Was this review helpful to you?
Past Lives
77 people found this review helpful
1This review may contain spoilers
About a great service of love AKA a fateful, karmic relationship
"Past Lives" is a US production. Both the author and the two 'Korean' leads have Korean roots, but they did NOT grow up in Korea, nor do they live there. The story is autobiographically inspired and is dramaturgically presented in authentic dialogues on the one hand and selected, visually impressive sets on the other. It is about the aspect of fate (and or Karma) in encounters as well as pondering platonic love. "Past Lives" is indulging into the emotional world of more or less accountable and sensitive reflection of the protagonists, especially of those two extraordinarily mature, fine young men. You rarely see that. Additionally, as far as camera work was concerned, light and perspectives were chosen with care and thus implemented as supplementary actor, sort of. All this is quite wonderful and has already been widely praised. “Past Lives” is thus a movie well worth seeing.This movie presents South Korea and an attitude towards South Korea through the eyes of a South Korean girl who during the 1990s emigrated with her family at the age of 12. She then grew up in Canada, tried her luck as a playwright in New York, married an American, received the green card as side effect, and is ambitiously seeking recognition and success as a writer today. “Past Loves” thus has its positive emphasis on life in the US. The protagonist´s family had turned their back on South Korea. However, besides everything else, that has been already mentioned all over the place, I would say, that "Past Lives" is actually indirectly, in a rather subtle, reserved, unobtrusive way, (almost overlooked and hidden underneath the shiny, promising dominance of the US,) about positive Korean specific qualities, too... Therefore…
Generally, “Past Lives" juxtaposes those two ´worlds´ rather dichotomously. THERE South Korea, the country of origin that was left behind - far away and rather in the background, in the camouflage colors of the military and surrounded by plenty of soju. HERE the USA - reduced to a highly stylized New York (and artist retreat on Long Island), that is bathing in beautiful light and selected colors. In several respects, the United States is presented as the unrivalled better choice.
However, we experience these worlds through the eyes of the protagonist. In Nora's eyes, South Korea stands for conservative narrow mindedness, constraints, lack of freedom (which to some extend is certainly true). The USA, on the other hand, for her is the symbol for freedom, creative power, partake (should, could, might as well…). Eventually, those world views turn upside down. These are prejudicial concepts, both of which are not generally correct, e.g. each not representing the whole truth.
So, KOREAN normal everyday life is portrayed as conservative, shaped by her parents perspective and Nora's childhood impressions of the 1990s: the young democracy, already economically shaken by the Asian crisis. Her parents were artists and as such one way or another most probably influenced by the shaky turbulences of pro-democracy movement of the 1980s. They wanted a fresh start. Yet, what remains in Nora's memories? Very vague memories of school days, of what was said at home, of the striking images that remain impressively to this day. Bottom line: 'Men have to do their military service.' 'People are conservative and unsophisticated.' 'Men dependently live at their parents´ home until marriage.´ ´You can´t proceed in life.´
On the other hand, NORTH AMERICA is the much-cited world of unimagined possibilities. For Nora specifically, it is about a liberal world for the arts. She´s dreaming about her successful future, while the ambitious daughter may actually be living a much wanted life in lieu of her parents, too, to a certain extent. However, this ambitious dream is symbolically captured as an aesthetically abstract decal of New York and the Montauk artist retreat. For Nora, the USA represent a possibility to fulfil her dream of international prizes as an author. Thus, the USA as the center of her life is uncompromising and practically non-negotiable. That's okay and understandable.
This South Korea in the movie has a strong touch of Nora´s own prejudices. Apparently, she never emotionally processed or reflected her relationship to her country of origin. A deficit, which may also narrow down the perspective of the audience. Therefore, I would like to stand up for positive 'Korean merits', which only shine through subtly. In fact, though, they are formative for the characteristic poetic quality of the story. They come along in the person of Hae Sung. Thanks to him Nora can finally hold the key to her emotional freedom in her hands. (Whatever she may do with it now...) Thanks to Hae Sung (so to speak) she got her story and thus her tremendous success as a writer and director, too.
If you don't identify with Nora´s enthusiasm for the US so much, it might be easier to recognize those ´Korean merits´. Hae Sung actually embodies the opposite of what has settled in Nora's mind about South Korea. He stands for a new spirit among the digitalized young generation - even though he is an engineer. She, however, sees what she wants to see, reducing him to military service, close family ties, his clearly structured career and his reserved answers to her questions about marrying or rather not marrying his girlfriend.
Nora overlooks the fact that in his half-hearted answers about marital responsibility he carefully avoids generalizations so as not to overwhelm her with his feelings for her. She overlooks the fact that Hae Sung is indeed the courageous creator of his own world, possibly facing life even more creatively and openly than she dares herself. He chooses to study abroad in China because he wants to learn the language and because it may suit his career, too. He is ambitiously following his career plans, just like she does. Nevertheless, he is open to life´s challenges and ready to completely turn everything upside down. He is actively dealing with what is going on between the two. He prefers not to go for a logical, reasonable marriage. Instead, he takes what his heart tells him, seriously. He wants to sincerely check it out. This makes him vulnerable, too. Actually it was him, who originally went looking for Nora. With courageous creativity he took the chances life had to offer in his own hands. From a practical point of view, HE thought creatively and acted courageously. Nora on the other hand was the one, who, to a certain extent, simply unwinds her program without looking to the left or right.
Back then, when she left South Korea, she just put her feelings away, came up with a new name, learned the new language and left her best friend (and Korea) behind like an old toy. Since then her feelings for her old homeland only slumber unconsciously in her dreams. In her life, which is highly concentrated on her career as an artist, her past and origins have not been given the place they deserve. Hae Sung has to come first to open the door to that forgotten dungeon of her heart.
Still, we don't know whether Nora was able to take the 'little one' in herself by the healing hand - the 12-year-old Na Young, whom she had left alone in the past. All we know is that Hae Sung gave her a chance to reconcile with her roots and a hidden, almost forgotten part of herself. His great service of love was: not forgetting her, not giving up on her; looking out for her; meeting her, too; recognizing her for who she is; reminding her of something else, that she had almost forgotten; and finally letting her be - in an understanding, loving, respectful, ´Korean´ manner. Even if it hurts.
Actually, being himself, he represented another powerful aspect of South Korea, that Nora had so far not realized as such: A finely nuanced, rather emotionally dominated and yet respectful attitude towards life. This in contrast to a rather dichotomously shaped - black/white, good/bad, yes/no -, rather reasonable approach towards life, as it radiates from her 'North America'-concept.
At the heart of "Past Lives" is the probing of the protagonists' feelings for each other. What are those feelings supposed to be? Platonic maybe? Or more than that? And of course the story lives from the attraction of 'What if?'. This careful scanning of a space of potentiality is processed aesthetically cultivated, and stylishly. Respectfully too. Finally there are tears. ´Past Lives´ it is… However, the striking poetic aspect of this story is only made possible (in my opinion) by this very South Korean Hae Sung, who is not afraid to meet the multilayered complexity of emotional depth, confusing affection and difficult challenges in life, and (!) who is also not afraid to back off in respect to a larger context either. Thus he eventually even provided her on the silver platter of his heart with the so much longed for international artistic success...
PS:
Must be the 'In-yeon' they keep talking about throughout the movie...
--------------------------------------------------------
SIDE NOTE:
In-yeon = a fateful, karmic relationship
--------------------------------------------------------
Was this review helpful to you?
1A lot better than expected
It's an interesting drama based on the reality of how the kpop industry works. I came to this drama because I know OnlyOneOf as a group. Because of that I thought this drama would be really cringe to watch (they are rookie actors and have no experience in acting), but I was honestly surprised with the overall quality. It's a low budget drama, but it's ok in terms of korean BL dramas.The story was compressed in 8 episodes of 15 minutes what made it feel too rushed. Things were happening too quickly so they used a lot of flashbacks to tell the story. It was smart in storytelling, but as a viewer it feels like you are being attacked with a lot of information from all sides. But that's my only complaint about the script per se. The adaptation from the webtoon was well done and I honestly think it was WAY more sensitive about the topic than the original work.
Like I said before, they have no experience in acting so I wasn't expecting much, but some of them really have a lot of potential. Hyunbin is an annoying, but really charismatic villain. You can know the actor for a villain is good when you feel angry the moment he shows up. In the terms of acting, I think KB was the best one. He looked evil for real. Eden and Jihoon were good as main characters. Eden did look innocent, but not dumb (so common in BL) and Jihoon was an experienced sunbae, but he wasn't an annoyingly cold character for no reason (also common in BL). The characters were well balanced and the actors did well. Nine did a specially greater work in the scenes he was angry which seems a funny thing to actually happen. I don't know if he rehearsed those parts more or if it was fun to him to manhandle KB, as he's the youngest and KB is the oldest.
Jay was an adorable character and I hope to see more characters like him in BL. A character that will back off after hearing a "no". As any BL fan know, characters in Bl usually thinks a "no" means a "try harder".
About the whole plot, I GET that some people will get angry with it. K-pop fans will probably get kinda pissed too. The plot says "the K-pop industry uses gay fanservice to please fans". But is it a lie? EVERY K-pop group will do that and that's set by their company. If you read that and thought "those two (any ship name) don't do that because thy are really close for real", then you know the industry made it work and it already got you. Yes, most idols from same group are probably close, but the fanservice IS REAL, so please don't fool yourself. They will do things on stage, they will lovingly look at each other, they will hug and hold hands and do all that and 80% of the time all this is for show.
All that being said, the whole plot of this is great. It shows how the industry works and how fans respond to it. Now imagine this: companies make their idols do fanservice and among them there are straight people, but there will be queer people too. Imagine working in a place that forces you to PRETEND to be gay as a job, but WON'T ACCEPT you if you ever come out. In this story every main character is canonically queer. Eden even represent a queer kid growing up with a heteronormalized mindset. His first love was a boy, but he never really accepted that part of himself until adulthood.
In the story there's even a part that one of the trainees say there are rumors about Eden and Jihoon as a real couple and he make it sound like a bad thing (as if they weren't pretending to be gay to begin with). In a place like South Korea it' ok if you pretend to be gay, but it's not ok for you to be actually gay. The story is kinda fluffly and soft, but there's a real critique behind it if you pay attention.
Was this review helpful to you?
from fun to being overly dramatic
Na Ah Jung (Jeon Jong Seo) works as a guest actress, playing various background roles. She has a gay friend Lee Do Han (Kim Do Han), whom she has known for 15 years. When Do Han needs a wife to appease his family, he asks Ah Jung to be his wife for 3 years. Do Han’s younger brother, Lee Ji Han (Moon Sang Min), is against this plan as he wants his brother to marry for a corporate alliance. Thus, he tries every way to break up their wedding, one being to make her fall in love with him. Ji Han and Ah Jung hate each other at first, but as he's trying, seems like he's the one who starts falling in love...It started out exciting, I was impressed with the actress Jeon Jong So who played Ah Jung, she's feisty, capable and independent. Her friend/enemy banter with Dohan and Ji Han is great. Their relationships development is comedic and chaotic. Lee Ji Han’s motive didn’t make much sense to me from the start, but it's fine as there were a lot of good stuffs.
However, the character I'm most curious about is Lee Do Han, as an openly gay man. It was intriguing when he’s introduced, but as the story goes, I'm disappointed with the lack of importance given to his character traits.
Frankly, it gets frustrating when the conflict starts. it’s hard to understand why the leads’ react so dramatically and how they made certain choices. Last four episodes were messy, and practically resolved(?!) Well, the cameo saves the ending... XD Glad it's only 12 episodes!
Find me on Instagram: @kdramajudge
Was this review helpful to you?
The acting was great, they really managed to convey the emotions and lay it on thick and raw, really outstanding, especially from support characters
Overall this drama was a real game changer with its sudden plot twist, it always seemed to keep me on my toes throughout the drama, it was enjoyable and really made me think how important time is and how you should spend it and the overall importance.
Was this review helpful to you?
The Epic Journey of the True Son of Bei Liang.
This show is a wholesome package. From politics to scheming and strategies, romance and comradeship, family bonds and the journey of growth +cute beasts and martial arts manuals :).....This has a little of everything in a way that doesn't overwhelm you.This is the story of Xu Feng Nian, the much anticipated future lord of Northern(Bei) Liang. But that doesn't mean he will be under the limelight throughout the show. Each and every person he meets has a character arc that could impress us in the long run. The story is very well developed. The pace may not be uniform but the overall effect is heightened due to this.
This is a show which you must definitely watch once completely before forming an opinion because everything( even what you might think idiotically unintelligible and frustrating) make sense eventually at various check points in the story.
'Once' you finish it I am sure you will hurry to rewatch it and gather clues on what is yet to come.
Can't forget to raise a toast to the stellar cast and their solid performance. Although we have only seen little of some, their roles are too consequential to the storyline to be ignored in the upcoming seasons. So although season 1 has given a worthy closure to the first part of the story, I am looking forward to even brighter follow up seasons.
Was this review helpful to you?
A Positively Mixed Bag
Disclaimer: I read the manhwaAll spoilers mentioned are related to the manhwa. Only broad and generalized comments about the Drama was mentioned.
The GOOD:
As a stand alone romance drama, Positively yours was pretty average. It has everything needed for a romantic plot: a prince charming, a damsel, a wicked witch and a supportive cast. If you have NOT read the manhwa I would rate almost 7.
I enjoyed the evil sister in law's villain arc. It was satisfying to watch in a makjang. was she over the top sometimes, yes but I was there for it. I also loved the personal assistant. He was such a scene stealer with his one liners. I enjoyed the supportiveness of ML's niece and FL's coworkers. Often times they banded around the main couple in solidarity. I also liked the messiness of the ML's father. Most times in dramas, the characters are either from two extremes; either great or terrible. That the ML's father was a muddy mess was a delight to watch. He was definitely the SIL's villain origin story and created a lot of problems with his poor decisions. These decisions affected people negatively around him.
Overall the drama was ok but I'm judging from the source material.
The BAD:
As an adaptation, this drama sucked big time. This was one of the worst I've seen. In my opinion, the writers didn't understand the manhwa at all. The reason why the main couple had issues with marriage and relationships was because of their family values and upbringing. Do Jun comes from a large family and feels smothered at times while Hui won's comes from a broken single family unit that practically abandoned her. Do Jun was terrified of the weight of family and responsibility whereas Hui Won was terrified of the hurt that comes from broken trust.
The drama didn't capture this at all. They just did their own thing.
The love triangle in the plot was horrible because Min Uk was the family she had after her parents neglected her. It was like they stole her support system. He was her nieghbour when they were young and he became her safe haven when things were difficult at home. Min Uk was the first person to show her sincerity and because of that she confused her feelings of gratitude for love. It was why she felt so betrayed when her best friends were dating behind her back.
And as much as I enjoyed the SIL, she was the solution to a problem that never existed. The manhwa was character driven so there weren't any real Heroes or Villains. The characters got in their own way because their hang ups.
And the fact that they erased Hui Won's father was crazy. Hui Won's parents are a core part of her character. Hui Won's father was a man who loved love and at the time of Hui Won's pregnancy, he was getting married for the 4th time (I think). He had numerous relationships throughout Hui Won's life and was the main source of her trust issues.
The UGLY:
My biggest gripe with this drama was how they portrayed Hui Won's mother as a bitter, drunk, single woman. There was no denying she was an awful mother. But her faults lay with her being unable to communicate her feelings to her daughter. The parent's marriage failed because of Hui won's father fun loving nature clashed with her mother's ambition. She wanted to be more than just a wife and mother and wanted a career. She did feel a bit a resentment but it wasn't toward Hui Won holding her back but because of the lack of support she received for trying to pursue her career. She loves her daughter but feels burdened by the mistakes that were made. She had a successful career and was even in a relationship but the drama portrayed her so poorly.
Another peeve was the beer company! I mean why choose that hill to die on? Pregnancy and alcohol! There were so many other controversial topics to exploit. Like career driven mothers, single motherhood, children raised in broken family homes, divorce and remarriage and the impact it has on children. The manhwa had so many topics that I couldn't understand why they had to create such a poor one.
As someone who loves when adaptations come to life, Positively Yours failed to satisfy basic storyline.
TLDR: If you read the manhwa you will hate it. If you didn't it's a normal romance drama
Was this review helpful to you?
This review may contain spoilers
Somebody: "You mind saying that to me again?"
This Netflix series is definitely not easy to swallow but can become very intimidating if you pay attention to how it unfolds. So basically, I will say this series is a really nice piece of cake for those who love observing how good, complex, and CONSISTENT vicious characters can be written, without getting boring. The consistency in character is what I really liked about this series. This is what makes "Somebody" quite an interesting show for me, who loves dedicating their free time to analyzing the beauty in human grim. You don´t have this evil scumbag who suddenly changes for the Female Lead. You don´t need a detailed background to show that sometimes evil scumbags are just evil scumbags with no remorse. Sometimes there is nothing that anybody can do to prevent these "natural killers" from being born. They exist like hunters in the wild. Yuno´s life consisted of this side of him that just felt alive from hunting and IT. STAYED. CONSTANT. UNTIL. THE. ALMOST. VERY. END.For those who are not invested in villainous characters like Yuno, 6.9 stars is a solid average. I can totally understand that a majority will not like or enjoy this piece of art. Even for me, a hunter for series like this, it´s hard to explain. On whatever thread I am on, I always try to analyze behavior that is seen as vicious, grim, weird, and unlogical. The point is, humans are led by emotions, these, however, are often perceived as irrational, while often they aren't. They are a direct response to a certain trigger, for a reason!! What makes arguments f.e. irrational, is when the base facts are not able to be proven right. And Yuno was most certainly led by his uncontrollable impulses, which would not stop, even if he met Kim Sum. Even if he "loved" her. He didn´t manage to control these impulses before, maybe never wanted to. So I don´t think that the series necessarily lacked logic in the world they created, but maybe it lacked context and depth.
I also really want to highlight the variety of this series in terms of characters: A disabled police officer, a shaman, and a main character with Asperger Syndrome. In a thriller/horror/suspense series! Really loved to see this. LGBTQ+ representation in K-dramas, especially in suspense dramas, is not common.
YUNO (Yun O/ Yun-O)
He doesn´t really change throughout the entire series, however, Kim Sum does have an impact on his behavior. As she was not harmed in their first meeting because he might have either grown interested or thought of a better way to torture her before death by using her vulnerability, always being excluded because of Aspergers, against her. Or BOTH? He is not the most strategic killer you´ll see in a drama, but one of the most active and creative ones. Using the app, pretending to be nice, doing background research (not shown), trying hard to set the right fake Ambiente, and killing depending on the situation. He always adapted his torture to the victim, sometimes didn´t even kill at all - aiming for the highest of emotional damage. So, to point this out, his killing itself is not the consistent part, as he not always kills his victims (right away?).
And this consistency made the ending so interesting. The viewer could not tell what he was planning on. Did he really want to live with her? Did he really love her, like how he said when he was choking on his own blood? Even if he did, did he still plan to kill her (and him?)? Building such an architecture for her, was the clue that he did indeed like her the most. I think that all this emotional insecurity makes the ending so intense to watch. I had to fight this weird urge to feel bad for him because his situation and ending were so pathetic. And kind of sad... and kind of righteous. The crew and editors really dedicated themselves to showing us a twisted scene where they confront the viewers with a serial-killers last vulnerability, his mortality, and exceptionally and almost unexpected fast death. (What I mean is, he had no unrealistic luck in surviving, he just died) LIKE ANY OTHER HUMAN BEING. No exception.
KIM SUM
She definitely took her part as the main character and also stayed somewhat consistent. The interest in murder was in her, from the start. She also did not become more vicious. She just behaved and stayed consistent. JUST that she initiated the kill was something that we could not get a hold of entirely. It made sense, it matched the series. But not quite predictable, as she really liked him. Just her outsmarting him was somewhat predictable. I loved how they managed to include SOME ONE :) in the dynamic, without making it awkward or weird to watch.
What I really found the most interesting, is that she was aroused by his behavior. Because these dark fantasies had built up inside of her and he was the personalization of what she always wanted to do to the people who treated her like a monster? This series has really overwhelmed me in some points, like no other. It also made me self-reflect about why I like what I like.
IM MOK WON
She/ They were a bit of a confusing variable. I really liked her character, just that I could not quite understand her role in this scenario. Was she like a medium between evil and good? Or a medium between chaotic evil and chaotic neutral? Or just the messenger between all the characters? Then she was basically just being used for communication. Her romance faded into nothingness. Her character depth was a bit unfulfilling.
YEONG GI EUN
She is a cop, but still managed to get into deadly situations in the same pattern. One time not knowing she will meet somebody with ill intentions and one time EXACTLY knowing what evil person she is dealing with. Both times she gets outplayed in a similar and cruel way. But why would she do it in the first place? Curiosity is not worth your death. She could have gone back once she noticed her wheelchair was not made for the place she was at. He was revealed as a killer by then. So she basically reached nothing but to risk her life and, which to be fair IS important, revealed the location of another victim of his.
Overall I really had an intense watching. It made me think and reflect and even shed a few tears. But I agree and acknowledge that this series is a special case and surely confusing and unenjoyable for people not obsessed with twisted characters and villains on a daily basis. They made the best they could and shared the story of a colorful trio in a small series consisting of only 8 episodes. "SOMEBODY" doesn´t have much left to offer but observation of a FOR ONCE almost entirely consistent serial killer in a K-Drama. Also, his visions, fast adaption, and grim creativity made YUNO an interesting persona to watch.
Was this review helpful to you?
Was this review helpful to you?
Story:
You don't understand how amazing this movie is. To people who have viewed others who went to jail with disgust or contempt. Young lady/man you better go and watch this. It will change your thoughts/feelings on this matter. The theme of this movie is not a light one. But the director made it work. A woman who is convicted of manslaughter for accidently killing her abusive husband. Gives birth in jail and chooses to raise her baby boy, Min Woo. But heres the catch, she can only keep him for 18 months. Then afterwards he is sent to adoption. Seriously she made the right choice. You should see the baby boy (absolutely gorgeous), his always smiling and filled with life. There's also the inmates, each with their own story to tell.
Acting/Cast:
The acting was perfection. Whoever played the role for baby Min Woo is the best! I'm a sucker for babies!
Kim Yoon Jin is such an azmazing actress. Her betrayal of Jeong Hye is flawless. I could not imagine someone else even playing the role. She's a woman who loves her baby boy above everything and anything. I love her.
Na Moon Hee, Lee Da Hee, Kang Ye Won, Jung Soo Young, Park Jun Myun are all very commendable actresses. There are others as well but their the main ones. Everyone had this atmosphere, where they feed of each others energy. It was amazing!
Music:
*tears* When they all sang together, I felt like angels were singing. Especially the ending songs, I couldn't stop crying. Music is a very important part of this film.
Rewatch:
You must be all wondering why on earth I haven't given a 10 for this. There is only one reason, I don't want to have another cry fest.
Overall:
10/10. What is there more to say. Except GO AND WATCH IT NOW!
Was this review helpful to you?
KBS Drama Special 2012: Don't Worry, I'm a Ghost
26 people found this review helpful
While the story is nothing extraordinary, it was pretty engrossing. It was well written and cute overall. It has the right amount of humor and emotions in it. The ending was particularly good. I really wish this was a full length drama. I hope they make something similar because that would be so good!
The actors acted well and the musical score was also good. I really enjoyed watching this and wish that there could be more such kinds of one-episode dramas made. It is really worth a watch. Definitely recommended!
Was this review helpful to you?
A drama that deserves more respect and love.
This drama was full of fantastic stories and great actors, but the romance was not the focus here and that's probably why some viewers felt disappointed - they were expecting a light medical romance. Instead, they got some heart warming family dramas, gritty medical dilemmas and a surprisingly sharp critical insight into the highs and lows of the Chinese medical system.Everything here was expertly done. All the guest actors did an excellent job and the medical cases kept me glued to the screen. The romance wasn't the focus but it was good and left me with a smile on my face. I loved how we got to see the lives of the medical staff, but not to the point that it became a medical soap opera.
If you are looking for a good drama that is full of strong storytelling, this drama is for you.
Was this review helpful to you?
Perfect
This is a drama that is performed perfectly by the writers, directors, actors, actresses and all the supporters in this drama.I won't talk about how sad the ending of this drama is, but I will talk about how the production team of this drama packed the storyline from the first episode that made our feelings sway (in a good way). The extraordinary emotional play of the actors made the audience laugh in some scenes, made the audience feel annoyed in some scenes, and made the audience feel deep sadness in some scenes. This drama takes the love story to a higher level compared to other romance dramas that I have watched. I really agree that this drama can match the quality of the Romeo and Juliet story.
Was this review helpful to you?
But I just finished all three seasons within 3 days.
It was really inspiring and enjoying to watch how the teacher, Nakama Yukie portrayed, was able to change the student's view on school, live and teachers. I noticed that teachers like her are quite rare (well I don't have one) and I guess that's also a reason to watch this drama because you'll get hope and you'll have your lessons for your live through this drama.
I really liked the chemistry between Nakama Yukie and Matsumoto Jun who portrayed Sawada Shin and I guess I'm not the only one who would have liked it if there was more.
The main teachers and students each got their own episodes in which we get to know more about their background and how they gradually change to the better.
I also liked the close relationship between the main 5 students (including Sawada Shin) and the teacher.
All in one, it was great drama where you learn about the importance of friendship, family and school (If you didn't already know it).
Was this review helpful to you?
Our main character Yuan Zhong Xin is a playful cunning street savvy guy, who tends to scheme and compete against Zhao Jian, a proud independent smart girl. They are the kickass otp I've been waiting for, it's so much fun to see two people on the same level, whether against each other or working together. Wang Kuan is also pretty intelligent, but tends to be rather straightlaced. Xiao Jing is a cute innocent girl who's generally the peacemaker, Xue Ying is the simple minded brawns, and Ya Nei is the one with connections. The former three are all smart in slightly different way and devise plans, while the latter three all have their shining moment, and generally follow the plan.
The group go from a ragtag team to slowly getting to know each other, go through life and death and betrayal, to a highly effective team that's always there for each other. It's an incredibly emotionally satisfying journey to watch them grow, the camaraderie is awesome, you can ship any characters you want, since most have some fantastic moments. The supporting characters and antagonists are all very memorable with their share of humanising moments, no matter their allegiance or goals. The antagonists are often temporary due to all the twists, and they tend to be pretty smart, which is refreshing. The familial relationship is incredibly touching as well, like Yuan Zhong Xin's relationship with his brother, Zhao Jian's awesome dad, Lu Guan Nian's mentoring.
The plot is very unpredictable, and this is an original script! Which is so rare in this day of (web) novel adaptations, especially for a historical, and one that's so heavily reliant on a good script. I do think the last two arcs aren't as well done, second last arc have some draggy bits, and the twists could feel little forced at times, while the last arc felt a bit rushed towards the end (There's 5 scriptwriter for the series). That doesn't change that there were a lot of choice dialogues, some awesome ones that still applies today, like Zhao Jian's rather feminist values, or Wang Kuan talking about soft power. It also doesn't lessen the heart of these kids that wants to give their all to protect people they love, and the country they vow to protect.
The filter was a little off-putting at first, since I associated with low budget not very good webdramas, this drama is certainly low budget, but the story and acting was on point! It actually quite fit the bright, idealistic, adventure atmosphere of the drama once you get used to it The costumes aren't necessarily historically accurate, but that's okay, it's an idealistic drama about young people in Song, and they all fit their respective characters, which I liked. The music is pretty decent, the fight scenes is sometimes okay, sometimes really lackluster, but it does add in some unintentional comedy.
If you want a fun adventure drama with a lot of heart, please give this drama a try!
P.S. The original creator wrote an epilogue on weibo after lots of messages were sent his way when the drama finished. This drama actually only cover half of the story (he wrote like rough outline of the story, not a script), but the latter half could be hard to write and get pass NRTA due to what it covers (more politics involving Xia). He's in the middle of adapting a well known wuxia novel, and still have two more project, as well as probably Joy of Life s2 now that s1 seems to be doing pretty well. Anyways, I'll spoiler the gist of the short epilogue in the comments for those that finished the drama and need it.
Was this review helpful to you?
