Story: Although you can watch Season 2 without watching Season 1, you'll get a much better understanding of what's happening if you'd watched Season 1. The story continues with where it ended in Season 1 with Tian Jingzhi finding herself pregnant with Xue Ling Qiao's baby. You'll still get the quirky interactions and conversations between Tiang Jingzhi and the people around her, though in Season 2, you'll get to better understand Tian Jingzhi and her motivations. On the outside, she may come across as a happy-go-lucky, devil-may-care character, but in many circumstances, she'd thought deeply on matters and like any other woman, had her reservations and worries about her relationship with Xue Ling Qiao. On another hand, while Xue Ling Qiao was portrayed as being somewhat detached in Season 1 because he didn't want to involve Tiang Jingzhi overly much in his matters in order to keep her safe, in Season 2, you'll get to see a more involved Xue Ling Qiao as he finally realised he could not live apart from Tiang Jingzhi. In Season 2, you'll get introduced to a few more characters and side-couples. I am sure you'll ship at least one of the side-couples. Overall, the story maintained its fidelity from Season 1 and ended nicely. Though we can now close the chapter to the story of Xue Ling Qiao and Tian Jingzhi, I will not say no if the producer and director decide to further this franchise and tell the story of their son in Season 3.
Acting/Cast: Initially, the change in lead actress threw me off a bit. Esther Yu as Tian Jingzhi has big shoes to fill as her predecessor, Janice Wu, did an excellent job in portraying the quirky, sometimes annoying but surprisingly lovable Tian Jingzhi. In fact, Janice Wu pretty much carried most of the weight of the drama from Season 1 on her shoulders as her acting shone in it. It took me somewhere around 10 episodes before I could watch Season 2 without the bias of comparing Esther Yu's Tian Jingzhi to Janice Wu's Tian Jingzhi. All things considered, Esther did a good job but I couldn't shake the feeling that she's simply emulating Janice Wu on the character. She was a good copycat, and that is in no way something bad because it takes good fundamental acting skills to perfectly emulate another person's acting. For a relatively newish actress, she did well. Hopefully as she grows in her acting career, she'll one day be able to interpret and act out a character entirely based on her own acting style.
As for the male lead, I wasn't very keen on Kim Tae Hwan in Season 1. In my opinion, the man cannot act to save his life (apologies to his fans!) and his only selling point was because he's Korean and nowadays, anything Korean pretty much sells ("The Oppa Trend"). I was actually glad they changed the lead actor to Mike Angelo who is better looking and can act (at least he's a better actor than Kim Tae Hwan!). Also, Mike can speak Mandarin pretty well and although his voice was dubbed, you can tell that he'd spoken his script in Mandarin throughout from how his mouthing of the words matched the dubbing. This is a great improvement from watching Kim Tae Hwan act in Korean but dubbed into Mandarin. I 'll award Mike an extra star for his extra effort in learning Mandarin so he could act in Mandarin dramas. At the back of my mind, I cannot help thinking...if only Mike Angelo was in Season 1 with Janice Wu and they maintain this pairing to Season 2, that would be perfect! Both Mike and Janice are more seasoned actors and I am sure the chemistry would be better too.
Casting for the supporting characters was spot on. Young newbie actor Li Ge Yang as the playful but loyal Zhen Yi Jiao was a lovable character. Mature actor Liu Guang Xiang was perfect as the well-meaning but ambitious and highly principled Qiu Yue Bai/ Lion. Kudos to the ladies too - Yang Zhi Ying as Bai Lu and Tian Yi Tong as Ye Mei Xiao. Of course, we must not forget returning actors from Season 1 - Fu Jia as Li Yan Zhi and Yang Yi Fei as Feng Dong Dong reprised their roles to perfection.
Music: Initially, I wasn't keen on the OST but after a while, it grew on me.
Re watch value: Decent re-watch value as it's an easy and relaxing watch with minimal repetitions and good story pacing.
Overall: A good drama to fill your time, but do not expect this to be a 10/10 or a phenomenal hit. It's light on the viewing and if you'd watched Season 1 and wondered how Tiang Jingzhi and Xue Ling Qiao's romance progresses from Season 1, watching Season 2 will answer your curiosity and give a nice end to their story. Enjoy!
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Before watching the anime for the first time, I made sure to read everything about Oda Nobunaga one could find online because I'm just a not the type of person who's ready for surprises and would rather get myself spoiled to the very end. The story of Oda Nobunaga is a unique one but it still remained the same as any other story about war and peace I learned from my History textbooks. However, this drama made me re-open my eyes and realise that you can't understand the whole story just by reading a little paragraph from your textbook.
The characters were fully developed in my opinion and all of them had an important role at one point of the story. I like the fact that every character had their time to shine and a chance to get their own little story developed. I also liked the way Kichou was portrayed in the drama because she had a way better personality than the Kichou we could see in the anime, who could only say "My Lord!" in an irritating tone, but that may just be me.
The actors were simply amazing and were one of the main reasons I started watching this drama. Oguri Shun as Oda Nobunaga/Saburo did a magnificent job and I couldn't take my eyes off Mukai Osamu and Takahashi Issei because they totally blew my mind in some scenes.
I loved the ending song song, it fit almost every episode and just gave me that warm feeling as well as the soundtrack, which gave me chills every time it started playing.
The only thing I didn't like is the open ending the drama has. I'd prefer it being either the death of Nobunaga/Saburo (because, nobody's immortal) or his time-travelling back to modern age. And if the producers planned to make a sequel to this drama, it would make no sense because there wouldn't be much time for important happenings in Nobunaga's life, considering this drama ended with Mitsuhide and Nobunaga being at Honno-ji.
I won't say this drama is highly rewatchable, but I do plan to rewatch it someday myself.
I'd recommend this drama to everyone, regardless of what type of drama you prefer.
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Curiosity Kills The Cat
“Curiosity kills the cat” refers to Zhang Ping (Song Weilong), the Ramen Detective who, time and time again, places himself in great danger in determining to find the truth. Together with the elegant gentleman Lan Jue (Jing Boran), who initially seems like a “fu hei” (black belly) because he crosses the line which Zhang Ping tenaciously upholds, their fate intertwines and they solve cases after cases which provides them with more clues and leads them to unravel a greater conspiracy. The whole drama is intense and fast-paced, sinister with danger lurking in every corner, spurred on by the background music.Acting:
The drama is adapted from the novel "The Case of Zhang Gong" 《张公案》written by Da Feng Gua Guo, on the encounters of the naïve, honest and upstanding Zhang Ping, and the diplomatic and graceful Lan Jue. I love both portrayals. Jing Boran has a natural air of elegance and grace. His Lan Jue is brilliant and convincing. At times of his torment and uncertainty, viewers feel for him and his sorrow. Song Weilong has a boyish demeanor and fits the character of the naïve Zhang Ping. His acting here is very believable and lovable. The other cast members are equally good, especially Wang Duo''s Gu Qingzhang who is mysterious and evil-ish, Guo Cheng's Chen Chou who is a true friend, and Hong Yao's Wang Yan character which unfortunately is only one dimensional.
Plot:
The plot is layered with plot within plot and plot twists. Here we have a power-hungry Empress Dowager, a seemingly useless Emperor, a perverted royal blood who would do anything to get his revenge, an upstanding official who is forced to compromise his integrity due to the rot of the system, and a scholar who is obsessed in solving unsolvable cases. What seem like unrelated cases all lead to a big conspiracy. The attention to detail is laudable, with spectacular crime scenes leaving clues for the discerning eyes. The lavish use of hallucination, hypnotism, illusion and deception further enhances suspense and mysteries. There is also a hint of BL for Lan Jue and Gu Qingzhang which further fools the viewers with Zhang Ping’s reaction. It’s only revealed at the end that Lan Jue is a widower with a son. I’m grateful that there is no infuriating Mary Sue characters.
Music:
The opening music, “Red Bloody Fog”, is interesting, mono acoustic drum beats add on the mystery and suspense. I am actually very impressed by all the OSTs and the background music. Some tunes are upbeat with hope, most are sinister and dark, depicting imminent danger, evil and death. The OST “The World is Blessed” gives viewers an image of the common scenes on the street of the ancient time in the ancient city. The vocals accompanied by piano depict the simple life of the commoners, upbeat, and filled of hope for better tomorrows. I even love the tune sung by Zhang Ping’s shifu, “The Cow Wakes up to Eat the Grass”; I find myself humming to the tune repeatedly. There is an extended use of drums to give the feel of something ominous coming. The drop of each beat signifies a find of a jig-saw piece for the puzzle. The music can be mesmerizing, like the tune “Demon of the Heart”, sending listeners into a trance. In darkness and despair, there is hope because there is a person like Zhang Ping who insists on finding the truth as depicted with his tune on “The Ramen Detective's Noodles”.
My Verdict
A great watch for almost everyone. Don’t miss this wonderful drama.
Bravo!
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This review may contain spoilers
Definitely worth watching! A painfully beautiful film.
/ Long personal interpretation of everything that played out, explain (?) / details will be further below.Everything was just stunning: cinematography, the acting, locations, to the sound in the film. It's a queer, sapphic coming-of-age story that's complex, heart-wrenching, and realistic. It shows the complexitiy of life, people, uncertainty of adolescence, what it means to grow up in the flat and the societal aspects of it. (Self-image, identity, love, dreams, social class & opportunity differences, unjust system to difficult family/financial circumstances.)
A tear-jerker filled with details to catch.
FLAT girls left a huge impression with how it was delivered. I absolutely loved how impressively detailed and layered the characters and film is for us to uncover. Every scene & dialogue meant something to the characters and it felt like I was watching real people and trying to understand them through their lens and circumstances. The film leaves room for you to think, interpret and judge for yourself, adding emotional depth and feels "human" in a way. There are reasons behind every actions, emotions and words. Meanwhile, when feelings are kept with words left unsaid without clarification, it's easy for misunderstandings and assumptions to occur– much like in real life.
The more I went back, the more I understood the characters, their reasons and the possibilities– making the film memorable although it wasn't difficult to watch. Despite the layers of struggles, dilemmas, uncertainty, and the harsh circumstances beyond their control, there was still warmth, kindness, love, dreams, and resilience. I felt for the characters but also gained a lot from them. I think how the film goes may differ with different takeaways but it's extremely well done.
The actresses chemistry was natural and endearing while the acting by the casts was incredible. Watching it on the big screen was such an experience that I kept going back to appreciate it although it had me bawling, empty and filled with thoughts. Another great film by GDH, and it easily became my favourite. A movie that lingers.
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****spoilers starts here****
(personal interpretation, but to each their own way of interpreting!)
/// Please do not read if you haven't watched it!*
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/ Feelings:
Ann has feelings for Jane. When Jane felt nothing & wasn't sure how to interpret their kiss, Ann went along. Ann confirmed her feelings and her sadness thinking it wasn't mutual. Ann could have put her feelings first but she reassured Jane for her confusion and hid her feelings instead. Ann is clear about her wants and likes, but that's not that case for Jane.
Jane's figuring out and might not know how loving someone feels like especially intimacy with how young she is, but Ann means a lot to her. Jane's happy around Ann but felt nothing kissing her– as she got close to Tong, it got her questioning. Everything switched once Jane thought Ann & Tong were a thing. Every scene with Jane upset, was because of Ann.
/ Identity:
- In an early scene, Ann casually tells Jane, “The clean one is in another bag.” (chest binder) Does Ann wear it too (?) but Ann helps Jane with laundry to keep her secret. (Jane switched the clean one with the dirty one, made sure her dad was asleep before removing it and told Tong not to tell her mom.)
- Even Jane's parents doesn't know, but Ann knows Jane.
- Jane “It's nothing, I won't wear it anymore” to Tong / was to cover it up initally-
- but, Tong reassured her > Jane continued wearing it. Someone else who understands Jane.
- Jane may have thought she wasn't a tomboy after feeling nothing during the kiss > removed the binder.
- Jane's finding herself. (Girls school / Flat with many traditional families)
/ Alleged relationship between Ann and Tong:
Personally, the entire relationship between Tong & Ann was built on a series of misunderstandings. Considering Tong's actions, Ann's feelings for Jane and importantly my perspective of Ann & her determination. Tong had been caring, but Ann had always worked hard for money. (Laundry/Selling food/Wanting to teach English).
Some scenes/dialogues had no clear basis & felt out of place (because the characters isn't telling us).
Any interpretation lacks overall clarity as some dialogues/scenes matches with it, while others don't.
(*intentionally so, to draw our own conclusions?*)
/ Scene of Ann taking her phone at Tong's.
- Uncomfortably in Jane's perspective.
- Had Ann seen Jane inside, she would've misunderstood as well.
What did or didn't happen—up to interpretation.
Put on his shirt before letting Ann in (mannerism) = Removed when she left.
(Phone on the bed): Tong lets Ann sleep there instead of the couch? Returned after she left? Did Ann even stay over?
(Checked outside): Perhaps to avoid any potential misunderstandings? But Jane was inside. The environment is tight; it’s easy for neighbours to see & misunderstand.
- Ann didn't want to go home.
- That same night, Tong comforted Ann with her dilemmas about giving up her dreams for her family to have a home. Given her young age and all the responsibilities weighing on her, his words "You can be something much better," "You don't have to be a big sister all the time," & "It's okay"–
He mentioned, *"If you need help with anything, you can always tell me."*
Before, Tong was warm to the kids and treated Jane like his child because of their similarities.
- The sudden switch in the characters/dynamic was too abrupt to follow along without any doubts.
- The sequence didn't make sense.
- If anything else, I am assuming.
/ Jane and Ann's misunderstanding (bench)
There was tension before anything. But Ann doesn't know what Jane had seen. Instead, Ann did see Tong and Jane being close, and Jane, vice versa.
(What I do know is, Ann thinks that Jane likes Tong, while Jane is here thinking that Ann & Tong have some relationship.)
> Jane staring at her extra racket > She's thinking of Ann, not Tong.
> Ann meets Jane, while holding a new badminton racket from Tong, "knowing" that Jane likes him.
> Jane meets Ann, "confirms" their relationship after seeing Ann with a new racket from Tong.
- Ann never took anything or the racket from Jane.
- Ann thinks that Jane is upset because of Tong.
- Jane got upset & ran off; Ann chased after her.
/ More of Jane and Ann's misunderstanding (stairs)
Jane: "I thought you wouldn't date a cop?
(Does Jane know why she's upset?)
Ann: "Well, he gives me money" (he probably did)
I honestly think that Ann was masking her feelings & going off based on Jane's assumptions.
Jane: "Do you know anything about love?" (Jane, who doesn't know what love is)
Ann: "Love only matters to those with money." (Jane, Tong, or both),
"How can a person like me dare to love someone?" which Jane didn't catch.
Couldn't link Ann's replies to "for money". Instead Ann was talking about herself and how she's unworthy to love Jane.
- This was after Ann realises their differences during the phone call & her witnessing Jane "having feelings" for Tong / comparison
- "Well, he gives me money" could be a figure-of-speech to how Ann thinks that only those with money to give like Tong "can love", not meaning that they're together. Also, I truly wonder if Ann thinking that Jane "likes" Tong played a role in her reply.
/ Jane's mom noticed Ann with money
Jane: "She receives it from Tong because they're together."
Her mom: **"But he doesn't have money and even borrows from me."** ( *"All good cops has no money"* + was Ann's money solely from Tong?)
/ Jane collecting money from Tong.
*Ann's family is in need, he's happy to help make ANN's life a bit easier, just like how he's happy when he's able to take care of JANE.* (This highlighted he's helping Ann & Jane's misunderstanding)
But, Tong's helping Ann yet Jane is upset (?)
1. She think Ann and Tong are dating.
2. While Ann had never accepted any of Jane's help, she is receiving help from Tong who is struggling.
(Ann probably doesn't know about Tong's struggles while Jane always wanted to help Ann)
/ Tong gets emotional after Jane leaves; It could be his reality.
He doesn't have money for himself, let alone anyone else, not even his child. He's doing everything but it's incomparable to the stepdad who's rich. "Couldn't come because he had no money."
- But he "can do something" for the kids at the flat.
- He mentioned to Jane "They have a new family" “it’s better that way”.
(How he treats the kids, spend time & calls Jane warmly would make sense + he can't do the same for his child who's away in another province.)
- He likely have his own family/financial circumstances and reasons.
/ The interaction between Tong & Ann wasn't awkward (court)
- Tong mentioned he plans to study law for a promotion & wanted to learn English from Ann
(If Ann did receive help from him, pretty sure this is how Ann would give back)
- *The pan-out scene with neighbours gossiping about Ann and Tong from above the court*
(Looked like they were spreading rumours. Ann looked uncomfortable while Tong was questioning)
/ The rumours of Tong and Ann dating spread because of Jane.
- Ann exploded at Jane because her mom is now tying her already bleak situation down with marriage to Tong for money.
- It didn't feel like they got "caught".
(In a interview, the director mentioned about how women who lived in the flat tend to grow up believing the need to rely on men and that they're incapable to earn) But,
/ Ann didn't want to be like her friend, tied to the flat after marriage.
She mentioned: She's afraid that she'd be unable to leave; Her friend's life seemed to have stopped at the flat, unable to go to university or even come out for a game of badminton.
/ Jane chasing Ann, who ran away to the pier
Jane: "You won't marry him, right?" (misunderstanding)
Ann: "Do you really like him that much?" (misunderstanding)
Jane: "I don't know, but he's not good enough for you to stop your life for him."
- Jane's piority > Ann.
- Jane tells Ann she believes in her (even though Ann is doubtful)
- Jane comforting and apologising to Ann for spreading the "news"
/ Tong & Ann, pier scene.
- Tong telling Ann to bring the kids tomorrow; he'll bring them all to the cruise. (He brought it up out of nowhere instead of clearing up their "situation". I think he knew Ann was hurting with everything and wanted to make her happy)
- Ann tells Tong she'll live with him immediately if he could give her 10m baht (Ann wouldn't have asked if they already had some sort of relationship / Her mom pressured her: "So what did Tong say about the money". )
Ann asked that for her family = giving up her way of life. Her mom still blamed her for everything in a later scene.
/ How Tong looked at Ann. He probably felt terrible for her having to bring that up and knew that she's thinking of leaving.
- Tong said something like "Don't leave me ( in Thai, it doesn't indicate 'me' ); I'm trying my best, and I need time,"
/ Tong's response could stem from his complex situation.
He knew that she wanted to leave, doesn't have the money for her to stay, wanting to help but unable to. With his situation, whereby his family left (why?) , how he's unable to provide for his family as much as he wanted despite covering shifts and really "trying his best" (in a corrupted workforce), it could trigger those replies / Ann asked for money.
With Ann's "I can't wait long" / she's gonna leave.
/He suddenly switched/ & gave her assurance instead. Told her that *"She could earn as much money as she wanted.* (Also, maybe like the importance of Ann to Jane in the flat, the kids' presence was significant to Tong. He wanted to help Ann stay, but quickly knew that with her family situation, being stucked here wasn’t what she wanted)
- Ann: "I know" (Her determination after the reassurance from Tong, and Jane.)
/ *Ann saying they broke up to her mom* (The only indicator of a 'relationship")
But with her body language, it seemed like she didn’t want to explain. No point in it— her mom wouldn't listen anyway. A way to end her mom’s ideas of pushing her to marry for money.
/ Jane & Nice painted all the names on the wall, including Tong.
(That made him seem significant. He got emotional seeing the names with all the changes at the end. If he's a bad person, they wouldn't have painted his name & why did he get emotional?)
ENDING! (aside from everything else)
- Ann's ending > hopeful or the worst.
I believe that Ann ran away to chase her dream. (She almost hung the scarf but let it free.)
I believe she is "stronger". The cruise scene symbolised how she didn't want to return to her life at the flat perfectly. To make sense, I just think she hid somewhere on the cruise avoiding Jane, as it was far out. I believe she'll manage and achieve anything once she sets her mind to it, like how she was determined to leave and did so. It is not selfish of her. I hope she's happy.
- *Jane holding the paper hat (Part time/Full Time) + the world map at the end.
- "I hope we bump into each other on a plane, because you have to take me to first class," indicating that Ann is around.
- Ann's family and Jane weren't that "sad" either, although Jane was.
1. Who hung the packet of food outside Jane's flat?
2. Tong started hanging out with other cops after the kids left. (The dialogue is honestly questionable... but I don't know the context. I want to believe in him & that promotion)
3. Ann mom, please change– Although it seems unlikely with Ann's sister taking over her role.
4. Amy grew up! (Ann's sis) Showed some time had passed with Jane's mom having the money to move out. Ann's mom debt / paid off? who did?)
5. What were Jane's actual feelings for Ann?
Was it just Ann's unrequited love? or Jane was hiding it from Ann as well halfway through? or does Jane have feelings all along but realises it after Ann left? (Based on imdb synopsis, Jane liked Ann.)
Hope Jane still appreciates simple happiness & slowly figures it out. Hope her mom understands her more.
6. Will Ann and Jane meet again?
Ann and Jane misunderstood each other and their feelings until the very end. "Love is more important than money" to "Love only matters to those with money". Although Ann almost wanted to give up everything for her family, she ended up running away to chase her dream for a change. I do feel that Ann will return once she's in a better position, at least to Jane.
7. Ann did fulfill her promise to Jane about going on the boat.
Anyway I only wish all of them well :')
- summary of Ann, Jane and Tong
/ In the comments under this review if interested! / exceeded the word count here..
Definitely rewatch it again in your perspective of the characters!
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Lots of Actions, Frustrating Relationships
Recently, there have been multiple historical dramas set during the reign of Emperor Tang Taizong (626 – 649): “The Long Ballad” is set when Li Shimin (Emperor Tang Taizong) came to power whereas “Weaving a Tale of Love” is set at the end of Li Shimin’s reign and the beginning reign of his son, Li Zhi (Emperor Tang Gaozong). This drama is set in between those two periods with events that lead to the abdication of the first crown prince and the coronation of Li Zhi as the crown prince.Fu Rou (Li Yi Tong) is the daughter of a wealthy businessman. She is intelligent, well-bred and strategic with a mind that can instantly come up with win-win solutions. When Sheng Chu Mu (Xu Kai) meets her, he falls head over toes in love with her. Sheng Chu Mu’s father is a general serving the Emperor, and Sheng Chu Mu is pampered and spoilt by his mother and older sister who is married to Prince Han, making him a good-for-nothing flamboyant playboy. To get Fu Rou’s love, he vows to better himself, both academically and martially (military). What takes normally years to accomplish, Sheng Chu Mu turbocharges his accomplishments in weeks, if not days, for Sheng Chu Mu is not a normal person - he’s a genius. How he accomplishes his academic and martial prowess is similar to Gump in “Forest Gump”; it is really hilarious, cute and cartoonish. By the middle of the drama, he loses his youthful tomfoorlery and the drama turns rather serious and dark with outrageous actions and events.
Both Fu Rou and Sheng Chu Mu love their families and siblings, especially the latter. He has adorable relationships with his parents and his siblings. Their dynamics are really funny and enjoyable to watch. As Sheng Chu Mu, Xu Kai brings out his adorable charisma. He is egoistic and at the same time, self-deprecates. He is playful, shameless and babyish, but when the situation is dire, he instantly becomes the fearsome and formidable general; he’s the hero who saves the day. Though unrealistic, his scenes are hilarious and I really enjoy watching them.
Li Yi Tong is a natural beauty. Her Fu Rou character is stoic and calm, and she always sticks to the book. I can’t say I like the Fu Rou character very much because I find her too inflexible though this is necessary to maintain law and order in the palace, and to safeguard herself and those she cares. At times, I find it stressful watching Fu Rou for her saintly endurance of mistreatment. Multiple times Sheng Chu Mu and Fu Rou break up and then make up, only to break up again. It is really frustrating for the viewers.
Overall acting by the whole cast is fabulous. Each actor has totally immersed himself/herself into his/her character and it shows in their acting. Every minute emotion and expression is captured. Most characters are black and white except perhaps one or two who are greyish and the actors have brought all the personalities out on the screen.
Everyone seems to be in love. Apart from our main couple, we have Han Wang or Prince of Han (Liu En Shang) and his wife (Sheng Chu Mu’s sister), Princess Xin Nan and Sheng Chu Ling (Kris Fan), the Crown Prince and his wife, the Emperor and the Empress, and so on (you get what I mean). And quite a few lose their virginity before marriage. My favorite female character is perhaps Lu Ying Ying (He Rui Xian). She comes from a powerful and corrupt family with murderous father and brother, and yet she is kind, strong and truthful. Her only fault is for being born to a power-crazy father who has no mercy for others. Multiple times she is thrown into disarray yet she takes it in stride with dignity. Her ending, including the endings for some very well loved characters, is sad and undeserving. Most other characters end either with rewards for their good deeds or retribution for their misdeeds. Having said that, despite all the misdeeds by our antagonists, their punishments are not shown explicitly to satisfy the viewers, and are just skimmed over with.
My Verdict
This is a historical fantasy with a superman who saves the kingdom and the world. A lot of the actions by the leads are over exaggerated. It is intriguing and funny, and the pace is fast. Apart from the Emperor and his princes, most of the characters are fictional and the events are not based on historical records. The writing for the endings of many supporting cast is quite lazy, with many being dropped off like flies – they are dead, and some don’t even have endings, leaving viewers wondering what has happened to these characters. The editing of some episodes are also choppy and incoherent.
Despite these short-comings, this drama is still very entertaining, and I have really enjoyed the Sheng Chu Mu character as he reminds me of "Forrest Gump" which is one of my favorite movies. As long as viewers do not take this drama seriously, it is rather a fun watch.
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This review may contain spoilers
I've been anticipating this film since it was first announced because the storyline was so intriguing to me, especially as someone who loves the fantasy genre. Through the premise alone, I already had so many questions, the main one being, 'How did Sungmin become an adult over the course of the last few days?' First, this film is worth watching for the plot alone. The writer is extremely creative and he weaves in the 'fantasy elements' in an eloquent way. As a viewer, it felt realistic, as if it was something that could actually happen, despite the idea of it being so far-fetched. Another thing that is worth mentioning is that he examines the situation from different perspectives - how the average person would view their story (mentions of stockholm syndrome and other psychological analysis) versus how Soorin viewed Sungmin's story. It was extremely thought-provoking. There were comedic scenes, but also heart-wrenching scenes that made me tear up. It was well-paced and kept my attention throughout. I docked half a point for the story because I felt like a scene near the ending wasn't explained very well (it's either a loophole or something I need clarification on). But other than that, I had no qualms with the story.
Moving on to the acting/cast, I will emphasize this over and over again, they could not have chosen better actors for their roles. Kang Dongwon is absolutely impeccable as Sungmin. It's almost as if you are watching the thirteen year old boy Sungmin stuck in a man's body; as evidenced by the way he delivers his lines, the look of naïveté in his eyes, the tears of hurt, and feelings of guilt - in my opinion, no one could have played Sungmin better than him. Shin Eunsoo was the real surprise (as I'm a fan of KDW, so I already knew he would deliver). It's hard to believe this is her first role and she has little to any previous acting experience. She's so talented and her ability to emote is stellar. She has this wonderful ability to express a variety of emotions, and her friendship with Sungmin (the dynamic she had with both young/adult Sungmin) is what made this film so 'real' and beautiful to me (*mini spoiler: their code language was so special). Also, her chemistry with Kang Dongwon is so natural and inherently believable. The rest of the cast fit their roles well, especially Lee Hyoje as young Sungmin and his friends, they were adorable and hilarious at times, but you could also feel how conflicted they were to be in that situation.
The soundtrack fit the atmosphere of the film very well, but there wasn't a particular score that really captured my attention. However, the music did help with the buildup of intensity in certain scenes.
I will definitely rewatch this film, especially since I haven't seen anything else like it. But I also found it quite sad, so I think I'll pick it up again after some time.
Overall, objectively I'd rate it a 9.5/10. In terms of my subjective enjoyment of the film, I'd rate it a 10/10. Just a few additional comments I'd like to include, the cinematography is gorgeous and it really contributes to the mystical and melancholic vibe of the film. There are so many scenes that were filmed beautifully, such as close up shots of their eyes, Soorin's hair, the ocean - it was very artistic and aesthetically pleasing. I also thought the CGI was done well, especially the floating items, the scenes filmed in water, water droplets in the cave. It really felt as if time had stopped. Anyhow, this film is definitely worth the watch. It's hard for me to come up with the right words to describe it, but I guarantee that it's a gem. It left me wondering, if time has stopped for everyone else except for me, what would I do? And how would it affect the way I developed as a person?
Vanishing Time: A Boy Who Returned is a well-delivered, thought-provoking film with its own unique eccentric touch. Director and writer Uhm Taehwa astutely adds a touch of realism to this fantasy film.
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This drama really has me hooked from start to finish (I’m actually starting this review with still a week left, since I already know I have to write something , that’s how good it is)
Rain definitely carried this drama so well. I felt all of his emotions as Lee Jae Sang every time! Also seeing his desire to change, yet still be true to himself, it was great. Lee Jae Sang has become one of my favorite protagonist Kdrama characters.
This drama also has my most hated villains too! Not to spoil it, but I loved/hated them because of just how good and convincing they were it’s crazy!!! It actually makes me want to search out any other villain roles they might have been in and watch just for that lol!
I really felt every character was done really well. From Ra Shi On in both worlds showing her hard and soft side.
Lee Bo Na played by Lee Soo Ah is just amazing at only 5 years old! I’m so impressed, she was great, she just made me smile so much, cracking me up and loving her so much! Looking at her MDL profile she’s got some great supporting roles this year, wishing her all the best.
As for the story, it’s not exactly what I was expecting. It starts out really building up the first world, which is his own world and who he is as a person and his relationships. Then through a situation he’s in this alternate world. There is no jumping back and forth between worlds. He’s in the alternate world for a while, learning that he made different choices in this world which altered his path. When he truly begins to accept this new world, he is then back to his reality, where the rest of the story takes place. We see how his experience and time spent in the alternate world affects how he chooses to live going forward.
I’m actually glad it didn’t jump back and forth. I think it made all the emotions and realizations Lee Jae Sang had even more powerful because you understand that regardless of the alternate reality, he has only one life and this is it! What are you going to do with it? This life you are given.
Okay that’s the end of my pre-ending review. I’ll now write how I’m feeling after watching the last episodes...
So I just finished the last episode and I’m smiling. It truly felt complete and even tied up a major loose end. I’m usually a binge watcher, mainly because I easily drop dramas while waiting a whole week for the new episodes to be released. Not with this one. These last 2 months have been so enjoyable with this drama. Well done! I’ll definitely rewatch.
P.S. major shout outs to the subbers that had same day English subtitles, when an episode was released! Real MVPs!!
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The Changing Times
Fascinating, riveting, inspiring, and poignant. In my humble opinion, Our Times truly is a remarkably compelling and vividly presented drama that is very much deserving of attention and praise. It isn’t without flaws but it is still a worthwhile viewing experience as far as C-dramas are concerned. With a douban score of 8.3 at the time of writing, the rating certainly reflects the growing acclaim for this drama.Production Details
Brought to us by the production team of the popular drama Hikaru no Go, notably Liu Chang and Zhuo Yue Pao Mo who serve as main director and screenwriter respectively. Both of them specialise in slice-of-life, coming-of-age and friendship dramas including their collaboration on Somewhere Only We Know. In addition, Liu Chang helmed Dear Missy while Zhuo Yue Pao Mo had written the script for the highly rated My Huckleberry Friends, among others. This drama is co-director Ma Yiming’s directorial debut while five other screenwriters are involved namely Xu Yitian, Nan Difu, Hu Liping, Wang Shumin and Chen Xiao.
The screenplay is adapted from the novel Our Times (我们的时代) which was recently published in 2019. Written by Wang Qiang (王强), reportedly a leading figure for business novels in China, Our Times is a trilogy that focuses on chasing dreams, and the ups and downs of the new generation of entrepreneurs who ride the IT Internet wave from 1990 to 2018.
The Narrative
Our Times is set in China of the early 1990s against the backdrop of burgeoning economic growth and rapid IT development. The story spans the better part of the decade across multiple locations including Beijing, Shanghai, Guangzhou, Foshan and Hong Kong (along with Illinois in the US). It focuses on the points of view of four main characters - university classmates and tech researchers Xiao Chuang and Pei Qin Hua, as well as their respective love interests Xie Hang and Tan Yuan. Combining slice-of-life with romance, bromance and light melodrama mainly within the workplace setting, the drama explores relationship dynamics between families, friends, lovers and co-workers as well as themes of office politics, industrial relations, the virtues of self-sacrifice, redemption and the courage to evolve in the pursuit of aspirations and happiness amidst the vicissitudes of life.
The storytelling is progressively paced and satisfyingly engaging with hardly a dull moment or substantial fillers. I particularly enjoy the seamless fusion of certain lighthearted instances along with subtle hints of levity as well as introspective and bittersweet scenes interspersed throughout with predominantly heartwarming undertones.
For a premise of this nature, there is no lack of angst and dramatics which is to be expected where the majority of these arcs are rather promptly and neatly resolved. My main issues with this drama stem from the script or adaptation of the source novel for certain sequences of events and the consistency of the characterization for specific characters. Without giving too much away, I’m not a fan of the noble idiocy trope and the associated extreme self-sacrificial acts of altruism in lieu of open and sincere communication to resolve issues… BUT, it’s quite a relief that the resulting grievances turn out to be somewhat short lived and do not detract from what has largely been an engrossing viewing experience.
It’s worth mentioning that elements of patriotism and nationalistic vibes in the plot are quite noticeable as far as locally-produced PCs versus international imports are concerned, but I think the historical representation is quite balanced to accurately reflect the growing trends of computing technology as well as the political sentiments in the era.
A couple of interesting facets to the plot - it’s not purely about computer designs and programming because a substantial proportion of the entrepreneurial efforts is focused on the marketing and sales aspects. Furthermore, the technology referred therein isn’t just about mainframes and personal computers but also emerging entertainment gadgets such as the LD and VCD technology. The transition of “old tech” to the technology that we are acquainted with, especially for viewers familiar with the era, is depicted with the perfect dose of realism.
The Production Quality and Technical Aspects
This is a well-made production in terms of the overall values, quality, and technical execution. The direction is generally commendable, despite discernible “contrived moments of acting” at certain points. The editing, scene transitions and sequencing of the narrative progression appear cohesive and relatively seamless. In terms of the cinematography, I appreciate the decent camerawork as well as the warm palettes and degree of colour grading applied which provides a cinematic feel to the production. Also on the subject of visual language, I quite like the inclusion of 90s stock footage in certain filler frames or B-reels throughout, which provides viewers with a sense of the atmospherics.
The art direction is superb through the use of authentic set designs and props that enhance the realism of the depiction. From the very first moment of this drama, I was hit by the wave of nostalgia arising from the overwhelming 90s pop culture references. From Sally Yeh and George Lam Cantonese songs to posters of a very young Chow Yun Fat, Andy Lau and countless others plastered all over the walls. The influence of Hong Kong in those days is made abundantly clear in this production. Other references to the time period include the huge mobile phones (aka “tai ko tai”), VHS player and video entertainment outlets, the cassette tape player and, of course, the computers themselves - the classic 486 PCs complete with the large monitors or Visual Display Units. The costuming aspect is quite realistic in general. For the character of Xiao Chuang, however, his dressing comes across as somewhat peculiar for a person with his background but it does reflect his flamboyant demeanour and swagger.
Cast and Characters
As the story unfolds and we learn more about each of the main characters, I find myself utterly immersed and invested in their characterization and growth through the multitudes of varying circumstances and events that they experience. In particular the two male leads, Xiao Chuang and Pei Qing Hua. Despite being infuriating at times to a certain extent, towards the conclusion of the story the maturity and wisdom that they eventually attain provide a palpable sense of redemption and achievement. Tan Yuan is interestingly written yet extremely believable and is my favourite female character in the drama. Xie Hang, on the other hand, feels a little inconsistent in places through her actions and behaviour. Nonetheless, each of the four characters possesses its own distinctive qualities and characteristics that combine well to fit the overall development of the story.
My second time seeing Wu Lei this year after The Long Ballad, he has certainly come a long way since Nirvana in Fire. I wouldn’t exactly call this his breakout role but it does feel that way. Such an exceptional portrayal of Xiao Chuang where his versatility in range truly ran me through the gamut of emotions. I honestly think his performance is the strongest among the cast largely because of his significant and dramatic character arc. As for Neo Hou, he showcases a hugely different side to his portrayal in Psych-Hunter and Lost Tomb 2 where he plays a complete boy scout here - pure, idealistic and noble to a fault - and he absolutely slays this role. Earnestly believable and endearing as Pei Qing Hua, he embodies the role effortlessly indeed. Wu Lei and Neo Hou together make this one of the best bromance partnerships in C-dramas.
My first time seeing both Julia Xiang and Mao Xiao Hui, where their performances are indeed worthy of praise. Julia’s portrayal of Tan Yuan is realistic and relatable where I can’t help but to root for her throughout. Her bubbly personality is the complete opposite of Neo Hou’s down-to-earth Pei Qing Hua but somehow this opposites attract type of relationship culminates in a convincing and organic chemistry that builds up naturally over the course of the story. Xiao Hui’s Xie Hang is the most understated yet nuanced of the female leads. There are so many layers to her character that she delicately brings to life in a slow-burn manner. As one of the two OTPs, Wu Lei and Xiao Hui share some of the most moving moments in the drama amidst the trials and tribulations that they both face.
As for the supporting cast, the veterans comprising Wang Xin Jun, Gai Hai Peng and Wen Zheng Rong deserve mention for playing Tan Qi Zhang, Lin Yi Min and Luo Li Hua respectively. Leewei, as Lydia (Xie Hang’s mentor at Interflow), delivers a powerful interpretation of an intriguing character despite her limited screen time. Wang Meng Li’s investigative journalist Shu Zhi Hong is another interesting characterization that probably deserves a side story or spin-off of her own.
Music
Fei Peng serves as music producer while Japanese composer Akiyama Sayuri composed two ending themes for the production, which are my favourites out of the total of five OSTs including the remake of Sally Yeh’s original, Walk Back to the Wind. Full listing as follows:
呼啸的风 Howling Wind by 侯明昊 Hou Ming Hao (Ending theme)
毫不保留 Without Reservations by 余佳运 Yu Jiayun (Ending theme)
潇洒走一回 Walk Back to the Wind by 孟佳 Meng Jia
一盏灯 A Light by 王栎鑫 Wang Lixin
燃烧的时代 The Burning Era by 袁野 Yuan Ye
谁能明白我 Who Can Understand Me by 林子祥 George Lam
Final Thoughts
Our Times presents an unforgettable journey of discovery by its captivating characters that is filled with beautiful romance and compelling camaraderie, while granting viewers a profound insight into the giddying heights of technological transformation and socio-economic transition in modern China back in the 1990s.
In case you’re wondering about the ending, there will definitely be a second season. The final episode ends on a cliffhanger so stay tuned for the sequel to wrap things up and, hopefully, give our four main characters a fitting closure. All things considered, it has been an incredibly absorbing and insightful viewing experience indeed and I absolutely recommend giving this drama a watch.
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“Tomorrow people will ask you why I died, so make sure to tell them"
The story revolves around Yeong Hee who’s accused of being the main motive of Kyeong Min’s suicide and disappearance, making the whole school betray her by bullying and assaulting her. It also follows Kyeong Min’s mother who also blames Yeong Hee for her daughters death.The movie touches on many negative subjects associated with high school students such as bullying and suicide.
STORY it was an extremely impactful story, it’s a movie that doesn’t hold back with the truth it gets to the nitty gritty of reality, throughout the movie it shows flashbacks of when Kyeong Min was still alive and shows the friendship between the two, the flashbacks were a key element to understanding the story better and adding significant backstory to the already heart wrenching story line
ACTING Can I just say the acting was phenomenal The actress of Kyeong Min’s mother showed the most prodigious acting in this movie, the amount of emotion displayed in her acting was breathtakingly melancholy, Also despite Yeong Hee’s character being quite an emotionless person the actress was superb at conveying emotions across to the audience.
MUSIC there was not a single piece of music played throughout not even at the ending, that is what I loved about this movie, the silent impact it left it made it seem real, in real life music won’t just overlay a moment, the silence made the atmosphere it didn’t need music to create an atmosphere it was already powerful, it also made it feel extremely realistic.
OVERALL I was really hesitant watching this movie due to the low score but I’m glad I gave it a chance, it isn’t lighthearted at the slightest, it shows real life social problems and people’s lives when they have no hope left,.
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This review may contain spoilers
this had so much potential....
the beginning was good but this show over time became kinda pointless... the whole time girl is tryingto save him from what? her father who gave up after they had a one minute argument about it. There was almost no romantic interactions between main two leads, only thing that was romantic was when he was in hospital and the last clip of the show.... if you think him following her is romantic you are in some weird shit. At some points i even forgot who was the "main couple". Honestly kinda waste of time but it was short so i continued watching till the end. Cast attractive but their acting was really cringy im sorry if u love these actorsWas this review helpful to you?
Overall, I just want to say that I like the this drama is not as bright and cheery as the Korean version. It has a darker tone, which I think only helps to sell its story. This is BY FAR, my favorite version of BOF (I've seen all the versions including the Mainland Chinese one) and I'm an advocate of almost every aspect of this drama. I do, of course, suggest that you watch the first season before you start this one: you will appreciate the characters so much more. :)
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- Lev Tolstoy
I hope you can forgive me if my penchant for quotes invades a review. I have watched Osozaki no Himawari some time ago and loved it but never came around to write a review for it. Then I stumbled upon the words of Tolstoy and was immediately reminded of it.
The essence of this drama is, ultimately, the pursuit of happiness. It shows how this last can be found in the most unexpected places, with the most random people, doing things we would never have taken into consideration, if we hadn't been forced to do so by the circumstances.
The simple message this drama tries to send is beautifully conveyed, thanks to a wonderful cast that creates lovely characters and warms the heart. Ikuta Toma is perfect for the part: he's goofy and reasonable at the same time, I'd say he is the new element that unconsciously brings an otherwise sleepy community to a new life, while he himself learns to adapt and understand.
Jotaro's interactions with Kahori, wonderfully portrayed by a talented Maki Yoko are priceless, and their phone conversations are the sweetest thing ever. "Ore ore" will remain in my memory for a long time.
What makes this drama so special, besides the adorable ensemble of characters, is the cinematography. Perhaps the Shimanto River Region is so beautiful one doesn't need to be a particularly skilled photographer to capture its charm on screen; whatever the case, the end result is stunning. If the intention of this drama direction was to promote the region, I must say they succeded: when I finally visit Japan, it will be one of the first places I put on my itinerary.
The music is lovely too, and I agree with Sewitches that the idea of having the whole cast sing the leitmotif is brilliant.
If you are the type of person who feels at ease in the countryside, who finds happiness in small things, this drama will appeal to you. On the other hand, if you need the dizziness of crowded cities with a lot of events going on, it may not. This is a relaxing trot, not a wild gallop.
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Sweet 18 is about an arranged marriage between an 18 year old sassy high school girl named Yoon Jung-Sook and a 28 year old Prosecutor named Kwan Hyuk-Joon. Fun fact: The two main leads actually dated in real life. Also this drama was Han Ji Hye's first leading role.
The drama begins with two traditional elder men in the early to mid 1980s and the two make a contract stating that their grandchildren will marry each other. When the contract is signed, the two old men start to laugh like they just planned something sinister which made me laugh along with them. Fast forward eighteen years later and then the story begins...
Lets start off with Jung-Sook. She's the type of girl that doesn't care about school, has no interest in college, and generally just likes to go clubbing and drinking with her friends (much to the dismay of her mother played by veteran actress Kim Hae Sook). One day her and her friends decide to skip school and end up being chased by one of the school guards. They end up separating and Jung-Sook runs into a man (Hyuk-Joon) who is wearing a hanbok. She falls to the ground and is about to make a rude comment but is instantly frozen in her spot. Hyuk-Joon stands there holding up a fan that is blocking the lower half of his face and Jung-Sook just stays on the ground... mesmerized by him and watches as he walks away. If you can't tell what just happened then I'll say that she just fell in love.
It sounds cheesy, and it is, but its a good kind of cheesy that makes you chuckle. Jung-Sook is relatively the same for the first couple of episodes and even though she can be sarcastic and naive at times there's just this charm about her that I can't really explain. She just grows on you and you end up liking her nonetheless. Even though she's only 18 years old and has no real experience with relationships, let alone marriage, you admire her for the fact that she is willing to try and make matters work. Her relationship with Hyuk-Joon's grandfather, who refuses to wear anything else but a hanbok, is cute as both scheme different ways to make Hyuk-Joon a proper husband.
Now we go to Hyuk-Joon. The man is all about work and no nonsense. He remembers the first time he encountered Jung-Sook. But, he remembers the event in a very different way. Instead of her being frozen and gazing upon him, he remembers her berating him and shooing him away. As they say, there are two sides to every story. Both of them have to have the truth in there... right? Right. Hyuk-Joon rebels against the marriage in the beginning stating that arranged marriages are outdated. But he loses out to Jung-Sook's persistence and does it to appease his grandfather's wishes. When the two get married, he's not the greatest husband in the world and makes up excuses to avoid going to bed with Jung-Sook.
Now you're probably saying "What kind of marriage is this?!". Well, here comes along grandpa to set matters straight. You really do have to love the grandfather in this drama. He's the one that knocks sense into those that are too stubborn to work matters through.
There is one thing that I have to say about Hyuk-Joon. Despite the fact that he wasn't fond of the idea of marriage, let alone with a rebel girl like Jung-Sook, he respects it. How? There's a part in the drama where his ex-girlfriend Moon Ga Young (played by Lee Da Hae) makes an appearance and becomes a supporting character for the rest of the drama. She's upset with the fact that he doesn't want to talk with her or hang out. And he tells her this (more or less) "I don't want to be seen with you without my wife. I don't want her to be hurt." From there on I respected him and enjoyed the events that lead up to him finally realizing that he truly does love Jung-Sook and that he was just being Mr.Stubborn.
There are parts of the drama that are over the top (specifically some fight scenes) and I'm sure some of you will roll your eyes at them but I found it all in good fun. I can't really say if there is anything that I disliked about the drama. I was entertained from beginning to end. Essentially the whole story is about two opposites who try and work out their differences within their marriage and see what it truly means to love and respect one another.
The supporting characters are fun to see and watch like Hyuk-Joon's older sister and his best friend Jongchan(who likes to poke fun at Hyuk-Joon's marriage but nevertheless respects it). You'll probably find his sister and ex-girlfriend annoying for a time though as they keep butting into the marriage.
The music is kinda crazy but catchy. I can hear the main theme playing in my head at the moment.
Overall, give the drama a chance and I'm sure you won't be disappointed. Hope you all enjoyed this long review!
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A Decent Watch - Came for WXY, Stayed for… Well, Mostly WXY
Shadow Detective was a decent effort, and the show was carried almost entirely by WXY’s performance. He was easily the strongest part of the drama for me—not only because of his effortless good looks and charisma, but because he keeps expanding his acting range as he takes on more projects. This was his first attempt at a Republican-era drama, and he showed that he has the star quality to headline more shows in this genre. He looked especially sharp in his three-piece suits as Inspector Guan Cen.For a show with a low budget, the costumes were good. The men looked dapper in their suits and mandarin-collar outfits, and the ladies were lovely in their qipaos and Western-style clothing of the era. The sets were also fine and the props looked authentic to that era. The OST, on the other hand, was not memorable.
Since this is a shorter-length web series, I can forgive the plot shortcuts and inevitable holes, but the main storyline was much too predictable. It honestly felt like the director and writer wanted viewers to identify the villains early. Whenever a character who ultimately turned out to be bad appeared, the camera lingered, the lighting shifted, and ominous music kicked in. By episode 19, every one of my guesses—including the final villain’s identity—was correct simply because the show was not subtle about handing out clues.
On the flip side, there were also cases where the culprits came out of nowhere with little or no buildup. Not surprisingly, I liked those more. Even though viewers didn’t get any chance to guess, at least the writers injected some unpredictability into the story. What kept me watching was mostly WXY and the police investigation aspect. I wanted to see how they would catch the villains, and that part stayed engaging.
One memorable antagonist was a villain who smiled through everything and seemed almost impossible to defeat. He reminded me a bit of Jaws, a James Bond villain —minus the metal teeth, but with the same “you can’t kill me” vibe. It took an impressive amount of plot armor for our leads to finally bring him down.
The dynamic between Guan Cen (ML) and Du Ling Feng (SML) was one of the highlights. They had great chemistry, and I wish the show had given them more scenes solving cases together. Their teamwork—half serious detective work, half comedic bickering—deserved a lot more screen time. Dong, Dr. Ding, and Chief Huo also added their own flavor and kept things entertaining. If we could get a spin-off, I would want one focusing on the ML and SML’s bromance while they take down bad guys.
As for the FL, Lu Yi Zhen… most of her scenes had me rolling my eyes hard. I don’t think the character was written or portrayed very well. The actress seemed to interpret “tough” as “abrasive” at first, and “looking intelligent or serious” as keeping a constant, frowning, constipated look. The FL may be smart, but the show kept putting her in situations that made her look incompetent in the field. More than once for each of the following: she got drugged, dragged away (because she can only act tough with the ML), exposed while spying, and generally needed to be rescued multiple times—usually by the ML or SML. One bad guy even had to give her a break by literally handing her a clue because she couldn’t get it on her own.
The good news is that the character (not necessarily the acting) did improve in the last four episodes, and she ended the show on a better note for me.
Overall, despite the predictability and an FL who didn’t quite land for me, I would still recommend the drama—especially if you’re here for WXY. He made the watch worthwhile.
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1
1Washed up and empty!
I hate to be this person, but what did I just watch and why did I continue watching ?!I binged all 10 episodes and it simply doesn't work. When I read the synopsis I was expecting tension, push and pull between the two contrasting personalities and all the basics that usually come with a contract relationship trope. But I got NONE. I repeat none.
Calling this a story might be generous. The nature of their relationship demands and justify NC scenes but at the cost of the whole story? If I remove those from each episode, we will barely have a minute or two left. And honestly, I didn't find them appealing too.
Both the characters were less “written” and more “present". They spent most of their screen time staring into the void, as if hoping a personality or a line of decent dialogue might eventually appear. It didn’t.
I fail to understand this choice because if you are working with such a painfully short runtime, wasting it on hollow pauses and meaningless moments is just weak writing. Instead it could have used those minutes to build tension, give some depth to the characters, or just something more.
Coming to the chemistry between them, somehow it didn't work for me but it wasn't the worst part about the drama.
I have seen both the actors in Sweetheart service, and I didn't dislike it to this extent. I hope they choose and get better projects in future.
Again, I wasn't expecting this to be a masterpiece and I understand low budget restrictions so I won't nitpick on the visuals and sound effects but honestly, this isn't worth your time even though it's barely an hour.
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