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The story is sad (from start to finish), ~keep that in your mind if you're watch~ and not very complex. The key point of the plot is: The Hae Sung returns after 12 years (back from where? From beyond, I don't know, you don't know, he just wakes up again in school), discovers that he was accused of a crime he didn't commit and that his family and friends suffered a lot because of it (Jung Won blames himself for Hae Sung's death, because she had him get his wallet at school on the day of the accident and his brothers practically broke up after the death of Hae Sung). Then, Hae Sung will try to prove his innocence (next to his friend and now detective, Ho Bang - fantastic character) so that everyone can rest and be happy again.
Now think with me, it's 40 episodes of 35 minutes for Hae Sung to try to find out the real delinquent and clear his name, so he can rest in peace. It's a long time just for this, right? And yes, that's all. If you watch or anyone who has watched you must have realized that in many episodes, simply, nothing happens, precisely because of the main plot that's, although very different, limited.
Acting/Cast
But in fact, there're many good points that led me to end this drama. First, Yeo Jin Goo. Since I watched Circle I decided that I would follow the career of Yeo Jin Goo because his acting is astonishing and flawless. He's wonderful and didn't disappoint in Reunited Worlds too. The Hae Sung is super altruistic, because he only thinks of helping his brothers and friends, almost doesn't think of himself and also very charismatic. In fact, I believe that was why he came back from beyond, his soul must not have rested while his brothers and friends suffered so much. Good theory, huh?
Second, the secondary couple: Ho Bang and Jin Joo. Wow, I laughed a lot with them and I had different and funny moments. The story was supposed to be a melodrama of those very tearful, but the thing that stood out to me most of the plot was the comedy that these two were together.
I loved Hae Sung's brothers too, especially Hae Chul. He's so lovable!
The friendship between the 6 friends (Hae Sung, Jung Won, Tae Hoon, Ho Bang, Jin Joo and Moon Shik) is hearty and sweet. Moon Shik and his random comments were funny too.
Lee Yun Hee acting... I didn't think of the worst as I saw people commenting, but had several situations that didn't favor their performance. I felt that she couldn't demonstrate some feelings and expressions very well. But I also didn't watch some of her most famous dramas such as Ghost (2012) and Miss Korea (2013), so I presume it may have been due to difficulty fitting into the personality of the protagonist, Jung Won.
And they certainly didn't exploit Ahn Jae Hyun's performance, although they have had a certain commitment to the psychological of their character, chef Cha, mainly, and that of Jung Won and Hae Sung.
The friendship between Chef Cha (he's the chef of the restaurant that Jung Won worked and in love for her) and Hae Sung is really really beautiful (I forgot to comment).
Music
The OST appears at right times and is very exciting and sad. I liked it!
Rewatch Value
The plot have some surprises, but it's true that most of the time it dragged on, was predictable and a little exhausting. The option to watch only half an hour a day helped a lot.
As you may have noticed, I can't come here and just criticize this drama because I (very particularly) ended up holding on and simpatized (but why? Just to suffer crying a lot). Do the positives stand out from the negatives? I guess yes, but it depends on your point of view after reading all this (we all have different opinions, right?) In fact, I don't regret having accompanied because I had good times, happy and exciting, but overall I don't recommend that you leave Reunited Worlds as a priority on your list.
If you still have doubts, watch the first episodes and see if it's worth it, because the plot follows the same rhythm until the end.
~ Reunited Worlds is a good drama that you need to be open-hearted to be captivated and embraced by the plot (to later cry cry cry a lot), if you aren't captivated really isn't worth ending with hoping to see something very surprising (since there aren't surprises at this level).
~ The romance is very slow, but early on we realize that Jong Won loves Hae Sung unconditionally and reciprocally.
~ sorry for my English.
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This review may contain spoilers
WOW, what a phenomenal drama! Please watch this if you have the time to! It is simply AMAZING! The story is super intriguing. Just imagine being able to go back in time over and over again to change your life to the
"perfect" life that you want to live. I wish this was reality sometimes! Our main characters, Saiko and Otaro, have such
great character development throughout this drama. We see them grow as individuals, and we see them improve on
themselves by the end of the drama.
Each character has flaws in this drama, and we get to see how their flaws affect their endings and the flow of the story.
I can't really be specific because I don't want to post spoilers, but this drama is SIMPLY AMAZING! The characters are
all intriguing, and I love everyone of them, even the "evil" ones!
For anyone who is skeptical on watching because of what they might have heard about the ending, do not worry! It's not
bad at all in my opinion. Just watch and you will see! And make sure to watch episode 10 of Todome no Parallel for a complete
ending as well!
All in all, a very interesting story that keeps you at the edge of your feet with really good characters that you will fall in love
with by the end of it. And bonus, this drama has AMAZING music! PLEASE WATCH! Easily one of my favorite dramas of all time!
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Addicting and adorable, but ultimately disappointing
I was absolutely sucked into the drama in the first half, but found that I gradually lost interest in the second half because of where the plot was going.I also had problems with the FL, who just seemed immature and annoying. She was also always described as someone who was so strong she could smash rocks, but she seemed weak in real fights? It was quite confusing. Honestly, I kept watching for the second couple, who I rooted for way more than the lead couple. I felt that they had more chemistry overall, and more development to their relationship.
The cast and acting were ok, as was the music, but I generally can't see myself rewatching any part of this.
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1
1This review may contain spoilers
Playing It Safe
Make Me Tingle is a drama that wades into topics still considered taboo in many parts of the world. Some of its themes hit close to home, and I found them relatable to an extent. At its heart, it wants to show that emotional sparks and physical intimacy go hand in hand in romance. The irony is that for a drama about emotions versus sex, set in a company that sells sex toys and condoms, it plays things far too safe.The story follows Gong Yeon Su, who grew up in a traditional, conservative household where strict rules left little room for self-discovery. She barely knew who she was, let alone what she wants from love, until she got tangled up with a sex toy company and met Dokgo Dal, a man who opens the door to an entirely new world for her. As their romance grows, Yeon Su discovers the thrill of both emotional and physical connection, learns that the two belong together, and finally steps fully into her own skin. What starts as an exploration of unfamiliar territory eventually becomes a journey towards maturity, self-discovery, and learning to embrace her own desires.
The drama's greatest strength lies in how different the two leads are, and how they learn each other's worlds and values. Yeon Su is a conservative and rather naive woman who believes that emotions matter most in love. Go Dal is afraid of commitment, emotionally detached, and wants no strings attached. Naturally, these two have quite a bit to learn from each other. While Yeon Su discovers the world of sex and physical intimacy, Go Dal starts giving romance and emotional attachment a chance. Watching them find each other cute for stepping into unfamiliar territory is swoon worthy, and the combination gave me plenty of flutters.
What holds the drama back is that its safe approach makes it feel superficial at times. Even for a PG-rated, 10 episode drama, there was room for more depth. The exploration of emotions versus sex, sex as a form of communication, and how sex affects Yeon Su all stay at surface level. The idea that emotional sparks and physical intimacy are equally important is established, but the drama never quite explores why or how they matter. In particular, the exploration of physical intimacy and how it affects Yeon Su feels rather underdeveloped. This is especially noticeable considering that it is her first sexual experience.
We see her gradually become more comfortable with sex, but we barely get to understand how she feels about it, both during and after the experience. I actually like how the drama does not turn her into someone who suddenly becomes overly flustered or loses her composure after losing her virginity. People react differently, and perhaps Yeon Su is simply someone who finds the experience rather natural. Still, a little more insight into her thoughts and feelings would have made a difference. It does not have to be explicit to be meaningful. A few thoughtful lines of dialogue, subtle visual details, or even a little more attention to her emotional reactions could have conveyed so much. The same goes for the rest of her journey. The drama shows how emotional connection changed Go Dal, though I still feel it could have gone deeper. For Yeon Su, we just watch a naive girl slowly learn about FWB, sex toys, and sex, without giving us much insight into how these discoveries shape her understanding of physical intimacy.
That said, I appreciate that the drama made it clear why Yeon Su kept hesitating to sleep with Seung Jun but quickly agreed, and even initiated things, with Go Dal. I could have nitpicked this, but the drama saved itself by having Go Dal instantly want to try dating Yeon Su after years of wanting no strings attached. That contrast does not make up for the lack of depth, but it is enough to stop me from complaining. The explanation at the end also confirms that Yeon Su never really loved Seung Jun and was only with him because she thought it was time for marriage. In other words, she was following the timeline expected of her rather than pursuing what she genuinely wanted.
Beyond the story, the characters feel somewhat unbelievable at times. Yeon Su's conservative upbringing and lack of exposure to certain subjects are understandable, but her unfamiliarity with concepts such as FWB feels like a stretch, especially considering that she works in marketing. Being a marketer inevitably requires some exposure to different lifestyles, perspectives, and trends. Not knowing much about sex toys or understanding why people enjoy sex is one thing, but being completely unfamiliar with FWB is another. Still, I appreciate how Yeon Su approaches everything with maturity, patience, and a surprising amount of composure. Her character could easily have drifted into cringe, down bad for the male lead territory, so I am glad she kept her cool throughout. Nam Ji Hyun portrays her well, bringing both the mature and naive sides of Yeon Su to life with the material she was given.
Go Dal feels somewhat superficial and inconsistent as well. The drama introduces him as someone who enjoys sex without emotional attachment, but offers very little to establish this side of his character. We get one scene of a woman leaving his apartment after what appears to be a casual encounter, and somehow that is expected to summarize his entire approach to relationships. It feels as though the drama wants to establish him as a carefree, commitment-averse man before quickly molding him into a formulaic yet decent romantic male lead. To be clear, there is nothing inherently wrong with those who prefer casual relationships. I simply wish the drama had done more to develop this aspect of his personality instead of treating it as a convenient character trait.
I am also not completely sold on Kim Jae Young's acting. He handles the duality between the cold, aloof guy and the one trying to be romantic well, and his alluring visuals help, but something still feels missing. I cannot quite determine whether it is an issue with the writing, the performance, or a combination of both, but his characterization comes across as inconsistent. His expressions are often pleasant to watch, yet there are moments when they feel a little robotic. Dare I say, at times I wondered whether he even wanted to be there.
This ties into my biggest hesitation with the leads, which is that I could not fully feel the chemistry between Nam Ji Hyun and Kim Jae Young. The script, cute banter, and romantic scenes do a lot of the heavy lifting, making Yeon Su and Go Dal a captivating couple on paper. I certainly had my fair share of fangirling over their adorable interactions, and their romance has plenty of moments that made me swoon. Still, I was never entirely sold on the actors' chemistry. On a more positive note, the supporting cast did a wonderful job bringing their respective characters to life.
My favorite supporting character is definitely Yeon Su's aunt. Everyone has that one auntie who feels like a big sister or best friend. She is the family member Yeon Su can talk to about everything, and she covers for her until the truth can no longer be hidden. Her scenes are also hilarious and refreshing. Yun Ji Oh is another noteworthy character because his presence provides an interesting contrast to Go Dal. Like Go Dal, Ji Oh likes Yeon Su for who she is, but his approach is much more emotionally driven. He initiates things in a way that aligns with the kind of romance the old Yeon Su would have preferred. Through these two men, the drama presents different approaches to attraction and intimacy. Ultimately, though, it reinforces the idea that what matters is finding someone you genuinely love and connect with, rather than simply following a particular formula for romance.
Yeon Su's younger brother, Gong Nam Su, is another character I have mixed feelings about. I find him annoying at times, yet there is something rather touching about his relationship with Yeon Su. He misses having a father figure and naturally looks up to Go Dal for advice, which makes their interactions quite adorable. I also love how the siblings look out for each other despite growing up in a household where traditional gender roles are deeply ingrained. That said, I might be projecting some of my own frustrations onto Nam Su because the Gong family dynamic hits a little too close to home.
The Gong family is one where men matter more and sit above women, and the drama never sugarcoats it. Watching the women serve the men, seeing the family fuss over Nam Su while overlooking Yeon Su, and hearing how Nam Su is expected to focus on finding a job while Yeon Su is expected to focus on getting married are all particularly frustrating. I personally cannot stand the idea that men should be considered superior to women simply because of their gender, so these scenes were difficult to watch.
Nam Su's relationship with the dancer, Kang Shi Eun, also touches a sensitive topic. They made the mistake of not using protection, though even with protection, pregnancy is still possible, just less likely. What is done is done, and all that is left is to take responsibility. I do not mean they need to keep the baby. It irks me that she thinks she is a villain for wanting an abortion and feels guilty watching Nam Su work his bones off to raise the funds. The situation simply calls for an abortion, and the way Nam Su handled it bothered me. Then again, it becomes a learning opportunity and a chance for both of them to grow.
The visual style was a bit too much for me. The wide angle and fish eye lenses combined with blurred frame edges almost made me motion sick, and the color grading was a mixed bag, looking fine at times and hazy at others. Thankfully, the music was pretty decent.
The ending gives good closure to every character and relationship, and most importantly, it makes sense. The pacing is also well handled, allowing the emotions to settle rather than rushing through every development. I especially liked the brief but touching moment between Go Dal and his father. It may not be particularly elaborate, but it carries enough emotional weight to leave an impression. Still, it remains superficial. We see that Yeon Su and Go Dal are now simply dating, and we know when they fell for each other and discovered love for the first time, but I feel some depth is still missing. I also wondered whether Yeon Su ever gave those other sex toys a try, and whether she still works at the agency or now works full time for Go Dal's company. Those are just extra details I am curious about. I also have mixed feelings with Nam Su and Shi Eun’s ending. It might be different if Shi Eun had already kickstarted her career but here, she had just started her journey as a dancer. I wonder whether it would be feasible for her to have the baby. Their ending is the ending that I feel the drama just wants to enforce happily ever after to.
Overall, despite its shortcomings, Make Me Tingle was an entertaining watch. It may not offer the depth its premise promises, and its exploration of emotional and physical intimacy feels more like an introduction than a meaningful discussion. Nevertheless, it has a charming central romance, adorable interactions, and enough cute moments to keep me invested. Sometimes, you just want a drama that gives you butterflies without requiring too much emotional or intellectual investment, and this one served that purpose rather well. I would recommend it if you are in the mood for a casual romcom with a slightly unconventional premise, provided you do not mind a story that plays things safe and leaves quite a few interesting ideas unexplored.
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So basically I loved everything about it - The story, the characters, the acting, the ending.
The only thing that annoyed me a little were Shinya's hair and really, that wasn't tragic. ;)
I loved how it switched between friendship and love and how important the relationships between the characters were. I loved Shinya's narrating, too (he does have a great voice) and the overall dreamy feeling this movie had.
I'm surprised it's not popular. Go watch it.
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This review may contain spoilers
This show could have been more interesting. The best part was the cinematography. While not anything spectacular, it felt calm and cool, like a nice movie. Someone said so in the comments, but this would have better served as a movie than a show. It didn't need 10 episodes, however short they might be.Story spoilers ahead, read on at your own risk...
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So the major plot point is that the two of them can't do something which is a major part of most married couples lives: have sex. And with that, have children.
This is a real issue that affects many men and women, and in this case, it appears that Kumiko has vaginism. However, this was never stated outright within the drama. In fact, she and he never went to the doctor to do the obvious: find out what the issue was and see how they could overcome it.
Instead, we're given a very strange story arc that involves their continuous cheating on each other. First, Kenichi with a number of prostitutes every Saturday for years on end. Second, Kumiko with an online site that is a hookup spot. Kenichi is constantly asserting that sex is not love and that he doesn't need sex, yet it's never clearly spoken about that he constantly goes to a brothel. Kumiko mentions it briefly once, though she takes most of the blame for never revealing the fact that she was not in fact a virgin.
The show ends in a very lackluster note. Nothing is solved. The entire plot seems to be saying, "it's okay the way we are", but then why make this show? Why show this particular couple? What is the point? I love an open ended plot, but this show just seemed to be meandering this way and that, with no particular direction. It was stretched out to 10 episodes to say, "it's okay to be the way you are and love each other this way," but we don't need 5 hours of screen time to do that. Even if this was a movie, the current plot is too lackluster to remember. Very forgettable and no lasting impact.
This show wants to convince the viewer that Kenichi and Kumiko have overcome a problem together, but all I see is two people fumbling without properly addressing a problem or trying to solve it, then saying "let's move on." The resolution is not convincing.
This show could have been much more, but too much time was wasted on repeating the same actions, intermingled with Kumiko's obtuse thinking and communication issues, and Kenichi's lack of commitment to the issue. I'm not even sure who Kenichi is, by episode 10, as he was fairly flat the entire time. He was enigmatic from the beginning, and I wasn't convinced Kumiko actually liked him when they began their relationship. In fact, he was quite weird, just sort of embedding himself into her life without much explanation. And she just sort of quietly accepts it all without any questioning. She seemed like she was just going along with the flow as things happened to her. She wasn't really a part of anything, she just let things happen. Kenichi only did actions, and Kumiko only received them. That was their relationship for 10 episodes.
Even Kumiko's interactions with her students, particularly Miyuki, seemed to have been out of place. She quits suddenly, and that portion of the plot is simply wiped clean off the board. Then, oddly, she visits the home of her former student, but I'm not convinced she even knows why, or even the writer. Nothing was completed or fulfilled by her visit. Simply the satisfaction of entering the house and learning a little more about her. I feel this was underdeveloped and rendered useless..
Wouldn't rewatch. Can't really recommend. This was just a lackluster show. The filming was pretty, though. The acting, was somewhat mediocre. Maybe slightly above for Kumiko's part.
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As I said, this is an amazing drama. It's based upon a true story, which explains why I find it hard to rate the plot. The way it is narrated is quite unique: it uses the technique of flash forwards, making the viewer aware from the very beginning of the destiny of basically each character. This style can be very confusing at the beginning, to the point viewers may think they are watching the wrong episode; once established, though, it becomes highly intriguing, and one of the strong points of this drama.
Instead of depriving the viewer of the thrill to know what's going to happen, this method excite the curiosity to find out HOW it happened, and why.
If there were a separate rate for direction and editing, I would give them both a 10 without hesitation.
The acting is stellar. I'd go as far as to say that it's more suitable to an essay movie than a television drama. As a matter of fact, this is by the same director of the 2001 movie.
The cast is so convincing and the acting so intense, one truly believes to be watching the real story, instead of a screen revisitation of it. Characters' changes are portrayed subtly and slowly, giving the viewer time to understand and empathize.
I found myself talking to the screen more than once, praying one or the other of the characters would not make that choice which, I knew, would change the course of their lives forever.
The music is poignant and moving. Combined with the beautiful photography and the outstanding acting, it brought me more than once to the brink of tears - and I don't cry easily, if ever.
So why did I drop it?
Because I was empathizing too much, and it pained me. By the middle I was so involved in this story I would feel restless and anxious. Mind you, the show has got many sweet, touching and funny moments. I just couldn't take all the emotions anymore.
It is my intention to go back to this drama in future, maybe after a strong dose of surreal/hilarious/ridiculous shows, like a camel storing water before a long journey.
Hence the very high re-watch value.
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This review may contain spoilers
Could Use A Few More Chickens
This was an overall well done drama that was unfortunately too short to realize its full potential. The material was great, but eight episodes wasn't long enough to fully develop some of the issues presented or to fully develop the relationships and characters. Even so, I did enjoy this drama for the most part, it has some great messages and it does tackle some tough issues with tact.I liked the concept for the story, how a one night stand could turn into something more. The way Wen helped Jim in so many ways, not just with working at the diner, but also with helping him find closure with his past relationship and heal and move on, was well done. I admired Wen's perseverance and that while he continued to pursue Jim even when Jim had indicated he was not looking for a relationship, he did so relatively tactfully, never pushing too hard, but still making it clear that he was interested and that he thought they could work things out. However, things turned complicated, which was exactly what Jim feared, when Wen's ex-boyfriend who he was still living with, Alan, showed up and threw a wrench in things. Despite their break up, he is still possessive of Wen and hopes that they can patch things up and get back together. Wen, however, is ready to move on, and he is faced with having to do just that and more firmly sever his ties with Alan as he tries to establish a relationship with Jim. And Alan, for his part, is left trying to move on as well and come to terms with the fact that his and Wen's relationship is truly over. Meanwhile, Jim's nephew who he has raised, is a senior in high school and is still trying to figure himself out amidst the limitations of not being the scholarly type and being poor. Jim can be overbearing with him and Li Ming feels trapped and isolated until he meets Heart, a deaf young man his own age and they slowly become friends which then turns romantic. The relationship is a healing one for both as Li Ming finds someone who understands and cares for him exactly as he is and Heart finds someone who treats him as a normal person and actually puts out the effort to communicate with him. They serve as each other's escape in many ways and I loved their relationship in all its facets.
With so many BLs these days sticking to high school or college settings, it was refreshing that this one stepped outside those bounds. I think that opened up a lot more doors for it to tackle issues that it couldn't otherwise. However, because it was confined to only eight episodes and it did try to tackle multiple issues, it wasn't necessarily able to dive into them as deeply as one might have liked. The economy and cost of living were both subjects that were brought up multiple times. Leng, one of Jim's friends and employees, and his girlfriend Praew find themselves unexpectedly expecting, so unplanned pregnancy, the cost of raising a child, and even abortion are touched on, if only briefly. By creating a deaf character, the deaf community was given representation and it was done well. The various ways of parenting is also touched on, how there's not one right way to parent and parents are always learning, even from their children. Relationships serve as a major focus, examining how some relationships simply peter out after a while, unrequited love, and, particularly, moving on from past relationships and how, while it may be painful, we can hope that there's something and someone better out there for us in the future. I enjoyed every part of it, again the only detractor is that I wanted more time to explore those topics.
Probably the biggest downfall of this drama, and I know I've seen others commenting on this, is the miscasting of Earth. Earth is a damn good actor, there is no denying that, but in no way does he, as a 29 year old young man, look anywhere close to 40. I know he's a couple years older than Mix, Khaotung and First but he really doesn't look it, and in the drama, there's presumed to be something like at least a ten year age difference between their characters. Earth is one of those people who looks younger than they really are, but this seemed outside the range of probability to me. Papang, in contrast, who played Jim's former lover, Beam, is only a year older than Earth, but he looks older. I could more easily believe he was in his mid-30's. There's also looking at him next to Lookwa who plays his sister. She's a beautiful woman, don't misunderstand me, and looks fantastic at 42, but they don't look like they are close in age at all. I understand that Earth and Mix are a popular pairing, but if they wanted them paired together, it would have made more sense to change Jim's age to something closer to Earth's actual age. As it was, Jim's age was hammered home so often you couldn't forget it, and there were some scenes that were supposed to be more emotional that just didn't work as well as they might have with a more age appropriate actor.
Jim and Wen's relationship was another issue. The first episode is great. The chemistry and tension between the two is electric and then suddenly, it's just gone and while there are still flickers of it throughout the rest of the drama, it's not quite as strong as that first impression. Wen's feelings for Jim remain clear throughout the drama while Jim's feelings are much harder to decipher. There are moments where it's evident he does feel the same way, but it wasn't always consistent and their relationship felt stagnant at times. Even when things were supposed to be changing between them, I didn't always feel it.
I really enjoyed all the side characters, particularly Alan and Gaipa. Khaotung is such a good actor, I wanted more of Gaipa just so he could showcase his skills more, but also he was so sweet, I just liked his character and I wanted to get to know him a bit more. And Alan, aside from the fact that First is also a fantastic actor, was such an interesting character, I wanted to know more about him and his history with Wen. I felt like there was a lot more to unpack there.
But the highlight couple for me was Li Ming and Heart. Having just seen My School President, I enjoyed seeing them in such different roles. Li Ming is a somewhat similar character to Gun, but much heavier on the teenage angst. But it's not in a bad way. You can feel the frustration Li Ming has with his life and circumstances, and it's justified. Fourth did such a good job with bringing Li Ming to life and bringing such nuance to the character. Heart, being deaf, was a much different character for Gemini to portray. I was so impressed with his ability to emote without speaking a single word and he was utterly believable in the role. He and Fourth have such great chemistry. The build up of Li Ming's and Heart's relationship is so well done and feels very natural.
In general, the romance is not why I enjoyed this drama. Jim and Wen's romance lacked some consistency and while Li Ming and Heart were the highlight couple for me out of those present, what I actually loved about this drama was the chicken rice family that they created. The way the characters all came together for each other to take care of each other and build each other up was so heartwarming. They may not have been related by blood, but that didn't matter, they did what needed to be done even if that cost them personally. And I liked seeing how Wen was welcomed into their family, really without much question, he was just accepted. So if you take it from that angle, rather than a romantic one, it is a very wholesome story. And for me, personally, that is better than any romance.
The production was overall pretty strong. I really liked the sets, particularly the chicken rice shop was just so aesthetically pleasing to me. It made me wish I could go there and visit that place. The lighting was an issue at times. There were a number of late night conversations and sometimes the lighting was too dim and it made it harder to make out faces and expressions. However, one scene that I absolutely loved was the one of Jim and Wen at the beach at twilight. The way it was shot with their silhouettes was beautiful. I do wish they'd translated the sign language as a fair amount of it got missed. There were times when Li Ming would essentially repeat what Heart had said, but a lot of the time I was just left guessing.
This is a drama worth watching at least once. It's short so what do you have to lose? I don't as it's one that I'll come back to which is a bit disappointing because I think it could have been absolutely phenomenal with some tweaking of the story and the cast. And I think this drama really does highlight how important casting truly is. I don't think the miscasting of Earth broke the drama, but it did affect it and its ability to pack an emotional punch. I hope in the future they focus more on delivering a solid story with an appropriate cast than keeping particular pairings together.
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1Emotions and their parallel to art: shaping love and searching for a ‘forever’ through sculpture
"How does one become such a great artist?" — "How do you define great?" — "To stand the test of time." — "I wonder if forever exists."Artistic, pensive, beautifully crafted, and unique in its cinematographic ways—‘Wakatte Ite mo: The Shapes of Love’ explores the vulnerability of struggling, waiting, hoping, and loving. It perfectly portrays the essence of human nature and captures love in its many different shapes under a refreshingly realistic light. It represents these themes through art in a mature and abstract manner, much like the concept of humanity and love itself.
In a world where "there is nothing more uncertain than a person's heart," the story follows the lives of artists who create art driven by their inspiration and their desire to create their own sense of forever. They are ready to put aside their usual composure and values in order to seek the heart of their loved one. For example, Kosaka Ren, the male lead, wants forever. He may seem to act in the opposite manner, constantly changing girlfriends, however this is his way of experiencing his 'forever' by always surrounding himself with the beauty of new beginnings. But when he meets Hamasaki Miu, he's ready to put that habit of his aside and sacrifice the paths he's always safely borrowed in his life to stay by her side. Another lead, Osakabe, thinks it's bad to act on lust, yet his world melts the second he sees his crush’s smile. Lastly, there is Ikushima Ruki, who wants to be with his crush but lets her be with another if it means gaining her trust and friendship first.
Ultimately, the series perfectly encapsulated the original webteeon’s overall message, reinforcing it with scenes and lines that portray its message more explicitly instead of requiring heavy analyses like it was for the webtoon’s Korean adaptation; ‘Nevertheless,’. The shortened run time allowed the leads’ journey to be explored more thoroughly without weighing down the whole series with its heaviness. Additionally, the poetic and inspirational narration made it easier to grasp its concept and allowed for a more direct interpretation of the webtoon’s work—keeping its core themes but casting aside tropes that don’t add to its main focal point.
Through Hamasaki Miu’s eyes, the female lead, Ren is the butterfly—beautiful, attractive, light, and seemingly free—giving her the illusion that he has it easy. The series adds a new meaning to the significance of butterflies: they are thought to be a symbol of freedom, but actually, they just fly the same paths over and over. Maybe the best thing they can do is just enjoy the ride. This goes for both of them because they are both like butterflies, or at least, they both try to carry the essence of butterflies by capturing their fleeting beauty through art. When Ren finds Miu, he wishes to metaphorically capture her, who is like a butterfly to him, but one who hasn't opened its wings yet.
Ren wants to approach her, mostly out of self-interest, intrigued by how she expresses her inner-feelings through art without fear, but also because of a certain fate-like pull that builds up following their many coincidental meetings. However, he is a playboy by nature—flirty and manipulative. He seems more curious about how far he himself is willing to go or devote to her rather than the other way around, not caring about her reactions and staying consistent in the attention that he devotes to her.
His push and pull plays with her emotions; his stance in his affection towards her grounded in unsteady terrain, teetering her back and forth into the territory of hopefulness and then desperation. This constant shift in Miu’s emotions highlights the overall theme of the series, which is that she can't help but hope even if she knows things will come to an end or leave a scar. Nevertheless, Ren constantly ignites these feelings of hope within her, making her want to reach out and seal the faith of their relationship—an impulsive act that mirrors his own tendency to act on impulse.
Kosaka Ren is a rather peculiar character. Since he is not good at sharing his feelings, he uses art to communicate them. Even we, as viewers, don't know him quite well and have been misguided by him many times with deceptions based on what we do see from him. For example, we don't know if whenever he picks up a call, it's his girlfriend. He never clarifies misunderstandings and viewers are prompted to believe he's a player and always the one at fault. However, in the last episode, “I couldn't succeed in becoming the most important person in her life” is a line said in his narration while the screen presents a note his mother left saying she'd be absent for lunch. This shows how he doesn't have commitment issues as is suggested throughout the whole series, but rather that he blames himself for the constant departures of the people around him in his life. Instead of being a playboy, he's the one constantly getting played and letting others tug on him like a puppet.
He's not the butterfly who comes and goes, but the others around him are, flocking to his beauty like butterflies do to flowers—which explains his longing despair for a 'forever'. “Gradually, I got used to giving people what they expected of me.” Ren only mirrors what those around him feel and how they act. He does this because he wants to avoid experiencing pain or loss, and whenever he declines their proposals, or finds himself wanting more, he always ends up getting hurt. And so, he chooses to follow the same paths over and over again like a butterfly with everyone around him, trying to please each one of them while looking for a piece of his own self through their eyes—which he eventually finds in Miu and soon enough, catches himself searching for her instead of his own self. This growth of his is beautifully captured through a certain scene, where he looks at a girl whom he doesn't actually like but plays along as her boyfriend to avoid pain—his usual toxic habit—yet only sees Miu's eyes instead of hers.
Through this endless cycle, where he has the habit of constantly putting himself last, he says he ended up losing his identity. He essentially became a canvas of however one sees him, having different versions of himself through different pairs of eyes, like a piece of art. Like someone interpreting a sculpture, Miu, as well as everyone else, can interpret him, what he says, his actions, and what is and isn’t known about him in their own way. Through Ren, who is like a sculpture, Miu hopes to find her forever. And through her, he sees yet again another chance to find his true meaning and define who he really is despite his traumas and past experiences in life. This is essentially why he leads on and makes so many people try to fall in love with him—because he wants to find the one, his true self, and his forever.
It is said by Miu’s toxic ex boyfriend that the female lead's wings are tied down, leaving only her thoughts to wander. However, there’s another interpretation suggested in the series: that her wings are rather too heavy to go forward—not tied down by external forces and submitted to others, as her ex had suggested through his sculptures of her falling to the ground and begging him to stay—but perhaps heavy because of the weight of their worth and hope, waiting for their reason to take flight in a world that keeps letting her down. The female lead, whose name means "beautiful wings," beautifully encapsulates this struggle of waiting for hope; hope that ultimately introduces itself in her life through the male lead.
From the very beginning of the series, during their first encounter, Ren recognizes this wait for hope of hers through her pleas for her boyfriend to stay. Instead of perceiving her pleas as a desperate and hopeless attempt of begging for something long gone, he sees that all she wants is to hold a promise of a future with someone, and that she has hope for something more than what she already has. This is ultimately what draws him to her.
There are a lot of similarities that the female and male lead share—their fear of abandonment, their wish to freeze a loved one’s heart in time and gain a forever happy side by side with them, and their struggles in finding what they want in life. Though Ren doesn’t express his struggles and desires aloud like Miu does, he addresses them through his fiery art, which tells another story from the nonchalant version of himself that is presented through his character and the aloof image that he lets on—reserved, quiet, and who lets other people make things up and narrate his life.
Despite their seemingly stark contrast, both faces of himself that he puts out into the world stem from the same thoughts and emotions he has. His art paints a strong image of resilience, longing desire, and determination in pursuing what he wants—emotions that give him the impression of being lost and left with nothing but wavering emotions. In real life, these feelings of his manifest through his calm composure that radiates a sense of aloofness and indifference.
This overwhelming desire to find the key to freedom and his true self drives him to act like the playboy type, not knowing who to love or dedicate himself to. His art, on the other hand, portrays his sense of lostness as something fiery and bright and that drives him to maddening lengths, putting him in a fight against society’s typical representation of love and relationships, and forcing him to confront his true feelings.
Ren, in a way, relates to Miu and sees himself in the scene before his eyes, where he sees her for the first time. Through his eyes, witnessing her meltdown opens a window of opportunity. Ren likes to capture that happiness in the brief flutter of color in his world, like a butterfly, so he’s drawn to her strong personality and wants to capture the beauty that lies in the most beautiful and intense human emotion, which is love. From that moment on, he tries to draw that emotion out of her by making her fall for him. He does the same for other girls when he flirts, all to satisfy his somewhat selfish desires to only have a portrait of pairs of loving gazes around him so that he’s surrounded by beauty. At the same time, through this tactic of his, he gets attention from the opposite gender, mirroring his mom’s absence in his life.
Even if Ren’s actions can be perceived as stemming out of selfishness, his supposed attraction to her is also beneficial to Miu because he wants to awaken this strong, powerful, and beautiful feeling of love within her. He wants to make her wings flutter and for her beauty to be set free by expressing her emotions instead of restraining them and staying tied to the past that she’s stuck in. This is vividly illustrated when he guides her to smash the sculpture where she’s begging for her ex to stay. But her perspective of it contradicts his own: he sees her beauty through that sculpture; nothing bad and submissive about it, but instead, brave for not being scared to reach out and try to grasp what she truly wanted—something he doesn’t know how to dedicate himself to doing.
Similarly, just like how Miu struggled to be freed from her painful last moments with her toxic ex that had been frozen in time both metaphorically and literally, Ren also wishes to be freed from his own struggles. For him, the butterfly doesn't represent something light and nonchalant and non-troubled as Miu had suggested, but is rather representative of a small precious thing that tries to navigate through the harsh and turbulent-winded world with its colorful yet light-weighed wings. His desire for freedom and his little efforts to cast a ray of colour in the world manifests itself through his obsession with butterflies. These insects are a recurring motif throughout the series, not only symbolizing change and growth but of which are also a statement of the short-lived but beautiful flutters that can be seen when one pushes through hardships and keeps on flying.
Furthermore, butterflies aren’t the only metaphorical symbol that has been included to better convey the story’s message to viewers. One of Ren’s characterics is the way rainstorms always follow him. These scenes in the rain with Miu hold a greater meaning than just being a rainy day. Despite his messiness, he serves as something stable in Miu’s life, like an anchor among the countless possibilities she has to navigate and the decisions she has to make as she enters adulthood. Since she feels like she doesn't really know herself and has trouble finding the answer to anything when it comes to being subjective, this inevitable journey she’ll have to face stresses her out. Ren’s strong attraction for her never ceases in its intensity, and in this, she finds a harbor in her life.
By diving into the complexities of human emotions, relationships, and the unpredictability of attraction, the series conveys the message that some things just can't be helped. The leads’ imperfect relationship is threaded with flaws and raw with hidden insecurities. The magic in their chemistry lies in the delicate yet profound interactions they share, and the space between them constantly grows wider and smaller, full of hidden meaning and unspoken words. ‘Wakatte Ite mo: The Shapes of Love’ portrays romance as something realistically hurtful and messy, and exemplifies how love is not something that is bound to be constrained to limits. It is everything but simple or straight out of a fairytale. Instead, it is a love story using its own words—not sticking to convenience for the sake of its principal aspect of romance despite the numerous physically intimate scenes.
The show’s beauty lies in its unique perspective and outlook on life that it sheds through this window of two young adults trying their best to navigate their lives. Even though we may lie to ourselves or convince ourselves otherwise, nevertheless is a word that defines us all. Our overbearing desire to act freely against others’ rules and against our own will is the human nature of our essence here on earth. "If you just label yourself as something, it'll just restrict you." is a line pulled from the series that encapsulates its essence, defining how there is beauty to be found in the unknown. As the title suggests, the shape of love looks different for everyone, just like one emotion can be represented through many different sculptures and hold different interpretations through each individual's eyes.
The series is tied up beautifully, its last scene especially goosebump-inducing—Ren knows that forever doesn't exist, and Miu knows that she shouldn't hold out for hope, but nevertheless, they come together and discover that the shape of forever is simply holding on to hope.
12/23/2024
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Sherlock Holmes, Criminal Minds, Forensic Files - All in One
What an interesting drama this is. All the main leads are new to me, so I watched it not for them. After the first episode, I realized it's a love triangle. Normally in other dramas, love triangles usually give weaker or less liked 3rd characters. In this case, it's hard not to like either of the main male characters. In fact I was pretty torn in the beginning because I found both male characters desirable and attractive in their own ways.This drama is a combination of Sherlock Holmes with Criminal Minds and Forensic Files. As a forensic expert, Ran Yan (played by Zhou Jie Qiong) is a daring, unpretentious girl who is always determined to find the truth. Unlike most girls of her time, she has no qualm touching dead bodies and slicing them up. Even the men around her are sickened by the sights and many cannot even stay on. I love this character so much. Though she has flaws, she is courageous, kind and upstanding, without the annoying noisiness and self-righteousness of many main female characters in other dramas.
When Ran Yan first meets the man who has saved her and falls in love with him, I fell in love with the man she loves too. Su Fu (played by Tim Pei) is cold and mysterious. How his cold heart is eventually melted by Ran Yan's warmth and kindness, and in the end falling madly in love with her is really a fun journey to watch.
Of course the main story revolves around the two main characters, Ran Yan and Xiao Song (played by Toby Lee). I absolutely love the dynamics between them, how they toy with each other and hang each other out to dry. The constant bickering and bargaining are really fun to watch. Each gives the other nickname that becomes part of the character; Xiao Song calls Ran Yan, "Fox", whereas Ran Yan calls him, "Human Fish". The addressing seems to stick for each other till the end of the show. I love watching the look on Xiao Song's face when he's seething with jealousy over Su Fu. Seeing how a powerful figure of his stature fighting for the love of a woman and getting jealous over her is very amusing, and Toby Lee has performed this role perfectly with his piercing eyes. Together with Ran Yan, they work as one, melting two minds together. They reconstruct crime scenes, figure out motives of killings, put the jigsaw puzzles together; their chemistry is simply enviable. Though there were some misunderstandings between the two, it's quickly dispelled without making the pair losing their love and care for each other.
Overall, this drama improves significantly after the first half. I didn't find major plot holes and significant flaws apart from some of the poor acting by peripheral characters like over exaggerated death scenes, obvious fake props (supposedly solid stone door that shifts when forced against), etc. Editing could be rough for some episodes. As for most Chinese dramas, the attention to details is still lacking. I wish the production team treats viewers with more intelligence. All this poor editing leaves tons of errors for all to see. Some logic is really bad and makes one rolls one's eyes.
Having said that, the acting of the three main leads is very good, despite this is the first major drama for Zhou Jie Qiong. Her performance is marvelous. The details of scenes that required further explanations are cleverly done in black/white flashbacks without breaking the flow of the story. It makes the story very easy to understand and follow. The twists and turns make the whole thing interesting and compel me to follow it faithfully for weeks.
Yes, a great drama to watch. Don't miss this one!
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A) I even noticed the music in a positive way, i.e., not thinking to myself, “I'm sick of hearing this song.”
B) Halfway through, went desperately searching for the entire O.S.T.
C) Found it and played it on repeat in my iPod for months.
The sweet and thoughtful “I Will Promise You” was the first song to grab hold of me. Jang Geun Suk’s gentle crooning over the playful, melodic acoustic guitar chords reminds me of waking up on a rainy Saturday morning. You know, the kind of morning where you get up slowly, make yourself a yummy breakfast and snuggle up in your favorite, most comfy pajamas for most of the day? Yeah, it totally took me there. And the upbeat and flirty “Hello Hello” is the song you play as you leave home on a bright and sunny morning, ready to seize the day and give it your best!
I found that all of the songs on the soundtrack took me to someplace, and they painted a vivid and wonderful background for the drama. Which is good, since the plotline for Mary tasks the characters with creating an O.S.T. for a fictional drama within the drama.
Now that I’ve waxed poetic about the music, I’ll move on the actual drama details. :)
This drama is like junk food. It’s the kind of drama you watch when you’re in the mood for something cute, but not necessarily ground-breaking or deep. It’s good when you want to watch some eye candy with brains and emotions; when you want to watch a youthful, fun drama with a decent plotline and fairly witty writing. You can’t walk into a drama like Mary with high expectations about character development, moral issues (but it is successful with regard to some of that), and dynamic plot twists and turns. You really just have to take it for what it is. Quirky and kind of cute.
The actors are very likeable in their roles and do a good job portraying their characters. Moon Geun Young is ABSOLUTELY ADORABLE in the character of Mary. It’s all I could do to resist putting her in my pocket. She and Jang Geun Suk have wonderful chemistry, despite the fact that they dress like homeless people. I chalked it up as being a part of their eccentric charm.
Geun Suk is a moody, stoic, slightly arrogant and detached rocker--a role he’s played before, I think--but he’s also pretty funny with good one-liners and shows growth as the drama progresses. Kim Jae Wook is the misunderstood and terribly awkward business man that also grows through the series. As I am someone who is commonly (and tragically) a lover of the secondary male lead over the primary, my heart went out to him.
The only warning and major dislike I have is that the parents in this drama drove me BANANAS. Their rationale for their actions was just absurd and outdated, frustrating me greatly. The thought of the parents alone have stopped me from re-watching this drama, unfortunately. If they weren’t so irrational, I’d rate this much higher for re-watch value.
The “re-watch” value for the music, however, is a 10, hands down!
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The reason why I write one is because I loved this show and wish to share the joy, so to speak.
I believe the best trait of this drama is in its script. Eriko Kitagawa - the screenwriter - does not disappoint.
It's a collection of memorable, beautiful quotes, whether about love, friendship, dreams or fears for the future. They make you pause and think.
And the screentime given to this disparate group of friends can really make your day, so universal it is in the world of friendship, be it in Japan, America, Europe or elsewhere. Change the names and perhaps the face features, and you'll be reminded of your own experiences.
It's truly difficult not to fall in love with Sae and Kai, so sweet is their love story, but it's just as hard not to laugh, dispair or rejoice with all the other characters.
Shibasaki Kou does such a wonderful job here, one soon forgets she has lost her hearing and can almost "hear" her talk.
In short: I can't imagine anyone being disappointed by this drama.
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As for the Suzuki, that woman is just too beautiful, I watched her in Tokyo Love Story where she was fantastic but in this drama she was way too brilliant and amazing, I was hypnotized all the time when she was in the screen. Hiroshi as the main guy, I was mesmerized by him, he just know how to portray tormented, lonely, tortured soul with a serious psychological problems, I've seen him in Lipstick and there he was fantastic and I thought that he couldn't play better any role. But I was so wrong. This is for sure, 100 % his best role, the most complex one and I've never seen that kind of acting like his in some drama.
One thing is sure about this drama and that is that there isn't no darker and more depressing Japanese drama than this one. Literally. I've watched many of them, old ones, new ones but like Kono yo no Hate, never. I mean there are no happy things at all, rarely you get to see some smile, some light, well maybe only in the last episode. This is the first drama I saw that there was a drug addict as the main lead and that someone from the top, a married man with career, a famous pianist fall so deep down in a a gutter and become worthless. And that is what fascinated me and wanted to see more and more, how Hiroshi played a heroin addict, you know how Japanese are the masters in creating some drama to be so realistic one, and I really thought that he was on some drugs. He starts from the top, a man with money and power who accidentally meet Mariya and fell in love with her, then the next stage is how he leaves everything for her, they start to live a happy life but not for long because some things begin to happen and slowly everything starts to fall apart. What left me with the most impressions was that man Shido, how he became wreck of a man, you could see how heroin had an affect on him, how he destroyed everything he had and the woman he loved because of that drug. This drama showed us how no matter how much you love someone if you abandon everything, your life, your career for that person and the most important if you lose yourself, start to lose self confidence and doubt in yourself and the woman(man) you love causing to become jealous and obsessive, you'll lose everything and that's when you turn to other vices and destroy your life and all that love you had for someone. It was very difficult for me to watch this drama because I am a person who hates drug in every single way but I always want to hear the stories and to listen to people who have gone through that hell and that's why this drama had such a big effect on me.
As for the main girl Mariya, she was the most gentle, kind and selfless person in this drama, actually the most selfless character I've ever got to meet but not the stupid one. This girl should have a medal for everything she's gone through, she was not typical girl at all, dressed more like a guy with short hair, smoking cigarettes all the time and with a quick temper. But how strong she was, how smart, how she was helping selflessly her sister, her mother, Shido to the very last breath. She was also a very tormented young soul with tragic past and you could easily see through each episode how she was struggling with everything, with all the insults, offensive words, rude behavior and remained strong, positive and cold from the outside, I think she is the woman I truly admire and respect.
In this drama I liked also the side characters, especially the guy with a scar, he was such a hero and cool guy, and I liked it how you get to see their stories, not only of the main couple.
There are no perfect and happy people in this drama, everyone had their own flaws and issues in the brain, simply that is the thing with Japanese, when they make a drama they make it more realistic and more darker than anyone else. And I admire that completely.
Kono yo no Hate is a drama with tragic events, dark issues, depressed atmosphere, crazy people, many tortures souls, with music in the background which suits so good with all the non happy things and happenings, I truly think that this drama is no doubt the most complex one I've ever watched but also a drama with the biggest and strongest emotions ever.
A true love story about a man who had everything and lost everything because of his stupidity, immaturity and jealousy and a woman who didn't have anything and who fought 'till the last breath for the people she loved risking her own life and not stopped believing and trusting her man. The story that showed us how love great and strong can be that nothing couldn't stop or destroy her but that sometimes just love isn't enough.
A true masterpiece for me.
If you look for something very different than all other dramas, if you don't mind real human stories, if you don't mind dark, depressed, problematic and mind issues plot with the complex characters, if you love a full development of how and why things happen and if you love not simply, not fairytale, a very serious and complicated romance story then this drama is a must watch for you. Also what was a big plus to the drama is how at every beginning and ending of an episode, Shido narrates and telling us his own thoughts from the time he met her until the end and you could easily find yourself to understand and feel everything he tells you through those sentences.
For me it was a piece of art. And in the end left me with so many lessons, deep messages and gave me a light in that dark atmosphere.
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Love at first sight, reconcile 10 years later between two Individuals of Noble Profession.
It’s love at first sight for ML in their teenage years, both 19. FL reciprocate the love but wasn’t brave and strong enough to defy her family. She left him but her heart never love again. ML tried but FL’s family is powerful, influential and did some unscrupulous act to harm ML, leaving him broken. But he also never gave up on his love for her and he choose to never love again. Till they reconciled by accident 10 years later, she is a medical doctor and he is a firefighter. Fate and time and time they were brought together and their love for each other continues to grow. FL wants to pursue ML but she still struggles with lack of bravery and courage to break her family ties thinking she is indebted to them. She is an adoptive child and was grateful of her adoptive parents providing for her, hence she struggles with intense guilt, till she discovered what her adoptive mom has done to harm ML and their love for her is conditioned and not genuine. ML is also an adopted child by his uncle’s family. His own father was an alcoholic who died in accident and his mom abandoned him, however his adoptive family provides secure and healthy love allowing ML to grow up with a lot more courage and resilience, hence he understands FL struggles and wanted to be her strengths. The catalyst of their relationship happened from ep 25 onwards, due to a major earthquake, both learnt they can’t live without each other and reconciled finally. After that, the rest of the series, there will be a few more incidents involving change in FL’s adoptive brother and parents. I love that at least this drama didn’t make an ultimate villain out of FL’s adoptive family. It gave the audience a chance to learn how they can also change and reconciliation is possible. Both leads’ love strengthen over time and their passion in their profession continue to flourish.Although the romance is the core, it’s not the only emphasis here, be prepared for the slow burn, but worth the wait as their romance from ep., 25 onwards is steaming hot!
Verdict:
A well written story of growth, finding your own voice and believing in love. Of all the other drama with firefighter as profession, I would say this is the best! With brotherly love, family values and love, relationship and character growth, as well as believable rescue mission. Of course strong message on the pride represented in the profession too.
Some thoughts:
Faithful love is hard to come by. It does feel that the story stemmed from showing the FL’s perspectives as victim and flaws in her character resulting in her needing ML more. ML is just purely one track mind and obsessed with her. That’s the only part I find unrealistic, ML’s obsession for FL, he can easily find another woman, but he didn’t as script requires. He just have eyes for her, and it does feel that his existence is a blessing for FL as he truly rescue her from her dysfunctional family and help her grow. As a viewer I can see that FL has strengths but was uncovered because of ML. As mentioned in the drama, at an earlier ep. 11, FL feels and said she doesn’t deserve him, and she will harm him as she is not brave enough, which is very insightful and true in some perspectives.
However as the story progresses, it shows her growth in character and strength, learning to attune to her own needs and learning to love, as well as learning to be an independent adult through various events and experiences of her profession. ML to me, written here was flawless, I may be bias as because he is Yang Yang. Lol! Although ML was slightly rebellious in young age, he grew to take responsibility for self, family and the profession he hold prideful of.
Both Yang Yang and Wang Chu Ran are a beautiful pair. Chemistry is great.
The drama does have a lot more emphasis on the firefighter profession and medical doctor. Seeing so many of these theme in drama recently, I can’t help to wonder China really needs people to be inspired to take up this profession. the rescue mission were quite well filmed and realistic. The cameo of many familiar faces from cast of Glory of Special Forces were fantastic, can see their good teamwork with Yang Yang. And then the surprised good few episodes portraying strong brotherly relationship between Zhang Bin Bin and Yang Yang were very heart warming.
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Should You Become An “ Anti-Fan” Of This Drama?
Have you ever watched a drama which starts off with cataclysmic screenwriting and then surprisingly grows on you in the second-half ? Well, most watchers can probably agree that this ideology epitomises ‘So, I Married An Anti-Fan’ with its surprising turn from certain cliches to an endearing relationship between our leads.However those expecting ‘So I Married An Anti-Fan’ to be a “masterpiece” should probably be told outright that this drama isn’t without its flaws either.
Taking nearly three years to air ( after finishing production in 2018) and sparking an eruption of mixed criticism by viewers afterwards , “ So, I Married An Anti-Fan” is a drama which has greatly divided the audience demographic . Some viewers take the stance that it is " too reminiscent of the tacky 2000s abusive relationships" and " poorly-written", whilst others on this platform defend this as " sweet" and a " comfort drama". However, this raises the bigger question for those wanting to watch the show for the first time; is it actually worth watching?
Well, there are some undeniable strengths which may have an alluring charm for certain watchers. The main cast (consisting of Choi Soo Young, Choi Tae Joon, Hwang Chan Sung and Han Ji An) were an absolute delight, the plot was " romantic and fluffy with a twist of melodrama", and it was straightforward enough to follow ( in an " unplug your brain" sort of way ). Refreshingly, the second-half took a slightly more serious stance to our main leads’ relationship by delving into the main leads’ interactions, whilst also addressing more profound insights into the idol industry’s sociocultural issues in South-Korea. However, this is also where we must address the opposite side of the coin; the problems.
One of the biggest dilemmas of ‘ So, I Married An Anti-Fan’ came through character development. Let’s start off this example with our female lead Lee Geun Young. Geun Young was a female lead who you desperately tried to like as a viewer as Choi Soo Young is a good actress. Undeniably as a character, she isn’t "naive" or the " sweet girl next door" and will happily stand her ground at times when the male lead kicks off. However, ultimately this is where our biggest problem occurs with Geun Young; she exists( for a major proportion of the series) as a component of an enforced pairing for the “ sake of plot” .
There is nothing wrong per say with a female lead being in a relationship in a drama. ( In fact it can allow god-tier character development . ) However whilst we did get to see Geun Young come round to accepting her feelings in the second-half, this first part felt more like a carte blanche for Geun Young’s character development by screenwriters Kim Eun Jung and Nam Ji Yeon in order to forcefully pair-off Geun Young with our male lead Hoo Joon. Consequently Geun Young was rarely given time to understand exactly why she was attracted to the " jerk who ruined her life" ( the motiveless goal aside from her obsessive desire to " ruin his life"). Sadly further interactions with her mother and friends provided little insight into her actual personality (beside the romantic pairing).
Then there’s the male lead Hoo Joon. Similar to Soo Young, Tae Joon is a dynamic actor and there were certainly intriguing issues tackled with his character; a popular star who is getting fed up of being used by his company and his tiresome lifestyle. However typical of cliches, he was often glorified by his role throughout the drama as the " stoic, jerk male lead” ; getting away with assault, bribery and blackmail (including towards the female lead). The show attempted to play an uno reverse card by introducing the " tragic backstory" which may evidently cause mixed-feelings for viewers.
Of course the issue of our main leads also remains a source of mixed-criticism for the drama. On one side, there is the undeniable problem that the male lead Hoo Joon constantly found ways to emotionally gaslight the female lead ; grabbing Geun Young’s wrist , then giving her the cold shoulder over the most trivial of matters and refusing at times to hear her side of the story (or just talk to her like a decent human being). However, there is an alternate stance that ‘ So I Married An Anti-Fan’ isn’t supposed to be perfect. It’s a romantic-comedy which attempts to reflect the real-life reality that actual relationships are messy and problematic. The focalised writing decision to focus more on our main leads’ relationship in the second-half did seem to prove that this was the intention of the drama.
Although this review would not be complete without talking about one of the biggest elephants in the room; our supporting characters JJ ( Hwang Chan Sung) and Oh In Hyung ( Han Ji An)’s overly problematic relationship.
Hwang Chan Sung is a really good actor, however, you could imagine if there was an “ Encyclopaedia Of The Most Obsessive Second Male Leads Of All Time”, his character JJ would have been on the first page. It was evident that the drama desperately tried for us (as viewers) to root for JJ as the “ pining lover”. However , this appeared difficult when his behaviour reflected an otherwise dysfunctional and oppressive figure in In Hyung’s life by rifling around In Hyung’s room ( without her permission), screaming at her manager down the phone in public ( and thus purposefully embarrassing In Hyung in front of people) and then even attempting to manipulate Geun Young ( without considering In Hyung or Geun Young’s feelings) early on in the series in order to get back at Hoo Joon.
Yet whilst it would be easy to pin all the blame on JJ, Oh In Hyung had her own fair share of problems also . Similar to her costars Han Ji An is a good actress. In terms of her character In Hyung, the drama works incredibly hard to make us feel pity for her being a a victim of the malicious industry of idols and JJ’s obsessive infatuations. ( For the most part as viewers we certainly do.) However as we delve more into the show ( without spoilers), it soon becomes apparent that In Hyung is manipulated by the screenwriting into becoming a tiresome plot mechanism in order to trigger catalytic events in the later storyline.
Oh boy, then there’s the additional problem of the producers. Admittedly they do not have such a prominent role in the second-half, however, most viewers will probably agree that they were incredibly irksome characters. Yes they were supposed to add a touch of comedy during more angst-ridden moments of the show, however, secretly filming the leads without their permission, screaming at the camera crew, forcing, guilt-tripping and then humiliating Geun Young on multiple occasions just grew fairly irksome for viewers .
Nevertheless the ending was a left on a sweet note for viewers. Although admittedly there could have been some plot points wrapped up, it was entertaining to have some closure with our finale.
So, is“ So I Married An Anti-Fan" actually worth watching? Whilst the show has a fairly good cast and is easygoing for viewers looking for an escape from darker romance storylines, this depends entirely on personal taste. For fans of "cutesy" romance with a " slice of 2000s K-drama relationship abuse angst" or just looking for a show to unplug your brain with,then this drama is right up your street. However, drama watchers looking for a more profound storyline then look elsewhere as " So, I Married An Anti-Fan" isn’t it.
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