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Last Episode was a Bomb!
Until the very last few minutes of the final episode, I would have given this Kdrama a 9.5 rating. The ending, although not sad, was lack luster and NOT worthy of all the previous wonderful moments. So, so sad! Why, why, Writers, didn't you have a better, romantic, full-of-love, live-happily-ever-after ending for the two main characters? You gave all the other characters complete happy endings.......in fact, there was too much focus on the auxiliary cast vs the main characters............Again, so, so sad! P.S. The astroturf in front of the Monthly Magazine Home building was really sad....shame on the set designers.Was this review helpful to you?
I love melos and haven't seen one that really got my attention in a while
A romantic melodrama that depicts the story of a man and a woman who, exhausted from their harsh reality, begin to understand each other with new emotions and find themselves gradually changing.The FL and her prickly attitude. I AM LOVING OUR CHAOTIC FEMALE LEAD.
First thing I really want to mention is how much I really like the entire Shim family. The siblings are adorable and the mother is a pretty nice person, now that we finally get a chance to know her. They are good people. It makes you even sadder that their father, who seemed to have a good relationship with them before, cheated on his wife and abandoned his family.
She really was dealt by life with so many shitty cards due to her father’s infidelity, and I think because of the trauma and environment she was raised in she was never able to fully express her opinion or be open about anything. She can speak about what’s on her mind about other things and people. But you can see her and her siblings struggle with being open and honest with each other - they instead choose to pretend to not notice things. So I can see why this is difficult for her.
The chemistry is WOW - Lee Sung Kyung and Kim Young Kwang both are incredibly expressive with micro expressions. The director and writers and actors are all incredible.
My heart broke for all of the characters. The oldest sister consumed by anxiety and the pressure of being the oldest, who feels like she failed her siblings by being weak minded. The mother who was ill later on but before that, disappeared when her kids needed her the most, consumed by the pain and anxiety of her husband’s betrayal. The FL who felt like the world was on her shoulders and that happiness never would be hers again. The brother who feels guilty for how immature he has been, but really doesn’t see that in normal circumstances it would be okay at his age to chase his dreams.
And then we have ML, I feel so bad for him because aside from the man who was his stepfather and took him camping, he has been so incredibly lonely. You really finally hear from him how badly his mother treated him, leaving him alone for days as a child while she pursued a married man. She failed him in so many ways, neglected and abused him, and never apologized for it. In fact, she continued to torture him and destroyed his personal relationships. His life revolved around the destructive hurricane that was his mother. When he said he never even called her mother then, I had tears in my eyes.
For a show about revenge, there’s just so much love. Romantic love, love between a parent and her three children, love between siblings, love between life long friends, love between co-workers.
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Let's conclude here :) hope you are convinced by my views and already started watching this 😂❤️
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This review may contain spoilers
I'm going to start by saying, I will defend this drama in this review so please if you don't agree, feel free to ignore me.I don't understand the amount of hate and scorn this drama has been collecting from basically before it even aired. I get it might not be your cup of tea, but no need to destroy it without even giving it a chance. [To defend the robot/human category I should write a whole article on its own, but. Ever heard of Bicentennial Man (1999), with Robin Williams? I, Robot? Or, most recently, the tv show Westworld? We've always been intrigued by the possibilities hidden in the A.I. realm, so really, what's so weird or wrong or hateful in a drama that takes this concept and turns it into a love story?]
I really loved the original manga and I've been waiting for a transposition that would do it justice, and honestly, My Absolute Boyfriend did not disappoint (much, but not because of the plot, which wasn't that different from the original material). I mean, this drama didn't pretend to be something it wasn’t - it's a rom-com, cute and light and fluffy, and you'd probably enjoy it much more if you don't start watching it with too high expectations.
Yeo Jin Goo’s ability to jump from a dramatic role (The Crowned Clown) to this one is fantastic, and he tackles the both of them with the same professionalism, despite the raw difference. As terrifying as he was in the role of a psychopath king, he is just as adorable in the role of a newly awaken robot built to be a Dating Companion, and clings to his girlfriend with the same eagerness and enthusiasm of a pup (every time he called her 여자 친구 my heart melted a little). At first he simply follows his code, which is why Eom Da Da doesn't trust him, or his feelings; of course, she's also dealing with the abrupt end of her seven-years-long relationship with actor Ma Wang Joon, so that's why she's cold and tries to keep a distance between herself and the robot.
I didn’t know Bang Min Ah before this drama, but I liked her despite some awkward acting in the beginning – it almost feels like this was her first job and she still needed to get her footing right. But she’s a very expressive actress, and made me cry almost every time she was even a bit sad (she’s either really good or I’m simply too empathetic, lol). It was a bit annoying at first for how she acted towards Yong Goo because instinctively I wanted to protect the pure robot boyfriend, but she managed to grow on me.
As time passes, however, we start to notice a change in Yong Goo: whereas his code should make him act in a certain way, he defies all logic and does all the opposite, to the point where he even manages to 'wake himself up' from a reset that would have supposedly taken all of the memories he had with Eom Da Da – thus preventing from ever remembering her. As his love for Eom Da Da grows, so does his intelligence evolve and advance, making him become self-aware: he wants, he feels, he longs for thing he shouldn’t – he pretends to be loved just as he loves, placing the first stone towards him becoming more human.
[The man who built him used to read him “The Happy Prince” before he was released in the world (something that tells you how this story will end from the start, so you keep watching all the cute and fluffy moments with a bitter sweetness that make them all the more precious), so really, Yong Goo was made to be a hopeless romantic: it’s not surprising that he ended up developing those kinds of feelings.]
Of course, the drama has its flaws. Like the one-dimensional "villain", Diana, who really is nothing more but a spoiled little rich girl; she’s the original owner of Yong Goo, the one who paid for him to be clear, who was however famous for destroying her robots and being generally an awful person. Which is why the man who built Yong Goo kidnaps him and sends him to another owner instead of her – he loves his creation too much to risk letting him end in the wrong hands. Ugh every time Diana appeared on screen I had this urge to hit her, which is bad because I don't like violence, but, you know - one of those sharp slaps that kdramas are so famous for?? That wouldn't have hurt. Instead, we get to watch her act badly and gloat as she hurts people, purposelessly.
And don't get me started with Ma Wang Joon - the personification of Can't-Take-No-For-An-Answer. The guy believed that he and Eom Da Da never actually broke up, so had the nerve to be jealous and annoying whenever he saw her with her new boyfriend, without all the stupid consequences of that behaviour. They were trying to justify him in the beginning with the unoriginal "he's being an ass and a terrible boyfriend because he's being threatened and doesn't want to put her in danger", but you can imagine how that worked out for him. Spoiler: it didn't. Even the writers shrugged and gave up on that storyline at some point, lol.
Some episodes are slower and more boring than others, something that can happen with 40 episodes to fill when one does not have a clear idea of what to do with the characters and the plot as it’s evidently the case with the writers. It’s like that meme – they’re a little confused, but they got the spirit. I personally wouldn’t have given Ma Wang Joon so many scenes with the protagonist: there are way too many episodes with him as the lead in the relationship with Eom Da Da, considering that they didn’t plan to make them go back together – something that it’s very, very unclear up until the last ten or something episodes, by the way and that leaves you with some weird aftertaste because you wasted too much time with him instead of deepening the relationship between Da Da and Yong Goo: it’s as if they did want to make her go back with her ex-human-boyfriend, but changed idea half-way and didn’t know how to salvage that storyline. Letting it just die and – ruining the flow.
So, the plot could have been better developed, no doubts – we could have done without a few characters or some useless plot points – but that doesn't take away too much from the final product. It's a sweet, funny, uncomplicated love story between a young woman who has been disappointed by love and is now a bit cynical because of it, and a gentle, kind robot who falls for her so much that it breaks him, in the end, and makes her fall in love with him in return. Loving her makes him human, and he prefers to 'die' instead of losing all memories of her love to save himself. Damn, the last six episodes made me cry like a fountain, but it was worth it. I never felt like his feelings for Eom Da Da were forced or fake – it’s pretty clear that the poor robot truly loves her, you can’t help but cheering for him. #protectYongGoo2k19
I personally think that the cast made a marvellous job with the (objectively scanty) material they had been given - something that with another crew of actors would undoubtedly be cringey and a bit lame, they managed to turn it into something pleasant to watch and lovely to enjoy. The actors did a good job, and made me watch the whole show without skipping a single scene, keeping me entertained until the end.
I would definitely recommend it, and 10/10 would watch again.
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One of the points that makes it a substantial drama is its characters. Kokoro is your typical happy-go-lucky girl, a point mentioned throughout the drama as a joke. What makes her different though is that she never imposes her solution on others. Her job in the drama is to watch the people around her, as we the viewers do until the characters find their own solution. This brings us to another great point in the drama, where even though it seems we have a weekly lesson learned, problems are ongoing and don't get magically solved by the end of the episode it got introduced. We do get the episodic focus, but issues do get revisited later as we see where the characters are headed. This gives us better-paced character development, as the characters make decisions about their work and their lives. Another element I'd like to mention is the way the drama peaks into the characters' lives'. We don't get a full explanation and detailed background about them, we just get enough to know how this is affecting their current lives, views, and work. We only know what we usually know as we get closer to our colleagues at work. To this end, this is a drama about work and career.
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I feel this drama represents not only how publishing works in Japan, but how the entertainment industry works there overall. It is what makes Japan produce these artistic works while hand-in-hand producing the usual predictable easy-to-sell works. The episode focused on Yasuda Ken's character Yasui-san emphasizes it most, but we do explore that theme more than once. I won't go into detail as to what it is exactly, I will leave it for the viewers to discover. I'd just like to add the way the drama itself is produced is representative of that idea. As I mentioned earlier, it looks and sounds like those typical dramas, but just by peeling that layer off, you find something deeper, as each episode goes by.
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I have to mention how much I loved all the characters here; Takahata, Yasui, Numata, Wada-san, Mikurayama, Koizumi the lovely Iokibe to name a few, and the cast did an outstanding job no matter how much or how little we saw of them, but my most favourite by far Nakata Haku the disturbed aspiring manga artist. Nagayama Kento played him to perfection. The whole cast did an outstanding job, but I just love how that character was handled. I wish we had seen more of Narita, the character played by Kaname Jun.
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Do give the drama a try, and give it at least 3-4 episodes and you will understand the gem I'm talking about. If anything the eye-candy in here will sure keep you entertained ;)
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Bad try...
The main issue with this drama is that it really wants to be deeper than it is. It’s like that one friend who insists on wearing sunglasses indoors to seem mysterious, but in reality, just bumps into furniture. In an attempt to be as enigmatic and "artsy" as possible, the show throws the viewer straight into the middle of the plot without a map or even a vague sense of direction. Explanations? Pfft, who needs those? Character introductions or motivations? Absolutely not—figure it out yourself by squinting at cryptic expressions and awkward pauses, and maybe, just maybe, you’ll piece it all together.We’re presented with three main characters, and the storyline juggles between them with the grace of a toddler trying to juggle flaming torches. Add in some random time skips, and you’ve got yourself a thoroughly confusing start. But surely, you think, surely the middle part will make everything clearer, right? Wrong.
Take, for instance, the mysterious "crime" that Cha Jung Woo committed to be banned from writing under his own name. Everyone in the drama talks about it with such cryptic vagueness, you start to wonder if even the scriptwriters know what happened. The more you think about it, the less sense it makes. In the age of digital printing and self-publishing, this whole "banned writer" storyline crumbles under the weight of its own illogic. What’s stopping him from publishing a blog? Or an e-book? The drama seems to think that being vague equals depth, but really, it’s just confusing.
And as for the romance—well, let’s just say you can forget about that entirely. One day, they wake up and decide, "Hey, I think I want to be with that person," and poof, we’re supposed to believe there’s a grand romantic connection. But there’s no build-up, no sparks—just two people suddenly deciding they’re in love because, well, the script says so. It’s about as romantic as accidentally grabbing the wrong person's hand in a crowded elevator.
There’s nothing particularly memorable about this drama—except, perhaps, for that one song they use repeatedly, which might just get stuck in your head whether you like it or not.
Overall, I’ve seen worse dramas, but I’ve definitely seen better ones too. If this show didn’t spend so much time pretending to be more profound than it actually is, it might have been a far more enjoyable experience. As it stands, it’s like a shallow pool trying to convince you it’s the ocean—just don’t dive in expecting depth.
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I consider the acting performance in "Room No. 9" as it´s true highlight
Another KDrama about revenge? Not quite. Ok, it´s about injustice done in the past. Yet, it´s rather about the desire for official recognition of innocence, let alone the unjust verdict - as reconciliation with fate. Revenge is secondary. I would say, that is good news. The protagonist is more concerned with her own peace of mind than primarily with new suffering that she in turn has to inflict on her perpetrator. She doesn't want to keep turning the wheel of fate, she wants to stop it.Yet once again, being stuck in the past is a driving force: in this case, the protagonist sits in prison awaiting execution - for decades. ----- SIDE NOTE: South Korea has in practice stopped using the death penalty, but all legislative initiatives to officially abolish the death penalty (most recently in 2019) have so far failed.
Dramaturgic maneuver with magical components: a body swap. The motif is not new to KDrama. Although the personalities in the body are now different, the bodies themselves still have their cellular memories plus the environment inevitably remembers the person originally owning this body. So there is lots of room for funny situations - although they are always solved humorously, they are not slipping into farce. The story is serious and touching, but also playfully told. Laughter is allowed. A teardrop here and there, too.
I consider the acting performance in "Room No. 9" as it´s true highlight: Kim Hee-sun and Kim Hae-sook manage brilliantly to unite the characteristic aura of the other and thus perfectly embody the switch. They are marvelous to watch. And it's a pleasure to see the experience in the body of the other person has a transforming effect becoming a new (cellular) memory...
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I kinda prefer it to the anime XD
the actors were amazing and made the characters really believable
I gave this 10/10 because it is truly an amazing drama
lots of love for the story, acting, music and characters :D
Definitely recommend to anyone!! :D
It made me laugh and cry and is hilarious at points :3
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What to expect: a festival of backstabbing.
Don't watch it if you despise convenient plot points, because almost every single twist and turn here is exactly this.
Imagine a storyboard, an intricate and tensed network of possible outcomes. As the story flows, it forces some lines to close down. Some chess pieces are bound on their positions, limiting the movement of others. Some are taken down (destroying evidence is a recurring theme of the first half or so - which, realistically speaking isn't a wisest move on a characters' part, but it's necessary for the plot to move forward; once a deal is finished, it's impossible to restore the former status (but hey, there's a twist on this too!)).
The first episode is a gateway of sorts, filtering out the viewers who aren't for this kind of story (the controversial part is even in the official trailer). A journalist gets killed, his friend framed for it, and a judge known for his integrity blackmailed to announce him guilty. Framed man's daughter seeks the judge's help, but feels betrayed in the end and sets him up, trying to create a pressure point on him. He ends ups tangled between Taebaek law firm's all-reaching influences and her blackmail, facing an impossible choice. Sprinkle with hints of latest political scandals from real life and you have a Taebaekgate of your own.
WORLDBUILDING
There are no right choices here. It's a bleak and ruthless world in which power overcomes truth and justice can be bought. Everyone important knows each other and sits in Taebaek pocket. The law firm serves as a symbol here: it recruits its employees from the elite lawyers, prosecutors and judges by orchestrating their downfall from behind and generously offering them a place to stay. Then it feeds on their former reputation and abilities.
Many people complained that a hero introducted as just and incorruptible breaks so easily and turns shattered and 'spineless' during first few eps, but that's the point. 'Whisper' suceeds in creating a sense of encirlement, hopelessness and inevitability.
CHESS PIECES
Characters' cunnery manifests in being in right places at right time with right people and smirking knowingly. They're smart enough to forsee one or more moves of the opponent ahead, but it doesn't mean they don't lower their guard from time to time. And yes, deadpan and smirk (and furrowed brows…) are dominant expressions, but first, I don't think it was actors choice, two, there's much more to it (a honourable mention for Hyung Mook, let's hope to see more of him in the dramas).
There's no clear, progressic character development, only people being poked from different angles and reacting accordingly. In a sense, it's not about Dong Joon and Yeong Joo substantially changing at all, because those two (especially she) were badass from the start, only their means were limited. For them, it's about achieving their goals. They come to their original point, only stronger and calmer. What changes the most is everyone around them losing their comfort, realising that the rotten world they know so well affects them too, that they too could also fall prey of a betrayal, not just stage it for others, and that people they trust and love won't always put their good first. All the sense of comradery in crime falls apart.
ROMANCE TAG
There's a love line and it stopped me for some time from even starting this. (Two, actually, but I don't want to completely rob you out of feeling smart and perceptive in a first few eps.) Its existence may or may not feel a little forced. It develops gradually and for the better part of the show consists mainly of male lead spacing out watching female lead being awesome, his gaze tinted with guilt. If you don't feel like watching a drama with a romance tag, you can safely ignore that for the first 12 episodes or so and pretend they're just partners with a hostile start, reaching an adorable intimacy later [here would be a gif of Dong Joon stealing a bite of Yeong Joo's salad from her plate].
However, the important part is: they both have agency during the show, can act separately and aren't overly protective. In the end, them developing feelings for each other serves as just another pressure point.
I could say there's a 'strong female lead' (and it applies to both to various extent), but the thing is, not a single character is gender-limited to begin with. They aren't forced to act or behave like males or females at all.
Also - the poster is right. It's not about main couple and their vengance only, all four characters are equally important. I'd even argue that the other two carry the story once the things between the former are roughly settled.
What it doesn't depicts, are four fathers. There's a rivalry and resentment between Choi Il Hwan and Kang Yoo Taek and it cast a shadow on their children. Lee Dong Joon has family issues too. But all of this is treated as a mean to a purpuse.
17 HOURS OF YOUR LIFE
I tend to avoid crime/law/suspense/mystery/… dramas longer than 10-12 episodes, because stretching it further calls for people running in circles like a headless chickens and creating misunderstandings that could have been easily avoided if they just stopped and used their brains for once. Not a case here. On the contrary, obstacles come from constant betrayals on every front and people trying to protect oneself on other's expense. The pacing is fine. It takes some time to dismantle stalemates within stalemates and get enough power to force the truth. When this drama does prolong some event or a threat, it does it in such a manner to close all exits but one. For example, you can see someone soon-to-be framed for something at the beginning of the episode, but it takes some preparations to make sure that person will have little to no possibility to get out, and if s/he was taken sooner, s/he could save him/herself much easier (enters a fire destoying what little evidence have left). It's logical and kinda mechanical.
Anyway. I didn't skip a scene, which is something to brag for me these days. There was a week-long break forced with the presidental election coverage, but it's not noticeable. Recaps and flashbacks are minimal if any during the better part of the show, but there's more towards the end, because it was originally written as a 16 episode drama.
It's not super realistic in details, but uncanny in essence. The story is cleared out of all the accidental clutter and wholly focuses on the main plot and connected subplots showcasing the main players. Don't expect much of legal cases or police investigation. They do work, but it mostly serves as a setting since they don't meet mundane problems or unrelated cases. If something comes up, it's used as an exposure point, to reveal something from the past or to create a new problem that can be used against someone. Characters have only skeletal backstories - and for me it works. For many it doesn't.
Generally speaking, if you don't feel an urge to cheer for your characters, but rather shake them, throw on an arena and see who'll last, you've found yourself something to watch.
MUSIC
Tolerable and sparsely used for a kdrama standards, mostly instrumentals and background noises (clock ticking etc). Main theme is a latin chorus (with a hint to an early plot point), but it's nowhere near as pretentious as say, K2.
VISUALS
That's the biggest forte for me. First, it's stylish, two, it's fitting. It heavily relies on contrasts. Taebaek resides in a fortress-like building, a huge grey cube with slot-like windows. (Of course it has an open roof for dramatic conversations in the wind, duh.) It's interior is all glass, chromium, highly polished marble and some rough stone on the walls. Tight, dimly lit corridor leading to the owner's office ends with an anti-chamber filled with a terra cotta army and two hostess taking away all electronic devices from the guests. It's an example, but there are many locations and they all match the common theme. Interior decorations items are used within the plot. People mostly wear elegantly matte fabrics and everyone is coordinated for the sake of coherent screencaps. Even PPL doesn't hurt the eyes that much. The lighting is cold, blueish and artificial and it bonds all the scenes for the scale I haven't seen before in a kdrama. It's on par with Cruel City's grittiness and darkness or W clear division between two worlds when it comes to a coherent worldbuilding.
HUMOUR SAMPLE
'My father is not here today, they are having a praying meeting in their community, so the embezzlement of the temple funds won't be found out.'
Pros:
- Highly motivated, flawed, charismatic characters
- Reasonably smart intrigue (forming alliances and shuttering it, finding weak points and exploiting it)
- Good acting
- Even pacing, engaging power struggles, focused storytelling, clear and somewhat elegant structure
- Visually pleasing (and it's an integral part of the worldbuilding)
- Comic relief isn't overused, neither is the story too dry and serious
- not makjang.
Neutrals/cons:
- Convenience everywhere. Some things that never have any business be written take tangible form.
- Music fits the mood and action, although it ranges from forgettable to 'dear lord, not K2 again'
- Romance feels forced an unneeded.
- Not very engaging on an emotional level (there's a lame attempt of holding the viewer hostage with making one character badly sick in the middle, but I still don't really care for anyone or anything). It brings out repulsion, pity maybe, a satisfaction from people meeting their end and justice triumphing, but that's it.
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Anyway, this is my first time seeing Eugenie Liu and I instantly like her, I'm always into badass, femme fatale who can kick ass and wouldn't go into the damsel-in-distress route once the 'prince' arrived.
She has a good chemistry with Jasper Liu, and their kissing scene is bam! Maybe because this is Netflix, so less of those frozen lips kisses and this one has been pretty satisfying. This is only the 2nd Jasper Liu drama that I've seen, the first one is his first drama with Puff Kou. I think that he has matured as an actor, and if he's given more chances to do more variety of roles, he'll be one of the best.
The other characters, especially Din Din and Angie's right henchmen, Liu Guo, gives the comedy relief for this drama. It was a surprise that they were given their own storyline, which makes this drama funnier and 'more open' to other love possibilities.
Angie's fiance, Eddie Kim, is pretty hot, and the twist at the end could mean that we'll be seeing more of him if there's a second season. BTW, he also the right chemistry with Angie and you can see that sparks did fly when they meet again as adults, if I'm not so biased with Jasper, I think Eddie and Angie's storyline has a great potential.
The story might be trite, but this drama is overall fun, something that will warm you up when its cold and would give enough sunshine during gloomy weather. Since this is only 6 episodes, might as well binge-watch this.
Oh....it also has a cool soundtrack, particularly the english song they played. Anyone knows the title?
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What I most enjoyed? Kim Rae Won's character, Sang Min, is probably first place. Afterwards, Moon Geun Young. It's funny, because at first I hated Bo Eun for the way she treated Sang Min. But at the end, you can really see she regrets what she did, and manned up to it. Also, her acting is really genuine. I haven't seen many dramas or movies, but I can still say that her portrayal has been my favorite. No exaggerated facial expressions, thank God!
And finally, the story itself. I didn't see any over-the-top "comedy" scenes, or those crazy dramatic scenes you see in most dramas or movies. This was the light-hearted story I've been looking for ever since I started watching dramas. Seriously, if you're doubting about watching this, then don't. I recommend this to anyone!
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This review may contain spoilers
This may be the only drama, after Goblin, that made me cry- and I'm not much of a weeper!The story line was new and refreshing, and it was filled with moments that were relatable, hilarious and heart breaking. After watching the final episode,I came to the conclusion that this was, in my opinion, one of the many masterpieces of Korean television. The actors all had great chemistry together, especially the main leads. I really liked the way each relationship was explained and portrayed. Because if this, the last episode had me bawling my eyes out as we said goodbye to each of the staff members. Also, the ending to me was brilliant. The way that they all were connected in their next lives made me so happy as I felt like they all got the happy endings that they deserved, especially Man Wol and Chan Sung.
Don't even get me started on the OSTs for the drama. Although most of them were quite slow and emotional, each artist brought their own flavour. My personal favourite was Done For Me by Punch as I really enjoyed the music, and the lyrics had so much meaning behind them.
Overall, I can say without a doubt that this drama is an incredible story, and is now one of my all time favourite dramas ever!
P.S. I really wish that Kim Soo Hyun's cameo in episode 16 was a hint at a possible season 2?
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BEFORE YOU CONSIDER THE MDL's RATING...
I liked it. You might like it too. It's a hit or miss.The major let down for most people who didn't enjoy this was the pacing of the story. The answers to the snowballing mystery were initially given too slow. And when this happens, the audience are bound to lose their attention and forget what the original suspense was about.
I personally did not mind this. The writer still managed to hook me into the mystery. and as each week passed, I found myself growing more and more ravenous for answers. For some, this will deter them from coming back to watch it due to the lack of trust in the plot as the answers to the mystery weren't delivered in a timely manner. But for myself and others alike, this will compel us to drop all our work and chores to stream it the second it the episode is available.
This show is definitely a hit or miss. It is one that requires patience to be enjoyed. The story slowly builds up with suspence and only rewards the audience with answers until the last remaining episodes. It is really down to preference, but for me, when the answers to the main mysteries were rewarded (after sitting through 10 episodes of confusion, frustration and having absolutely no idea to what is going on in this unpredictable plot) it felt very liberating.
The acting was decent. I liked it. This wasn't a surprise as I was familiar with Cho Yeo Jung from Parasite and Kim Young Dae from Extraordinary You. I haven't heard of the other lead actors until now, but they did a good job.
The show didn't have a particularly wide range of music scores, but regardless I found the OST enjoyable, especially the ending theme 'O.V.E.R.' by Suran. The song gave me a lot of sweet psycho vibes, which suited this drama very well.
I'd say give this show a chance. As I said, you'd either really like it if you have patience, or drop it. I mean, the worst possible outcome is that it's not your cup of tea, and that's okay, at least you gave it a shot.
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I don't think the actual concept of the story is anything original but I'm really suprised at how unpredictable they were able to make it. The time flew by and I didn't feel that there were any dull moments in the plot. Very well written overall.
Acting was great and the cinematography was amazing. I've watched some works with Park Shin Hye and I really liked Jeon Jong Seo in Burning, so I expected good acting and I wasn't disappointed.
*This might be a spoiler, maybe not.*
Even though I didn't really like the ending, that won't affect my rating because I don't think a happy or satisfying ending has to always be the goal in movies. This whole movie made me feel pretty unsettled and anxious but in a good way if that makes sense? (my english vocab isn't the best but I'm trying to think of words to describe my feelings, please understand hehe)
If you like open endings and psychological stuff, this will suit you really well.
I finished watching it maybe 15 minutes ago and I think I need a moment to do some thinking.
In short: Not for people who don't bother to think after or aren't capable of understanding "deep" stories in the first place.
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STORY
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When three unrelated strangers, Shin, Neo and Miw, were forced to run together from a gang due an unexpected incident occurred. Is it luck that one of the three is the son of the gang leader (Shin) that is after them? Or will the other two (Neo and Miw) take advantage of the son of the gang leader to gain the upper hand? That seems to be the consistent theme all through out that will make you think, is the son will betray his new found "friends" to gain his father's approval? Or will he help his friends to eventually escape the gang who is after them? So how unrelated the three truly are when you learn that there is one person among the three that is common to the other two. Is it really that fate that jokingly put them together, or it is just a matter of time that the paths of the three will eventually crossed?
On the surface this would be a typical gang-related series that you took one of ours, then you should be eliminated. But that is not the case here. You will realize that each of the 3 has a past that is somehow connected to a family member that led to their current state of "misery". And as the saying goes, "misery loves company". All of them has this unspoken goal: to prove to the world that I am more of what is my past. It is through this misery that they find comfort and sees each other eye to eye. But will this bond be enough to get themselves out of the hole they are in? Or will this gathering will be their demise?
Truly, this is a series of crime committed after the other and seemingly unending violence, loyalty and standing your friends, making up for the mistakes you made with your family and achieving a dream. All of those inter-woven in a seemingly complicated plot. But once you were able to figure out what and where it needs to go, you will see perfectly created canvass of real life SURVIVAL.
After the violence and deaths that had happened, will there still be a happy ending for anyone? And will anyone be truly free from their past to build a new future? This what you have to find out.
I deliberately left out the sexual relationship among the 3 as for me, it is not that important than what was formed among them. And that is what I want for the viewers to focus on. The sexual tension is just an icing on top. To mellow down your adrenaline pump and redirect it into something equally exciting. Can it be left out? NO. As it serves the catalyst of the whole story, beginning for series of unfortunate events.
ACTING/CAST
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Let me start the review of the cast and their acting from MY most favorite to the least.
JENNIE as MAE - this is definitely a breath of fresh air. For the longest time I have been watching Thai series, may it BL, straight or mixed, this is a first that humanizes a trans-woman and gave some sense of dignity. Unlike what I watched before that a trans woman often gets ridiculed, a butt of jokes, mocked and treated like lower than a second class citizen. Here, you can see that a trans woman also have a dream, gets hurt, struggles, fight back when pushed against a wall... just... like... any... other... human. Jennie gave life to Mae, her chasing an identity she had dream for so long, the pursuit of what she thinks can make her happy, pay back the kindness of the people that shown it to her. Her character is one of the most develop in this series. She starts of with a meager job and when the unfortunate happened, she "man" up. As the series progress, she becomes tougher and tougher, often times at conflict with morality where is currently placed herself in. Can she attain "justice" by inflicting injustice to others, this the main theme of her character. And she has the most important role here! For that, kudos to the team behind this!
GUNsmile as TER - Is another character that transitioned well. From playing Prem in SOTUS with anger management issue, to a wacky ghost friend in He's Coming To Me, he is turning into one versatile actor. What helped his role here as Ter is his role as Prem. A no non-sense guy that is willing to do anything and everything to complete the task he was given. And how he takes care of Mae here, reminds me of how he treated Wad (Fluke of SOTUS) after both of them were engage in a fist fight. It started as a promise with a friend that eventually led to something more. His role turned a mere "baby-sitter" to protector to a support buddy. You can clearly see as well how he changed from a strong-willed gang member that nobody can changes his mind if he sets his mind to it, to being influenced in thinking things through with logic and sense of responsibility. And he is so handsome in the last episode, Gunsmile should smile more!
TAY as SHIN - If you have been following him, you most probably know that he is connected to New. And perhaps you seen his acting developed from to Kiss Me Again, to the Our Skyy special, truly he can deliver what is required in acting in a romantic role. But this time around, it is way different. Here, you can see a nerdy looking, naive, detest violence and to a degree, a gullible guy. If you watched him first here then watch him paired up with New, all of the characteristics of his role here is the exact opposite. And that speaks volume on how good an actor he is. Shin character here is torn between friends and a father. Often times you can see him struggles and even second guesses his decisions. One can also see the situation he is in, a normal life or a life of a gangster. Early part of the show, it is establish who he will chose between the two. But towards the end, you might think otherwise. It is only in the last episode that was clearly shown who he choose between his friend or his father.
MILD as MIW - I watched this girl first in Kiss Me Again as Sandee, you can see her assertiveness in getting a thing done. Bossy at times. But lack of airtime can make you wonder, "Is that all she got?". Then I watched "Happy Birthday the series". Oh boy! I was impressed how she transitioned her character from Sandee to Tharnnam. From then on, I know she is a versatile actress that dares not to be stereotype as far as a character that she can play. Her role here as Miw is an edgy, sassy and you can see also a vulnerable side of the character which she gives justice. Now as she reprise her role in "Dark Blue Kiss", personally, she sets up a high bar that she needs to overcome; but I don't mind being the good old friendly Sandee to Pete and Kao. It will speak the consistency of her acting. Miw here is constantly veering away from an ugly past, trying to prove to others that she more than what she was used to be. Often times, you would see her "battle" through to prove her worth, and in the end, she did. With her looks here is inconsistent in what she is trying to be. It is a demon that she is constantly trying to get rid off. Nothing but praises for Mild's portrayal of Miw.
JOSS as NEO - To be honest, this is the first series/movie I watched him act. And I am impressed as well. His acting as the leader of the group was done with credibility as he shows when to stand by his decision, when to level with his friends, when to be soft and caring. He is the perfect lead role an action themed series or movies as he got the looks of this bad boy image, the body and his height suits that kind of character. I hope to see him more acting with a similar theme like this one. What I like also about the production team is how they make Joss looks like, with little or no make-up at all. You can see numerous close-up scenes the blemishes on his face which makes the character more credible like who wears make-up in a gun fight, right?
TOPTAP as PP - For two series I watched him appeared, Water Boyy the series and SOTUS, you will develop a feeling of disliking the character. That is no different from this one. BUT WAIT! There is definitely more than being disliked. and sure enough, he can be adorable too! When a role demands to be hate, like Joffrey Baratheon, and viewers hate you, then you are doing a great job. But his angelic face does not really suits a role of an antagonist or to be disliked. He needs more role of a bubbly, adorable roles that when he smiles, one can melt easily.
PRAME as LUANG - When he appeared as Nack in The Gifted the series, it felt that he could have shown his acting more, only if he was given more airtime. But given what he has in that series, he was able to show a couple different side of the character. But for Luang, it is just a one layer character, it lacks diversity in his emotions even a back story is not that solid. Even when Luang is one of the important character that helped the 3 extensively.
MUSIC
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I really don't expect a memorable music or song from an action series, after all, the show needs to pump as much as adrenaline into your body and not a second to waste mellowing down, smelling the flowers on the roadside. However, how I wish they production team put more of the heartbeating background sounds that will leave you at the edge of you seat waiting what will happen next. There were a lot of gun pointing scenes, as expected from this genre of show, but you know already what will happen next since it lacks the suspense factor of a background sounds.
REWATCH VALUE
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It is really hard to rewatch something that there is a definite ending. All lose ends are tied up and when mystery that was set early was completely resolved. BUT, it doesn't mean that you will be wasting your time watching this.
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The story obviously isn't original- this drama is made with all our favourite drama tropes in mind- but the format made it very entertaining. I'm actually really surprised this doesn't have higher views on here, how many times have we watched a drama and had second male lead syndrome? Well with this drama that's impossible, as you can make your own ending.
Will she go with the cute underclass-man, the childhood friend who would do anything for her, the cool school sports star, or the protective bad boy? You decide!I watched all the possibilities but my heart is with Jooho as I'm a sucker for the bad boy type.
Random dance numbers aside, Click your Heart is a well put together drama. It's short, sweet and easy to watch. I really hope there are more like this in the future.
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