This review may contain spoilers
Half-Cooked, Dont Eat
A hard pass, unless someone buys you dinner to watch it. The plot synopsis here in MDL is a little bit different from the actual story, in the series Yu Dam has lived for 300 years and Dong Baek was in fact a man in his first iteration. And no, they dont die, only Dong Baek is bound to die.The format for Korean BLs are just too short to be properly appreciated. I just dont understand why they cant just increase the episode runtime to better tell the story.
There is an ambitious premise hidden somewhere. It is a fantasy romance and yes, they were trying to do something different from other BL by telling a unique love story that spans hundred of years. It reminded me of another Korean BL "First Love Again". However, just like that series, this story looks good on paper but has failed in execution. What we got are 10 16-minute episodes that spends the first 2 and a half minute recapping and showing the opening credits and another minute and a half end credits. The problem is there is just not enough story in the 12 minute remaining time for me to chew upon. There wasnt enough to savour the characters, it wasnt even enough to taste their chemistry.
The title says The Director Who Buys Me Dinner, but after the first 2 episodes the dinner between Director Min Yu Dam and Soel Dong Baek stopped. I would have loved to see it every episode like some sort of closing credit.
The fantasy side also wasnt fully explained, there wasnt any proper explanation about how the curse happened, or how the director lived for hundreds of years? Do we even really consider living a long life a curse? Did he meet any previous Dong Baek aside from the first and the current one? Who was that who possessed Dong Baek? Was the curse lifted by the end of the story or if he is still aware that he is or was immortal? Did he just suddenly also forget about his long life? What happens to Dong Baek at the end?
Also, whats the point of the Denis character?
What's sad is you can actually see the making of a good series under all the ingredients they were trying to shove in your mouth. If they just spent a little more time baking the story, and maybe just adding a little more sugary sweetness it would have been great.
I used to like short series but after a few duds i am starting to hate the format. It is very evident that in this series , the short runtime worked against their favor. Open ended stories are good way to end stories but here it just felt lazy.
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Fighting for Stupidity
When I read the synopsis I was excited with the premise of a strong female character who excels in war strategies and becomes a female general. The FL is intelligent, devious at times and cross dresses as a man, there's a lot of male brotherhood camaraderie she develops with other male characters which is nice because sometimes its not all just about romantic love. While she is talented, the parts where she goes from commoner to elite fighting soldier with top notch archery and horsemanship skills was unrealistic.The love story really falls flat in my opinion. The ML is good looking but he's a bumbling idiot supposed playboy. His character is really flat and not bright. Its hard to believe he can last as a general for even a minute. I can't really feel drawn to his character. The love story between them doesn't have any emotional pull, its a bit robotic and forced in the acting. Maybe its me but it might be more interesting to see two robots fall in love than the FL and ML.
The SML and the FL seems to have more chemistry as they are on opposing sides and the SML is smart and bold. I watched it because I wanted to see how their story unfolds even though its pretty clear the FL will not end up with the SML. They should have really developed their story more because it was more compelling and a bit more complex than the FL's love story arc with the ML.
Overall it could have been executed better, the last dozen or so episodes was a bit of fast forwarding. I completed it because I was curious how it works out between the FL and SML and how she breaks through to become a general.
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STORY: It is not your usual drama. It has quite different elements. I loved how the relationship is developed within and outside the families. I loved how they tackled the problems.They pretty much covered all the topics. Some include parenting, bullying, marriage, societal pressure. It is a delight to watch.
ACTING: Each and every actor portrayed their respective roles very well. It definitely has a stellar cast. Lee Joon and Lee Yoo Ri deserves a special mention. They're extremely wonderful. Lee Joon is a fantabulous actor that I can guarantee.
MUSIC: The music was good.
RE-WATCH VALUE: I'm definitely going to re-watch it not only for one time but for many times.
For me this is the most beautiful drama I've ever seen.
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To be honest I only started watching it because I read that the story would revolve a lot around the eldest son, who is in a gay relationship. I found this fascinating, seeing as it's a korean drama. The writers did a great job on that part, depicting the family's perspective and the couples perspective and how they each deal with this issue.
It was also interesting to see the interactions between the different generations of this huge family who all live together in one house.
What kept me watching was the great acting (especially song chang ui who plays the eldest son and kim hae sook who plays his stepmom)the amazing story, and also the amazing surroundings (jeju island).
Because it's quite a long drama you get to know each of the family members very well and you really feel the amazing bond that's between them.
I cried a lot, but I laughed too and watching it was an overall heartwarming experience!
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STORY - Interesting storyline! It has great drama, touching romance, some suspense and action, (somehow annoying) politics, and humorous moments. And it gets more and more exciting as the story unfolded. I was easily moved with the story. What else could you ask for? I didn't expect to have lots of laughs from this drama. And of course, you'll see a lot of sad scenes, a lot of crying. But it wasn't until the last episode that I cried my eyes out! Really. Some were really heartbreaking. Some was just too illogical, and too sad, to happen. Other than that, the ending was lovely. (You'll laugh with still tears on your eyes.)
However, I can't get away with its downsides. I think the drama lost some of its energy on the second half. (Or I guess the first episodes were just too good!) I won't say there was no boring moment because there was some time that I just wanted to skip episodes and proceed to the last, I just find it predictable. (But I'm glad I didn't or else I could have lost the story.) BTW, I hate it when one character just can't move on, being so martyr, when he deserves to be happy.
ACTING/CAST - I loved to watch this drama bec. of Jung Il Woo. But in the end, I also learned to love Kim Soo Hyun. For his superb acting, and looks. He gave justice to his role as the King. (Young Lee Hwon was equally amazing.) I couldn't say any flaw. As for Il woo, he has always been good. Though I think I love his character here less. Han Ga In was a real beauty, but I honestly thing the younger Yeon Woo did her role better. I also enjoyed watching the side characters, each of them. The younger actors also did a great job that I quite got sad when their characters got older.
MUSIC - I love Back in Time and the instrumentals. I thinks they we're all perfect for the diff. moods of the series. But to be honest, I didn't get to appreciate its OST until I listened to it after finishing the drama.
REWATCH VALUE - I'm not into rewatching but I suppose I will still watch it in the distant future. :)
OVERALL - I give it a 9 overall. I love it to bits. Definitely a must-see. =))
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Just to be clear about something, I'm not a fan of love affairs, actually I don't like them at all and usually do not watch dramas with concept like that but this one I chose because of the music theme and the main actor. And I'm glad I did that 'cause I fell in love with this drama so deeply with no cure for healing. For the record this drama and story aren't affair at all as all of us think what affair actually is and you could see that from the very start and the relationship between the married couple, they were more like business partners. Yoo Ah In and Kim Hee Ae have done the job brilliant in portraying the two people who met and simply, slowly fell in love through the piano playing, music sheets, Mozart, Liszt, Tchaikovsky, and many other classical geniuses. I was hypnotized and mesmerized with their conversations, with their playing, with their passionate chemistry, I can't remember when I've reacted like this to some couple and chemistry in drama, since MARS I haven't felt like this.
This is not some average bubbly romance drama; it's dark, complex, passionate, bittersweet, and sometimes even torturous. It's a true emotional, mature and adult romance drama where we'll cheer as hard as we can for love to win against all odds. It’s a story to show how love can change one for the best or the worst. I loved very much how they concentrate simply on development of the main characters, their constant battle inside them, their pain, their hope and most of all their passion. It had been a very long time that I had felt such complex emotions with such intensity. It was almost like I was one of them. Of course there are boring parts, for example the part about business and all those irritating female characters who were so evil, bad and gossiping around, I really hate that. But except that everything else was a masterpiece for real. Yoo Ah In as a young piano prodigy was magnificent, he once again proved to me why he's one of my favourite actors in the whole world. When he’s onscreen with Kim, they make beautiful music together, both literally and figuratively. The love story generates plenty of heat, and feels genuine and quite moving. As long as the two leads are playing duets together or sharing bowls of noodles, everything else was in the shadow, only them and their fantastic chemistry.
Unlike in the most of average dramas, the music actually added meaning and depth to the drama. They played so many beautiful pieces from so many great composers and anyone who has any appreciation for classical music is going to enjoy this drama enormously. This drama is a bit slow, but it didn't bother me at all. I loved that I could see and feel their every gaze, touch, and emotion. I was able to synchronize my emotions with them, to understand and feel how they fell for one another.
For me this drama has a deep meaning and definitely left me with so many great and honest emotions. If you're like me a person who loves a true pure romance dramas with adult and mature thinking with endless love for music in your daily life, then this drama is for you.
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when i fly towards yearning (for more episodes)
honestly, i only watched this because i saw on tiktok that *that* guy from falling into your smile was the main lead (i didn't know his name prior to this show, only his dimples xD), i didn't have many expectations - mostly, due to the romance (i am aromantic, which, often makes me unable to love romcoms, because it makes me cringe, and remind me of the things i will never be able to feel) but almost immediately, i knew that it wouldn't be the case for this show.this show was extremely cliché, i will say that - and i did encounter second-hand embarrassment every now and then - but not in the 'i want to throw my ipad across the room' instead it was bearable - and even made sense at times. because this is about youth, it's about the first experiences and those aren't always glorious. i loved the awkwardness and the realness of the show, i loved all the characters and the ways they completed each other. normally, i never like both the main and second lead couples an equal amount - i'll ALWAYS favor one of them, and yet, i loved everyone the same in this show.
another thing i loved was that there weren't any unnecessary miscommunications, even when that girl went after zhang lurang, i loved how instead of siding with the "wrong" side (mainly, for unnecessary drama, that can drag the show out) instead he believed in zai, and even played along with her, whenever the other girl tried to make a move. and as they grew they supported each other in every way they could.
thank you for giving us a healthy show, with a healthy relationship that contained beautiful growth. as well, as beautiful character development of kids finding themselves in the midst of this hectic world.
definitely rewatching this later.
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1WATCH IT
This is the 2nd mystery types of BL drama I liked so much ( Of course first is Triage ) . Honestly this series is so good . I am so happy that I have found this masterpiece . I am not going to spoil anything . My review is simple .Acting - Top tier .
Story - Excellent .
Cinematography - Outstanding .
Music - The intro music is so good .
Visuals - Eye candy
Just watch it , no regrets . Aside from the mystery and story , the chemistry between the two male leads is fire . The tension is tensioning . You will know how good this drama is after watching just an episode .
Edit - Last 15 minutes of ep 8 , dear this is one of the best acting performance I have ever watched in my life , Hands Down .
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Next I cannot express enough how much I loved the music for this drama as I felt it matched perfectly with it and find myself tearing up everytime I hear the song pray whenever a dramatic moment happens.
As for the acting of the two main roles I would say that Shin Hye Sun did an exceptional job at portraying her character and everytime in her dances whenever she would want to express her emotions. As for L I know some mentioned that they disliked his acting but as for me I though he was perfect for the role of a fun-loving and kindhearted angel and together they made a perfect couple with an unbreakable bond.
I’m not sure how others thought the ending was for them but as for me I am definitely not dissatisfied with the way that it ended as I liked them a lot together but I would of liked to see them be a classic tragic love story that makes you feel emotionally sad but warms your heart when you think of how tough their love was.
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When it was great, it was great. When it was bad, it was reallllly bad.
How to start this?Was I disappointed? Yes.
To be fair, the crazy amount of teasing and build-up kind of set my expectations ridiculously high.
This drama is a mess. It starts out fucking epic. I got Night Manager vibes, which was a great sign. Then, I think after episode 7, it started to lose itself. There were still some great scenes with good dialogue, interesting symbolism, cool fight scenes, amazing cinematography, and fantastic acting. But they weren't the majority.
Obvious Problems:
#1. Let's be honest here: the third couple was unnecessary. Screentime devoted to them could have been put to better use.
#2. Unnecessary connections. Not every character needs a thread from their past connecting them to everyone!
#3. Once the main couple got together, they both got really stupid, fast. Lol.
Other Problems:
#1. While this was more comedic than serious, the comedy was still a bit much at times.
#2. The story should have been more focused on the mafia aspect. Sometimes, it felt like a side story.
#3. The finale seemed to throw everything at the wall. Will I get over the shorts? No, I will not!
Saving Graces:
#1. Vegas. Vegas, Vegas, Vegas. He ate up every scene. The visceralness of him was on another level. He made me conflicted, which is what some of the best characters do. One moment, he was clearly the bad guy; the next, he was a shivering puppy, and then he was a mix of everything. Bible . . . Just . . . Wow.
#2. Pete. God, the emotions he made me feel. He deserved so much more screen time.
#3. Vegas and Pete. They made me want to skip scenes with Kinn and Porsche. THEY MADE ME WANT TO SKIP SCENES WITH KINN AND PORSCHE! Also, they made me write a poem.
#4. Tankhun. Iconic! He is THE moment!
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What a disappointment....
Can a good actor save a bad script? NO.But can a good actor make the drama bearable to watch? YES.
But does this drama have good actors? HELL NO.
Before starting the review, I just wanna say it’s more like a rant than a review.
Let’s start with the title first. It’s “Now, We Are Breaking Up,” but more like “Fate”? I’ve been watching K-dramas for a long time now—literally, every drama has the fate/destiny aspect in it, which is not exactly my problem. But for this drama, the plot is built on fate/destiny/coincidences. Everything is so connected, which feels like nothing but forced.
This is supposedly a “Melodrama” (Melodrama: A genre that focuses on a dramatic plot, which is typically sensational and designed to appeal strongly to emotions). Is the plot dramatic? YES. But can I feel the emotions of the main characters (HYE & JK)? Freaking NO. They have no expressions throughout the whole drama. They just had cold, wooden faces and robotic dialogue deliveries. It felt so boring to even look at them that I genuinely fell asleep.
They are the main characters, so they have the largest screen time, but imagine their story being the most boring of all? Can you possibly sit through it? At least I couldn’t. I’m gonna be really honest—I watched this at 2x speed because the pace of the show is as slow as a snail. As I said, the plot was dramatic but also somewhat problematic. The writer screwed up the main leads’ story, and their bland expressions made it even worse.
Since this was Song Hye Kyo’s comeback and Jang Ki Yong’s last drama before his military enlistment, I gave it a shot. But I’m utterly disappointed with both of them. There was literally no heart-fluttering chemistry between them; they just endlessly kept staring at each other.
I mainly watched this for the SL couple, and yeah, they could act, so they had more chemistry than the lead couple. Some supporting characters are unreasonably crazy and wicked. My only favorite supporting character was Jeon Mi Seok.
As a fashion-based drama, neither the FL’s clothes nor the ones she designed impressed me. Hotel Del Luna or It’s Okay to Not Be Okay had way better-styled clothes, and those dramas aren’t even about fashion. :/
The OST doesn’t suit the vibe of the drama. It’s something sophisticated, which the drama is definitely not.
Re-watch: Never in my whole life am I gonna re-watch this show. I had to give a rating of 1 because there’s no option for 0.
The drama is basically a dud—no chemistry, bad acting, and problematic af main leads. I personally recommend skipping this one. The premise of the story was interesting, but the execution and main characters failed to portray emotions badly, which made this show really shallow.
END
Thank you for reading my review ^^
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A Xianxia filled with love, friendship, disaster, and most importantly, comedy.
If you, like me, did not have your eye on this drama but decided to watch it on a whim, you will be pleasantly surprised by The Starry Love. And understandably so, because the past few years of Xianxias have exposed us to the ‘overuse’ of familiar Xianxia tropes. Fortunately, director Chu Yuibun (朱锐斌) seems to have realized this and decided to add a unique comedic spice to The Starry Love that significantly differentiates this drama from the rest of the modern Xianxia genre. Overall, The Starry Drama is a story of the love between two main couples as well as their adventures with friends, and what it means for the world to love or hate you.The Starry Love (星落凝成糖) is adapted from the Xianxia novel of the same name by Yi Du Jun Hua (一度君华), and is the last installment of the Honey Trilogy, three romance dramas directed by Chu Yuibun. Therefore, you might notice the vast similarities between color selection, setting appearance, and costume design between The Starry Love and Ashes of Love. The Starry Love also has several actors that also played major roles in Skate Into Love, and its catchy OSTs are once again sung by the talented Sa Dingding and Mao Buyi, as well as Liu Yuning and Shuang Sheng. Here's another thing that may motivate you to watch The Starry Love: the leads voice their own characters, with the exception of Chao Feng. (no need to be worried about the high FL voice this round!)
Once again, the story is established with many of the usual Xianxia tropes. The world is composed of Four Realms, the Immortal, Demon, Mortal, and Beast. However, the Mortal Realm is fully aware of the other realms and works with the other leaders to maintain world peace. The Immortal Realm is again the ‘good’ realm, the Demon Realm is the ‘bad’, the Mortal is the ‘weak’, and the Beast is basically the ‘extra’. The main female leads, Ye Tan and Qing Kui are twins with a sealed fate, which they don’t learn about until later in their lives. Qing Kui is the hailed princess, the girl living everyone else’s dream. She is the destined Heavenly Consort, the future wife of Heavenly Deity Shao Dian You Qin. On the other hand, younger sister Ye Tan is not as fortunate. She was deemed a ‘bad luck star’ from birth, never having experienced the warmth and love from her father and servants. Destined to marry the future king of the Demon Realm, she vows to be a powerful evil being to defeat those who have always down on her. However, the sisters’ wedding carriages are swapped, and they end up in the wrong realms.
As you can see, we’re presented with a pretty unoriginal premise, so what makes this drama so interesting and keeps us on our toes? Well, to say this in the simplest way possible, it’s the way comedic scenes are inserted into the drama at the most surprising of times that makes The Starry Love such a fresh breath of air. One minute, you might be sad or even crying because of a certain scene, and a few seconds later, you are laughing so hard you might even be clenching your stomach. I personally really enjoy this unique addition, as I’ve certainly never seen this before in Xianxias and loved the comedic aspect.
The Starry Love is 40 episodes long, as with many of the new dramas after the maximum 40 episode rule. (in which some dramas divided the series in two parts to bypass this new Chinese law) The drama is well-paced, without many, or perhaps even any, filler scenes, unlike a few of the long dramas. I really enjoyed how there was understandable time spent on each You Qin arc, and how each couple was given enough time per episode to bond and give us the sugar we deserve.
Onto the acting. The acting here was PHENOMENAL, especially when it comes to Chen Xingxu. This man here had to act five totally different personalities. In the usual Xianxias we may get one or two reincarnations, but Shao Dian You Qin here went on a total personality-changing spree. From the cold You Qin, he was also the cute and heartwarming La Mu, greedy but caring Mei You Qing, elegant womanizer Wen Ren, and of course, the You Qin at the end, all of his previous personalities melded into one. Chen Xingxu pulled off his roles perfectly, effectively showing the great contrasts between each personality and making them seem like totally different people. (fun fact: (Mei You Qin) 没有情 means Emotionless)
As I was watching a drama with Li Landi for the first time, I loved her acting and her role as Li Guang Ye Tan. The changes her character experienced were phenomenal, and Landi displayed this through her acting, especially in the eyes. Not only is The Starry Love about the strong love between lovers, but between friends and family as well. Ye Tan and Qing Kui’s sisterly love is a strong relationship that not many others can compete with. The contrast between the two sisters’ personalities was also a sweet treat. Although Qing Kui always received the love that Ye Tan never had in her first 18 years, Ye Tan never blamed her older sister for it. Instead, they were always worrying about the other. While Ye Tan is a girl afraid of nothing, Qing Kui’s pure kindness guided her younger sister to the path of happiness.
The chemistry between both couples was just right. You will be gushing for not one, but two extremely compatible couples. As I was rooting for the Heavenly Couple, I was also squealing for the love story that was blossoming in the Demon Realm. As they say, you’ll always find each other if you’re destined to be together. It’s amazing how each of the characters influenced others to change and become better versions of themselves.
Of course, a Xianxia drama would not be complete without both loveable and hateable characters. Ye Tan, who had never received much care and love in her life, felt so fortunate to have become friends with not only Man Man and Di Lan Jue, but with Qing Heng, Zi Wu, the three senior immortals, and even with her future brother-in-law, Chao Feng. It was so heartwarming to see everyone warm up to this princess, who had always longed for a happy life. On the other hand, we have the power-hungry Immortal and Demon Emperors who put their own power before their family’s happiness. The Heavenly Empress demonstrated her true love for her children before any noble title or riches, while the Demon Empress’s power-hungry eyes not only showed her pure-evil heart but her universal love for her only son. The side couples were all very cute and fun to watch.
Production-wise, The Starry Love did a phenomenal job. The special effects for magical spells in all realms complimented their respective backgrounds and were all natural to the look. Like previous Xianxias, the Immortal Realm is given an almost-whitewashed look, while the Demon Realm is a land of darkness. However, the fireworks and magical trees were gorgeous to look at, to name a few magical elements of the drama.
Like Ashes of Love, the OST for The Starry Love includes songs sung by Mao Buyi and Sa Dingding, as well as Liu Yuning and Shuang Sheng, and were epic as always. Sa Dingding once again awes us with her amazingly high vocals managed with immaculate precision, while Mao Buyi and Liu Yuning sing with longing emotion. Shuang Sheng once again displays her lovely voice with a sweet tone. The soundtrack is as follows:
[Theme Song] “The Starry Love” (星落凝成糖) - Sa Dingding
[Opening Song] “Speak with You” (与子成说) - Liu Yuning
[Ending Song] “Flawless World” (天地无瑕) - Mao Buyi (with another version sung by Sa Dingding)
[Additional Song] “Twin Flowers” (双花儿) - Shuang Sheng
If The Starry Love is not THE Xianxia drama 2023, it is one of the best. Although it includes many Xianxia elements used in previous Xianxia dramas, the comedic aspect of this series differentiates it from the rest of the group and will certainly brighten up your day. The emphasis on strong sisterly love is also something that is not to be missed. (there’s eye candy too!)
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My boyfriend is an Idol.
The series does a great job of portraying the reality of idol groups and how they are constantly under scrutiny, how internal conflicts and competition can arise and how difficult it can be to maintain unity when the industry often pits members against one another. I appreciated how the show tackled the issue of favoritism, where one member is pushed into the spotlight while others are sidelined. That’s a very real struggle for many groups.Now, when it comes to the romantic side of the show, I have to say, I really liked it. Thame and Po are the definition of green flags. Their relationship was built on patience, care and understanding. Thame’s attentiveness toward Po, the way he never rushed him and always made sure he felt safe, was just so refreshing. Some of their scenes made me feel like I was experiencing a first crush all over again hehe. Their relationship just felt sooo pure, yet deep.
However, I do have some critiques. The first half of the show was excellent but the second half lost some of its momentum. The two episodes focused on Jun and Po felt unnecessary to me. I understand why that subplot was there and I know some people connected with it but personally, I felt it took time away from the core of the story. I would have much preferred more focus on Thame and Po’s development instead.
The breakup arc was another part that didn’t entirely land for me. It was realistic given how brutal the entertainment industry can be, a relationship like theirs was bound to face challenges. I saw it coming and I understood why it happened but at the same time, it felt a bit frustrating since their romance was already such a slow burn, they barely had time to fully be together before they were torn apart again. It created a bit of emotional whiplash for me...I get the drama of it but I wish we had more time to actually see them as a couple before the conflict hit.
That being said, the chemistry between the leads was really amazing. And the kisses left me gasping. Both actors did an amazing job, not just them but the entire cast delivered strong performances. Every character, even the side ones, felt fully realized and I liked that.
Overall, while I had some issues with the pacing and a few plot choices, I still enjoyed it and I hope to see WilliamEst in a new project again.
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Past Lives
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1This review may contain spoilers
About a great service of love AKA a fateful, karmic relationship
"Past Lives" is a US production. Both the author and the two 'Korean' leads have Korean roots, but they did NOT grow up in Korea, nor do they live there. The story is autobiographically inspired and is dramaturgically presented in authentic dialogues on the one hand and selected, visually impressive sets on the other. It is about the aspect of fate (and or Karma) in encounters as well as pondering platonic love. "Past Lives" is indulging into the emotional world of more or less accountable and sensitive reflection of the protagonists, especially of those two extraordinarily mature, fine young men. You rarely see that. Additionally, as far as camera work was concerned, light and perspectives were chosen with care and thus implemented as supplementary actor, sort of. All this is quite wonderful and has already been widely praised. “Past Lives” is thus a movie well worth seeing.This movie presents South Korea and an attitude towards South Korea through the eyes of a South Korean girl who during the 1990s emigrated with her family at the age of 12. She then grew up in Canada, tried her luck as a playwright in New York, married an American, received the green card as side effect, and is ambitiously seeking recognition and success as a writer today. “Past Loves” thus has its positive emphasis on life in the US. The protagonist´s family had turned their back on South Korea. However, besides everything else, that has been already mentioned all over the place, I would say, that "Past Lives" is actually indirectly, in a rather subtle, reserved, unobtrusive way, (almost overlooked and hidden underneath the shiny, promising dominance of the US,) about positive Korean specific qualities, too... Therefore…
Generally, “Past Lives" juxtaposes those two ´worlds´ rather dichotomously. THERE South Korea, the country of origin that was left behind - far away and rather in the background, in the camouflage colors of the military and surrounded by plenty of soju. HERE the USA - reduced to a highly stylized New York (and artist retreat on Long Island), that is bathing in beautiful light and selected colors. In several respects, the United States is presented as the unrivalled better choice.
However, we experience these worlds through the eyes of the protagonist. In Nora's eyes, South Korea stands for conservative narrow mindedness, constraints, lack of freedom (which to some extend is certainly true). The USA, on the other hand, for her is the symbol for freedom, creative power, partake (should, could, might as well…). Eventually, those world views turn upside down. These are prejudicial concepts, both of which are not generally correct, e.g. each not representing the whole truth.
So, KOREAN normal everyday life is portrayed as conservative, shaped by her parents perspective and Nora's childhood impressions of the 1990s: the young democracy, already economically shaken by the Asian crisis. Her parents were artists and as such one way or another most probably influenced by the shaky turbulences of pro-democracy movement of the 1980s. They wanted a fresh start. Yet, what remains in Nora's memories? Very vague memories of school days, of what was said at home, of the striking images that remain impressively to this day. Bottom line: 'Men have to do their military service.' 'People are conservative and unsophisticated.' 'Men dependently live at their parents´ home until marriage.´ ´You can´t proceed in life.´
On the other hand, NORTH AMERICA is the much-cited world of unimagined possibilities. For Nora specifically, it is about a liberal world for the arts. She´s dreaming about her successful future, while the ambitious daughter may actually be living a much wanted life in lieu of her parents, too, to a certain extent. However, this ambitious dream is symbolically captured as an aesthetically abstract decal of New York and the Montauk artist retreat. For Nora, the USA represent a possibility to fulfil her dream of international prizes as an author. Thus, the USA as the center of her life is uncompromising and practically non-negotiable. That's okay and understandable.
This South Korea in the movie has a strong touch of Nora´s own prejudices. Apparently, she never emotionally processed or reflected her relationship to her country of origin. A deficit, which may also narrow down the perspective of the audience. Therefore, I would like to stand up for positive 'Korean merits', which only shine through subtly. In fact, though, they are formative for the characteristic poetic quality of the story. They come along in the person of Hae Sung. Thanks to him Nora can finally hold the key to her emotional freedom in her hands. (Whatever she may do with it now...) Thanks to Hae Sung (so to speak) she got her story and thus her tremendous success as a writer and director, too.
If you don't identify with Nora´s enthusiasm for the US so much, it might be easier to recognize those ´Korean merits´. Hae Sung actually embodies the opposite of what has settled in Nora's mind about South Korea. He stands for a new spirit among the digitalized young generation - even though he is an engineer. She, however, sees what she wants to see, reducing him to military service, close family ties, his clearly structured career and his reserved answers to her questions about marrying or rather not marrying his girlfriend.
Nora overlooks the fact that in his half-hearted answers about marital responsibility he carefully avoids generalizations so as not to overwhelm her with his feelings for her. She overlooks the fact that Hae Sung is indeed the courageous creator of his own world, possibly facing life even more creatively and openly than she dares herself. He chooses to study abroad in China because he wants to learn the language and because it may suit his career, too. He is ambitiously following his career plans, just like she does. Nevertheless, he is open to life´s challenges and ready to completely turn everything upside down. He is actively dealing with what is going on between the two. He prefers not to go for a logical, reasonable marriage. Instead, he takes what his heart tells him, seriously. He wants to sincerely check it out. This makes him vulnerable, too. Actually it was him, who originally went looking for Nora. With courageous creativity he took the chances life had to offer in his own hands. From a practical point of view, HE thought creatively and acted courageously. Nora on the other hand was the one, who, to a certain extent, simply unwinds her program without looking to the left or right.
Back then, when she left South Korea, she just put her feelings away, came up with a new name, learned the new language and left her best friend (and Korea) behind like an old toy. Since then her feelings for her old homeland only slumber unconsciously in her dreams. In her life, which is highly concentrated on her career as an artist, her past and origins have not been given the place they deserve. Hae Sung has to come first to open the door to that forgotten dungeon of her heart.
Still, we don't know whether Nora was able to take the 'little one' in herself by the healing hand - the 12-year-old Na Young, whom she had left alone in the past. All we know is that Hae Sung gave her a chance to reconcile with her roots and a hidden, almost forgotten part of herself. His great service of love was: not forgetting her, not giving up on her; looking out for her; meeting her, too; recognizing her for who she is; reminding her of something else, that she had almost forgotten; and finally letting her be - in an understanding, loving, respectful, ´Korean´ manner. Even if it hurts.
Actually, being himself, he represented another powerful aspect of South Korea, that Nora had so far not realized as such: A finely nuanced, rather emotionally dominated and yet respectful attitude towards life. This in contrast to a rather dichotomously shaped - black/white, good/bad, yes/no -, rather reasonable approach towards life, as it radiates from her 'North America'-concept.
At the heart of "Past Lives" is the probing of the protagonists' feelings for each other. What are those feelings supposed to be? Platonic maybe? Or more than that? And of course the story lives from the attraction of 'What if?'. This careful scanning of a space of potentiality is processed aesthetically cultivated, and stylishly. Respectfully too. Finally there are tears. ´Past Lives´ it is… However, the striking poetic aspect of this story is only made possible (in my opinion) by this very South Korean Hae Sung, who is not afraid to meet the multilayered complexity of emotional depth, confusing affection and difficult challenges in life, and (!) who is also not afraid to back off in respect to a larger context either. Thus he eventually even provided her on the silver platter of his heart with the so much longed for international artistic success...
PS:
Must be the 'In-yeon' they keep talking about throughout the movie...
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SIDE NOTE:
In-yeon = a fateful, karmic relationship
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