Love Is Better the Second Time Around
40 people found this review helpful
is love better the second time around?
Overall: there was amazing tension but I needed more character growth and less love rivals. 6 episodes at 25 minutes each. Aired on GagaOOLala. ; re-released on Viki https://www.viki.com/tv/40574c-love-is-better-the-second-time-aroundContent Warnings: manipulation
What I Like
- tension/chemistry
- clear between what were flashbacks and the present
- end of episode 2 they explain what happened in the past and the time gap/why they each reacted how they did makes sense to me (unlike the majority of these types of plots)
- production value
Room For Improvement
- kind of an exposition dump in the first episode, but they didn't have much screen time so I understood why they did that
- too many love rivals (3) in just 6 episodes
- not enough character growth, I needed to see 1 character be real, everything had this fake veneer
- cliche plot point at the end of episode 5
- lack of consequences for some characters "gave me freedom" is NOT how I would describe what happened in high school
Thoughts on Grey Characters/Their Romantic Relationships
Sometimes these characters and their dynamic work for me and other times they don't. Here are the factors that I'm thinking about.
1. was there a realistic reason why the character/s acted the way they did in the past (yes)
2. were both characters grey or was one squeaky clean (they both had character flaws)
3. was there some kind of apology/amend making (kind of)
4. was there character growth (not really)
5. do I believe that the characters will stay together in a happy romantic relationship (maybe)
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This review may contain spoilers
Despite all the catfights there is a deeper grounding to the story. Intelligent. Emotional. Opaque.
"Battle for Happiness" is based on a novel, the author herself having written the script for its KDrama version on PayTV, too. The story offers refreshing substance - with insight into honest emotional worlds underneath a shimmering dishonest surface. Powerful, intense women, who also have their sore, hidden wounds, shaping a surprisingly powerful story. Hats off!The story is set in the elite world of elite Gangnam mothers in the elite (fictional) Gangnam housing block Herinity. But even though the ladies may have made it into the upper league of society by marrying a lawyer or doctor or having wealth in some other way, they are still far from happy - even if they do almost everything to make it look as if...
Perhaps one could say that the KDrama is (again) a reckoning with the dubious concept that gives preference to the radiant, shimmering external appearance over truthful, sincere substance. But that's quite abstract. Actually, “Battle for Happiness” is rather precise. The battles are taking place in the mud of the protagonists' hidden secrets and weaknesses. That is dirty. That is mean. That is malicious. That is cruel. But that's what the life of those Gangnam mothers is all about. The societal backdrop is characterized by the overall social pressure to perform and compete for pole position in the race for the top spots in the social pyramid. But this is actually just the backdrop. It's actually less about the children. They are ornaments of their mothers. The mothers, on the other hand, are in the spotlight - wealthy, frighteningly powerful, influential women. Vulnerable people, nonetheless.
Admittedly, at the beginning I was tempted drop – those bitches! So false, so dishonest, so calculating, it was almost unbearable... The social media in their function, to spice up one´s own life a little more gloriously on the outside, are elaborately integrated into the overall dramaturgical structure. However, I stuck with “Battle for Happiness” because despite all the catfights there is a deeper grounding to the story, whose charisma can eventually fully unfold.
In fact, I'm glad I stuck with it, because the story offers an exciting rollercoaster ride of assumptions and suspicions. "Battle of Happiness" suddenly turns out to be a captivating crime thriller in which an inconspicuous private person takes the investigation into her own (unexperienced and sometimes naïve, impulsive) hands. Yet, even more appealing to me is the naturalness in which this KDrama gives a hand for compassion - even with the worst of the she-devils: the lady, who as the incarnated princess of hell in designer clothes initially got people´s minds running wild...
It´s the ladies, who rock the show. They are mothers, wives or single. In any case, you can't get past them. And they, for their part, cannot avoid facing their own sore wounds, which are catching up with them one by one. We consistently dig deeper into the hidden emotional worlds of those women (plus also a couple of men and some children). They must face their personal emotional battles, even if they don´t want to. In the best case scenario, they become their actual battles for happiness, as they lead to their very personal questions and truths - what is REALLY crucial in my life?
There is a dubious mathematical equation circulating among those ladies that goes something like this: 'The amount of misfortune I cause someone else becomes a factor for my personal happiness.' Well, even if I'm myself not great at math: If you multiply whatsoever by zero, as far as I know, zero still remains, isn´t it... So eventually, those ladies are forced to work on THIS point in the equation (the zero!)...
...and some of them actually take advantage of this opportunity as an outsider penetrates the aloof world of the Gangnam ladies. One, who doesn't think much of all the elitist concepts of happiness and competition, but instead innocently keeps looking for the perpetrator.
I wouldn't have thought so at first, but in my opinion "Battle of Happiness" is clearly one of the better, more substantial productions that 2023 has to offer so far. Comparisons with existing KDrama productions that are set in a similar milieu and/or wade in the mud of the glittering elite may perhaps come to mind. But "Battle of Happiness" tells its own story! And in my opinion it is definitely worth watching. (...if you are not looking for Romance or Oppas or Comedy…)
Most of us may never get near such exclusive worlds. However, wanting to fool others (and ourselves), feeling better when others are feeling worse, sometimes doing something to others that we wouldn't want to be done to yourself... hardly anyone might be immune to these human impulses. If we take away the exclusive luxury world, from which many may easily distance themselves, then we're still left with the beastly temptation that may linger in all of us. Maybe/hopefully we just don't let the beast in us out of the bag so uninhibitedly...
So I could summarize: I appreciate the intelligent, yet still highly emotional approach and the opaque processing of those different relationship dynamics between the protagonists.
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The story is good , the cast was nice and the music was beautiful. I thought it would've been much better if they replaced plastic surgery with a normal weight loss but either ways I enjoyed it till the very last end.
It was short, cute and most of all entertaining without any blank moments.
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The most beautiful bundle of complexity in GL media by far.
Let me first start off with the writing. Despite initial concerns with the problematic novel it's based off of, the writers did a fantastic job in making up for the flaws of the book in the series. The necessary changes made, the pacing of the plot, and the flow of the story all contributed greatly in cementing this show in my heart as one of, if not the best GL I've watched so far.Now let's get into the acting. Namtan did a heck of a job differentiating Oom from Ai. It genuinely felt as if they're acted by different actresses by how well she played the two characters. Film was a natural. She played the role of a woman who is blind perfectly, and at times it was scary how real it felt. But that's just how well she embodied her role. Not only this, she really has this natural artist's ability to capture your attention and be enamored by her acting that just gets you in the feels. NamtanFilm is by far the most balanced GL tandem in terms of acting. They match each other's amazing acting ability, making it easy for viewers to feel what they intended for scenes to elicit.
For my most loved part of this show: its complexity. Characters are extremely flawed, morally grey, and realistic. Yet, the writers did not fail to bring out the humanity beneath these characters to make them appeal to the audience's hearts. Its themes are also extremely heavy yet are handled and tackled well enough to not make it problematic. This balance was what made the show more engaging, enjoyable, and memorable. Especially with Jan, Pang, and Pim's love triangle. It was a whole lot. Although their story was not quite deepened and not dwelled enough for there to be any attachment felt by the viewers for them, it just goes to show how bold and complex Snap25 went with Pluto.
Additionally, the fact that a lot of redemptions happen in this show makes it a relatively easy rewatch despite its heavy themes (Episode 11 angst was way too much for my emotional self though so definitely except it). I'm not a fan of rewatching at all, but Pluto is one of the few shows that I would willingly rewatch for the feels alongside Reverse 4 You.
No doubt in my mind this is going to be GMMTV's best GL show for quite some time.
2024 GL Ranking: https://kisskh.at/list/Ln8MOBO4
My Top 10 GLs of All Time: https://kisskh.at/list/4vGQqnb1
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An “ Alarm” Ahead For Terrible Screenwriting ...
Screenwriters Lee Ah Yeon and Seo Bo Ra evidently adapted this from the webtoon for their eponymous contemporary drama “ Love Alarm” centralising upon the same premise of high school student Jo Jo ( Kim So Hyun) and her love triangle with “popular student ” Hwang Sun Oh ( Song Kang) and his “ kind-hearted best friend” Lee Hye Yeong ( Jung Ga Ram), in a world determining love through one app.
By default, this drama should be a masterpiece; its source material and premise are fairly creative and original, the characters are intrinsically interesting and it has a top-notch cast as well. However, “ Love Alarm”’s biggest inconsistencies can be pinpointed to two focal areas; characterisation ( or the lack of it) and the lingering problems which arise through the existence of the alarm itself.
Perhaps the biggest elephant in the room to tackle is our main heroine Jo Jo. It is made pretty evident that Jo Jo actually has a lot of intriguing qualities as our main character; her circumstances growing up have been difficult, she’s struggled with trauma and she’s never been “ overly exposed” to the love alarm ( like the viewer) in the same way her fellow peers have .
Yet whilst Jo Jo has all the right qualities of being a relatable and well-written main character, her actual personality traits make her seem a fairly hollow “ Mary Sue”, rather than an actual flawed human being. She’s deemed as “ pretty, smart and popular” by her peers yet the two latter classifications were fairly flawed in terms of who Jo Jo is supposed to be as a character. Jo Jo being “ popular” isn’t an immediately ridiculous trope with the considered factors of her “ attractive” appearance and being book smart, but let’s be honest in considering that Jo Jo lives in a society still determined by trends as a form of social hierarchy .Even in an alternate society, this seemingly manifests to the idea of the app “ Love Alarm”, something Jo Jo prominently does not have. Whilst this in itself is of course not something Jo Jo would realistically be written out as suddenly “ not being popular” , it would still remain obvious even amongst Jo Jo’s social crowds that she isn’t up to date on certain trends and styles, something which was neither realistically raised or shown critically in the show at all.
Additionally, Despite Jo Jo’s seeming intelligence and her circumstances leading to at least some street smart personality traits , Jo Jo is a shockingly dim-witted character within putting herself in danger or helping to create numerous misunderstandings throughout the show. Of course this was supposed to intensify the “ drama” and make Jo Jo’s feelings more heightened for the two male leads, however, it seemed even if Jo Jo was more “ naive” of her actions than anything else, cruelly ignorant to lead on both Sun Oh and Hye Yeong, two individuals who clearly hold feelings for her, than create the amount of ridiculous dilemmas as she did in the drama. Whilst the drama wanted us to feel evident pity for Jo Jo in the season one finale, it was hard to truly feel attachment towards a character who had little to really offer in the first place.
Naturally this moves us onto the problems of our two main leads Sun Oh and Hye Yeong. Arguably, Sun Oh does have some more noticeable character traits than Jo Jo in the beginning of the series; he’s rich, and similarly popular , but acts out in his often “ stoic” manner because of his own inner psychological turmoil surrounding lacking parental love.
This in itself should have been something which drew Sun Oh and Jo Jo upon their similarities ; Jo Jo may not have parents whilst Sun Oh does, but they both lack that intrinsic parental love which most of their peers have had and thus struggle to find love in the same way. Yet as much as Sun Oh did have some interesting character qualities, he wasn’t given the chance to either grow or mature with his relationship with Jo Jo at all over the course of the series. In fact, Sun Oh is strikingly quite a selfish and fractious character who neither seems to actually reflect or learn from any of his mistakes even going as emotionally gaslight his best friend and
ruin his relationship with both Jo Jo and Hye Yeong rather than actually mature as an individual .
Arguably Hye-Yeong did have more likeable qualities out of Sun Oh as a love interest and Jo Jo as a main character; he often comes off as complacent, but at least this is actually made prominent as one of his flaws, which he learns to mature upon with his pursuit of Jo Jo - the girl he harbours a crush upon without the need of the app. On the other hand, what is undeniably annoying about Hye-Yeong as a character, is that he is often a little too forceful upon Jo Jo when she made her feelings evident at times in the show, and ironically too staid rather than sticking up for himself when Sun Oh began to emotionally gaslight him. Whilst Hye-Yeong had all the right qualities of being possibly one of the few well-written characters in the show, he often felt too irregular as a character; jumping from sudden growth to reversal in two seconds flat.
As for the rest of the characters of the show, Love Alarm is a halcyon for your typical minor trope characters, yet perhaps one minor character who arguably had many intriguing characteristics was “ outcast” Cheon Duk Goo( Lee Jae Eung). Duk Goo plays an undeniable major role within the events of the series and realistically has a lot of inevitable flaws including his own lack of self-confidence. Nevertheless, it was berating even with the app, exactly what Duk Goo, possibly one of the few decent characters of the show, saw in Gul Mi ( Go Min Si); Jo Jo’s “ popular” and selfish cousin. Perhaps it is entirely wrong to attack Gul Mi per say as being entirely “ horrible” as she did have some noticeable problems from being spoilt by her mother, as well as pressurised due to her popularity to “ fit in” with her classmates and Duk Goo’s involvement as her “alarm” entirely threatened this from her point of view. On the other hand, it was still fairly hard to see Duk Goo learn from his mistakes as well as Gul Mi actually maturing from being a selfish schoolgirl , in addition to fundamental questions about how the app actually works .
These dilemmas include; how such an app would be legalised or not face backlash ( protests or negativity) openly, if the app can or has made “ errors” or faced glitches over more than one love alarm per person , why the presumed “app developer” hadn’t been approached by greater technology firms wishing to invest or purchase the app’s rights, as well as of course more upon the “ love alarm” for same-sex couples. Although the show briefly mentioned about the public shame of the love alarm in this scenario, it felt a little sugarcoated not to explain or develop into characters who have faced this. Finally, there’s the most evidential problem of how this app actually works.
The ideology of the app is undeniably artistic licensing; we’re not really supposed to “ understand” the actual methods of the app and we can presume certain theories towards how this actually functions. Nevertheless, there were several lingering questions which were naturally raised about the app’s existence in Love Alarm throughout the series.
So, this leaves us on the most obvious question. Is Love Alarm actually worth watching? Love Alarm undeniably has an intriguing story premise, high production value and a top-notch cast. On the other hand, Love Alarm is simply its own worst enemy when it comes to avoiding falling into tropes, badly-written characters and plot inconsistencies. With a second season on the horizon, it’s wrong to entirely draw out that the story won’t smooth over some of these issues, and there are certainly some interesting ideas going forwards. It’s probably fair to say that Love Alarm isn’t a “ dire” show and certainly something to watch if you’re fan of “ cute, romantic and fluffy” dramas. On the other hand, this show is a waste of time if you’re looking for actual investment in well-written main leads, a sensical storyline and realistic and deep critiques which should have been raised in a show tackling such ideas of technology intermingled with relationships .
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Orange Marmalade has an interesting take on an amalgamation of cliches - you have high school romance, Joseon era romance, love triangles, love squares, vampires falling for humans and vice versa, accident-followed-by-amnesia - anything and everything cliched is here. And yet, it's got an impressive take on things. Issues like discrimination, friendship, acceptance and maturity show up frequently here.
Story:
As many have said before, the drama can be split into 3 parts: High School Part 1 (HS1), Joseon Era (JE) and High School Part 2 (HS2). I liked HS2 a lot more than HS1, because HS1 seemed more rushed to me than HS2, if that's even possible! JE was actually enjoyable to me, believe it or not. I liked watching it but more so because of the relationship between Jaemin and Shihoo. In the HS2 part, I have a certain weakness for Ara - maybe it's because I find her relatable? The HS parts, both 1 and 2 could have been developed more and tied in better with the JE section and we could have had more character development - mostly Shihoo and Ara!
Acting/Cast:
Unfortunately, the show really takes hits here. I gave it a 6, because it's barely above average to me. Yeo Jingoo does well in his role, however his restraint comes through as bland, which is definitely a problem. Still, I think it was good and he did well. Unfortunately, Seolhyun was really weak in her role and it really takes much away from the drama when the lead is not on a good level. Her visuals were perfect but her acting left much to be desired.
Onto better things! Lee Jonghyun - what can you not do, seriously?? Even though I came in here as a Boice and expected to be biased, Jonghyun really did almost meet my expectations. He wasn't spectacular but he did well in portraying traits which I felt defined Shihoo - the delinquent bad boy brashness and aloofness which later translates to a reticence and maybe even awkwardness? Gil Eunhye is gorgeous as Ara and she really does justice to the role - ah, why do I like Ara so much...? I also enjoyed Park Guntae's character a lot - he kind of looks like BTOB's Lee Changsub to me? Or is it just me? Seriously, the supporting cast really made me watch on!
Music:
Cute but not memorable. The main song that Orange Marmalade performs sounds very much like an anime OST and honestly, I don't remember much else about the drama's music. Though, special mention to the flute piece that played in the JE part - I loved that!
Rewatch Value:
Once is enough for me.
Overall:
While it wasn't utterly disappointing, it wasn't quite the best, either. The reason the rating went down was because of a lack of character development and partially due to weak acting. I think most of the epiosdes were hit-or-miss for me but with the last episode being a total hit - I'm glad I went through with it!
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It adressed some really important issues in a very respectful way
I am usually not a fan of series where characters travel forwards in time, so I wasn’t going to watch it at first. But then I saw some scenes about Army and Joe and those go me hooked, so I decided to give the show a try. And before I knew it, I was not very patiently waiting for new episodes each week.The series is amazing! I really like that the cast was given mature roles instead of just making it a high school series. I feel like the topics addressed in the series can be better portrayed with some maturity from the characters. Even if there are a lot of comedic scenes, the series takes a very healthy and open-minded approach to relationships, intimacy, kinks, and sexuality. I really want to point out that seeing an asexual person and them expressing their lack of need for intimacy was really refreshing to see, especially as asexuality is often ignored (I was wrong on this - the character in question is actually a side, check the comments for more info). The fact that Alex is a gynecologist also helps to open topics such as STDs and safe sex.
We get to meet a lot of side characters that each have their own very detailed story, but I didn’t find it overwhelming, as they all connect in the end. Alex had quite a few photo mysteries to solve, not all of which were love problems. I don’t want to give any spoilers, so I am not going to say who ended with who when that is not already obvious.
Army & Joe – Fluke and Thor did an amazing job portraying their characters emotions, I could sense when Joe was uncomfortable just by glancing at him. The two characters are quite different but I think that’s what makes them a good match for one another.
Jedi & Rose – I really love their dynamics. It was not really what I expected and the episode dedicated to solving their problems was really interesting. The plot twists were brilliant!
See-ew – I was really interested in what would happen with See-ew once we got to see his future photo as it looked very bad for him. I also like how his kink was not just something that others could make fun off.
Kat – I really appreciated how they approached her picture story. The trauma she experienced was not taken lightly, not by her nor the others around her. It was refreshing to see, as many series and movies just ignore the amount of damage such an experience can leave.
Nim & Molly & Bew – these three ladies were an interesting bunch. Nim and Molly dated in high school but broke up, so Nim then started dating Bew. I think we saw a lot more growth for two of them, but marking the third one as just plain selfish would be too simple. There is complexity behind her decision that might seem very self-centered and damaging at first.
Alex – he showed a lot of growth and understanding for what was happening and what has happened in the past. He fully accepted his responsibility for the hurt he had caused to those around him. He did try his best to correct his wrongdoings, but he never denied his responsibility. And that is something that I really appreciate, no matter how much I wanted to hate him at some point. Not all mistakes can be fixed, and that is something we need to learn and accept.
Jean – she was a badass character! I enjoyed her high school self, her activism and the way she clearly expressed what she wants. Her story is probably the one that hurt the most, I was upset for guessing right what happened. I like how supportive she is to those around her, friends or not.
As for the ending, it wasn’t bad, but it wasn’t what I was hoping for. I do understand why they decided to end it as they did though. I was not really happy with how they handled Jean's story towards the end of the series, which did bring my rating down.
I know a lot of people are / were bothered by the reason why Alex is solving all this mysteries and trying to make things better. I do agree that the whole idea that his main end goal is to be able to climax again is just ridiculous. But to be honest, it completely slipped my mind most of the time. Only when it was brought up by the characters did I actually remember it. So while it was not my favorite end goal, it wasn't that bothersome.
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This review may contain spoilers
Great drama worth re-watching
This is a drama that you can re-watch.After watching the epilogue I must concur with other viewers that Zheng Ye Cheng raised the bar for the role of General(XY). His chemistry with Hu Yi Xuan (CY)is well portrayed in many heart wrenching scenes.CY is witty, adorable and trusting which touched XY’s cold heart. I enjoyed the hilarious scene where she mistook roll call for hug a tree as they both sound similar in Mandarin.
XY and CY will sacrifice own happiness for the other. ZYC pull off crying scenes beautifully.
You can feel how torn XY was when learnt that his brother’s death is link to CY.
The support actors are brilliant especially XC who loved CY unconditionally.
I am thankful to the director for a happy ending. Enjoy!
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Best start to the year 2024!
Probably the best modern c-drama of January 2024! Do give it a try for the main leads chemistry!It is a wholesome mixture of funny, fluffy, cute, funny and romantic at the same time. It is not overly cringe at all. The female lead is smart, cute and kind, and most importantly she is NOT a Love Brainer... she knows how to separate her relationship with her work, which makes it stand out from others. She doesn't need her man to protect her always.
Male lead on the other hand is rude and unsympathetic at the beginning but as the story progress he turns out to be the most caring and kind boyfriend who would do anything to protect her girl.
Oh and how can I forget the people who make this drama so damn funny, Wu Jun (ML's friend) and ML's mum had me every time it was their scene. Plus ML's mum is the best Mother-in-law out of all c-dramas, she is the cutest lol!
Edited- This drama had so much potential till episode 30 but lost all its momentum after that. My expectations were not met by the ending... to much happened that too in a short span of time. The writers did an amazing job till ep 30 but after that it got bad and worse! Overall it is still a good drama for light watch
Overall a very good drama to watch if you are looking for something light and cute but not cringe... It's a Must Watch!
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This review may contain spoilers
What a pity the drama ended. I have been saying this since beginning, but I think that it's still underrated. I have a lot to write, hence I don't know with what I ought to start. The ending! It was so good! For me, no matter how good drama was, last episode is always the worst, even when the ending was happy. I think that a lot of writers and directors struggle with this topic - If I was a one, I would too. It's so hard to let go of your own characters, tie everything together and deliver the right emotions and message to viewers. Here, chapeau bas! I can confidently say that it was my favorite last episode ever. I cannot recall any other ending that did such a great impression on me. I will praise creators of this drama for a long time. I'm almost 100% sure that we didn't have any plot holes and everyone's actual situation/ending were explained.
I truly loved these characters! The actors here were an absolutely top tier. I had been watching actors I knew before and some new faces for me that I automatically added to lists with my favorites. At the beginning of this series I commented here that "all of them have their good and bad sides, which can't be that obvious in the context of this drama". I still think the same. The story and relationships were unique. Creators misleaded us countless times. Also, I learnt so much thanks to this drama. The story, sentences and morals were meaningful.
It is almost hard to believe that this is a drama. It has a lot of movie vibes. I think it would be even better to watch the whole series at one time and I will definitely rewatch it.
I was surprised that a lot viewers were confused with episodes 12/13 and 14. In my opinion, scenes you didn't like, direction and pace of them were somehow meaningful and in the beat of the scenario. They greatly highlighted main sense and concerns of this story, even when you found it extravagant.
I adored all of the plot twists here. Usually, I could predict some of them but here... Not really. It is one of the biggest virtue - you never knew what else can happen. They handled it in the best way and I was surprised almost every episode. Definitely on one of the highest positions in my ranking with dramas which were the best in this topic.
Music. It nourished my soul and I will listen to the one of the best OST's in the history for a long weeks or months. I memorized these songs so well. They're just beautiful: words and melodies are worth every minute. The actors did a great job singing here.
Definitely in my top three of favorite dramas ever. Everything was so consistent and I can't criticize anything here. I will miss it so much. If you didn't watch it, I encourage you to do so.
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Soredemo, Ikite Yuku is an unforgettable drama. It’s simple, yet captivating, slow-paced, but addicting and sad, but at the same time very optimistic.
It tells the story of two families whose normal, everyday life was suddenly broken by a terrible crime and shows how people who were affected by it try to live on, cope with this tragedy. What I liked about this drama is the fact that it shows that both sides suffer, although differently – not only a victim’s family’s life is changed forever, but also those, who are related to murderer have to continue living with guilt and knowledge that somebody close to them killed an innocent person and destroyed lives of many people. It’s rare (at least for me) to find a story that gives a right to suffer not only to the victim’s side, but also for the other side too, so that’s a huge plus for writers.
The plot of this drama is really simple – it shows how the younger generation tries to heal their families and find the reason why the tragedy had to happen. Both main leads – Hiroki and Futaba are amazing, not only in terms of acting, but also as the characters. They feel real in their social awkwardness and their stubbornness to make things right is heartwrenching. Also, their relationship is unique and charming – two people who should be on the opposite sides join forces, change themselves and their families and also find in each other something akin to soulmates.
The pace in this one might be considered a bit slow by some, but for me this was surprisingly an advantage; because of that screenwriters could show us a very believable character development; everything was happening slowly, yet in the right moment and nearly every single behavior was justified and didn’t seem rushed or out of place. Also, I loved it that this drama despite taking on a really hard, seemingly depressing subject, is not overly dramatic and sad – it leaves the viewer with optimistic feelings. It’s like a catharsis.
Acting in this drama deserves a separate essay, so I’ll try to keep it short. Everybody was amazing! Yeah, yeah, it sounds like an exaggeration but believe me, it is not. Every single actor played his part perfectly – Eita ended up being my favourite Japanese actor ever, I’m stalking him now and plan to watch all his dramas. He was just natural in his role of an awkward guy for whom the time stopped when he was a teenager and who has to cope with his conflicting feelings for a family of his sisters murderer. His co-star, Mitsushima Hikari was great too, she’s a versatile actress who, in my opinion, has a huge potential to be one of the best Japanese actresses in few years. Just watch her in this drama and then see Love Exposure – I still can’t believe she’s the same person! Supporting actors, especially Hiroki’s mother, a woman who never accepted her daughter’s death (her monologue in ep.5 left me speechless) and Futaba’s father, a man who tries to atone for his son’s wrongdoings with all his might - they were outstanding in their roles, they could easily make the viewers feel the pain of the parent who lost his/her child. The only actor I was not impressed by was Kazama Shunsuke who played the murderer, but well, his role of a slightly autistic guy who never really grew up was really hard and still, he did a decent job, he was just not as amazing as the rest of the cast.
As for music in this drama I’ll only say that the opening song was really annoying at first. It slowly grew on me, but I still think it’s horrible. This wailing guy should keep his mouth shut for his entire life.
So to sum it all up, what I was trying to tell (or more write) in this review is that Soredemo, Ikite Yuku is one hell of a drama. I’ll use those corny descriptions again: it’s beautiful, thought-provoking and original, but see yourself if I’m not exaggerating!
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Finally something worth watching?? I don't have words.
I didn't know that I would say this about a vampire centric drama but it was really a breath of fresh air. After a long wait Cdrama world finally gave something worth watching which ended the spell of boring dramas of this year. We were inundated with many overhyped shows which could not do justice to all the anticipation. I wasn't sure about this one either (especially if it is a republican era one) but the first episode was more than enough to intrigue me with its unique plotline. The cinematography looked really nice plus the music beautifully accentuated the scenes. I loved the acting of all the actors and hoped this one could surprise us the way 'The double' did this year. However my hopes came down shattering pretty soon. It was already becoming impossible to ignore all the loopholes in the plot but by the time we reached the end, the drama totally took us as a fool. I was no longer mesmerized by the cinematography as I was in the beginning. The side characters completely took over the main leads and I could clearly see that they were forcibly giving more screen time to yinling. (Plus their efforts to justify all the wrong actions of some characters to gain sympathy of the viewers is just so... incomprehensible ). The show didn't really give proper closer to most of the characters (I wonder what was the rush?) The ending was so disappointing that I don't have words to explain it. If it wasn't for the good cast I would have dropped the show but I continued just for them..Their acting on the other hand kind of... began to look stiff towards the end as if nobody was feeling the emotions that their characters were supposed to feel or perhaps it was the weird editing that made me feel that way.(Except for Mi Lan, she was pretty good till the end).To conclude it all...this one could have been a great show with solid performance but they did their magic and ruined it all and made it another one time watch drama at most.
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It’s a special type of emotional experience, watching a drama like Skate Into Love, which has solid strengths yet also a fair share of wobbly flaws. It took some serious consideration for me to establish how to reconcile all the positives and negatives; but after watching the conclusion, I can say that for its genre, Skate Into Love can stand tall in its field.
The basis of the plot is a concoction of classic rom-com tropes. The leads know one another from early childhood and, upon reuniting years later, their relationship becomes an “enemies to lovers” affair. This show's primary differentiating factor is its inclusion of ice sports, which dictates significant plot points and is crucial in the growth of several characters.
The first half of the show overflows with sweet and humorous moments between Tang Xue and Li Yu Bing as their constant bickering turns into genuine care for one another. Their romance is a strong force because they, as separate characters, are both independent people who have flaws as obvious as their strengths. They manage to grow together and are capable of helping each other because they understand the person opposite them incredibly well. It warms the heart to watch and you can’t help but root for them as a couple and as individuals.
That being said, there are some other plot points that beg to be mentioned:
One: third wheels. It’s a rom-com rule that they have to stick their head into the plot. Listen, I don’t make the rules. Take it up with the screenwriters upstairs. They’re the ones who insist on including several love rivals. Some of them can actually pique your interest as they evolve over time, so not all of them are a total waste of your attention. However, it’s my civic duty to throw one of them – Mr. Bian “creepy chuckle” Cheng – under the bus for starting as a minor headache, then evolving into a complete migraine by intervening in the main couple’s relationships in the most boring and inconsequential ways possible. He is, hands-down, the weakest link of this show. You don’t hate him because he’s an actual threat, you hate him because he could be interesting but just isn't.
Then, there are the side couples. Like the third wheels, I don’t even remember how many of them there are. But nonetheless, they pass around the baton for taking over the show every once in many a while. A key positive point about all the supporting characters is that the writers did try to make them more dimensional. Just like the main characters, they each have unique motivations and insecurities, making them feel a lot more human than what could be said for many non-leads in other shows. Whether it be friends, family members, or rivals of the main characters, I really liked how they all had their own lives and problems. That further helped make all of the platonic relationships much more enticing. Even so, it’s incredibly difficult to have a drama effectively focus on a main couple as well as multiple side stories – some will certainly feel like plot filler, especially in early parts of the show, because we don’t see their full development like we can with Tang Xue and Li Yubing.
There are also some moments involving the leads that feel a bit iffy considering their personalities. Don’t you just love when a relationship, consisting of two amazingly communicative characters who deeply seek to understand one another, abruptly crumbles due to external factors that existed but didn’t matter before? To have problems within a relationship is completely normal; and while I’m glad to see them addressed, the way that they’re depicted is sometimes too theatrical. I’m not going to lie. Seeing all the age-old melodrama cliches enter the picture and challenge the romance is almost entertaining – in the same way that watching someone slip and fall is entertaining after you told them beforehand, “careful, it’s slippery”: the ridiculousness of something happening when it shouldn’t is quite…amusing, to say the least.
These flaws aside, I overall found the story to be a good balance of being amusing (even hilarious) at times and serious during others. I liked how sports are involved in some of the characters’ lives, providing them with dreams and purpose. Part of me wishes that there were more competition scenes shown, as the action during them was fun to watch (and inaccurate, but come on. It’s people on ice with knives on their feet; that in itself is deserving of a thumbs-up). Much of that may be due to my own preference, though, since personally like some ice sports and would hardly object to seeing more of them.
As for the acting, I genuinely appreciated the life that the lead actors brought to the story. Tang Xue is a character who – if assigned to a poor actress – could easily be depicted as annoying due to her outspoken nature, but Wu Qian does an excellent job balancing that boisterous behavior with kindheartedness. Zhang Xincheng also shines in the role of Li Yubing. His depiction of a childish yet determined young man is spot-on. Together, these two actors created an excellent picture of a happy and young relationship, full of promises and hope for the future. When evaluating the supporting actors, I found their abilities sufficient for the roles that they're given and certainly wouldn’t mind watching their future projects.
As far as rom-coms go, Skate Into Love is satisfactory. Though it occasionally stumbles, none of that changes how it put some of the biggest smiles on my face out of many of the rom-coms I’ve seen thus far. You really just have to go in prepared to brush off all the cliches, because what’s underneath all that dust is a very sweet story that is worth sitting through.
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It' the quality effect indeed. He has done some really good movies and The Man From Nowhere is a great example of his less-in-quantity-more-in-quality movies. I loved this movie. It was thrilling and touching all at once. A man going all the way to save a little girl because she's his friend. And the man cannot be stopped! He's a freaking one-man army, who won't stop until he wants to. What a great plot! I was on the edge of my seat throughout the movie and the ending made me cry. Well, almost since I don't cry that easily. The ending was a little different from what I expected but it was a good ending.
The rewatch value is the only thing that is not a ten for me. That's mostly because you know how the movie will progress and that steals a bit of the excitement. But the action scenes are simply WOW. The lead character is so strong and invincible, but he doesn't care about glory.
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