Reviews

We Are: Entwined Hearts & Uncharted Paths

Should you watch "We Are"? Honestly, it's a bit of a mixed answer. The storyline is quite simple, without much depth or intense drama. But if you're looking for a show that emphasizes healthy friendships and relationships, "We Are" does a great job of that. This was something I was really hoping for, and it delivered well in that aspect. The genuine connections and positive interactions between the characters are refreshing and heartwarming.

While there are some enjoyable moments, the pacing really becomes an issue, particularly between Episodes 9 and 13. This section felt especially slow and could have been condensed, making the whole series tighter and more engaging, probably fitting better into 12 episodes.

So, while it might not be the most thrilling series out there, its charm comes from its simplicity and the heartfelt bonds it shows. If that sounds appealing to you, it’s definitely worth a watch.

"In this group of friends, even though university life is tough, life's ups and downs, plus love's twists, keep things always stirring.
We are... friends who argue but care so much about each other that sometimes, we end up flirting."

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It was a chore and a half finishing this drama, but I can now say with hesitant satisfaction that it’s over.

In a society that has been enraptured by the potential of AI and robotics, it’s unsurprising that there’s been a recent influx in dramas that deal with such topics. Despite being based off an older manga, My Absolute Boyfriend is yet another title to add to that list. It addresses the issue of robots assimilating into the human world, a problem that is bound to become increasingly relevant over time.

It all sounds interesting, but I wouldn’t recommend this show to anyone who is in need of a captivating storyline. As is the case with most Korean dramas, the first couple of episodes are all fun and games. The further it gets, though, the faster it tumbles downhill. You’d think that this show should be about the struggles of a robot in human society, and it is…but only in theory. Instead, My Absolute Boyfriend overflows with unexciting conflicts and equally unappealing supporting characters. It’s a romcom that pretends to be intricate and emotional, but lacks any of the proper delivery to make it a worthwhile watch.

Ma Wang Joon is one of the least likable second leads I’ve ever had the bad luck of experiencing, yet he rears his ugly head so many times that it makes for a rather toxic drinking game: take a shot every single time you want to punch him smack in the jaw. His constant, unnecessary interventions in the main couple’s relationship stunt its development so much that it’s hardly satisfying when they’re together. It’s like its own subgenre of jump-scare horror—every time Da Da and Young Goo are having a moment, I’m not enjoying it; I’m nervous, waiting for Wang Joon to poke his head around the corner and interrupt. Diana isn’t much better. Despite her intriguing introduction, she ends up as an incredibly boring villain and contributes nothing but shallow inconveniences to the story. All of the conflicts are uninteresting and oftentimes feel unresolved.

Frankly, the number of episodes does far more harm than good and put the writers in over their heads. The amount of sloppy writing in this show is too much to bear and makes the main relationship a tad unbelievable. Had the drama been shortened to 16 or even 12 hour-long episodes, the story would have been so much tighter and left no room for such plot filler.

What’s truly odd about My Absolute Boyfriend is that the acting is good. While the overall performance of the actors and actresses is nothing to rave about, they’re all pretty impressive, especially for a drama that’s ridden with flaws. I can only sadly imagine what could have been if it were written better. For example, Yeo Jin Goo does an excellent job of portraying a puppy-like boyfriend robot and is exemplary when it comes to showing raw emotion. Yet, his talent mostly goes to waste because the writers have no clue as to what the hell to do with their own main character and just push him off to the side for a disproportionate amount of time. Similarly, Min Ah, Jong Hyun, and Seo Young all have the capacity to act well, but their characters are too flat for their acting to feel completely natural. This becomes increasingly obvious over time, when the writers are so busy trying (and failing) to make the story itself interesting that the characters lose the traits that make them compelling.

Altogether, I would have to recommend a pass on this show. Even if you’re a diehard fan of one of the actors, this can be a tough one to get through (I’ll voluntarily admit that I persisted in watching because of Yeo Jin Goo, and even then, it was a struggle). In an industry that pumps out romcom after romcom, My Absolute Boyfriend isn’t particularly special whatsoever.

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(For in-depth review/analysis with spoilers: https://dramavixen.tumblr.com/post/186224304109)

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Display of Social Abnormalities shown by exceptional Actresses

Warning ahead: This is no show for softies. And those who have no tolerance for a drama full of amoral siraegis, black characters. And somehow i'm questioning if i'm allowed to like this show, because it left me with a feeling of watching a pileup. Mass collision episode after episode - that i watched with open mouth in the beginning not believing what i'm actually seeing and during the end with fascination and aww for the incredible good actors and the artistic expression of abnormality and social deviances. So don't make the mistake to assume it's like Celebrity because of the title, trailer and beautiful intro and the poster, it cannot be more far away.

Mask Girl was shocking, and actually disgusting to certain scenes but on the other hand this was incredible original, creative and well executed in production - because despite the very explicit scenes it had a very captivating plot. Every actor leaves a brilliant mark - especially unrecognizable because of the the obviously incredible work of the make-up artists in a thrilling story, with 7 sub-plots in every episode that web together. If i have to describe what this fast-paced, binge-worthy drama is without spoiling much i would say it gives a vibe like a mix of Oldboy and Somebody: It is bloody with violence, abuse and sexual content. So viewer discretion advised this is +18 for multiple(!) reasons.

And still some funny scenes were just brilliant. Black comedy par excellence.
Be careful not to judge hasty finishing episode 1. The ride begins with episode 2. If you make it to episode 3 congratulations. From now on it gets easier and the true story begins.

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Top 5 dramas of the year so far

A amazing lovely,heartwarming,funny drama.do not let the ratings put you off this drama!

The story revolves around do yong shik a guy who has a hard time since leaving school and is not progressing well in his life,he has no job,low self esteem,very anxious in pressure situations he bumps into his first love by chance after not seeing eachother since school she is now a doctor and treats Ed And do yong shik has ED(You know where this is going) - I’ll get to this because I think this is why it’s got a low rating which is bizarre.

What I love about this show is it so different from other k-dramas it sort of reverses roles where the male lead is the one with vunrablility and in need of help and emotional security,- it’s nice and refreshing to see because not every guy in a kdrama has to be a ceo of a major company or a smart successful confident guy,sometimes people get beaten down by the burdens of life this is just a reality and the male lead does a amazing job of portraying this and everyone of the actors are amazing!

The relationship between do shik and ru da is one of best in kdrama for me,ru da is still in love the do shik that she knew at school but she understands he has changed and is not confident with himself. Throughout the show as ru da spends more time with do shik he slowly start to gain confidence and come out of his shell abit more and it’s just really nice to watch.

Last thing i want to say is they make a comparison from the start of the show to end of the show and I loved it
Do yong shik gets invited to a dinner to eat for a reunion with his school friends,one guy keeps going on about how sunccesful he is in his job and how much he his making,do yong shik feels inferior and feels like a failure because he doesn’t have what everyone else has

Fast forward to the last part of the show he now has a job although it is only with a small company do shik is happy and satisfied with his life,he is content with what he has,the same guy tries to belittle him because he doesn’t have a big salary but he doesn’t care because that isn’t what bring do shik happiness. - my point is having success it’s not everything in life,money is not everything in life,you don’t have to strive to have so much money to be happy,it’s about finding things In your life that genuinely make you happy and no one else

Ps if your rating this low because it has references of sex and talk about more adult topics,think you need to grow up

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Two Is Better Than One

I'll be honest; I always get nervous with dramas that have multiple seasons. One of the reasons I ditched Western dramas was due to the multiple seasons that always made the overall show draggy and boring after a certain amount of seasons. Despite me being obsessed with Penthouse, I was still nervous for season 2 because of the slight chance it might come off as "unnecessary." Let me say that is nowhere near the case. I have loved many sequels more than the original, and Penthouse is one of them. Is it because it was half the length of season 1 or because we dived right into chaos? I might never know for sure, but I can tell you what I loved about this second season.

Story:
Everything that has happened throughout the episodes has led to some fantastic plot, and I enjoyed every moment of it. I won't spoil anything just in case, but all the twists and turns were done fantastically, and I don't think I could have imagined something different, which has usually been the case with other dramas I have watched. One thing I love is how unpredictable the plot has become. You think one thing is set in stone but then it's revealed you were the main act in a circus show, and what you thought wasn't at all what was written in stone.

Characters:
For my season one review, I mentioned how each character, good or bad, was portrayed excellently and written extremely well. The same can be said with season two. One of the things I liked about season one was how, for multiple characters, they were written so you can choose whether to dislike or like them, and that continues in season two. Of course, characters still made my blood boil, as well as the fact I shed tears throughout these fantastic episodes because of them, but I love feeling those emotions with characters. Some characters took me by surprise, good or bad. I found myself at one point hating on a character I thought I liked and liking a character I thought I hated. This season also strengthens my belief that no other actors could portray these incredible characters, or at least I cannot imagine another actor as any character.

Others:
Despite the few OST's we got, all of them were fantastic, especially Repeatedly and The Morass. I wish the season was longer, but I'm glad it at least got extended by 1 episode. It was also great that one of the best episodes, episode 12, happened to air on my birthday, so it was a fantastic birthday gift if I shall say.

Final Thoughts:
Since this is season two, those who watch it or are planning to watch it have watched season one. That being said, I'm already used to the hectic drama that comes with it, so if that's the same for you, then the drama that comes from this season won't be a surprise to you. Although I would say season one technically seems more hectic and "insane," mainly due to having more episodes," season two doesn't shy away from the hectic plot at all.

I cannot wait for season three and how hectic and great it will be. The only thing I'm sad about is one episode a week, which feels like pure torture. But overall, this season is fantastic, and if you watched and liked season one, you should most definitely watch season two.

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A moment connected to the soul will follow us for a lifetime.

A moment might just be a period that lasts for a second, but a moment connected to the soul will follow us for a lifetime.

Every moment is like that, every second is the same, each raising of a hand, each breath, or even hours sitting still without moving, will become a part that follows a person's life, forever.

It's been so long since I watched a youth-themed film, and strangely, any film I previously watched—that I considered good—had an unfulfilling ending, to prove that youth is forever the most beautiful period in a person's life, a time where "even if we had to bathe in the rain, we would want to go back one more time." Perhaps that's why, among the forest of youth films, only "Always Home" achieved such emotional heights for me, making me feel empty after watching, feel unfulfilled, not because of an incomplete ending, but because of an ending, a process, a film, a message so complete that I felt hollow, because the ending meant the film had truly ended. And I realized that hollow feeling is what comes after watching a truly good film, one that has truly filled me, comforted me and brought me so many emotions. The film ended, and I felt lost. Perhaps "Always Home" also marks a period in my university days, and has become a part of me?

I must admit, this is a film suitable to watch while I'm in university. I see the past, I see the possible turning points in the future. Society resembles school, and also carries many unknowns, with young people standing vaguely at crossroads, vaguely striving, vaguely running. I have many questions for my future self, and so many words of advice, comfort, and encouragement for my past self, yet, ultimately, the present life is still the most wonderful. The process of growing up isn't actually the moment the clock strikes from 11:59 PM on the day I'm 17 to midnight on the day I'm 18, but the process of time gradually flowing, the soul collecting each second and minute, each choice, each action, each person around us, becoming the soul of our present self. Youth in the drama is beautifully dreamlike, making me feel empathy, admiration, and longing. But thinking again, whether youth is calm or passionate, whether young age is reckless or simply quiet days, in the end, those are still the days of youth we are living, have lived, and will live in. Youth may not be impulsive, people may not be extraordinary, dreams may only appear in dusty frames, the people we've met may just be visitors with no set date to meet again, the cycle of the universe will not stop, and youth has never stopped being brilliant, in the unique way of ordinary, mundane people who have no second version.

The characters in "Always Home" are also ordinary people like anyone else, like me, except their lives only exist in a short period packaged within the duration of a film. They existed in their lives, loved and were loved, lived the most complete life under our observation. Meanwhile, our lives continue out there, perhaps without such beautiful friendships, open career paths, a warm family, a dream love; perhaps to us, they are the lucky ones, the extraordinary ones, but who knows, to those around us, we might be such the lucky person too. The luckiest person in the end is the one who knows they are lucky; each person has their own life, a blank page is the beginning of all the colors we will paint later. Making mistakes is okay, being foolish is no problem—youth is a stage of life where if we make wrong choices, we fix them together because we're still young, we still have time. Therefore, I want to say to my future self, keep living in your youth, even if you think you've matured, don't be afraid, never feel that life has lost its meaning, you still have, and always have, enough time to fix mistakes. Mistakes are also a part of the soul, don't mistreat them, don't regret, don't resent.

Writing this long, in the end, they're just words, old stories about that childish "youth" motif. The cycle, the impermanence of the world, ultimately are all flowery words about things people often mention when reminiscing about the past and knowing nothing about the future. But that's how people operate, everyone is the same, we're all ordinary with flaws, and it's these ordinary things that make us, that make this life. Perhaps it's been a long time since I gave a film this maximum score, because I always feel everything lacks something. But if I don't make an exception for "Always Home," then perhaps I couldn't explain how my mood and emotions operate. My emotions have filled in each flaw, and I feel emotions should still play the main role in each process of my experiencing cinema (art).

So there it is, the characters have accompanied me, entered my thoughts, aroused my anticipation, indescribable emotions, joy, satisfaction, sadness, contentment, excitement, hope, nostalgia, and impression. The setting, music, plot, lighting, colors, ending, meaning... all contributed to creating a story neither short nor long, not telling an entire human life, but stayed with me for a short time, then became a part of my soul.

A youth film, nothing more, and that's a compliment.

In conclusion, I want to affirm that I truly liked the story of each character in the film, the story of their everlasting youth, of young people and those no longer young in age, of those who love and those who are loved, of those still there and those who left their souls there. Perhaps my process of watching the film was truly a special journey that I will never forget.

And, the final final word, the acting was super excellent! I believed in Zhai Xiaowen's acting from the start, but Zhou Keyu surprised me, really. I'm not describing, evaluating, or deeply critiquing each story and character in this review because I'm truly seeing all their stories as one story with a common name—love. (Though I must say I really liked the Song Tong - Du Man couple—the kissing scene truly left me speechless and I had to pause for five minutes to calm down.) Everyone's chemistry was good, from family to friends to romance, especially scenes depicting very slight stirrings, very light touches, for which I must separately praise the director for the scene arrangement, and can't forget the sound and the actors' gazes. For a film with such complex romantic storylines to be so smooth and understandable, such scenes depicting emotion are truly valuable. And really, thank you to my past self from last week who decided to watch this film despite its "roundabout" nature, because these films aren't frustrating about relationships at all.

In general, this is a beautiful film, in every way.

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This film was apparently a thesis project for the director from film school, and all I have to say, is that I am quite impressed.

Bleak Night can be uncomfortable at times because it addresses issues like bullying, friendship (in a high school setting), the power (both good and bad) of words, and all the angst and insecurities that come along with being a teenager.

The story is told through a series of flashbacks, which takes some getting used to. The camera work is interesting, as a lot of the shots seem to be hand-held and the color palette of the film is quite gray and drab.

I was completely mesmerized by Lee Je Hoon in this film. Every time he came on screen, my eyes were glued to him. He was definitely the highlight of this film in terms of acting, even if his character isn't necessarily the most likable. Overall, the acting of the cast in this drama is on the better end of the spectrum. All the characters are well portrayed.

My only two gripes with the film: One, there is no explanation of the main character's relationship with his parents and there is a lack of a clear cut ending that satisfied me.

Still, a highly recommended film that shows the darker side of teenage friendships and one of the best South Korean films of the year 2010.

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Choices Make the Person

Story:
A slice of life that did a remarkable job portraying how specific life choices molded people into who they become. They all didn’t start off as great or evil characters but because of the people they chose or the choices they made. I think the best part about this story was that it felt true to real world circumstances. The writers truly made you analyze every individual character and the choices they made. It wasn’t easy to just stamp good or bad on them because they didn’t make the choices because of ill intentions but because of human characteristics such as jealousy, sadness, etc. The storyline was cohesive and fluid and allowed us to understand where it went wrong or right for every character. Really a well written script!

Acting:
The actors in this drama did an exceptional job including the supporting cast members. There are 3 actors that were great and really showed their acting prowess - Xiao Zhan, Li Qin & Liu Ruilin. Xiao Zhan really impressed me with how much he improved and how well he was able to portray his character. The scenes where he was supposed to portray grief really hit hard. It wasn’t over the top but felt that he understood how his character would portray that specific emotion.

Would I Recommend:
Yes! I understand the time span of this drama might not be the most appealing and it even swayed me a little. I thought it would be a drama that I would come in for the male lead but not enjoy the story as much except for maybe certain parts. However, I was truly impressed by how much I enjoyed it and even rewatched episodes while waiting for new ones. So, if you could get past the 70s era than I think people can truly enjoy it because it really is a great slice of life drama with an incredibly written script.

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You simply cannot compare

I always find it interesting when people cannot objectively review a series or a movie because of previous bias or rumors they read somewhere. When "2Moons" ended everyone fell in love with Kimmon and Copter and some of the other actors in that series. Then, when it was announced that a sequel was coming but with a completely new cast, people went crazy because they couldn't understand how the company was managing its actors. But, "2Moons2" aired, with all new actors and then people fell in love with Earth (playing Wayo) and the steamy scenes between Pavel and Dome (playing Forth and Beam) were also incredibly popular (just go to Youtube and you'll find A LOT of reaction videos on that). So, the world didn't end because the cast of "2Moons" was completely replaced, right?

All this preamble is to say a similar thing about Color Rush S1 and S2... you simply cannot compare both just because the character of Go Yoo-han is not present in season 2, and here is why...

1. The acting of Yoo-jun (playing Choi Yeon-woo) remains as one of the solid points of both seasons. In the first season he deals with the fact that he is a mono, his mother is also a mono but is missing, and he finds new friends and also finds Yoo-han who is also his probe. He experiences the rush of being able to see colors and also the disappointment of losing that ability after the decoloring effect begins. In season 2, he goes from the uncertainty of his mother still being missing, to the dread of witnessing Yoo-han's kidnapping, to the potential of uncovering all the illegal activities the Gray Scale/Woksun/Nerve Candy people (led by a mono that goes by the nickname of "Monowife"), to dealing with his new feelings towards Kim Se-hyun, to finally finding out his mother did die but being rather calm about it.
While I think some of his facial expressions still need a bit of work, his eyes do manage to express a lot of the feelings Yeon-woo goes though in both seasons while showing the calm but decided character that Yeon-woo needs to be.

2. The acting of VIXX's Han Sang-hyuk (playing Kim Se-hyun) was also a nice surprise as he never doubted or was hesitant about acting in a BL story (according to an interview he gave) and showed a very strong character that goes from befriending Yeon-woo, to trying to help his sister improve her condition as a mono and not be bullied by others, to mourning her death, to seeking revenge while protecting Yeon-woo, to confessing his feelings for him despite knowing he might never get a chance if Yoo-han returns. Sang-hyuk was able to mix some serious tones in his acting with some comedic moments, like in ep. 8 when he daydreams he is kissing Yeon-woo.
The chemistry between him and Yoo-jun was quite strong as they acted like a married couple in some parts (like when Se-hyun moves in with Yoo-jun) or like Sherlock Holmes & Watson when discovering the truth about the Lapis Lazuli tea, the Lapizata pill, and the illegal probe surgery or like Batman & Robin in the action scenes in the final episode.

3. The storyline had a bit more action. Season 1 was a slow-burner in many things because we needed time to process the mono-probe world, the introduction of each character, Yeon-woo's mother being a mono and also missing, Yeon-woo's aunt being a reporter trying to uncover the truth and find her sister, and then also go through the color rushes that Yoo-han made Yeon-woo feel along with all their interactions.
But, season 2 had nothing of that as we already knew the mono-probe situation and Yeon-woo's familial situation. A bit of a complain is that a lot of the action happened way too fast and we jumped from scene to scene without proper time to digest what just happened. Further, several things like a) Yoo-han's kidnapping, b) the introduction of Se-hyun as "someone who wanted to get close to Yeon-woo but couldn't because he was always glued to Yoo-han", c) Se-hyun's sister life as a mono and her part in the secret society, d) the secret society of monos trying to see colors through drugs and illegal surgeries, and e) Se-hyun's being a mono himself but being able to deal with it in secret, were not completely explained/introduced and then not fully developed... so in most parts, we need to either remember things that happened or were said in season 1 or figure out by ourselves how the characters get to the point we see in that particular scene. And also, do they never go to school? Not much happens inside their classroom this time and the secondary roles of Yeon-woo's friends are relegated to a few scenes here and there.

The only truth about this series is that Hur Hyun-jun (the actor who played Go Yoo-han in S1) was not present in S2 and honestly, I'm not sure that his absence made much of a difference. Sure, we heard the name "Go Yoo-han" many times during season 2 because of him being kidnapped and Yeon-woo's wish to find him... but at no point I felt like, "geez, it would be great to have Hyun-jun acting here". There are many rumors about Hyun-jun's exclusion from season 2... rumors about him not being happy about his first major role happening in a BL story, rumors about the production crew/staff being unhappy about his "lack of professionalism", rumors about the production company being unhappy about his "lack of acting skills", and rumors that this was all planned along because of the storyline/plot that season 2 was going to have. Whatever the real reason is, the only real fact is that Hyun-jun was not part of season 2 but comparing both seasons or how Hyun-jun would have acted instead of Sang-hyuk ends up being a useless and ridiculous exercise because, you simply cannot compare.

The storyline (especially the after credits scene in episode 8) sets up the series for a third season with Monowife going into Yoo-han's hospital room and telling him to wake up as Yeon-woo "needs him" and him opening his eyes. Could we have a third season with Yoo-han coming back and now having a love triangle if Yeon-woo and Se-hyun remain in the series as well? Could we have a third season that explores Monowife's connection with Yoo-han? Could we have a third season with a whole new plot twist?
Who knows! But it sure is more exciting to think about all these options than waste time lamenting the absence of Hyun-jun or complaining about what this season could have been like if he acted in it, don't you think?

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When I think of this drama, the thing I remember most fondly is the music. Mary Stayed Out All Night has a KILLER soundtrack! This is truly the first drama I watched where:

A) I even noticed the music in a positive way, i.e., not thinking to myself, “I'm sick of hearing this song.”

B) Halfway through, went desperately searching for the entire O.S.T.

C) Found it and played it on repeat in my iPod for months.

The sweet and thoughtful “I Will Promise You” was the first song to grab hold of me. Jang Geun Suk’s gentle crooning over the playful, melodic acoustic guitar chords reminds me of waking up on a rainy Saturday morning. You know, the kind of morning where you get up slowly, make yourself a yummy breakfast and snuggle up in your favorite, most comfy pajamas for most of the day? Yeah, it totally took me there. And the upbeat and flirty “Hello Hello” is the song you play as you leave home on a bright and sunny morning, ready to seize the day and give it your best!

I found that all of the songs on the soundtrack took me to someplace, and they painted a vivid and wonderful background for the drama. Which is good, since the plotline for Mary tasks the characters with creating an O.S.T. for a fictional drama within the drama.

Now that I’ve waxed poetic about the music, I’ll move on the actual drama details. :)

This drama is like junk food. It’s the kind of drama you watch when you’re in the mood for something cute, but not necessarily ground-breaking or deep. It’s good when you want to watch some eye candy with brains and emotions; when you want to watch a youthful, fun drama with a decent plotline and fairly witty writing. You can’t walk into a drama like Mary with high expectations about character development, moral issues (but it is successful with regard to some of that), and dynamic plot twists and turns. You really just have to take it for what it is. Quirky and kind of cute.

The actors are very likeable in their roles and do a good job portraying their characters. Moon Geun Young is ABSOLUTELY ADORABLE in the character of Mary. It’s all I could do to resist putting her in my pocket. She and Jang Geun Suk have wonderful chemistry, despite the fact that they dress like homeless people. I chalked it up as being a part of their eccentric charm.

Geun Suk is a moody, stoic, slightly arrogant and detached rocker--a role he’s played before, I think--but he’s also pretty funny with good one-liners and shows growth as the drama progresses. Kim Jae Wook is the misunderstood and terribly awkward business man that also grows through the series. As I am someone who is commonly (and tragically) a lover of the secondary male lead over the primary, my heart went out to him.

The only warning and major dislike I have is that the parents in this drama drove me BANANAS. Their rationale for their actions was just absurd and outdated, frustrating me greatly. The thought of the parents alone have stopped me from re-watching this drama, unfortunately. If they weren’t so irrational, I’d rate this much higher for re-watch value.

The “re-watch” value for the music, however, is a 10, hands down!

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Part 4/4 isn’t needed

That ending ruined the purpose of the entire story. Day saying he’s having his “normal life” back after getting his sight is such a lame writing considering how the show tried so hard to tell the audiences that day was and had always been normal. As someone who’s living with a deaf little brother this series was such a huge deal to me, showing that people with disability can also be happy with what they have.
Also them choosing to still do the one palm distance at the end felt ableist and lost its value too. Such a shame bc this could have easily been a 10/10 show.

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Choice A or Choice B, live life without regrets

This is not your typical rom-com. The drama’s concept of “what if” is that the female lead is at a crossroad and has to choose between two paths. The drama shows us how these two choices play out at the same time in a parallel sort of way (think the USA movie Sliding Doors). In episode 3, the drama splits in two. Timeline 1, the female lead gets off the bus and stays at her small town with her loving boyfriend. Timeline 2, the female lead stays on the bus and moves to the big city for work. Both timelines are real.

Note, this is a female centric drama so the whole story focuses on Zhong Chu Xi two characters. There are two male leads Liu Xue Yi (small town boyfriend) and Lin Yu Shen (boss in the big city) which I felt shared almost equal screen time.

“Live life without regrets” is the message of the drama that the writers executed perfectly. The best thing about this drama is that it doesn’t sugar coat anything. It shows us the realistic and very human side of life. Relationships are not perfect, they are messy, filled with miscommunication, confusion but also love and warmth. Life is not perfect either and we should cherish the happiness we have, even if sometimes it’s only a little bliss. No choice is wrong or right, we just have to take it all in and navigate through the ups and downs of life.

POSITIVE:
- Realistic story about flawed characters with relatable and real life issues.
- No sugar coating. The drama always keeps it real to make sure we remember that sometimes real life does not work like a cute rom-com.
- Unique plot with deeper meaning about life behind it.
- Real life problems. The drama shows us raw and flawed communication between people that might not be considered healthy but it’s very much authentic to real life.
- Cute romantic scenes.
- No fillers or side stories. Almost all scenes show the main lead’s story (the female lead and her two male leads).
- No cheating. Even though there are two male leads in the story, the female lead doesn’t cheat and there are no love triangles.
- Realistic portrayal of life's highs and lows.
- Blend between daily mundane life in a small time vs a lavishing lifestyle in the big city.
- A mix of very sad and very heartwarming moments.

NEGATIVE:
- Melodrama vibe. The characters were constantly going through many challenges which made the drama very stressful to watch at times.
- Third party vibes. There is no cheating and no love triangles however the female lead does end up dating another man in one of the timelines so for some people that might be difficult to watch.
- Transitions between the two timelines are not always clear and sometimes it takes a few moments to realise we are watching the other timeline. You really have to pay close attention to not confuse the two timelines. It would have been better if the two timelines were more distinguishable, whether with different colours or the female lead’s appearance.
- Female lead being the scapegoat. The writers wanted to create more engaging drama for the viewers but at the cost of their female lead. Unfortunately, a lot of the times I felt all the problems and conflicts steamed from the female lead.
- Happy ending for both timelines however it also felt a bit open. I wish the drama showed us a few years into the future in each of the timelines.

OVERALL:
If you want a melodrama vibe, with a realistic story about flawed characters and the raw portrayal of messy relationships, watch this drama.

FAVOURITE QUOTES:
“We should cherish the happiness we have, even if it’s a little bliss”
“Whatever road you may choose, you may regret. But once you decide, you have to go on. It will end well”

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Romantic comedies aren’t usually my cup of java, but Coffee Prince is everything a rom-com should be: sweet, funny, and sexy. If you can get past the silliness of the mistaken identity premise, you’ll be rewarded with a show full of carefully observed human moments, played out by an eclectic, engaging ensemble cast. The poor girl/rich guy love story may not be especially original, but it’s told with a great deal of heart and refreshingly little artifice. The characters come across as fleshed-out human beings instead of walking plot devices and the show understands how to create scenes of real emotional impact without heaping on the melodrama or resorting to cheap dramatic tricks. It’s also genuinely hilarious, with a central couple whose on-screen chemistry is off the charts.

Coffee Prince is hardly an undiscovered gem, but like the best coffee shops, it’s a warm, inviting place to pass the time. It gently reminds that life’s small pleasures should be noticed and savored, and that choosing love, for a person, a profession, or a place, is worth whatever heartache or stigma may tag along.

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Brilliant. Timeless epic quality of emotionally processing the life of 2 historic heroines

This KDrama tells historical heroine stories for a change. (Yes: female AND plural.) On top of that, enriched along the way with some highly topical insights and a vivid examination of management systems - what does the common people need? How does it want or have to be lead? In this respect, the 2009 series has not lost any of its topicality. But above all, "Queen Seondeok" brings the viewers closer to the earlier (not so well represented in KDrama and KMovie) Korean history of the Three Kingdoms.

Here, history is presented in 62 episodes in a moving manner and in dazzling characters, while offering valuable historical input. 62 episodes should not frighten you. This is perhaps more like 5 or 6 seasons western style. You don't have to go through all the episodes in one go, (but you can of course). To be honest, the number of episodes and the rather stiff-looking poster with a heavy crown kept me from watching the series for a long time. But that was a big mistake. This series is wonderful in view of the wealth of impressions, personal processes of the protagonists, and the profound examination of the attitude and philosophy of rulers. Also funny in places. In any case, an impressive piece of Korean history that is told in a round, rich and colorful way. The KDrama leaves nothing out when it comes to being human and being a hero - it presents all of this in various dramaturgical entanglements and depths, with twists & turns and deep feeling. (Swords, bows and battles are also included.)

This is about real historical personalities from Korean history, who made remarkable achievements in their time. First and foremost Queen Seondeok. She was the first Queen of Silla and the first of the few female heads of state in Korean history. If one considers her progressive achievements for her people, she must have been a charismatic personality in order to be able to place herself in the first, officially leading position in this feudal male world. Her life, but also that of other contemporary significant, history-shaping people in her environment are prepared dramaturgically lively and unforgettable. Admittedly enriched with a bit of poetic freedom in the service of a compelling and exciting story. However, in the historical drama orbit, it seems to me quite acceptable to bend the facts here and there in order to create a vivid impression of the character of the historical figures and their work instead. This is much more memorable (in passing) than exact chronologies. In addition, the actual valid sources that can be evaluated are limited. Even historiography has to do a bit of guessing every now and then to understand where, for example, a woman at that time got the vision, the strength and the courage to put men in the second row - and at the same time intelligent, visionary and with respect for the people, to rule in an almost idiosyncratic way.... In my opinion, the fictional plot does not damage the essential impression that one gets about life and challenges in the Silla Reich, about the charisma of the historical personality of Queen Seondeok and the historical figures around her plus her achievements for her people. The KDrama draws a memorable, unforgettable character portrait of the Silla Empire in the 7th century. In doing so, it brings the bones of the queen lying under one of the burial mounds in Gyeongju to life again.

Good to know: The Silla Empire was not yet under the influence of Confucianism, which clearly defines the man as the head of the family/tribe. Among the noble Silla families there were also those in which descent on the mother's side was decisive, or women were considered the heads of the family. At that time, matrilineal and patrilineal tribal structures still existed in parallel. Therefore, the respect for women and their functions in society was comparatively higher overall - but still not a matter of course.

For me, what is valuable about this story (and at the same time the timeless quality of the KDrama) lies in the juxtaposition of two very different, each impressive, intelligent female figures of their time: Princess Deokman (Queen Seondeok) and the noble concubine Misil, who hardly had an influential king or leader of the Hwarang left out during her time in order to directly influence political events. In fact, the two women did not live at the same time, but poetic freedom overrides this and juxtaposes the two as equal antagonists. (Extremely successful!)

The KDrama "Queen Seondeok" is characterized by a timeless epic quality in the emotional processing of the historical events. Brilliantly done in places, quite funny at times, with colorful vividness and everything that life usually entails: plenty of drama that stirs the spirits and also touches the heart. An exciting script (which in the second half has to work through a little more historical facts), and a colorful dance of highly inspired mimes, reviving those distant 50 years in the past 7th century. Not only the later queen and the concubine Misil get a memorable profile, also the men around Queen Seongeok - Bidam and Kim Yushin - are noticeably filled with life. Love story included - it's more of an encore than the main thing when it comes to the entire story, but it refreshes the second half as a balance to the historical ride through time.

By the way, the ratings literally went through the roof at 43.6 percent when the series was broadcast on television in 2009.

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