The Guest is unlike any kdrama I've ever seen before. It's bloody and dark and overall just a really good horror show. They really went all out there with the horror sometimes and it was great. The story, way it was shot, the actors, and the music also worked so well together. Overall it was just a really fun drama to watch.
Many people found it difficult to watch because of the horror that was on display. I am very fond of this kind horror, with ghosts and demons and stuff, so I was kind of in my element. I switched off the lights and turned some candles on before (almost) every episode. I had a great time watching it.
The story was for the most part very well put together. It started of very strong (and because of that some of the following episodes felt a bit weaker in comparison), but there were a lot of interesting twists and turns in there and some really fun characters. The begrudging collaboration between the three main characters that, along the way, turned into some beautiful friendship was awesome.
Often when you thought you knew what was going on, or what was going to happen, the drama managed to twist it just a little bit. There were a few times when a episode ended and I just sat there watching the credits and just going; "oh, shit."
Some episode were a bit slower than other and sometimes those episodes felt like they were more fillers, especially towards the middle and right before the final episodes rolled around. But you also needed to slow things down from time to time and not have it all action. But there were also episodes were everything just clicked together and everything had a nice pace to it. The drama isn't perfect. No drama is.
There was a time where I felt like we were a bit stuck running around in circles, where there was almost the 'possession of the weak' going on and a lot of the same turns of events were happening and some parts felt a little repetitive, but we were still gathering a lot of new information’s and clues while running around those circles, so I did not mind it too much.
I don't know if I will ever watch a kdrama quite like The Guest again. It felt like a unique viewing experience, even if the themes of exorcism and all of that aren’t new to horror movies or shows. I felt the Guest kind of tried to make it their own. For me it was something new and fresh compared to other kdramas. And I shall miss watching it.
Was this review helpful to you?
A fresh Kdrama from a winning script
At first, I have low expectations for this. Business or office drama is not my favorite genre. It can be a boring subject. But this drama seems to understand that and deliver the content in a fresh way. Below are the reasons why you should watch this:1. The chemistry between both lead: Park Hae Jin and Kim Eung Soo is so good, they should get Best Couple Award
2. Every case or problem is solved quickly in an episode or two. I like that
3. Every character is not just a side character, they have their own story. Even the grandma that act as the receptionist
4. The plot twist here and there that make you wanted to watch from ep. 1
5. Even serious event can be a comedic one
6. Lessons on friendships and office teamwork are told smoothly with fresh scenarios
7. Marketing strategies that some of us can relate to.
8. A funny ending and anti-cliche one (I like the ending)
9. The trot songs are refreshing compared to pop songs in all dramas
Hope the writer create more script like this. Kdrama seems to run out of ideas.
Was this review helpful to you?
Daring, Romantic, Beautiful
After CQL (“The Untamed”), many viewers called for more dramas like it, and are pleasantly rewarded with this drama. “Word of Honor” (WoH) is unexpectedly daring, romantic and visually beautiful. Adapted from a BL novel, “The Wanderers” by Priest, this drama was expected to have the BL elements toned down, if not totally eliminated, to pass censorship, To the surprise of many, here, the show of love is blatant and unabashed; according to readers, the adaptation is faithful and they are delighted.Story
One is guilt ridden, and seeks to redeem.
One is revenge ridden, and vows to avenge.
One is young with no skills, and promises to become better.
They all have one thing in common - they’ve lost everything. When they meet, they become a family, watching out for each other. Life becomes meaningful again.
Many viewers ask the question how this drama is compared to CQL (“The Untamed”). Though of different genre, CQL is xianxia and WoH is wuxia, there are many similar parts, such as the search for some relics that everyone kills to possess, the monsters/zombies, music therapy (to heal, Wen Ke Xing plays the flute, Lan Zhan plays the guqin), herd mentality, dark can be light, and white can be black etc. They even use the same composer Lin Hai to compose the music. The visual effect of both dramas is very beautiful with amazingly good-looking actors.
“Word of Honor” is a very typical wuxia story with various sects and alliances, emphasizing on chivalry, altruism and compassion as virtues. Compared with “The Untamed”, the relationship in this drama is more explicit. Within the first episode, one would know it's more than platonic - there're more skin-to-skin contacts, and admiration words are flying everywhere. Having said that by episode 22, the BL elements become more subdue and the dynamics somehow shift to more brotherly. Nonetheless, the undertone is still the vow of “till death we part”. There is not so much of the actual plot, but this drama dwells deep into the inner feelings of the main characters – their fears, their hatred, their guilt – and how they try to redeem themselves. A lot of feelings are channeled in an unspoken way, leaving room for interpretation.
With Wen Ke Xing (Gong Jun aka Simon Gong), Zhou Zi Shu (Zhang Zhe Han) is understanding and benevolent. He has great respect and patience for Wen Ke Xing who is a broken man. Wen Ke Xing continues to use flamboyant words to cover his own pains and feelings, and constantly test Zhou Zi Shu with unanswered questions to determine if the latter can understand him truly. They become each other's soul mate, and accompany each other wherever they may go; their constant bantering and teasing is fun to watch, and their CP chemistry is undeniable. Many of the dialogues have deep meaning using analogies and idioms. The use of poems in expressing love and admiration for the other is lavishly done, making the declaration direct and yet classy and meaningful.
Acting
The overall acting is good, in particular for Gong Jun (Simon Gong) as many viewers have pointed out. He has a playful and at the same time a devilish mysterious look which helps him fit perfectly as the gray Wen Ke Xing character. His ability to change from a dark side with devious hatred in his eyes instantly into a bright, cheeky and flirtatious character, or vice versa, is commendable. All this is done aesthetically and convincingly. I particularly love all his fighting scenes, beautifully executed.
I am normally critical of Zhang Zhe Han's acting, but here, he nails it, either as the dark face rugged looking Zhou Xu or the handsome somber Zhou Zi Shu.
As many emotions are expressed through few words but with the actors’ eyes, both main leads have given a rich performance here.
OSTs
As mentioned earlier, the OSTs are composed by Lin Hai who has also composed the OSTs for CQL (“The Untamed”). For me, the OSTs here are less memorable though I have enjoyed listening to the title theme song.
WoH or CQL
I’m not trying to compare apple to apple of the two dramas. I’m just trying to answer some questions new viewers may have. When viewers express that BL not their cup-of-tea, they are being labeled as homophobes and attacked en masse by fans. But attacking others doesn’t make one less bigot.
The Chinese title for WoH is Shan He Ling, which makes me think, just because Chen Qing Ling (CQL) is successful, did they also try to copy the naming style of the title to give WoH a similar feel for the Chinese audience? Shan He in this case has less relevancy than Chen Qing in CQL (The Untamed).
For me, WoH has not touched me as much as CQL has. I have been almost in control, apart from some burst out laughter, throughout the whole drama whereas CQL has made me cry a river. I like the lighting and colors here, and the CGIs are probably done better here too. The fighting scenes here are very beautifully executed, especially with Gong Jun’s scenes (I know I’m repeating, but his fighting scenes are really very good). But the story is not as rich as CQL, the super villains are not as mysterious, and the pains not as intense. The BL elements though are very explicit which may turn some viewers away whereas in CQL, they are very subtle, expressed in thousands of symbolisms, songs, and minute actions. Some viewers even find the relationship platonic in CQL.
My Verdict
There is great character contrast - one is active and the other passive. Both characters have unbeatable fighting skills. The lavish use of poems to describe feelings is brilliant and sophisticated. Great cinematography and great fighting scenes. Visually, like CQL (“The Untamed”), this drama is beautiful. There is a lot of actions, and at the same time, the drama spends a lot of time exploring the inner feelings of the characters.
If you love watching men ogling each other openly, this drama is for you. Else skip the first 20 episodes, but then there's nothing much left to watch and you may not follow the story. Of course, all this boils down to personal taste. Some people didn't like CQL but love WoH. Likewise for viewers who have loved CQL and found WoH not measuring up. And some love both, like myself.
Though there are flaws, I must applaud the courage in producing such a work of art that does not conform. Overall, I have enjoyed this drama.
Great watch!
Was this review helpful to you?
A Very Fun Light Watch
Yes, the production value is low, low budget, random actors/actresses, mediocre acting, etc. But this drama is very fun to watch, and honestly none of those matters compared to plot/story. The director and screenwriter is the original author, so if you like the novel you will definitely like this. The main character here is probably the best and coolest ML ever. Very strong but hides his power until its needed, knows what he wants, definitely not naïve, and is not a lovesick puppy. Simple story, simple writing, but still manages to be very entertaining and funny, I can't wait for next episode every time, very suitable for binge watching, The pace starts out very fast but it does slow down a little at 20+ ep but it is still faster than the average dramas.And the best part? No angst, none of those annoying bullshit trope in all those xianxias and what not, no misunderstanding, no "losing powers," no toxic love rival, none of those usual annoying tropes in most other dramas. Most of the villains are comedic reliefs which is fun to watch, we know they are going to lose like immediately because the main character is overpowered and it feels great watching main character who is not hopeless. Yes, I'm aware that this trope is quite common in novel and manhua, BUT none of those gets live adaptation ever, so hey, this is the best thing to that in live action format! We barely got any xuanhuan adapted if any, but instead all we drama viewers got are all these endless angsty xianxias.
I wish there will be season 2 but it's very unlikely but who knows. It is unfortunate that the donghua also looks low budget, the manhua looks pretty bad, and novel is... just text.
Was this review helpful to you?
This review may contain spoilers
This may be the only drama, after Goblin, that made me cry- and I'm not much of a weeper!The story line was new and refreshing, and it was filled with moments that were relatable, hilarious and heart breaking. After watching the final episode,I came to the conclusion that this was, in my opinion, one of the many masterpieces of Korean television. The actors all had great chemistry together, especially the main leads. I really liked the way each relationship was explained and portrayed. Because if this, the last episode had me bawling my eyes out as we said goodbye to each of the staff members. Also, the ending to me was brilliant. The way that they all were connected in their next lives made me so happy as I felt like they all got the happy endings that they deserved, especially Man Wol and Chan Sung.
Don't even get me started on the OSTs for the drama. Although most of them were quite slow and emotional, each artist brought their own flavour. My personal favourite was Done For Me by Punch as I really enjoyed the music, and the lyrics had so much meaning behind them.
Overall, I can say without a doubt that this drama is an incredible story, and is now one of my all time favourite dramas ever!
P.S. I really wish that Kim Soo Hyun's cameo in episode 16 was a hint at a possible season 2?
Was this review helpful to you?
BEFORE YOU CONSIDER THE MDL's RATING...
I liked it. You might like it too. It's a hit or miss.The major let down for most people who didn't enjoy this was the pacing of the story. The answers to the snowballing mystery were initially given too slow. And when this happens, the audience are bound to lose their attention and forget what the original suspense was about.
I personally did not mind this. The writer still managed to hook me into the mystery. and as each week passed, I found myself growing more and more ravenous for answers. For some, this will deter them from coming back to watch it due to the lack of trust in the plot as the answers to the mystery weren't delivered in a timely manner. But for myself and others alike, this will compel us to drop all our work and chores to stream it the second it the episode is available.
This show is definitely a hit or miss. It is one that requires patience to be enjoyed. The story slowly builds up with suspence and only rewards the audience with answers until the last remaining episodes. It is really down to preference, but for me, when the answers to the main mysteries were rewarded (after sitting through 10 episodes of confusion, frustration and having absolutely no idea to what is going on in this unpredictable plot) it felt very liberating.
The acting was decent. I liked it. This wasn't a surprise as I was familiar with Cho Yeo Jung from Parasite and Kim Young Dae from Extraordinary You. I haven't heard of the other lead actors until now, but they did a good job.
The show didn't have a particularly wide range of music scores, but regardless I found the OST enjoyable, especially the ending theme 'O.V.E.R.' by Suran. The song gave me a lot of sweet psycho vibes, which suited this drama very well.
I'd say give this show a chance. As I said, you'd either really like it if you have patience, or drop it. I mean, the worst possible outcome is that it's not your cup of tea, and that's okay, at least you gave it a shot.
Was this review helpful to you?
This review may contain spoilers
I recently finished watching Unstoppable High Kick as have started High Kick Through the Roof, also known as High Kick 2, which a second season of the High Kick sitcom series with different characters. Although some of the cast from the first season appear as cameos. The seasons are totally unrelated.I started off my love for all things Korean with Unstoppable High Kick. It was my first drama and I have to say, it is my favorite. Unstoppable High Kick has this kind of 'fun' family setting. I have thought many times that it would be so great if I could just place myself among the Lee family and live my life with them. I know, for sure I could never say life was boring.
The sitcom takes us through a joy ride of the daily lives of the Lee family and the 'psuedo-family'(what the show refers to friends of the family who are in their household most of the time- basically act like it's their house). We are shown the ups and downs in the lives of each character in the family. This is what I love the most about this drama. Each character gets the floor at a certain point and we see things in their perspective. The daily lives of this characters are hilarious. The coincidences, the situations, will make you laugh. Though, rarely will you crack your sides with laughter.
Lee Soon Jae, the head of the household (grandfather) is beating and chasing his eldest son, Lee Junha, around the house, for causing him to lose money in his stocks. Lee Junha's wife, Park Haemi is lecturing her mother-in-law, Na Munhee, about the faults she made when doing the housework. Na Munhee is extremely angry because her daughter-in-law treats her so condescending though her feelings are only expressed in her thoughts. Lee Junha and Park Haemi's youngest son, Lee Yunho, the 'bad guy', is chasing his younger brother, Lee Minho( the studious one) and Lee Minho's best friend, Kim Beom, who got the title "home-stay Beom". Lee Minyoung, who is the youngest son of Na Munhee and Lee Soon Jae, would most likely not be present, since he acts anti-social towards his family. Although, the romance part of the show includes him. Hwang Chansung, a classmate of the boys and calls himself Yunho's bestfriend, is listening to Hip-hop through his headphones and breakdancing amidst all the ruckus. Na Hyemi and Kang Yoomi are fighting with each other.
^That my friend, is the Lee Household in a nutshell.
And of course, the reason why I started watching this 167 episode drama was because of Kim Beom and Kim Hye Sung(Lee Minho)'s bromance. They displayed a deep friendship throughout the show, even hints of some yaoi- but nay. Though, they had a few fights throughtout the show. Not to mention:
Minho: Beom.
Boem: Minho.
Minho: Beom!
Minho: Minho!
[insert hug here.]
Well sorry for the long review. It's just that I really love this sitcom and would recommend it. Don't let anything deter from watching it. Overall, I enjoyed watching this show a lot. Compared to the second season, the first is superior and I enjoyed it much more.
Some quotes from the drama:
"What the...All the people in this family are crazy"~Nurse Yu
"Why does everything in this family have to be so abnormal?" ~Park Haemi
“No one in that family is normal.” ~Nurse Park
Was this review helpful to you?
This review may contain spoilers
Despite all the catfights there is a deeper grounding to the story. Intelligent. Emotional. Opaque.
"Battle for Happiness" is based on a novel, the author herself having written the script for its KDrama version on PayTV, too. The story offers refreshing substance - with insight into honest emotional worlds underneath a shimmering dishonest surface. Powerful, intense women, who also have their sore, hidden wounds, shaping a surprisingly powerful story. Hats off!The story is set in the elite world of elite Gangnam mothers in the elite (fictional) Gangnam housing block Herinity. But even though the ladies may have made it into the upper league of society by marrying a lawyer or doctor or having wealth in some other way, they are still far from happy - even if they do almost everything to make it look as if...
Perhaps one could say that the KDrama is (again) a reckoning with the dubious concept that gives preference to the radiant, shimmering external appearance over truthful, sincere substance. But that's quite abstract. Actually, “Battle for Happiness” is rather precise. The battles are taking place in the mud of the protagonists' hidden secrets and weaknesses. That is dirty. That is mean. That is malicious. That is cruel. But that's what the life of those Gangnam mothers is all about. The societal backdrop is characterized by the overall social pressure to perform and compete for pole position in the race for the top spots in the social pyramid. But this is actually just the backdrop. It's actually less about the children. They are ornaments of their mothers. The mothers, on the other hand, are in the spotlight - wealthy, frighteningly powerful, influential women. Vulnerable people, nonetheless.
Admittedly, at the beginning I was tempted drop – those bitches! So false, so dishonest, so calculating, it was almost unbearable... The social media in their function, to spice up one´s own life a little more gloriously on the outside, are elaborately integrated into the overall dramaturgical structure. However, I stuck with “Battle for Happiness” because despite all the catfights there is a deeper grounding to the story, whose charisma can eventually fully unfold.
In fact, I'm glad I stuck with it, because the story offers an exciting rollercoaster ride of assumptions and suspicions. "Battle of Happiness" suddenly turns out to be a captivating crime thriller in which an inconspicuous private person takes the investigation into her own (unexperienced and sometimes naïve, impulsive) hands. Yet, even more appealing to me is the naturalness in which this KDrama gives a hand for compassion - even with the worst of the she-devils: the lady, who as the incarnated princess of hell in designer clothes initially got people´s minds running wild...
It´s the ladies, who rock the show. They are mothers, wives or single. In any case, you can't get past them. And they, for their part, cannot avoid facing their own sore wounds, which are catching up with them one by one. We consistently dig deeper into the hidden emotional worlds of those women (plus also a couple of men and some children). They must face their personal emotional battles, even if they don´t want to. In the best case scenario, they become their actual battles for happiness, as they lead to their very personal questions and truths - what is REALLY crucial in my life?
There is a dubious mathematical equation circulating among those ladies that goes something like this: 'The amount of misfortune I cause someone else becomes a factor for my personal happiness.' Well, even if I'm myself not great at math: If you multiply whatsoever by zero, as far as I know, zero still remains, isn´t it... So eventually, those ladies are forced to work on THIS point in the equation (the zero!)...
...and some of them actually take advantage of this opportunity as an outsider penetrates the aloof world of the Gangnam ladies. One, who doesn't think much of all the elitist concepts of happiness and competition, but instead innocently keeps looking for the perpetrator.
I wouldn't have thought so at first, but in my opinion "Battle of Happiness" is clearly one of the better, more substantial productions that 2023 has to offer so far. Comparisons with existing KDrama productions that are set in a similar milieu and/or wade in the mud of the glittering elite may perhaps come to mind. But "Battle of Happiness" tells its own story! And in my opinion it is definitely worth watching. (...if you are not looking for Romance or Oppas or Comedy…)
Most of us may never get near such exclusive worlds. However, wanting to fool others (and ourselves), feeling better when others are feeling worse, sometimes doing something to others that we wouldn't want to be done to yourself... hardly anyone might be immune to these human impulses. If we take away the exclusive luxury world, from which many may easily distance themselves, then we're still left with the beastly temptation that may linger in all of us. Maybe/hopefully we just don't let the beast in us out of the bag so uninhibitedly...
So I could summarize: I appreciate the intelligent, yet still highly emotional approach and the opaque processing of those different relationship dynamics between the protagonists.
Was this review helpful to you?
The story is good , the cast was nice and the music was beautiful. I thought it would've been much better if they replaced plastic surgery with a normal weight loss but either ways I enjoyed it till the very last end.
It was short, cute and most of all entertaining without any blank moments.
Was this review helpful to you?
1Emotions and their parallel to art: shaping love and searching for a ‘forever’ through sculpture
"How does one become such a great artist?" — "How do you define great?" — "To stand the test of time." — "I wonder if forever exists."Artistic, pensive, beautifully crafted, and unique in its cinematographic ways—‘Wakatte Ite mo: The Shapes of Love’ explores the vulnerability of struggling, waiting, hoping, and loving. It perfectly portrays the essence of human nature and captures love in its many different shapes under a refreshingly realistic light. It represents these themes through art in a mature and abstract manner, much like the concept of humanity and love itself.
In a world where "there is nothing more uncertain than a person's heart," the story follows the lives of artists who create art driven by their inspiration and their desire to create their own sense of forever. They are ready to put aside their usual composure and values in order to seek the heart of their loved one. For example, Kosaka Ren, the male lead, wants forever. He may seem to act in the opposite manner, constantly changing girlfriends, however this is his way of experiencing his 'forever' by always surrounding himself with the beauty of new beginnings. But when he meets Hamasaki Miu, he's ready to put that habit of his aside and sacrifice the paths he's always safely borrowed in his life to stay by her side. Another lead, Osakabe, thinks it's bad to act on lust, yet his world melts the second he sees his crush’s smile. Lastly, there is Ikushima Ruki, who wants to be with his crush but lets her be with another if it means gaining her trust and friendship first.
Ultimately, the series perfectly encapsulated the original webteeon’s overall message, reinforcing it with scenes and lines that portray its message more explicitly instead of requiring heavy analyses like it was for the webtoon’s Korean adaptation; ‘Nevertheless,’. The shortened run time allowed the leads’ journey to be explored more thoroughly without weighing down the whole series with its heaviness. Additionally, the poetic and inspirational narration made it easier to grasp its concept and allowed for a more direct interpretation of the webtoon’s work—keeping its core themes but casting aside tropes that don’t add to its main focal point.
Through Hamasaki Miu’s eyes, the female lead, Ren is the butterfly—beautiful, attractive, light, and seemingly free—giving her the illusion that he has it easy. The series adds a new meaning to the significance of butterflies: they are thought to be a symbol of freedom, but actually, they just fly the same paths over and over. Maybe the best thing they can do is just enjoy the ride. This goes for both of them because they are both like butterflies, or at least, they both try to carry the essence of butterflies by capturing their fleeting beauty through art. When Ren finds Miu, he wishes to metaphorically capture her, who is like a butterfly to him, but one who hasn't opened its wings yet.
Ren wants to approach her, mostly out of self-interest, intrigued by how she expresses her inner-feelings through art without fear, but also because of a certain fate-like pull that builds up following their many coincidental meetings. However, he is a playboy by nature—flirty and manipulative. He seems more curious about how far he himself is willing to go or devote to her rather than the other way around, not caring about her reactions and staying consistent in the attention that he devotes to her.
His push and pull plays with her emotions; his stance in his affection towards her grounded in unsteady terrain, teetering her back and forth into the territory of hopefulness and then desperation. This constant shift in Miu’s emotions highlights the overall theme of the series, which is that she can't help but hope even if she knows things will come to an end or leave a scar. Nevertheless, Ren constantly ignites these feelings of hope within her, making her want to reach out and seal the faith of their relationship—an impulsive act that mirrors his own tendency to act on impulse.
Kosaka Ren is a rather peculiar character. Since he is not good at sharing his feelings, he uses art to communicate them. Even we, as viewers, don't know him quite well and have been misguided by him many times with deceptions based on what we do see from him. For example, we don't know if whenever he picks up a call, it's his girlfriend. He never clarifies misunderstandings and viewers are prompted to believe he's a player and always the one at fault. However, in the last episode, “I couldn't succeed in becoming the most important person in her life” is a line said in his narration while the screen presents a note his mother left saying she'd be absent for lunch. This shows how he doesn't have commitment issues as is suggested throughout the whole series, but rather that he blames himself for the constant departures of the people around him in his life. Instead of being a playboy, he's the one constantly getting played and letting others tug on him like a puppet.
He's not the butterfly who comes and goes, but the others around him are, flocking to his beauty like butterflies do to flowers—which explains his longing despair for a 'forever'. “Gradually, I got used to giving people what they expected of me.” Ren only mirrors what those around him feel and how they act. He does this because he wants to avoid experiencing pain or loss, and whenever he declines their proposals, or finds himself wanting more, he always ends up getting hurt. And so, he chooses to follow the same paths over and over again like a butterfly with everyone around him, trying to please each one of them while looking for a piece of his own self through their eyes—which he eventually finds in Miu and soon enough, catches himself searching for her instead of his own self. This growth of his is beautifully captured through a certain scene, where he looks at a girl whom he doesn't actually like but plays along as her boyfriend to avoid pain—his usual toxic habit—yet only sees Miu's eyes instead of hers.
Through this endless cycle, where he has the habit of constantly putting himself last, he says he ended up losing his identity. He essentially became a canvas of however one sees him, having different versions of himself through different pairs of eyes, like a piece of art. Like someone interpreting a sculpture, Miu, as well as everyone else, can interpret him, what he says, his actions, and what is and isn’t known about him in their own way. Through Ren, who is like a sculpture, Miu hopes to find her forever. And through her, he sees yet again another chance to find his true meaning and define who he really is despite his traumas and past experiences in life. This is essentially why he leads on and makes so many people try to fall in love with him—because he wants to find the one, his true self, and his forever.
It is said by Miu’s toxic ex boyfriend that the female lead's wings are tied down, leaving only her thoughts to wander. However, there’s another interpretation suggested in the series: that her wings are rather too heavy to go forward—not tied down by external forces and submitted to others, as her ex had suggested through his sculptures of her falling to the ground and begging him to stay—but perhaps heavy because of the weight of their worth and hope, waiting for their reason to take flight in a world that keeps letting her down. The female lead, whose name means "beautiful wings," beautifully encapsulates this struggle of waiting for hope; hope that ultimately introduces itself in her life through the male lead.
From the very beginning of the series, during their first encounter, Ren recognizes this wait for hope of hers through her pleas for her boyfriend to stay. Instead of perceiving her pleas as a desperate and hopeless attempt of begging for something long gone, he sees that all she wants is to hold a promise of a future with someone, and that she has hope for something more than what she already has. This is ultimately what draws him to her.
There are a lot of similarities that the female and male lead share—their fear of abandonment, their wish to freeze a loved one’s heart in time and gain a forever happy side by side with them, and their struggles in finding what they want in life. Though Ren doesn’t express his struggles and desires aloud like Miu does, he addresses them through his fiery art, which tells another story from the nonchalant version of himself that is presented through his character and the aloof image that he lets on—reserved, quiet, and who lets other people make things up and narrate his life.
Despite their seemingly stark contrast, both faces of himself that he puts out into the world stem from the same thoughts and emotions he has. His art paints a strong image of resilience, longing desire, and determination in pursuing what he wants—emotions that give him the impression of being lost and left with nothing but wavering emotions. In real life, these feelings of his manifest through his calm composure that radiates a sense of aloofness and indifference.
This overwhelming desire to find the key to freedom and his true self drives him to act like the playboy type, not knowing who to love or dedicate himself to. His art, on the other hand, portrays his sense of lostness as something fiery and bright and that drives him to maddening lengths, putting him in a fight against society’s typical representation of love and relationships, and forcing him to confront his true feelings.
Ren, in a way, relates to Miu and sees himself in the scene before his eyes, where he sees her for the first time. Through his eyes, witnessing her meltdown opens a window of opportunity. Ren likes to capture that happiness in the brief flutter of color in his world, like a butterfly, so he’s drawn to her strong personality and wants to capture the beauty that lies in the most beautiful and intense human emotion, which is love. From that moment on, he tries to draw that emotion out of her by making her fall for him. He does the same for other girls when he flirts, all to satisfy his somewhat selfish desires to only have a portrait of pairs of loving gazes around him so that he’s surrounded by beauty. At the same time, through this tactic of his, he gets attention from the opposite gender, mirroring his mom’s absence in his life.
Even if Ren’s actions can be perceived as stemming out of selfishness, his supposed attraction to her is also beneficial to Miu because he wants to awaken this strong, powerful, and beautiful feeling of love within her. He wants to make her wings flutter and for her beauty to be set free by expressing her emotions instead of restraining them and staying tied to the past that she’s stuck in. This is vividly illustrated when he guides her to smash the sculpture where she’s begging for her ex to stay. But her perspective of it contradicts his own: he sees her beauty through that sculpture; nothing bad and submissive about it, but instead, brave for not being scared to reach out and try to grasp what she truly wanted—something he doesn’t know how to dedicate himself to doing.
Similarly, just like how Miu struggled to be freed from her painful last moments with her toxic ex that had been frozen in time both metaphorically and literally, Ren also wishes to be freed from his own struggles. For him, the butterfly doesn't represent something light and nonchalant and non-troubled as Miu had suggested, but is rather representative of a small precious thing that tries to navigate through the harsh and turbulent-winded world with its colorful yet light-weighed wings. His desire for freedom and his little efforts to cast a ray of colour in the world manifests itself through his obsession with butterflies. These insects are a recurring motif throughout the series, not only symbolizing change and growth but of which are also a statement of the short-lived but beautiful flutters that can be seen when one pushes through hardships and keeps on flying.
Furthermore, butterflies aren’t the only metaphorical symbol that has been included to better convey the story’s message to viewers. One of Ren’s characterics is the way rainstorms always follow him. These scenes in the rain with Miu hold a greater meaning than just being a rainy day. Despite his messiness, he serves as something stable in Miu’s life, like an anchor among the countless possibilities she has to navigate and the decisions she has to make as she enters adulthood. Since she feels like she doesn't really know herself and has trouble finding the answer to anything when it comes to being subjective, this inevitable journey she’ll have to face stresses her out. Ren’s strong attraction for her never ceases in its intensity, and in this, she finds a harbor in her life.
By diving into the complexities of human emotions, relationships, and the unpredictability of attraction, the series conveys the message that some things just can't be helped. The leads’ imperfect relationship is threaded with flaws and raw with hidden insecurities. The magic in their chemistry lies in the delicate yet profound interactions they share, and the space between them constantly grows wider and smaller, full of hidden meaning and unspoken words. ‘Wakatte Ite mo: The Shapes of Love’ portrays romance as something realistically hurtful and messy, and exemplifies how love is not something that is bound to be constrained to limits. It is everything but simple or straight out of a fairytale. Instead, it is a love story using its own words—not sticking to convenience for the sake of its principal aspect of romance despite the numerous physically intimate scenes.
The show’s beauty lies in its unique perspective and outlook on life that it sheds through this window of two young adults trying their best to navigate their lives. Even though we may lie to ourselves or convince ourselves otherwise, nevertheless is a word that defines us all. Our overbearing desire to act freely against others’ rules and against our own will is the human nature of our essence here on earth. "If you just label yourself as something, it'll just restrict you." is a line pulled from the series that encapsulates its essence, defining how there is beauty to be found in the unknown. As the title suggests, the shape of love looks different for everyone, just like one emotion can be represented through many different sculptures and hold different interpretations through each individual's eyes.
The series is tied up beautifully, its last scene especially goosebump-inducing—Ren knows that forever doesn't exist, and Miu knows that she shouldn't hold out for hope, but nevertheless, they come together and discover that the shape of forever is simply holding on to hope.
12/23/2024
Was this review helpful to you?
This review may contain spoilers
All I Can Say Is WOW!!!
This is DEFINITELY one of my top BL shows of the year alongside Cherry Magic!!! This is such a beautiful masterpiece of a show!!! I remember when the preview trailer first came out… I was already hooked!!! I was on the lookout for it and it did not disappoint me one bit when it finally started. I looked forward to seeing it every week. It made me feel all of the emotions. I was up here sitting in my room crying over everything. I don’t think any other BL has made me this emotional before in my life.First, I would like to start off with the casting and characters. Billkin as Teh did a wonderful job. His character was a smart but confused individual. Given this being a coming of age type of story, I feel like his actions throughout the show were justified because he was learning to navigate who he was as a person like how most people do around that age. Coming into your sexuality can be a mix of conflicting emotions. I understand that it takes much time and reflection. I know some people were annoyed by his character but I think he portrayed it very well. (Side note: I know he had to be drained in between takes from all that crying he did lol It was almost giving me Third vibes from Theory of Love lol I just thought it was kind of funny but they both still had me feeling all emotional and tearing up so you know they were doing something right!!!). PP Krit as Oh-aew also did a wonderful job. To me, Oh-aew I feel was more secure in who he was as a person and of his sexuality than Teh so it was hard for me to see him be so distraught at how Teh kept on backing off from truly moving forward. Pining over someone who won’t REALLY reciprocate can be one of the worst feelings in the world. So, I truly felt his pain through it all. All in all, the two lead actors really DELIVERED!!! I could feel every single stare, every single body movement, and every single touch. You could cut the TENSION with a knife!!! No one couldn’t tell me that there wasn’t a magnetic true love between these two. I know this sounds cliche but it's like they were destined to be together. Also, I would love to see them in future projects!!!
Shoutout to Tan and Bas as well for sticking by Teh and Oh-aew sides and being true friends through it all even though they had to give up the possibility of a romantic relationship with the guys. They are the real MVP’s of this show!!!
The writing and directing on this show was impeccable to me!!! No cringy dialogue and every single line served its purpose well. This is movie grade writing. I saw some behind the scenes videos of certain scenes, like the hotel scene where there under the staircase, being directed and I loved seeing how meticulous the director was. He did a great job directing all of the scenes so you can truly see and get the meaning of everything.
I also wanted to quickly just say that I loved the attention and callback to details throughout like with the tutoring book that Teh made for Oh-aew that was left empty by the end of episode 4, the flower that was supposed to be colored the same as Tan’s garment but Teh colored it red because he was thinking of Oh-aew, the rubbing of Oh-aew’s back when he sniffles, the references to Teh’s favorite actor, and the use of Chinese phrases to get meaning across. I could go on and on but wow I just loved how they really connected all of the details throughout.
Also, the cinematography in this show is TOP FREAKIN NOTCH!!! Every single scene is just so beautifully shot. The cinematography alone makes me want to cry lol I saw somewhere that someone said the filming of the show reminded them of an indie film and I totally agree!!! They came with the high budget for this series and I live for it!!! The music throughout the episodes is beautiful as well. The OST Skyline performed by Billkin made me emotional as well. Billkin’s voice is just so pleasant sounding.
This show was a rollercoaster of emotions and it was one of the most sincere shows I have ever watched!!! I was worried it wasn’t going to end well considering all that went on in episode 4 especially but I am glad that it had a happy ending. When Teh asked Oh-aew to be his boyfriend... I SCREAMED in excitement!!! I can’t wait for Season 2!!! Also, it’s so beautiful how this community really came together to discuss and support this amazing show!!!
Was this review helpful to you?
First Disneyplus original Korean drama exceeds my expectations
This show is significant. It’s one of Disney+ first original Korean production, in which they aim to win market share over their competitors. They also managed to get the idol Kang Daniel who is well-known for his dedicated fan base in Korea to star as the male lead in his first acting stint.Rookie Cops has a strong ensemble cast consisting of different personalities. I found it very interesting that the MBTIs of the characters were released before the show - Wi Seung Hyun – ISTJ, Go Eun Gang – ESFP, Ki Han Na – ISTP, Kim Tak – ISFP, Yoo Dae Il – ENFP among others. It’s very relatable in that we see how these different personalities react in such diverse ways in situations and makes for a fascinating study into human nature. Go Eun Kang is very likeable as the female lead. Despite my doubts about idol-actors, Kang Daniel does hold his own in this cast. He manages to have varied expressions yet he does not overact. From the first episode to the last, I can see the improvement in his acting.
I do like the plot as well. It’s not just all fun and laughter shenanigans by students. There are some intriguing threads in this show, such as the beautifully filmed very violent death scene right at the start of episode one, and I thought they did a commendable job tying everything together in only two episodes.
I found this to be a meaningful show with its memorable lines as well as study of institutional police corruption. The show stays consistent to the theme of how friends come to the rescue when all seems impossible and it was touching when ML talked about banging their heads against the wall together.
However, it was a pity that they did not go further into the ML’s family background. There were some allusions to strained relationships between the ML and his busy police commissioner father, which was in contrast to the warm dinner ML and his best friend shared with Professor Cha. I would have loved it if more time was spent developing his backstory. Instead too much time was wasted on the FL saving the day through various small incidents, and it felt unbelievable and repetitive after a while. Like really, why does she need to be in the police academy if she already has all the skills?
I thought the action scenes in the final episode saved the entire series with the right mix of plot twists, adrenaline and humour. I love it that the squad came together with a plan. I would have wished for a longer action sequence, with Kim Tak and Kang Daniel together facing their opponent in keeping with the theme of friends helping each other.
Nonetheless, the action scenes were still enjoyable. I was impressed by Kang Daniel, since he did not need stuntmen in doing those action scenes. He also showed impressive nuanced acting in the final scene with his father. I feel he has a bright future as an actor! He’s also a good kisser (which is important if he wants to do romantic scenes). Somehow, his kiss scenes are not cringey but heart-fluttering.
I would watch this show again for three main reasons. First, the chemistry of the ensemble cast is great, not just between the male and female leads but all 8 of them are very likeable and relatable. You are likely to recognise yourself or your friends in at least one of them. Second, it has some of the most meaningful lines from kdrama imbued with positivity (e.g. “humans can do anything”). Third, the cinematography is the best I have seen in kdramas. Lush green landscape panoramic shots, gritty close-up shots- it has it all. Overall, it’s an enjoyable show.
Was this review helpful to you?
But then I saw episodes 19 and 20, and in those two episodes everything changed and became clear. The true heart of the show was revealed: FAMILY, specifically the Jang family, and what it is to be family and why we need them. The rest of the drama intimated at the theme, but never made it clear enough or important enough for me to care. The drama was billed as one about infidelity and I was viewing it through that lens. But the drama did itself no service being billed that way. By the end I remembered (and realized) that the main character was Jang Hee Tae (with the 2nd most important character possibly being Kim Joon) and not Il Ri. So hating her character wasn’t relevant – she was just a means to an end, someone to keep the plot going. I didn’t have to like her, to love what this drama did right.
And what it did right, it did beautifully. I should not be surprised by the quality of anything the cable channels do anymore because they really are where the best and most cutting edge Kdramas are broadcast. The networks are frequently all flash and no substance. But TvN and jTBC in particular bring us such wonderful and fresh dramas – often challenging too. Valid Love was challenging. If you think infidelity is inexcusable when you start watching this drama, it probably won’t change your mind. But if you can be open-minded, you will get so much more out of it.
The acting is absolutely superb – from top to bottom. The characters feel so real and flawed and the world feels gritty and lived in. It is a lovely slice of life drama. The directing and cinematography is absolutely fantastic and adds so much to the story that even when Il Ri was driving me nuts, I could have watched it with the sound off and been happy. But then I would have missed the soundtrack, which was perfect because it always set the mood but was so subtle you often missed it. Instead of over-bearing ballads or screeching pop music, they just used ambient background music to convey the mood and add to the rich, languid scenes.
I wasn’t going to give this drama a score as high as 8. I hated the Il Ri character most of the drama (although she did seem to grow a little at the end), and there were long stretches of the drama that just annoyed the crap out of me, or even bored me. But the ending is so good. The acting is so fantastic and the directing is just gorgeous that qualitatively I had to give this drama an 8. I give it an 8 in spite of an awful female lead character (not a knock on Lee Si Young, who was good and whom I like quite a lot) and some writing between the early episodes and end that really started to meander and make me go WTF. So many Kdramas start good and then end badly – most of them really. Valid Love did the opposite. It started meh. It got pretty crappy in the middle, and then it soared at the end. The writer, despite the WTF moments, clearly knew what she was doing.
I came for Lee Soo Hyuk (heh). I stayed for Lee Soo Huk. I took away so very much more.
Was this review helpful to you?
1Lee Dong Wook and Lee Da Hae really impressed me with their acting skills. I often find the childishness of the leading women in Kdramas annoying, as I feel it makes them look downright stupid, not cute. Yet Lee Da Hae's portrayal of Yoo Rin was unexpectedly endearing and funny. Lee Dong Wok was amazing in this role and he didn't play the character as too cold and arrogant, but just right.
I don't know what it was exactly about this drama that really grabbed me, but when it did, I was hooked. I usually hate extreme silliness or angst, and but for a few moments, this drama did these elements perfectly. In addition, even the secondary characters' storylines were interesting and captivating. I often find myself skipping through these plot lines, but, here, even the second male lead seemed more than just an instrument of conflict.
Overall, for me, this drama will stay as one my favourites for a long time for its simplicity, clever humour and well developed romance. Some scenes will stay in my mind forever like the orchard scene, the moving elevators or the romantic farts of Mrs In-Sun. I really recommend this drama!
Was this review helpful to you?
This review may contain spoilers
Flying across the world was worth it
Ok so first I don’t speak Japanese and the movie didn’t have subtitles. I haven’t read the novels or listened to the audio cd’s.I came across Utsukare last year and was beyond impressed by the acting and story. So getting news of a second season and movie with a theatrical release felt very special and I decided to go to Japan for the experience.
When I made that decision, I intentionally didn’t want to read the novel or synopsis until after seeing s2 and the movie because I came into the world of Utsukare based on the show/visual medium and I wanted to continue my journey unspoiled without overly knowing the written material.
So opening night, I get some merch, get a ginger ale, and sit and let the movie show me a story.
Absolutely true a lot of the nuance and context of what was happening was beyond me.
Here is my tumblr recap - https://www.tumblr.com/anotherblblog/713949084636119040/ok-so-i-came-to-japan-to-watch-utsukushii-kare
Some are taking criticism at my recap because I don’t speak Japanese.
I went to Japan to watch this on the big screen because I wanted to see Utsukare big and bright and I got that experience.
With 2 seasons of HiraKiyo, I felt the movie picked up and continued their relationship well. Hira is more direct and involved and even with his insecurities still is there for Kiyoi and not yearning in place beneath him.
The mentors are really solid in their lives. The music is mostly new but with some familiar elements.
What I wanted for this experience was for it to feel like a movie. Big cinematic set pieces but I didn’t wanna lose the feeling of Utsukare.
I think the movie delivered on both.
The movie took set pieces and vignettes from the television series - HiraKiyo sleeping together and elevated it for the big screen. More tulle. Longer runtime. More heat. There are 2 high heat scenes and a handful of domestic fondness. They’re a couple. They feel like a couple. When they look at each other. When they touch. And it’s continuing a lot of the emotional tension in season 2 with Kiyoi wanting more. And Hira gives it to him. And Hira even gives it to him in a bathtub.
Where in season 1 Hira ran alone through the school a lot, in the movie he runs leading Kiyoi through a slo-mo cinematic fantasy run through the school but also through their past that they didn’t quite have in season 1. But seeing them again in their full school uniform and their casual wear felt real for me because it felt real for them.
The 10 episodes of seasons 1 and 2 led to this experience and I was very happy to have seen it, now three times.
I will love going back with subtitles and seeing how it’s translated for the international audience. But I’m content and impressed by what I’ve seen.
10/10.
Was this review helpful to you?
Recent Discussions
-
Love on the Turquoise Land episode recap article series14 seconds ago -
fan edits of love between lines3 minutes ago -
Love Between Lines full OST with ENG SUBS + LYRICS3 minutes ago -
[Discussion/Search] Find that Drama! (by desc. or plot)5 minutes ago -
Last Japanese song you listened to? #26 minutes ago
