Story: While it's your standard normal-guy-turns-hero-to-save-the-world tale, each character's history and individual story arcs are noteworthy. This drama is very character-driven, which makes for very passionate touching scenes, but also very whimsical humorous scenes. Be prepared to laugh and cry with the entire cast. I repeat: Laugh. Cry.
I'm a sap so I might be the only person to cry, but the brotherhood, loyalty, and romance in this drama had me in tears. The number of reincarnations takes a little getting used to, though. There may only be a few characters, but there will be twice as many names...
Acting/Cast: This is my first time watching Hu Ge in action, and I now understand why he's so popular. It's not just because he's fairly good looking, but because he can ACT. How 'bout that? Not only that, I feel that the entire cast was picked well. They all fit their roles, and executed them so nicely...
Music: Just one sentence: I watched the drama because I came across the soundtrack. (One more sentence: With a soundtrack that good, there's no way CP3 would be bad.)
Rewatch Value: Not that high, because at some points it feels elongated. Fight scenes get lengthy, serious talks get stretched out, misunderstandings between characters wastes some time...But I'd rewatch it if it meant I got to skim through all those things.
Overall: Some characters and their respective arcs get a little too much attention, while others hardly get the screen time they deserve, so I'm a little sad about that, but within that short time you really get to appreciate their character. The slightly-weird CGI may be an initial turn-off, but stick with it and you won't be disappointed.
PS: There may be some plotholes that make you scream "YOU IDIOT, JUST ____ ALREADY!" but thinking that won't change things (unfortunately), so take the plot as it is. It was based off a video game so you might have to give it a little slack when it comes to patching up plotholes... =_=;
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WHAT THE F*CK!
What the Duck should have been titled What the F*ck!This whole series is filled with a lot of 'what the freaking f*ck' moments.
I had high expectation for this series, after all its only one of the few that's not set in high school or university. In paper, that should have been a refreshing change, but instead what we get are bunch of cliches and annoying characters all rolled into one annoying series. Let me break it down by the shows couples (or triple).
First is Pop and Mo and Oat. Pop is a vain and an obviously gay guy but with a mustache of a martyr gf in Mo, who followed him in his dreamjob which he failed to get so he went for a catering job instead. This is where he met this despicable guy Oat, and because this is a BL series, of course he would fall for Oat even if nothing about this guy is worth adoring - not even a dose of redeeming quality. The fact that he dropped Mo's ass like its nothing and chose Oat is just a lazy storytelling.
Second is Pree and Rambo and Pent. These 2 (err 3) are so sexy and their sex scenes are just so hot that i wished they just made this series a soft porn movie with these 3 and remove all the other things, then id rate it a 10. Alas, they just have to give these guys speaking parts but all i can remember Pree and Rambo did was cry, cry and cry. I should mention that this couple ended their relationship because Rambo was supposed to marry this girl and Pree was so self-righteous that he cant see beyond his reasons. But then later, it was revealed that he was still inlove with another guy and is willing to pusue/steal it from his sister! And then he got the audacity to be more pissed off when he found out that Rambo had sex with other people while they were broken up. See i told you another 'what the f*ck'!
Third is the 3 stoogees. Like honestly, do they need these 3 stupid guys just to drive the plot? Their attempt (and the show's) to be funny always ends flat and these guys are really just annoying and nuissance. After watching the first two episodes, it took me months to move on to the next episode because i am just so annoyed by these 3 (and those bitchy flight stewards) that the thought of continuing watching this series just made me cringe everytime.
Did i mention that Pop is ready to give up on his dreams just because of a guy?
It is also worth mentioning that sitting through 20 friggin long episodes is just so hard to do because nothing really happens throughout. They could have condensed it to 6 or 8 episodes without losing its essence. Oh, and they left Season 1 without really finishing any storyline, meaning they are forcing you to sit through another 8 episodes which to be honest, is just so hard to do (Im trying and i really cant even finish season2's first episode after 6 tries)!
Ok, i already said way too much and i can probably say a whole lot more bad things about this series, and i guess no one would read this anyway, but if you are, and you are thingking of watching this, do yourself a favor and stay away. Just watch a rerun of Love of Siam.
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An “ Alarm” Ahead For Terrible Screenwriting ...
Screenwriters Lee Ah Yeon and Seo Bo Ra evidently adapted this from the webtoon for their eponymous contemporary drama “ Love Alarm” centralising upon the same premise of high school student Jo Jo ( Kim So Hyun) and her love triangle with “popular student ” Hwang Sun Oh ( Song Kang) and his “ kind-hearted best friend” Lee Hye Yeong ( Jung Ga Ram), in a world determining love through one app.
By default, this drama should be a masterpiece; its source material and premise are fairly creative and original, the characters are intrinsically interesting and it has a top-notch cast as well. However, “ Love Alarm”’s biggest inconsistencies can be pinpointed to two focal areas; characterisation ( or the lack of it) and the lingering problems which arise through the existence of the alarm itself.
Perhaps the biggest elephant in the room to tackle is our main heroine Jo Jo. It is made pretty evident that Jo Jo actually has a lot of intriguing qualities as our main character; her circumstances growing up have been difficult, she’s struggled with trauma and she’s never been “ overly exposed” to the love alarm ( like the viewer) in the same way her fellow peers have .
Yet whilst Jo Jo has all the right qualities of being a relatable and well-written main character, her actual personality traits make her seem a fairly hollow “ Mary Sue”, rather than an actual flawed human being. She’s deemed as “ pretty, smart and popular” by her peers yet the two latter classifications were fairly flawed in terms of who Jo Jo is supposed to be as a character. Jo Jo being “ popular” isn’t an immediately ridiculous trope with the considered factors of her “ attractive” appearance and being book smart, but let’s be honest in considering that Jo Jo lives in a society still determined by trends as a form of social hierarchy .Even in an alternate society, this seemingly manifests to the idea of the app “ Love Alarm”, something Jo Jo prominently does not have. Whilst this in itself is of course not something Jo Jo would realistically be written out as suddenly “ not being popular” , it would still remain obvious even amongst Jo Jo’s social crowds that she isn’t up to date on certain trends and styles, something which was neither realistically raised or shown critically in the show at all.
Additionally, Despite Jo Jo’s seeming intelligence and her circumstances leading to at least some street smart personality traits , Jo Jo is a shockingly dim-witted character within putting herself in danger or helping to create numerous misunderstandings throughout the show. Of course this was supposed to intensify the “ drama” and make Jo Jo’s feelings more heightened for the two male leads, however, it seemed even if Jo Jo was more “ naive” of her actions than anything else, cruelly ignorant to lead on both Sun Oh and Hye Yeong, two individuals who clearly hold feelings for her, than create the amount of ridiculous dilemmas as she did in the drama. Whilst the drama wanted us to feel evident pity for Jo Jo in the season one finale, it was hard to truly feel attachment towards a character who had little to really offer in the first place.
Naturally this moves us onto the problems of our two main leads Sun Oh and Hye Yeong. Arguably, Sun Oh does have some more noticeable character traits than Jo Jo in the beginning of the series; he’s rich, and similarly popular , but acts out in his often “ stoic” manner because of his own inner psychological turmoil surrounding lacking parental love.
This in itself should have been something which drew Sun Oh and Jo Jo upon their similarities ; Jo Jo may not have parents whilst Sun Oh does, but they both lack that intrinsic parental love which most of their peers have had and thus struggle to find love in the same way. Yet as much as Sun Oh did have some interesting character qualities, he wasn’t given the chance to either grow or mature with his relationship with Jo Jo at all over the course of the series. In fact, Sun Oh is strikingly quite a selfish and fractious character who neither seems to actually reflect or learn from any of his mistakes even going as emotionally gaslight his best friend and
ruin his relationship with both Jo Jo and Hye Yeong rather than actually mature as an individual .
Arguably Hye-Yeong did have more likeable qualities out of Sun Oh as a love interest and Jo Jo as a main character; he often comes off as complacent, but at least this is actually made prominent as one of his flaws, which he learns to mature upon with his pursuit of Jo Jo - the girl he harbours a crush upon without the need of the app. On the other hand, what is undeniably annoying about Hye-Yeong as a character, is that he is often a little too forceful upon Jo Jo when she made her feelings evident at times in the show, and ironically too staid rather than sticking up for himself when Sun Oh began to emotionally gaslight him. Whilst Hye-Yeong had all the right qualities of being possibly one of the few well-written characters in the show, he often felt too irregular as a character; jumping from sudden growth to reversal in two seconds flat.
As for the rest of the characters of the show, Love Alarm is a halcyon for your typical minor trope characters, yet perhaps one minor character who arguably had many intriguing characteristics was “ outcast” Cheon Duk Goo( Lee Jae Eung). Duk Goo plays an undeniable major role within the events of the series and realistically has a lot of inevitable flaws including his own lack of self-confidence. Nevertheless, it was berating even with the app, exactly what Duk Goo, possibly one of the few decent characters of the show, saw in Gul Mi ( Go Min Si); Jo Jo’s “ popular” and selfish cousin. Perhaps it is entirely wrong to attack Gul Mi per say as being entirely “ horrible” as she did have some noticeable problems from being spoilt by her mother, as well as pressurised due to her popularity to “ fit in” with her classmates and Duk Goo’s involvement as her “alarm” entirely threatened this from her point of view. On the other hand, it was still fairly hard to see Duk Goo learn from his mistakes as well as Gul Mi actually maturing from being a selfish schoolgirl , in addition to fundamental questions about how the app actually works .
These dilemmas include; how such an app would be legalised or not face backlash ( protests or negativity) openly, if the app can or has made “ errors” or faced glitches over more than one love alarm per person , why the presumed “app developer” hadn’t been approached by greater technology firms wishing to invest or purchase the app’s rights, as well as of course more upon the “ love alarm” for same-sex couples. Although the show briefly mentioned about the public shame of the love alarm in this scenario, it felt a little sugarcoated not to explain or develop into characters who have faced this. Finally, there’s the most evidential problem of how this app actually works.
The ideology of the app is undeniably artistic licensing; we’re not really supposed to “ understand” the actual methods of the app and we can presume certain theories towards how this actually functions. Nevertheless, there were several lingering questions which were naturally raised about the app’s existence in Love Alarm throughout the series.
So, this leaves us on the most obvious question. Is Love Alarm actually worth watching? Love Alarm undeniably has an intriguing story premise, high production value and a top-notch cast. On the other hand, Love Alarm is simply its own worst enemy when it comes to avoiding falling into tropes, badly-written characters and plot inconsistencies. With a second season on the horizon, it’s wrong to entirely draw out that the story won’t smooth over some of these issues, and there are certainly some interesting ideas going forwards. It’s probably fair to say that Love Alarm isn’t a “ dire” show and certainly something to watch if you’re fan of “ cute, romantic and fluffy” dramas. On the other hand, this show is a waste of time if you’re looking for actual investment in well-written main leads, a sensical storyline and realistic and deep critiques which should have been raised in a show tackling such ideas of technology intermingled with relationships .
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The main attraction of this drama is definitely the satires. The writers are commendable for being able to continue the bold use of candid humor throughout the drama without making it revolting or tiring at any point. This drama takes in many typical elements like-naive main girl, arrogant main guy, evil opponents, traumatic past etc. - smites them with absurd derision and serves as a great amusement to the person savoring it!
Another good point is the attention paid to the legal details. Although the principle selling point was to be the humor, the writers did not forget to focus just as much on legalism as to be expected in a legal drama.
The characters are simply outstanding. The lead character Komikado is whacky, cynical, wasteful and indulgent. He is not only the center source of interest and excitement but also of contempt and resentment. The preposterous remarks delivered by him are unbelievable and unforgettable.Mayuzumi as an upright, honest lawyer has nothing surprising to offer but her existence is certainly indispensable in emphasizing the contrast with Komikado and maintaining the balance of craziness with rationality. The supporting characters are equally capricious and funny and enhance the pleasing power of the series.
The cast is exquisite. Sakai Masato has done a splendid job in the role of Komikado which is entirely different form his past images. He is so magnificently convincing in this drama that it’s impossible to imagine anyone else to be more fitting for this role. I liked the acting of Aragaki Yui here more than in any other dramas I’ve seen so far. Satomi Kotaro, Koike Eiko, Namase Katsuhisa, Taguchi Junnosuke -all are impressive and persuasive in their respective roles.
Overall it an excellent drama and if you are in the mood to watch something that will make you laugh out loud in every episode then Legal High is a must for you.
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This review may contain spoilers
Great drama worth re-watching
This is a drama that you can re-watch.After watching the epilogue I must concur with other viewers that Zheng Ye Cheng raised the bar for the role of General(XY). His chemistry with Hu Yi Xuan (CY)is well portrayed in many heart wrenching scenes.CY is witty, adorable and trusting which touched XY’s cold heart. I enjoyed the hilarious scene where she mistook roll call for hug a tree as they both sound similar in Mandarin.
XY and CY will sacrifice own happiness for the other. ZYC pull off crying scenes beautifully.
You can feel how torn XY was when learnt that his brother’s death is link to CY.
The support actors are brilliant especially XC who loved CY unconditionally.
I am thankful to the director for a happy ending. Enjoy!
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I didn't like the first few episodes, it seemed like the directing was off. During the introductory phase of the drama, the audience has to learn who these characters are and a bit of context to the background and circumstances our characters face. Instead, it felt like a nosedive into the first episode. No joke, I thought I was playing the incorrect episode when I first started this drama. Thankfully, this wasn't an issue that was so bad I had to stop watching.
At times, the editing can get pretty choppy and weird. I remember shots jumping from one clip to another really oddly. It's not a huge problem, it just pulls you out of being into the atmosphere of the drama.
The last gripe I have are the last few episodes. It really fell from grace; they made some pretty poor choices and it made me skip around the last 3ish episodes til we got to the end. I've heard that this was cut from originally being even more episodes. I'm glad they cut it but they honestly needed to cut it some more to eliminate some of the BS that they included during the last episodes.
Even though this drama clearly has some faults, it excels wonderfully in some areas!
The characters are really, REALLY good (especially Zhao Xiao Tang, I absolutely adored her!!!). Each one of the supporting characters has a distinct personality and various problems they face, and you'll actually be invested in them! A lot of the time I don't really care about subplots, but everything happening to the side characters felt just as important as the plot with the main character. This drama also did a really good job creating a super cute friendship between the roommates.
Mu Cheng He and Xue Tong's relationship is truly SO cute! It's rare to actually find a depiction of a relationship that is so healthy in dramas. Initially, you might expect a teacher-student relationship to be toxic but I'll assure you this one wasn't. The only thing I'm upset with is how Mu Cheng He's character developed. It seemed like we were so close to seeing how he grew as a person but we ended up not getting any of it. The audience wants to see "show" not "tell", but his character development ended up being completely "tell" which was unfortunate.
I also really like the atmosphere this drama created. It really felt realistic and a slice of life. A lot of dramas nowadays are over the top and fall into situations that are completely implausible. Here, our characters face real problems that the audience really might relate to. The drama also touches on important themes like family, friendship, grief, addiction, etc.
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A Story to Read When You First Fall in Love
39 people found this review helpful
As the J-netizens said, I would like to think Yuri was the heroine of this drama. I loved how supportive was everyone of him. There isn't a single bad character here. And all 3 rivals were nice, handsome guys who wanted nothing more than Junko's happiness. Each one of the guys had their amount of support from the netizens, I am not sure who was the most popular. But since episode 1 I had my favorite, and that is because I am a huge fan of manga-Shinkumi <3
I have yet to watch the final episode subbed, but just watching it raw I loved it (I covered my eyes but peeked between my fingers in the last scene). I'll write a proper review (with a proper rant over this actor whom I fell head over heels) when I finish the last episode subbed.
Favorite scenes, in no particular order:
- The "heroine in a dating game" (but the whole study camp made me happy)
- The "betrayed" look in front of Junko's house
- All the hugs (kyaa they were all amazing, the most romantic I've even seen)
- every time my fave smiled
- Nishioi and Miwa were funny, but together they were hilarious
Favorite drama of the year? XD too early to tell but I loved it so much I am having drama withdrawal symptoms ^_^ And listening to the OST ("Happy birthday" by back number) isn't helping ^_^
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This review may contain spoilers
NOT ADDICTING (AT ALL)
Usually when i write reviews i tend to be scared of saying i hated the series - the current world is full of rabid fansready to bite your head off in defense of their beloved show- but this one is quite the opposite because - im scared to say (that even if i didnt love it) that i didnt hate it as much as other people.When they announced that there is going to be a Thai adaptation of the beloved chinese novel i was a little bit excited - first, both chinese adaptations didnt have the opportunity to finish the story and so i thought finally we' are going to see the ending, and second, I really liked the casting choice - granted i thought August was little too old to play the role conisdering the other 3 actors are quite young. Also after the disastrous HitBIteLove, I was really hoping to see Newyear and Jur (who is the only bright spot of that series) in a new and better series and although they casted them as support i was quite ok with it.
When i saw who is directing it my heart crashed- I am both at awe and fascinated how this director keeps getting a directing job because his previous works and ratings will speak for itself - but then they showed us a very strong first few episodes that I thought, wow, finally, the director is delivering something good. I loved the pacing, i loved the cinematography and i thought the location was absolutely beautiful.
And then the mess of the middle episodes happen. The silly silly annoying female characters (its almost a trademark of the director to portray girls as annoying characters in every series he makes). There was also quite a lot of glitchy editing that you'd wonder if you ever miss an episode or slept through something only to realize that you havent- its just the way the editing goes.
One of my biggest gripes is that they have not used NewyearJur to the extent that i was hoping for. Not only was Tiger almost non-exxistent in the last episode but did we really need that Only-Pop twist in the the finale? Really? Its like they forgot that Only and Tiger kissed at the penultimate episode.
Granted all theses points and comments, i also wouldnt discount the possibility that these issues may be a problem of adapting the source material. The novel and the original series is just filled with over the top red-flags from bullying to kidnapping to molestation and combine that with all the despicable characters. What this adaptation failed to do however, is make the series addicting - something both the chinese adaptation were able to do. It failed to make its adaptation unique enough and at the same time it was so afraid to fully immerse into the source material. What we get here is a very bland adaptation that is scared to make its mark. Im also sad to say that none of the actors here will be able to reach Johnny Huang's success after appearing in Addicted, in fact, for me it even diminished the shine of rising stars Newyear and jur.
Also one thing i need to mention - none of the earlier promos pointed to this being a Season 1 of 2. This is a very sh*tty trick by the makers. After all the fans clamour to finally execute a full Addicted Heroin series, they gave us this - its like a curse that none of them will ever get to finish the story. I think its finally time to give it a rest.
I also need to mention this very annoying trend that a lot of Thai series is making - the uncut and cut version. Does this actually work for them because its not only really useless in most of these series because sometimes there are almost no diffeerence to both versions or at the opposite side the editing of the cut version is so extreme the story just doesnt work anymore. If you cant decide what is the right version then there is a problem with your editor and director. Please enough of this. I have seen no one in the Thai industry who is doing this trick that is close enough to the caliber of a Snyder to warrant 2 versions of the same show per week so please just stop wasting our time and just do your jobs.
Will i recommend? No not at all - most specially if you have seen b oth chinese versions because theres nothing new here and you wont miss a thing. Will i rewatch? Seriously, not even if you pay me.
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EDITED 4/20/19: Everything in this review still holds true! The second half and ending are fantastic. Give this show a chance!
Story: 10/10
I like the story. It's the typical "there's an injustice, someone dies, a cabal of corrupt higher officials from the police/prosecution/rich people cover it up" storyline that seems super common among Korean crime dramas (and for good reason.. funnily enough this drama is airing as the burning sun scandal is being exposed in Korea). The execution is less serious for the most part (it lives up to its comedy tag), and sometimes bridges into being a little campy, but they always bring it back so that the more emotional scenes never feel forced or out of place. The emotional scenes (character backstories) are engaging and genuine. I'm hard to sell on edgy, tragic character backstories, because they're a) super common and b) often used as an excuse for why [this character] is now a douchebag in the present, but the backstories in this show (especially Father Kim and Detective Dae Young's) are less of that and more of a glimpse of what their characters are suffering with alone.
It's not extremely suspenseful or mysterious, and there's no doubt who the bad guys are from, like, the first few episodes, but it's a solid plot and the writers throw in enough important events to keep it moving along. It's not boring, and it provides plenty of scenarios for the characters to shine.
Acting/Cast: 10/10
This is definitely the star of the show for me. I tend to be a character-focused watcher, with a good plot being an added bonus, but this drama really blows my expectations out of the park for character writing and acting. Usually there's at least one (usually multiple, if I'm being honest) actor/character I think is unrealistic or wooden, and it puts me off, but all the actors are absolutely fantastic.
I've never seen any of the main actors before, but I've been especially appreciating Kim Nam Gil and Kim Sung Kyun's acting. Kim Nam Gil is the obvious star of the show, with perfect execution in the comedy scenes and a heart-wrenching look in his eyes in the more emotional ones. Even Lee Na Hui, whose character is my least favorite out of the three (and, honestly, kind of annoyed the hell out of me for at least the first 15 episodes, but that's just personal taste), acts well enough that I only disliked her character just because her personality wasn't my type, not because her acting was poor or the character was poorly written. She's growing on me. Even the weakest actor IMO (I won't say who) isn't anywhere near the level of annoying over-acting that I dislike in dramas. The cast is a solid A, with even side characters' actors delivering a convincing and engaging performance that adds value to the scenes they're in and makes the characters likable in their own right, instead of being treated like convenient props to further the main characters.
Every interaction feels genuine, and every scene runs fast enough that you're never left thinking, god, this dialogue is dragging and the characters won't stop staring silently/dramatically at each other. (Plus, I'm not an eye-candy watcher, but Kim Nam Gil is almost ridiculously cute in every scene he's in. Watch out for the scenes when he fights and his bangs fall into his eyes. Cute, right?)
The fight scenes are also an absolute delight to watch, even if you're not a fan of gritty action (the show has a martial arts director on set, so the choreo and execution are great.) Filming technique, cinematography, the occasional unique lighting choice, and other visual cues are used well in each scene.
Music: 10/10
OST usually isn't a huge factor in how much I like a drama, but a good one is always a plus. This drama's OST is great: the emotional scenes are paired with delicate orchestral pieces, and the fast-paced and fight scenes aren't afraid to use rock, rap, and raunchy songs with an exciting beat. I downloaded the ending song to my phone.
Rewatch Value: 10/10
...I've been rewatching each episode probably at least twice each after they air, and the whole series when I feel like it, so there's not much else I can say about rewatch value. They're just funny as hell, and I'm a sucker for humor. The scenes don't feel like they get old, and even rewatching a stupid joke for the 4th time is at least 50% as entertaining as the first time. As long as the writers don't drop the ball by a huge amount in the second half (and, honestly, even if they do) this is probably going to be one of my comfort rewatch series and one of my all-time faves.
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This review may contain spoilers
Best adaptation so far
First and foremost, I have seen all of the adaptations of this story except the Korean version. So, I do have a good idea about the original story and added elements. I do enjoy this story, but must admit that it can be very toxic at times. But, I'm sure that anyone who has seen even one adaptation of this story can see that this is not one of those times.Let's look into detail:
The story telling in this version is multi-layered and well-executed. The screenwriters did an excellent job of combining the best elements from all of the adaptations into one excellent drama. The story moves quickly, as in the Japanese version, and the time is well managed. While everything in the other adaptations feels preplanned and done for the sake of the story, the story in this Thai version felt more natural and like it was going with the flow. There were no fillers or extraneous side plots. The story had a lot more depth, making this adaptation more interesting than the others. The only aspect of the story that could have been improved is the ending. The amnesia plot appeared to be rushed. They could have spent more time on it or simply ignored it.
Another aspect of this story that stands out is the use of advanced technology, such as social media, to improve communication between the characters. In addition, the bullying in this version is more draconian and brutal. I'm not sure if this is a good or bad thing, but it's something to consider. In any case, this helped to deepen and flesh out the story and characters respectively.
While the other adaptations focus solely on the romance plot, this one also includes strong messages about patriarchy and other social issues that are currently prevalent in Thai societies.
There are many memorable scenes in this story that we will never forget. Without them, the story is incomplete. In most adaptations, it is done exaggeratedly, but in this case, it is more convincing. The scene in which Gorya kicks Thyme was well done, and when Thyme was stabbed, showing that it was his mother, not him, made it more plausible and also demonstrated Thyme's love for his mother. It enabled in removing many unnecessary scenes and moving the story along quickly.
Characters in this story are more developed and have more depth. It's clearer why some characters made certain decisions, which makes them more acceptable.
Gorya, the female lead, has the same character as before. Except for the removal of her confusion, no major changes have occurred. I believe you understand what I mean. In the majority of the other adaptations, she is unsure how she feels about the F4 members. She is frequently torn between her feelings for the male lead and her feelings for the second male lead. In this adaptation, however, she is certain of her feelings and fights for them. In this adaptation, she has a very strong and mature character, which I am very pleased with.
The male lead, Thyme's character, has undergone the most transformations. He has been fully developed as a character. It is made perfectly clear in this adaptation, why he is forced to be a bully, why he is forced to be the way he is. It is clearly shown that he has a very complex personality and that he is not a bad person. He beats people to conceal his vulnerable side, which he never showed to anyone else. He wants his mother to love him, which is why he does these thing: to prove that he is deserving of fulfilling her dream.
Ren's character, the second male lead, frequently leaves the audience wondering whether he likes the female lead or not. In the other adaptations, it is unclear what his emotions are. But, in this case, we get the impression that, despite accompanying Gorya through difficult times, he simply has a brotherly or friendly affection for Gorya. He is aware of Gorya's feelings for Thyme, and he is the one who brings it to Gorya's attention. He wholeheartedly supports Thyme's relationship with her.
I don't think there have been any significant changes for Kavin and MJ. Also their screen time is less than that of the other characters. However, both of their stories were told successfully without becoming overdramatic, as in the Chinese version. Kavin and Kanning's love is depicted strongly, but I didn't get the impression like he was playing with her emotions in this version. MJ's love story has taken a new turn. It appears at the end of all episodes, beginning with Episode 9, in the form of a KFC advertisement.
Thyme's mother's character in this version is the best. While, in most other adaptations, she is portrayed as a ruthless tyrant who doesn't care about her children and only cares about business, in this she has been portrayed as an evil businesswoman yet as a mother who loves her children but don't know how to express her feelings. He wants Thyme to be happy in cruel business world, which is why she puts pressure on him to be the way he is.
The majority of the supporting characters, despite their insignificance, had rich backstories that didn't feel uninteresting or unnecessary. However, the time was also very well managed in this case. This really wowed me.
On an overall basis, all of the cast members did an excellent job of bringing the characters to life. Bright was competent, but his acting was occasionally unconvincing. I believe he could have done a better job if he had become more expressive. He's a good actor, but he needs to improve his acting abilities. Tu and Dew both did an excellent job portraying their characters despite the fact that this was their debut. I hope to see them on more projects in the future. Win and Nani also did their best with the limited screen time they were given. I'm impressed by the acting and chemistry among the main cast members. The chemistry between them was incredible, and I thoroughly enjoyed it.Cindy, on the other hand, is the best of the best. She did an excellent job as Roselyn. Even though I dislike her character, I can't deny her incredible acting skills, which allowed her to play an evil mother convincingly.
This is the only adaptation that managed the equality in looks of the leads. all were eye candies to watch!
Finally, this is the best Hana Yori Dango adaptation I've seen so far. Anyone who enjoys this should watch the Thai version. Also, if you needs some eye candies, come watch this. Indeed, this is a highly recommended drama.
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1This drama started off cute and light-hearted with Ariel and Vin bickering. We also saw a lot more of the masked hero doing his thing. However, the plot wasn’t very deep at this point in the story. So, it started to lose its spark around episode 10-15. Around episode 20, we got a new setting and therefore the story picked up a bit but…it slowed down for another 10 episodes until they decided to quicken the pace again. It felt like I was on a rollercoaster for children; small build-up and boring falls that repeats five to six times. The overall tone of the story changed near the middle of the drama; it went from lighthearted to a more dramatic feel. The scriptwriter did try to insert random comedic parts, but they felt forceful and unnatural. Everything did unravel throughout time and many different issues do come up to provide depth and conflict to the plot, but I lost interest as the plot became more complicated. Not because I dislike conflict and details, but mainly because I found the story to be losing its focus. Too much was going on and I didn’t find the conflicts to be a great addition to the overall plot. Especially with Ariel's identity as the Divine Maiden. I think they could've delved more into it and given her more of a role to stop everyone from trying to hunt her. Could she have learned martial arts/self-defense? Yes, but did she? No. She left it all to Vin (and Austin) and was ultimately a damsel in distress at the end. Besides having an" extraordinary sense for business" she did very little to change her fate.
If you’re looking for a drama where the main couple is together often then look elsewhere. After the first 16-18 episodes, we rarely see them together. They meet and get separated frequently. This doesn’t bother me much if they carried the plot well (but they didn’t) and I got frustrated near the end when the reasons for their misunderstandings could’ve been omitted (i.e. unnecessary love triangles). This also could’ve given the director/writer some more time to dedicate giving their audience a more satisfying ending. I’m quite bitter to have spent so much time watching this and get such an awful ending. I actually laughed when I watched the ending because of its mediocrity. In short, it was a cop-out. Either the director/writer did not plan accordingly to provide a substantial and fulfilling ending, they overspent and decided to make the last episode a cop-out, or both. I don't mind tragic/sad/happy endings as long as they're done well, but this ending was none of the above. It was a badly written and executed ending. They took no responsibility for anyone’s story and provided a distasteful ending. For those curious, I’ll provide a comment below to spoil the ending if you wish to read it.
I was excited to watch Vin Zhang as a lead. I believe there’s a lot of talent that hasn’t been shown as he’s (in my opinion) slowly being type-casted. In the beginning, he would bicker and tease Ariel, so it was refreshing compared to his recent angsty roles. However, this changed quickly, and he lost his shine as the plot thickened. Which was a massive shame. Watching Ariel is the same as watching her in her previous dramas. She’s great at acting out a “dumb” and cute role. Due to her experience, she is also one of the best actors in the series. She portrayed her role well and did well with her more serious parts. But I do want to note that I have a really hard time taking her seriously when she’s trying to be tough. This is mainly because I think she has a face suitable for dumb/cute roles. Sorry, Ariel. Vin’s shine seems to be passed to Austin in the latter part of the drama. Austin has turned into someone who would bicker and tease Ariel, but I didn’t find him to be too memorable in this role. Then again, none of the roles are memorable for me but are these a fault to the actors themselves? No. They did well to portray their roles. I just found the roles to be poorly written...or just poorly implemented into a poorly written plot. I do want to note that I found Austin's character to more interesting than the leads near the end...so I guess that's saying something.
All-in-all, I wouldn’t recommend this if you’re looking for a great plot and a satisfying ending. I think there are better historical romances to dedicate your time to but of course, everyone’s taste is different. So, I would recommend this if you’re looking for a semi-lighthearted historical drama. Just be prepared for an extremely poorly written ending because that's one thing we can all agree on whether we enjoyed watching this or not.
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1The One Who Can Stay With Her Forever
The chemistry of all the three male leads with Xiaoyao begins with... "because I was once all alone and abandoned and you stayed with me. And even if the world hates my dark side, is after my royal position, you like me for me..." Be it Cang Xuan or Tushan Jing or Xiang Liu, all three first found a great companion in Xiaoyao for their loneliness. While Xiaoyao herself, was on the search of someone who would accompany her till the end.Lost You forever is a compelling, intriguing narrative spanning over hundreds of years set in kingdom Dahuang where deities are struggling over power and these ambitious or least-interested-in-power characters are struggling to stay alive or do as they like among the harsh palace and wordly walls.
Half of the plot is about how these main characters have merely one percent control over there own lives and that's what made them selfish, desperate and cold. Ngl their struggles never end and no single soul has happiness in the whole Dahuang. More than liking or hate I've a truckload of pity for them... The male protagonists only see the leading lady Xiaoyao as their light of hope and Xiaoyao who is almost numb to the world, sceptical, she wants a man who can be kind to her forever without breaking her heart or promises... the rest half plot is about some fast paced politics where Cang Xuan is trying to make a name for himself.
Lost you forever has to be the most fast paced, polished, top tier production quality palace drama I've watched this year. The direction and acting are worthy of praises. Tbh I was reluctant to start this earlier but Yang Zi's performance here surprised me eminently. Scattered scenes like her visiting her father in Haoling after long, getting injured by thousands of incoming petals and her staring at stairs looking back at what she has been through, all these scenes made me as heartbroken as she was. Would dare to say that this might be her best work as an actress where she got to show her range in her craft.
Being a historical where female lead stays as a 'Male' for half of the drama, Yang Zi was far impressive in her part. her Wen Xiao Liu was so convincing that it took me some episodes to digest that she's a woman now. I often saw a man in her face after she transformed xDDD... But this was the reason Xiaoyao got along well with all four male leads in the first place (expect Fenglong who fell at first sight for her feminine side, but he later admitted how comfortable he was with her as a buddy indicating that he also liked her straightforward cool-bro nature)
Let me introduce you to the options, Princess of Haoling, Haoling Jiu Yao (Xiaoyao) has —
1. Cang Xuan (I'm far ambitious but I'm doing this so that I'm powerful enough to protect her. I'm so in love with her that I don't mind being her brother for life if I get to stay by her side)... Zhang Wanyi has crazy eyes that have accurate longing and helplessness this complex role needs. He's both a psycho and a heartwarming brother favored by ladies. He was so impressive that I kinda want him in more darker roles in future.
2. Tushan Jing (I like her but I'm also too kind, I'm good at strategies but I still fail in life becoz I'm too gentle for this world)... Deng Wei's face suits the nice male lead trope but he felt a bit off in some scenes. Maybe its about experience that he will gain slowly, even so he was good. his chemistry with FL is all mushy and cute type where they talk and paint and I'm blushing hahaha
3. Xiang Liu (yes I'm that white haired guy most of you were swooning over. I would kill and not kill for her. I wander the world in white robes but go back to tease or bite her once every episode)... Picking Tan Jianci for Xiang Liu is epic!!!!!!!! (He looks great( ͡° ͜ʖ ͡°)) He's scheming, maybe an extremist but damnnn his deep talks, nonsense bickering, drowning in water has hell lot of chemistry with Xiaoyao.
4. Chishui Fenglong (I met her late but I've power I can promise to stay with her for longer so who knows?)... In front of the three above, he obviously seemed less charming and like a supporting character instead but I'm excited to see his growth in S2.
While almost all the viewers have already picked up their ships and started rooting for them, I'm more like Xiaoyao and just enjoying it with the flow lol (maybe I'm heartless too :))... I was once all into Jing's puppy love, then I got swayed by TCJ's Xiang Liu and now I'm not choosing anymore haha. Just excited for season 2 and can they please release it tomorrow? Like waiting for 6 months means I'll lose this emotional build up I've for this drama right now.
The song I loved the most from the huge OST list has to be the theme song ♪Nothing Can Be Compared to You♪ (万物不如你) sung by Zhang Jie.
To sum it up, lost you forever is an addictive, thought provoking, melancholic romantic historical that keeps you entertained for sure. The exceptional setup and dramatic music is something you get in handy.
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In the opening shot, we see a woman whom will be an integral character later in the show, advocating for a woman’s right to openly express her sexuality within Japan cultural mores, shamelessly flaunts her armpit hair to people while saying love means accepting nature, to her it's an expression of feminity and identity. The drama depicts her as a symbol of strong female representation. But even with that, people might still be put off by the show's handling of sexuality at points. It would be too taboo and misogynistic to a different culture, but this drama is not trying to be morally correct, it only depicts a story as what happened, to watch this drama you don't have to agree to enjoy it.
Naked director is an 8 episode drama based on Japanese legend, Toru Muranishi aka "The Emperor of Porn", a controversial figure but considered by many as the most innovative director of Japanese adult videos. He has a fascinating life, went from a Japanese struggling salary man to a legendary director that soon will trigger the Japan's pornographic revolution. It's a fictionalize biography of him, not everything happen is accurate, and some events have been overly dramatized for the sake of entertainment.
Although it's a semi biography about Toru Muranishi, it also shows Japan's economic and cultural expansion, the movement in the porn industry as people move from magazine to video/media age. Rules are changing, everything is changing but not Muranishi's strong resolve. Well paced drama, doesn't felt too slow or fast. It's also has nice balance of slapstick comedy to the underworld dark side of porn. What I especially love about this drama is it doesn't shy away from the bad actions of this main character. They didn't try to portray him as a hero or justified his actions, but also didn't try villainize the character.
It's clearly aims towards international audience. It promotes Japanese culture from food, hustling bustling Tokyo to the infamous Japanese sex industry. The drama also felt inspired by American television, not as thematic and preachy like most Japanese dramas. The music is a blend between electronic and rock. On the technical side, cinematography was the strongest. It clearly depicts 80's vibe, from colors, landmarks and the way they shot famous 80's establishment like disco scenes.
Wonderfully acted all around, these talented casts brought their best in this drama. Yamada Takayuki captivates as ever, brilliantly portray Muranishi, from facial expression to the way he speaks he nailed it. But what's amazing about his performance is how he balances the humor and seriousness given the situation. Biopics needs strong lead actor and Yamada Takayuki delivers. I've seen almost all of his dramas and movies and I think this is one of his best performance and definitely his most daring ever. The one the surprise me the most is the actress who played Kaoru Kuroki, Misato Morita. Talking about a career defining performance, the actress gave it all like literally, that scene alone with Takayuki deserves an award. She's one of the strongest female character in a drama for me, feisty, and she don't give a damn what others will think. Her character is that interesting that they could make a drama out of her. Not just the leads but the supporting cast is a bunch of interesting characters as well, all of them have their own quirks, but don't just serve as comic relief characters, and if there's a standout among them it's Shinnosuke Mitsushima, the one who played that goofy character Toshi, he is the gangster, the do it all of the group. With strong leads and eccentric set of character forms this dynamic group that is fun to watch.
If you're a fan of biopics and you want to learn more about Japan and its fascinating porn history then you should watch this drama. Even if it's considered as the dark side it is still part of its culture. Not for everyone obviously, it's too explicit, and I think even late night Jdrama slot would not show this drama. If there's no Netflix this drama won't get a green light unless they made this into movie. And before someone say it's glorifying porn, it doesn't mean they make this drama that they already glorifying the act, it's just simply telling a story. It's best to separate your morals and reasoning from a story and try to see it through neutral eyes.
Check my Blog for other reviews & other JDramas stuffs. (｡◕‿‿◕｡)
https://thatjapanesedramaguy.blogspot.com/
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Before watching the anime for the first time, I made sure to read everything about Oda Nobunaga one could find online because I'm just a not the type of person who's ready for surprises and would rather get myself spoiled to the very end. The story of Oda Nobunaga is a unique one but it still remained the same as any other story about war and peace I learned from my History textbooks. However, this drama made me re-open my eyes and realise that you can't understand the whole story just by reading a little paragraph from your textbook.
The characters were fully developed in my opinion and all of them had an important role at one point of the story. I like the fact that every character had their time to shine and a chance to get their own little story developed. I also liked the way Kichou was portrayed in the drama because she had a way better personality than the Kichou we could see in the anime, who could only say "My Lord!" in an irritating tone, but that may just be me.
The actors were simply amazing and were one of the main reasons I started watching this drama. Oguri Shun as Oda Nobunaga/Saburo did a magnificent job and I couldn't take my eyes off Mukai Osamu and Takahashi Issei because they totally blew my mind in some scenes.
I loved the ending song song, it fit almost every episode and just gave me that warm feeling as well as the soundtrack, which gave me chills every time it started playing.
The only thing I didn't like is the open ending the drama has. I'd prefer it being either the death of Nobunaga/Saburo (because, nobody's immortal) or his time-travelling back to modern age. And if the producers planned to make a sequel to this drama, it would make no sense because there wouldn't be much time for important happenings in Nobunaga's life, considering this drama ended with Mitsuhide and Nobunaga being at Honno-ji.
I won't say this drama is highly rewatchable, but I do plan to rewatch it someday myself.
I'd recommend this drama to everyone, regardless of what type of drama you prefer.
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This review may contain spoilers
This drama is a rather different republican drama, it's not about espionage, not about the civil war or fighting against the Japanese, it's not even about glamourous Shanghai. It's set between 1915 till 1921, but majority of the story happen between 1917 till 1919 and revolves around the New Culture Movement (or May Fourth Movement) and mostly set in Peking University. It's about young people trying to find a way to save their country, it's about introducing new ideas and changing customs that had been there for thousand of years.A little background first, Qing Dynasty was overthrown in 1911 and Republic of China was established, but life didn't change much. Most ports and a lot of important railways were under colonial control because China had lost multiple wars in the past century and Qing's government had been on a decline. Even with the new government, it was still rather chaotic times, there were warlords abound (and they continue to be influential and powerful in their various regions until Second Sino-Japanese war), the government was far more interested in infighting and power grabbing (as depicted in multiple cabinet changes throughout the drama), and there were many that wished Qing would come back.
I had imagine the drama would be relatively hard to get into, but it's actually not! The beginning loosely revolved around the creation and publishing of Xinqingnian/New Youth/La Jeunesse, which was a magazine created by our protagonist Chen Duxiu, and promotes science and democracy. It slamed Confucianism and classical Chinese while promoting using vernacular Chinese. It's during these times, the famed Lu Xun wrote his first vernacular Chinese novel, a short story called Diary of a Madman, where the narrator sees the traditional customs as "man-eating". Vernacular Chinese would end up making education much much more accessible to the common people. The drama even had someone that wanted everyone to abandon characters altogether and adopt latin alphabet. While this didn't end up happening, it set the grounds for the modern pinyin system that students use to learn characters \nowadays.
With some of these rather outrageous suggestions, there's of course some opposition, there's some that support the return of the emperor, there's understandably some that doesn't want to abandon thousand year old traditions and customs, there's those that sing praise to beauty and simplification of classical Chinese. These technical "antagonists" were portrayed respectfully and even somewhat adorably. They weren't backwards dimwits, multiple of them were well respected professors who had sound ideas and were remarkable in their respective fields. e,g, Gu Hongming was a notable polyglot and translator who studied for decade and half in UK and knew western culture as well as he knew Chinese culture, but he was a staunch conservative because he deeply believed in preserving the roots, he gave my favourite speech in the entire drama!
Like the movement itself, the drama mentioned and showed various political philosophy. The drama started with students arguing if constitutional monarchy or democracy was better, Hu Shi who idolises experimentalism was prominent part of the drama, anarchism and mutual aid was explore quite a bit through the Chen brothers (Chen Duxiu's sons), and of course Marxism comes into play late in the drama too. Despite my description, the drama wasn't like a dry political lesson, it was times of multiple parties debate and tried to see what fits China, I don't know how to describe the joy of seeing some of these debates. It helped that it featured so many well known people that pioneered or made great contribution to various fields in modern China. Seriously, some one off cameo might be a well known revolutionist :P
The culmination of the New Culture Movement is May Fourth Movement. After end of WWI, Treaty of Versailles was signed, but the German concession in Shandong province was transferred to Japan (due to Twenty One demands that's mentioned in ep 1), instead of given back to China, despite the fact China had sent tens of thousands of workers to the frontlines and contributed greatly to the war. It was the first time in a century that China was part of the victor's side, and everyone had hoped that might be the start of fighting back against colonial control. Unfortunately, the government had failed them, they simply didn't have enough power to demand it back, nor did the other countries care to get involve when it didn't concern them. This caused mass demonstrations all around China, starting with students and not long after workers as well, eventually this led to the government refusing to sign the peace treaty, the first time in recent history where China tried to fight back in diplomacy. May Fourth movement further promoted new ethics system, mobilised students and workers to express their dissatisfaction and protect their interest, led to reorgnisation of KMT, and contributed to the start of Chinese Communist Party.
Normally I wouldn't spend so much time essentially spoilering the show, but this is all history, and rather complicated history that I personally didn't know much about (besides May Fourth), so I thought I'd go over the gist while gushing. It was a lot of fun wiki‘ing while watching the drama, and I'm glad it ended at 1921, since that way the drama was mostly uplifting. I'd say avoid wiki'ing if you don't want to know who meets their early demise (many do), but the drama will tell you when they appear for the last time anyways. The drama was surprisingly light despite the chaotic background and heavy historical basis, the humour was fairly natural and the characters were mostly very smart even though they argued a lot, the young people were super relatable and a fair few end up being world changing. These were 90s and 00s kids of the previous century and I can't begin to imagine doing some of the amazing things they do despite being the same age or even younger.
I actually love so many of the characters that I don't know where to begin, the Chen brothers were probably my favourite though, since they were rarely portrayed in dramas before this. They were resilient and idealistic, had a rather complicated relationship with their father that was portrayed pretty thoroughly throughout the drama. It's one of the biggest deviation from actual history, historically they would have been estranged for most part of their lives, and they likely wouldn't have been around for most the drama if it stuck closer to history. Zhang Wanyi and Ma Qiyue did amazing in this drama, I look forward to Zhang Wanyi's role in Daylight Ent's drama with Bai Yu + Mao Xiaotong + Song Zu'er, Ma Qiyue was only 14 when he played Qiaonian (who's 13~18 in the drama) so he has a bright future ahead of him! The acting was all around splendid, especially Yu Hewei who played Chen Duxiu amazingly (and won Magnolia award for it woohoo!) and Ma Shaohua who played the adorable University principal Cai Yuanpei that facilitate the awesome environment where various ideals could flourish.
Unfortunately, one of the few female characters with significant role started off rather terribly, playing a spoilt and unreasonable girl, she comes around rather quickly but it was jarring. I think her acting/her character was one of the few flaws of the drama, but she still have some shining scenes here and there, most notably a play that acts out the debates they've been having and notes the oppression that women have been facing. The other minor flaw was female characters don't get much screen time, a lot of well known female revolutionists weren't in Beijing at the time (they were in France or Hunan province, there are other dramas that do feature them), and they mostly weren't relevant to New Culture Movement. The few older women around were wives regulated to homemaking roles (despite one being educated and could be portrayed less stereotypically), younger women tend to play more active roles (all fictionalised) since students were first supporters of the movement.
Lastly, I must applaud the drama for the absolutely spectacular directing! Hot damn, I was big fan of the director after Advisor Alliance (do rec! Fun retelling of Three kingdoms!), but now I'm a super fan and will gobble everything Zhang Yongxin puts out (also got a Magnolia!). He has amazing eye for framing shots, he filled the drama with symbolism that I don't know how to interpret sometimes. I loved the astounding sequence that introduced Lu Xun and clearly referenced his story "Medicine", the goose bump inducing scene of Li Dazhao encountering a crying bride without a groom (likely a ghost marriage), the incredible usage of wide angle shots + heavy clouds to create heart aching scene that broke Chen Duxiu near the end of the drama, and of course the montage of Chen brothers as they leave for France stayed with me months after I finished the drama. The soundtrack was super memorable, the distinctive art used to denotes some important events was gorgeous, and I just love the aesthetics of the drama in general.
I've been sitting on this review for whooping 3 months because I don't know how to begin, I feel like all my words pale in comparison, sometimes explaining a scene without seeing it seems to make it lose all of its magic. This is the first time I found the entire drama just screams art to me, and I love it so so much that I want to recommend it to everyone. Please give it a try! I'm dump some interesting tidbits in the comment below, may or may not be spoilery.
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