Reviews

Okay, first of all, I want to address the haters out there. They are going to say that Cha Eun Woo is just another Idol who can't act. He is just a pretty face that doesn't deserve the lead roles already. They will also be saying that Im Soo Hyang is too old for the role. I have also read a few people say that the story was "too slow" and the romance "too childish".
I disagree with all of the above statements. Cha Eun Woo has some serious acting chops. I am not really a critic. Honestly, I usually think everyone is great, but all the negative comments he was getting made me pay extra attention. His character was pretty traditional stoic and standoffish. But I thought he played the part well. He would have these minute facial expressions that showed what he was thinking. And his character grew and progressed as the story went on.
Im Soo Hyang did an awesome job for the part. Because of the plastic surgery she was supposed to look more "mature" than her fellow students, so her age wasn't really a problem. The actress was excellent for the part. I can't imagine anyone else doing such a good job portraying someone who looks beautiful but feels ugly.
As for the rest, haters gonna hate.
This was a lovely show about a girl who was bullied all through her childhood for being "ugly". Before entering college, she gets plastic surgery done on her whole face in hopes that she can have a new life. But it turns out, it takes more than a new face to change your life. She has to learn to love herself and to not judge herself or others based on the way they look.
Most importantly, at least for me, the ending was perfect. It had everything I want in a drama ending. And for me that is pretty rare.

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Clichés? We don't know what that is

What makes this drama so special? For me personally, it was the lack of cliches. Our female lead can stand her ground, she isn't a damsel in distress who needs saving every time. She also knows what she wants. Our male lead, although younger he has proven just how mature he can be and how much he cares for her. As he said, "she can worry about beauty, I'll worry about her health". They are both willing to comprise.

When an issue presented itself instead of breaking up they dealt with it. I've seen many dramas that when an issue arises the first thought is always to break up because they think that's what's best for the other person. Like Lin Yang said, "I won't hurt him and I won't hurt myself". This drama presented a realistic view of a relationship.

They are childhood friends, she has seen him since he was a baby. He fell in love with her when he was 15, and saw her go through many breakups yet he never gave up. He knew what he wanted and he charged forwards for it. He never hesitated in showing his love for her.

Love triangle? yes but it's so light that you barely feel it's there and it got resolved halfway through the drama.
Annoying second female lead? yes, but he always made it clear and drew a bright red line between them which left no room for misunderstandings. Our female lead also stood her ground. Although annoying li tian came around.

Supportive parents? Yes, it would be weird if they didn't support them considering they wanted their kids to marry even before they were conceived. Plus they treated each other's children as their own.

Supportive bestfriends? Yes, there is no backstabbing. They felt like that ride-or-die type of friend.

I would recommend this drama. It's light but it still manages to portray a good relationship between the leads.

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“Why do you Run?”

This drama is about two adults who met in the oddest way, but at the perfect time - one who is an orphan and has been living only for herself, and one who has been living for others to the point that he's left with nothing for himself. And no, they did not need each other nor did they need saving, but they grew as their own person when their worlds collided. This drama follows their journey of self discovery and self love. This drama does not have your usual tropes, angst, and fluff (at least at the beginning- wait for it!), it doesn't have a major conflict, but it just shows the characters' day-to-day lives. It shows a mature and realistic take on relationships. It shows that we are simply the protagonists of our own lives. Moreover, It shows the importance of finding yourself and loving yourself first before you are able to give yourself to others. The cherry on top? Their chemistry. The main leads' chemistry is THROUGH THE ROOF so be prepared to fall in love with them.

As the title might suggest - this isn't a sports drama, but a slice-of-life romcom. It's funny, endearing, impactful, and heartwarming. It carries so many life lessons and touches on many sensitive issues like sexuality. As the FL is a movie translator, this also includes a lot of classic movie references/ parodies that enthusiasts may like. It may be slow at the beginning but it's because of the many layers and depth that will be unveiled as the drama progresses. This is also full of parallelism and symbolism that might require reflecting before you fully understand because that's how rich and detailed the writing is. This is a dialogue and character driven drama, which might not be for everyone, but it's as good as it gets. This drama's charms are the raw, rich, refreshing, and excruciatingly honest dialogues, the witty jabs (trust me the humor is very, very well written), and how the story circles back to its title - Run On. Run On, move forward - even if it life gets difficult, you can always slow down, just don't give up. Despite your traumas, life must go on.

This drama is so healthy, real, and good for the soul - no toxic relationships or toxic masculinity. The men: the male lead is a character we haven't seen before - he's odd, awkward, but in every way charming. He is always ready to lend a helping hand to others. He has a hard time communicating and expressing himself but eventually the female lead broke his ice (isn't it fitting that the FL just happened to be literally, a translator?) The 2nd male lead is equally charming, a bit emotional and sensitive, but knows what he wants. He's quite the character. The women? Damn. The women are strong and brilliant. The female lead is the epitome of self love without any selfishness. Despite her tough past, she grew up well. The 2nd female lead is a chaebol (not your ordinary one) - a strong, independent woman, but puts up walls and boundaries. It's beautiful to see all of them grow and come together, with a bit of cute bickering on the side. The characters are very unique - roles/jobs that aren't usually shown in dramas (a translator, retired athlete, movie distributor, artist, and so) so this is quite refreshing. I also loved how all the characters have a relationship with each other (not just the leads) - bromance, sismance, even the male lead and 2nd female lead and vice versa. The friendship that developed among the leads and supporting cast is just phenomenal. The writer also managed to let the 2nd couple shine and not just make them a mere filler even until the last episodes. Even the smallest roles were given recognition. Cannot praise the writer enough for this.

If you are looking for a comforting and healing drama, this is for you. If you are at a bad place or if you are feeling lost, this is for you. Honestly it has been a while since i've been this attached to a drama. I assure that you will fall in love with the characters, the insanely beautiful cinematography, the OST, and the impeccable writing. It is in every way sensible and authentic. It is full of so, so many life lessons if you'll just go beyond the surface.

[Edit after completing] Well, it's still as beautiful as when it started. It's great from start to end, cried a lot in the last episode. The ending has to be the best i've seen in kdramas. I love how everyone was given their own happy endings. I also love how the ending shows that life just goes on for everyone - you don't need a big, grand, happy ending to find meaning in our day to day lives. Again as the title suggests, Run On. Amazing, amazing work by the writer!

It's a long review but in conclusion: YOU NEED TO WATCH THIS NOW!!! This is a rare masterpiece!

My favorite quote: “When you run, you don’t think about what’s behind you. The only thing that matters is what’s right in front of you. Normally, it’s the finish line. But today, it was you.”

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THE BEST ASIAN BL EVER MADE

THE GODS THEMSELVES BLESSED HER. F*CKKKK, WHO TAUGHT SAMMON (writer of Triage) HOW TO WRITE.
Triage absolutely caught me unawares. Now, I have watched BLs for 8 years (since 2014) and in that period I have watched over 370+ BLs, BLs from every area of life, from different countries and genres. I can proudly say that Triage is my best BL ever made or released (followed closely by The Untamed at number 2).
I was not ready for the phenomenon that is Triage, like I started this series and it was kind of slow in episode 1 and 2 but I am not the type of person that usually drops a show if I don't like the first few episodes and I can say that was the best decision of my life with regards to BLs, I absolutely love how well knit this series is and how realistic it is, the social issues that it handles and addresses and how it does this without being cliche or boring.
But what amazes me the most is how this woman managed to tie the entirety of Triage to Manner of Death, like her brilliance in all of this, I don't know how I will ever lower my standards for Thai BLs. THIS SERIES WILL NEVER BE DEFEATED IN THAILAND
Anyways, let me get to the review proper.

If you have read my reviews in the past, I review series in 8 standard areas/categories.
1. Introduction
2. General Review, Themes and Specific Issues
3. Story Arc and Storylines
4. Characters and Casting
5. Acting
6. Misses
7. Production
8. Rewatch Value

Introduction
In summary, this series is more about how interconnected the lives of different characters in the series can be without them knowing, it is about an abuse of a position of power and trust, it is about the complexities of love, it is about the desperations of life and how life can hand us such a bad set of cards, it is about the weaponization of poor disparity to keep the oppressed in an oppressed position. Along the line of all these things, we get to witness two men fall in love, in what might be one of the purest forms of love, a love that nurtures and guides, a love that doesn't judge, a love that grows us and develops us.

If I say this series took me by surprise which was what made it all that more pleasant to watch because I had ZERO expectations from it, but it absolutely SMASHED!!!! every possible barrier. Like when this series was being made, all the gods of earth were in the room with them because that is the only thing that can explain the execution I got from this series. I saw one of the videos on twitter, they literally had doctors on set with them to teach them what certain procedures should look like, the precise places to perform a surgery etc and I had a medical student as well as a doctor who watched the series who said their medical procedures were really spot on.
The series was so mature in how they handled their storylines, their concepts and issues, they did not make caricatures of any characters, they did not attempt to villainize any of the characters out of stereotypes (I was particularly worried they would do that to Mai, but the mature way the addressed Mai, Heart and Tol's relationship in the series).
LIKE FUCKKKKKKKK, these people really gave me such a good time in the series, that just thinking about it makes me smile like a child and giggle. I am almost tempted to say this series had no flaws but I won't lie the slow start in episode 1 and 2 is kind of a flaw because it may dissuade the impatient viewer from continuing with the show and making them miss the gem that they will get in the rest of the series.

Alright I know I am sounding like a broken record, so it's time for me to move to the next segment.


General Review, Themes and Specific Issues

For a general review, Triage is a sleeper hit, because Triage was such a refreshing breath to me, I had intended to give up watching BLs in October of 2022 (I don't know why I had a specific date) but the series just had the IT FACTOR, it was refreshing to see detail in that sense, as well as the amount of detail paid to medical terms, autopsy, surgery etc.

I was pleased with the level of suspense they left us with after each episode, like they dropped tidbits of knowledge that make you eager to learn more by the next week, and there was a certain level of complexity with the amount of attention devoted to the mystery. Knowing each character's driving forces and having the utmost suspicion for each one

I loved the series for so many things, they always made me laugh and roll over with laughter with how in love Tol was with Tin, how much of a bxtch Tin was to Tol, sadness with Rit when he discovered his information, sadness for Tin when Tol and Fukfang both died. This series made me feel all the emotions possible, joy, happiness, sadness, rage etc.

Now to the themes and issues addressed, there were so many real-life issues addressed in the show that if I decided to touch on everyone, I would exhaust my word limit on the review, because Sammon is just that good of a writer, she knows how to handle issues, but here are a few that I have identified and picked out:

1. Medical Malpractice and Organ Harvesting - Seeing a BL cover an issue as serious as this and as underrepresented in mainstream media was so exciting because this is a real-life issue we battle in the real world. From the improper administration of drugs to patients to the illegal removal of patient's organs, the series touched on an epidemic that has plagued the lives of so many persons who have had a need to use health facilities especially where the person cannot afford the most expensive of facilities. People don't understand the pain that comes with having your organ stolen but the series handles this pain so beautifully it could not have been better.
2. Relationships that build each other - I think in Thai media and media at large, we have been exposed so much to a love that is always toxic and destructive, that we have started to adapt to this as a form of "healthy" relationship. One thing I loved in the series was the fact that Tin never once judged Tol for his actions, instead he worked with him to try and do better, which is more important than most in a relationship that you are developing each other. Another angle in which I saw this was with Tol to Mai, we can all clearly see that Tol loved Mai in the previous loops (else why would he always die because of her), but I love how much when he found out about the reason why she was dating him, he didn't become bitter or vow to destroy her, no he understood why she did what she did and helped to ensure her mother got the appropriate care she needed, this is what I mean by having relationships when you edify each other.
3. The Effect of each of our actions: This is best portrayed in Tin and Tol and the drunk guy that was saved in the last episode. The effect of choices, every decision we make, no matter how remote or isolated it is, has an adverse effect on tons of lives, take an example, Tol saving that man's life now, impacts not just the man, but his family as well, who only God knows might be the sole bread winner of the family.
Tol said that is in-line with this -"Because someone doesn't love his life, doesn't mean there aren't those they love and that love them back. Saving a guy's life can make a lot of people happy "
It goes to the fact Tin was so blinded in rage about his sister that he forgot one of his core oaths as a doctor, DO NO HARM, his actions hurt someone, whether or not he sees them or not. Tol just talks about making them happy but me, my thoughts take it farther, not just their happiness but the overall impacts on their life
4. Wealth Gap and Oppression of the Poor - One of the most important themes of this series is how the voice of the poor is often robbed from them, we see Rit who initially commits suicide is led to those actions because his rich and more powerful friends' asides treating him like shit, steal his ideas and get away with it because the society is built to favour the rich and powerful. We also get this in Mai, who basically forced to enter a relationship she does not want to be in because it can pay her mother's bills, again portraying how expensive the health system is but also how it oppresses the poor from getting vital healthcare.
5. Mental Health: I felt almost foolish at the finale for hating Doi all through the series, the way she handled Doi's mental health, she didn't do something that writers and the world likes to do often and that is treating mental health as a crime. I always asked myself what Doi's motivators were and I wouldn't lie, I hated him for his interference in the series but I must say, when it was unveiled that he has mental health issues with him in the psych ward, damn, I was so happy with the writer becasue she shows often times, what these people need is the appropriate help not hatred
6. Senseless Injustices - Another prevalent issue or theme in this is the uncontrollable nature of injustice, asides Rit and Mai whom I have spoken about in number 4, we see uncontrollable injustice with Tin's sister and I think this specific theme is important because I understand how bad it can get when some of these injustices happens.
7. Forgiveness because there was a lot of forgiveness going around, from Tol towards Mai, Rit to Tol etc.
8. Bribery and Corruption - Honestly on this theme, I don't think I will go so much into it

So that is everything on general review, themes and specific issues.



Characters/Story Arc and Storyline
1. Tin, for Tin we see Tin have to come out of his shell, his dislike for humans and his judgemental high grounds to actually develop a conscience, fall in love and try saving people. At the start of the series, we meet an already broken person in Tin without realizing that he is broken, although we get a first hint of this where he is being kinda bitchy about treating a drunk person but the story arc of Tin has him maturing, seeing that life is not always what it seems to be especially with him discovering that Tol was not actually drunk and he had judged him too much. From his attempt to save Tol, we see Tin slowly change as a person on a whole he becomes softer not to only Tol, but those around him as well. His character development was really great to see. Seeing the efforts Tin put in on his side to being there for Tol broke me😭😭😭😭, man legit studied a course he has no background in, just to stop Tol from cheating.... This is why I always say, it's the tiny things that matter.... This is such a positive example of passing across what a healthy relationship should look like.... Working to build each other up.
Also Tin being an ER doctor makes sense, when you explain it like this, he is an ER doctor, prolong their lives long enough to see other doctors. Because his personality doesn't mix well with other humans, and as an ER doctor, most patients are not in a state to be able to talk.

2. Tol is a rich boy, who it pretty and has always gotten what he wants, this of course makes him a spoilt brat who doesn't appreciate anything beside him. It makes him ruin his friendships with people without realizing that he is doing so, it makes him lazy and naive (the attempt to cheat in the anti-fraud exam.... the irony of cheating on anti-fraud). I mentioned it earlier but I love how his dynamic with Tin through the series, why did I particularly love this because Tin corrected Tol with love rather than judgement, he took his time to teach and explain why each of the imperfections and flaws. I think we get to see Tol develop from this immature self to ultimately being the one that has to save everyone in this final loop. If that is not character development, I don't know what is.
But can we take a moment to acknowledge how cursed Tol is with love, I mean my guy, women are using him for his money and the man is cursed to either watch him die or he watches the man die, like my dude should just give it up. But Tol was so in love

3. Jinta, our ultimate hookup master, lol, this man needs to be taught what privacy laws, because the way he just drops in it is funny, Tol trying to cover his eyes from seeing him and Tin do the deed got me. Jinta's hookup service is extreme because it is literally do or die, either you get him to be with you or he dies and you never get him back, the terms of his deal are simple, which is hillarious to see him stress Tol like that

4. Heart and Mai, surprisingly, I did not hate Heart and Mai, I love the clarity that the series gave to them both, Heart was not made to be some deadbeat guy who was using his girlfriend to defraud someone, instead you could see him actively trying to be better and available for her and Mai couldn't be blamed either, society put her in the position of having to trick Tol for the sake of her mother's life.

5. Gap and Sing were just adorable, watching Gap get jealous all the time was so funny to see because he was sulky about it. I liked how in this current loop; they are already together.

6. I hated Sak and his Lackey


Now on a general, I love how they tied their stories together and created parallels
1. If you followed the memories carefully, you would notice that the Tol and Mai fight, where he throws her and she gets cut, it's a replica of Heart and Mai fight, so since in the previous loop, he is in the knowledge of everything and he is already with Tin, balance is struck by having Heart and Mai have the fight instead.

2. Similar to how Tin also died at 10:55pm July 18th similar to Tol's time of death in the loop. Notice the cause of death is always linked to a party? Since the first cause of death was him chasing after Mai at the party, he threw to appease her, Tin's death was at Tol's party for his accomplishment because in this loop, Mai's party couldn't exist and be the cause of death... So now it's Tol's party that has replaced it and is the cause of death

3. The crossing of the loop with Tol seeing the memories, thus why Tol was physical in one of Tin's loops just made so much fucking sense, because in Tol's view, he is seeing how far Tin went for him, literally battling days of no sleep, just to have a way to save him and if you link if to the previous episode 4, it is shown to be a driving motivation for Tin... if you go back to episode 4 where the OG Tin seeing Tol scene happened, the music is the same as the music in episode 11, the conversations are also the same... Word for word.... The scene also makes sense now, on why Tol was so intimate with him in the scene when they didn't have a relationship yet.... Also, if you noticed, Tin "woke up" in episode 4, right when Jinta switched the memories in episode 11... LIKE THE FUCKING ATTENTION TO DETAILS!!!!!!!!!!!

4. Using their parents to get to each other

5. There was no scene that was left unexplained, every part was carried fully

Casting and Acting.
1. Tee Thanapon Jarujitranon is a FUCKING ACTOR!!!!!! The way he portrayed one important factor in his search for Jinta, so he can bring back Tin.... It's very important because Tin has had a cool and measured approach because he started trying to save Tol when he had no feelings for Tol, but subsequently those feelings developed and that's why his death in episode 6 pained him more.... But with Tol, we see that he is already in love with Tin when Tin dies, so the way they portrayed his anxiety to get his lover back is so great and realistic...... Like the utter desperation he displayed to Jinta as well as when he was still in his ghost form at the beginning of the memories and Tin was trying to save his life.... His reactions 🥺🥺🥺🥺, when he is back to the past, we can see the desperation with which he tries to reunite with Tin, including faking the medical emergency (to a literal doctor), Tee is able to embody all of this, including the great love for Tin, which is beautiful

2. Tae was absolutely awesome as well as Dr. Tin, he gave the sassy and bitchy vibes completely well, his sequence in episode 6 after the deaths of Tol and Fang was so painful to watch, the tears and all. His gentle smile when he sees Tin. He absolutely delivered his scenes as well. His struggle to save Tol was palatable to me, I felt his frustrations in episode 1 and 2, I felt every disappointment of his because he was communicating it so well. I love how he characterizes Tin as a flawed human who was also in need of fixing.

3. The entire burial scene of Tin was really good acting from the cast, it felt like someone really died, the tears and crying didn't seem forced

Misses (There are none to me, so here are funny bits instead)
1. Tol assaulting Tin in his sleep (joking), so he can get him to remember him
2. Tol trying to block Jinta's eyes from him and Tin
3. Tin saying Nosy/Rosy
4. Tol trying to fake drowning (a medical incident to a doctor)
5. Gap thinking sing wanted to have sex in the medical room

Production
On production this series definitely put total thought into all aspects that they needed to make sure they are a 100% and they did their assignment on that, from the medical scenes to the acting etc. Like the open heart surgery, it was way too real, the irony of that scene was that right before they showed it, I was dragging them that they won't show it, they would just skip the scene and show us hours later, next thing I saw a blade cutting someone's skin and blood gushing out and I was like "alright, too realistic for me" but yes, scenes like that accentuated the series for me.

Rewatch Value
Heck I am rewatching this show this night

Again, I must say I absolutely love this show. It is the Best Thai BL ever

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Drink the finest wines, look at lovely girls, make the best friends, and fight glorious battles.

Spymaster Ning Yuanzhou and his elite Liudao Tang spies are tasked to escort a Wu diplomatic delegation to An to pay a king's ransom for their captured ruler. He encounters the stunning and deadly Ren Ruyi, a vengeance driven assassin nonpareil who defected from An. They have overlapping goals and form a wary alliance. Predictably, these aging-out, disillusioned operatives from opposite sides fall in love and indulge in a mid-life crisis amidst a suicide mission to rescue the foolish Wudi. This is an unexpectedly funny drama and the humor works well but masks the monumental task ahead of the delegation. Its best achievement is it makes us fall in love with a motley crew of unforgettable, flawed characters to the point we root for them against all odds and beyond reason.

This is a rare drama where I am more invested in the supporting cast than the main leads. Written by a feminist writer, Ren Ruyi is literally superwoman; independent, ruthless and indomitable; an indestructible one woman killing machine with fantasy level combat abilities. Ning Yuanzhou also walks on water; a master spy whose machinations decide who sits on the thrones of both states. Together they are so formidable that it seems more efficient to skip the mission or war as they can easily topple any ruler in their way. These over the top character designs with exaggerated abilities and superficial flaws rarely resonate with me. But I did derive petty enjoyment from their bitch slapping, scolding and kicking ass through the two kingdoms.

The casting of Liu Yuning and Liu Shishi in the leading roles is brilliant. While there are better actors, these roles play to their individual strengths and they both executed well. Liu Yuning plays a character that hides in plain sight. A too pretty actor would not work in this role. And Ren Ruyi the stone cold killer is perfectly reflected in Liu Shishi's stoic expressionless face and bright hard eyes. Even as she becomes less guarded and warms up to the delegation, there is bare of relaxation of her taut features; every frown and smile is controlled. Her head is at an exhausting elevated angle that made me wonder if she has frozen shoulder. Even her grief is so beautiful in a restrained way that I was unaffected, even mildly irritated at her cry scenes. Such an aloof portrayal made their chemistry seem decent but did not light up the screen . So it didn't matter to me if they made it out at the other end. As fully realized characters that live and die by the sword, they know the score. Their romance peaks too early, had few true obstacles and repetitive fan service sweet nothings moments . The heavy handed messaging about women's biological clocks annoyed me.

The more interesting characters are the young ones, Yang Ying and Li Tongguang, both on heroes journeys. He Landou delivers a inspiring portrayal of an uncertain young princess completely in over her head, overcoming fear, heartbreak and every obstacle to emerge as a purposeful person with the the courage of her convictions. At surface Li Tongguang appears to be a fascinating character; strong, smart, ambitious and charming. Unfortunately he has a dark side, an odd and creepy Oedipus complex for his shifu. Part of the problem is this narrative doesn't invest in villains; most antagonists are killed off so quickly they leave no impression. Thus Li Tongguang becomes the default fall guy; whenever something bad has to happen to create angst or move the plot along, it is pinned on him. Nonetheless the role is well played enough that I had a soft spot for the character throughout.

Saving the best for last, Fang Yilun's Yu Shisan stole the show as far as I am concerned. I love flawed, humorously self-aware, very mortal characters like this with no special powers or death defying abilities. Hopefully Fang Yilun's amazing comedic expression and timing gets noticed. His shock and aghast at the idea he was falling in love made me shake with laughter and moved me unaccountably at the same time. When he prosaically warns his love not to fall for a rogue like him, I knew she was as much a lost cause as I was. Shisan is the unsung hero of this story. He picks up the slack so that Yuanzhou can rescue Ruyi and was there for Qian Zhou, Sun Lang and Yuan Lu through the last legs of their mission. He remained true to his life's mantra to live fully with no regrets: drink the finest wine, look at lovely girls, make the best friends, and fight glorious battles. / 这辈子就要喝最烈的酒, 看最美的姑娘, 交最好的朋友, 打最漂亮的仗. It is too bad he did not dare to or did not believe he had the right to love and thus denies his heart to finish the job. If I could have changed just one thing, I would have had Shisan leap on to that horse along with his love. The other flawed character I enjoyed immensely is Wudi. After Shisan, he made me laugh hardest, especially during the great escape. He also moved me with his profound regret and intent do better.

This drama has a linear plot that is not well paced; it either advances at a high speed that glosses over logic holes or stalls out to dwell on repetitive romantic or delusional tropes. The harder you look at the plot, the less it makes sense. As it is more of a character story, I am willing to be forgiving as long as important characters are not destroyed along the way. In that aspect, the drama starts out exceptionally well with a fantastic core of well conceived, multi-layered and compelling characters. Unfortunately, the character designs start to break down quite early on, with Li Tongguang. The ending was rushed, had some sloppy edits and packs in an unnecessary Wu arc. Too many characters are destroyed into the finale including Ruyi and Yuanhou. Ruyi prioritizes her personal agenda, bites off more than she can chew (again) and had to be rescued (again); forcing Yuanzhou to choose his love over his mission. Consequently they were not there when Liudao Tang needed them most. Finally, Ruyi makes a decision that is not true to herself or to her beliefs about living well. After investing so much on Li Tongguang, this character has no development and mucks everything up in the finale. The ending was was bloodier than I expected and unnecessarily cruel. I didn't have a huge issue with the outcome in and of itself, just the figurative character assassinations.

As for the ending scene, upon re-watch, I realized it is not confusing, it simply pays homage to the meaning of the drama's title Yī Niàn Guān Shān / 一念关山 or A Thought of Guanshan and closes the drama on a note of finality. It is a line from an ancient poem 却东西门行/But the East West Gate written by Shen Yue during the Northern and Southern dynasties. It is a sad poem reflecting on life, the passage of time and destiny. Guanshan/ 关山 refers to memories spanning the mountains and rivers (meaning the far reaches of the empire); of past events joyful and sorrowful. It is an Auld Lang Syne moment where someone who lived on longs for the bygone years and lost friends. It is unnecessarily cruel to close the story with a character that was meant to move on with their life. The bigger point is everyone they are thinking of did not make it out at the other end. The ending to me is not ambiguous.

I enjoyed many parts of this drama which started out as an 8.5 for me but there were draggy parts, key characters got destroyed, all the holes become obvious with re-watch and the ending is just not good. It is still a wonderful watch with lovable characters, fabulous fight scenes and divine comedy. I am just petty and I won't forgive them for Yu Shisan. My final rating is 8/10.









ENDING SPOILER COMMENTS

The final scene is actually very clear.:

Ten years later, the countries are at peace. He County which was the frontier battleground is prosperous and thriving; children are well schooled but the naughty ones sneak out to play. Chu Yue visits the battleground which with a decade of peace is covered with grass. She takes a moment to think of the past, of everyone that sacrificed and imagines either what could have been or that they are in another place. Her fantasy doesn't have to make complete sense because it is just her imagination. The child she sees on the horse is not the same younger child that sneaks out of school. Ning Shisan on the horse is older, with loose hair in a pure white outfit. Chu Yue should not be in this scene. Shisan denied his heart to set her free. He saved her and meant for her to go on, to love and live life with no regrets. It enraged me that they did this to poor Chu Yue and it would have broke Shisan to see her like this.

Ruyi should have been in that end scene, possibly with a son and a daughter. She could have escaped and remained true to her promise to Yuanzhou to go on without him, that a woman can live well without love. The drama foreshadowed many times that she would be last woman standing and yet they both literally and figuratively killed her character when she chose to blow herself up after assassinating the Beipan king and prince. Ruyi had a choice and the one she made sends all kinds of wrong messages to women everywhere. The only woman who remained true to herself was Yang Ying. She moved on, made the best of her situation and lived well regardless. If Ruyi had to die, the end scene should have closed with Yang Ying instead of Chu Yue.

I also think they should not have killed off Wudi. The team put themselves in harms way to bring him back; he learned some hard lessons and would have been a much a better ruler for it. They killed him off so that Yuanzhou could play kingmaker. It was a rushed, completely dumb, ridiculous and gratuitous Wu subplot that negates poor Qian Zhou and Chai Ming's sacrifice. I could go on but these are some of the main reasons I am so let down by the ending.

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Voice got a lot of mixed reactions, ranging from perfection to utter garbage. Being a crime drama hater as well as a viewer who consciously avoids OCN shows, I’m more than surprised to belong in the former category. Voice was a splendid crime thriller and for me, the best OCN drama I’ve watched by far.

Story
Same old, same old, 2 police officers whose relatives get murdered by the same person, are teaming up to create a new division based on the emergency call police department and their end-game is to catch that bastard.

Been there, done that, so what did Voice do to break the mould of crime dramas?

First of all, the concept of Voice profiling. Not sure if this is a thing, but even if it’s not, we accepted a crime drama about a walkie talkie that could make a 2 guys living in different timelines to communicate, why can’t we accept a woman who can hear extremely well? The voice profiling was original for me, gave a different vibe and an innovative twist to the all-too-usual police procedural recipe.

Furthermore, the impressive cinematography and music. The drama is gritty and dark in all the right ways. Creative directing, haunting dark colors and soulful music just came together perfectly and clicked, making a drama that not only gives off ominous vibes but it is also sinister only by looking at it.

Continuing, the incredible side stories. Every two episodes or so there is a new crime story introduced for the “golden time team” –the aforementioned new division created- to resolve. This is where the writing along with the directing and montage click together doing miracles. All of the side stories were intense, engaging, thought-provoking (although the first two ones were my favourite), well-written and did not drag at all.

Finally, the most important one, the marvelous core story. Cliché done right. The concept of putting a psychopath as the main villain isn’t foreign to dramaland; however the drama’s atmosphere, world-building along with the casting literally did miracles. More specifically, I appreciated that there was not a lot of red herring involved –crime dramas seem to think that we enjoy being led astray every 2 episodes for some reason; while, it felt like there is a whole story going on in the background making this drama look like a part of a whole. Effectively, we were focused on the police side of a bigger narrative - plot twists, havoc and despair ensued.

Furthermore, it’s worth noting how every character, plot device and potential twist are beautifully connected and intrinsically linked to the bigger picture. Good writing - the drama is actually so good even when you see the twist coming, you're still gonna like it anyway cause the whole aura of the drama won't let you a moment's rest.

Lastly, It would be a serious negligence, at this point, to not mention the exquisite Serial Killer. Undeniably, the drama owes how well it worked to its main villain. As far as I’m concerned we’re talking about the best villain I’ve ever witnessed creepy, scary, disgusting and disturbing, the type that crawls up your skin only by seeing his smirking smile. He enhanced the drama while simultaneously we do get the environment in which a serial killer is born that was spectacular to watch.

Honestly, not many drawbacks can be cited by me. If I could address one it would be the somewhat conveniently written side stories. But, come to think of it, isn’t every kdrama ever like this? Rich hot arrogant chaebols falling for poor innocent girls, silly coincidences and other cliches and we accept that but can’t accept a crime drama with stories being a little far-fetched or exaggerated here and there? This is dramaland, if everything was absolutely rational there would be no drama to watch!

Additionally, it was claimed that the drama had gruesome scenes and a lot of blood. Having grown up watching American TV shows this felt like child’s play to me but I do understand if some scenes were too much for some people. Everything is censored (actually, too much censoring going on to be honest), but be aware if you are sensitive to such scenes. Moreover, I read comments saying the side stories were boring and dragged, which contradicts completely what I said. I obviously disagree. Frankly, the side stories might be the best part of it all.

What's more, people argued that the drama takes a hit after a strong beginning. Strong starts bring high expectations too. I think the drama did well in keeping up pace, not dragging and staying strong plot-wise. Yes, middle episodes weren’t as strong as the first 2-3 but still a solid drama overall.

In general, Voice isn’t perfect, but it is time well-spent for sure. It is extremely thrilling; the side stories addressed interesting issues like child abuse, rape ect and were generally on the humanistic side of society, definitely struck a chord with me. The drama deserves a 9 for its flawless story line (side+main) +0.5 for the fact that it was utterly stimulating and increasingly intense with fleeting moments of strong sentiments and despair that just make the whole thing feel that much more real and emotional; I was at the edge of my seat during pretty much every episode either being thrilled or feeling hopeless.

Acting
I admit I was purposely avoiding Lee Ha Na. I only saw her once before Voice, didn’t like her. That being said, thank god I picked this because she redeemed herself completely. I couldn’t even recognize her here and I drew the conclusion that she just doesn’t match cute rom-comy characters, but rather darker ones. Her performance was impeccable here and she had great chemistry (as co-police officers) with Jang Hyuk. I’d love to see her in a similar role, or even in a melodrama in the future.

It is established how good Jang Hyuk is, and here is no exception to his unending talent. Fearless and brave character with a broken and emotional side, he pulled off his role immaculately and he was a perfect fit for it. Such a well-rounded actor, he can do everything. Respect.

Where have Kim Jae Wook been all this time? Flawless and creepy, an absolutely perfect match for his role, I need to keep an eye out for him in the future. I can safely say he made the drama!

Recommend
Concluding, I’d say don’t turn a blind eye to this drama, it’s really good. Crime and thriller drama fans I call out to you, viewers who enjoy intense and provocative dramas/stories that aren’t extremely complicated this is for you. I can’t see how someone wouldn’t be entertained by Voice if you disregard the convenient part and you don’t have a problem with some violence ect.

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Decided to write a review for this drama solely for the purpose to provide a contrasting perspective compared to the more positive reviews. From my score, you can tell that I don’t regard this highly.

This drama started off cute and light-hearted with Ariel and Vin bickering. We also saw a lot more of the masked hero doing his thing. However, the plot wasn’t very deep at this point in the story. So, it started to lose its spark around episode 10-15. Around episode 20, we got a new setting and therefore the story picked up a bit but…it slowed down for another 10 episodes until they decided to quicken the pace again. It felt like I was on a rollercoaster for children; small build-up and boring falls that repeats five to six times. The overall tone of the story changed near the middle of the drama; it went from lighthearted to a more dramatic feel. The scriptwriter did try to insert random comedic parts, but they felt forceful and unnatural. Everything did unravel throughout time and many different issues do come up to provide depth and conflict to the plot, but I lost interest as the plot became more complicated. Not because I dislike conflict and details, but mainly because I found the story to be losing its focus. Too much was going on and I didn’t find the conflicts to be a great addition to the overall plot. Especially with Ariel's identity as the Divine Maiden. I think they could've delved more into it and given her more of a role to stop everyone from trying to hunt her. Could she have learned martial arts/self-defense? Yes, but did she? No. She left it all to Vin (and Austin) and was ultimately a damsel in distress at the end. Besides having an" extraordinary sense for business" she did very little to change her fate.

If you’re looking for a drama where the main couple is together often then look elsewhere. After the first 16-18 episodes, we rarely see them together. They meet and get separated frequently. This doesn’t bother me much if they carried the plot well (but they didn’t) and I got frustrated near the end when the reasons for their misunderstandings could’ve been omitted (i.e. unnecessary love triangles). This also could’ve given the director/writer some more time to dedicate giving their audience a more satisfying ending. I’m quite bitter to have spent so much time watching this and get such an awful ending. I actually laughed when I watched the ending because of its mediocrity. In short, it was a cop-out. Either the director/writer did not plan accordingly to provide a substantial and fulfilling ending, they overspent and decided to make the last episode a cop-out, or both. I don't mind tragic/sad/happy endings as long as they're done well, but this ending was none of the above. It was a badly written and executed ending. They took no responsibility for anyone’s story and provided a distasteful ending. For those curious, I’ll provide a comment below to spoil the ending if you wish to read it.

I was excited to watch Vin Zhang as a lead. I believe there’s a lot of talent that hasn’t been shown as he’s (in my opinion) slowly being type-casted. In the beginning, he would bicker and tease Ariel, so it was refreshing compared to his recent angsty roles. However, this changed quickly, and he lost his shine as the plot thickened. Which was a massive shame. Watching Ariel is the same as watching her in her previous dramas. She’s great at acting out a “dumb” and cute role. Due to her experience, she is also one of the best actors in the series. She portrayed her role well and did well with her more serious parts. But I do want to note that I have a really hard time taking her seriously when she’s trying to be tough. This is mainly because I think she has a face suitable for dumb/cute roles. Sorry, Ariel. Vin’s shine seems to be passed to Austin in the latter part of the drama. Austin has turned into someone who would bicker and tease Ariel, but I didn’t find him to be too memorable in this role. Then again, none of the roles are memorable for me but are these a fault to the actors themselves? No. They did well to portray their roles. I just found the roles to be poorly written...or just poorly implemented into a poorly written plot. I do want to note that I found Austin's character to more interesting than the leads near the end...so I guess that's saying something.

All-in-all, I wouldn’t recommend this if you’re looking for a great plot and a satisfying ending. I think there are better historical romances to dedicate your time to but of course, everyone’s taste is different. So, I would recommend this if you’re looking for a semi-lighthearted historical drama. Just be prepared for an extremely poorly written ending because that's one thing we can all agree on whether we enjoyed watching this or not.

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Amazing True Love from HlSTORICAL Time until MODERN Time (MUST WATCH ONE & ONLY FOR THE 1ST)

why I wrote you have to watch "ONE AND ONLY" first, because your feelings when watching will be very much different if you start this without watching the first season...maybe you think you will still understand the story line but emotions, feelings and moods when you watch it will be much different ... well ... so you are strongly advised to keep watching the first season first, although you may read that the first season ended sadly but I guarantee you will be satisfied with the story and after that you would give 10/10 point for this drama with 2 season...

actually this is my first time to write a review before finishing a drama as a whole....but my love for this drama has pushed me to write it....

In short, this drama begins with their very deep encounter and love story between a warlord and king of Nancheng who is very loyal to the kingdom, Zhou ShengCheng which has a called "BEAUTIFUL BONES " by all the people (because of his loyalty to the kingdom who always struggles to overcome the people, not interested in power, wealth or beautiful women only CSY who has melted his hearts) with his very beautiful and intelligent student, CuiShiYi. in historical times they both could not be united by fate where ZSC was accused by a cursed prince who was jealous and wanted to marry CSY had rebelled so that he had to end tragically and because of her love and deep loyalty CSY followed her teacher by ending her life too...but before she dies, she makes a wish if they meet in another life...she hopes ZSC can marry her first...and...

FINALLY HER WISH CAME TRUE , THEIR LOVE IS MEET BACK IN MODERN TIME....(FOREVER AND EVER)

Their suffering in historical drama finally brought them to modern life.

I've never read a novel from this drama before, so I feel I don't need to nor will I compare the story or characters of the cast to the novel....

I really like the story line which is unique and has different characteristics from modern dramas in general, even though it tells the story about now but every time I see an ancient building or residence in this drama can indirectly bring me back to feeling warm when I watch OAO (this is also one reason why you should watch OAO first ) I also like writers to write about the differences in their characters from historical dramas to modern times, so I feel there is an interest for me to watch those differences.....

ZhouShengChen who is an innocent chemistry professor but super genius, responsible, mature sometimes a little shy feels sweet and makes me feel excited to see him especially when sees him in a relationship with ShiYi...he is full of warmth and concern for him, as if made me feel how comfortable it was to be his girlfriend...hahaha...he was reunited with the girl he loved so much in the past but couldn't be with him (because of the oath he made before he met CSY that he would never marry for the rest of his life made him felt guilty towards CSY at the end of his past life for not being able to return his love)

ShiYi as a voice actress who is graceful, beautiful and sometimes a shadow of the past can be seen in her mind makes her have a deep feeling for ZSC from the very beginning of their meeting. some things in the past that hurt her deeply are still a bad feeling in her and I'm sure all of that will be cured after she entered into a romantic relationship and married the person she loved very much from historical times to the present, ZhouShengChen.

and...i really like watching their developmental approach when dating...hahaha...their relationship is very sweet, adorable and mature as well as caring and warm...i really love it....

ALLEN REN and BAILU really are actors and actresses who are very potential and professional...two different characters in two periods of time have been presented by them very perfectly. the characters zhoushengchen and shiyi feel very alive in this drama...their acting is very good, beautiful and natural...as I said in the comments page, so natural that sometimes I forget I'm watching and this is just a drama...

I'm really hope that both of them and this drama both One and Only (season 1) and Forever and Ever (season 2) can get a lot of AWARDS for their really very good performance because they really deserve it...

I'm also very happy that they didn't omit all the soundtrack from historical dramas in this modern drama, and made us still can feel the environment that was brought to modern times...they were good at doing that...some songs added for modern times this also feels okay to me and is suitable for modern-day stories.

I can be sure I will repeat this drama because even before this drama ends I have used my free time waiting for the continuation of the new episode by re-watching this drama ... so for rewatch value, no need to ask again, I will definitely give full marks for it.

overall : 10/10 for this season 2

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Journeys end in lovers meeting.

Pearl Eclipse is adapted from a beautiful, dark and tragic novel Madame Huzhu 斛珠夫人 set in the Novoland universe. It is an unforgettable and heartbreaking story about guilt, obsession, love and the futile struggle against fate that inextricably entangles the three main protagonists Fang Jianming, Emperor Dixu and Fang Haishi. Although the plot and many characterisations deviate markedly from the novel, the core message that we can choose our destiny but cannot overcome fate remains. Although not quite as dark as the novel, this is an angst filled, tortured tale about tragically flawed characters that won't appeal to everyone.

The novel has heavy BL elements to it and the incredibly dark, complicated and almost parasitical relationship between Dixu and Jianming is quite well portrayed in the drama. It is by far the most uniquely fascinating relationship in this drama because they are so entangled neither has free will. Poor Haishi, hers was a lost cause from the start because Jianming already was inextricably bonded to Dixu by ties far more powerful than the baixi. Their depth of shared history and sorrow and Jianming's sense of guilt and his obsession with putting Humpty Dumpty together again are practically insurmountable challenges. And to Jianming's credit, while undoubtedly tempted, he avoids Haishi's many overtures because he already pledged himself to Dixu.

The drama seems slow to start because it took all three leads a surprisingly long time to get into character and to convey the many layers of their intertwined backstories. This is made more difficult because their backstories are told in flashbacks which works well in novels but is harder to do onscreen when the actors are not in character. I don't think it is particularly fair to pick on only one of them but they are all rather seasoned actors so it is disappointing. Xu Kai Cheng overacted in the beginning and he and Chen Weiting were not connecting. Their unspoken rapport only becomes evident later on and that is when the drama starts to get interesting. Even though I find Chen Weiting incredibly handsome despite the terrible wig and enjoyed his performance overall, I don't think he managed to convey the multifaceted, fascinatingly complex character that is Fang Jianming. While he nails it as the archetypal ice-block, noble idiot shifu, a more daring and intense portrayal should have delivered a better glimpse into the dark ruthlessness, frustration and temptation that torments the character.

Haishi of the drama is well fleshed out and far better dimensioned than the novel. It is refreshing to see a brave, capable female character that speaks her mind and goes after her man relentlessly. And her outraged and shocked reaction to rejection just cracked me up because I am sure it is something that a flawless beauty like Yang Mi is personally not accustomed to. While Haishi and Jianming make for a stunning couple, their chemistry emerges slowly and it does fall far short of the sizzle of TMOPB. This is partly because it is supposed to be a hidden, taboo romance; one that is so incredibly ill fated that knowing better, Jianming avoids; while true to her nature, Haishi rushes recklessly headlong into. As much as I applaud Yang Mi for doing her own voice work here, it is a mediocre performance that reflects years of neglect in this area on her part. She already naturally has a young and very feminine voice that should not have been made even younger and quite so girlish. It does not fit the role of a woman passing herself off as a man and it conjures up uncomfortable images with respect to this already forbidden romance. Although she improves towards the end, I can't help but think her usual voice dubber would have elevated her performance considerably.

While I do not like the way Tilan was written, she is the catalyst that enables the drama to take another path. But it is unfair to have practically all of Dixu's darkness heaped upon her and their relationship got so toxic I struggled with the turn around, in particular on her part. She also seemed a lot stronger and smarter in the beginning where she passively aggressively standsup to Dixu. Unfortunately her character was truly thrown under the bus to enable the end outcome. Zhuoying and Zheliu have the only non dysfunctional relationship in this drama that is a welcome relief but oddly boring at the same time.

What I like most about the adaptation is how it is faithful to the novel in terms of how it takes us down the path of the dark, hopeless entanglement between the three main protagonists and then turns it around. At the darkest moment, Haishi convinces Dixu to give himself a second chance which sets in motion an unwind of this vicious circle into a virtuous one. One change leads to another that reveals another layer of each character and get to see them change and grow into a formidable, united force against their enemies. It is a very strong message that we can choose our destiny, ie. how we live our lives and even though ultimately we may or may not be able to overcome fate, the journey is more important than the destination.

This is a very high value production with lavish costumes, sets and some intense and brilliantly choreographed action scenes, notably the epic battle reminiscent of Lord of the Rings at Hangguan Pass. Yet despite a few riveting action scenes, this is largely a character story with very little plot movement. Despite a few thrilling encounters especially in the early episodes, the various sub plots to overthrow the emperor Dixu are not properly fleshed out and don't tie well together. There are interesting villains in the book that get dumbed down to obvious cartoon characters with boring motives that can't even hide well in plain sight. The ending feels like it is missing scenes and beloved characters like Zhuoying and Zheliu's story is ended cursorily almost as an afterthought. The final plot is anti-climatic, predictable and completely premised on the stupidity of two characters. The plight of the mer-folk, their tears for pearls and how this fantasy story that begins and should end with them gets lost as a result of changes made to the character stories.

I have very mixed feelings about the ending. I think the most fitting way to end this is about 20 minutes into the penultimate episode (47) where journeys end in lovers meeting. The final episode and outcome for most of the couples are not deserved, made worse by a weak and rushed end plot that is not earned. They ought to have stopped while they were ahead. That said, Haishi and Jianming's final scene is both actors most moving and resonating performance in the entire drama. But while superficially the important aspects of the drama are faithful to the novel, the final product lacks the finesse, symmetry and haunting dark and cruel inevitably of the novel. The novel is fated and inexorable while the drama is fated and unnecessary. I rate this between 7.5-8.5; it will feel more like an 8.5 to those who stop ~20 minutes into episode 47.

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An amazing journey of self-discovery

I know there are at least a few people who are on the fence about starting this drama since it's heavy on politics and it's not everyone's cup of tea. It sure is not mine. Yet, here I am, loving this drama and recommending it to everyone. And here's why...

STORY
Would I call it realistic? Not really. Did it bother me that it was unrealistic? No. Why? Because it was cohesive and consistent. I know that political dramas can be boring for people who are just not interested in the topic, and that's why adding some unrealistic, but definitely grabbing the attention plot points made this drama more approachable for a wider audience.

The main point of the drama was the development and growth of the characters. It's a story of believing in yourself and what you stand for, fighting for the right. Discovering that just because there are winners, does not necessarily mean there must be losers. How to play the game that will make not only you achieve your goals, but also make everyone around you content. It's about slowly realizing your strengths and ways to use them. Figuring out that wanting something does not necessarily make you a bad person who is only led by greed. Many interesting lessons to learn with our main character. An amazing journey of self-discovery.

CHARACTERS & CAST
I was not sold on the idea of Ji Jin Hee being the lead of the whole drama. Especially after watching the first two episodes. Him being surrounded by all the strong and captivating side characters made me worried, if he can truly lead the whole show. And oh boy, I was wrong. Now I would say he was born for this role and he aced the character. Seeing Park Moo Jin slowly grow without giving up on his principles and beliefs was an amazing journey. It was refreshing to see a really smart main character that was also empathetic and, to put it simply, a good person.

It's also worth mentioning other characters that won my heart: Cha Young Jin, whom I loved to hate at the beginning and then just simply loved. Han Na Kyung who was the MVP of the badass team. Oh Young Seok, who made the drama even more thrilling to watch. Yoon Chan Kyung who was the true politician - I never knew where she was standing and what her motives were. Is she good? Is she bad? I guess you will find out for yourself, if you decide to watch it.

OTHER
The show also talks about some serious issues in a realistic and not patronizing way. It helps with understanding the reasoning for specific choices characters make. The cinematography and the way it was shot was beautiful. Definitely a high quality production. The music was good; it was not exactly grabbing my attention, but it's a political drama, the ost is not the main focus here. The ending was perfect, and everything I could wish for.

Overall, I did not expect to like this drama as much as I did, but it will probably stay as one of my favorites.

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Love the story (mostly) and characters, but it is not flawless for sure

Apart from the fact that the series is adapted from a BL work, I see no reason it would be taken down. In fact, suggestions of BL are few and far between even though the relationship between the two main characters approaches the intensity of romance.

I think the story has some basic changes from the original work, but the story in the series is pretty strong overall. It is highly engaging as the characters enter the virtual world represented by one door after another. The progress in the dangers of the different levels of the virtual reality game is also nicely calibrated. But the story would have been much less engaging had it not been for a group of interesting and likable characters that the audience will care about. A case in point is the character, Tan Zaozao, a female actress who starts off being a character one doesn't take seriously but ends up with one we might cry over.

It is a little ironic that a series that toes the line in so many ways is taken down after an hour, with most attributing the cause to censorship. If one has no idea that the series is based on a BL work, one might not even imagine that there is any romance going on between the main characters. No doubt, there is a strong bond between them, but it could either be a strong friendship or romantic interest that never really gets a chance to be expressed. I would even say that one of the major flaws of the series is how it toes the line politically, making it thematically simplistic. In the series, it is none too subtly suggested that America = Capitalist = Evil. (No prizes for guessing which country it is antithetical to.)

As a critique of capitalism, what the characters say may make sense at a certain level. However, it is a different matter to posit that evil Western capitalists will go out of their way to corrupt a virtual reality game (or some sort of game where the line between the virtual and the real is blurred) and fill it with violence. Look, in the series, it is not as though the capitalists can make money when:

1. people who start playing the game have no choice but to continue--they can simply go through any door and be transported to one of the worlds of the game even if they do not wish to play and presumably even if they are too poor to pay to continue playing the game.

2. people who die in the game also die in real life, so they cannot continue playing (even if we assume that they have to pay each time they play)--and it it VERY easy to die in the game.

3. people actually actively discuss the game on the Internet and it is quite possible for the game to gain such a bad reputation that not many are adventurous to even start playing it

4. such a game must take an immense amount of energy to power even if it were technologically possible: which profiteering capitalist will foot the bill?

Another issue here is the pitting of the main characters against the agenda of the evil capitalists. You mean as long as the main characters triumph, the evil capitalists won't be able to replicate an older, corrupt version of the game that can cause people to die?

I suspect the original work is more coherent than this, but alas, it probably runs into censorship issues. But if only someone had the foresight to see that the series would be catapulted to the status of a cult classic because it would be taken down after one hour of release, perhaps a decision could have been made to stay more faithful to the original work.

In the last couple of episodes, the series becomes quite perplexing. It does not make sense to have an "it was all a dream" sort of ending, especially one that ends up being self-contradictory. There are at least three key interpretations we are invited to consider:

1. It was all a "dream"--ok, but why would Ling Jiu Shi's dream reveal to him the names and even personalities of people he sees after the dream and not before, and why isn't Ruan Lan Zhu amongst these people?

2. The game has started earlier than Ling Jiu Shi realizes at first, but when he completes the game, he is transported to maybe 15 minutes after the start of the game. This would mean that all the so-called real-life characters for most of the episodes are game characters. Ok, but why are these characters so similar to random people Ling Jiu Shi later sees around.

3. Ling Jiu Shi is still in the game (not mutually exclusive with 2). Maybe there is a challenge he must overcome. Who knows? He chooses to spend the next 50 years creating a replica of the game (presumably without the awful parts) or basically Ruan Lan Zhu and other people he cares about during the previous 70+ episodes we see him. Ultimately, though, this seems to be an act of self-deception... it it suggested that no matter how real we make the virtual world or "merge" it with the real world, we can escape the fact that our physical bodies age in the real world. That is unless we ditch our physical bodies (die physically) and upload ourselves into the virtual world (which can be sustained by god knows what)... I guess this is one way of achieving a happily-ever-after for our leads. Then again, it is a solution that involves cutting oneself off from the people in a different realm.

I think the series makes things unnecessarily complicated and not quite in a purposeful way. This is where it falters despite being a really engaging series to watch about 95% of the time.

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Booty Call Appointments

Oh, Mr. Khun Elyes, now talk about a guy you wanna punch under a mistletoe. Yes, this show is not called 'Very Nice Tall Guy My Boss' but damn Susan, did Elyes have to be so good at being a red flag? He got under my skin so much, I'm lowkey having beef with a fictional character. And can someone please slap Pat with a rubber chicken? cuz I'm this close to throwing the holy Bible at his head. Homeboy is so pathetic I can physically see myself losing braincells with every decision he makes.

Reasons why this show gave me headache, and yet, cuz I'm nosy and love drama, I kept coming back for more. This is the whole romance plot sums up in one:
Pat: I love you so much Khun Elyes. Do you love me too?
Elyes: *crickets* y'all hear sumthin?
Pat: Well, then you have to leave. I have my dignity.
ME: Dignity? Where? Child where is it?
*Khun Elyes and his long legs leaves*
*Five seconds later*
Elyes: I bought you bird nest soup. I'm gonna take care of you, although you don't need it.
Pat: bird nest soup? You are the best human in the whole wide world. *In-love noises*
Me: Child, that's not bird nest soup, that's literally water with rock salt and some plantain leaves, ask him about the feelings thing.
Pat: I love my water soup. *opens legs*
ME: Ah, there was your dignity... ON THE EFFING FLOOR.

This show lived up to its title. It promised exactly what it said it was gonna give us, a bad boss. What it didn't though, was how my blood pressure was going to hit the roof because of Pat. Homeboy had me fighting to stay sane with every decision he made. Pat was in love with a boss who had a schedule for his booty calls, treated him and his feelings with no care, and still he kept forgiving him, and coming back for more. Pat, son of Adam, please, quit!! He kept threatening to quit every 2-3 business days, then comes running four seconds later.

Like, tell me why you gonna love a guy who makes you drive him to his booty calls, schedule the appointments for his hoes, and knowingly plays with your feelings, and is somehow also still hung up on his ex who cheated on him? No, but Elyes is an asshole with a capital jerk! He's the kind of character you wanna shove down a long cliff, then throw a bulldozer over just to be sure.

Cuz, literally 2 episodes in, and Elyes have:
1) Double booked a booty call. Homeboy has a schedule where he appoints his booty calls!! Nah ah, it could never be me! Come try that in my backyard, child, see what happens ho! I dare you.
2) Made Patt filled in for a date so he could get with another booty call instead. The angry girl threw water on Pat for his troubles, while Elyes was having a good time against some wall.
3) Made Pat buy a birthday gift for his booty call, just to hurt him. He was like, 'you know what he likes, get to it.'
4) Humiliated Pat by letting him serve him and yet another booty call as their waiter.
5) Forbad him from quitting, or being friendly with people he dislikes.

And after all that, all THAT, Pat still loves him with a capital stupid, and let him kiss and bed him. Child of Adam, why? Why yous so stupid?? Pat deserves no right. Do you enjoy getting hurt?? QUIT, child, QUIT! Listen, I love drama, and stupid arse characters with no self respect makes me love myself more, but this was just sad. And the worse part was, Pat knew he didn't deserves how he was being treated, yet he still stayed. And to that I say once again, ON THE FLOOR. At this point, I don't even blame Elyes for how pathetic Pat was, cuz homeboy should have known better, he was literally the one in charge of Elyes' eff-buddy list. Falling in love with a guy who actively hurts you to teach you a lesson cuz he sorts of cares---miss me with that BS!

I still can't get my head around why Pat didn't just quit and save himself the tears. Pat helped Elyes build an empire in five years only to remain an assistant, a booty call, and the designated driver while Elyes is out effing everyone and their mamas. Elyes even made him a stand in for his dates. And he has to wait in the car while he's out ho-ing. Plus, after all that Pat have genuine feelings for Elyes. Like, why? Literally, why you gonna fell for someone who treats you with less respect than dirt? Sure, there was a scene where Pat said he didn't mind the ho-ing and felt nothing about it, but dude, you have a random else photo of your boss and you, with you in the corner in a frame, on your bed-stand, probably taken off the internet. Come on son, have some shame! Self respect Susan, do you have any? Cuz bish, after 5 years together, working so close with him, many late night dinners, if he doesn't know you're allergic to seafood, you should riot.

And the sad truth is, it's not that Elyes didn't see that what he was doing hurt Pat, he did, and even knew when he was mad at him for it. Plus he seemed to like him back, and didn't want him to quit. Then of course he got all jealous and possessive when that random ex-girlfriend showed up. (Sidenote: Literally, are there girls like her who can't take a hint and just disappear?) So yeah, Elyes still liked Pat while hurting him, which was the worse.

Listen, I felt so embarrassed for the villains in this show. No, really, they were pathetic and flat-out cartoonish. Like, that one guy who went to steal whatever from Elyes's computer. Mfker was like grinning, doing whatever with his eyebrows and trying to look very sly, but came off looking constipated. Like dude, give it a rest. And the two big bad villains. HAHAHAH, like, one of them was like:

Villain #2: We need to kill Run cuz his lover is a mafia. Big bad mafia.
Only for the big bad mafia to show up to a kidnap/blackmail with one hand in his pocket and get totally beat up. Then in the end, he was standing there doing some real hard staring and breathing, while Villain #2 fell down like he did something, and my arse was like, my brother, my brother, go find somewhere to sit, you've embarrassed me and your ancestors enough for today. While they were fighting, I was laughing my arse off, all that guns and both weren't smart enough to keep one on them? And in the end one of them pulled out a knife and got shot in the head.

PLOT:
This had an interesting premise, falling for a bad guy who is also your boss. I went in knowing there would be nonsense drama, and that's what I got, so they nailed that part. The execution of the plot however was all over the place. The bad guys were mid, the secondary characters were uninteresting, and the mains kept going in circle with their relationship. Yes, after a while they made Elyes changed his way, and with some backstory, we came to understand why he's the way he was, so it added to his character. Unfortunately, there wasn't so much meat anywhere else to make this go from interesting premise to a very good show.

I'm still wondering what the reason for that random arse time jump after all the close up shots was about. I went from: how many close up of his effing shoes did we need to see, how is the camera work weird and all over the place to, 'a time jump literally after 1 scene is rubbish'. The director and editors might have thought they ate with that, but my arse was staring like... pack it up and bring it back Sharon, you've done nothing impressive enough to time jump.

CHARACTERS:
Though both leads had my head spinning, I enjoyed the drama they brought to the table. Stupid, braincell losing drama, but still drama. As for the acting, it could have used more work to weed out the awkwardness, and whatever Elyes kept doing with his eyebrows. Most of my attention was on the leads, but Run's character also seemed very interesting, though he was as dumb as Pat, falling in love with an abusive cheater. I wished we'd have gotten more depths from the other characters, but even with Pat, he was a nice guy, stupid and a pushover, and that's basically most of what he was. Once in a while he'd get some bold genes but they deflated pretty quickly. I almost reached into the screen to shake him when he couldn't just be straight with the ex-girlfriend. Though in his defence, homegirl just couldn't take a hint.

As mentioned, the story with the business part was uninteresting, and all that bidding stuff went straight over my head, so it didn't make the secondary characters any interesting than they were made to be. Even in the finally whatever problem arose, all we saw were different montages and Pat putting his pen to his chin. I'm sure they solved it, cuz they had wine, so... yaay for them, I guess.

FINALE.
That finale pissed me the eff off. Literally, after all the work they did with Elyes, only to have him cheat one last time. He could easily have told Kim they should just be friends instead of making out with him. And Pat, after... you know what, why bother, homeboy is officially too stupid to insult, so whatever. I stayed in this show for the drama, but damn, did the writers even know what they were doing with the plot? And was I supposed to cheer that Pat and Elyes ended up together? cuz all I did was roll my eyes and laughed at that corny arse candle love scene. Literally, why?

All in all, a typical bl, nothing special, but watchable like most bls, but you gonna need patience for this one. So if you're looking for some dramatic arse show that's probably gonna make you want to reach into the screen and slap yourself a lead, then this show is for you. Grab some popcorn cuz we've got a red flag and a lead who is colorblind by choice, it doesn't get any dramatic than this. I am looking forward to more series with James and Kad in a different drama. Hopefully, something that will keep our interest from start to finish, and with their acting improved.

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OKAY. THIS DRAMA IS CRAZY GOOD.

The characters, the story, and the relationships were all so well thought out! I loved all of the characters, and they all have really wonderful relationships with each other- that are REAL. They fight, bicker, annoy the hell out of each other, get seriously frustrated with each other, and they realize that they all have their own flaws. And the story stays realistic, (funnily enough to say about a drama based on mental disorders) showing the true struggles people in relationships (wife, mother, girlfriend, brother, daughter, etc.) with people with mental disorders have to face. It's really wonderful. The cast acted out everything brilliantly- the emotions were conveyed very well and wow, some of the best acting I've ever seen.

AND THE MUSIC. *BREATHES DEEPLY* I DON'T KNOW HOW TO EXPLAIN TO Y'ALL HOW MUCH I LOVED THIS OST. LIKE... THESE SONGS. THEY'RE GREAT. THEY FIT IN SO WELL WITH THE SCENES AND I'VE DOWNLOADED A BUNCH OF THEM AND I NEVER GOT TIRED OF THEM (like I have with very many other songs in other dramas) AND WOW. A++++++++++++++++++ TO WHOEVER PICKED THESE SONGS. A FREAKING PLUS.

Anyways, I totally recommend this drama! It's probably one of my all time favorites now and I loved this drama from start to finish!

For a country still dealing with its own discrimination towards mental disorders, I thought this drama was just plain- WOW. Wonderful. Seriously, good job!!! (I'm in awe)

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Its empathic. Powerful. Yet, beware: it is rather slow & actually not on the bright side of life

"Trolley" is a SBS production for South Korean TV first of all, even it is promptly running on Netflix, too. One could say that the KDrama is about a politician's wife, who is caught up in an emotionally draining past and overtaken by an extremely unpleasant present. One could say that it is about an ambitious politician with a promising career, who is in the middle of the national assembly election campaign and will give everything for it. One could say that it is about the classic moral trolley dilemma, which is running through the story like a key note – should one intervene in the unstoppable, catastrophic events and sacrifice one human life in the process, or let things take their course, the but then (in the case of the trolley dilemma) will claim several victims? With respect to each of these varying aspects, the story delivers suspense, depth and emotional intensity, enriched with complex details until the end.

"Trolley" is like a large patchwork quilt made up of many colorful, isolated, fateful pieces of the jigsaw puzzle that becomes a whole while increasing in suspense episode by episode. And this spectacular whole is what I particularly appreciate about this KDrama. Because the production is dedicated to a sensitive issue in South Korea society: the devaluation, harassment, oppression, contempt, discrediting, defamation, exploitation, sexualization of women and widespread physical violence against them.

The KDrama articulates a quiet howl calling for change. This howl, which has been rather mute for the longest time, wants a voice. This howl of pain wants to be heard. One voice should become many. Laws protecting women (and victims of abuse in general) would be all well and good. But even more so (and above all) there is a need for courageous role-models of women (and men) who lead the way. (Or for a start: KDramas and their e.g. female protagonists...) Role models are needed, who stand up for themselves, for their lives, for what happened to them, and for their rights as human beings. Tangible role models are needed embodying what lies at the heart of (these much-needed) laws: the non-debatable dignity inherent in every human being, regardless of gender, creed, birth, or ability. Paragraphs alone are not enough. They must be filled with life. With people who dare to actually venture out of the familiar swamp with their heads held high. And that's (for women) still easier said than done in South Korea 2023. "Trolley" embodies these circumstances in an impressive way. In fact, this is more than overdue. This TV production also places this message with some force and spreads it worldwide, too, so it cannot be overheard. Can it? May the message get through and encourage … women, young people, … and men too.

However, the spotlight is not directed at one or 'the' man as such, but at society as a whole, in which women structurally function (or supposed to function) well; in which they themselves participate in the premises - as mothers, as classmates, as part of a bullying, via public and Social media easy to manipulate crowd. The poisonous social thorn is so deeply rooted within women themselves: a systematically and consistently cultivated, inferior attitude towards their life. The the circumstances usually aren´t even seriously questioned because: that's the way it is… has been… (will be?)

Practically all of the women in this KDrama represent a self-esteem that has been deeply hurt and thus weakened as a result of private and public devaluation or even physical violence. They all somehow learned to live with it. They are battered, wounded and scarred, and they suffer from their feeling of inferiority that weakens them into old age. The worst thing about it: that they are still standing there alone, because nobody really can/wants to acknowledge their suffering and justified anger. Women have had to learn to live with the fact that there are no witnesses, no advocate, no encouragement, no attention, no consolation for them and their traumatic experience of harassment. No one is standing in their corner. The social message: You didn't deserve anything else. You´re to blame. 'Submissive, quiet, tame and silenced, everyone can do whatever they want.' Such is fate as a daughter. As an unwanted daughter. As the first daughter. As a daughter-in-law. As a wife. As a divorced woman. As an illegitimate mother. That something, which has remained deeply in these women, now shows impact, too: so that they either secretly and quietly devalue and question themselves, alternatively devalue others on their behalf, or let others devalue them on principle. This painful experience has not been redeemed to this day and should not be redeemed (from the social point of view of some). It is the ingrained yet invisible mark that South Korean society brands its women with. With "Trolley" it is out in the open. In multiple ways. Options for change are discussed, and the difficulties involved are also explored.

A strong portrait of society, cleverly prepared and seriously presented, yet in an entertaining manner. The KDrama meets a red-hot zeitgeist that calls for winds of change. The story courageously challenges the conservative, patriarchal attitude, which by nature denies women the right to be fully acknowledged human beings with the same rights. In the course of the last year, blood boiled high in South Korea after President Yoon declared 'structural sexism' being no longer existent in the Republic and wanted to abolish the Ministry for Equality and Family (or move it to other departments). In these times (see also the side note below), "Trolley" is a courageous and important production, because it tells a different story - that of devalued, sexualized, abused women in a self-satisfied man's world. Respect!

Its empathic. Powerful. Yet, beware: it is rather slow and actually not on the bright side of life.








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SIDE NOTE: --- Always burning topical: violence against women in South Korea ---

If you compare the crime statistics in (i.e.) Germany and South Korea, South Korea is clearly the safer country. Seoul is arguably one of the safest cities in the world. But not for women...

Overall, violence in South Korea may be limited. But against women it is alarmingly widespread. Of the violent crimes recorded in South Korea, about 80 percent of the victims are women. In 2020, more than 58 incidents of sexual violence, including rape, were recorded among 100,000 residents in South Korea. (There were 12 in Germany for comparison). There have been newspaper reports of brutal femicides almost weekly in recent years. In a national survey conducted by the Ministry for Gender Equality and Family in the summer of 2021 (the ministry still existed then), 57.8 percent (!) of women stated that they felt threatened by misogynistic violence.

But the current political line is different. President Yoon stands for the values of the so-called "New Men's Solidarity". Behind this is a deeply patriarchal, conservative thinking that denies women to be full human beings with the same rights. Accordingly, the official line tends to go backwards: the penalties for false allegations of sexual assault are increased and the politicians rather argue with classic perpetrator-victim reversal: the women provoked the men by not doing what the men want them to do . Courts rarely judge in the interests of women. On the contrary. The outcome might be: victims of sexual violence are punished more severely than the perpetrators. Law against defamation of sex offenses is far stricter than that on sex offenses. It allows victims of sexual violence to be sentenced to up to 3 years in prison – even if it is proven that their publicly disclosed allegations are true. In the actual cases of sexual offenses, the verdicts against the perpetrators, however, are mostly merciful, with a mild sentence for crimes against women, as soon as there is one or the other weakening reason or an impeccable good reputation. Lax investigations and re-traumatizing behavior towards female victims in police and judicial authorities make matters worse.

All in all, it is very difficult for women to effectively defend themselves against the violence they might have experienced. Headwind blows from almost everywhere. Here we are again with the deeply patriarchal, conservative basic attitude of a society that denies women as a matter of course that they are full human beings with the same rights. This 'self-evidence' needs to be questioned and confronted. Resistance works best when women unite and at least start to stop this structural mutual devaluation among themselves. Speak, talk, share, cry, console... You don't need laws for that. Supporting one another, acknowledging injustice as such, comfort and compassion would be soothing ointments on the wounds of countless women that could heal a little bit better that way.

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