform to societal expectations and the whims of men. Some succumbed to defeat and strayed down the wrong path, while others, like teenager Mi Mo, representing the new generation, came to understand the essence of their experiences. This realization was poignantly depicted in the scene where Mi Mo watches a videotape of her mother's performance when she was an innocent child at the end of the show. And even she said that since then, the nightmares that haunted her about her mother have stopped.
To some, it may appear as if there are too many stories interwoven within this story. However, upon closer look, each character embodies a distinct facet of the female experience:
- Kyung Ja represents the older generation of women who were unable to even realize their dreams, thereby dedicating their entire lives to their children and utilizing them as instruments to accomplish their own aspirations and desires that they couldn't do themselves. Hence the obsessiveness in her mind & her crazy way of holding on to God's beliefs as the women in her generation were told.
You can see some of this in Mo Mi's mother as well, as she hates how her daughter wasn't good enough for her expectations.
- Mo Mi embodies the generation of women who were told to be beautiful and finding a tall, handsome, and charismatic man was the ultimate dream and the sole path to love, even if said the man turned out to be the ultimate idiot.
And if she happened to feel good about herself or her body in some way, some creep will see her as a thing to claim!
Nonetheless, women like Mi Mo fail to comprehend that loving oneself is the key to happiness and earning the affection of others. Thus, in her pursuit of conforming to society's superficial beauty standards, believing that it would enable her to start fresh, be beautiful, and be loved, she inadvertently destroyed herself. Consequently, she was labeled a monster despite her "new attractive appearance".
- And finally, Mi Mo symbolizes the younger generation, a girl who is angry at people "the society views on her", dreading the possibility of ending up like her mom, "the previous generation of women," and has a hatred towards her grandma's way of thinking, "the older generation of women.
But in the end, she gradually grasps the reality that the world is not simply divided into black and white, decides to accept herself as she is, forgives her grandmother (Mo Mi's Mother), and contemplates how her mother's fate might have been different had the world been more understanding.
Overall, the show was crazy and dark indeed, but so are the lives of these 3 women.
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1Dumbed down to the point of fatousness.
Let me keep this short to avoid wasting more time on this mind numbingly boring 39-episode revenge drama that was 40 episodes too many. The original works The Emperor's Book 帝皇书 is a dark and complicated tale of a love, duty, revenge and atonement. The adaptation has been dumbed down to the point of fatuousness in a misguided attempt to make the intricate plot more accessible. The broad plot outline is unmistakably Nirvana in Fire lite with swapped gender roles and a ton of romance.The bright, over-lit palette sets the wrong tone for this kind of dark story of betrayal from the get go. The action heavy open sees swashbuckling badass pirate Ren Anle proposing to crown prince Han Ye with her dowry of 30,000 elite sea troops. Despite Dilraba's impressive flirting skills, Anle's shameless pursuit of Han Ye went on for too long and seems heavy handed. There isn't much natural spark between her and Gong Jun even though they look fantastic together. Despite her exquisite beauty and charisma Dilraba's acting in this is disappointing. She comes across as someone who never suffered or experienced profound loss. Her best distressed or traumatized expressions smack of someone whose favorite pair of Jimmy Choos got muddied; a far cry from someone whose entire clan down to nine generations got unjustly wiped out. The collaterally damaged characters Luo Mingxi, An Ning, Lin Lang and even the delusional Chengán are more convincing as deeply scarred and haunted by the Di family massacre. To be fair, the titular role of Anle is not well written. She barely gets to do any of the hard stuff. Everyone from Luo Mingxxi to An Ning steals her thunder in terms of the scheming, making ruthless decisions and even fighting.
"My heart was once stirred by a woman called Ren Anle, but all my life I will protect Di Ziyuan/ 我对一个叫任安乐的女子动过心，但我这一世都会护着帝梓元" is the novel's best line that encapsulates what Han Ye is all about. If Gong Jun had to get one line right, it was this one. His expressionless lacklustre delivery of this line epitomizes his vacuous, uninspired acting throughout. The only characters that made me care are Wen Zhou and Lin Lang. Liu Yuning also does a decent job largely because he dubbed himself. Sadly his character has no development and doesn't do much other than to mope and slouche around plotting with a sinister twisted smile on his face.
There is too much standing around and talking in this drama but there are only a few good lines that are repeated ad nauseum. Of course the Di family army lost 80,000 troops; more than the 70,000 strong Chiyan army! The sheer hubris and audacity of these third tier writers to repeatedly allude to a masterpiece and hint their Di family suffered more is pathetic. They neutered an amazing plot and weighed it down with a pedestrian rendition of the Romeo and Juliet trope. The revenge arc climaxes too early and the showdown lacks intensity. The narrative further devolves into a bunch of silly sub-plots that are just juvenile attempts to squeeze some angst out of viewers by unimaginatively throwing a few characters off a cliff and killing a few others gratuitously. This just made me laugh instead of cry. This drama seems to drag on forever to the point that the hair turning white oddly makes sense! Only watch this if you are die hard Dilraba or Gong Jun fans. I rate this 6.5/10.0.
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1
1Love in Dahuang is cruel, lonely and makes your soul bleed - A deeply emotional analysis.
Season 2 of Lost You Forever drops you straight into the tragic, painful, full of yearning madness that is the brutal world of Dahuang. It brings with it the same excellent cinematography, gorgeous sets, beautiful dialogues and haunting music score that was the signature in its first season.However, this season is more raw, more bleak and more unkind to your heart as it follows the journey of our broken characters and their futile love. Ultimately, it is a story of what could have been, what never will be and what remains.
✔️What could have been - Xiang Liu - The glorious dragon of all our hearts
At times, watching this season, it felt like this was Xiang Liu’s world and we were all just living in it. The nine headed dragon has to be one of the most complex, deeply layered and nuanced characters on Chinese television. With his life shaped in torture, the shackles of a lifelong oath dragging down his very being and undying loyalty to a doomed army hanging over him like a cloud, Xiang Liu is the most devastating unsung anti-hero I have ever seen.
Even though he started his journey with borderline villainy, he is soon revealed to be sacrificial, noble and selfless in a way that is both self-punishing and painful. His love for Xiao Yao is real, thoughtful, tender and pure even as he tries to bury it under constant denial. He builds her up in a way no other man has ever done. With tough love, unexpected tenderness, hidden affection and needed ruthlessness, he makes her the kind of woman who she has always wanted to be.
Someone who can rely on herself, who belongs and who is strong and unafraid. Ultimately, he is the one who understands her on a soul deep level - he is her teacher, her best friend, her soulmate and also the man she can never have. Always there to pick her up when she needs it most, always there to save her when nobody else can.
To the very end, his goal remains to do what is best for her even if it plunges him into infamy or rips his own heart out. He wears the mask of her worst tormentor when in reality, he is the guardian angel who makes it possible for her to have everything she has ever wanted. His love, unlike others, comes with no conditions. The only condition he has is her happiness.
Tan Jian Ci’s acting was phenomenal here. He was capable of displaying so much emotion in a matter of minutes. His fearless, vicious, demanding, deeply sacrificial, stubbornly duty bound, frustratingly complex, unflinching, vulnerable, SEXY ASS SIN portrayal of a dragon with a golden heart, that is so broken that he knows nothing else, completely wrecks your heart.
At the same time, his duality shines through in the form of Fangfeng Bei - a carefree, playful, witty, flirtatious casanova that is even more painful to watch because it dangles the possibility of how different things could have been in another life for both us and Xiao Yao.
The “what if” here is so strong. What if Xiang Liu was just Fangfeng Bei - a man who could love without restraint, live without burden and could accompany Xiao Yao for the world to see? What if he gave them a chance? What if? What if? What if? It’s enough to drive you insane.
It’s like Xiang Liu had an unspoken connection with my eyes. Every time he came on screen, my eyes cried tears of blood. I felt like a live wire of hurt as I saw him kill all the longing in his heart, stomp on the love he thought himself unworthy of and march towards an end that was as devastating, unstoppable and glorious as the man with all these jagged edges himself.
It’s almost sadistic the way the author of this drama lets us know the depth of his love, the tenderness of his heart and the ultimate compassion behind his sacrifice. It’s an unbearable doomed secret that hangs between us and Xiang Liu. The one we want to scream at the world and the one he wants to bury. And bury, he does.
A serpent with the sweetest sting, a dragon with a fire that burns only himself, a man with a heart that is boundless - Xiang Liu will forever live in my heart as one of the most memorable and formidable characters I have come across in ages.
✔️What will never be - Cang Xuan - The wolf who tore the sheep's clothing
From the very start, Cang Xuan has shown to be a man capable of absolute mercilessness if he is pushed towards it. A strategist who can do away with all personal feelings for the end goal. He has forever been a cornered wolf, clawing and manipulating his way to power so he can protect the one he loves. He has worn the cloak of civility, he has made compromises for the throne, he has hidden his anger under the guise of a smile - all so he could be the man who calls the shots.
Now, he has it all and yet, his head hangs low under the weight of the crown he fought to put there. His love for Xiao Yao has been the oldest and coldest friend he knows - his underlying motivation for everything. What he feels for her has simmered and bubbled under his skin since they were children. After all, she’s the only person in his life who he trusts without question. The only woman who has been with him through thick and thin.
However, Cang Xuan has been suppressed for far too long, been forced to muzzle his fangs for too long and this season, slowly his veneer of politeness has started to chip. His desperation and his need for her has started to congeal into an obsession that is as self-destructive as it is selfish.
Slowly, you see him unravel as his need to keep her next to him, his festered bitterness and his damaged soul that has been deprived of love for way too fucking long threatens to propel him off a cliff where there is no coming back from.
Cang Xuan is a deeply unfortunate, tragic hero and Zhang Wanyi’s delicate portrayal made this flawed, broken and wholly human character always easy to empathize with. On one hand he can be beyond ruthless and decisive for the things he wants and on the other hand he oozes this childlike fear and insecurity when he faces Xiao Yao. He is king to all but at her feet alone and it’s eating away at him that she cannot see it.
He cannot get the love he is starved for, so he feeds himself with more and more power - it keeps him full yet malnourished. Until, he is nothing but a famished wolf, yearning for a love that is always at the tips of his fingertips and yet millions of miles away.
While, I definitely feel like the drama declawed him in the last few episodes, and stuffed his wolf back into the sheep’s clothing, there is also some reprieve in seeing this character come into his own and make peace with his ambitions while ultimately choosing a path that keeps his conscience clean and his hands bloodless.
✔️What remains - Tushan Jing - Weak spineless noodle who is the only option available
One of my biggest gripes with this drama was the way they executed Tushan Jing’s character. He is spineless and cowardly to the point of being intolerable. Always weeping and coughing on the side, always waiting for other people to clean his messes, always the least interesting person in the room - the only thing Jing has going for him is the ten or so episodes of the first season where he endeared himself to viewers as the pure and untainted Shi Qi.
Since then, all his actions are just explained in dialogues. The show wants you to like him just because the script says so. He is good just because the script says so. Deng Wei is the weakest link of the cast and fails to manage to bring forth even a hint of a second layer to his character.
It’s almost like the drama makers hate him because he’s given the least impactful screen time and even when he isn’t he wastes his moments with the same redundant facial expressions we have seen from episode 1. He is never Xiao Yao’s equal and is more of an adopted pet than a partner. All he does is get sick, cries and causes Xiao Yao to mother him.
He is a very useless character overall - bland, uncomplicated and a man who would always be on a lower level than his woman. Which is also why, it’s the most understandable why Xiao Yao would be attracted to him given the rough life she has had and why he is the only real option available to her. So, while I understood his appeal to Xiao Yao, it still didn’t mean I had to like him as a character and I couldn’t help but yawn every time his scenes came on screen because of how much of a snoozefest they were.
✔️Xiao Yao - The Queen of Broken Hearts
Xiao Yao - one of my favorite female leads ever - really took some hits this season. She was at times frustratingly indecisive, forever hung up on a man when that’s never been her character, stupidly self-blaming and had some moments that were downright naive. That said, Yang Zi’s excellent portrayal made her impossible to dislike for me. Her acting is one of the best I have seen by any C-drama heroine in my entire life.
Xiao Yao is a woman who wears her past and troubled childhood like a cloak. It’s always there, lingering at the back of her mind. She is a product of her upbringing and abandonment is a word that rules her deepest phobias. That is why, even when you dislike the decisions she makes, they fall in line with her character. You understand why she does what she does and you can’t begrudge her that.
Her underlying strength never vanishes even at her lowest; she is clever and scheming when she has to be, and she never loses sight of her passion that lies in healing people. While I do believe her life revolved around the men more than I would like, Xiao Yao is still one of my favorite characters.
There's something so nurturing in her that speaks to the broken men she comes across, something so wounded that reaches out to others with similar wounds, that there is never a question as to why she is the one all these men are pining after. That said, as compassionate as she is, Xiao Yao’s wrath is a cold, cold dish and when served, it freezes the other person to near death.
Yang Zi’s phenomenal acting made me feel her loneliness, her pain, her anger and her hopelessness. She has always only ever wanted to have someone that would put her first and it’s impossible to forsake her for it.
Even if it pains me to say it, her ultimate decision is the most realistic and practical one among the very meager options. Cang Xuan’s love is shared by the throne he sits on and tainted by all the women he must marry for the sake of power.
Xiang Liu, who is without a doubt the one she would be with if she could, is imprisoned by a debt that will never be paid. A debt that has become his identity - it’s all he knows, all he has ever known and parting with it, means parting with himself.
So Jing - simple, unimpressive, easy to handle Jing - is the safest option for her heart. She doesn’t need saving because she can save herself. She doesn’t need fame because her lineage gives her enough of that. She doesn’t even need the epic, unforgettable love anymore because all the torture that she has faced over the years has beaten it out of her.
What she needs is just a partner, fully devoted and simply there, right next to her with no other responsibilities other than staying with her. In Jing, she sees the innocence that she herself has lost and preserving it, means preserving a part of herself.
By healing him, she heals herself and so she fights for him with such devotion because despite all the pain, he has brought her happiness that is simple- a simplicity she has forever craved for and I won’t hold that against her.
Because, despite the men you root for, this is ultimately Xiao Yao’s story about the love she lost, the love she never had and the love she gained. It’s a journey of how she met these men who changed the very trajectory of her life - who broke her some, who healed her some - and who left different kinds of impressions on her heart.
❌ Some Flaws this drama had:
I am not going to say this drama was perfect because I did find some flaws in it. For one, the plot did go in circles at times and the action/war scenes were poorly executed. There is a lot of telling rather than showing as well. Other times, there were unintentionally funny scenes that didn’t go with the tone of the drama. (Even if they were few and far between.)
However, the biggest flaw was the last few episodes. Rushed, messy and deviating from the original novel. It baffles me why the drama chose to make some of the choices it did in order to reduce the brutality and tragedy of the original novel. I think it made the story more audience friendly but it really felt like defanging a lion and turning it into a house cat.
The fates of these characters in the novel were there for a reason. They made sense because their personalities and actions led up to those conclusions. So, meddling with that, especially in the case of Cang Xuan, just made a lot of things feel underwhelming for me.
And yet, they decided to keep one of the most cruel fates in this story, just like it was in the novel, even when audiences prayed for some reprieve there. So, I am not sure what the point of those changes really was because I am sure the amount of scenes they modified, they ended up pissing off fans of each of the men.
✅ Final Thoughts:
So yes, while I had problems with this drama, it was still very much a story that pulled at all of my heartstrings. I felt so much empathy and so much grief for these flawed characters and I feel that overall, the writers did an excellent job weaving a narrative that was so compelling and so utterly agonizing.
There are some excellent supporting characters in this drama in the form of the bratty but endearing princess Nian, the wise Xiyan emperor and the lovable Haoling king. They all have moments that steal the show and allow you to look at the main protagonist’s actions with a different perspective.
Lost you forever is an extremely character driven slow burn story which is why I think this is best seen 2 episodes a day. You have to sip and feast on it like a mug of cozy hot cocoa instead of downing it like a tequila shot in one go because if you do that, you’ll be left coughing, sputtering and bored.
Ultimately, this is a story about love but love is not the end goal. These are complicated characters who all have their own motivations to do what they do. And, while they crave for a home, for companionship and for a future - they don’t necessarily base their choices around it. As a result, there are more or less no antagonists in this drama - just these complex people with their own internal struggles, fighting their own demons.
I had already read many excerpts from the novel, so I knew how most things were going to go and yet, when I saw it all come to life on screen, my feelings still got manipulated like I was a puppet on strings. I cried, I laughed, I stressed and I despaired. For that alone, I feel like for me, it was a drama worth watching and I cannot give it a lower score.
So, this is without a doubt one of my favorites and 100% Jeana recommended.
***
To Xiao Yao,
You don’t have to be alone anymore. May you have somewhere to go and have someone to rely on. Wishing you a lifetime of peace and happiness.
Xiang Liu
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Bleak Night can be uncomfortable at times because it addresses issues like bullying, friendship (in a high school setting), the power (both good and bad) of words, and all the angst and insecurities that come along with being a teenager.
The story is told through a series of flashbacks, which takes some getting used to. The camera work is interesting, as a lot of the shots seem to be hand-held and the color palette of the film is quite gray and drab.
I was completely mesmerized by Lee Je Hoon in this film. Every time he came on screen, my eyes were glued to him. He was definitely the highlight of this film in terms of acting, even if his character isn't necessarily the most likable. Overall, the acting of the cast in this drama is on the better end of the spectrum. All the characters are well portrayed.
My only two gripes with the film: One, there is no explanation of the main character's relationship with his parents and there is a lack of a clear cut ending that satisfied me.
Still, a highly recommended film that shows the darker side of teenage friendships and one of the best South Korean films of the year 2010.
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Well, first of all, you have to consider the time when it was released and the intention.
Because of my many reasons this movie will remain as my favorite one. Let me explain why:
1.The topics
Even though this movie's main target group might be young people, it also deals with very "mature"/serious topics.
The first time I watched this movie ( as a teenager) I didn't realize that this movie was kind of revolutionary or daring comparing to other Korean movies.
On the one hand, serious topics like AIDS and prejudices were shown. And on the other hand, it is also about a teenager's problems and everyday/love life.
For me, it was interesting to see how those "serious" and "ordinary topics" ( I can't think of a more appropriate word) were connected.
Apart from that, this movie was some kind of a roller-coaster ride: It was funny, sometimes sad and then it was funny again.
2. The characters
Apart from the great mix of the topics, the main characters were really...well, it is hard to describe each of them with one word.
The male lead did a great job as an actor considering the fact that it was one of his earliest work. Moreover, his character wasn't presented in a superficial way. As a viewer you could see and feel all his feelings and the changes he went through during the movie:
For instance the shyness when it comes to showing affection or even accepting it.
Actually, the movie helps one to understand his personality that seems to be a bit weird in the beginning: Sometimes he is nice to the female lead and sometimes he isn't nice. In many ways he is a immature young male and but in some ways he is more mature than his friends.
Even though the relationship between the main leads was one the weirdest one I've seen, I could feel/see the romance. You might wonder, why it was weird: The whole relationship between them was rather forced than planned at the beginning. But you could tell that it changed after some time.
For me it was kind of amusing to watch those two arguing,making up and once again arguing. It somehow reminded me of the young boys in the kindergarten who prefer to annoy the girls they like instead being nice to them.
The female lead: She acted pretty well. Even though she played the role of a rather immature student, she was able to show various emotions. I think, I will never forget certain scenes she played with all her heart like jumping up and down with weird clothes on in front of the school jard. Just the thought of it makes me laugh.
3. The plot
Movies aren't dramas with 16 eps or more. So, I guess, as a viewer I will always have the feeling that everything was a bit too rushed and ended too quickly.
Nevertheless, I liked the way everything progressed. It wasn't dragging or something like that.
Even now, I am able to divide the movie in different chapters.
To sum it up:
This movie is great! It might be a bit weird at first but you will like it the more you watch! Apart from that, a movie's intention should count as well. And this movies proves that you can make use of serious topics in a way that you don't even realize that you are learning something new.
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This review may contain spoilers
WOW, what a phenomenal drama! Please watch this if you have the time to! It is simply AMAZING! The story is super intriguing. Just imagine being able to go back in time over and over again to change your life to the
"perfect" life that you want to live. I wish this was reality sometimes! Our main characters, Saiko and Otaro, have such
great character development throughout this drama. We see them grow as individuals, and we see them improve on
themselves by the end of the drama.
Each character has flaws in this drama, and we get to see how their flaws affect their endings and the flow of the story.
I can't really be specific because I don't want to post spoilers, but this drama is SIMPLY AMAZING! The characters are
all intriguing, and I love everyone of them, even the "evil" ones!
For anyone who is skeptical on watching because of what they might have heard about the ending, do not worry! It's not
bad at all in my opinion. Just watch and you will see! And make sure to watch episode 10 of Todome no Parallel for a complete
ending as well!
All in all, a very interesting story that keeps you at the edge of your feet with really good characters that you will fall in love
with by the end of it. And bonus, this drama has AMAZING music! PLEASE WATCH! Easily one of my favorite dramas of all time!
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Addicting and adorable, but ultimately disappointing
I was absolutely sucked into the drama in the first half, but found that I gradually lost interest in the second half because of where the plot was going.I also had problems with the FL, who just seemed immature and annoying. She was also always described as someone who was so strong she could smash rocks, but she seemed weak in real fights? It was quite confusing. Honestly, I kept watching for the second couple, who I rooted for way more than the lead couple. I felt that they had more chemistry overall, and more development to their relationship.
The cast and acting were ok, as was the music, but I generally can't see myself rewatching any part of this.
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This show could have been more interesting. The best part was the cinematography. While not anything spectacular, it felt calm and cool, like a nice movie. Someone said so in the comments, but this would have better served as a movie than a show. It didn't need 10 episodes, however short they might be.Story spoilers ahead, read on at your own risk...
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So the major plot point is that the two of them can't do something which is a major part of most married couples lives: have sex. And with that, have children.
This is a real issue that affects many men and women, and in this case, it appears that Kumiko has vaginism. However, this was never stated outright within the drama. In fact, she and he never went to the doctor to do the obvious: find out what the issue was and see how they could overcome it.
Instead, we're given a very strange story arc that involves their continuous cheating on each other. First, Kenichi with a number of prostitutes every Saturday for years on end. Second, Kumiko with an online site that is a hookup spot. Kenichi is constantly asserting that sex is not love and that he doesn't need sex, yet it's never clearly spoken about that he constantly goes to a brothel. Kumiko mentions it briefly once, though she takes most of the blame for never revealing the fact that she was not in fact a virgin.
The show ends in a very lackluster note. Nothing is solved. The entire plot seems to be saying, "it's okay the way we are", but then why make this show? Why show this particular couple? What is the point? I love an open ended plot, but this show just seemed to be meandering this way and that, with no particular direction. It was stretched out to 10 episodes to say, "it's okay to be the way you are and love each other this way," but we don't need 5 hours of screen time to do that. Even if this was a movie, the current plot is too lackluster to remember. Very forgettable and no lasting impact.
This show wants to convince the viewer that Kenichi and Kumiko have overcome a problem together, but all I see is two people fumbling without properly addressing a problem or trying to solve it, then saying "let's move on." The resolution is not convincing.
This show could have been much more, but too much time was wasted on repeating the same actions, intermingled with Kumiko's obtuse thinking and communication issues, and Kenichi's lack of commitment to the issue. I'm not even sure who Kenichi is, by episode 10, as he was fairly flat the entire time. He was enigmatic from the beginning, and I wasn't convinced Kumiko actually liked him when they began their relationship. In fact, he was quite weird, just sort of embedding himself into her life without much explanation. And she just sort of quietly accepts it all without any questioning. She seemed like she was just going along with the flow as things happened to her. She wasn't really a part of anything, she just let things happen. Kenichi only did actions, and Kumiko only received them. That was their relationship for 10 episodes.
Even Kumiko's interactions with her students, particularly Miyuki, seemed to have been out of place. She quits suddenly, and that portion of the plot is simply wiped clean off the board. Then, oddly, she visits the home of her former student, but I'm not convinced she even knows why, or even the writer. Nothing was completed or fulfilled by her visit. Simply the satisfaction of entering the house and learning a little more about her. I feel this was underdeveloped and rendered useless..
Wouldn't rewatch. Can't really recommend. This was just a lackluster show. The filming was pretty, though. The acting, was somewhat mediocre. Maybe slightly above for Kumiko's part.
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This review may contain spoilers
Could Use A Few More Chickens
This was an overall well done drama that was unfortunately too short to realize its full potential. The material was great, but eight episodes wasn't long enough to fully develop some of the issues presented or to fully develop the relationships and characters. Even so, I did enjoy this drama for the most part, it has some great messages and it does tackle some tough issues with tact.I liked the concept for the story, how a one night stand could turn into something more. The way Wen helped Jim in so many ways, not just with working at the diner, but also with helping him find closure with his past relationship and heal and move on, was well done. I admired Wen's perseverance and that while he continued to pursue Jim even when Jim had indicated he was not looking for a relationship, he did so relatively tactfully, never pushing too hard, but still making it clear that he was interested and that he thought they could work things out. However, things turned complicated, which was exactly what Jim feared, when Wen's ex-boyfriend who he was still living with, Alan, showed up and threw a wrench in things. Despite their break up, he is still possessive of Wen and hopes that they can patch things up and get back together. Wen, however, is ready to move on, and he is faced with having to do just that and more firmly sever his ties with Alan as he tries to establish a relationship with Jim. And Alan, for his part, is left trying to move on as well and come to terms with the fact that his and Wen's relationship is truly over. Meanwhile, Jim's nephew who he has raised, is a senior in high school and is still trying to figure himself out amidst the limitations of not being the scholarly type and being poor. Jim can be overbearing with him and Li Ming feels trapped and isolated until he meets Heart, a deaf young man his own age and they slowly become friends which then turns romantic. The relationship is a healing one for both as Li Ming finds someone who understands and cares for him exactly as he is and Heart finds someone who treats him as a normal person and actually puts out the effort to communicate with him. They serve as each other's escape in many ways and I loved their relationship in all its facets.
With so many BLs these days sticking to high school or college settings, it was refreshing that this one stepped outside those bounds. I think that opened up a lot more doors for it to tackle issues that it couldn't otherwise. However, because it was confined to only eight episodes and it did try to tackle multiple issues, it wasn't necessarily able to dive into them as deeply as one might have liked. The economy and cost of living were both subjects that were brought up multiple times. Leng, one of Jim's friends and employees, and his girlfriend Praew find themselves unexpectedly expecting, so unplanned pregnancy, the cost of raising a child, and even abortion are touched on, if only briefly. By creating a deaf character, the deaf community was given representation and it was done well. The various ways of parenting is also touched on, how there's not one right way to parent and parents are always learning, even from their children. Relationships serve as a major focus, examining how some relationships simply peter out after a while, unrequited love, and, particularly, moving on from past relationships and how, while it may be painful, we can hope that there's something and someone better out there for us in the future. I enjoyed every part of it, again the only detractor is that I wanted more time to explore those topics.
Probably the biggest downfall of this drama, and I know I've seen others commenting on this, is the miscasting of Earth. Earth is a damn good actor, there is no denying that, but in no way does he, as a 29 year old young man, look anywhere close to 40. I know he's a couple years older than Mix, Khaotung and First but he really doesn't look it, and in the drama, there's presumed to be something like at least a ten year age difference between their characters. Earth is one of those people who looks younger than they really are, but this seemed outside the range of probability to me. Papang, in contrast, who played Jim's former lover, Beam, is only a year older than Earth, but he looks older. I could more easily believe he was in his mid-30's. There's also looking at him next to Lookwa who plays his sister. She's a beautiful woman, don't misunderstand me, and looks fantastic at 42, but they don't look like they are close in age at all. I understand that Earth and Mix are a popular pairing, but if they wanted them paired together, it would have made more sense to change Jim's age to something closer to Earth's actual age. As it was, Jim's age was hammered home so often you couldn't forget it, and there were some scenes that were supposed to be more emotional that just didn't work as well as they might have with a more age appropriate actor.
Jim and Wen's relationship was another issue. The first episode is great. The chemistry and tension between the two is electric and then suddenly, it's just gone and while there are still flickers of it throughout the rest of the drama, it's not quite as strong as that first impression. Wen's feelings for Jim remain clear throughout the drama while Jim's feelings are much harder to decipher. There are moments where it's evident he does feel the same way, but it wasn't always consistent and their relationship felt stagnant at times. Even when things were supposed to be changing between them, I didn't always feel it.
I really enjoyed all the side characters, particularly Alan and Gaipa. Khaotung is such a good actor, I wanted more of Gaipa just so he could showcase his skills more, but also he was so sweet, I just liked his character and I wanted to get to know him a bit more. And Alan, aside from the fact that First is also a fantastic actor, was such an interesting character, I wanted to know more about him and his history with Wen. I felt like there was a lot more to unpack there.
But the highlight couple for me was Li Ming and Heart. Having just seen My School President, I enjoyed seeing them in such different roles. Li Ming is a somewhat similar character to Gun, but much heavier on the teenage angst. But it's not in a bad way. You can feel the frustration Li Ming has with his life and circumstances, and it's justified. Fourth did such a good job with bringing Li Ming to life and bringing such nuance to the character. Heart, being deaf, was a much different character for Gemini to portray. I was so impressed with his ability to emote without speaking a single word and he was utterly believable in the role. He and Fourth have such great chemistry. The build up of Li Ming's and Heart's relationship is so well done and feels very natural.
In general, the romance is not why I enjoyed this drama. Jim and Wen's romance lacked some consistency and while Li Ming and Heart were the highlight couple for me out of those present, what I actually loved about this drama was the chicken rice family that they created. The way the characters all came together for each other to take care of each other and build each other up was so heartwarming. They may not have been related by blood, but that didn't matter, they did what needed to be done even if that cost them personally. And I liked seeing how Wen was welcomed into their family, really without much question, he was just accepted. So if you take it from that angle, rather than a romantic one, it is a very wholesome story. And for me, personally, that is better than any romance.
The production was overall pretty strong. I really liked the sets, particularly the chicken rice shop was just so aesthetically pleasing to me. It made me wish I could go there and visit that place. The lighting was an issue at times. There were a number of late night conversations and sometimes the lighting was too dim and it made it harder to make out faces and expressions. However, one scene that I absolutely loved was the one of Jim and Wen at the beach at twilight. The way it was shot with their silhouettes was beautiful. I do wish they'd translated the sign language as a fair amount of it got missed. There were times when Li Ming would essentially repeat what Heart had said, but a lot of the time I was just left guessing.
This is a drama worth watching at least once. It's short so what do you have to lose? I don't as it's one that I'll come back to which is a bit disappointing because I think it could have been absolutely phenomenal with some tweaking of the story and the cast. And I think this drama really does highlight how important casting truly is. I don't think the miscasting of Earth broke the drama, but it did affect it and its ability to pack an emotional punch. I hope in the future they focus more on delivering a solid story with an appropriate cast than keeping particular pairings together.
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Sherlock Holmes, Criminal Minds, Forensic Files - All in One
What an interesting drama this is. All the main leads are new to me, so I watched it not for them. After the first episode, I realized it's a love triangle. Normally in other dramas, love triangles usually give weaker or less liked 3rd characters. In this case, it's hard not to like either of the main male characters. In fact I was pretty torn in the beginning because I found both male characters desirable and attractive in their own ways.This drama is a combination of Sherlock Holmes with Criminal Minds and Forensic Files. As a forensic expert, Ran Yan (played by Zhou Jie Qiong) is a daring, unpretentious girl who is always determined to find the truth. Unlike most girls of her time, she has no qualm touching dead bodies and slicing them up. Even the men around her are sickened by the sights and many cannot even stay on. I love this character so much. Though she has flaws, she is courageous, kind and upstanding, without the annoying noisiness and self-righteousness of many main female characters in other dramas.
When Ran Yan first meets the man who has saved her and falls in love with him, I fell in love with the man she loves too. Su Fu (played by Tim Pei) is cold and mysterious. How his cold heart is eventually melted by Ran Yan's warmth and kindness, and in the end falling madly in love with her is really a fun journey to watch.
Of course the main story revolves around the two main characters, Ran Yan and Xiao Song (played by Toby Lee). I absolutely love the dynamics between them, how they toy with each other and hang each other out to dry. The constant bickering and bargaining are really fun to watch. Each gives the other nickname that becomes part of the character; Xiao Song calls Ran Yan, "Fox", whereas Ran Yan calls him, "Human Fish". The addressing seems to stick for each other till the end of the show. I love watching the look on Xiao Song's face when he's seething with jealousy over Su Fu. Seeing how a powerful figure of his stature fighting for the love of a woman and getting jealous over her is very amusing, and Toby Lee has performed this role perfectly with his piercing eyes. Together with Ran Yan, they work as one, melting two minds together. They reconstruct crime scenes, figure out motives of killings, put the jigsaw puzzles together; their chemistry is simply enviable. Though there were some misunderstandings between the two, it's quickly dispelled without making the pair losing their love and care for each other.
Overall, this drama improves significantly after the first half. I didn't find major plot holes and significant flaws apart from some of the poor acting by peripheral characters like over exaggerated death scenes, obvious fake props (supposedly solid stone door that shifts when forced against), etc. Editing could be rough for some episodes. As for most Chinese dramas, the attention to details is still lacking. I wish the production team treats viewers with more intelligence. All this poor editing leaves tons of errors for all to see. Some logic is really bad and makes one rolls one's eyes.
Having said that, the acting of the three main leads is very good, despite this is the first major drama for Zhou Jie Qiong. Her performance is marvelous. The details of scenes that required further explanations are cleverly done in black/white flashbacks without breaking the flow of the story. It makes the story very easy to understand and follow. The twists and turns make the whole thing interesting and compel me to follow it faithfully for weeks.
Yes, a great drama to watch. Don't miss this one!
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A) I even noticed the music in a positive way, i.e., not thinking to myself, “I'm sick of hearing this song.”
B) Halfway through, went desperately searching for the entire O.S.T.
C) Found it and played it on repeat in my iPod for months.
The sweet and thoughtful “I Will Promise You” was the first song to grab hold of me. Jang Geun Suk’s gentle crooning over the playful, melodic acoustic guitar chords reminds me of waking up on a rainy Saturday morning. You know, the kind of morning where you get up slowly, make yourself a yummy breakfast and snuggle up in your favorite, most comfy pajamas for most of the day? Yeah, it totally took me there. And the upbeat and flirty “Hello Hello” is the song you play as you leave home on a bright and sunny morning, ready to seize the day and give it your best!
I found that all of the songs on the soundtrack took me to someplace, and they painted a vivid and wonderful background for the drama. Which is good, since the plotline for Mary tasks the characters with creating an O.S.T. for a fictional drama within the drama.
Now that I’ve waxed poetic about the music, I’ll move on the actual drama details. :)
This drama is like junk food. It’s the kind of drama you watch when you’re in the mood for something cute, but not necessarily ground-breaking or deep. It’s good when you want to watch some eye candy with brains and emotions; when you want to watch a youthful, fun drama with a decent plotline and fairly witty writing. You can’t walk into a drama like Mary with high expectations about character development, moral issues (but it is successful with regard to some of that), and dynamic plot twists and turns. You really just have to take it for what it is. Quirky and kind of cute.
The actors are very likeable in their roles and do a good job portraying their characters. Moon Geun Young is ABSOLUTELY ADORABLE in the character of Mary. It’s all I could do to resist putting her in my pocket. She and Jang Geun Suk have wonderful chemistry, despite the fact that they dress like homeless people. I chalked it up as being a part of their eccentric charm.
Geun Suk is a moody, stoic, slightly arrogant and detached rocker--a role he’s played before, I think--but he’s also pretty funny with good one-liners and shows growth as the drama progresses. Kim Jae Wook is the misunderstood and terribly awkward business man that also grows through the series. As I am someone who is commonly (and tragically) a lover of the secondary male lead over the primary, my heart went out to him.
The only warning and major dislike I have is that the parents in this drama drove me BANANAS. Their rationale for their actions was just absurd and outdated, frustrating me greatly. The thought of the parents alone have stopped me from re-watching this drama, unfortunately. If they weren’t so irrational, I’d rate this much higher for re-watch value.
The “re-watch” value for the music, however, is a 10, hands down!
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Choice A or Choice B, live life without regrets
This is not your typical rom-com. The drama’s concept of “what if” is that the female lead is at a crossroad and has to choose between two paths. The drama shows us how these two choices play out at the same time in a parallel sort of way (think the USA movie Sliding Doors). In episode 3, the drama splits in two. Timeline 1, the female lead gets off the bus and stays at her small town with her loving boyfriend. Timeline 2, the female lead stays on the bus and moves to the big city for work. Both timelines are real.Note, this is a female centric drama so the whole story focuses on Zhong Chu Xi two characters. There are two male leads Liu Xue Yi (small town boyfriend) and Lin Yu Shen (boss in the big city) which I felt shared almost equal screen time.
“Live life without regrets” is the message of the drama that the writers executed perfectly. The best thing about this drama is that it doesn’t sugar coat anything. It shows us the realistic and very human side of life. Relationships are not perfect, they are messy, filled with miscommunication, confusion but also love and warmth. Life is not perfect either and we should cherish the happiness we have, even if sometimes it’s only a little bliss. No choice is wrong or right, we just have to take it all in and navigate through the ups and downs of life.
POSITIVE:
- Realistic story about flawed characters with relatable and real life issues.
- No sugar coating. The drama always keeps it real to make sure we remember that sometimes real life does not work like a cute rom-com.
- Unique plot with deeper meaning about life behind it.
- Real life problems. The drama shows us raw and flawed communication between people that might not be considered healthy but it’s very much authentic to real life.
- Cute romantic scenes.
- No fillers or side stories. Almost all scenes show the main lead’s story (the female lead and her two male leads).
- No cheating. Even though there are two male leads in the story, the female lead doesn’t cheat and there are no love triangles.
- Realistic portrayal of life's highs and lows.
- Blend between daily mundane life in a small time vs a lavishing lifestyle in the big city.
- A mix of very sad and very heartwarming moments.
NEGATIVE:
- Melodrama vibe. The characters were constantly going through many challenges which made the drama very stressful to watch at times.
- Third party vibes. There is no cheating and no love triangles however the female lead does end up dating another man in one of the timelines so for some people that might be difficult to watch.
- Transitions between the two timelines are not always clear and sometimes it takes a few moments to realise we are watching the other timeline. You really have to pay close attention to not confuse the two timelines. It would have been better if the two timelines were more distinguishable, whether with different colours or the female lead’s appearance.
- Female lead being the scapegoat. The writers wanted to create more engaging drama for the viewers but at the cost of their female lead. Unfortunately, a lot of the times I felt all the problems and conflicts steamed from the female lead.
- Happy ending for both timelines however it also felt a bit open. I wish the drama showed us a few years into the future in each of the timelines.
OVERALL:
If you want a melodrama vibe, with a realistic story about flawed characters and the raw portrayal of messy relationships, watch this drama.
FAVOURITE QUOTES:
“We should cherish the happiness we have, even if it’s a little bliss”
“Whatever road you may choose, you may regret. But once you decide, you have to go on. It will end well”
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The Great Queen Seondeok
45 people found this review helpful
Brilliant. Timeless epic quality of emotionally processing the life of 2 historic heroines
This KDrama tells historical heroine stories for a change. (Yes: female AND plural.) On top of that, enriched along the way with some highly topical insights and a vivid examination of management systems - what does the common people need? How does it want or have to be lead? In this respect, the 2009 series has not lost any of its topicality. But above all, "Queen Seondeok" brings the viewers closer to the earlier (not so well represented in KDrama and KMovie) Korean history of the Three Kingdoms.Here, history is presented in 62 episodes in a moving manner and in dazzling characters, while offering valuable historical input. 62 episodes should not frighten you. This is perhaps more like 5 or 6 seasons western style. You don't have to go through all the episodes in one go, (but you can of course). To be honest, the number of episodes and the rather stiff-looking poster with a heavy crown kept me from watching the series for a long time. But that was a big mistake. This series is wonderful in view of the wealth of impressions, personal processes of the protagonists, and the profound examination of the attitude and philosophy of rulers. Also funny in places. In any case, an impressive piece of Korean history that is told in a round, rich and colorful way. The KDrama leaves nothing out when it comes to being human and being a hero - it presents all of this in various dramaturgical entanglements and depths, with twists & turns and deep feeling. (Swords, bows and battles are also included.)
This is about real historical personalities from Korean history, who made remarkable achievements in their time. First and foremost Queen Seondeok. She was the first Queen of Silla and the first of the few female heads of state in Korean history. If one considers her progressive achievements for her people, she must have been a charismatic personality in order to be able to place herself in the first, officially leading position in this feudal male world. Her life, but also that of other contemporary significant, history-shaping people in her environment are prepared dramaturgically lively and unforgettable. Admittedly enriched with a bit of poetic freedom in the service of a compelling and exciting story. However, in the historical drama orbit, it seems to me quite acceptable to bend the facts here and there in order to create a vivid impression of the character of the historical figures and their work instead. This is much more memorable (in passing) than exact chronologies. In addition, the actual valid sources that can be evaluated are limited. Even historiography has to do a bit of guessing every now and then to understand where, for example, a woman at that time got the vision, the strength and the courage to put men in the second row - and at the same time intelligent, visionary and with respect for the people, to rule in an almost idiosyncratic way.... In my opinion, the fictional plot does not damage the essential impression that one gets about life and challenges in the Silla Reich, about the charisma of the historical personality of Queen Seondeok and the historical figures around her plus her achievements for her people. The KDrama draws a memorable, unforgettable character portrait of the Silla Empire in the 7th century. In doing so, it brings the bones of the queen lying under one of the burial mounds in Gyeongju to life again.
Good to know: The Silla Empire was not yet under the influence of Confucianism, which clearly defines the man as the head of the family/tribe. Among the noble Silla families there were also those in which descent on the mother's side was decisive, or women were considered the heads of the family. At that time, matrilineal and patrilineal tribal structures still existed in parallel. Therefore, the respect for women and their functions in society was comparatively higher overall - but still not a matter of course.
For me, what is valuable about this story (and at the same time the timeless quality of the KDrama) lies in the juxtaposition of two very different, each impressive, intelligent female figures of their time: Princess Deokman (Queen Seondeok) and the noble concubine Misil, who hardly had an influential king or leader of the Hwarang left out during her time in order to directly influence political events. In fact, the two women did not live at the same time, but poetic freedom overrides this and juxtaposes the two as equal antagonists. (Extremely successful!)
The KDrama "Queen Seondeok" is characterized by a timeless epic quality in the emotional processing of the historical events. Brilliantly done in places, quite funny at times, with colorful vividness and everything that life usually entails: plenty of drama that stirs the spirits and also touches the heart. An exciting script (which in the second half has to work through a little more historical facts), and a colorful dance of highly inspired mimes, reviving those distant 50 years in the past 7th century. Not only the later queen and the concubine Misil get a memorable profile, also the men around Queen Seongeok - Bidam and Kim Yushin - are noticeably filled with life. Love story included - it's more of an encore than the main thing when it comes to the entire story, but it refreshes the second half as a balance to the historical ride through time.
By the way, the ratings literally went through the roof at 43.6 percent when the series was broadcast on television in 2009.
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Last Episode was a Bomb!
Until the very last few minutes of the final episode, I would have given this Kdrama a 9.5 rating. The ending, although not sad, was lack luster and NOT worthy of all the previous wonderful moments. So, so sad! Why, why, Writers, didn't you have a better, romantic, full-of-love, live-happily-ever-after ending for the two main characters? You gave all the other characters complete happy endings.......in fact, there was too much focus on the auxiliary cast vs the main characters............Again, so, so sad! P.S. The astroturf in front of the Monthly Magazine Home building was really sad....shame on the set designers.Was this review helpful to you?
