Reviews

Based more on the original poem/story of Mulan than Disney version. She does join the army in place of her father, but we see how it affects her. She deals with death and grief and fear and killing. We get the real Mulan that went to war for over a decade.

This a realistic movie, slightly dark tone because there is a lot of death, but it's the kind of movie that hurts so good. You will cry and then continue crying but you won't end up feeling depressed or sad. The story is fulfilling as we get to see Mulan grow and accept life as a soldier and the many different ways there are to be a hero. Vicki Zhou is wonderful as Mulan, and we don't spend a lot of time with the other characters, but we don't really need it. This is Mulan's story and it reflects that in the screen time given to our other characters. The music really helps finish the atmosphere.

There are parts that really got to me where I was sobbing but the situations were caused by war and so our characters have to deal with it. They act nobly and I was completely satisfied until the very end. As long as you don't question how they never notice she is a girl, you'll enjoy it.

I know I will end up watching it again. For when you feel like crying this is a great option. Hua Mulan truly transforms and even if you know how it ends you can still appreciate the sacrifices of our characters. I know the same scenes will still effect me in the same way.

A bit spoilery but not if you know the story of Mulan. The original version has her just returning home. This plot has a romance but they forced it into a bad ending. They continued on the noble character arc for Mulan where she just wants to take care of her father. Again this is the writers fault for wanting the dramatic hero, but it fits with the characters even though the other option would have been possible. So, I was a bit irritated, but for the sake of a better story it fits to have the drama, but I was annoyed because they built it up and left me hanging.

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I like how everyone ignores what this drama is about and just criticizes the female lead.
Her own family ignored her cause her mother wanted it that way. Her so called senpai trapped her in a Stockholm Syndrome and took advantage of her.
No one cared to help her out and she finally started to be strong enough to break free herself.
It's what all abuse victims suffer from, the feeling that they're not enough and no one gives a $hit about them.
I doubt any k-drama would even gave a story like this cause they're all virgins and the hero is their first love.
From what I've seen in reactions about this drama, Koreans are right. No one wants to see the reality of someone who tried to escape an abusive relationship. Really a pity...

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A wholesome-hilarious Rom-Com

I stumbled across this show by accident when I was looking for a new BL to obsess over and- let me just say, I was not disappointed.
When writing this review, 4 episodes (edit: now 7) have been released so far. But those 90 minutes of the show have already got me hooked like few other shows were able to.
The characters are absolute fluffballs. You know that feeling when you would give your whole world to them just by looking at them? Yeah, that's what I feel for Adachi and Kurosawa. The actor does such a good job at portraying this innocent yet realistic clumsiness of Adachi, while Kurosawa is just warmth and softness in person. Their chemistry is off the charts. If you need a fluffy BL couple (that cares for consent!!!!) this is perfect for you.
Not only does it feel like you were dumped into cotton candy while watching this, but you'll also wish someone would love you like Kurosawa loves Adachi. The way he cares for him is just so heart-warming. I promise you, you'll fall for both of them.
The supernatural aspect is well fit and none of the characters feels unrealistic AT ALL. They lightly tackle the stigma around two men kissing which just rounds off the whole deal. To top all this, the show is hilarious. I swear, I laugh every 5 seconds, either because of Adachi's adorable awkwardness or because of their wonderfully executed acting in relatable situations.
I can only recommend this drama to any rom-com lovers.
You won't regret it.

STORY
The story revolves around Adachi, a 30-year old virgin that suddenly, on his birthday, gains the ability to read the minds of people through touch. Unexpectedly, his fellow colleague Kurosawa seems to have a crush on him. And thus begins a wonderful little office romance.
The story is based on a manga by the same title. I honestly couldn't imagine a better made or more adequately executed adaption of the story. Of course, changes were made but they all fit perfectly into the concept and medium. And those changes are small at most. I must commend the writers. In comparison to the original manga, we don't get a view into Kurosawa's thoughts except what Adachi hears through his ability. This makes everything seem more down to earth and I really like the decision. The plot is well put together and just addicting to put it simply.

ACTING
My guys, listen, the acting in this is just grandiose. And not just the main cast, every single role is well cast and executed on an astonishing level. It's just so so much fun to watch each character unfold and it is so easy to fall in love with them. It's hilarious, convincing and realistic. If not for anything else, watch this for the acting.

OST
I'm editing this section in. Earlier I didn't have much to say about the OST because except Opening and Outro there isn't much happening musically but after a few weeks the Soundtrack really grew on me. The Opening Song [Omoinotake - Ubugoe] is such a catchy song I can't even think about skipping the intro because you'll catch me jamming to it. Furthermore, you should take a look at the lyrics of this song. It reflects Adachi's feelings and thoughts in the course of falling in love with Kurosawa. Especially after episode 5, I can truly see the connection.
The Outro Song [Deep Squad - Good Love Your Love] is also really enjoyable. I think they did a great job of choosing these songs for the drama.

REWATCH VALUE
Let me tell you, this show isn't even completed but I'm already on my 20th rewatch of those few released episodes. I don't know, maybe it's just the lack of affection and warmth in my life but the chemistry in this is addicting. This is my newest comfort drama. I can't stop thinking about them, I can't stop watching them.

Yeah, just give it a try. I promise you'll love it.

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1-The reason I watched this : Just because I wanted to watch a romantic film, I found this by mere chance on some site so I decided to watch it and I am glad I gave it a chance.

2-Storyline/Plot : At first, I felt it's just the same plot as other rom-coms films that I've seen before (nothing different), I was even a little disappointed. However, as the film went on I became extremely amazed and I kept having this question in my mind: "how could the story turn around like that?"; I really appreciated the turn it took.

3-Acting/Cast : It's the first time that I see those two actors; I believe they've done a great job in this film. I wil be looking forward to see them in other productions.

4-Music : Yes, I appreciated the music because it was cool somehow; not too loud not too smooth.

5-Rewatch value : Hmmm, since this film contain a final twist, I believe it would be useless to watch it since you've already seen the core of the film.

6-The ending : One of the greatest endings that I've ever seen in chinese romantic comedy films; the twist at the end was so nicely done.
Wriiters managed to fool us around until the very last end, I really didn't expect or anticipate that: I really love it when an ending surprises me.

7-Overall: At first I was going to give this a 5 or a 6 but then when the twist came along I became greatful that I gave this film a chance; it totally deserves the time that I wasted on it.

P.S : Don't be fooled by the summary or the publicity pictures; this film has something that will surprise you because it's not your usual dumb romantic comedy film.

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Poetry in motion.

This is a really fun and adorable school romance drama that will steal your heart. It carries the underlying message that education should be a universal right but it does not necessarily produce a moral person.

Wen Renjuan is swept off her feet by a seemingly wicked man from a different world in a brief but unforgettable encounter.  They reunite at the prestigious Zhuxiu Academy after Luo Qiuchi wins a place in a national poetry competition. Of course it is impossible back then for even elite young women to be formally educated, in a co-ed academy no less! But since the setting is so much fun and it avoids the muss and fuss of the cross dressing trope, let's let that one slide. This is mostly a coming of age character drama that explores class conflict and how different students of Zhuxiu Academy respond to competition, envy and disappointment in academics and relationships.

The best thing about this drama is  watching the character and relationship development of the two main couples - it is literally poetry in motion. Both couples are lovable and so convincingly "belong together" I have a hard time picking a favorite. Renjuan is the character that grows the most in the drama - she blossoms from a timid girl into a feisty, clever and simply irresistible young beauty who fights fiercely for her beliefs.  Lu Xiaolu is simply a joy to watch in this role; she has the cutest, most natural facial expressions and gestures that convincingly conveys the innate goodness of Renyuan's nature. The way initial attraction turns into love and how Qiuchi and Renjuan grow together as a couple as they get to know and understand each other is just breathtaking.  I particularly enjoyed watching Qiuchi temper his natural possessiveness and protectiveness towards Renjuan to give her room to make her own decisions and judgements even when he knows she is not on the right track. With quiet, gentle but unyielding insistence, Wenjuan bends Qiuchi to her will and helps him accept and let go of the bitterness of  his childhood losses. This is one of the best, most realistic couples I have seen in terms of how their relationship grows from strength to strength.

In sharp contrast to Qiuchi and Renjuan, Hang Ruxue and Qing He are a much more reserved, less demonstrative couple. But it is clear their feelings for each other are conveyed less with words and more with deep soulful glances and actions. It is just as moving to watch the skittish, love struck Qing He's confidence grow as she wins the heart of her strong and silent general. Xie Binbin's Ruxue is so intimidatingly endearing I hope to see him in many more lead roles from now. I also love the camaraderie between both couples and how they support each other. My favorite character however has to be the boy emperor - he cracks me up every time!

Where this drama falls down is in the plot and the pacing. It opens really strongly with a fresh and exciting initial meeting between the leads. We get a lot of great action and thrilling twists in the first 10-15 episodes of the drama and the plot unfolds at an engaging pace. However, the overarching plot peaks too early and then lapses into a series of charmingly heartwarming but bland school related short plots that lack complexity and are easily resolved. It helps that it hones in on the dynamic between the couples and is so well done that I didn't mind that the plot threads water. However, both relationships peak shortly thereafter and while the lovey dovey couples are adorable, the pace is slow from then.

The main problem is that the villains are revealed very early on but they hang around until the bitter end. It does not help that the writing gets sloppy and illogical things happen in the ending arcs. For example, Renjuan's hard won martial arts skills evaporate in thin air so that she can be helpless and easily overcome by the villains as is required by the plot. The villains are also repetitive and unimaginative with shallow and tropey motives. The final (usually best) villain could not get any sympathy from me, I just rolled my eyes at his boring histrionics. It is not a lot to ask that the most complex villain in the story does better than that! At least two of the villains could have been tackled together and this could have been a much better drama with about 10 episodes fewer.

I consider this a heartwarming and good character and relationship drama with some truly entertaining moments. And I am sure you will watch one of my favorite and most hot, squeal-worthy hilarious a moments at end E5/beginning E6 at least two times... I rate this a very enjoyable 7.5 but I had it at 8.0 until about the last 10 episodes.

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Disappointing Sunset with No Vibes!

There was absolutely nothing in the show that worked for me except Sam and Yoh the side couple who appeared for only 2-3 minutes in each 1+ hour episode.

The trailer promised a fantasy element, but except for a few brief moments, I did not get that. What was presented was so anti-climatic that I would have preferred if they had stuck with Office Romance as the genre.

I had hoped Lin and Sun's chemistry would be the saving grace of this series, but unfortunately, I cringed at almost all their scenes together. Mos and Bank have more believable offscreen chemistry in their YouTube videos than in this whole series. That much-hyped and anticipated painting scene was meant to be iconic but it was a disaster. I am all here for artistic expression but this didn't feel like it was necessary at all.
Also, that necklace (you know what I am talking about) was UGLY.

Sam and Yoh were the only reason I kept watching this but they were also far from perfect. The screentime was very less to make their love story believable. I am still wondering how Yoh fell for Sam. But again , this was the only silver lining.
The other couples except Sam and Yoh looked forced and literally contributed nothing of value to the plot.

The dialogues were so poorly written that they felt like Chatgpt wrote them. A special mention to 'Khun Dad' !! Because NO.

Overall, I would NOT recommend this and hope the actors choose a better script next time.

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Surprisingly this is my preferred drama from Hawick. His character of lu Xiang Bei and the heroine Yi Nian and their story connected more with me. Don't be fooled by the synopsis, the actual drama is a far cry from the description.

Xiang Bei is a deaf but successful executive workin in a top company. Due to what happen 20years ago and the tragic death of his mother his life mission is to seek revenge and claim back what rightfully belongs to the Lu family under the urge of his maternal grandfather. But this plan became difficult and complicated when Yi Nian enter his life. Yi Nian is the daughter of his enemy but her kind, cheerful and straight forward personality despite himself finds himself drawn to her. Yi Nian is someone who values love and accepts people readily. But she's no push over and you see her challenging Xiang Bei in many instances.

I find I really like how opposite Xiang Bei and yi Nian is. Yi Nian's existence is like a light to his pretty sad and miserable life. She was the balm to his emotional suffering. She would speak out what she could see through his cold exterior and tendency of holding secrets and pain. She accepted his deafness and treated him with no difference. In fact in her subtle way she encouraged him to accept himself. There's quite a number of scenes and her confession which I find touching. I must say I love the lamps she designed.

This drama is not without faults and require heavy self-editing to improve your viewing experience. I had to dig deep into my patience before finding good memorable scenes between our two leads starting from ep 10,11,13 & 15. My self editing means skipping scenes of business rivalry, scenes of extreme hatred or characters I don't like. I focus on interaction between Xiang Bei and Yi Nian, Xiang Bei with his mum, Yi Nian with her best friend and her best friend's own love relationship. That means keeping my fingers on the cursor and able to finish the drama in 2.5 days.

Acting wise is passable. I find their chemistry linger at 80% max. Could have been better. But the love story between then I like. And I thk with the exception of him jumping into the water to rescue her, no cliche scenes of stumbling and accidental kiss. In fact I kind of feel the drama requires a bit more kiss scenes for my romantic side. All in all I enjoyed it. I love the dancing scene, the catch a movie scene, and some of their conversations that still lingers in my mind after the drama has ended. Give this a chance but do some self editing...

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Pining at its finest

Korean BL’s have either been a hit or a miss these days. This drama isn’t dry at all, in all honesty it is pretty good. I’m not going to rave about Zuho being in it, or how that isn’t a a bad thing etc. I’ve done that in the comments and everyone has their own opinion on that. My opinion is to give this show a chance and enjoy it. I like Zuho and Sf9 a lot, how could I at least not find this entertaining.

Luckily for me this drama is more than entertaining. It has great moments of chemistry that by the first few minutes where the two leads are in high school and the story is set up, you can pinpoint right away that one clearly and so desperately pines for the other. That is all credit to the actors, both of them, but for Han Joon’s character specifically. He bit hit tongue twice.. looks like that can only be directed so far. He took that intuition and fully went with it, so that is a reason for me to buy into this chemistry if the setup didn’t already do that.

Childhood friends to lovers can be cheap. But Han Joon’s and Yoo Jae’s bond is different with them both being guys. There isn’t that attraction that people will assume is thee because they are the opposite sex, so that’s why I find it interesting. You have Han Joon liking Yoo Jae but knowing it most likely won’t be reciprocated. The moments of his conflicts with expressing his feelings and being upset about that are brief, but the actor knows the characters feelings that you don’t need to much explanation on that. I’m sure there would be if the drama was longer… which is where things seem to be so easily solved if this drama were.

It’s a stunning show with how it’s not super high budget, the music is calm and the ending ost is really upbeat and I like it. Some editing is off, but I’m just glad a show I’ve been waiting for is finally here. I’m glad that the actors are into their roles and aren’t shying away. Zuho I give so much respect for this. He clearly knows his character well also and is versatile with the many emotions his character has to pull off here. Jealousy, attachments, stress, anger.. love love love to see it

My only gripe is this show needs to be longer. It’s only because the endless potential I see with the all so interesting story. On the surface it’s childhood friends with one liking the other. But there’s a whole lot more. Both of the friends have similarities with being poor, they have unfortunate circumstances and adversities that they have calmed and healed with by being so close. I wish to see those internal struggles outside more, specifically with both of their home lives.. but this drama isn’t long enough to have all that without it being choppy. So the attempt that is going to be made will push through for me, but it could be better if fully fleshed out. There is so much to fit with so little time, but it is really interesting to watch nonetheless.

The acting is really good for the leads. The chemistry is there and has my heart pumping from looks alone. The cinematography shines at moments and other times it is just the drama moving along. So this drama is harmless.. and it could become a complete bucket of cold water over the heads of people who doubt it if it comes through with the chemistry that the actors have- but will the production let them?

Unfortunately not. The last handful of episodes unfortunately are rushed and packed with so many things that there isn’t enough time for. The jump from dating and being together is a bit off.. only because there is only so much affection that was allowed to pass through. In a broader version I can only dream about this would’ve been a 10/10. For what it stands for though it was pretty good. Not perfect at all honestly. It had a lot of gaps I had to fill in with the editing and cuts just because it simply isn’t long enough. Lots of potential, too much potential that it leaves a bitter taste in my mouth.

I enjoyed the chemistry but wished it would’ve been pushed further. It would’ve shown them and their difference from being just friends to being a couple better. It would make more sense for it- but again it was just a lot of potential. Potential is a good thing, for the whole show though it was underwhelming but not horrible. I’d binge in a day if I watched it again.

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Cinema at its most, when it comes to political thrillers

Among the South Korean cinema audience in 2023/24 "12.12: The Day" sure was a great success. Production costs were thus recouped after 12 days already. Even beyond the national border the movie is considered among the bests South Korean films of 2023.

The story takes place in a world of uniformed men where stars and suits call the shots. There is talking, negotiating, and telephoning. There is also shooting, but comparatively little. The action is limited, even as various military units are actually invading Seoul to reinforce Chun Doo-hwan's security forces. However, it is cinema at its most, when it comes to political thrillers. "12.12: The Day" is compellingly captivating and knows how to stir emotions.

It wasn't long ago that the military in South Korea was thus actively involved in politics. Yet, Chun Doo-hwan's military revolt in that particular December night is a chapter that has long been given comparatively little attention. This KMovie now contributes to making these decisive events of the time conscious and helps to not having it forgotten. (Perhaps the right film at the right time... without knowing sort of preparing the public opinion for another momentous December night yet to come at the end of the year 2024…)

In any case, the right actors were in front of the camera – the KMovie is consistently high-caliber and lives from the strikingly concise character portraits. The names of the true historical figures were minimally altered to allow for more dramatic freedom. (It certainly helps as a non-Korean audience to know a bit about the political and historical context. However, the dynamics are outrageous even without this knowledge...)

The film offers an exceptionally candid portrayal of a crucial momentum in South Korea's recent history. Despite its politically and historically almost documentary-like dramaturgy, the KMovie manages to stir the emotions of the South Korean public today. Especially among the younger audience, it quickly became common to post a screenshot of their heart rate captured by their smartwatches on social media during the 141 minutes of the film to document their outraged indignation.

Even though "12.12: The Day" sometimes seems documentary, it is not a documentary film. The KMovie understands itself as historically precise. Yet, at the same time equipped with dramaturgically pointed degrees of freedom it allows itself to further increase the emotional density, too, and thus amplify the intensity of those impactful hours of that particular night.

By the way, the original title "Seoul Spring" subtly refers to the "Prague Spring," in which eventually hopes for democratization were also abruptly dashed by military force – however, in another country and ten years earlier.
















-------------------- HISTORIC SIDE NOTE -----------------------
The era of Park Chung-hee's military dictatorship abruptly ended with his assassination on October 26, 1979. Meanwhile, any high hopes for democracy were quickly dashed by security commander Chun Doo-hwan amid the ensuing turbulences and power vacuum. Together with the so called Hanahoe connection, consisting of his classmates from military academy, Chun Doo-hwan promptly and forcefully seized his opportunity: Having the military intervening in politics again… Thus, the hope for true democracy after Park's death was brutally dashed on December 12, 1979, as the new dictator was already waiting in the wings. The KMovie mainly revolves around those 9 decisive hours: how Chun Doo-hwan managed to win over, persuade, or push key people to side with him and carry out a military coup with a momentous impact for the nation.

In April 1980, he became head of the KCIA (Korean Central Intelligence Agency). In May 1980, he declared martial law. He is responsible for the Gwangju massacre, for the suffering of people in various cleansing camps, and for the torture chambers of the KCIA. On September 1, 1980, Chun Do-hwan officially took office as president and remained a rigorous dictator for 8 years.

It is truly sad, almost outrageous, that in the end, during that decisive night in December 1979 only the commander of the capital guard and a vague 100 of his people dared to really oppose the revolting military commanders around Chun Doo-hwan. Thus, not only the masterminds of the military coup and their Hanahoe comrades are to blame for the coup's success. Unfortunately, many more for various reasons quickly became opportunistic or switched sides out of fear. For 9 hours, a bitter power struggle raged behind closed doors of different operations centers in the middle of the capital Seoul. And on the streets of their own country the military pointed their weapons at each other… (…again).

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I've finally finished this drama today. I remember looking at the poster and thinking it was interesting and started it without knowing which drama's remake it was. LOL because the original one is my most favourite story in dramaland of all time - easily in top 3.

I love the premise of best friends to lovers. Think of it as an Asian 'When Harry Met Sally' but with more heart and more dialogue. That is probably not the most accurate description but it is a nice story nonetheless. I think it is not as good as the Taiwanese one but better than the Korean one. Ishida Ren is so lovable and the perfect guy that could be. Mitarai is selfish and flawed but here she came off as less mean than Ariel Lin's portrayal in the original one.

The story is predictable but not as cliche as one might expect. The romance between the leads is a slow burn and you would just be longing for action all the time ; but there is little of it. It's not a fast paced drama but still a lot happens in every episode to keep one entertained. I really enjoyed the premise of Shibuya and the execution of all subplots.

I must say the casting was very well done in this one. The only miscast was Mitarai's boyfriend and because the original version guy was so good. I feel like this is a very good version and adaptation and you can enjoy it even if you didn't watch the original. The main leads are fantastic and everything is nice and lovely. The emotions will get you and Ishida Ren will win you over no matter. Watch it for him. The actor is awesome and that's all I can say.

It is a nice break from mean "bad" boys of dramas who treat the girl like crap. It is nice to see the nice guy as the lead but after a while you wonder if he's the second lead after all. Just watch it in one go. It's worth a weekend binge watch.

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Yakuza lovers story

I love every minute of this series. It’s hilarious, wild and crazy, with humor in the lines. It’s not perfect, but I don’t mind that. It will no be everybody’s cup of tea. Japanese TV drama’s (teribi dorama) are incomparable with Thai or Korean drama’s because of their intenseness, eye for detail and lessons that can be learned. All problems will be solved in the end and strong script and play.

The series was not available through Disney+ Europe (yet), so I watched it on Drama Cool with the disadvantages that this brings. Subtitles where not available for episode 9 yet, so I will rewatch that episode again later, to get the true meaning of that episode. This drama is very populair in Japan and outside Japan.

I watched it in 1 go. It was surprising, cheesy and entertaining. The lines where sometimes lovely over the top.

Story
It’s manga based. I’ve never read any manga in my live, but will check this one out. I like that they kept clear throughout the series that being together could end any moment, because of his background/profession. You can see that it is not a high budget series. The usage of light and filter felt good. Production well done. Non toxic relation.

Music
The music was good. Especially the recurring instrumental piece with electric guitars and I think cello’s. Can’t find that on the OST list.

Acting
I like the cast, well done. I came for Kimura Keito, I love the acting of Furukawa Yuuta, his facial expressions (eyebrow!). Japanese series don’t show intense kiss/bed scenes in the way Thai dramas do. I didn’t miss that. The way they filmed these moments was good. I love the effect of the cherry blossoms: it showed a world where there was just the 2 of them. Both ML as well as FL where busy with character development in their own way, especially the FL. Don’t expect to much on learning their background and childhood story’s. The series doesn’t go that deep. I didn’t miss that.

I’ll rewatch it when I’m in the mood for it.

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Here the heroes individually are insignificant, helpless. Together they can make a difference.

"Falsify" (also "Distorted") tells an exciting story about the business with official truth. I think this works particularly well as the KDrama offers a critical examination of the rather difficult concept of 'truth', which can be bent and manipulated depending on the eye of the viewer. Is the rule of law just a pretty farce? Rather an eloquent backdrop for the mighty who operate in the shadow? Does actually anything like justice exist? What truth are we hearing? Which one do we want to hear? Which preferably not? Is it always so good to bring the truth to light?

Regarding the recently common term 'lying media', used as an accusations from all different directions, "Falsify" offers a burning issue. Also a bit of an 'Watergate Affair' in South Korean garb (as the underlying case resembles some real South Korean one). Sophisticated journalism and sensation-hungry tabloids, public prosecutors and lawyers as law enforcement officers, so called respectable (yet cheating) businessmen as well as gangs are all frighteningly close together. Against this background, seldom has sich wide range of positions, attitudes and motivations been thus successfully intertwined and presented close to touch on the basis of individual fates, altogether mixed up in an exciting story. Abysses open up in view of social ideals and their illusions. And yet hope is not lost in the face of (quite deadly) superiority.

This is definitely not a ´Marvel´-like (super)hero story. Here the 'heroes' individually are insignificant, inconspicuous, fallible, and to some extend helpless puppets in a complex mechanism that is controlled by opaque forces. However, together they can make a difference in co-creation - by bundling their potentials, throwing their prejudices overboard, getting involved with each other, learning to trust each other (despite initial contempt), and no longer reflecting on what separates them. The key is a unifying idea that is bigger than each individual (with their physical, emotional or social needs). They want to give this idea shape, body, weight and charisma with all imaginable creative means. This cross-personal idea is what gives them strength (even in the face of massive personal threats) and overcomes fear. Here it is the idea of ​​a democratic constitutional state in which there is justice for ALL; in which ALL are equal before the law; in which every citizen can/must bear responsibility for his/her actions - the price for the freedom of responsible citizens: a minimum consensus of laws, rights and obligations that are binding and binding for everyone.

This idea sounds nicer and more promising than it really is, because it usually stays with the idea that is trampled on behind the scenes. Yet, it is (real) people who fill this (abstract) idea with life. But where there are people, there are also their corruptibility, their greed, their vulnerability to blackmail and their cowardice, as well as the fitting people to unscrupulously exploit such weak points. South Korea's young democracy and long history of corruption and mighty ones operating in the shadow offers a realistic, scandal-ridden environment to process this exciting and at the same time outrageous KDrama - thus offering a wide range of gray tones, emotionally differentiated and authentic.

By following various protagonists from the press and the courts, the story begins with individual threads of action that are at best loosely connected to one another, but which become entangled over the course of the story and together form a strong strand that everyone can pull on together. So a bit of patience is required from the audience, but it pays off! The differently motivated characters come to life in a tangible way, become comprehensible in good and bad and reveal a reality about the business with truth that makes you shudder. We as the audience are ourselves cleverly integrated as part of the story - as representatives of public opinion and thus as perpetrators and victims at the same time.

Wow!
Good job. Ambitous. Thought-provoking.

P.S.:
Also ideally suited for repeated series enjoyment due to the differentiated, complex story.

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If the wild historical liberties of fusion sageuk are grating on you, The Great King Sejong is a refreshing alternative. Hewing relatively closely to fact, it generates its dramatic power through complex characterizations and thoughtful explorations of moral quandaries. Sejong’s reign may have been lauded precisely for its lack of drama, but the writers find plenty of conflict to build engaging story lines around, as they explore the challenges of ruling with benevolence rather than terror. They do an excellent job exploring how political systems stymie or support progress, as they build a compelling argument for governing to the better angels of our nature. That being said, this is not a fast show to watch. There are no love triangles, gorgeous warriors with great hair, gravity defying ninja moves, or epic cliffhangers. Many of the best acted and most intriguing characters are the various grey-haired ministers in their matching robes and odd hats, who for once are given compelling personalities instead of serving as indistinguishable agents of repression.

The first half of the show is particularly strong, in part due to outstanding performances by Kim Young Chul as Taejong and Choi Myung Gil as his embittered queen. Taejong may be monstrous, but he’s also powerfully human, and the show loses some of its spark when he exits the scene. The second half is weaker, perhaps because the series was cut down from 100 episodes to 86. This causes pacing issues, as some events are rushed through while drawn-out moments of pathos feel unearned due to a lack of dramatic set-up. Subplots get dropped and major characters disappear without acknowledgment or comment. It also means that Sejong comes off as far more serious than perhaps he was, as the show leaves out such “frivolous” elements of his life as his love of music and his passionate relationships with his concubines. In general, the show is more comfortable in the elegiac than the celebratory mode, but its tendency to emphasize loss sometimes deflects attention from just how extraordinary Sejong’s achievements were. It may be difficult to do great things, but there is great joy in such success as well.

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I don’t like serial killer dramas. I also don’t like shows that pair cold male geniuses with spunky heroines so he can give her a brain and she can give him a heart. Plus, prosecutors and cops up against institutional corruption? Been there, done that. And yet, despite its clichéd premise, Forest of Secrets works. It works because it has Jo Seung Woo and Bae Doo Na as the leads and they act their asses off, refusing to be reduced to stereotypes. It works because it’s as much about human relationships as it is about crime, exploring how the social networks we build can both sustain and corrupt us, about how easy it is to excuse the misdeeds of a friend, a colleague, or a family member. It also shows how an outsider can take those networks down, but it never lets you forget the gut-wrenching loneliness of such isolation. And finally, it works because the writer and the director pay attention to details. Without gushing tears, blaring pop songs, or graphic violence they present smart professionals methodically uncovering the truth.

The show does drag out the denouement, with more moralizing speeches than I’d prefer. It’s also not a ringing endorsement of the idea that people can change. It is however, a lovely example of how good writing, acting and directing can bring an old genre to vibrant, urgent life.

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