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- Lev Tolstoy
I hope you can forgive me if my penchant for quotes invades a review. I have watched Osozaki no Himawari some time ago and loved it but never came around to write a review for it. Then I stumbled upon the words of Tolstoy and was immediately reminded of it.
The essence of this drama is, ultimately, the pursuit of happiness. It shows how this last can be found in the most unexpected places, with the most random people, doing things we would never have taken into consideration, if we hadn't been forced to do so by the circumstances.
The simple message this drama tries to send is beautifully conveyed, thanks to a wonderful cast that creates lovely characters and warms the heart. Ikuta Toma is perfect for the part: he's goofy and reasonable at the same time, I'd say he is the new element that unconsciously brings an otherwise sleepy community to a new life, while he himself learns to adapt and understand.
Jotaro's interactions with Kahori, wonderfully portrayed by a talented Maki Yoko are priceless, and their phone conversations are the sweetest thing ever. "Ore ore" will remain in my memory for a long time.
What makes this drama so special, besides the adorable ensemble of characters, is the cinematography. Perhaps the Shimanto River Region is so beautiful one doesn't need to be a particularly skilled photographer to capture its charm on screen; whatever the case, the end result is stunning. If the intention of this drama direction was to promote the region, I must say they succeded: when I finally visit Japan, it will be one of the first places I put on my itinerary.
The music is lovely too, and I agree with Sewitches that the idea of having the whole cast sing the leitmotif is brilliant.
If you are the type of person who feels at ease in the countryside, who finds happiness in small things, this drama will appeal to you. On the other hand, if you need the dizziness of crowded cities with a lot of events going on, it may not. This is a relaxing trot, not a wild gallop.
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The Sound of Wulin with A Lot of Romance
This is a delightful wuxia drama which I almost skipped because I wasn’t very fond of Yu Menglong after The Love Lasts Two Minds. However, the overwhelming positive comments on the MDL page urges me to watch for myself, and I’m glad I did. The storyline of this drama is very typical of the old days wuxia stories whereby wǔ shù (martial arts) practitioners leave their sects and go to the world for experience and do good deeds by helping anyone in need.The Story
This is a story about a very young girl, Zhan Qinghong (Xing Fei aka Fair Xing) leaving her home and sect with her closest friend/maid to see the world. She comes to meet Lin Fang (Yu Menglong) who is the most handsome man in the country. Lin Fang doesn’t date women but somehow he falls head over heels in love with her secretly. For her, she falls in love instead with another man, Wen You (Merxat Yalkun) with whom they have gone through life and death together, helping and saving each other. Their romance continues for more than half of the drama before they separate due to circumstances beyond their control. Zhan Qinghong is devastated but Lin Fang is there with her all the time helping her getting through her pains and heal. She begins to fall in love with him. Together, they discover a greater conspiracy and eventually save the country.
I really enjoy watching wuxia stories like this about wulin, having all wulin virtues and values with “yi chi” as the utmost quality. Many of the wuxia heroes would sacrifice themselves for this virtue. Like the government providing a formal law and order for the country, wulin provides an informal law and order for people in the “jianghu” (pugilist communities). In this story, the flexibility of wulin is interlaced with the discipline of the government military, making it a formidable soldier with an intriguing story of supervillains, ingenious super doctor who can cure anything, mysteries, treason, espionage, conspiracies, battles, and more.
As with many wuxia dramas, the logic and dialogues are at times over-simplistic, shallow and repetitive, and yet, there are moments they are deep, endearing and intelligent, especially when it comes to the principles of sword fighting and the duty of wulin.
The Characters and The Acting
Zhan Qinghong is a forthright, naïve, happy-go-lucky girl with “yi chi” being her main calling. With a pair of forever-wide-open eyes and a frozen smile, Xing Fei’s portrayal is cute at the same time receiving a lot of criticisms from viewers. Despite this (flaw or not), Xing Fei gives the viewers an air of energy and as Zhan Qinghong, with her everything-is-good charisma, she always manages to turn anything bad into good. Together with her best friend maid, they create silly and happy moments, making the viewers laugh out loud; their dynamics are incredible and endearing, and earn the honor of being called stupid and dumb from Huo Yang (Zhang Kaitai). Flanking Lin Fang's side, Xing Fei makes a convincing protector, and her sword fighting choreography is also beautifully executed and very believable.
Lin Fang is an intelligent and meticulous strategic thinker. Having a sickly body due to poor health (he has been poisoned), he doesn’t know any wukong (martial arts), but he understands the principles of wukong as his father was one of the prominent wuxia heroes leading the wulin as its “Mengzhu” (united master). He outwits everyone and becomes the “Mengzhu” himself and has two top fighters, Wen You and Zhan Qinghong, flanking his sides as protectors. I have not been impressed by Yu Menglong because of his poor performance in The Love Lasts Two Minds, but in this drama, he seems to have improved slightly. Perhaps it’s the character that he’s playing, he still seems rather stiff, moving not unlike a robot. Despite this, I still love the Lin Fang character. Though sickly, he’s a mastermind of everything, always a few steps ahead of the antagonists. He feels like Mei Changsu (Nirvana in Fire) without the latter’s charisma. In later episodes, Lin Fang does transform into a more animated person, joking and moving around more freely and naturally.
All the other cast members’ performances are equally good and believable, in particular Tong Chun Yip (aka Kent Tong) who portrays the supervillain Wang Dun and Merxat Yalkun who portrays Wen You, each bringing out life in their characters on the screen.
There are multiple very adorable second couples here, with one couple ends in tragedy. My favorite couple is of course the Huo Yang / Xiao Lan pair with a super handsome cool guy and a direct innocent silly girl. The pair is simply hilarious and brings a lot of colors to the scenes especially when things are going intense.
My Verdict
This is absolutely a very well told story deserves our attention and precious time. It has all the tension and suspense coupled with silly actions and dialogues from the main characters. The cinematography is great and the CGI is convincing. Perhaps the only obvious flaw (among others which I don’t really mind) I find is the attention to details in particular the unmatched wedding gowns worn by our main characters. Overall, this is a very wonderful wuxia story with a lot of romance.
Enjoyable watch. Don't miss it!
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The chemistry is very strong, the value of the drama brought upon is very strong and the acting is very realistic and believe. It will make you mesmerized in the character and the story. Even tough the plot is very heartbreaking but it carried itself with light hearted and have funny moments too.
One beautiful piece. Among my top favorite.
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What I didn't like was how complicated the simple revenge plot kept getting. She just needed to seek revenge I don't know why people had to go back and forth about what they knew about each other. Near the end It should have built more on what they wanted than to add in the "running away" not running away filler.
What I disliked the most was that everyone seemed Repulsed by Sa Geum Ran, I wish, especially with Han Tae Hee that he would not have been repulsed by her in her "original" form.
Over all though I actually thought it was a pretty good drama overall. Fun, cute and even a little intriguing. The acting was very good, loved and hated almost all the characters. The story had weak points that needed some filler, but it wrapped up well.
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I was inspired to watch Our Happy Time because of Kang Dong Won, recently I became interested in his movies.
What can I say, the story, cast and music are all great. I'm listening it right now, maybe it's not good because it makes me wanna cry more and more...
When I saw the title I though it will be just a silly love story. And after watching this movie I felt so betrayed. I wasn't ready for this kind of emotions that this movie put me through. How to love and forgive how to cherish life and enjoy someones company, how to smile and cry - this movie is all about that and much more. I highly recommend re-watching this movie over and over again.
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This review may contain spoilers
I did not get hooked on it initially as the first episode drag on a bit with the introductions. But it slowly grew onto me and just love the landscape, the paintings, the calligraphy and the tai chi moves. It brought back my passion to buy some paint brushes to practice my calligraphy.I actually like Piao Piao acting a lot more that others, her tai chi skills were brillant. She came across as a strong female lead and although she pairs nicely with Wei Chu, I do not see a lot of passion coming across. BTW it is very G rated drama. So do not expect many kiss scenes here.
I am move fascinated with the art works and tai chi moves, and the story behind these than the usual romance drama. This drama has some quality to it and the scenes and locations they build and used are all very nice.
The story tells about how an outcast girl of the tai chi community made a come back helped by her master/boyfriend. They faced many challenges from the tai chi community, school, friendship and battles.
Very basic story line but worth the watch.
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But first, to anyone who hasn't seen this drama yet, I have to say that if you're fond of out-of-the box story arcs, impressive plot twists and memorable confessions, this drama is devoid of any of these things because CHARACTER DEVELOPMENT is the main focus. Thus, the plot is pretty basic, simple and predictable (from the get-go you will see who she'll end up with). There are no bitchy ex-girlfriends/fiancee's. No scary mothers. No amnesia. No birth secrets. No angst. Every single character is loveable and positive. The main girl is a 20-something office lady who goes by the name of Amemiya Hotaru. She's an efficient and responsible employee who works for an interior design company. She's very good at what she does and enjoys a great relationship with her co-workers. On the outside, Hotaru exemplifies a well-mannered, classy intelligent young woman. However, she harbors a "dirty" little secret: at home, she's a TOTAL SLOB who loves to laze around in tattered jerseys and a stained t-shirt with a can of beer in hand. She loves reading manga, doesn't cook, sleeps on her porch with stacks of newspapers for a blanket and talks to stray cats in her backyard. She hates socializing and is so not interested in dating. She's perfectly fine with her lifestyle until her manager, a 40-something soon-to-be divorcee neat freak, moves in with her.
THE GOOD:
CHARACTERS
Every character endeared itself to me. I don't think I've ever hated anybody. No one had managed to raise my blood pressure. I don't even think there was a villain in the story.
Amemiya Hotaru is the type of female lead that every ordinary girl can relate to. It's not because she is dirt poor and average-looking. In fact, she's pretty, smart, optimistic, and more than capable of whatever task she's given. But the childish side to her character as well as her quirks made her loveable. Although her disorganized and klutzy personality was exaggerated (to elicit laughs and provide comic relief, I'm sure), I found myself thinking "that is SO me" most of the time, whether it was about her being too lazy to clean her room, or being insecure in her interactions with the guy she really liked.
Unlike other dramas, most conflicts were cause by misunderstandings and a lack of communication. Yes, there were a LOT of unrequited side romances but the "love rivals" were understanding and considerate. I loved the interactions and relationships in the office as well. They all seemed like one big family who had concern for each other even with regards to matters that were more love-related than work-related. LOL, It made me think. The world would be so much better if things were like that, empty of crab mentality, envy and pettiness. Wouldn't it be wonderful? The characters suffered from lovesick problems from time to time, but they always seemed to be willing to help each other out and give advice to the ones who were problematic.
ROMANCE
There are actually two love stories in this drama:
The first was between Hotaru and Teshima. I honestly preferred Teshima throughout the drama because IMO, their romance was sweet and innocent. Kind of like that puppy love you experience for the first time in high school, you know? Butterflies in the stomach and racing heartbeats. I really liked the fact that he accepted her for who she is, weird habits and all. It was funny watching him and Hotaru being SO clueless as to how to express their feelings properly. In that aspect, they were very much alike. He was patient and sweet albeit a little dull in terms of personality (which gave a negative effect on the acting, unfortunately). However, I blame this on the writing. If only the character had been written with more depth, I would've found him to be a lot more interesting.
The second love story was between Hotaru and her boss, the main guy who, strangely enough, had the classic Second Male Lead Syndrome, Takano. Unlike her love story with Teshima which started with a kiss, theirs was a "slow burning" one. It started on the wrong foot as there was NO attraction on first sight. IMO, it was the best because both of them got to know each other's WORST traits first before they appreciated each other's positive areas. I admit though. At first though, I preferred Teshima over the boss because the latter treated her in a way that was typical of a father or an older brother. He constantly berated her for her untidiness, cooked for her, gave her love advice and basically became this all around go-to guy. They seemed more like best friends who often bickered over the tiniest things than potential lovers. Yet as the story progressed, I understood why they were so perfect for each other despite being TOTAL opposites. They helped each other grow and develop their weak areas. Takano helped her develop a little bit of finesse and taught her (begrudgingly) how to become, er, less of a slob, encouraged her whenever she was plagued with insecurities and guided her as she navigated her way to womanhood. Hotaru, on the other hand, taught him how to be more self-giving and considerate. Before they lived together, Takano was a workaholic and didn't know how to treasure personal relationships. When she came into his life, he learned to consider another person's well-being other than his own without being aware of it. They were also very comfortable around each other. Hotaru didn't need to force herself to change nor did she become too self-conscious when she was around him. It was the kind of relationship that is much needed in a long-term companionship like marriage. The steady kind of love that makes you feel secure and content, contrary to the blazing fire of passion often mistaken as "love" in a lot of romantic stories.
THE BAD:
I don't think there's anything negative to comment except the stiff acting and underdeveloped character of Teshima. He was the sole weak link. Maybe a veteran actor would've been better? Also, I thought it was weird that there was no sexual tension between Hotaru and Takano considering that they were still woman and man living under the same roof. I guess the writer of the manga preferred not to give it some focus in favor of the personal connection between the two. Dramas will always be dramas; you can never expect them to be a 100% reflection of reality, not even biographies.
FINAL VERDICT:
A "highly recommended" rom-com. The main reason why I love this drama is because I can relate to it so much! I developed this connection with the characters, especially the main girl Hotaru because in many ways I could see myself in her. Her journey back to love after years of being independent and single, her insecurities with her relationship, her heartbreak and growth from being a "dried up fish" for many years to womanhood, not to mention the wonderful humor and acting that made this little J-drama such a gem! I can't remember how many times I burst out laughing because of her and Takano's squabbles and antics. I loved the slow romantic development between the OTP. I would definitely recommend this to anyone who loves romantic comedies or just any person looking for a very light and funny drama that's full of heart.
I'm looking forward to watching the second season next.
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I Will Love You No Matter How Many Lifetimes
This drama caught me by surprise. I thought it was going to be the ML being not only obsessive but abusive to the FL, this was not the case. This was a man that was willing to give his life over and over again to have the FL live even if he didn't.The story starts from the ending showing Shangguan Wei Yang (Vicky Liang) shooting an arrow into the back of Ye Bei Chen (Zhang He) who was about to kill her beloved Ye Ming Xuan (Wang Jun Hao). She killed Ye Bei Chen in hatred and fell from the city wall. Watching her fall and holding her lifeless body Ye Bei Chen was left heartbroken and filled with regret for failing to protect her.
Feeling such remorse, he was told that even though she was on the brink of death she could live again. Willing to do anything he takes her to see the Old Poison Freak. This begins the cycle of life and death for Shangguan Wei Yang and Ye Bei Chen.
Ye Bei Chen was the King of Kan and brother to the emperor and also the uncle to Ye Ming Xuan. Ye Bei Chen meets Shangguan Wei Yang after she saved him. He was haunted by memories of Shangguan Wei Yang, his niece-in-law, that he discovered was the woman that his nephew, Ye Ming Xuan was planning to marry.
At all cost Ye Bei Chen protected Shangguan Wei Yang in the shadows. Realizing she was given another opportunity to rectify what had happened in her past life, she was willing to do whatever it took this time to stop Ye Bei Chen. Every time she thought she had outsmarted him; he found a way to wreck her plans. So much so, until he was able to get the emperor to make her his queen nullifying the marriage of his nephew, Ye Min Xuan. This did not sit well with her. All the endless misunderstandings came to head when she found out that it was not Ye Bei Chen who was the culprit but actually the man she had given her heart to, Ye Ming Xuan who was behind all those misdeeds.
Learning of all of this, Shangguan Wei Yang, was regretful of how she had treated Ye Bei Chen. You will be so mad at her because this goes on for quite some time with her treating him so bad. He is injured time after time. Always putting himself on the line for her. By episode 14, they will finally find some common ground, and that leads to the hottest kissing session!!!
Not to be outdone, Ye Ming Xuan was so mad about Ye Bei Chen taking Shangguan Wei Yang from him he vowed to get her back. He sets Ye Bei Chen up for the killing of her father, which again, she believes he did. Something in her mind made her realize it wasn't him and stood up to the emperor to defend him. They both work together to find out what had happened. Of course, it was Ye Ming Xuan because her father found that he was trying to kill his father to become emperor.
We also have Ye Bei Chen knowing that his time is limited with the poison in his body and one of them must die in order for the other to survive. Not telling Shangguan Wei Yang this, he makes sure that she has beautiful memories of being with him. She has finally (you will all be happy) fallen for him. This man really shows he loves her. I mean he will beat anyone if they do anything to her.
There is another prince who is in love with Shangguan Wei Yang, Feng Xuanyi, who is used by Ye Ming Xuan to set up Ye Bei Chen. He also causes issues between them when he tells him that he wants to marry her. But at this point, we knew that would never happen.
You will love in episode 18 when Ye Bei Chen snatches up Ye Ming Xuan and tells him, "So what if you're the Crown Prince. If you dare to disrespect my fiancé again, I'll make you understand what despair truly means." You have to love this man who really sticks up for his woman. The number of times he is injured, is just unprecedented. You can see the happiness but then here comes Huan Yan, she is the apprentice to the Old Poison Freak and in love with Ye Bei Chen. In spite, she tells Shangguan Wei Yang that only one of them can survive. In reality, it's the Life and Death Gu that was planted in Ye Bei Chen's body. When the time comes, if she doesn't die, he will. She doesn't believe her. She further explains that only those who have the King Gu with them can control Gu worms. The only way to bring someone back is to use one's body as a vessel, enduring the pain of a thousand ants drilling into the heart, and the agony of a thousand worms eating the bones. The Death Gu is used to activate Ling Gu, reversing the course of the sun, moon and stars.
Knowing all of this information Shangguan Wei Yang sets up Ye Bei Chen. She gets him drunk and when he wakes up, he finds Huan Yan in his bed. This was her plot to separate and save him. Of course, our men is too smart and knows something is up. He gets all the information from Huan Yan and bans her from his mansion. At this time, she runs into Ye Ming Xuan who now takes her in. But here comes Ye Bei Chen spear in hand coming to get her. This was the perfect opportunity for Ye Ming Xuan to see if she was truly loyal to him. She kills Ye Bei Chen with an arrow. But she always knew he carried a spearhead that she used in killing him in his first life, which we find out stops him from dying. He then becomes the white-haired Sorcerer King.
Meanwhile, Shangguan Wei Yang was trying to win over Ye Ming Xuan because she wants to kill him in the worse way. She tries everything but each time she just manages to not get caught. She finally figures out the Sorcerer King is Ye Bei Chen. Again, these two and their kisses. Happy reunion. Not to be outdone, Ye Ming Xuan figures out it is Ye Bei Chen too because his man reports back, they discovered the body of the real sorcerer.
Playing along Ye Ming Xuan moves the wedding up, and here comes Ye Bei Chen to get his woman, which he does.
Just when they thought everything was going their way, they had gotten rid of Ye Ming Xuan and all of his men, he escapes. Putting them on edge again but enjoying all of their time. These episodes you will like. His brother makes him the emperor. Not that he wanted the position, but he felt with his love of the people the country that this would be best.
Due to all of the ministers complaining and finding out that someone must die, she decides to leave the palace with Feng Xuanyi. One of Feng Xuanyi men decide on their own accord to blow up the palace killing everyone in it. You know Ye Bei Chen figured it out and replaced the bombs with fireworks. Coming to get her once again, we see Feng Xuanyi standing in front of Shangguan Wei Yang taking an arrow and dying.
One last play, and Ye Bei Chen finds out where Ye Min Xuan is and goes to the forest where they have an epic battle. He finally kills Ye Min Xuan along with Huan Yan who dies as well protecting him. You also see that before she died Huan Yan killed the Old Poison Freak so she would be the only one who knew about the Life and Death Gu. She does tell Ye Bei Chen, "Ye Ming Chen you must live on. Remember, life is death and death is life."
The fight was too much for Ye Bei Chen who dies in the arms of Shangguan Wei Yang but not before he saw that she stabbed herself and died beside him.
Time goes backwards and she sees the life that these two have had together. Taking Shangguan Wei Yang back to the tower wall with arrow in hand, she lets the arrow fly, while Ye Bei Chen with his spear, kills Ye Ming Xuan along with the arrow from Shangguan Wei Yang. Looking up with tears in his eyes, at his love, Shangguan Wei Yang, she thinks, "All the past events are like a grand dream. Ye Bei Chen, our story has only just begun."
I believe you really will enjoy this drama. The ML and FL are two hot together. The kisses they have going on are fire. Definitely one to add to your list.
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Beyond Funny
This is unexpectedly hilarious. Suspend your disbelief and prepare to watch a BL in which no one and nothing can be taken seriously and it is universally gay, especially the mansion, furnishings and vegetables.(ha!) I don’t know how the actors could carry out their roles without cracking up. I’ll bet the outtakes are even better than the series. The inept dubbing is part of its charm and allows for some creative voice work. In my imagination the soundtrack was accidentally deleted and they had to go back in after the fact to create one. When they saw how silly it all was they decided to go full tilt: kooky music, animal noises, sound effects, it’s all here!Was this review helpful to you?
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The truth disappears with love
This headline, "the truth disappears with love", is the series' catchphrase and after watching all 10 episodes, it encapsulates the whole theme of the drama.TLDR: Saiai is an original suspense love story work made by producer Arai Junko and helmed by director Tsukahara Ayuko. Well-acted, with a tight pacing, enagaging story, and gorgeous music, this proved to be another masterpiece from the Arai/Tsukahara combi.
✦ STORY ✦
The story is original but draws the familiar themes of suspense/mystery and forbidden love. What would happen if after 15 years, you reunite with your first love, not as simple colleagues or friends but as a detective and a person under suspicion of murder? The premise is tempting and would catch the eye of lovers of drama. Add in the mystery/suspense part - of the unsolved case 15 years back and more unresolved murders in the present - and you have a neat, interesting package. The pacing of the story is tight, with revelations and clues unfolding in each episode, but the strongest episodes are those of the first half and the last. The 6th and 7th episodes are more subdued and might seem draggy since they deal more with character relationships. Despite this, the plot continued to develop and move forward. There were also some characters that I wished we have seen more on the screen, but I'm glad that at least they were used quite well in the story.
✦ ACTING/CAST ✦
The cast delivered in their roles, playing each character wonderfully, I'm so satisfied with each actor's performance. There were two in the supporting team who were quite shaky at first, but gave more nuanced performances as the episodes went on. What I also like about the characters is that they're all so capable in their jobs, from our main three to the supporting cast. It's so inspiring and so amazing to see.
Our main three actors were impressive. Yoshitaka Yuriko gave so much life to Sanada Rio, I often find myself taking too many screenshots of her expressions in each episode because she's just so captivating to watch as the character. She mentioned in an interview before the final episode that she felt that Rio's living somewhere out there, and I fully agree. Like what I have mentioned in the comments below, Sanada Rio's character may be someone that can draw annoyance due to how people always protect her, but the writing and Yuriko's charm and performance made her someone you would want to protect, someone lovable.
Matsushita Kouhei's Miyazaki Daiki is so freaking cool. I noticed that Kouhei always gives off a different vibe for each of his roles and it's no different to what he did for Daiki. What I like is that his performance and the writing made Daiki not just that "cool and capable detective", he's also very much human, he's someone who truly cares for his beloved people. He is very capable in his job, but he also has his flaws, and he is - at the core - just someone who lives to help other people, especially Rio and Yuu.
Iura Arata's Kase Kenichiro is a big cinnamon roll, he's probably my favorite character in the series. Kase Kenichiro is a strong, reasurring presence in the Sanada family's lives, and he's there for Rio every step of the way. Iura Arata's acting solidifed Kase's warmth and sharpened the edges that the character also possesses. Kase on paper is Sanada Wellness' watchdog with all the teeth and warmth,Kase on the screen is all that, magnified even more with the presence that Iura Arata gave him.
✦ MUSIC ✦
The music is so beautiful!! It actually really helped in the whole experience, especially in the first episode. Speaking of the first episode, the first two minutes of the pilot ep is a very good hook, and the accompanying music elevated it. The soundtrack was able to give off the feel of "15 years ago in Shirakawa-go", and "today, in Tokyo", and served as good backgrounds to key moments so kudos to Yokoyama Masaru! Aside from their use, the absence of music in some key scenes (!!) is also very tasteful. In these particular scenes, it leads viewers in on the suspense, waiting with baited breath along with the characters on the screen.
(Here's the whole OST on Spotify btw! : https://open.spotify.com/album/7qv1By236WWMlwMWEg9772?si=jOOeq8EvSB60gea8BYKFLg)
✦ REWATCH VALUE ✦
After watching the last episode, you'd want to watch the first episode all over again to catch all the clues and hints that you missed. The character relationships and plot progression would be better appreciated if you binged it, so yes a rewatch is in order haha. The series is very binge-worthy, the pacing of the episodes and the bite-sized clues and hints in each one makes each episode interesting.
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All in all, Saiai - literally "beloved" or "dearest" - was a satisfying drama from start to finish. I was a bit apprehensive of their pacing in the last two episodes in terms of the big reveal, but I'm very glad that they wrapped everything up nicely. There were just two plot threads that I think were not fully explained, but overall, it was a very good last episode. The theme of the drama was also drawn out very well, I can't think of a better title than Saiai, and indeed, the catchphrase "the truth disappears with love" holds true.
What a ride. Saiai is now under my 2021 favorites and my all-time favorites list, and it's all thanks to each part of the series from the production, to the story, acting, music, and rewatch value. Despite my love for this series, I won't erase the truth - and that is that it is a satisfying, well-produced drama that deserves to be watched. So if you haven't yet, this is your sign to watch it now.
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About a love that has somehow lost its suitability for everyday life over the years
“Between Him and Her” is an alternative to the tried and tested Cinderella love story, which usually ends with a supposedly “they lived together happily ever after”. Therefore, this story is about 7 years later...The KDrama is rather down-to-earth. It is set within the world of young creatives of Seoul´s fashion scene and tells about a love that has somehow lost its suitability for everyday life over the years. A love that became a habit.
Eventually, a critical moment causes the barrel of internal, unnamed, silent, consuming dissatisfaction to overflow and thus gives necessary strength to actually question everything. However, questioning everything also means having to ask yourself the unpleasant questions. Unfortunately, the answers are not clearly “yes” or “no”. They´re lurking subtly, are not always logical, nor pragmatic or even negotiable. Sometimes it's a "Yes. But." Sometimes it's a "No. But." The problem is: whether it's "yes" or "no", both are true. Love is not always automatically suitable for a partnership... and even if so, this cannot be considered a given either. Nevertheless, that doesn't make such a love any less true or valuable.
For outsiders, on the other hand, the matter may seem more evident. As a audience, we might want to shake one or the other. But in the end the answer unfolds exclusively from within the very personal, complicated emotional world of him and her. Nobody else can have a say. And the KDrama conveys that quite vividly, rather authentic and painfully realistic, too.
Accordingly, the pacing as the two protagonists are taking stock of their emotional relationship, is rather cautious and introspective. Therefore, subplots are providing some invigorating comedy and a bit of drama on the outside, thus pleasantly topping off this little study on certain facets about love.
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This review may contain spoilers
Dynamite is lurking everywhere that could bring the Empire down... but who dares to set it on fire?
First of all: should you watch "The Empire"? In any case. Yes! But: The KDrama isn't funny or soul food at any point... Rather, it provokes by intelligently and multi-layeredly confronting the ugly sides of the glamorous world as well as the almost hopeless rebellion against it."The Empire" stylizes the world of that top 1-10 percent, that outrageously wealthy and influential elite of society who can afford a lifestyle that the rest of society dreams of. At the same time, this elite presents itself as mendacious, bigoted, moral scum. Dynamite is lurking everywhere and could explode at any moment. The KDrama paints a dull, tired, bored, vile, quarreling picture of the rich - not a radiantly beautiful one brimming with vitality. Wealth is displayed in a feudal manner, but it seems a bit pietistic, even from the outside it's rather cold, empty, stale and sad. The color saturation has been reduced accordingly. Some clichés are tickled. Privileged decadence is predominant. Elitist arrogance rules the luxurious, isolated orbit of a calculating, selfish family dynasty. Everything here is expensive, bare, distant, decadent, and nothing is welcoming, warm, beautiful, or friendly. With all that wealth and success, no one is free or happy. ´Trust´ is a foreign word in this family. This makes the KDrama hard to bear in places.
The conservative elite in "The Empire" feigns progressiveness by throwing snippets of English into their conversations. However, this seems artificial (dramaturgically quite effective) and (yet) not very convincing, rather quite strange, because their arrogant fantasies of exclusivity are nothing more than mendacious, feudally inspired traditions, old energy full of cobwebs. When the young, life-disappointed but highly talented student brazenly appears in front of the self-proclaimed aristocrats on her vendetta, it is downright unheard of. But basically it is exactly that and much more of it, what it takes to push the dusty elitist behavior to its limits and ultimately really abolish it. There is no awe in this young woman. It may be that she has the courage of the desperate. Never mind After all! The modern system is already stumbling through her presumptuous impertinence. Interesting that this brave young woman is actually introduced as the bad guy - because we as viewers see the story (initially) through the indignant eyes of the self-ennobled nouveau riche - those who want to represent a class of their own and who are used to directing fortunes behind closed doors according to their interests. To a certain extent, the dramaturgy identifies 'us' with those who govern the "Empire". 'We' are identified with order being maintained and respected. And yet it is difficult for 'us' to side with them. This elitist world presents itself as too lost, too sick, too decadent. ... This collision of two worlds is highly explosive and wonderfully depicts the inner turmoil and contradictions within society.
In between, the journalist seems a bit helpless as a plaything for those who provide her with information for her interests. Despite all the bite she has, she is first on the hunt for her own professional success. The 'thing', what needs to be researched and uncovered, becomes a means to a personal end. Journalism, with its democratic mission, is thus also floating on the edge of decadence and gives little hope. (Yet, hope there is...)
And then there is the protagonist Han Hye-ryul: herself a child of that problematic, ambivalent elite, third generation of the empire full of influential lawyers founded by her grandfather. At the same time bearer of hope for a modern democratic society. She takes her responsibility seriously and uses the opportunities that her origins gave her in the cradle constructively in the service of the community - she does NOT bend the law according to her personal discretion, but her truly innovative credo is: she sticks to it for ALL binding law. She tries to follow her professional path with true integrity. Such genuine integrity gives hope to the masses. On the other hand, they frighten the elite, because this robs them of the foundation of their shadow power.
However, the torchbearer of legal integrity is, beyond her professional ethics, also a person who grew up in a world full of privileges. As a child of the elite, she not only automatically inherits money, fame and influence, but also old guilt, and when in doubt she is pilloried. As a woman, she has feelings like everyone else. As a wife, or rather a betrayed wife, too. As a daughter. And as a mother too. She is therefore challenged on several fronts at the same time.
"The Empire" tells the story of a woman who, out of deep conviction and belief in a legal system, wants to undermine the autocratic, arrogant elite coalition. However, she is the child of a family that is involved in such things whether she wants to or not. And yet it is precisely this family tradition that makes her the full-blooded prosecutor that she is. By tradition, she wants to do her work excellently and in an exemplary manner. And for her personally, that means cleaning up the mess of backroom deals and exclusive privileges. Finally someone who believes the rule of law is above ALL? And not only that: the protagonist is one with an ego that (luckily in this case?) is strong enough to actually take on the powerful enemies. So is there perhaps still hope for a better, fairer world? "The Empire" works intelligently on this question. There is no easy answer to that. The crushing moral swamp to traverse is overwhelming...
... And then there is the fourth generation in the family clan... the son of Han Hye-ryul. He actually ticks quite differently ... for his part, he is the bearer of hope for a new dimension. He wants to swim his way out of the swamp of tradition, and yet he is torn between his feelings for his parents and grandparents and his own needs and desires. He doesn't dare, and yet...
------------------ Side note: --- Inflation of KDrama productions, in which the rich and powerful take center stage in the context of law and order---
The corrupt networks, which want to reach the top circles and the blue house, have become an almost inflationary context for KDramas and movies. A trend that has already been observed in recent years. But 2022 will surpass everything that has been produced so far. "The Empire" is one of many 2022 productions that settle accounts with the discrepancy between free democracy, responsible citizens and equal rights for all on the one hand and class society, strict traditions, hierarchies and autocracy on the other. "The Empire" unashamedly and unequivocally, without any ribbons or icing on the cake, unveils how difficult and long the road still is - to a society in which citizens are actually all treated equally before the law. There is obviously still one instance of power that in 2022 in South Korea is firmly convinced that it is above the law...
Why is the profusion of KDrama productions, in which the rich and powerful take center stage in connection with law and order, so inflated at the moment? So that it maybe/hopefully slowly really sinks into mass consciousness and from there it gets to each individual that this must/want/can come to an end! So sledgehammer: monarchical Joseon is history! Aristocracy and class society are history! Dictatorship is history. Let's go South Korea! Stand tall, walk tall! Don't be blinded. Don't be tempted to join in with this old class thinking and to feel a little more valuable if you have someone you can trample on...
No more reverence and respect. No more feudal lords and serfs. Actually, this is presented every week in KDrama, in the cinema and in the news: that the venerable elite is actually morally rather underground and such a life is neither honorable nor desirable. But as long as the viewer's gaze continues to be dazzled by arrogant behavior and luxury items and prefers to look past the lazy core, there will (have to) be endless KDrama variations with sometimes bigger or sometimes smaller sledgehammers. But that's not surprising either, because the centuries, even millennia-old, tradition teaches something completely different... it has been class-thinking all along...
Nonetheless. South Korea counts the year 2022. It is official: We (even in KDrama Land) ALL have a value and worth regardless of origin, past or future - not just a few percent wearing particularly expensive clothes. Wealth or poverty or anything in between and beyond is independent of a person's worth before the law. If we, who apply the law, still act according to ´other´ laws, allow ourselves to be seduced and bought and used, secretly hoping to be able to take such a quick shortcut further up, then it is our own fault. No one has the right to beat us, use and exploit us and throw us away after use like garbage! No one.
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Rough around the edges, but super fun!
I had little to no expectations going into Fish Upon the Sky, as I found the trailer and concept pretty underwhelming and cliche. On top of that, it began airing a week after Tale of a Thousand Stars, which I absolutely loved, so the bar was set pretty high in my mind at that point. Now, after having completed the series, I can say with complete certainty that, although it does not surpass TOTS in the slightest, Fish Upon the Sky is one of GMMTV's stronger series over the past few years.I'd first like to go over what I loved about this series and then what I didn't love as much:
To start, and I'd say this is the main selling point that sets it apart from it's predecessors, Fish Upon the Sky is absolutely one of, if not, THE funniest GMMTV series I've seen. I find a lot of the delivery comedy wise in GMMTV series to be a little cringy and sometimes hard to find funny, but this series does not have that problem in the slightest. Although Pi and Mork have some really funny scenes, especially towards the beginning, the humor really shines in the "Story of a fifth-year student" scenes with Meen and Duen. Both of them have really perfect comedic timing, and the ridiculousness of their scenes are so fun to watch!
That actually leads me to my next point, which is that the side couple is so charming! I often find myself skipping side couple scenes in a lot of GMMTV series such as MilPhukong in 2gether (I'm sorry FrankDrake!!) which is, similarly to FUTS, based on a Jittirain novel. However, in FUTS, the side couple is so incredibly likable and fun to watch! Both Neo and Louis give really fun performances and have great chemistry both comedically and romantically. To be honest, and I'll touch on this later, I actually would sometimes find myself skipping scenes with the main couple just so I could get to their scenes! Their dynamic is just so refreshing and cute! Towards the beginning of the series, they reminded me a lot of PickRome from Senior Secret Love: Puppy Honey, but as the series went on, they proved to be a lot less toxic and a lot more lighthearted, which I absolutely loved. I believe Louis is a new face at GMM, and I absolutely hope that he has more roles in the future because he's packing so much talent (he can sing, dance, act, he's funny, and he's just so freaking adorable!! PLEASE I"M BEGGING YOU GIVE HIM MORE ATTENTION!!!)
I think the last stand out thing I really enjoyed about this series was Phuwin's role as Pi. I think Pi was a super unique BL protagonist. His struggles were super relatable, and his snarky attitude was really fun. I also liked that he wasn't afraid to stand up for himself when he was being harassed online Phuwin really really surprised me in this role, as I was only familiar with him from The Gifted Graduation, where I found his acting a little overdone and uncomfortable at times, but here, he felt super natural and authentic, like you could know him in real life! I know he's around my age, so it's super impressive to me that he's able to do so well as he did, and I hope to see him in more roles in the future!
Alright now onto the stuff I didn't particularly enjoy:
This is definitely an unpopular opinion, but I really did not enjoy Mork for the majority of the series. I think a lot of fans were really charmed by his looks (Don't get me wrong, I was too, Pond is VERY pretty), but I think because of that, they overlooked a lot of the glaring flaws in his character. For one, he was super pushy with Pi. He kept insisting and insisting and insisting that Pi really liked him, and ignored when Pi asked him to leave him alone. Moreover, him egging on the MorkPi fanpage shippers was really not cool, especially after Pi made it VERY clear he was uncomfortable with it. I just found a lot his behavior to be reminiscent of the toxic archetypes commonly used in BL, and that just did not vibe with me, I'm sorry. I think he did have his good moments, for instance, the confession scene in episode 9, but overall, he was just way too aggressive and forward with Pi for my comfort levels. On top of that, and I really hate to say it because he seems like such a sweetheart, but I don't think Pond's acting skills were developed enough for this big of a role just yet. As far as I know, this is his second role ever after The Gifted Graduation, where he wasn't even in the actual show, but a narrative ad that played after the last few episodes, and it really shows. A lot of his line delivery fell flat to me, and his more emotional scenes didn't hit me at all like Phuwin's did. I think he has a lot of potential, and I'll definitely follow his work moving forward, but I don't think he was ready for this performance.
Another thing I didn't love was the story. Like I said, before going into FOTS, I set my expectations low because the plot was so cliche, and although I was impressed and surprised by other aspects of the show, which I touched on earlier, the plot was absolutely everything I expected, and not in a good way. The whole "ugly duckling" storyline is super played out, and paired with the original enemies to lovers dynamic MorkPi originally has, it just feels like nothing new or interesting. What's worse, in the Pi is perfectly good looking even before his whole "transformation"!! I feel like "My Dear Loser: Edge of 17" is a prime example of a well told ugly duckling story because you see the transition in both looks and personality, and how those affect the protagonist, whereas FOTS doesn't fully commit to this storyline, so it falls flat and feels unnecessary.
This is kind of similar to my last point, but this series is really hypocritical in its message, as it tries to both denounce a lot of common BL tropes while feeding into those same tropes at the same time! The whole storyline with the MorkPi shippers is a great example. Pi stands up to the shippers and defends his privacy, telling them how serious what they're doing actually is, which is fantastic, but right after, the show goes back to making the shippers seem goofy and lighthearted when, just as Pi said, what they're doing is really not a joke. The female characters, which in this show are far and few between, are either annoying, or used as a plot device to get one of the two couples closer together, which plays into the incredibly damaging BL trope of demonizing women. Bam was a really great character because she genuinely wanted Pi and Mork to get together, and then in the end out of no where, with literally ZERO foreshadowing, she sabotages them because she's apparently been secretly in love with Mork the whole time? Like wtf? There was no reason to do that with a perfectly good character just for the sake of causing drama in the last episode, especially when it was all resolved so quickly.
Finally, and this is SUPER nitpick-y, but the music in this show is so bad?? I'm not talking about the opening and ending songs which are both really beautiful and catchy, I'm talking abut the random English songs they use constantly that are laughably horrible and really distracting throughout. I know that's like not important at all, but I haven't seen anyone mentioning it so I just wanted to point it out lol.
Overall, although it's littered with overused tropes and sometimes uncomfortable acting, Fish Upon the Sky is a really fun series that deserves a lot of the love it's getting. I can't wait to see what these actors do next!
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STORY
Byun Ji Sook is a hard worker trying to help her family get out of debt. Seo Eun Ha is a rich girl who doesn't really have to work hard for anything. They look alike but their not related. Circumstances happen that end up with Byun Ji Sook taking over Seo Eun Ha's life. How long can you keep a secret? How long till living a lie eats you up inside. A story about greed, revenge, family politics. This story has everything, romance, mystery, drama, intrigue, slice of life. Whenever a drama takes me on an emotional roller coaster, it's a good one for me.
ACTING/CAST
Soo Ae was pretty good at portraying two characters who are polar opposites from each other. I've only seen her in one other show and it was the movie "Sunny" which I can't really say I liked her acting there. I can't remember her acting there. >_<
Joo Ji Hoon, what can I say, I just love him. I love his stares and this acting reminds me of when he was Prince Lee Shin in "Goong".
Yoo In Young was pretty good at playing the annoying older sister. She has the perfect villainess look. :D
Yeon Jung Hoon, now this guy wore his mask real well. I don't know how he could keep lying with a straight face all throughout the drama. He is one of the characters I love to hate. I just wanted to shake him.
Hoya, I saw him in "Reply 1997" and I like him in Infinite. But this drama, I really loved him more. He wasn't like in a lot of scenes but in the ones he were in, he's showing some promise with his acting.
Jo Yoon Woo, I want him as my secretary :D. He really cares for his boss and he's just too darn cute.
MUSIC:
Lyn's song "Just One Day" I can just keep listening to it over and over. Navi's "Tell Me A Lie" is pretty good too. I really like the instrumental during the Ji Sook/Min Woo moments.
RE-WATCH VALUE:
Yes, I would re-watch this. I like watching the main characters' journey of overcoming the multiple obstacles to their happiness. How they did their best to protect the ones they love.
OVERALL:
I would recommend it. If you like a little mystery, intrigue, romance with great actors then this drama is a good one to watch.
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