The most beautiful bundle of complexity in GL media by far.
Let me first start off with the writing. Despite initial concerns with the problematic novel it's based off of, the writers did a fantastic job in making up for the flaws of the book in the series. The necessary changes made, the pacing of the plot, and the flow of the story all contributed greatly in cementing this show in my heart as one of, if not the best GL I've watched so far.Now let's get into the acting. Namtan did a heck of a job differentiating Oom from Ai. It genuinely felt as if they're acted by different actresses by how well she played the two characters. Film was a natural. She played the role of a woman who is blind perfectly, and at times it was scary how real it felt. But that's just how well she embodied her role. Not only this, she really has this natural artist's ability to capture your attention and be enamored by her acting that just gets you in the feels. NamtanFilm is by far the most balanced GL tandem in terms of acting. They match each other's amazing acting ability, making it easy for viewers to feel what they intended for scenes to elicit.
For my most loved part of this show: its complexity. Characters are extremely flawed, morally grey, and realistic. Yet, the writers did not fail to bring out the humanity beneath these characters to make them appeal to the audience's hearts. Its themes are also extremely heavy yet are handled and tackled well enough to not make it problematic. This balance was what made the show more engaging, enjoyable, and memorable. Especially with Jan, Pang, and Pim's love triangle. It was a whole lot. Although their story was not quite deepened and not dwelled enough for there to be any attachment felt by the viewers for them, it just goes to show how bold and complex Snap25 went with Pluto.
Additionally, the fact that a lot of redemptions happen in this show makes it a relatively easy rewatch despite its heavy themes (Episode 11 angst was way too much for my emotional self though so definitely except it). I'm not a fan of rewatching at all, but Pluto is one of the few shows that I would willingly rewatch for the feels alongside Reverse 4 You.
No doubt in my mind this is going to be GMMTV's best GL show for quite some time.
2024 GL Ranking: https://kisskh.at/list/Ln8MOBO4
My Top 10 GLs of All Time: https://kisskh.at/list/4vGQqnb1
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Dead men tell no tales.
Pledge of Allegiance is a dark and murky Ming Dynasty suspense thriller in the vein of the renown Brotherhood of the Blades franchise. Produced by Lu Yang and written by the same writer, the Jinyiwei/锦衣卫 or brocade-clad guards of this drama are grey characters whose true allegiance is to their brotherhood and their personal values and priorities and not to some overarching sense of morality or righteousness on a grand scale. This drama is set in a time of opaque and wild, conspiracy laden history and has an elaborate plot with manifold twists. This is likely to lose casual watchers, especially those without a basic understanding of the historical context. [A detailed discussion of the history can be found in the Discussion section of the drama page.]This drama is set during the chaotic battle for the throne that followed the demise of Zhu Yuanzhang, the founding Hongwu Emperor of Ming dynasty. A succession crisis plagued the last five years of his long reign when the crown prince Zhu Biao died unexpectedly. Zhu Yuanzhang had chosen Zhu Biao to succeed him over his most capable and some claim his favorite fourth son Zhu Di or Prince Yan because Zhu Biao was the son of his legitimate wife. Conflict arose after Zhu Biao's death when he chose Zhu Biao's son Zhu Yunwen to be his successor. Zhu Yunwen was also the son of a consort and not of Zhu Biao's legitimate wife. Thus his claim to the throne was no less legitimate than Prince Yan's notwithstanding his grandfather's endorsement. The young Jianwen Emperor's tenuous hold on the throne was further shaken when he unwisely sought to temper the military might of his prince uncles, exiling and killing many of them. Prince Yan who secured the Northern border needed little further excuse to revolt. The silent power struggle that began with Zhu Biao's death broke out into open civil war almost from the moment of Jianwen's ascent. At the time, the capital was in the south at Yingtian (present Nanjing). Prince Yan for all intents and purposes was already in control of the northern capital Beiping (Beijing) where he defended the nation from the Mongols. He was aided by his elite border spies, the Yebushou/夜不收 or night scouts. They are pitted against the Jinyiwei who are the emperor's secret police but like many bureaucracies and the court at the time, there were divided loyalties at every level. While likely consistent with history, this aspect of unclear and shifting loyalties makes most of the character motivations in this drama especially difficult to follow.
Li Wu is a thief and a consummate liar. He steals the identity of a sergeant and sneaks into the mansion of Wang Kegong, who had just been transferred back to the capital with a secret edict. He has life threatening encounters with Shu Tang an assassin and Lu Zheng, a young detective who is literally willing to kill a sergeant to create a vacancy for himself to assume that position. They get caught up in a race to secure the Yuming Lock, which contains a secret that could change the course of history. Though they have different masters and at times conflicting agendas, they share a decade old traumatic childhood past. Whether by chance or destiny, they are reunited to solve the mystery of what really happened one fateful day ten years ago. But the links to the past get more tenuous and secrets that can turn friend into foe are revealed. As the body count grows, the solution slips further out of grasp as dead men tell no tales.
The main roles are complex and the cast delivers all-round riveting performances. In this kind of battle for the throne story there are no real villains; everyone is quite dark and have their own agendas. Zhang Yunlong is particularly convincing as thief with an inconvenient conscience and a knack for turning dire situations around. He had so many balls in the air at the same time that I could barely keep up with his lies and his promises. Chen Ruoxuan's portrayal of Lu Zheng as such a smart and yet naive and (wilfully?) obtuse character is nuanced and empathetic. It is no wonder Li Wu, Lu Yulin and even Zhang Junqing feel compelled to protect him. I enjoyed Li Wu's bromance with Lu Zheng as much as I did his romance with Shu Tang. Chen Ruoxuan and Zhang Yunlong have such good chemistry that they are masters of the art of the unspoken; how it is possible to have an innate understanding and trust that is beyond words and even actions. The stage is nicely set for this recurring theme in the telling of the fable of the Tan Hua flower spirit in episode 3. This underlies many interactions between main characters including the Mu sisters. This aspect of reading the subtext is very well conceived, it challenges both the characters and viewers to hear the truth behind the lies and to "hear" what is left unsaid. Sun Yi is a gorgeous and terrific actress and this time, she has a meaty role although her character is not always consistently written and her relationship with the colonel is not well fleshed out. As such, it is Ma Yujie's daringly articulated Zhang Junqing steals the show as the most fascinating and strongest female character of this drama.
This drama is not that action heavy but the sequences are fast moving and very well choreographed although they lack the intensity and raw ferocity of Brotherhood of Blades. I am quite relieved at the shorter and less stressful combat scenes as they are still packed with shocking and bloody twists. Just don't look too deeply at the logic defying ability of many characters to survive body piercing stabs in close vicinity to vital organs.
The plot design is serpentine and deliberately messy. This is probably meant to reflect the opacity, duplicity and chaos that prevailed at the time. Many character motivations are never fully revealed which gives rise to a sense of lazy writing; that at times characters become inconsistent for the sake of delivering yet another twist. There were a few too many twists that detract from the main plot. The final episodes in particular appear to have suffered from heavy cuts. This could be because the main conspiracy that is designed to be weaved into significant historical events may have gone too far in distorting history. This results in an ending that is satisfactory overall but leaves a few open sub-plots and unanswered questions. I love these plot heavy historical suspense thrillers and think this is a high quality, compellingly acted production overall. However, the story could have been told in a much less confusing way so I can objectively only rate this an 8.0/10.0. That said, my personal enjoyment level is at 8.5.
I will include below my personal speculation on how I think the story ends and some other ending comments that are inevitably spoiler heavy. Do not read it until you have finished watching.
WARNING: ENDING SPOILERS AHEAD
The past:
In terms of what happened in that prison years ago, I came to the conclusion that Li Yan, Song Heming, Wang Kegong,, Mu Jinggao and possibly even Lu Yulin were all loyal to the deceased crown prince Zhu Biao. The compassionate and peace loving Zhu Biao did not wish such evil weapons to ever be used so he hid them and left the riddle of the location with Mu Jinggao, the firearms maker. Li Yan was the go between but was framed for murdering the crown prince by an evil Jinyiwei. He revealed the riddle and gave up Mu Jinggao to Song Heming to save his son Li Feng, who was sent to his good friend Minister Yuan. Li Yan probably implicated Mu Jinggao because he not only knew where the firearms were stashed but also how to make them. True to his word, Song Heming arrested Li Wu as Li Feng's substitute. Unfortunately Lu Zheng messed everything up by letting Li Wu and the Mu daughter go. Lu Yulin had to sacrifice Song Heming in order to save Lu Zheng. This is a consistent theme where they sacrifice themselves/each other to keep the secret buried but try to save each other's bloodline. The other possibility is Lu Yulin was working for Prince Yan and killed Song Heming for the Yuming Lock. But his motives changed after he grew to love Lu Zheng and then protecting him became his only objective. In either case, between Lu Yulin and Wang Kegong, they kept the Yuming Lock and the key to how to unlock it hidden for ten years, giving it to no one. The evil Jinyiwei who framed Li Yan and set this all in motion was of course the real Li Dongfang, a bastard son keen to earn merit from his father Prince Yan. That is why he tracked down both Mu sisters and tried to use them to try to find the weapons. He also hoped that if Mu Jinggao were still alive he would come back for his daughters. I don't believe Mu Jinggao ever was a Yebushou because if that were the case, Prince Yan would not only have the weapons, he would know how to make them. I also doubt he is still alive as if he were, he would have surfaced or been found. It seems implausible that Lu Yulin who was just a mid-level Jinyiwei at the time could have saved such a high profile rebel under intense scrutiny.
The ending:
With the help of Boss Shen, Li Wu is in control of the game changing weapons and thus has a seat at the table in terms of the outcome of the power struggle. But he is just a common thief; like all commoners throughout Chinese history 民以食为天/mín yǐ shí wéi tiān - as long as there is food on the table it doesn't matter who the emperor is. Like Zhu Biao, he only cares that his beloved capital and "his people" don't suffer the vagaries of war. So he decides that no one should have the weapons. Yet he made promises and owes debts to both sides of the conflict so he engineers a compromise outcome. As promised (in exchange for Li Dongfang and hostage Bai Mingshan), he and Lu Zheng open the city gates to Prince Yan's forces but he smuggles the weapons away after taking control of the river fleet. In history, a traitor delivered control of the imperial river fleet to Prince Yan while another opened the city gates to his forces - see why the final episodes got cut quite a bit?. To Li Wu, it was clear Prince Yan would ultimately prevail and this was the least bloodthirsty way to cede to the inevitable.
At the same time, Li Wu owed Yuan Zhongdao for a number of things including Lu Zheng's life. He probably made good by smuggling the emperor, his consort and son out of the country. That is probably what Shu Tang went away to do - she was getting them safely out of the capital. She never really sided with Prince Yan she was just repaying her debt to Li Dongfang. Once he was dead, she can act in her own best conscience and she would be helping her sister who gave her life to fake the emperor's death. She may also have wanted to see if her father is still alive or to ensure that the technique of making these weapons is destroyed. In history, the palace was burned when Prince Yan entered the city. He produced three charred corpses allegedly of the Jianwen emperor, his consort and their son and declared himself emperor. That is why I already guessed Zhang Junqing would die with Yuan Zhongdao and I expected Mei Dou to be the third corpse but I am glad they didn't go there or that got cut. It is wild history that Jianwen Emperor survived the fire and escaped to Southeast Asia or further south in China. Zhu Di is said to have sent Zheng He off on his expeditions across Southeast Asia to hunt him down. This part of the conclusion obviously suffered heavy cuts as it indulges in speculative history.
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An “ Alarm” Ahead For Terrible Screenwriting ...
Screenwriters Lee Ah Yeon and Seo Bo Ra evidently adapted this from the webtoon for their eponymous contemporary drama “ Love Alarm” centralising upon the same premise of high school student Jo Jo ( Kim So Hyun) and her love triangle with “popular student ” Hwang Sun Oh ( Song Kang) and his “ kind-hearted best friend” Lee Hye Yeong ( Jung Ga Ram), in a world determining love through one app.
By default, this drama should be a masterpiece; its source material and premise are fairly creative and original, the characters are intrinsically interesting and it has a top-notch cast as well. However, “ Love Alarm”’s biggest inconsistencies can be pinpointed to two focal areas; characterisation ( or the lack of it) and the lingering problems which arise through the existence of the alarm itself.
Perhaps the biggest elephant in the room to tackle is our main heroine Jo Jo. It is made pretty evident that Jo Jo actually has a lot of intriguing qualities as our main character; her circumstances growing up have been difficult, she’s struggled with trauma and she’s never been “ overly exposed” to the love alarm ( like the viewer) in the same way her fellow peers have .
Yet whilst Jo Jo has all the right qualities of being a relatable and well-written main character, her actual personality traits make her seem a fairly hollow “ Mary Sue”, rather than an actual flawed human being. She’s deemed as “ pretty, smart and popular” by her peers yet the two latter classifications were fairly flawed in terms of who Jo Jo is supposed to be as a character. Jo Jo being “ popular” isn’t an immediately ridiculous trope with the considered factors of her “ attractive” appearance and being book smart, but let’s be honest in considering that Jo Jo lives in a society still determined by trends as a form of social hierarchy .Even in an alternate society, this seemingly manifests to the idea of the app “ Love Alarm”, something Jo Jo prominently does not have. Whilst this in itself is of course not something Jo Jo would realistically be written out as suddenly “ not being popular” , it would still remain obvious even amongst Jo Jo’s social crowds that she isn’t up to date on certain trends and styles, something which was neither realistically raised or shown critically in the show at all.
Additionally, Despite Jo Jo’s seeming intelligence and her circumstances leading to at least some street smart personality traits , Jo Jo is a shockingly dim-witted character within putting herself in danger or helping to create numerous misunderstandings throughout the show. Of course this was supposed to intensify the “ drama” and make Jo Jo’s feelings more heightened for the two male leads, however, it seemed even if Jo Jo was more “ naive” of her actions than anything else, cruelly ignorant to lead on both Sun Oh and Hye Yeong, two individuals who clearly hold feelings for her, than create the amount of ridiculous dilemmas as she did in the drama. Whilst the drama wanted us to feel evident pity for Jo Jo in the season one finale, it was hard to truly feel attachment towards a character who had little to really offer in the first place.
Naturally this moves us onto the problems of our two main leads Sun Oh and Hye Yeong. Arguably, Sun Oh does have some more noticeable character traits than Jo Jo in the beginning of the series; he’s rich, and similarly popular , but acts out in his often “ stoic” manner because of his own inner psychological turmoil surrounding lacking parental love.
This in itself should have been something which drew Sun Oh and Jo Jo upon their similarities ; Jo Jo may not have parents whilst Sun Oh does, but they both lack that intrinsic parental love which most of their peers have had and thus struggle to find love in the same way. Yet as much as Sun Oh did have some interesting character qualities, he wasn’t given the chance to either grow or mature with his relationship with Jo Jo at all over the course of the series. In fact, Sun Oh is strikingly quite a selfish and fractious character who neither seems to actually reflect or learn from any of his mistakes even going as emotionally gaslight his best friend and
ruin his relationship with both Jo Jo and Hye Yeong rather than actually mature as an individual .
Arguably Hye-Yeong did have more likeable qualities out of Sun Oh as a love interest and Jo Jo as a main character; he often comes off as complacent, but at least this is actually made prominent as one of his flaws, which he learns to mature upon with his pursuit of Jo Jo - the girl he harbours a crush upon without the need of the app. On the other hand, what is undeniably annoying about Hye-Yeong as a character, is that he is often a little too forceful upon Jo Jo when she made her feelings evident at times in the show, and ironically too staid rather than sticking up for himself when Sun Oh began to emotionally gaslight him. Whilst Hye-Yeong had all the right qualities of being possibly one of the few well-written characters in the show, he often felt too irregular as a character; jumping from sudden growth to reversal in two seconds flat.
As for the rest of the characters of the show, Love Alarm is a halcyon for your typical minor trope characters, yet perhaps one minor character who arguably had many intriguing characteristics was “ outcast” Cheon Duk Goo( Lee Jae Eung). Duk Goo plays an undeniable major role within the events of the series and realistically has a lot of inevitable flaws including his own lack of self-confidence. Nevertheless, it was berating even with the app, exactly what Duk Goo, possibly one of the few decent characters of the show, saw in Gul Mi ( Go Min Si); Jo Jo’s “ popular” and selfish cousin. Perhaps it is entirely wrong to attack Gul Mi per say as being entirely “ horrible” as she did have some noticeable problems from being spoilt by her mother, as well as pressurised due to her popularity to “ fit in” with her classmates and Duk Goo’s involvement as her “alarm” entirely threatened this from her point of view. On the other hand, it was still fairly hard to see Duk Goo learn from his mistakes as well as Gul Mi actually maturing from being a selfish schoolgirl , in addition to fundamental questions about how the app actually works .
These dilemmas include; how such an app would be legalised or not face backlash ( protests or negativity) openly, if the app can or has made “ errors” or faced glitches over more than one love alarm per person , why the presumed “app developer” hadn’t been approached by greater technology firms wishing to invest or purchase the app’s rights, as well as of course more upon the “ love alarm” for same-sex couples. Although the show briefly mentioned about the public shame of the love alarm in this scenario, it felt a little sugarcoated not to explain or develop into characters who have faced this. Finally, there’s the most evidential problem of how this app actually works.
The ideology of the app is undeniably artistic licensing; we’re not really supposed to “ understand” the actual methods of the app and we can presume certain theories towards how this actually functions. Nevertheless, there were several lingering questions which were naturally raised about the app’s existence in Love Alarm throughout the series.
So, this leaves us on the most obvious question. Is Love Alarm actually worth watching? Love Alarm undeniably has an intriguing story premise, high production value and a top-notch cast. On the other hand, Love Alarm is simply its own worst enemy when it comes to avoiding falling into tropes, badly-written characters and plot inconsistencies. With a second season on the horizon, it’s wrong to entirely draw out that the story won’t smooth over some of these issues, and there are certainly some interesting ideas going forwards. It’s probably fair to say that Love Alarm isn’t a “ dire” show and certainly something to watch if you’re fan of “ cute, romantic and fluffy” dramas. On the other hand, this show is a waste of time if you’re looking for actual investment in well-written main leads, a sensical storyline and realistic and deep critiques which should have been raised in a show tackling such ideas of technology intermingled with relationships .
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Orange Marmalade has an interesting take on an amalgamation of cliches - you have high school romance, Joseon era romance, love triangles, love squares, vampires falling for humans and vice versa, accident-followed-by-amnesia - anything and everything cliched is here. And yet, it's got an impressive take on things. Issues like discrimination, friendship, acceptance and maturity show up frequently here.
Story:
As many have said before, the drama can be split into 3 parts: High School Part 1 (HS1), Joseon Era (JE) and High School Part 2 (HS2). I liked HS2 a lot more than HS1, because HS1 seemed more rushed to me than HS2, if that's even possible! JE was actually enjoyable to me, believe it or not. I liked watching it but more so because of the relationship between Jaemin and Shihoo. In the HS2 part, I have a certain weakness for Ara - maybe it's because I find her relatable? The HS parts, both 1 and 2 could have been developed more and tied in better with the JE section and we could have had more character development - mostly Shihoo and Ara!
Acting/Cast:
Unfortunately, the show really takes hits here. I gave it a 6, because it's barely above average to me. Yeo Jingoo does well in his role, however his restraint comes through as bland, which is definitely a problem. Still, I think it was good and he did well. Unfortunately, Seolhyun was really weak in her role and it really takes much away from the drama when the lead is not on a good level. Her visuals were perfect but her acting left much to be desired.
Onto better things! Lee Jonghyun - what can you not do, seriously?? Even though I came in here as a Boice and expected to be biased, Jonghyun really did almost meet my expectations. He wasn't spectacular but he did well in portraying traits which I felt defined Shihoo - the delinquent bad boy brashness and aloofness which later translates to a reticence and maybe even awkwardness? Gil Eunhye is gorgeous as Ara and she really does justice to the role - ah, why do I like Ara so much...? I also enjoyed Park Guntae's character a lot - he kind of looks like BTOB's Lee Changsub to me? Or is it just me? Seriously, the supporting cast really made me watch on!
Music:
Cute but not memorable. The main song that Orange Marmalade performs sounds very much like an anime OST and honestly, I don't remember much else about the drama's music. Though, special mention to the flute piece that played in the JE part - I loved that!
Rewatch Value:
Once is enough for me.
Overall:
While it wasn't utterly disappointing, it wasn't quite the best, either. The reason the rating went down was because of a lack of character development and partially due to weak acting. I think most of the epiosdes were hit-or-miss for me but with the last episode being a total hit - I'm glad I went through with it!
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This review may contain spoilers
Great drama worth re-watching
This is a drama that you can re-watch.After watching the epilogue I must concur with other viewers that Zheng Ye Cheng raised the bar for the role of General(XY). His chemistry with Hu Yi Xuan (CY)is well portrayed in many heart wrenching scenes.CY is witty, adorable and trusting which touched XY’s cold heart. I enjoyed the hilarious scene where she mistook roll call for hug a tree as they both sound similar in Mandarin.
XY and CY will sacrifice own happiness for the other. ZYC pull off crying scenes beautifully.
You can feel how torn XY was when learnt that his brother’s death is link to CY.
The support actors are brilliant especially XC who loved CY unconditionally.
I am thankful to the director for a happy ending. Enjoy!
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A Story to Read When You First Fall in Love
40 people found this review helpful
As the J-netizens said, I would like to think Yuri was the heroine of this drama. I loved how supportive was everyone of him. There isn't a single bad character here. And all 3 rivals were nice, handsome guys who wanted nothing more than Junko's happiness. Each one of the guys had their amount of support from the netizens, I am not sure who was the most popular. But since episode 1 I had my favorite, and that is because I am a huge fan of manga-Shinkumi <3
I have yet to watch the final episode subbed, but just watching it raw I loved it (I covered my eyes but peeked between my fingers in the last scene). I'll write a proper review (with a proper rant over this actor whom I fell head over heels) when I finish the last episode subbed.
Favorite scenes, in no particular order:
- The "heroine in a dating game" (but the whole study camp made me happy)
- The "betrayed" look in front of Junko's house
- All the hugs (kyaa they were all amazing, the most romantic I've even seen)
- every time my fave smiled
- Nishioi and Miwa were funny, but together they were hilarious
Favorite drama of the year? XD too early to tell but I loved it so much I am having drama withdrawal symptoms ^_^ And listening to the OST ("Happy birthday" by back number) isn't helping ^_^
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This review may contain spoilers
Impressive right !! Why all Jimmysea dramas are fabulous ?? Ohh yeah I discovered another gem .
This drama is really fantastic and is different from others , Romance have played an important role here ofc cuz it's a romantic bl lolIn this drama both the leads are cute and flirty they both understood the problems and faced it together throughout the whole series. Ep 6 and ep 9 are the best episodes according to me . Another interesting thing is that the episodes of this series are named after different tarot cards depending upon what's gonna happen in the episode . This series somehow create a little suspense in some episodes about the plot who is trying to kill Dr. Thap .
I found it more interesting when In posted a photo of their hands in his insta writing “ I found my home in you ”
And then Dr thap commented on In 's post “ You're my magic prophecy ”
At the end I want every bl fan to watch this drama it's interesting , very romantic and the leads are veryyyyy cuteee
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1Most natural and genuine romance with diabetes chemistry.
“They give me butterflies just by them being in the same airspace.” - meWu Lei & Zhao Jinmai, my all-time favorite couple from now on. I absolutely adore the organic evolution of their relationship, from the initial awkward, blind-date-like tension to becoming utterly smitten with one another. It’s rare to maintain such palpable chemistry throughout the entire series, especially considering that they got together relatively early on. Most shows struggle to keep the romantic tension once the couple has formed, but this series deftly keeps the spark alive in every interaction. What’s even better is that their connection feels incredibly natural and genuine, with unbeatable on-screen chemistry that is both sizzling and enthralling, a testament to their exceptional acting prowess and talent. I'm particularly fond of their meticulous attention to detail, evident in the subtle nuances of facial expressions and deliberate gestures executed by the characters. I can genuinely sense the level of hard work and dedication they pour into their acting behind the scenes, as they excellently presented the delicate interplay of ambiguity and tension inherent in the process of falling in love, and how their interactions still shine after coming together.
Quoting roughly from Wu Lei’s acting teacher, Teacher Cui, on them: “Wu Lei is a very serious person. Every time he takes on a role, he always fully immerses himself in the life of that character in advance. Every frown, every smile, every movement is executed with professionalism and in deep immersion of that character. No wonder so many people like him, because the quality he brings to his performances is exceptional. The manner in which they both handle intricacies and communicate when they're together makes their couple pairing very good.”
Lovely, therapeutic, mesmerizing, heartwarming, soothing, wholesome, tender, and comforting.
An absolute treat that cures depression, yet causes diabetes.
I found the casting to be perfect. Alongside the Lin Yiyang-Yin Guo (Yi-Guo) couple, I thoroughly enjoyed the supporting characters like Wu Wei & lil bro Meng Xiaotian. Their presence injected a playful energy into the story, often through subtle teasing or reactions to the leads, while consistently remaining strongly supportive of them. The bromance and rivalry were superb too—the trio Lin Yiyang, Jiang Yang & Meng Xiaodong all harbored mutual respect and admiration for one another, adding to the wholesome feel of the show. Furthermore, all of them played the role of wingmen well, putting in a decent amount of good words for Lin Yiyang along the way. So how can one not like the cast? Heck, even Yin Guo’s friends are good wingwomen.
I also loved the scenic filming locations that contribute to the gorgeous & cozy vibe of the show—filmed in Finland, France, and China; 3 countries & 11 cities. The BGM adeptly complemented the mood of the show, seamlessly blending with the atmosphere and drawing me in, with the OSTs being catchily good as well.
Some people don’t understand that the plot IS the interactions and the growing relationship/romance. The reason some perceive it as dull, draggy, or devoid of any plot is simply because they don't vibe with the chemistry between the couple as much. And for a series that heavily depends on the dynamics of the couple, this can make-or-break the show for you, so just give few eps a try and feel the chemistry urself to see if you’ll like it or not. And if you are skipping/ff-ing their scenes it’s totally pointless/invalid.
Just know that I love the tension and the tender relationship between the two throughout its entire run.
As someone who enjoys playing 8-ball/9-ball pool & snooker, I appreciate the cast’s efforts to learn the sport from scratch, training hard for a few months, immaculately capturing the aura of a professional player and successfully showcasing some impressive plays.
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Here’s a brief overview of the gameplay for those who have never played before (feel free to skip):
In snooker, players must pot a red ball (1 pt) first before they can attempt to pot a colored ball, which carries varying point values (yellow-2, green-3, brown-4, blue-5, pink-6, black-7 pts).
This alternation between potting reds and colored balls (red, colored, red, colored) continues until all the red balls are cleared from the table, after which players must pot the colored balls in sequence from yellow to black. To maximize their points, players need to strategically position the cue ball (white ball), ideally near the black ball (which yields the most points), after potting a red. They must also position for the next red ball after potting the black. The colored balls are spotted—placed back onto its designated spot once they’re potted, as long as there are still red balls on the table.
Players will also need to deal with being "snookered," where their opponent skillfully blocks the path to the required ball, typically as fewer red balls remain on the table. Failing to hit the required ball results in a foul, with the opponent gaining a minimum of 4 pts (misses all the balls, or hits any colored ball lower than 5 pts). Contacting let’s say a blue ball when you are supposed to hit a red ball will be a foul that gives the opponent the blue-ball points (5 pts), while illegally contacting pink or black ball will give the opponent 6 or 7 pts respectively. The one with the most points at the end of the game wins, obviously, with the maximum break score of 147 attainable (potting red and only black in alternation) which is insanely challenging even for professional players.
For 9-ball pool, it’s simpler, players just have to pot the balls numbered 1 through 9 in sequential order, starting from the lowest numbered ball. The player who pots the 9-ball (yellow stripe ball) at any point wins the game (so a legal shot—hitting a required lowest numbered ball first, but successfully potting the 9-ball in the process results in an instant win). In the show, you will also see the players determining the order of play or break through “lagging”. This involves each player simultaneously hitting their assigned ball from the head string (horizontal line running across the table) towards the opposite cushion of the table, aiming to return the ball closer to the head cushion (the cushion nearest to where they initially hit the ball) than the opponent. The player whose ball stops closest to the head cushion wins the lag and earns the right to break the rack of balls to start the game.
Breaking first is usually more advantageous since the likelihood of pocketing any balls at the break is quite high. This is even more so for skilled players as they have an even higher chance of performing a run-out or clearance, where they pot all the remaining balls on the table in a single turn, thereby winning the game.
Most people (myself included), at least for recreational/non-competitive players, find snooker to be a much more challenging game than pool. This is primarily due to its larger table size, tighter pockets, and smaller balls, making potting more difficult as there is less margin for error, demanding more precise shot-making. Moreover, snooker’s greater number of balls and its scoring system, which includes more extensive rules and fouls, further adds to its complexity (possibly more strategic depth), and a game of snooker is typically longer than a game of 9-ball pool so it can be more mentally taxing as well.
That said, both snooker and pool demands precise ball control (power, spin, accuracy) for positioning and strategic thinking, since players cannot simply pot whichever ball they want and must always plan for the next or several shots ahead.
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I’m now a huge fan of both Wu Lei and Zhao Jinmai. Their chemistry is electrifying and off-the-charts. If they don’t win the best couple award, I’ll riot, because I don’t know who else could.
Please, for the sake of humanity, give them a few more dramas as lovers, because their chemistry is too good to be wasted on just one project.
I’ll miss this show greatly.
And yes, their chemistry outweighs any negatives for me.
10/10.
Weibo Content (BTS, Interviews, etc):
https://docs.google.com/document/d/1-tVcTH8XLtaimpDae1dtmGkXAfbvTcLCERXHEwrl61Y/edit?usp=sharing
Episodes: 30
Runtime: 23 Hours
Please refer to my review’s comments section for further details and discussions regarding some of the criticism or complaints towards the show.
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Eun-ho (SYJ) and Dong-jin’s (KWS) views in narration on their life and love are inspiring and can be lessons for most people. Their views can be useful for any person-any age, those who are in love, those who were in love and especially those who yet to be in love!
Acting/cast:
Almost everyone was A+ in acting including guest roles!
Gong Hyung-Jin is brilliant and funny as an unconfident gynecologist and played an important role as best friend of main lead.
Son Ye-Jin: I don’t need to talk about her. She’s proven actress. She is flawless throughout whole show but her best performance was in the last two episodes.
Lee Ha-Na: I’m very very impressed by this actress! This was her first role in her career still she managed to perform it brilliantly. She was very natural, great expressions and dialogue delivery. Sometimes she was suppressed by the presence of Son Ye-Jin but still she outclassed SYJ in many scenes! She definitely deserved her New Star award.
Kam Woo Sung: Poor guy, every other actor in this drama got acknowledgement for their acting by getting either best actress; top excellence, New Star or supporting actor-actress awards but this poor man missed it! I think his acting was best in the whole cast! Clever dialogue delivery! BEST!
Music:
Music was mesmerizing. I couldn't find OST album yet so I don't know specific track names to point out but I loved the music!
Pros:
-Very realistic
-Romantic!
-No angst and typical Asian show riddles
-Excellent combination of all emotions
-Perfect casting & acting!
-Strong and likable characters
-No idols
-0% nonsense
-No annoying characters
-Stable pace
Cons:
None, still I couldn't find anything negative except this was highly addictive. It felt like a 16 hour long movie!
Who should watch this?
As I said it’s mature so it'll definitely suit mature audience but I think it’s more advisable to recommend it to younger audience (I'm also in this group!) to give slight idea about love! So in short everyone! Highly recommended for everyone!
If someone wants to watch a Korean show and wants to watch only one then I'd recommend Alone in Love. I'd easily sideline my previous joint #1 Salaryman and Evasive Inquiry Agency!
Who should avoid this?
-Those who want adrenaline rush in everything.
-Those who want to live in fantasy.
-Those who want to watch mushy, kiddo’s, ‘Love @ 1st sight’, “I love you…I love you too!”/”I can't live without you…” kind of romance.
-Those who want to watch kissing scenes should totally avoid this. There aren't any actual kissing scenes.
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acting is outstanding and sizzling and chemistry between lead actors is going to make you crazy.
OST is a definite 10. this is a music which is going to stay with you for many years.
No summary can do it justice then watch it.
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After years of being together, we got a glimpse of the life of Arthit and Kongpob, but the more i see the more i question if they really love each other - almost no intimacy, and a couple who doesnt really know each other. Signs of an unhealthy closeted gay guys' relationship. Yes I went there. The fact that it always feels like Kongpob is chasing after Arthit just hurts me. I wouldnt want to stay in that kind of relationship. These 2 are so intent on keeping with their narrative that THEY ARE NOT GAY so we dont do intimacy - is forgivable in SOTUS, but here, it is just too tiring to watch.
The show also introduced a lot of new characters while the rest of the old cast were left to be extras - a lot of useless annoying characters especially that super annoying unremorseful HR staff that should have been fired the moment she leaked those photos . That old accounting lady, as much as i hate her character, should be whiplashing almost everyone in that company.
Cannot rewatch it even if you pay me. Im still giving it a 7 overall just because Krist and Singto are amazing actors. Otherwise dont waste your time.
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This review may contain spoilers
What a pity the drama ended. I have been saying this since beginning, but I think that it's still underrated. I have a lot to write, hence I don't know with what I ought to start. The ending! It was so good! For me, no matter how good drama was, last episode is always the worst, even when the ending was happy. I think that a lot of writers and directors struggle with this topic - If I was a one, I would too. It's so hard to let go of your own characters, tie everything together and deliver the right emotions and message to viewers. Here, chapeau bas! I can confidently say that it was my favorite last episode ever. I cannot recall any other ending that did such a great impression on me. I will praise creators of this drama for a long time. I'm almost 100% sure that we didn't have any plot holes and everyone's actual situation/ending were explained.
I truly loved these characters! The actors here were an absolutely top tier. I had been watching actors I knew before and some new faces for me that I automatically added to lists with my favorites. At the beginning of this series I commented here that "all of them have their good and bad sides, which can't be that obvious in the context of this drama". I still think the same. The story and relationships were unique. Creators misleaded us countless times. Also, I learnt so much thanks to this drama. The story, sentences and morals were meaningful.
It is almost hard to believe that this is a drama. It has a lot of movie vibes. I think it would be even better to watch the whole series at one time and I will definitely rewatch it.
I was surprised that a lot viewers were confused with episodes 12/13 and 14. In my opinion, scenes you didn't like, direction and pace of them were somehow meaningful and in the beat of the scenario. They greatly highlighted main sense and concerns of this story, even when you found it extravagant.
I adored all of the plot twists here. Usually, I could predict some of them but here... Not really. It is one of the biggest virtue - you never knew what else can happen. They handled it in the best way and I was surprised almost every episode. Definitely on one of the highest positions in my ranking with dramas which were the best in this topic.
Music. It nourished my soul and I will listen to the one of the best OST's in the history for a long weeks or months. I memorized these songs so well. They're just beautiful: words and melodies are worth every minute. The actors did a great job singing here.
Definitely in my top three of favorite dramas ever. Everything was so consistent and I can't criticize anything here. I will miss it so much. If you didn't watch it, I encourage you to do so.
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Song Hye Ko does an admirable job feigning blindness. Jo In Sung looks amazing in fashions that seemed to be lifted right out of American gangster movies based in the 20's and 30's. Besides the fact that he definitely looks the part of an attractive womanize, the man can also act. I spent pretty much all of the drama heavily sympathizing with and rooting for him, even while realizing what he was doing was highly questionable/just plain wrong.
Kim Tae Woo was awesome as Moo Cheol. I definitely felt all sorts of emotions towards him as his story progressed.
I just thought the story was beautifully acted and filmed. I was on my toes for the whole thing, and could not stop watching it until it was all over. It really got me out of my drama slump!
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A banger season 2!
For those of you who have not watched this drama is missing out big time!!!! A webtoon adaptation, this one's a brilliant sequel to the awesome Season 1. An amazing cast, great harmony amongst them with details pertaining to each character's individual growth as well as screen time, it gives justice not only to the perpetrators but also to each actor and a message to each one of us. With the highest ratings in this timeslot this year, surpassing their own rating history from S1, this one is a must watch. Great OST this time as well. Following up to the episodes, although the first few episodes kinda were slow-burn, the latter half initially picked up their own awesomeness and delivered promising end as well to all the sub plots cum individual cases. Loved it throughout.Was this review helpful to you?
