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Balancing genius, intuition & healthy grounding in an elite jungle of an addictive financial world
How far can you go? The focus of these KDramas is greed for BIG money, which has long since lost any reasonable connection to life and people. It's about stock deals by the super-rich, insider trading, short selling, mergers and acquisitions.Hiding behind the title "Midas" is the legendary story of the ancient King Midas. It is said that as a child, ants would put grains of wheat in his mouth while he was sleeping. He was later granted a wish by Dionysus, wishing that everything he touched would turn to gold. The consequences though were life-threatening, because actually everything he came into contact with turned to gold, including food and drinks... The story of the KDrama operates both with the dictum "to have a golden hand", which is inspired by this legend, and with the psychoanalytic concept "Midas complex", which has proven itself in connection with pathological greed.
The protagonists in "Midas" have an offensive urge, almost addictive, to make even more profit with daring investment strategies, sometimes risking to lose the ground under their feet and maneuver themself into existential situations. This KDrama is about the challenge of balancing genius, intuition and a healthy grounding within the elite jungle of an addictive financial world. Thrilling story, complex character studies and emotional rollercoaster are guaranteed. In this world where money, intelligence and high speed set the tone, the intuitive feeling for the right timing prevails. "Midas" broadens the horizon from the (rather usual) Jaebeol family intrigues and inheritance disputes, which also have their place here, to - without regard to losses - partly illegal machinations in the financial world.
"Midas" is sketching a world of high risk and high numbers - abstract, fast pace, fashionable, cold. Yet it is an emotionally intense in-depth study about temptation, including space and time for morals. However, a spot here and there, where the warm and tender wind blows, is given, too. Some call it love...
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Pining at its finest
Korean BL’s have either been a hit or a miss these days. This drama isn’t dry at all, in all honesty it is pretty good. I’m not going to rave about Zuho being in it, or how that isn’t a a bad thing etc. I’ve done that in the comments and everyone has their own opinion on that. My opinion is to give this show a chance and enjoy it. I like Zuho and Sf9 a lot, how could I at least not find this entertaining.Luckily for me this drama is more than entertaining. It has great moments of chemistry that by the first few minutes where the two leads are in high school and the story is set up, you can pinpoint right away that one clearly and so desperately pines for the other. That is all credit to the actors, both of them, but for Han Joon’s character specifically. He bit hit tongue twice.. looks like that can only be directed so far. He took that intuition and fully went with it, so that is a reason for me to buy into this chemistry if the setup didn’t already do that.
Childhood friends to lovers can be cheap. But Han Joon’s and Yoo Jae’s bond is different with them both being guys. There isn’t that attraction that people will assume is thee because they are the opposite sex, so that’s why I find it interesting. You have Han Joon liking Yoo Jae but knowing it most likely won’t be reciprocated. The moments of his conflicts with expressing his feelings and being upset about that are brief, but the actor knows the characters feelings that you don’t need to much explanation on that. I’m sure there would be if the drama was longer… which is where things seem to be so easily solved if this drama were.
It’s a stunning show with how it’s not super high budget, the music is calm and the ending ost is really upbeat and I like it. Some editing is off, but I’m just glad a show I’ve been waiting for is finally here. I’m glad that the actors are into their roles and aren’t shying away. Zuho I give so much respect for this. He clearly knows his character well also and is versatile with the many emotions his character has to pull off here. Jealousy, attachments, stress, anger.. love love love to see it
My only gripe is this show needs to be longer. It’s only because the endless potential I see with the all so interesting story. On the surface it’s childhood friends with one liking the other. But there’s a whole lot more. Both of the friends have similarities with being poor, they have unfortunate circumstances and adversities that they have calmed and healed with by being so close. I wish to see those internal struggles outside more, specifically with both of their home lives.. but this drama isn’t long enough to have all that without it being choppy. So the attempt that is going to be made will push through for me, but it could be better if fully fleshed out. There is so much to fit with so little time, but it is really interesting to watch nonetheless.
The acting is really good for the leads. The chemistry is there and has my heart pumping from looks alone. The cinematography shines at moments and other times it is just the drama moving along. So this drama is harmless.. and it could become a complete bucket of cold water over the heads of people who doubt it if it comes through with the chemistry that the actors have- but will the production let them?
Unfortunately not. The last handful of episodes unfortunately are rushed and packed with so many things that there isn’t enough time for. The jump from dating and being together is a bit off.. only because there is only so much affection that was allowed to pass through. In a broader version I can only dream about this would’ve been a 10/10. For what it stands for though it was pretty good. Not perfect at all honestly. It had a lot of gaps I had to fill in with the editing and cuts just because it simply isn’t long enough. Lots of potential, too much potential that it leaves a bitter taste in my mouth.
I enjoyed the chemistry but wished it would’ve been pushed further. It would’ve shown them and their difference from being just friends to being a couple better. It would make more sense for it- but again it was just a lot of potential. Potential is a good thing, for the whole show though it was underwhelming but not horrible. I’d binge in a day if I watched it again.
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Cinema at its most, when it comes to political thrillers
Among the South Korean cinema audience in 2023/24 "12.12: The Day" sure was a great success. Production costs were thus recouped after 12 days already. Even beyond the national border the movie is considered among the bests South Korean films of 2023.The story takes place in a world of uniformed men where stars and suits call the shots. There is talking, negotiating, and telephoning. There is also shooting, but comparatively little. The action is limited, even as various military units are actually invading Seoul to reinforce Chun Doo-hwan's security forces. However, it is cinema at its most, when it comes to political thrillers. "12.12: The Day" is compellingly captivating and knows how to stir emotions.
It wasn't long ago that the military in South Korea was thus actively involved in politics. Yet, Chun Doo-hwan's military revolt in that particular December night is a chapter that has long been given comparatively little attention. This KMovie now contributes to making these decisive events of the time conscious and helps to not having it forgotten. (Perhaps the right film at the right time... without knowing sort of preparing the public opinion for another momentous December night yet to come at the end of the year 2024…)
In any case, the right actors were in front of the camera – the KMovie is consistently high-caliber and lives from the strikingly concise character portraits. The names of the true historical figures were minimally altered to allow for more dramatic freedom. (It certainly helps as a non-Korean audience to know a bit about the political and historical context. However, the dynamics are outrageous even without this knowledge...)
The film offers an exceptionally candid portrayal of a crucial momentum in South Korea's recent history. Despite its politically and historically almost documentary-like dramaturgy, the KMovie manages to stir the emotions of the South Korean public today. Especially among the younger audience, it quickly became common to post a screenshot of their heart rate captured by their smartwatches on social media during the 141 minutes of the film to document their outraged indignation.
Even though "12.12: The Day" sometimes seems documentary, it is not a documentary film. The KMovie understands itself as historically precise. Yet, at the same time equipped with dramaturgically pointed degrees of freedom it allows itself to further increase the emotional density, too, and thus amplify the intensity of those impactful hours of that particular night.
By the way, the original title "Seoul Spring" subtly refers to the "Prague Spring," in which eventually hopes for democratization were also abruptly dashed by military force – however, in another country and ten years earlier.
-------------------- HISTORIC SIDE NOTE -----------------------
The era of Park Chung-hee's military dictatorship abruptly ended with his assassination on October 26, 1979. Meanwhile, any high hopes for democracy were quickly dashed by security commander Chun Doo-hwan amid the ensuing turbulences and power vacuum. Together with the so called Hanahoe connection, consisting of his classmates from military academy, Chun Doo-hwan promptly and forcefully seized his opportunity: Having the military intervening in politics again… Thus, the hope for true democracy after Park's death was brutally dashed on December 12, 1979, as the new dictator was already waiting in the wings. The KMovie mainly revolves around those 9 decisive hours: how Chun Doo-hwan managed to win over, persuade, or push key people to side with him and carry out a military coup with a momentous impact for the nation.
In April 1980, he became head of the KCIA (Korean Central Intelligence Agency). In May 1980, he declared martial law. He is responsible for the Gwangju massacre, for the suffering of people in various cleansing camps, and for the torture chambers of the KCIA. On September 1, 1980, Chun Do-hwan officially took office as president and remained a rigorous dictator for 8 years.
It is truly sad, almost outrageous, that in the end, during that decisive night in December 1979 only the commander of the capital guard and a vague 100 of his people dared to really oppose the revolting military commanders around Chun Doo-hwan. Thus, not only the masterminds of the military coup and their Hanahoe comrades are to blame for the coup's success. Unfortunately, many more for various reasons quickly became opportunistic or switched sides out of fear. For 9 hours, a bitter power struggle raged behind closed doors of different operations centers in the middle of the capital Seoul. And on the streets of their own country the military pointed their weapons at each other… (…again).
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It has beautiful scenery, costumes and mis-en-scene. It was so colourful and pretty to watch!
It was also entertaining to see the different tribes (where the lived and what they wore). The sets were fantastic, I loved all of the clans palaces (so well thought-out and designed).
The characters were so loveable! I just wanted them to all be happy ugh. Their entwining story lines were fantastic and sometimes heart breaking. The scores throughout the show were very well written. I personally like Ka Suo and Li Luo's theme.
This show doesn't follow the expectations of the audience and is often quite unpredictable. This is a great quality because after each episode your always left wanting to know what happens next.
I couldn't praise this show enough. It had me hooked from the first episode, and by the last I was wanting more.
I recommend watching this series with an open mind, it can have "tacky" or "cheesy" moments, but if you look past that you'll find a great show with an awesome story.
I cannot wait until season 2!
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best comedy ever! hold your belly!
10 stars well deserved for the high level of comedy! BRAVO! I have watched the first 2 episodes while travelling by train and i couldn't keep quiet! i have now finished it and It is one laugh after the other and the actors are so good! I am watching this following on the actor retreat program as i have discovered a Dong Yeon as bubbly and funny and i wanted to see more of him- i am glad i have done it!even the finale was perfect! and.. "I will see you tomorrow..!".
Trust me and do not skip this one, it is good for your mood!
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My Rating: 9.0
In Short: I really liked the premise of this, It's simple, but original and effective, and gives off a "slice of life" vibe that I enjoyed. I also liked the cast, particularly our "lock and key" couple.
Pros: A realistic view of relationships in four different age groups, with a refreshing cast, great music and lots of charm. I also really liked the 14-episode format. For me, even 16 episodes can sometimes be way too long.
Cons: I would have liked to see even more interactions between the boys, not just their lives outside of home. I feel like the great scenes in the last episode really show us the potential in this. After all, five people who live together are bound to interact and influence each other a lot.
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In Guk and Si Yang slayed their roles!
I enjoyed this drama so much. It was so fun to watch, In Guk and Si Yang played their roles extremely well, I was not only crying from laughter but of course sad scenes as well, because let's be honest, it's not a kdrama without a few tears. The story line was interesting and kept me invested the entire time I was watching. The whole tory kept me on my toes because of the suspense it also had with the whole plot and everything that went with it. I highly recommend watching this, you won't regret it I promise, bit just remember to go into it with an open mind, don't take everything too serious otherwise you'll ruin this great drama portrayed by wonderful and amazing actors and actresses.Was this review helpful to you?
Firstly, I did NOT expect for this movie to impact me this way. From the beginning I was thoroughly creeped out by the stalkerish antics of the male lead, but as the story progressed I slowly came to realize he had his issues and reasons behind the unusual choices he made. I found myself so intrigued by the actions and thought processes of this assassin that it was enough of a pull for me to continue on with the story. I'm still a bit startled at the fact that I can connect with the feelings of an odd assassin but eh, at least I'm not afraid to admit it. :P The female lead was as equally strange but understandably so. I mean, who can actually call themselves "normal" when they are in love? Is there really a "normal" love story? And who would've thought her innocent love would turn out to be so dangerous?
Secondly, what great acting of ALL the characters! Jung Woo Sung did an excellent job in portraying both an awkward/sketchy loner and a dangerous assassin. Because of this, every action, every emotion felt real and I found myself totally convinced by the love and the danger it entailed. Nothing was ever overly exaggerated or over emphasized. The mood was so subtle and yet so haunting. Really. I find myself thinking about the "what if" scenarios constantly. However, with that being said, if he wasn't such an attractive fellow, I doubt I would be so easily forgiving of his "stalker-like" nature. What a shallow thing to say, I know! I hate saying it, but it's true. >.<
The music was also fantastic. Call me crazy, but I felt as though half of the story was told through the music itself. It was pleasantly in sync with the storyline and I found that to be the most appealing aspect behind this movie.
Overall, I thought this was such a strangely fascinating and suspenseful story about a love lost then found. It makes one question what it is that we truly value the most in this life and I'd definitely recommend it to those who are looking for something much more dark and serious than your average rom-com flick.
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The story, is as it says it is in most story summaries you read.. but what those summaries fail to mention is that it is spectacularly written, its also about human relationships. And the story had, not necessarily side stories/plots, but background and reasoning, that made you go "Oh so that's why" in a few places, loved that..
Each of the "main" characters, are well thought out, including development. The acting is stellar. Straight up, even the character's you don't like, are so well thought out, that you can't be mad at the writers for making them that way. Every character in this drama has his or her place, take one away, and the drama wouldn't be the same. I was really impressed by the acting. I know most people, would start to watch this for Daesung, but don't. That's all I can say, do NOT start watching this for Daesung, I did, and not that I was disappointed with his acting, I wasn't, I just didn't like his character.
Music, well it is about musicals, so of course the music has to be good, and not only was it good, I was very impressed by how good it was in places.
I will re-watch at some point or other... The reason I didn't give this a perfect 10, but a 9 instead was because, all the way up until the ending the writing and so forth or stellar, but the last episode was just so sub-par to me that I couldn't bring myself to give it a perfect 10.
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High-end KDrama story-telling/performance quality - emotionally complex, captivating, touching.
Society in trouble. "Angry Mom" confronts viewers with some unloved topics. Bullying comes first and keeps the door open for one more... and one more... and one more... and one more... It's about the attitude of the parents when it comes to education and school, about prejudice, discrimination against women, male-dominated hierarchies, pedophilia, the power of the powerful...If it weren't for the comedy (even just the fact that the mother, in her mid-30s, puts on a school uniform again and goes to school), it would all be hard to bear. Also, the protagonist's former school friend was deliberately portrayed in an exaggerated manner. She and the gang of men she leads often look like they're straight out of a cartoon - she herself is sometimes reminiscent of the Red Queen from Alice in Wonderland. Her scenes always provide a breather with a little exaggerated fun, even if the bitter seriousness does not fall by the wayside.
The comedy has nothing to do with a charming blinking. It only serves as a channel for anger and dismay (of the viewers). The story itself isnt´t all too easily digestible. The daughter is being bullied, but no help can be expected from the official authorities. The mother does the work herself (absolutely marvelous: Kim Hee-sun!). Without frills, she stumbles right into a male-dominated snake nest in the high school environment. The further she courageously advances, the more unexpected help she gets. However, no one else would dare for themselves, although many do not like what is going on. ... If she would not be a mother with her child being affected, she would probably have given up too...
This is once again high-end KDrama story-telling/performance quality - emotionally complex, captivating, touching.
Don´t miss it.
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Don't Look Back: The Legend of Orpheus
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A shark may not be able to generate suction, but "Shark" can very well do so !
The title "is an allegory and a leitmotif - be it the original title "Shark" oder the sometimes internationally also used title "Don´t Look Back: The Legend of Orpheus".The latter not only alludes to the ancient legend of Orpheus, but also to Marc Chagall's painting of the same name, which can be found in the KDrama as a leitmotif, too. It basically describes what this is about. As far as the mythology is concerned: Ultimately, Orpheus never gets his great love Eurydice back - even as tries to return with her from the realm of the dead, he unfortunately doesn't manage to do without "looking back" (the condition for the rescue to be successful). In relation to the story of the KDrama, this could mean: the protagonist would have to give up his revenge - his being stuck in the past. And that brings us to the core of the story: revenge.
The original title "Shark" refers to a second leitmotif: Since childhood the protagonist feels a great affinity and sympathy for this particular predatory fish. Ocean sharks must always be on the move. Their mouth remains open so that fresh, oxygen-rich water can reach their gills and they are able to ´breathe´. Not moving means no fresh oxygen supply and thus their certain death. This implies an inevitable activity at all times - consequently they are always dangerous. Ocean sharks are loners, too. At most they join together in groups for hunting. In this respect, the story is set in the world of powerful, highly influential Jaebeol, whose machinations tremendously drive the Wheel of Fortune. They never stop shaping the world at their will, regardless of the cost. The protagonist courageously competes against one of the really big ones (actually against two). There is plenty of manipulation on all sides - as if you were pulling the strings of puppets. Sometimes one might think of vodoo dolls... Police and lawyers are breathlessly chasing behind the events. (It came at a time when bribery and corruption in South Korean business and politics was still more common and taken for granted than nowaydays. It was only a couple of years later that even the head of state was accused of being part of a shocking network controlled by Jaebeol bribery. To that extent the KDrama was just on spot at its time.)
"Shark" offers a fine study about injustice trying to be compensated by vigilantism. However, making amends is not possible. The protagonist's father is and remains dead. Revenge isn't that easy either, because in the course of his chess moves the protagonist stumbles over truths he didn't expect and a love that could get in the way of revenge plans. (Somehow Orpheus is whispering into the protagonist´s ear: "Do not ´look back´!", e.g. let go of revenge and vigilantism...)
The shark (as an animal) may himself not be able to create suction (for breathing), but the KDrama "Shark" can do so very well. The soundtrack sets the rhythm, the melody burns in, the events take their course and you always want to look around the next bend to see what might happen next. Although the good guy is the bad guy, you're feverishly at his side. And on the side of the bad guys, there are the good guys too. What to do with morals...
"Shark" gives practical insight into the early hours of the Jaebeol and their machinations over time. The roles of their long-term companions, who knew them from the earliest hour before their rise as Jaebeol, are also highlighted (e.g. their companions, today assistants, secretaries, drivers, lawyers, etc.). With those they have come a long way and so the know each other, like no other).
"Shark" is more on a tranquil side and maybe less colourful than other KDramas. Both background and heart of this KDrama with its characteristic tinting are set by the tender childhood love - between the Jaebeol´s grand daughter and the driver´s son... The differentiated side plots also keep viewers on their toes. ... It remains thrilling until the end, when open questions are answered.
Mercilessly the wheel of fortune turns, over 20 episodes. The premonitions of the first scenes are set ´today´. Then, in retrospect, the emotional relationship between the protagonists, what happened back then and where they are coming from is portrayed via their youth experiences, before the today´s storyline is picked up again.
Some call this KDrama a masterpiece. I am one of them.
Yet the whole is as often more than its parts. If you are primarily in it for the romance you might be disappointed in the end. Rather against the setting of this love story the KDrama is giving insights into the careers and backdrop of the shiny Jaebeols´ shady practices. In return on this solid drama-soil the emotionally challenging processes of those two ´associated in love´ unfold...
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The Escape of the Seven: War for Survival
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1This review may contain spoilers
unfathomable beastliness down to the blood. a search for the good guys could very well be in vain
You better be aware, it can always become more monstrous. For the audience, the first episodes of “The Escape of the Seven” are already quite inhospitable. Surely, among the protagonists one is worse than the other. We immerse ourselves in an unscrupulous world full of greed and devoid of any... …actually, I wanted to write "humanity", but then people also have a bitterly cruel and evil side, which is unfortunately also so very human in all its abysmal facets that it is painfully hurting and we'd rather not see it or let alone experience it... That's what "The Escape of the Seven" is about: The potency of human unscrupulousness... It couldn´t be more repulsive. (Could it?)Crass, brutal and soulless, but everything beautifully polished in HD – this is how the 'beautiful', (one would normally consider) ´desirable´ life of the "Seven" is displayed here. However, soon enough the limits of what is bearable are strained. Admittedly, at first I had to avert my gaze with a shudder. Pretty quickly I dropped this KDrama.
However, the job as a subtitler had me open up for a second attempt. Meanwhile – if I accept the premise: it's about a group of people who are entangled in their unscrupulousness, who are united in their monstrosity not least by their excessive greed and a disgusting obsession with money, power, prestige, rank and influence – I reconsider this KDrama quite original by now. Surely, there are lots of unsympathetic (and shockingly convincing so!) protagonists - that's downright provocative for a TV series entertainment mission. Nevertheless, eventually from the 5th episode onwards, the KDrama is unabashedly still gearing up. It´s like the point of no return. By then there´s no more escaping from “The Escape of the Seven”... You´re on the hook. Because you actually start hoping…(for ´the good´ to finally become true.)
The plot turns out to be a revenge mission cleverly disguised in several respects. AI and deepfakes on the one hand, tried-and-tested Makjang on the other inspire the psychopathic composition of a jungle full of fatal, dramaturgical entanglements. Intelligent, exciting, disturbing – more than once we might think we know what's going on and yet we're wrong. Ruthlessness is certainly one of the leitmotifs in this KDrama.
I only recommend "The Escape of the Seven" if the mood is right - one that demands unfathomable beastliness down to the blood. If we get involved in this KDrama, then we will uncompromisingly be catapulted into a world in which a search for the good guys could very well be in vain...
And there is a second season, too…
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Also The story is really creative. Forget love triangles, how about love octagons lol. But it's the characters that make the show. Tenchou, the main character, is a barista who hardly ever speaks out loud. Much of the show is us hearing his thoughts and laughing at his facial expressions. The other characters are also great. Too many good ones to name. But trust me, "I say this from my experience, my life and my soul," Manhattan Love Story was Great!
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Although the story can be confusing at first since it is very fast paced, it slows down as the story progresses, and makes more sense after understanding the characters. The story is heavier, and has a lot more dept than regular Shoujo live-actions, which I personally enjoyed. There are some touching scenes throughout the movie, especially at the ending.
Acting/Cast:
I was not a huge fan of Komatsu Nana's acting in her past works, but she improved so much in this movie! There are a few parts that are still a bit awkward, but her acting is overall pretty good in this movie. Suda Masaki's acting is always great, and once again, he did not disappoint me. He really embodied the character, and truly won me over by the end. I read somewhere that he lost a lot of weight for this role, and weighed around 50kg, which is crazy for his height! Overall, I really liked the chemistry between them since they have a similar aura.
Music:
I LOVED the music, and I thought that it went well with the movie. I downloaded a whole bunch of the songs after.
Overall:
I honestly love this movie so much. It is fast paced in the beginning, but everything fits together by the end. This is definitely different (in a good way) from regular Shoujo manga live-actions, but the scenes were filmed so beautifully. Overall, I loved the main characters and the chemistry between them.
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