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This film is quite smart, it plays with your mind and emotions from beginning to end, this is a roller coaster of emotions. From the very beginning I was totally blown up and so many times while watching the movie I just found myself -literally- open mouthed because I just couldn't believe what I was watching. Too good.
They tell us the story step by step without missing details, so we don't get the whole bunch of information abruptly and it keeps you hooked up to the story.
One of the things that I loved the most about this, was definitely the ethical-moral question the whole movie sets. Who's right? who's wrong? who has the right point of view about justice? The film won't answer these questions, it just shows different points of views and it's all up to you to decide who's right or wrong...
The ending is an open ending but not a bad ending at all! it's really hard to make an open ending good, but this one was pretty good. I loved the very last scene so much.
About the acting... Ikuta Toma is a great actor, he deserves every single acting award that exists in this planet. His acting was superb! Actually everyone did a great acting job.
Camera and directing work it's perfect for the film, the colors and the tones and use of the light gives to every moment a special feeling.
Music was pretty accurate to each scene, in some scenes I just felt that music was another character of the movie. :)
This movie is based on the novel "No Otoko" by Urio Shudo :)
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This is by far the funniest Japanese drama I've seen this year and the reason for that is language they use is too graphic. There are moments where I can't believe the dialogue that coming from these characters, I cringe but then laugh out loud after. The setting is also another plus points for me given that I love anime, they work in CG Production Company for games and anime. You see them working hard but there are times where they are just slacking off and fooling around, and I don't blame them as working conditions in this industry is one of the worst. Like for example they rushed one project so that one of their colleagues won't miss his date, but not really it's just a usual appointment with a girl in a sex shop where he is a regular customer. LOL
It's more of a character driven than story driven plot, characters are not railroaded to certain goals or events, it's just these characters, their funny interactions, their development, those are what made this such fun drama. The cast are composed of quirky individuals, the female lead who is addicted to sex, the virgin friend boys love fanatic, the ex girlfriend obsessed muscle man, sex shop naive patron and this office fling playboy. Each episodes consists of segments where each explores the lives of these characters. We follow them in a slice of life way in which most of the time are just wild and WTF moments.
The acting is good for the most part, you don't need award winning acting for this type of drama anyway and all of them are good in comedy, their comedic timing is almost perfect. The chemistry between these actors is excellent, in which their characters compliments each other really well. The opening song at the beginning is as wild as this drama goes.
Conclusion In today's world where people are easily get offended by everything they see and hear, it seems this type plot wouldn't feel right, but just give this one a chance and you will see characters who respect and support each other for who they are. How I wish I have colleagues such as them.
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Operation: Blue Lightning
Operation: Special Warfare is a co-production between CCTV, Penguin Films, Bona Films, Xiaoyao Films and Ram Films. This big budget production that involves extensive use of modern Chinese military hardware and facilities was filmed in Northwest China, including a segment at Taklamakan desert in Xinjiang.Directed by Liu Ting and based on the original screenplay written by Duan Lian Min, himself a former member of the Chinese military, having served as a platoon commander. He has written many military-themed novels and screenplays as well as directed dramas and films of similar genre for which he has won numerous accolades. He is currently attached to the Political Department of the Chinese Navy serving as a director and screenwriter for military productions.
The drama follows the journey of young recruits of the newly-formed anti-terrorism special forces of the People’s Liberation Army, called the Blue Lightning. Central to the narrative is the growth of both the individuals and the collective as the new recruits come of age during their experiences of military training and real life combat situations.
As with any military-themed C-dramas, expect a fair amount of jingoistic propaganda and patriotic flag-waving which is par for the course when the production requires extensive support from the military and CCP during the filming process and to get the greenlight for distribution release. In addition to action and adventure, the drama features youth themes, slice-of-life elements and subtle hints of romance. There is some violence and gore but nothing too terrifying for viewers.
What I Enjoyed
Usually modern C-dramas tend to be lengthy with too much fillers. The military-themed ones are a hit or miss, case in point My Dear Guardian which turned out to be a little bit too fluffy for my liking. This one, however, manages to avoid all those pitfalls. It’s only 35 episodes in length instead of the usual 40+ episodes, doesn’t contain nearly as much fillers as most others though they are still present, and on the whole is more intensely dramatic rather than fluffy or comedic in its storytelling approach. Throughout the course of the drama, I did not really feel bored at any point in time because the drama surprisingly incorporates quite a number of interesting sub-plots and side stories to the main narrative at a very engaging pace, with a nice balance of action, drama, introspective and emotive moments.
This production showcases a number of modern military hardware in greater detail than I have ever encountered. How accurate or up to date they are, I have no idea, but I feel pretty convinced. For the most part, based on my little research, the depiction is consistent with the standard equipment used, such as the QBZ-95 (or Type 95) automatic assault rifles favoured by the PLA as well as their commando sub-units. Additionally viewers will get to observe countless UAVs and armoured ground vehicles on display in the drama, which I find quite fascinating.
In terms of the technical aspects, the action planning and choreography, as well as the special effects are worthy of mention. This drama showcases many action sequences involving firefights, explosions, as well as both armed and unarmed combat. These scenes are not confined to a single location but take place across multiple venues. One memorable segment features a suspenseful game of cat and mouse across the Taklamakan desert in the dead of night between the Blue Lightning unit and armed terrorists. I’ve also enjoyed the somewhat refreshing depiction of the military training comprising the so-called Devil’s Week competition, sniper competition and squad leader selection tests. That said, certain aspects of the training concerning “physical torture” do appear incredulous. I’m unaware of the authenticity but in a land that invented Shaolin martial arts, I guess anything is possible.
One of the major reasons for watching this drama is of course the cast, which is headlined by Vengo Gao who plays the Captain of the Blue Lightning, Qin Guan. If the drama is about the military, whether in a contemporary or historical context, you can count on this man to deliver an utterly convincing portrayal of the characterization. He not only looks and sounds the part, but his entire being exudes military commander vibes as well. There is absolutely no question whatsoever that without him, this drama would be lacking in so many ways. From the cold, stoic persona to the physical prowess in executing his stunts, Vengo totally slays his role.
Hu Bing Qing plays the FL Ning Meng, one of the young recruits of the new anti-terrorism team. My first time seeing her in entirety instead of previous guest appearances, I think she’s very talented and showcases strong performances particularly during her emotional scenes. I also quite like her nuanced take that helps inject a sense of vulnerability to humanise the role of a female soldier.
The drama’s soundtrack features 5 songs, with the patriotic opening theme being the most upbeat and energetic of them all. My personal favourite is the ending theme performed by Hu Bing Qing herself, the love ballad You and Me. Full listing as follows:
Flaming Lady 烈焰巾帼 - 金志文 Jin Zhiwen
Xiang Yang 向阳 - 黄霄雲 Huang Xiaoyun
You and Me 你和我 - 胡冰卿 Hu Bingqing
My Comrade 我的战友 - 钟强 Zhong Qiang
Fearless 无畏 - 王晰 Wang Xi
What Fell Short
I think the most glaring aspect would be the villains. We are never going to get a C-drama that depicts profoundly layered or morally grey terrorists, because the Chinese military and censors would never sanction it. As far as the powers that be are concerned, stories of this nature are straightforward - good guys versus bad guys are simply portrayed as black or white. Hence in this drama, in relation to the overarching plot concerning the terrorist organisation, S Group, the antagonists are merely written to be the stereotypical one-dimensional cardboard caricatures - bad-tempered, cold-blooded, power hungry and striving for world domination. The terrorist leader is even shown at one point chomping on cigars by the poolside surrounded by bikini-clad femme fatales where the only thing missing is a huge furry cat.
Final Thoughts
I would categorise Operation: Special Warfare as one of the more fascinating and well-produced mature military-themed dramas that I have seen recently. It’s the kind of show where viewers can enjoy with a relaxed mind and without the need to exercise too much brain cells. A final note though - do be forewarned, the subtitles available on WeTV are auto-translated (at the time of writing) and may not be of the usual high quality.
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BEAUTIFUL !!! WOW WOW WOW WOW !! TOP HONORS!!! This drama deserves Grand Awards!!
Such a beautiful, heart touching pure and true love story between Go Min Si and Lee Do Hyun!!! This drama deserves to be part of the history of great korean dramas!!! 1000% FABULOUS!!LEE DO HYUN - WOW WOW WOW WOW, He is such a Natural onscreen, born to act, brilliant performance by him!! He pulled us in with his screen presence and character portrayal deeply and his grip on you is solid!!
You are always smiling looking at him, and you cry and laugh and deeply sigh in all his scenes as he mesmerises you with just himself!
AWESOME pairing between Lee do hyun and Go Min si - such great chemistry and naturalness between them, as if they are truly made for each other!!
This drama is a beautiful depiction of pure love caught amidst extremely harsh trying times during the gwanju uprising and KUDOS & STANDING OVATION to the entire Team of Youth Of May, for great casting of especially the leads, great script writing, great direction and just for everyone in the cast especially LEE DO HYUN!!
SHOW USP - LEE DO HYUN!! He is magnificent!!
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In Between (Sa Pagitan ng Kamusta at Paalam)
28 people found this review helpful
GREAT ACTING IN A PAINFULLY SLOW SERIES
If they made this a short series with 6 to 8 episodes i would totally eat this show. The painfully slow and repetitive execution has wasted talented new actors.The very good: the characters and the acting. I just love everyone, I think there was a treasure of character here that could have made the story so much richer. Add to thr fact that eventhough these are relative newbie actors, they all acted so naturally.
The so-so: the story. Started with a good overall plot, and then it became boring. And then they gifted us with Pangs couple, and then they bored us with it too. And then that final act - stretched in 4 to 5 episodes.
The really bad: the execution. For the love of the forces above, who gave them the idea that its fun to watch a series of about 14 20-minute episodes where there was almost nothing new happening every week. Waiting for episodes weekly is painful but for it to be uneventful was like torture. Adding salt to the injury is the unending reuse of footages disguised as mystery revelations but is just there to explain what actually happened as if viewers are kindergartens. Long intro, then a recap, then the repetitious episodes as if the recap isnt enough and then the long outro - you can just imagine how much time is left for the new content. If they transformed it into a mini series with about 6 to 8 episodes they could have given us a very solid series.
Will i rewatch- of course not, why would i subject myself to the pain again.
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And then around episode 60, this thing starts gaining serious momentum. Revelations fly right and left, the revenge plot finally starts up, and the bad guys start to tumble one after another. If you can get through the first half, the second half is amazing. The flawed characters really start to show their conflicts. The good characters want revenge but are hurting others, the bad characters are pitiable but brought everything on themselves.
If they could cut this down to 20 episodes, it would have been the most amazing show ever. But, as it is, it's still a great drama.
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This review may contain spoilers
A breath of fresh air after watching The Early Spring
Yes, I know the title is oddly specific, but it is for a good reason.I watched The Early Spring and then this series back-to-back. Each have their own merits, but they are polar opposites.
I'm not going to bore you with another dissertation on Early Spring (please read my review for reference). However, my reaction to this series is heavily influenced by how I felt after finishing TES. I enjoyed that show, I loved the acting of the leads, but certain aspects left me dissatisfied.
To be honest, I didn't have high hopes when I started watching this drama either as it gives off a strong filler vibe. All I can say is . . bring it on! :)
First and foremost, Wei Zhe Ming can write the textbook on playing this type of ML. He is perfectly casted. He can be forthright in business and then becomes a lovesick puppy when he is wooing her. There is nothing unique about his character, but you will make millions if you can bottle his essence. ;)
Another good casting choice is Liu Xie Ning as the FL. Her range is board enough to allow her to play the head strong airline pilot as well as the romantic female lead. There are times when she is the master of her domain, then we'd watch her melts in the ML's arms and we swoon. I can ship the OTP unreservedly.
There is also a decent amount of skinship. They felt natural and sweet. Nothing red hot, just passionate enough to make it clear they are in love.
Similarly, the support cast pull their weight. There are so many nice people in both leads' family and their friend circle. Sure, there are misunderstandings and old wounds. Everything is sorted in the end.
Is it too sweet? Yes, it should come with health warnings. However, it gets away with it because it is unabashedly romantic (cough, unlike some other show . . ).
It also helps that the show has a strong core logic. There are no nonsensical plot twists. Everything progress at a steady pace to its logical conclusion. Some might find it predictable. I won't judge.
Of course, there are angsty moments, it is a drama after all. Thankfully, they are there to move the plot along and pave the way for a satisfying resolution. It is not angst for angst’s sake.
Is the show perfect? Hardly. There are tropes on top of tropes. Somehow this show made them work, most of the time. It is good enough to keep you engaged.
Most of the characters are from central casting, including the standard issue BFF's and second and third CP's. The second leads are smart enough to take the hint and get out of the OTP's way.
The show tries to make some social commentary about gender bias in the workplace as well. You can see where all the old prejudice comes from. There are a lot of middle-aged men who are lording over their domains. Enough said.
The production quality is high. Some settings are very posh. One thing that did caught me off guard is the standard of the CGI. I don't know why they did that for the single engine plane. It can't be that expensive to hire one for a day for some B-reels. It is particularly egregious with the scene where the FL took the ML up in her small plane. It was laughably bad.
In the end, I was pleasantly surprised by this series. It has a laser focus on our leads. I also appreciate the honest storytelling. I gave it a bonus 0.5 because I was feeling a bit disheartened after finishing The Early Spring. I needed this to restore my inner peace. I wouldn’t mind putting it on my rewatch list for a rainy weekend. Peace.
P.S. How does the FL changes into a structured gown within moments of the last passenger deplaning?
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A good drama enjoy it alot
A really good drama. I expected to be all about esports but there was sort of a sci-fi mystery and thriller to it as well. One thing that really hit me was all of the emotional scenes in this drama. I had tears in my eyes during many part of this drama. It was a good balance between bromance and romance too. I also like how each side character had a chance to tell their stories and we get to understand them as well. Glad they didn't went overboard with the romance so that was a plus too. The big brother little brother relationship was great. They both have their own female love interest though.Was this review helpful to you?
Has some flaws, but totally worth the time spent!
I have watched almost all modern dramas with Miles Wei as the male lead, and I genuinely enjoyed every single one.This one is no different—it definitely had flaws and parts I had to fast-forward through, but I still really enjoyed it and will rewatch it.Even then, the parts I skipped were barely anything—maybe four to five percent of the entire show.
As for the acting, I liked everyone—every single cast member did a great job.
The romance was done right. Unlike many dramas that claim to be romances but forget the love story, this one kept its focus squarely on the romance while balancing the professional side well. The romance never felt overly cheesy or childish either, so it stayed enjoyable without getting annoying.
My final verdict: if you enjoy dramas with low-to-no villain angst, a grounded slice-of-life vibe, mature romance, and zero cringe 'overly cute' tropes, you will definitely love this one.
"Plus, I love Miles Wei because he always delivers, and even if his modern dramas follow a familiar formula, I actively look forward to that exact consistency every time."
"This is my first time reviewing a drama here, so take my thoughts with a grain of salt if yours differ!"
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Works against its time limitations
"Blue of Winter" has plenty of potential and indie charm, but what it didn't have was enough time. Unfortunately, its screenwriting makes this as obvious as possible. Instead of using a smaller fraction of the source material and fleshing it out, it seems the screenwriter attempted to squeeze in too many events for its short duration. This makes the progression of the story rushed and difficult to follow.While it doesn't completely make up for the underdeveloped story, I did enjoy the atmosphere of the drama. Its camera framing, editing, and moody instrumentals give it a pleasantly nostalgic feel. And I must say the actors did well for their debut. Actor, In Gi stands out among the cast as the role of "Ji Seok" required more versatility. He was able to deliver both the confident charisma and sincerity of the character.
It's not the most memorable thing you'll watch but if you're a BL/LGBTQ drama enthusiast, go for it. As a warning, it does end on a cliffhanger and a continuation is not guaranteed at the time that I’m writing this.
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This review may contain spoilers
Twin Fates: A Low-Budget Feast with Extra Spice (and Open Robes) Updated review
Well, well, well—what do we have here? A surprisingly solid mini drama that knows exactly what lane it’s in and speeds right through it with unapologetic flair. Twin Fates doesn’t hide its low budget—you’ll notice it quickly—but instead of sinking under it, the production doubles down on bright colors, pretty costumes, and atmospheric sets that make you feel like you’ve stepped into a fantasy-fairytale painting. It’s immersive, it’s whimsical, and honestly? It works.The cast is all new faces for me, which is always refreshing. And while the ML might not be my “type” per se, let’s just say the directors clearly knew what they were doing when they styled him in that infamous red open robe. Did they miss a single opportunity to flaunt that bod? Absolutely not. Did I complain? Absolutely not (yes, I’m easy like that, lmao).
Plot-wise, it’s engaging enough to keep me binging—currently at episode 16 and having a blast. The FL is smart, likeable, and holds her ground, while the ML serves us one of the most entertaining jealous streaks I’ve seen in a while. Add to that some genuinely sweet chemistry, a gradual strengthening of their dynamic, and more than a fair share of kissing scenes, and you’ve got a treat for romance junkies like me.
Now, let’s be honest: the tropes are here. The corny, cringey, déjà-vu tropes we’ve all seen before. But that’s exactly the point—this drama leans into them with a guilty-pleasure confidence that makes you roll your eyes and grin at the same time.
This is best enjoyed with an open mind and reasonable expectations for the genre. I’m not claiming it’s a masterpiece—but it’s undeniably fun. At its core, Twin Fates is guilty pleasure done right: a low-budget package sprinkled with charm, swoon-worthy moments, and just enough spice to keep you entertained. Come for the fairy-tale colors, stay for the jealous ML, and don’t be surprised if you end up grinning like a fool at all the cheesiness.
Verdict? Guilty pleasure at its finest—with flavors worth tasting.
I’ll be back to update this once I finish the rest of the episodes—so far, it’s been loads of fun, and I’m curious to see if the ending keeps the magic alive.
✨Update✨
Okay, y’all—I finished it. And let me tell you, this drama is basically a cinnamon pancake: sweet, fluffy, sometimes sprinkled with unexpected spice, and the perfect comfort binge for romance junkies like me.
Cdramas already defy physics on the daily (flying sleeves, magical teleports, gravity who?), but this one had the FL sneezing on command like it’s her side hustle. Bro, that’s a superpower. I salute her commitment to the bit 😂.
Now, the romance? Chef’s kiss. If you like jealous MLs acting like territorial cats, endless smooching sessions, and cozy chemistry that feels like a blanket fresh out of the dryer, this is your pit stop. And guess what—they actually gave us a whole final episode just for the happy ending. Do you realize how rare that is in cdramaland? That’s rarer than finding a drama without a love triangle!
But let’s keep it real:
- Yes, this drama is low budget and short in length, so continuity hiccups and budget gaps are there.
- Yes, the actors did a solid job, though in a few scenes you can feel the effort to nail the expressions. Not terrible, just noticeable.
- And yes, I’m still not sure if I find the ML attractive. But listen—the directors clearly didn’t care because they kept showing him with that open robe and sometimes half-naked till the credits rolled. I, a certified shallow menace, humbly accepted this offering.
So if any of that sounds like a deal-breaker—move along. But if you can handle low budget with high fluff, jealous antics, and unapologetic guilty pleasure? Then Twin Fates might just become your new cinnamon pancake. 🥞💋
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Dumbed down to the point of fatousness.
Let me keep this short to avoid wasting more time on this mind numbingly boring 39-episode revenge drama that was 40 episodes too many. The original works The Emperor's Book 帝皇书 is a dark and complicated tale of a love, duty, revenge and atonement. The adaptation has been dumbed down to the point of fatuousness in a misguided attempt to make the intricate plot more accessible. The broad plot outline is unmistakably Nirvana in Fire lite with swapped gender roles and a ton of romance.The bright, over-lit palette sets the wrong tone for this kind of dark story of betrayal from the get go. The action heavy open sees swashbuckling badass pirate Ren Anle proposing to crown prince Han Ye with her dowry of 30,000 elite sea troops. Despite Dilraba's impressive flirting skills, Anle's shameless pursuit of Han Ye went on for too long and seems heavy handed. There isn't much natural spark between her and Gong Jun even though they look fantastic together. Despite her exquisite beauty and charisma Dilraba's acting in this is disappointing. She comes across as someone who never suffered or experienced profound loss. Her best distressed or traumatized expressions smack of someone whose favorite pair of Jimmy Choos got muddied; a far cry from someone whose entire clan down to nine generations got unjustly wiped out. The collaterally damaged characters Luo Mingxi, An Ning, Lin Lang and even the delusional Chengán are more convincing as deeply scarred and haunted by the Di family massacre. To be fair, the titular role of Anle is not well written. She barely gets to do any of the hard stuff. Everyone from Luo Mingxxi to An Ning steals her thunder in terms of the scheming, making ruthless decisions and even fighting.
"My heart was once stirred by a woman called Ren Anle, but all my life I will protect Di Ziyuan/ 我对一个叫任安乐的女子动过心,但我这一世都会护着帝梓元" is the novel's best line that encapsulates what Han Ye is all about. If Gong Jun had to get one line right, it was this one. His expressionless lacklustre delivery of this line epitomizes his vacuous, uninspired acting throughout. The only characters that made me care are Wen Zhou and Lin Lang. Liu Yuning also does a decent job largely because he dubbed himself. Sadly his character has no development and doesn't do much other than to mope and slouche around plotting with a sinister twisted smile on his face.
There is too much standing around and talking in this drama but there are only a few good lines that are repeated ad nauseum. Of course the Di family army lost 80,000 troops; more than the 70,000 strong Chiyan army! The sheer hubris and audacity of these third tier writers to repeatedly allude to a masterpiece and hint their Di family suffered more is pathetic. They neutered an amazing plot and weighed it down with a pedestrian rendition of the Romeo and Juliet trope. The revenge arc climaxes too early and the showdown lacks intensity. The narrative further devolves into a bunch of silly sub-plots that are just juvenile attempts to squeeze some angst out of viewers by unimaginatively throwing a few characters off a cliff and killing a few others gratuitously. This just made me laugh instead of cry. This drama seems to drag on forever to the point that the hair turning white oddly makes sense! Only watch this if you are die hard Dilraba or Gong Jun fans. I rate this 6.5/10.0.
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“Why do you Run?”
This drama is about two adults who met in the oddest way, but at the perfect time - one who is an orphan and has been living only for herself, and one who has been living for others to the point that he's left with nothing for himself. And no, they did not need each other nor did they need saving, but they grew as their own person when their worlds collided. This drama follows their journey of self discovery and self love. This drama does not have your usual tropes, angst, and fluff (at least at the beginning- wait for it!), it doesn't have a major conflict, but it just shows the characters' day-to-day lives. It shows a mature and realistic take on relationships. It shows that we are simply the protagonists of our own lives. Moreover, It shows the importance of finding yourself and loving yourself first before you are able to give yourself to others. The cherry on top? Their chemistry. The main leads' chemistry is THROUGH THE ROOF so be prepared to fall in love with them.As the title might suggest - this isn't a sports drama, but a slice-of-life romcom. It's funny, endearing, impactful, and heartwarming. It carries so many life lessons and touches on many sensitive issues like sexuality. As the FL is a movie translator, this also includes a lot of classic movie references/ parodies that enthusiasts may like. It may be slow at the beginning but it's because of the many layers and depth that will be unveiled as the drama progresses. This is also full of parallelism and symbolism that might require reflecting before you fully understand because that's how rich and detailed the writing is. This is a dialogue and character driven drama, which might not be for everyone, but it's as good as it gets. This drama's charms are the raw, rich, refreshing, and excruciatingly honest dialogues, the witty jabs (trust me the humor is very, very well written), and how the story circles back to its title - Run On. Run On, move forward - even if it life gets difficult, you can always slow down, just don't give up. Despite your traumas, life must go on.
This drama is so healthy, real, and good for the soul - no toxic relationships or toxic masculinity. The men: the male lead is a character we haven't seen before - he's odd, awkward, but in every way charming. He is always ready to lend a helping hand to others. He has a hard time communicating and expressing himself but eventually the female lead broke his ice (isn't it fitting that the FL just happened to be literally, a translator?) The 2nd male lead is equally charming, a bit emotional and sensitive, but knows what he wants. He's quite the character. The women? Damn. The women are strong and brilliant. The female lead is the epitome of self love without any selfishness. Despite her tough past, she grew up well. The 2nd female lead is a chaebol (not your ordinary one) - a strong, independent woman, but puts up walls and boundaries. It's beautiful to see all of them grow and come together, with a bit of cute bickering on the side. The characters are very unique - roles/jobs that aren't usually shown in dramas (a translator, retired athlete, movie distributor, artist, and so) so this is quite refreshing. I also loved how all the characters have a relationship with each other (not just the leads) - bromance, sismance, even the male lead and 2nd female lead and vice versa. The friendship that developed among the leads and supporting cast is just phenomenal. The writer also managed to let the 2nd couple shine and not just make them a mere filler even until the last episodes. Even the smallest roles were given recognition. Cannot praise the writer enough for this.
If you are looking for a comforting and healing drama, this is for you. If you are at a bad place or if you are feeling lost, this is for you. Honestly it has been a while since i've been this attached to a drama. I assure that you will fall in love with the characters, the insanely beautiful cinematography, the OST, and the impeccable writing. It is in every way sensible and authentic. It is full of so, so many life lessons if you'll just go beyond the surface.
[Edit after completing] Well, it's still as beautiful as when it started. It's great from start to end, cried a lot in the last episode. The ending has to be the best i've seen in kdramas. I love how everyone was given their own happy endings. I also love how the ending shows that life just goes on for everyone - you don't need a big, grand, happy ending to find meaning in our day to day lives. Again as the title suggests, Run On. Amazing, amazing work by the writer!
It's a long review but in conclusion: YOU NEED TO WATCH THIS NOW!!! This is a rare masterpiece!
My favorite quote: “When you run, you don’t think about what’s behind you. The only thing that matters is what’s right in front of you. Normally, it’s the finish line. But today, it was you.”
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This review may contain spoilers
Love every second of it.
THE CAST IS INSANE.Honestly, it's refreshing to see a drama about the struggles of a declining family instead of the usual rich people drama, this drama also seems to be of quality... I like how simple it is, the common man has the most interesting and realistic stories.
Also wow they got Hu Yitian, Zhang Jingyi, Ceasar Wu, and Hu Chunyang in one drama-
I can tell how great the cast is because I recognize the older actors as well, they just picked up all the popular (and skilled) ones and said "Do your thing, this drama will do well"
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Drink the finest wines, look at lovely girls, make the best friends, and fight glorious battles.
Spymaster Ning Yuanzhou and his elite Liudao Tang spies are tasked to escort a Wu diplomatic delegation to An to pay a king's ransom for their captured ruler. He encounters the stunning and deadly Ren Ruyi, a vengeance driven assassin nonpareil who defected from An. They have overlapping goals and form a wary alliance. Predictably, these aging-out, disillusioned operatives from opposite sides fall in love and indulge in a mid-life crisis amidst a suicide mission to rescue the foolish Wudi. This is an unexpectedly funny drama and the humor works well but masks the monumental task ahead of the delegation. Its best achievement is it makes us fall in love with a motley crew of unforgettable, flawed characters to the point we root for them against all odds and beyond reason.This is a rare drama where I am more invested in the supporting cast than the main leads. Written by a feminist writer, Ren Ruyi is literally superwoman; independent, ruthless and indomitable; an indestructible one woman killing machine with fantasy level combat abilities. Ning Yuanzhou also walks on water; a master spy whose machinations decide who sits on the thrones of both states. Together they are so formidable that it seems more efficient to skip the mission or war as they can easily topple any ruler in their way. These over the top character designs with exaggerated abilities and superficial flaws rarely resonate with me. But I did derive petty enjoyment from their bitch slapping, scolding and kicking ass through the two kingdoms.
The casting of Liu Yuning and Liu Shishi in the leading roles is brilliant. While there are better actors, these roles play to their individual strengths and they both executed well. Liu Yuning plays a character that hides in plain sight. A too pretty actor would not work in this role. And Ren Ruyi the stone cold killer is perfectly reflected in Liu Shishi's stoic expressionless face and bright hard eyes. Even as she becomes less guarded and warms up to the delegation, there is bare of relaxation of her taut features; every frown and smile is controlled. Her head is at an exhausting elevated angle that made me wonder if she has frozen shoulder. Even her grief is so beautiful in a restrained way that I was unaffected, even mildly irritated at her cry scenes. Such an aloof portrayal made their chemistry seem decent but did not light up the screen . So it didn't matter to me if they made it out at the other end. As fully realized characters that live and die by the sword, they know the score. Their romance peaks too early, had few true obstacles and repetitive fan service sweet nothings moments . The heavy handed messaging about women's biological clocks annoyed me.
The more interesting characters are the young ones, Yang Ying and Li Tongguang, both on heroes journeys. He Landou delivers a inspiring portrayal of an uncertain young princess completely in over her head, overcoming fear, heartbreak and every obstacle to emerge as a purposeful person with the the courage of her convictions. At surface Li Tongguang appears to be a fascinating character; strong, smart, ambitious and charming. Unfortunately he has a dark side, an odd and creepy Oedipus complex for his shifu. Part of the problem is this narrative doesn't invest in villains; most antagonists are killed off so quickly they leave no impression. Thus Li Tongguang becomes the default fall guy; whenever something bad has to happen to create angst or move the plot along, it is pinned on him. Nonetheless the role is well played enough that I had a soft spot for the character throughout.
Saving the best for last, Fang Yilun's Yu Shisan stole the show as far as I am concerned. I love flawed, humorously self-aware, very mortal characters like this with no special powers or death defying abilities. Hopefully Fang Yilun's amazing comedic expression and timing gets noticed. His shock and aghast at the idea he was falling in love made me shake with laughter and moved me unaccountably at the same time. When he prosaically warns his love not to fall for a rogue like him, I knew she was as much a lost cause as I was. Shisan is the unsung hero of this story. He picks up the slack so that Yuanzhou can rescue Ruyi and was there for Qian Zhou, Sun Lang and Yuan Lu through the last legs of their mission. He remained true to his life's mantra to live fully with no regrets: drink the finest wine, look at lovely girls, make the best friends, and fight glorious battles. / 这辈子就要喝最烈的酒, 看最美的姑娘, 交最好的朋友, 打最漂亮的仗. It is too bad he did not dare to or did not believe he had the right to love and thus denies his heart to finish the job. If I could have changed just one thing, I would have had Shisan leap on to that horse along with his love. The other flawed character I enjoyed immensely is Wudi. After Shisan, he made me laugh hardest, especially during the great escape. He also moved me with his profound regret and intent do better.
This drama has a linear plot that is not well paced; it either advances at a high speed that glosses over logic holes or stalls out to dwell on repetitive romantic or delusional tropes. The harder you look at the plot, the less it makes sense. As it is more of a character story, I am willing to be forgiving as long as important characters are not destroyed along the way. In that aspect, the drama starts out exceptionally well with a fantastic core of well conceived, multi-layered and compelling characters. Unfortunately, the character designs start to break down quite early on, with Li Tongguang. The ending was rushed, had some sloppy edits and packs in an unnecessary Wu arc. Too many characters are destroyed into the finale including Ruyi and Yuanhou. Ruyi prioritizes her personal agenda, bites off more than she can chew (again) and had to be rescued (again); forcing Yuanzhou to choose his love over his mission. Consequently they were not there when Liudao Tang needed them most. Finally, Ruyi makes a decision that is not true to herself or to her beliefs about living well. After investing so much on Li Tongguang, this character has no development and mucks everything up in the finale. The ending was was bloodier than I expected and unnecessarily cruel. I didn't have a huge issue with the outcome in and of itself, just the figurative character assassinations.
As for the ending scene, upon re-watch, I realized it is not confusing, it simply pays homage to the meaning of the drama's title Yī Niàn Guān Shān / 一念关山 or A Thought of Guanshan and closes the drama on a note of finality. It is a line from an ancient poem 却东西门行/But the East West Gate written by Shen Yue during the Northern and Southern dynasties. It is a sad poem reflecting on life, the passage of time and destiny. Guanshan/ 关山 refers to memories spanning the mountains and rivers (meaning the far reaches of the empire); of past events joyful and sorrowful. It is an Auld Lang Syne moment where someone who lived on longs for the bygone years and lost friends. It is unnecessarily cruel to close the story with a character that was meant to move on with their life. The bigger point is everyone they are thinking of did not make it out at the other end. The ending to me is not ambiguous.
I enjoyed many parts of this drama which started out as an 8.5 for me but there were draggy parts, key characters got destroyed, all the holes become obvious with re-watch and the ending is just not good. It is still a wonderful watch with lovable characters, fabulous fight scenes and divine comedy. I am just petty and I won't forgive them for Yu Shisan. My final rating is 8/10.
ENDING SPOILER COMMENTS
The final scene is actually very clear.:
Ten years later, the countries are at peace. He County which was the frontier battleground is prosperous and thriving; children are well schooled but the naughty ones sneak out to play. Chu Yue visits the battleground which with a decade of peace is covered with grass. She takes a moment to think of the past, of everyone that sacrificed and imagines either what could have been or that they are in another place. Her fantasy doesn't have to make complete sense because it is just her imagination. The child she sees on the horse is not the same younger child that sneaks out of school. Ning Shisan on the horse is older, with loose hair in a pure white outfit. Chu Yue should not be in this scene. Shisan denied his heart to set her free. He saved her and meant for her to go on, to love and live life with no regrets. It enraged me that they did this to poor Chu Yue and it would have broke Shisan to see her like this.
Ruyi should have been in that end scene, possibly with a son and a daughter. She could have escaped and remained true to her promise to Yuanzhou to go on without him, that a woman can live well without love. The drama foreshadowed many times that she would be last woman standing and yet they both literally and figuratively killed her character when she chose to blow herself up after assassinating the Beipan king and prince. Ruyi had a choice and the one she made sends all kinds of wrong messages to women everywhere. The only woman who remained true to herself was Yang Ying. She moved on, made the best of her situation and lived well regardless. If Ruyi had to die, the end scene should have closed with Yang Ying instead of Chu Yue.
I also think they should not have killed off Wudi. The team put themselves in harms way to bring him back; he learned some hard lessons and would have been a much a better ruler for it. They killed him off so that Yuanzhou could play kingmaker. It was a rushed, completely dumb, ridiculous and gratuitous Wu subplot that negates poor Qian Zhou and Chai Ming's sacrifice. I could go on but these are some of the main reasons I am so let down by the ending.
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