Soredemo, Ikite Yuku is an unforgettable drama. It’s simple, yet captivating, slow-paced, but addicting and sad, but at the same time very optimistic.
It tells the story of two families whose normal, everyday life was suddenly broken by a terrible crime and shows how people who were affected by it try to live on, cope with this tragedy. What I liked about this drama is the fact that it shows that both sides suffer, although differently – not only a victim’s family’s life is changed forever, but also those, who are related to murderer have to continue living with guilt and knowledge that somebody close to them killed an innocent person and destroyed lives of many people. It’s rare (at least for me) to find a story that gives a right to suffer not only to the victim’s side, but also for the other side too, so that’s a huge plus for writers.
The plot of this drama is really simple – it shows how the younger generation tries to heal their families and find the reason why the tragedy had to happen. Both main leads – Hiroki and Futaba are amazing, not only in terms of acting, but also as the characters. They feel real in their social awkwardness and their stubbornness to make things right is heartwrenching. Also, their relationship is unique and charming – two people who should be on the opposite sides join forces, change themselves and their families and also find in each other something akin to soulmates.
The pace in this one might be considered a bit slow by some, but for me this was surprisingly an advantage; because of that screenwriters could show us a very believable character development; everything was happening slowly, yet in the right moment and nearly every single behavior was justified and didn’t seem rushed or out of place. Also, I loved it that this drama despite taking on a really hard, seemingly depressing subject, is not overly dramatic and sad – it leaves the viewer with optimistic feelings. It’s like a catharsis.
Acting in this drama deserves a separate essay, so I’ll try to keep it short. Everybody was amazing! Yeah, yeah, it sounds like an exaggeration but believe me, it is not. Every single actor played his part perfectly – Eita ended up being my favourite Japanese actor ever, I’m stalking him now and plan to watch all his dramas. He was just natural in his role of an awkward guy for whom the time stopped when he was a teenager and who has to cope with his conflicting feelings for a family of his sisters murderer. His co-star, Mitsushima Hikari was great too, she’s a versatile actress who, in my opinion, has a huge potential to be one of the best Japanese actresses in few years. Just watch her in this drama and then see Love Exposure – I still can’t believe she’s the same person! Supporting actors, especially Hiroki’s mother, a woman who never accepted her daughter’s death (her monologue in ep.5 left me speechless) and Futaba’s father, a man who tries to atone for his son’s wrongdoings with all his might - they were outstanding in their roles, they could easily make the viewers feel the pain of the parent who lost his/her child. The only actor I was not impressed by was Kazama Shunsuke who played the murderer, but well, his role of a slightly autistic guy who never really grew up was really hard and still, he did a decent job, he was just not as amazing as the rest of the cast.
As for music in this drama I’ll only say that the opening song was really annoying at first. It slowly grew on me, but I still think it’s horrible. This wailing guy should keep his mouth shut for his entire life.
So to sum it all up, what I was trying to tell (or more write) in this review is that Soredemo, Ikite Yuku is one hell of a drama. I’ll use those corny descriptions again: it’s beautiful, thought-provoking and original, but see yourself if I’m not exaggerating!
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Finally something worth watching?? I don't have words.
I didn't know that I would say this about a vampire centric drama but it was really a breath of fresh air. After a long wait Cdrama world finally gave something worth watching which ended the spell of boring dramas of this year. We were inundated with many overhyped shows which could not do justice to all the anticipation. I wasn't sure about this one either (especially if it is a republican era one) but the first episode was more than enough to intrigue me with its unique plotline. The cinematography looked really nice plus the music beautifully accentuated the scenes. I loved the acting of all the actors and hoped this one could surprise us the way 'The double' did this year. However my hopes came down shattering pretty soon. It was already becoming impossible to ignore all the loopholes in the plot but by the time we reached the end, the drama totally took us as a fool. I was no longer mesmerized by the cinematography as I was in the beginning. The side characters completely took over the main leads and I could clearly see that they were forcibly giving more screen time to yinling. (Plus their efforts to justify all the wrong actions of some characters to gain sympathy of the viewers is just so... incomprehensible ). The show didn't really give proper closer to most of the characters (I wonder what was the rush?) The ending was so disappointing that I don't have words to explain it. If it wasn't for the good cast I would have dropped the show but I continued just for them..Their acting on the other hand kind of... began to look stiff towards the end as if nobody was feeling the emotions that their characters were supposed to feel or perhaps it was the weird editing that made me feel that way.(Except for Mi Lan, she was pretty good till the end).To conclude it all...this one could have been a great show with solid performance but they did their magic and ruined it all and made it another one time watch drama at most.
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It’s a special type of emotional experience, watching a drama like Skate Into Love, which has solid strengths yet also a fair share of wobbly flaws. It took some serious consideration for me to establish how to reconcile all the positives and negatives; but after watching the conclusion, I can say that for its genre, Skate Into Love can stand tall in its field.
The basis of the plot is a concoction of classic rom-com tropes. The leads know one another from early childhood and, upon reuniting years later, their relationship becomes an “enemies to lovers” affair. This show's primary differentiating factor is its inclusion of ice sports, which dictates significant plot points and is crucial in the growth of several characters.
The first half of the show overflows with sweet and humorous moments between Tang Xue and Li Yu Bing as their constant bickering turns into genuine care for one another. Their romance is a strong force because they, as separate characters, are both independent people who have flaws as obvious as their strengths. They manage to grow together and are capable of helping each other because they understand the person opposite them incredibly well. It warms the heart to watch and you can’t help but root for them as a couple and as individuals.
That being said, there are some other plot points that beg to be mentioned:
One: third wheels. It’s a rom-com rule that they have to stick their head into the plot. Listen, I don’t make the rules. Take it up with the screenwriters upstairs. They’re the ones who insist on including several love rivals. Some of them can actually pique your interest as they evolve over time, so not all of them are a total waste of your attention. However, it’s my civic duty to throw one of them – Mr. Bian “creepy chuckle” Cheng – under the bus for starting as a minor headache, then evolving into a complete migraine by intervening in the main couple’s relationships in the most boring and inconsequential ways possible. He is, hands-down, the weakest link of this show. You don’t hate him because he’s an actual threat, you hate him because he could be interesting but just isn't.
Then, there are the side couples. Like the third wheels, I don’t even remember how many of them there are. But nonetheless, they pass around the baton for taking over the show every once in many a while. A key positive point about all the supporting characters is that the writers did try to make them more dimensional. Just like the main characters, they each have unique motivations and insecurities, making them feel a lot more human than what could be said for many non-leads in other shows. Whether it be friends, family members, or rivals of the main characters, I really liked how they all had their own lives and problems. That further helped make all of the platonic relationships much more enticing. Even so, it’s incredibly difficult to have a drama effectively focus on a main couple as well as multiple side stories – some will certainly feel like plot filler, especially in early parts of the show, because we don’t see their full development like we can with Tang Xue and Li Yubing.
There are also some moments involving the leads that feel a bit iffy considering their personalities. Don’t you just love when a relationship, consisting of two amazingly communicative characters who deeply seek to understand one another, abruptly crumbles due to external factors that existed but didn’t matter before? To have problems within a relationship is completely normal; and while I’m glad to see them addressed, the way that they’re depicted is sometimes too theatrical. I’m not going to lie. Seeing all the age-old melodrama cliches enter the picture and challenge the romance is almost entertaining – in the same way that watching someone slip and fall is entertaining after you told them beforehand, “careful, it’s slippery”: the ridiculousness of something happening when it shouldn’t is quite…amusing, to say the least.
These flaws aside, I overall found the story to be a good balance of being amusing (even hilarious) at times and serious during others. I liked how sports are involved in some of the characters’ lives, providing them with dreams and purpose. Part of me wishes that there were more competition scenes shown, as the action during them was fun to watch (and inaccurate, but come on. It’s people on ice with knives on their feet; that in itself is deserving of a thumbs-up). Much of that may be due to my own preference, though, since personally like some ice sports and would hardly object to seeing more of them.
As for the acting, I genuinely appreciated the life that the lead actors brought to the story. Tang Xue is a character who – if assigned to a poor actress – could easily be depicted as annoying due to her outspoken nature, but Wu Qian does an excellent job balancing that boisterous behavior with kindheartedness. Zhang Xincheng also shines in the role of Li Yubing. His depiction of a childish yet determined young man is spot-on. Together, these two actors created an excellent picture of a happy and young relationship, full of promises and hope for the future. When evaluating the supporting actors, I found their abilities sufficient for the roles that they're given and certainly wouldn’t mind watching their future projects.
As far as rom-coms go, Skate Into Love is satisfactory. Though it occasionally stumbles, none of that changes how it put some of the biggest smiles on my face out of many of the rom-coms I’ve seen thus far. You really just have to go in prepared to brush off all the cliches, because what’s underneath all that dust is a very sweet story that is worth sitting through.
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3This review may contain spoilers
A moment connected to the soul will follow us for a lifetime.
A moment might just be a period that lasts for a second, but a moment connected to the soul will follow us for a lifetime.Every moment is like that, every second is the same, each raising of a hand, each breath, or even hours sitting still without moving, will become a part that follows a person's life, forever.
It's been so long since I watched a youth-themed film, and strangely, any film I previously watched—that I considered good—had an unfulfilling ending, to prove that youth is forever the most beautiful period in a person's life, a time where "even if we had to bathe in the rain, we would want to go back one more time." Perhaps that's why, among the forest of youth films, only "Always Home" achieved such emotional heights for me, making me feel empty after watching, feel unfulfilled, not because of an incomplete ending, but because of an ending, a process, a film, a message so complete that I felt hollow, because the ending meant the film had truly ended. And I realized that hollow feeling is what comes after watching a truly good film, one that has truly filled me, comforted me and brought me so many emotions. The film ended, and I felt lost. Perhaps "Always Home" also marks a period in my university days, and has become a part of me?
I must admit, this is a film suitable to watch while I'm in university. I see the past, I see the possible turning points in the future. Society resembles school, and also carries many unknowns, with young people standing vaguely at crossroads, vaguely striving, vaguely running. I have many questions for my future self, and so many words of advice, comfort, and encouragement for my past self, yet, ultimately, the present life is still the most wonderful. The process of growing up isn't actually the moment the clock strikes from 11:59 PM on the day I'm 17 to midnight on the day I'm 18, but the process of time gradually flowing, the soul collecting each second and minute, each choice, each action, each person around us, becoming the soul of our present self. Youth in the drama is beautifully dreamlike, making me feel empathy, admiration, and longing. But thinking again, whether youth is calm or passionate, whether young age is reckless or simply quiet days, in the end, those are still the days of youth we are living, have lived, and will live in. Youth may not be impulsive, people may not be extraordinary, dreams may only appear in dusty frames, the people we've met may just be visitors with no set date to meet again, the cycle of the universe will not stop, and youth has never stopped being brilliant, in the unique way of ordinary, mundane people who have no second version.
The characters in "Always Home" are also ordinary people like anyone else, like me, except their lives only exist in a short period packaged within the duration of a film. They existed in their lives, loved and were loved, lived the most complete life under our observation. Meanwhile, our lives continue out there, perhaps without such beautiful friendships, open career paths, a warm family, a dream love; perhaps to us, they are the lucky ones, the extraordinary ones, but who knows, to those around us, we might be such the lucky person too. The luckiest person in the end is the one who knows they are lucky; each person has their own life, a blank page is the beginning of all the colors we will paint later. Making mistakes is okay, being foolish is no problem—youth is a stage of life where if we make wrong choices, we fix them together because we're still young, we still have time. Therefore, I want to say to my future self, keep living in your youth, even if you think you've matured, don't be afraid, never feel that life has lost its meaning, you still have, and always have, enough time to fix mistakes. Mistakes are also a part of the soul, don't mistreat them, don't regret, don't resent.
Writing this long, in the end, they're just words, old stories about that childish "youth" motif. The cycle, the impermanence of the world, ultimately are all flowery words about things people often mention when reminiscing about the past and knowing nothing about the future. But that's how people operate, everyone is the same, we're all ordinary with flaws, and it's these ordinary things that make us, that make this life. Perhaps it's been a long time since I gave a film this maximum score, because I always feel everything lacks something. But if I don't make an exception for "Always Home," then perhaps I couldn't explain how my mood and emotions operate. My emotions have filled in each flaw, and I feel emotions should still play the main role in each process of my experiencing cinema (art).
So there it is, the characters have accompanied me, entered my thoughts, aroused my anticipation, indescribable emotions, joy, satisfaction, sadness, contentment, excitement, hope, nostalgia, and impression. The setting, music, plot, lighting, colors, ending, meaning... all contributed to creating a story neither short nor long, not telling an entire human life, but stayed with me for a short time, then became a part of my soul.
A youth film, nothing more, and that's a compliment.
In conclusion, I want to affirm that I truly liked the story of each character in the film, the story of their everlasting youth, of young people and those no longer young in age, of those who love and those who are loved, of those still there and those who left their souls there. Perhaps my process of watching the film was truly a special journey that I will never forget.
And, the final final word, the acting was super excellent! I believed in Zhai Xiaowen's acting from the start, but Zhou Keyu surprised me, really. I'm not describing, evaluating, or deeply critiquing each story and character in this review because I'm truly seeing all their stories as one story with a common name—love. (Though I must say I really liked the Song Tong - Du Man couple—the kissing scene truly left me speechless and I had to pause for five minutes to calm down.) Everyone's chemistry was good, from family to friends to romance, especially scenes depicting very slight stirrings, very light touches, for which I must separately praise the director for the scene arrangement, and can't forget the sound and the actors' gazes. For a film with such complex romantic storylines to be so smooth and understandable, such scenes depicting emotion are truly valuable. And really, thank you to my past self from last week who decided to watch this film despite its "roundabout" nature, because these films aren't frustrating about relationships at all.
In general, this is a beautiful film, in every way.
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It' the quality effect indeed. He has done some really good movies and The Man From Nowhere is a great example of his less-in-quantity-more-in-quality movies. I loved this movie. It was thrilling and touching all at once. A man going all the way to save a little girl because she's his friend. And the man cannot be stopped! He's a freaking one-man army, who won't stop until he wants to. What a great plot! I was on the edge of my seat throughout the movie and the ending made me cry. Well, almost since I don't cry that easily. The ending was a little different from what I expected but it was a good ending.
The rewatch value is the only thing that is not a ten for me. That's mostly because you know how the movie will progress and that steals a bit of the excitement. But the action scenes are simply WOW. The lead character is so strong and invincible, but he doesn't care about glory.
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This review may contain spoilers
Smart Demons + Stupid Humans = Extraordinary Mess
Watched this to see Xu Kai act but just like in a previous series of his; his and everyone else's acting was great but the story itself was a hot mess. Wish he or whomever chooses for him, chose better. The only reason this even got a 6.5 and not lower was because of the literally only 3 pros. Otherwise, it was like the mighty morphin power rangers and mortal kombat took LSD and spit this out.Pros: Leads chemistry, the actors hard work which included great fight scenes, and costumes (except for the Halloween store costume lion for Uncle Tang), and good OSTs. No other pros.
Cons: Now don't get me wrong, I'm all for smart antagonists but not when the protagonists are so ridiculously idiotic. Just about everyone was led by the nose by the demons the ENTIRE show. Even when our ML told them otherwise, the Elders still chose to believe evil people. The amount of times the good guys failed to understand something very simple made you want to run your face into the wall. The entire series made a ton of no sense because the bad guys were running the show while the good guys were just walking around like zombies and talking in circles.
Did just about everyone really deserve to die; KYY's death in the last episode was pointless and meaningless. Some really did die as heroes but what made much of it senseless is that if they put two and two together sooner and made it 4 instead of 7, they could have made things happen sooner and survived. It made me feel like whoever the writer was, had no clue how to write a novel or one that's understandable or cohesive. Ji Rong staying alive and even her death at the hands of probably the show’s stupidest character, made me feel like I lost brain cells. DXY warned his brother and the two elders something was fishy about her from nearly the beginning and yet both uncles died because of her.
The sets and CGI looked very cheap. The words chucked up on the screen each time a new magic trick was used was eye roll worthy. Welcome to the 90s and not in a good way! Situ Hong's ruthlessness was completely ignored and his death and that of the weird random cultivator that at first clung to XY was completely pathetic. Both were sucked dry for big bad demon God that most of the time sounded like an alien cat that sucked in a helium balloon. We were all expecting a fight between him and XY but yeah, why bother?
Demon Ao Lan turned himself into a psychedelic Venus flytrap to try and kill XY in the last episode and it had me laughing. Little Shop of Horrors that was filmed in the 1970s had better CGI than this mess. I shed a tear for Shifu sacrificing himself at the end as out of all the guardians, he was the only one that infiltrated the demon clan and didn't do too poorly. Yes, happy ending for leads and the maybe 3 other living people but what did I watch for 40 episodes?
Would I recommend? No way. Even if you are a fan of the leads or anyone else, please find something else. Leads chemistry is not enough to hold this thing together.
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All aboard the angst train. This is going to be a bumpy ride!
This show started light-heartedly. A bit of awkward meet-cute sets up the love line between our OTP. I have to give credit to the FL for her portrayal of a 16 year old even though she is 30 in RL. In fact, most of her roles tends to be in that late teens to early 20's range.While the romance is a slow burn, it is engaging and quite cute. It did turn dark when the FL "accidentally" poisoned the ML. He fell into a coma for a long time and when he woke up, he has the mind of a child. That is a shock for all concerned because he was an intellectual giant before the accident.
This brought about the second phase of their relationship. In his dim-witted state, he latched onto the FL like a chick onto a mother hen, In turn, she dedicated all her efforts to cure him and be with him. Around this time, the show really went to the dark side. The melodrama dial is turned up to the MAX when the FL's whole family was killed. It is excessive, but not 100% shocking when you consider the historical setting. It was designed to hit us with the feels, and it works.
I'm shipping the OTP at this point because they both suffered so much and yet they are trying their best to be happy in their little world. However, the show starts making questionable decisions from this point onwards. They piled on the angst and dragged out the ML’s plot. While his childlike innocence was a novelty at first. It went on largely unchanged for 1/3 of the entire run. What was cute earlier is now wearing.
If that is not enough, the moment the ML recovers his memory and mental capacities, he plays the noble idiot card. As expected, the OTP suffered even more. I still don't quite understand his logic. At first, he thought she has feelings for her senior. However, after she clarified the misunderstanding and declares her undying love for him, he continues with the charade even though he is in pain and pining for her. The brakes are off the angst train by now.
There are a number of opportunities to reunite the leads. The show could have profited from their love and longing. Hit an emotional high and gift us some much-needed fan service. Alas, it was not to be. I'm not going to spoil the last few eps, but let's just say the writer doubled down and went all-in on their sufferings.
Before we all reach for the Suicide Help Line, the writer parachute in a happy ending but it was literally in the dying seconds of the show. There is no preamble nor extra fan service. The scene is so contrived, I'm speechless. I can only imagine the writer being told by the upper echelon to cough up a happy ending or else. In hindsight, maybe it'd have been better if the writer decide to die on that hill and insists on delivering a torture porn unto the bitter end. I don’t know whether to laugh or cry.
Acting wise, the cast did ok. The FL was in her element. The ML is handsome and not too wooden. I like his earlier portrayal of the man-child. However, the same-y role becomes boring to watch eventually. The ensemble cast is standard issue for a costume drama of this ilk.
I was ok with the angst . . up to a point. It is that type of show after all. However, the last few episodes really throw everything at the OTP including a weaponized kitchen sink. We have all manners of weird plot twists inserted solely to pull the leads apart even though they more than earned their rights to be together. That was too much for me. I am posting a lower score as a warning to others. Peace out.
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Youth, friendship, family, love, and school. This drama was so heartwarming, light and realistic. It perfectly depicts the beauty, the joy, the sadness and the stress of being a teenager.
I loved how all themes were developed equally, there wasn't too much of anything, everything was perfectly dosed. Everything took its time to develop which make this drama more realistic. You will find yourself rolling with laughter at the friendship the characters had, smiling at the small selfless acts of kindness towards each other, getting angry at the trouble they had to go through, sympathize with them, and having your heart skip a bit at the sweet moments. A lot of the things these characters experienced, we have also experienced during those years of our life. With all this, I can assure you that this drama is so light that will make your heart warm and leave you clicking on the next episode with a huge smile on your face.
The acting was great! these young actors did a great job at depicting all emotions a teenager goes through, from falling in love to having worries about family issues. The chemistry between the main characters was impeccable. I always try hard to stop myself from having a second lead syndrome because I know that I will be the only one getting hurt in the end. "When we were young" did not even let me have a second lead syndrome because Hua Biao's character is so great that it's impossible not to ship him with Yang Xi. On that note, I must admit that Hua Biao is such an inspiring character. Usually, someone like him in dramas would be a cold-hearted asshole but Hua Bio was PERFECT! Yes! he is the embodiment of perfection. From his beautiful smile to his caring attitude, his intelligence and bubbly personality, he is perfect. I LOVED how hard working and independent he is, how he always tried to solve misunderstandings as soon as they arise and how selfless he is. His character is inspiring and I think I personally should learn more to be like him.
I LOVED the 1990s vibe, very similar to the REPLY series and A LOVE SO BEAUTIFUL. Just like there is some drama set in different eras of history, I hope setting dramas and movies in the 1980s and 1990s will become a thing. I am in love with the aesthetic and the whole vibe just bring about a lot of nostalgia.
AWESOME Chinese drama overall. If you know anything similar to this please hit me up :)
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Slow paced. Gloomy. Solid crime thriller, set in a perhaps somewhat peculiar milieu
“The Bequeathed” is a dark and gloomy crime thriller that is set on the fringes of madness, obsession and shamanistic practices, taking place in a remote backcountry, where ordinary people have for generations been burying their dead under green burial mounds. It's not a horror story, but rather a solid, yet slow paced crime thriller, set in a perhaps somewhat peculiar milieu.There are only 6 episodes. Nevertheless, with only a little for the short time, comparatively much is revealed about a wildly mixed bouquet of different characters. A hodgepodge of astonishingly vividly drawn figures cross paths, take their space quite naturally and leave their traces with the audience. Against the background of the ongoing investigation into a series of murders, they all get the chance to clear up what they have (emotionally) left behind ... and move on.
I would not have expected this. Therefore I was positively surprised.
Authentic performance. Amazingly complex with haunting cinematic implementation. Dense. Suspenseful.
Nonetheless consistently gloomy. (It does get a little brighter towards the end though...)
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Life is short, cherish the moment.
Unhampered swordsman, Huo Zhan Bai seeks treatment for his sworn brother's child. His sworn brother's child needs to be treated by the most skilled doctor to have a glimmer of hope of survival. So for his sworn brother's child to receive the treatment he needs, he set out on a journey to the Apothecary Valley. His journey leads him to encounter the most skilled doctor, also know as a Divine doctor, the master of the Apothecary Valley, Xue Zi Ye. Their encounter isn't exactly all that great, but as time flies, they grew closer, developed mutual understanding and trust. And eventually, love blossomed between a free-spirited swordsman and a divine doctor who's always refrained from involving herself in the struggles of the Martial Arts World. However, due to the heavy responsibilities on their shoulders, a love that could have lasted for a lifetime couldn't be expressed fully.I loved the premise of Snowy Night Timeless Love mainly because right from the first four episodes, I got to see the chemistry of Li Qin and Joseph Zeng. Plus, the stunning cinematography mustn't go unmentioned.
I've always known this one would have a sad ending cause the synopsis itself is a big spoiler, but I wasn't swayed from watching, I picked it up still. Why? Mainly because not all love lasts forever. And not all love gets a happy ending, or the forever after thing. There are love that you want to protect but couldn't. A love full of heartbreaks and sufferings. Not every love is all rosy. Love is accompanied with sadness, tears, heartbreaks, and separation. A love with regrets. There's that one person you wish to save but couldn't. That one person you'd sacrifice your life for in a heartbeat if sacrificing could bring the person back. That beloved you never want to get separated from. A beloved who bacame a memory. There's always that love. That beloved you can't help but miss as the day passes. That's the reality of life. Life is short. If there's one lesson I learnt from this drama, that'll be, "cherish the moment while it's last. More importantly, cherish the person you love while they're still around." Spend time with them, cuz you never know what will happen in the future. Don't leave regrets. Live your life spending time with the people you love. There's no eternity in this, life is but for a short while, so don't waste it. How long you live is not what matters, it's how well you live your life, spending time with your beloved, loved ones, and doing what you like that does. Regrets can be a very tormenting, so live your life without regrets.
The problem with Huo Zhan Bai is he puts others needs before his own happiness. He couldn't express his feelings, nor was he able to make too many happy memories with Xue Zi Ye. But then again, the time they spent together was fulfilling, they'll turn to memories to cherish forever. This is a sad romance that refects reality. I can't help but be reminded of "Someone You Loved" by Lewis Capaldi.
That said, Li Qin did her role as the cold Chief of the Apothecary Valley justice. The way she portrays emotions sometimes leaves me speechless. I've always known she's a great and versatile actress, still I can't help but be impressed by her acting skills everytime I watch her drama. Her acting moved me to tears in this one. Her facial expressions is spot on. She portrayed her role as the cold, aloof, yet kindhearted Xue Zi Ye wonderfully. Indeed, Li Qin doesn't disappoint.
And without excluding our selfless ML, Joseph Zeng. I enjoyed his performance in this one thoroughly. When he's pain, he acts it so well. I've seen him in a lot of dramas and have always been impressed by him. Snowy Night Timeless Love made me love him more. The way he acts when he's in pain left an impression on me. He also didn't disappoint me.
Not to mention the chemistry. There are no kisses like the other dramas I've watched, but the chemistry was there. The gazes, hugs, and their time together was enough to keep me going. If there's any complaints I have about this one, it's that Huo Zhan Bai never put his happiness first. It's looking for Mo's medicine today, and bringing justice to the Martial art world tomorrow. I didn't like this about him.
After much thought, I decided to give this a solid 9.5 for the lessons, the acting, and the chemistry of the leads.
Xue Zi Ye and Huo Zhan Bai's love will live on in my heart for a very, long, long time. I learnt a lot from their love. I can't help but love this drama because of how it reflects reality.💞
There are many controversies and mixed feelings on the ending, mainly because the ended was a sad one. And because Xue Zi Ye died in the end. But I loved it still, even though it's a sad ending, I learnt a lot. Snowy Night Timeless Love is beautifully written and executed. 💞 It's painful but I was still glad to see Xue Zi Ye die thinking of the one she loves.
Snowy Night Timeless Love is a drama that'll move you to tears. A drama about separation. A drama that moved me, even though it has its flaws. Don't miss it. However, make sure you have your tissues close by if you an empathetic person cuz this drama is emotional!
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It isn't necessary for me to name all of the actors, because it is already done. Just know that they all were excellent. I felt connected to each of them in different ways.
The music is appropriate.
It is rewatchable, but I probably won't.
This drama isn't for every one. I can see why some people would get bored with it. However, I highly recommend it.
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In a society that has been enraptured by the potential of AI and robotics, it’s unsurprising that there’s been a recent influx in dramas that deal with such topics. Despite being based off an older manga, My Absolute Boyfriend is yet another title to add to that list. It addresses the issue of robots assimilating into the human world, a problem that is bound to become increasingly relevant over time.
It all sounds interesting, but I wouldn’t recommend this show to anyone who is in need of a captivating storyline. As is the case with most Korean dramas, the first couple of episodes are all fun and games. The further it gets, though, the faster it tumbles downhill. You’d think that this show should be about the struggles of a robot in human society, and it is…but only in theory. Instead, My Absolute Boyfriend overflows with unexciting conflicts and equally unappealing supporting characters. It’s a romcom that pretends to be intricate and emotional, but lacks any of the proper delivery to make it a worthwhile watch.
Ma Wang Joon is one of the least likable second leads I’ve ever had the bad luck of experiencing, yet he rears his ugly head so many times that it makes for a rather toxic drinking game: take a shot every single time you want to punch him smack in the jaw. His constant, unnecessary interventions in the main couple’s relationship stunt its development so much that it’s hardly satisfying when they’re together. It’s like its own subgenre of jump-scare horror—every time Da Da and Young Goo are having a moment, I’m not enjoying it; I’m nervous, waiting for Wang Joon to poke his head around the corner and interrupt. Diana isn’t much better. Despite her intriguing introduction, she ends up as an incredibly boring villain and contributes nothing but shallow inconveniences to the story. All of the conflicts are uninteresting and oftentimes feel unresolved.
Frankly, the number of episodes does far more harm than good and put the writers in over their heads. The amount of sloppy writing in this show is too much to bear and makes the main relationship a tad unbelievable. Had the drama been shortened to 16 or even 12 hour-long episodes, the story would have been so much tighter and left no room for such plot filler.
What’s truly odd about My Absolute Boyfriend is that the acting is good. While the overall performance of the actors and actresses is nothing to rave about, they’re all pretty impressive, especially for a drama that’s ridden with flaws. I can only sadly imagine what could have been if it were written better. For example, Yeo Jin Goo does an excellent job of portraying a puppy-like boyfriend robot and is exemplary when it comes to showing raw emotion. Yet, his talent mostly goes to waste because the writers have no clue as to what the hell to do with their own main character and just push him off to the side for a disproportionate amount of time. Similarly, Min Ah, Jong Hyun, and Seo Young all have the capacity to act well, but their characters are too flat for their acting to feel completely natural. This becomes increasingly obvious over time, when the writers are so busy trying (and failing) to make the story itself interesting that the characters lose the traits that make them compelling.
Altogether, I would have to recommend a pass on this show. Even if you’re a diehard fan of one of the actors, this can be a tough one to get through (I’ll voluntarily admit that I persisted in watching because of Yeo Jin Goo, and even then, it was a struggle). In an industry that pumps out romcom after romcom, My Absolute Boyfriend isn’t particularly special whatsoever.
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(For in-depth review/analysis with spoilers: https://dramavixen.tumblr.com/post/186224304109)
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Display of Social Abnormalities shown by exceptional Actresses
Warning ahead: This is no show for softies. And those who have no tolerance for a drama full of amoral siraegis, black characters. And somehow i'm questioning if i'm allowed to like this show, because it left me with a feeling of watching a pileup. Mass collision episode after episode - that i watched with open mouth in the beginning not believing what i'm actually seeing and during the end with fascination and aww for the incredible good actors and the artistic expression of abnormality and social deviances. So don't make the mistake to assume it's like Celebrity because of the title, trailer and beautiful intro and the poster, it cannot be more far away.Mask Girl was shocking, and actually disgusting to certain scenes but on the other hand this was incredible original, creative and well executed in production - because despite the very explicit scenes it had a very captivating plot. Every actor leaves a brilliant mark - especially unrecognizable because of the the obviously incredible work of the make-up artists in a thrilling story, with 7 sub-plots in every episode that web together. If i have to describe what this fast-paced, binge-worthy drama is without spoiling much i would say it gives a vibe like a mix of Oldboy and Somebody: It is bloody with violence, abuse and sexual content. So viewer discretion advised this is +18 for multiple(!) reasons.
And still some funny scenes were just brilliant. Black comedy par excellence.
Be careful not to judge hasty finishing episode 1. The ride begins with episode 2. If you make it to episode 3 congratulations. From now on it gets easier and the true story begins.
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Do not watch the movie with the expectations of it being like the prequel
I am not sure why everyone gave the movie low ratings because I definitely did enjoyed the movie. It is definitely not the Train to Busan but it's a great movie overall if u watch the movie without expectations of it being like the prequel. It is action-packed and has a pretty good story. It has a fair share of emotional moments and the acting was also pretty decent as well. The downside is that there's too much CGI where most of the car battles are CGI.On a last note, it is nowhere near its predecessor but it definitely holds its own.
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My bad. To top it all, I agree with her: this movie is beautiful. I know this is a remake of an older Korean movie with the same title which I haven't seen, but from the start it reminded me a lot of the american/french film "Before Sunrise", with the two leads carving out for themselves a tiny bubble in space and time, far from their present lives and the world outside.
The difference - a notable one for me - is that while in Before Sunrise the two protagonists talk a lot, too much for my taste, here silences are a lot more poignant and meaningful. I am actually glad I watched it raw, to the point I think everybody should do so. To elaborate: most dialogues take place in English, but there are moments when Anna speaks in Chinese and Hoon in Korean. English is their communication tool, but the reason why they understand each other is not a language. Apart from the dance scene mentioned by Violet, I fell in love with another, in which she tells him her story in Chinese and he only comments "bad" or "good", depending on what he feels is her mood. Watching it raw, made me live the entire surreal dialogue as if I were him, not grasping one word, but trying to understand what she conveyed with her posture and eyes.
I also agree about the direction, and I have come up with a sort of theory of my own as to why the colours are so subdued. What we are offered is the world outside the prison as Anna sees it. Since colours only depend on our perception, there isn't much reason for her to paint her life. No wonder she wears make up and happier clothes only for a brief moment: they look fake, in contrast with her mood. The only colourful moments are those in which she imagines.
I guess the choice of Seattle wasn't accidental either: as I recall, it is known as the rainiest city in the States.
The acting is spectacular. Hyun Bin is a gorgeous man, but that's definitely not the point of this movie, where he doesn't have to be good-looking: he has to look vain. And I'm glad it is so, for dwelling on his looks would be an offence to his acting skills.
Wei Tang's performance is outstanding. As I said, she expresses a world via silences.
Beautiful music. I wouldn't have minded a little more of it.
I recommend this movie, but only if you are prepared for its pensive pace and all the untold. Not a fluffy watch by all means, and not for anyone looking for comedy.
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