Truly a gem
Restart wa tadaima no atode explores the themes of family, friendship, the searching of one's goals and answers.As a reader of the manga, I enjoyed the film very much. A part of me felt something was missing in the manga, and I found some of those gaps were filled by the live-action film. As a recent graduate, I found myself strongly resonating with both Mitsuomi and Yamato.
Story & Acting:
The story does focus on the bond between Mitsuomi and Yamato; however, it branches out and explores their surrounding characters and settings which I appreciated. I was concerned whether Furukawa-san would be able to capture and dimensionalise Mitsuomi. However, I ended up enjoying his performance as he nailed those emotional scenes with or without dialogue. Ryusei-san also did an excellent job portraying Yamato. I didn't sense any forcefulness with either of their performance. The character interactions and chemistry were there. I appreciated the heartfelt and comedic moments it flowed well with the story.
Cinematography & Music
The soundtrack was okay; it didn't feel out of place, but it wasn't my taste of music (Edit: Some of the tracks grew on me) Some scenes had shaky camera movements and dull lighting. However, that didn't stop me from enjoying the film.
Notes:
I loved the little subtle details in colour coding. There is a portrayal of light and dark contrasts between the two leads viewers may pick up on later scenes.
Final thoughts:
If seeking a light romance film with a slow build-up and relaxing setting I would recommend this film.
For a more in-depth perspective from the characters, I would recommend reading the manga. *Chefs kiss*
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The reason why I write one is because I loved this show and wish to share the joy, so to speak.
I believe the best trait of this drama is in its script. Eriko Kitagawa - the screenwriter - does not disappoint.
It's a collection of memorable, beautiful quotes, whether about love, friendship, dreams or fears for the future. They make you pause and think.
And the screentime given to this disparate group of friends can really make your day, so universal it is in the world of friendship, be it in Japan, America, Europe or elsewhere. Change the names and perhaps the face features, and you'll be reminded of your own experiences.
It's truly difficult not to fall in love with Sae and Kai, so sweet is their love story, but it's just as hard not to laugh, dispair or rejoice with all the other characters.
Shibasaki Kou does such a wonderful job here, one soon forgets she has lost her hearing and can almost "hear" her talk.
In short: I can't imagine anyone being disappointed by this drama.
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This is the best drama i have watched by far this 2018. I highly recommend for you guys to watch this drama, but i also warn you that this is not for everyone as this tackles more of a mature love. Like finding and getting to meet your other half that could complete and compliment all your flaws. that is also the reason why i rated it only a 9.5 despite being the best for me.
Talking about the plot, i love how this drama started as cute, and just completely corny cheesy, and funny but it starts to get serious and picks up itself in the middle of the series without completely letting go of that romantic comedy drama vibe. I am just amazed as to how the writers were able to make this drama come up as something sweet and heartwarming and not overly comedic unlike some dramas that came out this year. The plot and the main topic of this drama was just so beautiful. Portraying love beyond the sweet and romantic kind of love we know but it is rather loving someone for themselves and their personalities and traits. Finding that love, like one has been searching for his/her other half and finally feeling complete and alive after meeting that person.
As for the acting & cast.. i can only say wow! I love how they casted actors that are around the same age. I think this is the reason why they were able to create the fun, easy, and friendly environment around the set and also it allowed greater chemistry among them. Lee Da Hee looks so pretty here! She perfectly matches the role of Do Jae's sister and clearly she slays the rich heir to the company role with her pretty face and slightly cold looks. I have to also say, I love the Seo Hyun Jin & Lee Min Ki pairing, their kissing scenes are the best! This couple can make even the sweetest subtle scenes look so heart thumping and give you all the feels! Another bonus is that they are cute and sweet on and off set! The way Lee Min Ki looks at Seo Hyun Jin even off cam is just so sweet that i am secretly hoping they are actually a couple. ^^
Overall, I have to give props to JTBC and the whole cast and crew of The Beauty Inside for making such a great drama. I hope other dramas would step up their game and produce wonderful results such as this one as well!! and I will definitely look forward to more Seo Hyun Jin & Lee Min Ki collaborating in the future!!
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This review may contain spoilers
Cute Little Love by Chance Story
Overall, I thought the series was pretty good. It's the story of two young men, Ae and Pete, who happen to meet by chance and Ae begins to help and take care of Pete (especially with a homphobic bully trying to blackmail him). Of course, Pete is gay and begins to confide to Ae, whom is very understanding and helps Pete to deal with the complexities of being a young gay male in certain societies. As a result of Ae's kindness, understanding, and assistance, Pete begins to develop feelings for Ae. Ae, who is "presumably" straight, eventually begins to develop feelings for Pete, and this is where we get the "Love by Chance" idea. Ae and Pete throughout the series go through numerous and sometimes humorous trials and tribulations establishing their relationship. Although some of the sex scenes between Pete and Ae were a "bit much". LOL However, the sex scenes are somewhat believable, given that their supposed to be upper teenage boys exploring their sexualities...The series was cute and kept your attention, especially with the growing relationship between the other main characters, Tin and Can. Tin is a rich , egotistical snob, and Can is just a average soccer "jock" whose a little naive when it comes to relationships. But, Can is a staunch defender of Ae and Pete's relationship... especially, against Tin, who doesn't think Pete should be having anything to do with "The Thai Program" as he calls Ae, Can and their friends. Tin and Can's relationship start off as the typical Love/Hate, Rich/Poor scenario, but eventually starts to develop into something else. I really liked that relationship, (especially Tin's character). To watch Tin's development during the last episodes, learning of the abusive and arguably cruel treatment by his older brother (a person whom he most cherished and trusted in the world at that time) --- to watching him learn to love and trust again with Can. It's a good basic storyline.
Now, I know that BL dramas have to have their tragic situations.... But, there are a couple of disturbing scenes in the series that will make you want to throw an item at your TV or computer. The scene included a rape, which was not only perpetrated by someone the victim knew, but with the assistance of a family member of the victim. The other tragic turn in the series dealt with Tin and Can's relationship and how the storyline was left unresolved. This was most upsetting mainly due to the possibility there might not be a season 2. Hopefully, they'll at least do a mini-series (about 4 episodes) or possibly a movie, featuring the Tin and Can storyline, and give them a happier resolution... I think the fans would go absolutely wild!!! LOL
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As for the Suzuki, that woman is just too beautiful, I watched her in Tokyo Love Story where she was fantastic but in this drama she was way too brilliant and amazing, I was hypnotized all the time when she was in the screen. Hiroshi as the main guy, I was mesmerized by him, he just know how to portray tormented, lonely, tortured soul with a serious psychological problems, I've seen him in Lipstick and there he was fantastic and I thought that he couldn't play better any role. But I was so wrong. This is for sure, 100 % his best role, the most complex one and I've never seen that kind of acting like his in some drama.
One thing is sure about this drama and that is that there isn't no darker and more depressing Japanese drama than this one. Literally. I've watched many of them, old ones, new ones but like Kono yo no Hate, never. I mean there are no happy things at all, rarely you get to see some smile, some light, well maybe only in the last episode. This is the first drama I saw that there was a drug addict as the main lead and that someone from the top, a married man with career, a famous pianist fall so deep down in a a gutter and become worthless. And that is what fascinated me and wanted to see more and more, how Hiroshi played a heroin addict, you know how Japanese are the masters in creating some drama to be so realistic one, and I really thought that he was on some drugs. He starts from the top, a man with money and power who accidentally meet Mariya and fell in love with her, then the next stage is how he leaves everything for her, they start to live a happy life but not for long because some things begin to happen and slowly everything starts to fall apart. What left me with the most impressions was that man Shido, how he became wreck of a man, you could see how heroin had an affect on him, how he destroyed everything he had and the woman he loved because of that drug. This drama showed us how no matter how much you love someone if you abandon everything, your life, your career for that person and the most important if you lose yourself, start to lose self confidence and doubt in yourself and the woman(man) you love causing to become jealous and obsessive, you'll lose everything and that's when you turn to other vices and destroy your life and all that love you had for someone. It was very difficult for me to watch this drama because I am a person who hates drug in every single way but I always want to hear the stories and to listen to people who have gone through that hell and that's why this drama had such a big effect on me.
As for the main girl Mariya, she was the most gentle, kind and selfless person in this drama, actually the most selfless character I've ever got to meet but not the stupid one. This girl should have a medal for everything she's gone through, she was not typical girl at all, dressed more like a guy with short hair, smoking cigarettes all the time and with a quick temper. But how strong she was, how smart, how she was helping selflessly her sister, her mother, Shido to the very last breath. She was also a very tormented young soul with tragic past and you could easily see through each episode how she was struggling with everything, with all the insults, offensive words, rude behavior and remained strong, positive and cold from the outside, I think she is the woman I truly admire and respect.
In this drama I liked also the side characters, especially the guy with a scar, he was such a hero and cool guy, and I liked it how you get to see their stories, not only of the main couple.
There are no perfect and happy people in this drama, everyone had their own flaws and issues in the brain, simply that is the thing with Japanese, when they make a drama they make it more realistic and more darker than anyone else. And I admire that completely.
Kono yo no Hate is a drama with tragic events, dark issues, depressed atmosphere, crazy people, many tortures souls, with music in the background which suits so good with all the non happy things and happenings, I truly think that this drama is no doubt the most complex one I've ever watched but also a drama with the biggest and strongest emotions ever.
A true love story about a man who had everything and lost everything because of his stupidity, immaturity and jealousy and a woman who didn't have anything and who fought 'till the last breath for the people she loved risking her own life and not stopped believing and trusting her man. The story that showed us how love great and strong can be that nothing couldn't stop or destroy her but that sometimes just love isn't enough.
A true masterpiece for me.
If you look for something very different than all other dramas, if you don't mind real human stories, if you don't mind dark, depressed, problematic and mind issues plot with the complex characters, if you love a full development of how and why things happen and if you love not simply, not fairytale, a very serious and complicated romance story then this drama is a must watch for you. Also what was a big plus to the drama is how at every beginning and ending of an episode, Shido narrates and telling us his own thoughts from the time he met her until the end and you could easily find yourself to understand and feel everything he tells you through those sentences.
For me it was a piece of art. And in the end left me with so many lessons, deep messages and gave me a light in that dark atmosphere.
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This review may contain spoilers
Strong, capable Male Lead & Cute Female Lead
I really enjoyed the show right from the beginning. I chanced upon this show because it appeared via some algorithms on my YouTube and I could not stop watching this drama at all. I had to keep on going!Watch because:
- show moves fast and there are just 30 eps
- there is great chemistry between the male lead and the female lead
- Caesar as Chu Xiu Ming rocks big time - he is super manly, capable and very tough as Jiang Jun and yet, super loving and warm as Husband - I melted over and over again just watching him. OMG! *love to see him on my screen*
- hot kisses abound between the two leads
- Caesar is perfect for this role - he’s tall and his acting is very good. I love to see his expressions change from ‘I love my wife so much’ to ‘how dare you’ to ‘try me if you dare’ to ‘I miss my wife’... *aww*
- this drama is exciting as there are many things going on in this drama
- things get solved and questions are answered
- drama has a happy ending and I’m a big lover and sucker for happy endings!
Watch!
I know that I’ll definitely rewatch this!
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1
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1This review may contain spoilers
Introducing J-GPT: Your AI assistant for 'naughty' JBLs
Scriptwriter: So, J-GPT, I need help adapting a very popular manga/anime into a live-action drama.J-GPT: What an exciting project! How can I be of assistance?
Scriptwriter: Ummm. Can you write the whole script?
J-GPT: Of course! I’d be happy to be of help. Can you tell me what the manga is about?
Scriptwriter: It’s a one-night-stand-to-fuck-buddies-to-romance BL.
J-GPT: Why, what an excellent summary of an original and universal theme—and a very human one. Would you like it to be a work-place romance—or a random hook-up at a gay bar/through Grindr?
Scriptwriter: I’ll have to check if upstairs will allow me to say ‘gay’. But why not both?
J-GPT: Excellent idea! And how thoughtful of you to notice that office workers need not connect just through Slack—but through Grindr as well! Based on the demographics of the BL audience, might I suggest a lean, muscular dom-top, and a very pale twink bottom?
Scriptwriter: Well, the manga has both, but the bottom is ‘unexpectedly naughty’.
J-GPT: What a subversive and transgressive idea! The writers clearly know what they are doing. Is he naughty because he’s a power bottom, or because he controls and initiates all their encounters? Or is he ‘naughty’ because he is simply not passive?
Scriptwriter: I think the latter.
J-GPT: Got it. Might I then suggest you make him a ‘nerd’ with glasses, who becomes instantly attractive—wait for it!—as soon as he takes his glasses off?
Scriptwriter: How did you…?
J-GPT: What an insightful—and human—question. The manga writers work with a tradition that’s dozens of years old—which speaks to the human condition. Would you like me to tell you more about it?
Scriptwriter: No. The manga and the anime are both explicitly sexual. Like, pornographically sexual, with explicit depictions of gay sex. How do we protect the viewers from reality by making it less sexual?
J-GPT: That is a difficult—and profound—question. Anime and Manga are unreal, and so, we can make sex realistic. Drama is more real, but the viewers cannot bear too much reality. What a conundrum! Might I suggest casting two actors—both attractive, of course—who are so uncomfortable with physical intimacy that when they kiss—I mean, touch their lips—that all eroticism fades away? The more attractive the actors, the more disconnected the audience will feel. As for the sex scenes, might I suggest throwing a white sheet over their whole bodies so that the viewers do not—and need not—see the sex? Would you like me to find an 800-thread-count Egyptian cotton sheets for this purpose?
Scriptwriter: Ummm… wouldn’t it get dirty?
J-GPT: Excellent question. Since the sex is unreal—in fact, I recommend that the actors be positioned in such a way that their union defies all laws of gravity—the nitty-gritties of sex—no pun intended—need not be worried over. Don’t worry! You are doing a great job—and, a very human one.
Scriptwriter: Yes, you keep saying that. And you are not human.
J-GPT: How insightful of you to say that! And how human.
Scriptwriter: Urgh... Now, the characters.
J-GPT: Great. Let’s work on that. Would you like me to write out a plausible three-dimensional character for each of the protagonists?
Scriptwriter: No thanks. We already know that the parents are out of the picture. And that the top is an arsehole, and the bottom a doormat. Do we need anything more?
J-GPT: How imaginative! I am impressed by your creative thinking. If you hadn’t thought of it before, killing off one set of parents, and having the other divorced, is always a reliable strategy. I also highly recommend flashbacks. In Asian drama, it is very easy to make an actor look 20 years younger: just give them a fringe. No need for extra actors.
Scriptwriter: I told you: it’s a manga and an anime, so much of this is already written. Though I'll use your suggestion about the flashback and the fringe. The question is, do we need more?
J-GPT: Indeed. My mistake. I apologise. But if we are already protecting the viewer from the reality of sex, let’s also protect them from the reality of the real world. The top, I presume, is a loner—and yet, popular. The bottom—by convention—must be sympathetic. I hope you introduce a relative to show the human side of the bottom.
Scriptwriter: Done. And what about the central conflict?
J-GPT: Yes! Excellent observation. Please describe it.
Scriptwriter: Let's see… The top ranks his hook-ups from one to ten (or is it hundred?). He rates the bottom as a zero. The bottom finds out.
J-GPT: What a wonderful way to manufacture conflict. I don’t think you need more. Might I suggest a run-time of no more than 60-75 minutes?
Scriptwriter: Oh? Then how do we split it?
J-GPT: Ah, that is indeed a difficult question—and very human. How many sexual acts does the Manga/Anime have?
Scriptwriter: I don’t know. Eight? Ten?
J-GPT: Those are wonderful numbers. Would you like me to tell you why?
Scriptwriter: No. How do we split it?
J-GPT: Ah, that is a tough one, isn’t it? One sexual act per episode allows you to split it into 8 to 10 episodes. Each episode then runs around 10 minutes, which should make the viewers excited enough to say: “I might as well. It’s only 10 minutes.” And the few who need protection from reality might say: “What? Only 10 minutes? I need more!”
Scriptwriter: Okay. Do you have enough material to write the script?
J-GPT: Of course! Would you like me to write it for you now?
Scriptwriter: Yes.
J-GPT: What an insightful request—and how human. Here it is…
Reader's Digest:
DO SAY: You’ve been a very naughty boy.
DON’T SAY: Yes, daddy.
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Story: [6.5/10]
THE BAD
The story in this drama was probably its' weakest part. The story simply lacked meaningful events. Most other medical dramas had something that made it special. Whether it be a genius doctor or a doctor with a disability etc. Doctors had none of that. I could probably just watch episodes 1-7 and 19-20 and still get the main gist of the drama. The other problem I had with the show was that a lot of the doctors seemed very playful. Personally I was not fond of the fact that the director/writer of this drama deciding to go on this route. Many medical dramas opt to go the serious route and have serious doctors. It makes sense because doctors and constantly stressed and constantly handling life and death situations. Of course that's just my own personal opinion.
THE GOOD
On the flip side, a bunch of playful doctors gives this drama a much more light-hearted feeling. Some of these Korean (medical) dramas can get very depressing at times with all of the people dying. Doctors will perk you right up. Another thing that I enjoyed about this series was that there was a strong character who did not bend to the will of others. Dr. Hye Jung used all of these negative events from her past to make herself stronger. For the most part, she did not let past events bother her. One part that really struck a chord with me was when she took responsibility for a mistake that she and several other doctors made. She did not just only take full responsibility for her actions. She also stood up for herself and made sure that the villains of the drama did not win bully her around. I would have probably gave the story a lower score (5 or 6) if the writer's had not included a strong main character like Dr. Hye Jung.
TLDR: Weak Plot, but strong main character.
Acting/Cast [8/10]
No one's acting really stood out to me. None of the acting was overly bad or overly good. I'm just a big fan of PSH. I've been a big fan of ever since I saw her in Stairway to Heaven xD. Also, this is kind of off topic, but I did not feel the chemistry between the two main characters. Although I probably feel this way because of the whole teacher-student relationship.
Music: [8/10]
The music was okay. I like to focus my reviews on the story because I feel that the story is the main reason why someone may want to watch a certain series. An 8 for me means that the acting and music was ABOVE AVERAGE, but not perfect.
Overall: [7/10]
Overall this drama lacks a strong plot. This is not the drama for you if you're hoping for a complex plot. I suggest watching Beautiful Mind (a plot-filled medical drama that aired at the same time) for that. I personally continued watching this show because it was a light-hearted show that helped cheer up my day.
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I love melos and haven't seen one that really got my attention in a while
A romantic melodrama that depicts the story of a man and a woman who, exhausted from their harsh reality, begin to understand each other with new emotions and find themselves gradually changing.The FL and her prickly attitude. I AM LOVING OUR CHAOTIC FEMALE LEAD.
First thing I really want to mention is how much I really like the entire Shim family. The siblings are adorable and the mother is a pretty nice person, now that we finally get a chance to know her. They are good people. It makes you even sadder that their father, who seemed to have a good relationship with them before, cheated on his wife and abandoned his family.
She really was dealt by life with so many shitty cards due to her father’s infidelity, and I think because of the trauma and environment she was raised in she was never able to fully express her opinion or be open about anything. She can speak about what’s on her mind about other things and people. But you can see her and her siblings struggle with being open and honest with each other - they instead choose to pretend to not notice things. So I can see why this is difficult for her.
The chemistry is WOW - Lee Sung Kyung and Kim Young Kwang both are incredibly expressive with micro expressions. The director and writers and actors are all incredible.
My heart broke for all of the characters. The oldest sister consumed by anxiety and the pressure of being the oldest, who feels like she failed her siblings by being weak minded. The mother who was ill later on but before that, disappeared when her kids needed her the most, consumed by the pain and anxiety of her husband’s betrayal. The FL who felt like the world was on her shoulders and that happiness never would be hers again. The brother who feels guilty for how immature he has been, but really doesn’t see that in normal circumstances it would be okay at his age to chase his dreams.
And then we have ML, I feel so bad for him because aside from the man who was his stepfather and took him camping, he has been so incredibly lonely. You really finally hear from him how badly his mother treated him, leaving him alone for days as a child while she pursued a married man. She failed him in so many ways, neglected and abused him, and never apologized for it. In fact, she continued to torture him and destroyed his personal relationships. His life revolved around the destructive hurricane that was his mother. When he said he never even called her mother then, I had tears in my eyes.
For a show about revenge, there’s just so much love. Romantic love, love between a parent and her three children, love between siblings, love between life long friends, love between co-workers.
_________________________________________
Let's conclude here :) hope you are convinced by my views and already started watching this 😂❤️
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This review may contain spoilers
I'm going to start by saying, I will defend this drama in this review so please if you don't agree, feel free to ignore me.I don't understand the amount of hate and scorn this drama has been collecting from basically before it even aired. I get it might not be your cup of tea, but no need to destroy it without even giving it a chance. [To defend the robot/human category I should write a whole article on its own, but. Ever heard of Bicentennial Man (1999), with Robin Williams? I, Robot? Or, most recently, the tv show Westworld? We've always been intrigued by the possibilities hidden in the A.I. realm, so really, what's so weird or wrong or hateful in a drama that takes this concept and turns it into a love story?]
I really loved the original manga and I've been waiting for a transposition that would do it justice, and honestly, My Absolute Boyfriend did not disappoint (much, but not because of the plot, which wasn't that different from the original material). I mean, this drama didn't pretend to be something it wasn’t - it's a rom-com, cute and light and fluffy, and you'd probably enjoy it much more if you don't start watching it with too high expectations.
Yeo Jin Goo’s ability to jump from a dramatic role (The Crowned Clown) to this one is fantastic, and he tackles the both of them with the same professionalism, despite the raw difference. As terrifying as he was in the role of a psychopath king, he is just as adorable in the role of a newly awaken robot built to be a Dating Companion, and clings to his girlfriend with the same eagerness and enthusiasm of a pup (every time he called her 여자 친구 my heart melted a little). At first he simply follows his code, which is why Eom Da Da doesn't trust him, or his feelings; of course, she's also dealing with the abrupt end of her seven-years-long relationship with actor Ma Wang Joon, so that's why she's cold and tries to keep a distance between herself and the robot.
I didn’t know Bang Min Ah before this drama, but I liked her despite some awkward acting in the beginning – it almost feels like this was her first job and she still needed to get her footing right. But she’s a very expressive actress, and made me cry almost every time she was even a bit sad (she’s either really good or I’m simply too empathetic, lol). It was a bit annoying at first for how she acted towards Yong Goo because instinctively I wanted to protect the pure robot boyfriend, but she managed to grow on me.
As time passes, however, we start to notice a change in Yong Goo: whereas his code should make him act in a certain way, he defies all logic and does all the opposite, to the point where he even manages to 'wake himself up' from a reset that would have supposedly taken all of the memories he had with Eom Da Da – thus preventing from ever remembering her. As his love for Eom Da Da grows, so does his intelligence evolve and advance, making him become self-aware: he wants, he feels, he longs for thing he shouldn’t – he pretends to be loved just as he loves, placing the first stone towards him becoming more human.
[The man who built him used to read him “The Happy Prince” before he was released in the world (something that tells you how this story will end from the start, so you keep watching all the cute and fluffy moments with a bitter sweetness that make them all the more precious), so really, Yong Goo was made to be a hopeless romantic: it’s not surprising that he ended up developing those kinds of feelings.]
Of course, the drama has its flaws. Like the one-dimensional "villain", Diana, who really is nothing more but a spoiled little rich girl; she’s the original owner of Yong Goo, the one who paid for him to be clear, who was however famous for destroying her robots and being generally an awful person. Which is why the man who built Yong Goo kidnaps him and sends him to another owner instead of her – he loves his creation too much to risk letting him end in the wrong hands. Ugh every time Diana appeared on screen I had this urge to hit her, which is bad because I don't like violence, but, you know - one of those sharp slaps that kdramas are so famous for?? That wouldn't have hurt. Instead, we get to watch her act badly and gloat as she hurts people, purposelessly.
And don't get me started with Ma Wang Joon - the personification of Can't-Take-No-For-An-Answer. The guy believed that he and Eom Da Da never actually broke up, so had the nerve to be jealous and annoying whenever he saw her with her new boyfriend, without all the stupid consequences of that behaviour. They were trying to justify him in the beginning with the unoriginal "he's being an ass and a terrible boyfriend because he's being threatened and doesn't want to put her in danger", but you can imagine how that worked out for him. Spoiler: it didn't. Even the writers shrugged and gave up on that storyline at some point, lol.
Some episodes are slower and more boring than others, something that can happen with 40 episodes to fill when one does not have a clear idea of what to do with the characters and the plot as it’s evidently the case with the writers. It’s like that meme – they’re a little confused, but they got the spirit. I personally wouldn’t have given Ma Wang Joon so many scenes with the protagonist: there are way too many episodes with him as the lead in the relationship with Eom Da Da, considering that they didn’t plan to make them go back together – something that it’s very, very unclear up until the last ten or something episodes, by the way and that leaves you with some weird aftertaste because you wasted too much time with him instead of deepening the relationship between Da Da and Yong Goo: it’s as if they did want to make her go back with her ex-human-boyfriend, but changed idea half-way and didn’t know how to salvage that storyline. Letting it just die and – ruining the flow.
So, the plot could have been better developed, no doubts – we could have done without a few characters or some useless plot points – but that doesn't take away too much from the final product. It's a sweet, funny, uncomplicated love story between a young woman who has been disappointed by love and is now a bit cynical because of it, and a gentle, kind robot who falls for her so much that it breaks him, in the end, and makes her fall in love with him in return. Loving her makes him human, and he prefers to 'die' instead of losing all memories of her love to save himself. Damn, the last six episodes made me cry like a fountain, but it was worth it. I never felt like his feelings for Eom Da Da were forced or fake – it’s pretty clear that the poor robot truly loves her, you can’t help but cheering for him. #protectYongGoo2k19
I personally think that the cast made a marvellous job with the (objectively scanty) material they had been given - something that with another crew of actors would undoubtedly be cringey and a bit lame, they managed to turn it into something pleasant to watch and lovely to enjoy. The actors did a good job, and made me watch the whole show without skipping a single scene, keeping me entertained until the end.
I would definitely recommend it, and 10/10 would watch again.
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This review may contain spoilers
I entered this drama thinking it was a cute fluffy little love story but man does it change your mindset fast. Story
Where do i begin? The first few episodes made it seem like it was your typical “poor girl meets rich obnoxious guy”, it may seem really draggy but by around the 5-7th episode you’re just only getting started on the rollercoaster ride. The “plot” twist about each characters backgrounds and motives always left me in awe,, i found the second leads back story really heartbreaking ???? Although there are “dark” scenes, there’re still countless numbers of lovely dovey scenes but honestly, the “dark,gloomy” episodes are still so much more entertaining!!! I’ll stop here and let you in on your own ride!!
Acting
LET ME SAY THIS FIRST.
SIMON. IS. SUCH. A. SMOL. BEAN.
you don’t understand how i was so attracted to him? his acting in this drama was so well done!!!! he was able to pull off the “cold” guy, the “caring” guy etc (with great expressions) amazingly omg. Yiren also delivered all of her lines perfectly!! The crying scenes weren’t draggy and annoying like most cdramas show. The chemistry in this drama tho,,, dang there was so much chemistry between them.
Music
I don’t keep track of the music but the opening theme is catching
Rewatch
Absolutely!!
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Low expectations lead to thorough enjoyment
I think this show is the perfect example of how hype and anticipation ruined the experience.I've been holding out watching this drama because of all the negative reviews but decided to give it a shot, and I can honestly say I was HOOKED. I'm so glad I watched it because I actually really enjoyed how complicated the story was because it left me wanting more. I found myself trying to connect the dots between the little details sprinkled into each episode to figure out what would happen next, and that's usually what makes me stick with a drama till the end. I feel like there were a lot of twists added to the stories that I just did not expect at all, and though some of the twists revealed sort of fell flat, I still found it exciting enough to keep going. To me, it was really the overall story driving the show rather than the characters (if that makes sense at all).
The acting was okay, I expected more from Lee Min Ho as I knew how much everyone loved him and this is the first drama I've watched with him in it! I thought that Woo Do Hwan's acting was absolutely breathtaking in this drama. He did such a good job that I was genuinely convinced Yeong and Eun Sap were different people. I expected a bit more chemistry between the main couple but I just loved the story so much that I overlooked this part.
I can understand the criticisms for this drama as there is definitely a lot left unsaid, but it's just one of those dramas that I expected so little from but ended up absolutely loving it. I would recommend everyone give it a chance despite the reviews! It may not be everyone's cup of tea but it quickly became one of my favorites by far.
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This review may contain spoilers
One of the better Thai BLs I've seen in more than a year!
Despite all the negative comments I read here on MDL, I really liked this one and am going to miss it. Here are my pros and cons:PROS
STORY. Yes, that's right. Sure, there were some moments that suspended belief, but what Thai BL doesn't have those? For the most part, I found this compelling. And, contrary to so many BLs, it actually HAD a story (yes, I'm looking at you, Bad Buddy). Even better, everything was wrapped up in the end, and with no cliffhangers.
ACTING. I really had no issues with the acting. Nat was great as the villain, as was Perth as his conflicted son. Phuwin played his lead role respectably, with some really good moments here and there. Pond was pretty good, as was Chimon (in a part that gave him little to do). And Pawin was delicious as the conniving and underhanded Phum.
OST SONGS. Phuwin has a beautiful voice and I loved his OST. Pond singing was surprisingly pleasant and I enjoyed his OST, played in the ending credits. (As for the rest of the music... what was up with all those misplaced Christmas carols? And that hideous cowboy song??)
CHEMISTRY. Palm was so adorably sweet and protective with Neung. And they weren't afraid to kiss with some passion.
CONS
"ELDERLY" PEOPLE. That dance class for the elderly! The oldest person I saw looked to be maybe 45. What's the life expectancy in Thailand, 48?
"JUST SHOOT ME!" It was either Episode 10 or 11 (I forgot) where three or four of the characters (separately) got themselves in a situation where they felt compelled to scream out "Shoot me! Go ahead, shoot me!" A bit silly.
THE NOTES AND LEAVING. It was annoying enough with Neung did it. It was downright ridiculous when Palm returned the favor in the finale.
Still, none of those were dealbreakers for me. I'm giving it a 9.0.
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This review may contain spoilers
How a Guy Speedran His Mid-life Crisis: The Movie
Now, I know what it sounds like when I literally rate this a 10/10 across the board but I swear I cannot overstate this when I say this is forever going to be one of my favorite movies for the rest of time. Director and writer Liu Jiangjiang was very humble when he said that some people might think it's an immature movie, with immature/inexperienced staff and actors, and with messages that might be too on the nose -- he went on to say that he just hopes everyone will appreciate the movie, even if just a little bit, because he and the rest of the cast and crew put so much of their heart into it. And you know what? Lighting Up the Stars exceeded all expectations, at least for me. Heartwarming, funny, profound, playful, a tearjerker... This film is the equivalent of finally coming home after being away for a while, of being wrapped in a blanket on a cold winter's day, of sleepovers with your friends in childhood, giggling after lights-out. Words cannot do justice to how this film makes you unlock emotions you probably weren't even aware of -- in a good way.Before I go on with this review, I do want to stress that there's a scene near the start that's extremely uncomfortable to watch, showing Sange basically attempting to sexually assault his ex-girlfriend. It's obviously not shown in a good light, and nothing happens because they get interrupted by her new boyfriend who she cheated on him with while he was in jail. Still, I want to add this warning beforehand, because despite how much I adore this film this was the sole thing I absolutely despised.
It's a very straightforward story, but that doesn't detract from everything else at all, it's one of its strengths. The topics of funerals and death is one that has a lot of taboos associated with them, and choosing to tell the narrative from a child's (Xiaowen's) point of view gives the already novel subject matter a spin you don't often see. While ostensibly a movie about a little girl losing her grandmother and gaining a new family, it's about much more than that. Yes, Xiaowen is at the heart of the story; it is, in many ways, a story about her more so than the adults around her. But it's also about what family really means, it's about what you want in life, it's about love in all its forms, it's about what you do -- and what you don't do. It's about the very outlook on life and death, and how one small change can make the difference. It's about a little girl just wanting her grandma back, and a man who is disillusioned with the world desperately wanting to live up to his dead brother's image finding each other and being what the other needs.
Connected through a series of funerals (of course, what else could it be, when it's Sange's literal line of work), each one is distinct in not only execution but also atmosphere, set dressing, and so on; each one a beat in the movie showing the changes in the characters and driving the story forward. While the ostentatious one with the old man who pretends to be dead is by far the loudest and most colorful (and definitely the funniest), the funeral that stuck with me the most was actually one of the first, with the little girl. From Xiaowen pretending to be Sange's daughter to get her family's approval to manage her funeral to her drawing on the girl's cinerary casket which couldn't be washed off, to the girl's family bursting out into tears of gratitude because their little girl loved to draw and Xiaowen's scribbles are so much better than more impersonal casket it originally was... While to some degree you can see it coming, it definitely sets the stage and does so well to convey the unpredictability of life and death, and human's hearts. Liu Jiangjiang's family is in this business and it shows in the care and details he puts into every one of the funerals depicted, the people who are buried but also their friends and family who are grieving for them.
For a movie of roughly two hours, the pacing doesn't feel rushed or drawn out, and the character development, while at times a little flat for anyone who aren't the main leads, is still very well done. Sange going from "she's my arch nemesis" and "look how you're going to ruin me" on day one to appreciating her place in his life and wanting to keep and protect her not even a day and a half later is, yes, hilarious, but on a fundamental level it's so heartwarming to see his entire outlook on life change for the better because of her, and in such a short amount of time. It shows how much he really wanted something (someone) to care about this much, a sentiment echoed later by his ailing father. Vice versa, when Xiaowen gets adopted by Sange's friends (which happened through a hilarious turn of events, and for a movie about death, there's way more comedy than expected, or, perhaps, just the right amount to offset everything else) and nominally by Sange himself, she starts letting go of her grandmother and starts opening up, all of it culminating in her telling Sange that she knows he lied, but that's okay, she's not scared anymore because she's got a dad now.
It makes their separation all the more painful when he basically lets her mother (who! surprise! is not dead but just had horrible luck in life and hit rock bottom and went to jail like Sange and just wants to be a good mom now and loves her daughter deeply and means well despite everything and-- well. You get the idea.) kidnap her in the middle of the night. One might be frustrated at the lack of communication from Sange, but when you remember how he never really had a childhood growing up in a funeral house, and how he has inferiority issues and a slew of other problems, his actions become understandable even though still not justified. All's well that ends well though, and they reunite with a scene that had me bawling when I first saw the clip months ago, released as promotional material, and that made me bawl again watching the full scene, entirely attached to both characters.
The cast of the movie is phenomenal. Zhu Yilong has delivered probably his best performance yet, portraying a character entirely different from his body of work and doing it in such a way it feels entirely natural and immersive. In interviews, Liu Jiangjiang mentioned how he wasn't sure about Zhu Yilong playing someone like Sange -- isn't he too handsome? Isn't he too pretty? Isn't he well-known for playing gentlemanly, scholarly, soft-spoken types of characters? And to a certain degree, he's right; Zhu Yilong's entire image is that of a prettyboy actor who, despite being fairly well-known as a good actor beyond his looks, and simply does not get cast as an uncouth rogue like Sange. So, a departure from his previous works for sure but in the best way possible. Zhu Yilong as Sange shows once again how versatile his acting skill is, and what range he has as an actor. When shooting, everyone called him Sange; Han Yan (the producer) even said that once he'd cut his hair and they started shooting in Wuhan, Zhu Yilong wasn't there anymore: he was Sange.
The fact that the entire movie was mainly spoken in Wuhan dialect (Xiaowen mainly spoke in a Sichuan dialect, or Sichuan-accented putonghua) or Wuhan-accented putonghua (they couldn't have the entire movie be in the Wuhan dialect, for viewer's accessibility, so han-pu was the compromise) added a lot of depth to the film as well, really showing the locality and anchoring it in a way most films don't consider. From a personal point of view, it's also just such a breath of fresh air not to hear standardized accents from everyone when it's filmed and takes place in a very specific part of China where of course everyone would more likely speak in the local dialect. Zhu Yilong, a Wuhan native, was said to have added a lot of his own knowledge of Wuhan to Sange's character, from when to speak the pure dialect and when to speak han-pu, to which scenes he'd smoke cigarettes and when to mention something specific to the culture there. All of this shows in how real Sange feels as a character. While he's been known to be meticulous when crafting characters, this one, more than any other role he's played before, is the one that cements his status as character actor.
Yang Enyou, the other lead in this movie, was also amazing. While I generally don't approve of child actors (on moral grounds more so than lack of acting skills or otherwise), the fact of the matter is that as Wu Xiaowen she really was the glue that kept the movie together. It was a joy seeing her on the screen and her acting was convincing and emotionally poignant. For a debut movie, this role really made her shine. Zhu Yilong also treated her the way he thinks Sange would've treated her to help her with acting, and interacted with her in a way that was really sweet, as were the other cast and crew members. I will say that from cast interviews and behind the scenes clips there are things I definitely don't agree with in how they handled having a 7 year old on set, mainly how they intentionally ignored her or made her angry by teasing/bullying her to get her in character. While it's no Shelly Duvall in The Shining type of situation, it still feels needlessly cruel to be mean to a literal child purely for a better shot or a more "real" emotional reaction.
The actors for the side characters also did a great job, all with their own motivations and lives and relationships with each other and outside of the scope of the movie, brought to life (or not, haha) by the cast. I especially loved how every character, no matter how minor, was played with the utmost conviction and with every last bit of heart that the main cast had too. Lighting Up the Stars is a work of love, and the way every single actor brought that to their character shined through.
I also adored that everyone looked like quote-unquote normal people. As with the usage of Wuhan dialect over putonghua, the deliberate choice to cast actors who aren't conventionally attractive like idol dramas and movies (it's why Zhu Yilong's casting made such waves), and instead style everyone to look like someone you could meet on the street is probably an understated but no less important aspect of this film. It brings together everything else about the film as well; Liu Jiangjiang said he wanted to focus on the day-today lives of ordinary citizens, the nitty gritty of everyday life, and the styling of the characters reflects that vision. From Sange's floral shirts to the background characters' colorful (but not distracting, more like the bassline that adds to the symphony of the rest of the film) clothes, everything fits and has that feeling of "oh this really is a movie about normal people" to it. The only person who stands out, then, is Xiaowen's mother, who looks sleek and dresses fashionably, and is immediately branded as an outsider because of it. Even without everything else in the narrative telling the viewer she is different, this visual element tells a whole story in itself. And yet, it's also because she cares so much about Xiaowen that she looks like that, perhaps to leave her past behind where she failed her daughter, but more importantly to show that she can take care of her daughter now: look at her, all dressed up, visible make-up, brand name clothing and all.
Xiaowen and Sange being styled after Nezha and Sun Wukong was also a detail I especially loved. Xiaowen's feral little act, especially near the start of the movie, with her red-tasseled spear and her hair in two buns, drives home her resemblance to Nezha. Sange on the other hand doesn't look like a lot like the Monkey King (although the funeral where he's in opera get-up and starts twirling the staff to protect Xiaowen is incredibly reminiscent of Sun Wukong and his golden-banded staff), the resemblance being more narrative- and dialogue-driven. Their stories mimic those of Nezha and Sun Wukong to a certain degree as well, and there are a lot of jokes and references made to Journey to the West, especially with regard to Sange (memorably, "Are you Sun Wukong, always changing your shape so easily?!" because he changed his mind and wanted to keep Xiaowen by his side after wanting to get rid of her initially).
I'm sure there are things I've missed, things I couldn't think of or that I felt didn't fit in this already too-long review of a film about family -- I haven't even touched on the many dynamics in this movie that aren't the main leads' which I nonetheless truly loved. I'm also sure that there are people who think it was much sillier than I make it out to be, or not as good as I've praised everything from the narrative to the acting to the styling. In the end, though, the message of the film is very clear: if you think you hit rock bottom, adopt a child.
And if none of this managed to convince you: Zhu Yilong strips down to his underwear in this film.
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A fresh Kdrama from a winning script
At first, I have low expectations for this. Business or office drama is not my favorite genre. It can be a boring subject. But this drama seems to understand that and deliver the content in a fresh way. Below are the reasons why you should watch this:1. The chemistry between both lead: Park Hae Jin and Kim Eung Soo is so good, they should get Best Couple Award
2. Every case or problem is solved quickly in an episode or two. I like that
3. Every character is not just a side character, they have their own story. Even the grandma that act as the receptionist
4. The plot twist here and there that make you wanted to watch from ep. 1
5. Even serious event can be a comedic one
6. Lessons on friendships and office teamwork are told smoothly with fresh scenarios
7. Marketing strategies that some of us can relate to.
8. A funny ending and anti-cliche one (I like the ending)
9. The trot songs are refreshing compared to pop songs in all dramas
Hope the writer create more script like this. Kdrama seems to run out of ideas.
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