Story: [6.5/10]
THE BAD
The story in this drama was probably its' weakest part. The story simply lacked meaningful events. Most other medical dramas had something that made it special. Whether it be a genius doctor or a doctor with a disability etc. Doctors had none of that. I could probably just watch episodes 1-7 and 19-20 and still get the main gist of the drama. The other problem I had with the show was that a lot of the doctors seemed very playful. Personally I was not fond of the fact that the director/writer of this drama deciding to go on this route. Many medical dramas opt to go the serious route and have serious doctors. It makes sense because doctors and constantly stressed and constantly handling life and death situations. Of course that's just my own personal opinion.
THE GOOD
On the flip side, a bunch of playful doctors gives this drama a much more light-hearted feeling. Some of these Korean (medical) dramas can get very depressing at times with all of the people dying. Doctors will perk you right up. Another thing that I enjoyed about this series was that there was a strong character who did not bend to the will of others. Dr. Hye Jung used all of these negative events from her past to make herself stronger. For the most part, she did not let past events bother her. One part that really struck a chord with me was when she took responsibility for a mistake that she and several other doctors made. She did not just only take full responsibility for her actions. She also stood up for herself and made sure that the villains of the drama did not win bully her around. I would have probably gave the story a lower score (5 or 6) if the writer's had not included a strong main character like Dr. Hye Jung.
TLDR: Weak Plot, but strong main character.
Acting/Cast [8/10]
No one's acting really stood out to me. None of the acting was overly bad or overly good. I'm just a big fan of PSH. I've been a big fan of ever since I saw her in Stairway to Heaven xD. Also, this is kind of off topic, but I did not feel the chemistry between the two main characters. Although I probably feel this way because of the whole teacher-student relationship.
Music: [8/10]
The music was okay. I like to focus my reviews on the story because I feel that the story is the main reason why someone may want to watch a certain series. An 8 for me means that the acting and music was ABOVE AVERAGE, but not perfect.
Overall: [7/10]
Overall this drama lacks a strong plot. This is not the drama for you if you're hoping for a complex plot. I suggest watching Beautiful Mind (a plot-filled medical drama that aired at the same time) for that. I personally continued watching this show because it was a light-hearted show that helped cheer up my day.
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This review may contain spoilers
Like dramas with contract marriages? Think this is the drama for you?YOU ARE WRONG.
STOP NOW.
DO NOT PRESS PLAY.
This is the strongest warning I can possibly give about a drama.
At the beginning, this drama had a lot of things happening that were ridiculous - and by that I mean silly, overblown makjang. To be honest, for the first few episodes, I kept watching just to see how ridiculous the plot could get.
Unfortunately, it's not the overwhelming list of silly that is the problem here.
List of silly:
Amnesia
Hypnosis
Drugging
Stalking
Cancer scares
Kidnapping.
And more...
The biggest problem with this drama is that it is a shocking apologia for domestic abuse of a particularly subtle and manipulative kind.
Cut it whichever way you want: Xia Lin's husband is almost sociopathic in his possessiveness. He controls her every move, manipulates her, gaslights her, tracks her, stalks her, lies to her, imprisons her. And worst of all, all of this is framed as evidence of his great epic love. It is not. This is not romantic, it is hugely disturbing and hugely wrong.
This is the story of an abused woman who tried to escape her abuser but ends up falling back into the relationship anyway. It would actually work quite well as a warning against men who behave like this; using their wealth and power to control another person. Ling Yi Zhou is the most abusive male lead I've seen in a drama in a long time.
The only acceptable resolution to this scenario would be Xia Lin being strong enough and brave enough to leave this toxic relationship behind and forge her own path in the world without Ling Yi Zhou. Anything else serves as a justification for horrible domestic abuse.
Even after the huge TWIST I admit I kept watching because I wanted to see how the show would handle the revelation. But by the time he was microchipping her with diamonds to track her every move, I realised I was done.
I am not just sorry I watched this - I'm upset that dramas like this exist.
I wish I could give dramas a 0 because if I could, I would.
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This review may contain spoilers
DISENCHANTED
The moment it was revealed who the mysterious Enchante guy is, the show started going down the drain.Quick recap. Theo's granny died so he went back to Thailand to be with his family and continue his study. Hoeever, he found life is too boring, it is in fact too boring that while at the library, he decided to write on a French book in the hopes that someone will write him back because, why not? He is the star and people still go to the library nowadays, right? If you ask what are the chances that a Thai guy will read a French book in a library? It is very high, very high indeed. It was so high, that 4 most gorgeous campus guys took credit of writing him back as Enchante. The end.
Oh, wait.
The show started out ok, the first few episodes were engaging, and the connection between Akk and Theo is just full of goody cuteness. And then they had to go there - what was promoted as the selling point of the series was actually its weakest point. 3 of the 4 campus heartthrobs are shown as creepy stalkers, and were later revealed to be up-to-no-good delinquents and opportunists. Whats worse, in what the makers thought was the best twist of the series, they revealed that Enchante was in fact Theo himself! its as if, at that point, he isnt too self-absorbed enough. I could understand (a little bit) that he wanted Akk to be jealous, but to let the lie go on for that long is just downright egomaniac and borderline sociopath.
Ill be honest, by episode 4, i got tired of the story and even forget there are new episodes still to come. The Enchante reveal left a really bad taste in my mouth and unfortunately things got even worse after that.
I also dont understand how the show managed to lose what little chemistry Theo and Akk have at the beginning, and how almost all the characters become un-lovable by the end. Even the proposal scene at the finale was shot so poorly behind that too-obvious fake Paris background, and I just cannot feel anything from the actors by that point as any trace of their little chemistry is gone.
When the credits rolled i was just glad that its over, and hopefully the next Friday GMMTV series can live up to their better brothers.
Will i recommend? No. Was it worth the watch? Not really, it felt like a waste of time. The only consolation is Force, cause he reminds me so much of Tay Tawan, and i think he deserves to get another shot. And please, by the love of god, give Fluke Gawin a main role.
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The excitement that NEVER STOPS!!
For someone who have never read the webtoon, I just gonna say: this drama is more than just amazing! It took me less than 3 days to finish the whole series simply because I just couldn't stop watching!!!!From casting, to plots, to action scenes, and production, this drama is a perfection! There isn't any dull moment throughout the series and it's like a thrilling ride! So if you haven't watch it, you should go ahead and enjoy the ride, it will end before you even noticed! As there are a lot of shows with a pretty good start and went down the trail in the second half, but for this one, nope! It gets higher and higher that gives you a lot of anticipation till the end!
You could say it is a comedy, a thriller, a mystery, a fantasy, or an action drama, because it has all the genres in it!
If you are skeptical and worried of horror scenes, I can assure you it's not that scary, I don't fancy horror dramas too but this is perfectly fine for me! But do expect some tense up whenever you see the evil ghosts in action, but trust me, that excitement is just the thing that keeps you going! XD
I really adore the counter squad SO MUCH! Although they weren't related to each other and share different personality, when they come together, they became a bunch of sweethearts that make you smile :) Plus, their acting are really ON POINT that gets you into it! Action scenes or crying scenes, you name it! Never underestimate those young actor and actress; Byung Gyu and Se Jeong totally slayed it!
I would say they had a pretty good production too, literally nothing to pick on! Besides the action scenes, I really love how the male lead was summoning out the Territory, those colour effects!!! Gosh so heroic and I love it!!!!
Well since I couldn't name anything that I don't like about the show, it gives an absolute 10/10! Or maybe one bad thing of this drama is that "It ends"!!! I heard they are having a Season 2 and I can't wait for it! Definitely one of the best dramas I have seen in the past year!!! Highly recommend :)
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2The drama that never was. A fiery and promising start that died out too quickly.
This drama was absolutely brilliant in the first three episodes but lost its spark with each one, and after episode 24, it completely went to the trash bin. We were promised: a red-flag male lead, a badass assassin female lead, enemies-to-lovers, bloody revenge, and intricate politics. What we got: fail, fail, fail. This drama turned out to be a typical historical story about domestic love, sibling rivalry, and simple court politics.POSITIVES:
- The main leads. They had amazing on-screen presence and brilliant acting.
- Enjoyable OST. At least that one sad song stayed stuck in my head.
- Story wise, an ok watch till episode 24.
NEGATIVES:
- The male lead starts off as a badass, unhinged red flag Gege but after episode 4, he’s reduced to a green flag, vulnerable, broken Gege. Worse, by the end, he’s mostly just a moping, lovesick boy, with the only charming quality felt being his handsome face.
- The female lead is supposedly a deadly assassin who’s spent ten years training for her revenge, and yet she never actually takes it. Worse, she’s off-screen when it finally happens! Aside from a few cool fight scenes, she’s basically reduced to a damsel in distress.
- Enemies-to-what-now. The sexy fire between the leads dies down quickly and their village arc is mostly domestic fluff.
- Village arc. Pure filler for me, It added next to nothing as the leads were interacting almost the same way as they did at the start (after episode 4, since episodes 1-3 feel like a fever dream).
- Meh side characters. A bunch of nothingness really. Ain’t nobody cared about the second love interest (the Prince). The Princess was cute but her getting pregnant by the Grandfather was totally disgusting and literally nobody wanted to see that. The second male lead was just there, doing his best but ultimately forgettable. The second female lead was the epitome of expressionless, and her metamorphosis of being in love with the male lead to suddenly loving the second lead was bizarre.
- Plot. Nothing groundbreaking aside from the plot holes that were definitely there. It was a simple revenge with zero plot twists or surprises. The biggest fail for me is that the writers decide to literally reveal everything, including all the mysteries, in the first three episodes. The main focus was the love story, which felt boring. There were some nice parts where you could see the main leads were healing their traumas together but the domestic and cutesy romance fluff never really hit me.
- The ending. For me, the story ended at episode 24 when the main conflict was resolved and the villain defeated. Everything afterwards was a total waste with a ridiculous breakup and pointless love triangle. I literally ff/skipped through the last eight episodes and still understood the whole story.
- The true ending. Episode 32’s ending was surprisingly well done, emotional and thoughtful. It actually touched me, considering that I didn’t care much about the characters or the story at that point.
OVERALL:
The premise and trailer promised murderous, sexy and angsty vibes with sickly, scheming prince + his vindictive female assassin, and yet the drama delivered NOTHING. It’s like the writers had this grandiose idea, wrote the script for the first three episodes and then scratched it and decided it was ‘better’ to continue with a typical historical cdrama about domestic love, sibling rivalry and simple court politics. Kill Me Love Me? More like Kill Me Snooze Me (to death).
FAVOURITE QUOTE:
"Once a dead chess piece becomes alive, the game has changed."
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I love melos and haven't seen one that really got my attention in a while
A romantic melodrama that depicts the story of a man and a woman who, exhausted from their harsh reality, begin to understand each other with new emotions and find themselves gradually changing.The FL and her prickly attitude. I AM LOVING OUR CHAOTIC FEMALE LEAD.
First thing I really want to mention is how much I really like the entire Shim family. The siblings are adorable and the mother is a pretty nice person, now that we finally get a chance to know her. They are good people. It makes you even sadder that their father, who seemed to have a good relationship with them before, cheated on his wife and abandoned his family.
She really was dealt by life with so many shitty cards due to her father’s infidelity, and I think because of the trauma and environment she was raised in she was never able to fully express her opinion or be open about anything. She can speak about what’s on her mind about other things and people. But you can see her and her siblings struggle with being open and honest with each other - they instead choose to pretend to not notice things. So I can see why this is difficult for her.
The chemistry is WOW - Lee Sung Kyung and Kim Young Kwang both are incredibly expressive with micro expressions. The director and writers and actors are all incredible.
My heart broke for all of the characters. The oldest sister consumed by anxiety and the pressure of being the oldest, who feels like she failed her siblings by being weak minded. The mother who was ill later on but before that, disappeared when her kids needed her the most, consumed by the pain and anxiety of her husband’s betrayal. The FL who felt like the world was on her shoulders and that happiness never would be hers again. The brother who feels guilty for how immature he has been, but really doesn’t see that in normal circumstances it would be okay at his age to chase his dreams.
And then we have ML, I feel so bad for him because aside from the man who was his stepfather and took him camping, he has been so incredibly lonely. You really finally hear from him how badly his mother treated him, leaving him alone for days as a child while she pursued a married man. She failed him in so many ways, neglected and abused him, and never apologized for it. In fact, she continued to torture him and destroyed his personal relationships. His life revolved around the destructive hurricane that was his mother. When he said he never even called her mother then, I had tears in my eyes.
For a show about revenge, there’s just so much love. Romantic love, love between a parent and her three children, love between siblings, love between life long friends, love between co-workers.
_________________________________________
Let's conclude here :) hope you are convinced by my views and already started watching this 😂❤️
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This review may contain spoilers
I'm going to start by saying, I will defend this drama in this review so please if you don't agree, feel free to ignore me.I don't understand the amount of hate and scorn this drama has been collecting from basically before it even aired. I get it might not be your cup of tea, but no need to destroy it without even giving it a chance. [To defend the robot/human category I should write a whole article on its own, but. Ever heard of Bicentennial Man (1999), with Robin Williams? I, Robot? Or, most recently, the tv show Westworld? We've always been intrigued by the possibilities hidden in the A.I. realm, so really, what's so weird or wrong or hateful in a drama that takes this concept and turns it into a love story?]
I really loved the original manga and I've been waiting for a transposition that would do it justice, and honestly, My Absolute Boyfriend did not disappoint (much, but not because of the plot, which wasn't that different from the original material). I mean, this drama didn't pretend to be something it wasn’t - it's a rom-com, cute and light and fluffy, and you'd probably enjoy it much more if you don't start watching it with too high expectations.
Yeo Jin Goo’s ability to jump from a dramatic role (The Crowned Clown) to this one is fantastic, and he tackles the both of them with the same professionalism, despite the raw difference. As terrifying as he was in the role of a psychopath king, he is just as adorable in the role of a newly awaken robot built to be a Dating Companion, and clings to his girlfriend with the same eagerness and enthusiasm of a pup (every time he called her 여자 친구 my heart melted a little). At first he simply follows his code, which is why Eom Da Da doesn't trust him, or his feelings; of course, she's also dealing with the abrupt end of her seven-years-long relationship with actor Ma Wang Joon, so that's why she's cold and tries to keep a distance between herself and the robot.
I didn’t know Bang Min Ah before this drama, but I liked her despite some awkward acting in the beginning – it almost feels like this was her first job and she still needed to get her footing right. But she’s a very expressive actress, and made me cry almost every time she was even a bit sad (she’s either really good or I’m simply too empathetic, lol). It was a bit annoying at first for how she acted towards Yong Goo because instinctively I wanted to protect the pure robot boyfriend, but she managed to grow on me.
As time passes, however, we start to notice a change in Yong Goo: whereas his code should make him act in a certain way, he defies all logic and does all the opposite, to the point where he even manages to 'wake himself up' from a reset that would have supposedly taken all of the memories he had with Eom Da Da – thus preventing from ever remembering her. As his love for Eom Da Da grows, so does his intelligence evolve and advance, making him become self-aware: he wants, he feels, he longs for thing he shouldn’t – he pretends to be loved just as he loves, placing the first stone towards him becoming more human.
[The man who built him used to read him “The Happy Prince” before he was released in the world (something that tells you how this story will end from the start, so you keep watching all the cute and fluffy moments with a bitter sweetness that make them all the more precious), so really, Yong Goo was made to be a hopeless romantic: it’s not surprising that he ended up developing those kinds of feelings.]
Of course, the drama has its flaws. Like the one-dimensional "villain", Diana, who really is nothing more but a spoiled little rich girl; she’s the original owner of Yong Goo, the one who paid for him to be clear, who was however famous for destroying her robots and being generally an awful person. Which is why the man who built Yong Goo kidnaps him and sends him to another owner instead of her – he loves his creation too much to risk letting him end in the wrong hands. Ugh every time Diana appeared on screen I had this urge to hit her, which is bad because I don't like violence, but, you know - one of those sharp slaps that kdramas are so famous for?? That wouldn't have hurt. Instead, we get to watch her act badly and gloat as she hurts people, purposelessly.
And don't get me started with Ma Wang Joon - the personification of Can't-Take-No-For-An-Answer. The guy believed that he and Eom Da Da never actually broke up, so had the nerve to be jealous and annoying whenever he saw her with her new boyfriend, without all the stupid consequences of that behaviour. They were trying to justify him in the beginning with the unoriginal "he's being an ass and a terrible boyfriend because he's being threatened and doesn't want to put her in danger", but you can imagine how that worked out for him. Spoiler: it didn't. Even the writers shrugged and gave up on that storyline at some point, lol.
Some episodes are slower and more boring than others, something that can happen with 40 episodes to fill when one does not have a clear idea of what to do with the characters and the plot as it’s evidently the case with the writers. It’s like that meme – they’re a little confused, but they got the spirit. I personally wouldn’t have given Ma Wang Joon so many scenes with the protagonist: there are way too many episodes with him as the lead in the relationship with Eom Da Da, considering that they didn’t plan to make them go back together – something that it’s very, very unclear up until the last ten or something episodes, by the way and that leaves you with some weird aftertaste because you wasted too much time with him instead of deepening the relationship between Da Da and Yong Goo: it’s as if they did want to make her go back with her ex-human-boyfriend, but changed idea half-way and didn’t know how to salvage that storyline. Letting it just die and – ruining the flow.
So, the plot could have been better developed, no doubts – we could have done without a few characters or some useless plot points – but that doesn't take away too much from the final product. It's a sweet, funny, uncomplicated love story between a young woman who has been disappointed by love and is now a bit cynical because of it, and a gentle, kind robot who falls for her so much that it breaks him, in the end, and makes her fall in love with him in return. Loving her makes him human, and he prefers to 'die' instead of losing all memories of her love to save himself. Damn, the last six episodes made me cry like a fountain, but it was worth it. I never felt like his feelings for Eom Da Da were forced or fake – it’s pretty clear that the poor robot truly loves her, you can’t help but cheering for him. #protectYongGoo2k19
I personally think that the cast made a marvellous job with the (objectively scanty) material they had been given - something that with another crew of actors would undoubtedly be cringey and a bit lame, they managed to turn it into something pleasant to watch and lovely to enjoy. The actors did a good job, and made me watch the whole show without skipping a single scene, keeping me entertained until the end.
I would definitely recommend it, and 10/10 would watch again.
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This review may contain spoilers
I entered this drama thinking it was a cute fluffy little love story but man does it change your mindset fast. Story
Where do i begin? The first few episodes made it seem like it was your typical “poor girl meets rich obnoxious guy”, it may seem really draggy but by around the 5-7th episode you’re just only getting started on the rollercoaster ride. The “plot” twist about each characters backgrounds and motives always left me in awe,, i found the second leads back story really heartbreaking ???? Although there are “dark” scenes, there’re still countless numbers of lovely dovey scenes but honestly, the “dark,gloomy” episodes are still so much more entertaining!!! I’ll stop here and let you in on your own ride!!
Acting
LET ME SAY THIS FIRST.
SIMON. IS. SUCH. A. SMOL. BEAN.
you don’t understand how i was so attracted to him? his acting in this drama was so well done!!!! he was able to pull off the “cold” guy, the “caring” guy etc (with great expressions) amazingly omg. Yiren also delivered all of her lines perfectly!! The crying scenes weren’t draggy and annoying like most cdramas show. The chemistry in this drama tho,,, dang there was so much chemistry between them.
Music
I don’t keep track of the music but the opening theme is catching
Rewatch
Absolutely!!
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Novel transmigration with cute romance and reverse gender roles
Don’t let the negative comments about the ending stop you from watching this! I really loved everything about this drama except the censored ending. But thankfully we have the secret clip from douyin that wraps up the story (link below).This drama is about the female lead who is transported from the modern world to a historical novel. In the novel, the Peacock City is run by women and women have the same rights as men. The female lead drops from the sky and is appointed as the Peacock Holy Envoy. The male lead is the Minister of Rites who seemingly befriends her but has secret schemes.
POSITIVE:
- Bad boy with a good heart male lead.
- Cute romance and kiss scenes.
- Great chemistry between the leads.
- Frenemies to lovers trope (push and pull dynamic).
- Mix of political intrigue, investigations and revenge.
- Reverse gender roles.
- Smart and quirky female lead who uses her science knowledge to bypass the plot.
- Mostly light-hearted with great comedy moments + a bit of angst towards the end.
- Similar vibes (not plot) to The Romance of Tiger and Rose.
- Prophetic dreams (I loved that bit).
NEGATIVE:
- Censored ending. However there is a secret clip on douyin that wraps up the story. So the drama is still worth watching. Scroll below for spoilers and link.
- Some small parts lack logic but it’s part of the charm and comedy for me.
- Female lead is a bit of a baby sometimes (not a lot).
OVERALL:
If you want a light-hearted transmigration story with reverse gender roles and cute romance, watch this drama.
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It’s a shame that this got zero promotion. I’m going to guess and say it’s because the male lead had issues with the government and had to leave the industry. So they not only censored the drama by giving us an odd ending but also cut it to appear as a short drama (perhaps short dramas pass easier?). I’m pretty sure this was originally done as a typical full length drama (each episode is 20 minutes, that’s around 20 full episodes if it’s 40 minutes each).
SECRET CLIP:
1. Douyin (provided by @Suzette Ser):
https://www.douyin.com/user/MS4wLjABAAAA8Gft2z08CjrLcEI3BGbNk6CLkePD5pUTxQbD0haYQBF7uU0hiAy4KW651lRC_yAL?modal_id=7360304476701396239
2. Twitter:
https://x.com/Fatum____Tempus/status/1782076978369061012
BONUS: BTS of the modern world scenes
https://x.com/Fatum____Tempus/status/1786669698790367614
ENDING SPOILER:
In the finale episode, the female lead dies and is transported back to the modern world. She reads the novel, the story is now changed and doesn’t include her (which we see that play out on screen). There are ambiguous details to suggest the male lead is aware of the book change. END of drama. NOW, thanks to the secret clip uploaded on douyin, we can see the male lead (sports jacket) is reading the same novel in the modern world. The female lead calls his name and he turns around to face her. So they end up meeting each other in the modern world too.
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Many things about A Love So Beautiful was a surprise to me. I'll be the first to admit that I harbor a real prejudice each time I enter the realm that is a Chinese drama - watching them throughout my childhood, they were unfailingly littered with a) tragedy, b) horrible CG, and/or c) gagworthy storylines (typically, an entertaining combination of all three). And quite honestly, few nowadays seem to impress me. Call it bias, but I still think the Mainland has much to learn regarding what constitutes a good show.
A Love So Beautiful was different from the moment I picked it up. It does not present melodramatic conflict for you to brood over, but instead focuses on the innocence of a teenager trying to get through the struggles of school and first love. I did not grow up within the Chinese education system, but there is something incredibly charming and nostalgic about seeing a group of five friends trudge through their high school years. Having teachers scold you, finding unpredictable friendships, secretly liking someone...A person is only naive in such a way for a small amount of time, and this drama perfectly captures that foolish yet heartwarming attitude of youth.
It only helped that the cast consisted of young, yet capable actors. How annoying is it when you watch a show about high school and the actors are in their mid- to late-twenties? And then you spend the entire duration brooding over how old they look and how nothing about them reminds you of a cute teenager. A Love So Beautiful never suffers from this issue; because not only do the main actors look young - they are. They act their parts perfectly, accurately presenting the turbulent feelings of their characters and how they grow over the course of the drama. It's difficult to find five lead actors who interact with one another with so much natural chemistry that it's hard to believe that they're acting.
But turn on the sad music - I'm done gushing about all the things I absolutely adored. Here's what dragged it down from a perfect 10: as soon as the characters left high school, the plot began to wander. There is a distinct imbalance between the warmth that is their high school lives and the confusion that is their "growing up."
I would like to ensure you that I don't hate the fact that they got older. It was the delivery; how the writers depicted their "maturing" that was irksome. What I found particularly problematic was how you spend over half of the drama watching them in high school - and you love it to pieces - but then you have less than eight episodes to watch them speed carelessly through cliche relationship problems and time skips. The transition is rough and the trip doesn't get any smoother. It would have made far more sense to me to either limit the story of this show to their high school years, or add more episodes to spread out their time as they age past university and through adulthood.
I simply didn't feel the magic in the latter part of the drama, which follows their post-graduation lives. It's still fine to watch, but it just isn't the same. I wanted to see the ways they carefully sort out problems between themselves and thus mature, not watch as they get angry at one another and resolve it merely because - well, merely because that's the way the writers want it to be. I did not feel as connected to their characters; not because they aren't bubbly teenagers, but because the story slowly becomes more about their problems and less about who they are. To me, their characters are one of the greatest strengths of the plotline, and as it fades throughout, so does the show's primary charm.
I would feel bad shutting this drama down entirely, since that would be unfair to the refreshing fun that it brought to me as I marathoned it. It is not without its flaws. However, it made me remember my first feelings of romance and filled my heart to the brim with both happiness and bittersweetness. It's hard to find a drama capable of such an effect on a viewer - and I'm glad this one found a way.
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Highly recommended adaptation of essays with ethnic scope
I loved watching this miniseries, that features some well known actors and actresses (Ma Yili, Zhou Yiran, Yu Shi) together with a cast that skillfully portrays the balance between ethnic minorities in the remote northwestern corner of Xinjiang where vanishing lifestyle competes with the hopes and toils of younger generations.Rather than repeating myself, I will just refer to my Notes about the miniseries, that illustrate many of the thoughts that can be triggered by watching the series. The story can be watched with no prior knowledge, but raises questions that push to dig deeper. There are many nice touches and details, and the director herself did state that although humorous elements were added to the play, they were kept within a moderate range to prompt the audience to reflect. The balance is kept to avoid too much heaviness, and the pace is brisk, while the cinematography enhances the loveliness of nature, despite its sometimes harshness. Horse lovers will be drawn in by the horse raising culture of the herders, who also use camels, and breed fat sheep that can be milked and used to make medicinal soap! The togetherness and mutual support even by those who have a beef to chew against people who shoot their mouth too quickly, and offend them, introduces hope in human relations. Of course they are shielded by the remoteness, but Hotan jade is known, so poachers do come to threaten the peace.
The miniseries grows on the audience, while details raise questions. Love, pain, discoveries and healing are there. The impressive Douban rating of 8.5 (then, now risen to 9.4!) is totally justified.
More in my Notes : https://kisskh.at/discussions/my-aletai/125351-to-the-wonder-notes-about-the-slice-of-life-tv-series
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This review may contain spoilers
How a Guy Speedran His Mid-life Crisis: The Movie
Now, I know what it sounds like when I literally rate this a 10/10 across the board but I swear I cannot overstate this when I say this is forever going to be one of my favorite movies for the rest of time. Director and writer Liu Jiangjiang was very humble when he said that some people might think it's an immature movie, with immature/inexperienced staff and actors, and with messages that might be too on the nose -- he went on to say that he just hopes everyone will appreciate the movie, even if just a little bit, because he and the rest of the cast and crew put so much of their heart into it. And you know what? Lighting Up the Stars exceeded all expectations, at least for me. Heartwarming, funny, profound, playful, a tearjerker... This film is the equivalent of finally coming home after being away for a while, of being wrapped in a blanket on a cold winter's day, of sleepovers with your friends in childhood, giggling after lights-out. Words cannot do justice to how this film makes you unlock emotions you probably weren't even aware of -- in a good way.Before I go on with this review, I do want to stress that there's a scene near the start that's extremely uncomfortable to watch, showing Sange basically attempting to sexually assault his ex-girlfriend. It's obviously not shown in a good light, and nothing happens because they get interrupted by her new boyfriend who she cheated on him with while he was in jail. Still, I want to add this warning beforehand, because despite how much I adore this film this was the sole thing I absolutely despised.
It's a very straightforward story, but that doesn't detract from everything else at all, it's one of its strengths. The topics of funerals and death is one that has a lot of taboos associated with them, and choosing to tell the narrative from a child's (Xiaowen's) point of view gives the already novel subject matter a spin you don't often see. While ostensibly a movie about a little girl losing her grandmother and gaining a new family, it's about much more than that. Yes, Xiaowen is at the heart of the story; it is, in many ways, a story about her more so than the adults around her. But it's also about what family really means, it's about what you want in life, it's about love in all its forms, it's about what you do -- and what you don't do. It's about the very outlook on life and death, and how one small change can make the difference. It's about a little girl just wanting her grandma back, and a man who is disillusioned with the world desperately wanting to live up to his dead brother's image finding each other and being what the other needs.
Connected through a series of funerals (of course, what else could it be, when it's Sange's literal line of work), each one is distinct in not only execution but also atmosphere, set dressing, and so on; each one a beat in the movie showing the changes in the characters and driving the story forward. While the ostentatious one with the old man who pretends to be dead is by far the loudest and most colorful (and definitely the funniest), the funeral that stuck with me the most was actually one of the first, with the little girl. From Xiaowen pretending to be Sange's daughter to get her family's approval to manage her funeral to her drawing on the girl's cinerary casket which couldn't be washed off, to the girl's family bursting out into tears of gratitude because their little girl loved to draw and Xiaowen's scribbles are so much better than more impersonal casket it originally was... While to some degree you can see it coming, it definitely sets the stage and does so well to convey the unpredictability of life and death, and human's hearts. Liu Jiangjiang's family is in this business and it shows in the care and details he puts into every one of the funerals depicted, the people who are buried but also their friends and family who are grieving for them.
For a movie of roughly two hours, the pacing doesn't feel rushed or drawn out, and the character development, while at times a little flat for anyone who aren't the main leads, is still very well done. Sange going from "she's my arch nemesis" and "look how you're going to ruin me" on day one to appreciating her place in his life and wanting to keep and protect her not even a day and a half later is, yes, hilarious, but on a fundamental level it's so heartwarming to see his entire outlook on life change for the better because of her, and in such a short amount of time. It shows how much he really wanted something (someone) to care about this much, a sentiment echoed later by his ailing father. Vice versa, when Xiaowen gets adopted by Sange's friends (which happened through a hilarious turn of events, and for a movie about death, there's way more comedy than expected, or, perhaps, just the right amount to offset everything else) and nominally by Sange himself, she starts letting go of her grandmother and starts opening up, all of it culminating in her telling Sange that she knows he lied, but that's okay, she's not scared anymore because she's got a dad now.
It makes their separation all the more painful when he basically lets her mother (who! surprise! is not dead but just had horrible luck in life and hit rock bottom and went to jail like Sange and just wants to be a good mom now and loves her daughter deeply and means well despite everything and-- well. You get the idea.) kidnap her in the middle of the night. One might be frustrated at the lack of communication from Sange, but when you remember how he never really had a childhood growing up in a funeral house, and how he has inferiority issues and a slew of other problems, his actions become understandable even though still not justified. All's well that ends well though, and they reunite with a scene that had me bawling when I first saw the clip months ago, released as promotional material, and that made me bawl again watching the full scene, entirely attached to both characters.
The cast of the movie is phenomenal. Zhu Yilong has delivered probably his best performance yet, portraying a character entirely different from his body of work and doing it in such a way it feels entirely natural and immersive. In interviews, Liu Jiangjiang mentioned how he wasn't sure about Zhu Yilong playing someone like Sange -- isn't he too handsome? Isn't he too pretty? Isn't he well-known for playing gentlemanly, scholarly, soft-spoken types of characters? And to a certain degree, he's right; Zhu Yilong's entire image is that of a prettyboy actor who, despite being fairly well-known as a good actor beyond his looks, and simply does not get cast as an uncouth rogue like Sange. So, a departure from his previous works for sure but in the best way possible. Zhu Yilong as Sange shows once again how versatile his acting skill is, and what range he has as an actor. When shooting, everyone called him Sange; Han Yan (the producer) even said that once he'd cut his hair and they started shooting in Wuhan, Zhu Yilong wasn't there anymore: he was Sange.
The fact that the entire movie was mainly spoken in Wuhan dialect (Xiaowen mainly spoke in a Sichuan dialect, or Sichuan-accented putonghua) or Wuhan-accented putonghua (they couldn't have the entire movie be in the Wuhan dialect, for viewer's accessibility, so han-pu was the compromise) added a lot of depth to the film as well, really showing the locality and anchoring it in a way most films don't consider. From a personal point of view, it's also just such a breath of fresh air not to hear standardized accents from everyone when it's filmed and takes place in a very specific part of China where of course everyone would more likely speak in the local dialect. Zhu Yilong, a Wuhan native, was said to have added a lot of his own knowledge of Wuhan to Sange's character, from when to speak the pure dialect and when to speak han-pu, to which scenes he'd smoke cigarettes and when to mention something specific to the culture there. All of this shows in how real Sange feels as a character. While he's been known to be meticulous when crafting characters, this one, more than any other role he's played before, is the one that cements his status as character actor.
Yang Enyou, the other lead in this movie, was also amazing. While I generally don't approve of child actors (on moral grounds more so than lack of acting skills or otherwise), the fact of the matter is that as Wu Xiaowen she really was the glue that kept the movie together. It was a joy seeing her on the screen and her acting was convincing and emotionally poignant. For a debut movie, this role really made her shine. Zhu Yilong also treated her the way he thinks Sange would've treated her to help her with acting, and interacted with her in a way that was really sweet, as were the other cast and crew members. I will say that from cast interviews and behind the scenes clips there are things I definitely don't agree with in how they handled having a 7 year old on set, mainly how they intentionally ignored her or made her angry by teasing/bullying her to get her in character. While it's no Shelly Duvall in The Shining type of situation, it still feels needlessly cruel to be mean to a literal child purely for a better shot or a more "real" emotional reaction.
The actors for the side characters also did a great job, all with their own motivations and lives and relationships with each other and outside of the scope of the movie, brought to life (or not, haha) by the cast. I especially loved how every character, no matter how minor, was played with the utmost conviction and with every last bit of heart that the main cast had too. Lighting Up the Stars is a work of love, and the way every single actor brought that to their character shined through.
I also adored that everyone looked like quote-unquote normal people. As with the usage of Wuhan dialect over putonghua, the deliberate choice to cast actors who aren't conventionally attractive like idol dramas and movies (it's why Zhu Yilong's casting made such waves), and instead style everyone to look like someone you could meet on the street is probably an understated but no less important aspect of this film. It brings together everything else about the film as well; Liu Jiangjiang said he wanted to focus on the day-today lives of ordinary citizens, the nitty gritty of everyday life, and the styling of the characters reflects that vision. From Sange's floral shirts to the background characters' colorful (but not distracting, more like the bassline that adds to the symphony of the rest of the film) clothes, everything fits and has that feeling of "oh this really is a movie about normal people" to it. The only person who stands out, then, is Xiaowen's mother, who looks sleek and dresses fashionably, and is immediately branded as an outsider because of it. Even without everything else in the narrative telling the viewer she is different, this visual element tells a whole story in itself. And yet, it's also because she cares so much about Xiaowen that she looks like that, perhaps to leave her past behind where she failed her daughter, but more importantly to show that she can take care of her daughter now: look at her, all dressed up, visible make-up, brand name clothing and all.
Xiaowen and Sange being styled after Nezha and Sun Wukong was also a detail I especially loved. Xiaowen's feral little act, especially near the start of the movie, with her red-tasseled spear and her hair in two buns, drives home her resemblance to Nezha. Sange on the other hand doesn't look like a lot like the Monkey King (although the funeral where he's in opera get-up and starts twirling the staff to protect Xiaowen is incredibly reminiscent of Sun Wukong and his golden-banded staff), the resemblance being more narrative- and dialogue-driven. Their stories mimic those of Nezha and Sun Wukong to a certain degree as well, and there are a lot of jokes and references made to Journey to the West, especially with regard to Sange (memorably, "Are you Sun Wukong, always changing your shape so easily?!" because he changed his mind and wanted to keep Xiaowen by his side after wanting to get rid of her initially).
I'm sure there are things I've missed, things I couldn't think of or that I felt didn't fit in this already too-long review of a film about family -- I haven't even touched on the many dynamics in this movie that aren't the main leads' which I nonetheless truly loved. I'm also sure that there are people who think it was much sillier than I make it out to be, or not as good as I've praised everything from the narrative to the acting to the styling. In the end, though, the message of the film is very clear: if you think you hit rock bottom, adopt a child.
And if none of this managed to convince you: Zhu Yilong strips down to his underwear in this film.
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A fresh Kdrama from a winning script
At first, I have low expectations for this. Business or office drama is not my favorite genre. It can be a boring subject. But this drama seems to understand that and deliver the content in a fresh way. Below are the reasons why you should watch this:1. The chemistry between both lead: Park Hae Jin and Kim Eung Soo is so good, they should get Best Couple Award
2. Every case or problem is solved quickly in an episode or two. I like that
3. Every character is not just a side character, they have their own story. Even the grandma that act as the receptionist
4. The plot twist here and there that make you wanted to watch from ep. 1
5. Even serious event can be a comedic one
6. Lessons on friendships and office teamwork are told smoothly with fresh scenarios
7. Marketing strategies that some of us can relate to.
8. A funny ending and anti-cliche one (I like the ending)
9. The trot songs are refreshing compared to pop songs in all dramas
Hope the writer create more script like this. Kdrama seems to run out of ideas.
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This review may contain spoilers
I recently finished watching Unstoppable High Kick as have started High Kick Through the Roof, also known as High Kick 2, which a second season of the High Kick sitcom series with different characters. Although some of the cast from the first season appear as cameos. The seasons are totally unrelated.I started off my love for all things Korean with Unstoppable High Kick. It was my first drama and I have to say, it is my favorite. Unstoppable High Kick has this kind of 'fun' family setting. I have thought many times that it would be so great if I could just place myself among the Lee family and live my life with them. I know, for sure I could never say life was boring.
The sitcom takes us through a joy ride of the daily lives of the Lee family and the 'psuedo-family'(what the show refers to friends of the family who are in their household most of the time- basically act like it's their house). We are shown the ups and downs in the lives of each character in the family. This is what I love the most about this drama. Each character gets the floor at a certain point and we see things in their perspective. The daily lives of this characters are hilarious. The coincidences, the situations, will make you laugh. Though, rarely will you crack your sides with laughter.
Lee Soon Jae, the head of the household (grandfather) is beating and chasing his eldest son, Lee Junha, around the house, for causing him to lose money in his stocks. Lee Junha's wife, Park Haemi is lecturing her mother-in-law, Na Munhee, about the faults she made when doing the housework. Na Munhee is extremely angry because her daughter-in-law treats her so condescending though her feelings are only expressed in her thoughts. Lee Junha and Park Haemi's youngest son, Lee Yunho, the 'bad guy', is chasing his younger brother, Lee Minho( the studious one) and Lee Minho's best friend, Kim Beom, who got the title "home-stay Beom". Lee Minyoung, who is the youngest son of Na Munhee and Lee Soon Jae, would most likely not be present, since he acts anti-social towards his family. Although, the romance part of the show includes him. Hwang Chansung, a classmate of the boys and calls himself Yunho's bestfriend, is listening to Hip-hop through his headphones and breakdancing amidst all the ruckus. Na Hyemi and Kang Yoomi are fighting with each other.
^That my friend, is the Lee Household in a nutshell.
And of course, the reason why I started watching this 167 episode drama was because of Kim Beom and Kim Hye Sung(Lee Minho)'s bromance. They displayed a deep friendship throughout the show, even hints of some yaoi- but nay. Though, they had a few fights throughtout the show. Not to mention:
Minho: Beom.
Boem: Minho.
Minho: Beom!
Minho: Minho!
[insert hug here.]
Well sorry for the long review. It's just that I really love this sitcom and would recommend it. Don't let anything deter from watching it. Overall, I enjoyed watching this show a lot. Compared to the second season, the first is superior and I enjoyed it much more.
Some quotes from the drama:
"What the...All the people in this family are crazy"~Nurse Yu
"Why does everything in this family have to be so abnormal?" ~Park Haemi
“No one in that family is normal.” ~Nurse Park
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