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Run!
I USUALLY DON'T REVIEW DRAMAS I DIDN'T LIKE BUT I THINK THE RATING 7.6 IS MISLEADING.[Edit: as of 05/12/2022 the rating is 6.9 still very high for such an abysmal drama]
This drama has no redeeming qualities.
I was excited when I learned that the two leads were cast in Misty's screenwriter's next. Misty was such a good drama with a geat story and acting.
Then the stills and title were good too and I won't lie ; the rated R got me all the more excited because I thought it would be a mature and more realistic than drama like Misty, Something In The Rain, The World of the Married...
But my expectations were smashed by the reality that was this messy drama.
In Misty, the female lead was a career woman who chose her career over everything. She was a complicated woman who hurt herself and her loved ones to achieve her goal.
In Now We Are Breaking Up, we were served with a goody two shoes who somehow won everyone over with her upright attitude and Song Hye Ko's acting or lack thereof didn't help understand or empathize with the character she embodies.
THE STORY
The story was poorly written. It's supposed to be about a great love story and the hardships the main leads will encounter and try to fight against.
Instead, it's about a 38-year old woman who has yet to move on from a 2-month relationship that happened 10 years ago. Said woman is traimatized from having been ghosted by a guy she met in a foreign country and dated for 2 months... I personnaly tought it was ridiculous.
The story actually begins with the heroine having a one night stand with the hero. They don't exchange names or number and spend the night together. It's supposed to be mysterious and hot but it's actually a dangerous behaviour imo
I had a hard time understanding Song Hye Ko's character. She was supposed to be a successful career woman in the fashion industry but she was too soft and forgave betrayal such as the leakage of some of her designs.
How can someone keep an untrustworthy person in their team ? That untrustworthy person was also someone who wasn't loyal and was ready to jump ship when things went south.
So how can a successful career minded person keep such a liability on their side ? How are we supposed to believe that ?
Then the drama opening with a ONS is supposed to show us how modern and independant FL is but then her friends implied it wasn't customary for her to see men.
So what is actually the state of her love life ? Did she have ONS during these 10 years? Was she so emotionally stunted that she forgot about men for those 10 years ? If so, what was so special about the ML fot her to have a ONS with him ? There was no build up to help her understand this.
And now this 38 year old independant woman lets her parents and the ML parent's interfere in their relationship? Had she been younger I could have enpathise but she being successful, independant (lived abroad alone and has her own flat), it's ridiculous and annoying that she'd let parents run such interferences because she's at an age were she's supposed to understand that even if her parents disapprove of her relationship, they most likely won't cut contact with her (especially since she always gives them money) and with soften after some years or/and if they have children.
When her mother yelled at the ML like a banshee, she didn't even try to intervene and we are supposed to think they are so in love and can't live without each other... but how can you let someone you love be disrespected in their own shop ?
The worse thing is that she left with her mother instead of staying to confort the hero.
The Male lead played by Jang Ki Yong is an empty vessel. One cannot understand what attracts him so much about the FL.
She's pretty but she's cold, unresponsive and too much hassle.
His only purpose is to give the FL props to resolve some of the issues she encounters while managing her brand. Otherwise he's uninteresting.
When he realized he took a fancy in his brother's ex, he keeps going even though the relationship is at an early stage and everything could have been stopped.
It seens unresonnable and illogical especially since we don't see what is the great connect between the two leads. Why are they throwing I Love You's around when they barely spent and spend time together.
The FL parents are something else alltogether. They are agaisnt the relationship when they both liked the ML ar first because FL dated his brother for only 2 month in a foreign country. Why is it a bad thing ? They are supposed to want their daughter's hapiness but are against the relationship for something that can be deemed as trivial because she was neither engaged nor married to his brother and no one would know they dated.
The mother was the worst imo because she threw tantrums about wanting a divorce when she was the one saying she didn't want to do anything to jeopardize her daughter's future marriage. But in SK, divorced parents are bad news and won't help... she doesn't even make sense and is seeking a divorce instead of trying to talk with her husband about the reason she wants out.
I also found her cringey for always wanting to hook up her daughter with the rich woman's son. She was really desperate for it.
But she was crass for saying what she said to the ML's face for things he can't help (his lineage and family condition) and acting as if her daughter was such a great price.
It seemd more like she was releasing her frustration on someone who would take it without doing anything.
The ML's mother is more easy to understand because she's someone who has yet to do her mourning but I didn't understand why she kept acting as if ML was like her real son when her interior showed that their relationship was anything but. They were no pics of the two/three of them together ; ML was sent away since his youth when his brother got to grow up in the family household.
I could understand her opposition to some degree but not her acting as if ML was her son and not some replacement.
The subplots with the best friends weren't any better.
The director was childish and incompetent. At 38yo it's not cute anymore but downright ridiculous.
I thought she could have been a good negative character instead of adding to the mix the ML's brother's crazy ex.
The ex-model who is dying from cancer is one of the most mature character of the drama.
My hung up is that her subplot included cheated and a terminal illness. Would'nt it have been better if her husband would have come clean sooner or if she'd died without knowing ? Because it's really bizarre how she's trying to set up her husband with her affair partner and saying that woman is a good person. A good person won't knowingly sleep with a married man with a child!
I feel there was so much to say in this section for the best friend to have closure but it all became messy and non sensical.
Finally, the brother's ML who everyone is regretting was a dishonet coward.
Why did he tell the heroine he was an only child ? Why did he date her when he was already engaged ? It was pure nonsense especially since these fact weren't exploited more in the drama.
THE ACTING
The main leads were really bad and the only thing they brought to the table was their looks. The ensemble cast did their job but they couldn't do much woth thr roles they were given.
THE MUSIC
It was the only decent thing in the drama though it wasn't groundbreaking.
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This review may contain spoilers
From Promising Beginnings to Disappointing Endings..
I rated this drama 8.5 based on the first 7-8 episodes.. It started of really well with spot on comedy.. Great acting and steady story development.. However after those initial 7 episodes the characters became bland.. And the forced humor felt out of place.. Even thats understandable conisdering this is a romcom.. But Some of the choices the characters made were really nonsense..Constantly being let down by the Korean writers who struggle to deliver satisfying endings.. They Often resort to forced breakups.. Unnecessary time skips.. And last minute reconciliations.. As if thats the only way they know to end a story..
I honestly didnt understand the need for Cha Hui Seong's story.. She is in an open relationship and the couple sleeps around with other people.. Then she gets pregnant but she doesnt know whose baby it is?? What sort of dilemma is that?? What lesson is the writer trying to convey?? Modern relationships have no morals??
The second couple was interesting.. With Lee Sang Yi delivering a solid performance like in his other dramas.. Han Ji Hyun had her moments but her cuteness felt forced at times.. And her acting was all over the place.. She is a good actress but i hope she doesnt follow the ' i need to do smut to get the recognition i deserve ' mantra.. Spice up Our Love was an unnecessary spinoff filled with cringe and cliche romance.. I am looking forward to her next drama with Lee Min Ki..
The main couple's story started off really good.. The first seven episodes were genuinely hilarious.. But unfortunately took a fall afterward.. The ML supported the FL through her struggles and was always there for her.. Yet she broke up with him right after her mother’s funeral.. She clearly lacked empathy there and it was just a dumb thing to do.. He loved her mother as if she were his own and she didn’t allow him the time to grieve.. Son Hae Yeong was a mature character.. But her decisions felt childish and selfish.. Instead of facing the hard times together.. She cruelly cut him off.. Leaving him alone when he needed her most.. How is that love?? Kdrama FLs often take love for granted.. I wished they wouldnt get back together..
The conclusion felt rushed.. With a last minute reconciliation that didnt do any justice to the way the story developed.. The FL didn’t even try to stop the ML AGAIN.. He had to chase after her to make amends..
" I never regretted letting you go " Thats what she said..
In conclusion.. While the drama faltered after the first seven episodes.. It still delivered memorable moments and strong performances..
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STORY
The story revolves around a restaurant that's only open from 12 midnight to 7 in the morning. He doesn't really have a menu, if he has the ingredients, he'll make you whatever you want. The whole show is about the people that come and go through the restaurant. In all the times that he's been the proprietor of the restaurant, Master (that's what his customers call him), has met interesting people. His regular customers get their story told too. Some episodes are not as memorable as the rest.
ACTING/CAST
I actually watched this drama for Nam Taehyun. I really think he's not that bad of an actor. He acts the way he's supposed to act, I think. But the other actors are great too.
Kim Seung Woo as Master, I think did a good job to appear the friendly restaurant owner.
I love the regular customers who pop up from time to time.
Nam Taehyun plays Minwoo, a student who has so many part time jobs.
Choi Jae Sung who plays Ryu, the mysterious gangster with a heart of gold.
Jung Han Hun (Mr. Kim, the fisherman) & Joo Won Sung (quack doctor), I love their friendly banter.
Jin Seo Yun as Cherry, she works at the bar close by
Park Jun Myun as the manga writer
Ban Min Jung, Song Hwa Ryeong & Jang Hee Jung as the Noodle sisters. Compared to their Japanese counterparts, I like them better.
Son Sang Gyeong as Deongchi, Ryu's scary looking but kinda like a big teddy bear bodyguard.
At the end of most episodes, there's like scenes of his customers going home. I cried seeing the very last one because the show made me like the camaraderie between all of them.
There were a lot of the well known actors as guests like Ji Jin Hee, Oh Ji Ho, Seo Woo, Ahn Jae Wook, Lee Ki Woo etc.
MUSIC
There's not really that much of a music. But I love the opening song "Till the Morning Comes" by Younha.
REWATCH VALUE
Definitely! The episodes are only 30 minutes and like I said, I really like the cast. They made me laugh, they made me cry.
OVERALL
Compared to the original version, I'd rather watch this than that one. I maybe k-drama biased but I really think the original was more boring.
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At times like that we need friends who help us, who'll reach their hand out, who'll walk the difficult and hard path towards that faraway dream. Because sometimes you simply can't do it alone. And why should you have to, if you have friends by your side who are willing to support you?
If you ask me that's the main thought of the whole drama. People aren't born strong. When they're alone they'll often feel insecure and won't be able to do what they truly want. People are able to get stronger when they have the unconditional support from friends though, people who'll stand by their side no matter what. People who'll fight for them. Who'll bring happiness but also lighten the pain and sadness.
But what Tumbling teaches you is that those people, your dear friends, are also only humans. They will also get hurt, feel insecure, get angry, lonely or frustrated. They're also capable of losing hope or making wrong choices. And just as they help you, you should support them when they need it.
Tumbling is a really amazing and very touching drama. I am simply yet madly in love with it.
At first I thought the drama would only be about Tumbling itself and bullying but it deals with so much more than that, it honestly surprised me, in a good way. In my opinion the actors are the ones who make the drama as great as it is, every character has it's own role within the story and gets the opportunity to grow and change slowly.
Tumbling sounds like a typical sport drama but it's so much more than that. Besides the sport itself it deals with your normal teenage problems, insecurity, loneliness, violence, sadness but mainly about hopes, dreams and above all; friendship.
It's really hard for me to explain what I love about the drama without spoiling too much but I guess it's the way the characters develop themselves. Even though Wataru starts off as your typical delinquent, he turns out to be so much more. And not only him, everyone in the drama gets a moment to shine.
Even though there are cheesy or cliché moments I think the drama pulled everything off perfectly fine, the story is simple yet really touching at moments and the actors are all simply amazing.
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For full enjoyable experience, PLEASE watch the cut/trimmed scenes and the second ending
If anyone have watched any dramas from MGTV, you'll know that they suck, especially when they put it on YouTube. MGTV doesn't always provide Eng subs, they will cut audio if it means avoiding music copyright issues, and they also edit and cut/trim down scenes a lot. Sadly, they're not like the wonderful YOUKU with "Word of Honor." YOUKU has been giving such an wonderful experience for fans of Word of Honor. MGTV could never because they're too cheap.With all that said, Killer and Healer is still an enjoyable drama despite being butchered like that but if you want the full experience, please make sure to watch the cut/trimmed scenes and watch the second ending. You can find all of those clips on YouTube if you search "Killer and Healer highlight" and "Killer and Healer ending."
Killer and Healer is a Republican Era, cop/doctor action detective drama with the cop, Jiang Yuelou, trying to solve and get rid of opium in Jing City. By chance, he meets the doctor Chen Yuzhi and they form a cooperation and then an unbreakable friendship/relationship helping each other while trying to break through the cases and find out and stop the main villain of the drama. At the same time, Chen Yuzhi tries to help Jiang Yuelou with his PTSD and bipolar disorder which has begun to affect Jiang Yuelou's reactions/decisions in the field.
YES, THIS IS A SOULMATES DRAMA. Look, if you know anything about Chinese dramas by now, you know they censor LGBTQ+ content. That means that directors and scriptwriters etc. have to find a way around it and I think this drama did it wonderfully. The main leads, Jiang Yuelou and Chen Yuzhi, have an incredibly deep relationship with so much loyalty and trust, along with warm and tender exchanges and interactions. ESPECIALLY IF YOU WATCH THE CUT/TRIMMED SCENES, you can witness that even more. There is so much explicitly said AND implied, you have to know how to read between the scenes/lines. And I want to clarify that, though yes they have a female character here and she does catch feels for one of the main leads, she is never used to block the two guys nor is she ever an annoying character. She's so wonderful and I will fight anyone who hates on her. Her character was used in some way to downplay the LGBTQ+ vibes but you can always tell how important and critical Jiang Yuelou's and Chen Yuzhi's relationship is to each other.
Anyway, it's fairly fast-paced and yet also does very well with angsty and sad scenes that makes you cry. The OST is also really good too and truly makes you feel the emotions of the scene. There are some plot choices that I question, but overall, I still enjoyed this drama a lot.
Mao Zijun as Jiang Yuelou and Ian Yi as Chen Yuzhi were such a delight! I hadn't really seen them before in their previous dramas (and I believe Killer & Healer is their first real drama as leads), so watching them here was refreshing but also so enjoyable! Mao Zijun is my absolute favorite because he is able to balance looking cool and handsome and also painful scenes where he's hurting and is crying so much. I am seriously impressed with Mao Zijun as it can be difficult to pull off a character who can be aggressive but also sympathetic too. He's able to show off how Jiang Yuelou can be tough but also be so vulnerable. Such great acting and good character.
Ian Yi did a perfect job of being the gentle and caring doctor Chen Yuzhi. There are other supporting characters that are pretty great too, such as the female character Chu Ran, who wasn't annoying at all and was just so level-headed, calm, smart, and cute. I adore the supporting characters like Song Rong and Sun Yongren.
There's the second "couple" characters--Zhan Junbai and Yu Tangchun--who are so fascinating but sadly don't have as many scenes as the main leads. However, their relationship is intriguing still and quite heartbreaking. I adore both of the actors for these roles and enjoyed watching their interactions and relationship.
To summarize, you might like this drama if you like these things:
-Two complex and competent male leads who value and care for each other so much that it's practically romantic (but due to censorship, it's "bromance"). (Even kisskh tag this as "homoerotic subtext" and they're not wrong.)
-A competent and smart female character who is never made annoying or as a "block" to the main leads
-A complicated and intriguing relationship between the supporting "couple" characters
-Endearing supporting characters who serve as comedic relief and also as commentary to the two male leads' relationship
-HURT/COMFORT!!! This is one of the best things about this show. It's about the angst and hurt and being taken care of by the other!!
-UNWAVING FAITH AND LOYALTY of the main leads!!!!!
-Suggestive and flirting looks (what can I say, Mao Zijun just oozes such casual flirtatious style, okay.)
Things that you might not like or feel comfortable with
-Depiction of mental illnesses. Personally, I think they did a decent job with Jiang Yuelou's bipolar disorder and PTSD but I don't know too much about bipolar disorder. I know PTSD though and Jiang Yuelou definitely have a lot of that from his difficult background. However, I know some viewers may feel it difficult to watch when Jiang Yuelou is going through this.
-Deaths. This is a Republican Era drama, so typically, a lot of people will die, especially in this line of work as a cop/detective working to fight mob bosses.
Possible content warnings:
-depictions of addiction behavior and trauma-related behavior like aggression and violence
-depictions of domestic violence and abuse
-depiction of PTSD and bipolar disorder
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Extremely satisfied
Honestly I like this story it's like a breath of fresh air, quick and short and yet it's very refreshing. Most historical cdramas are tragic and full of pain and depression. Basically they're not for the faint hearted. Even if I'm a bit "braver" than others. I too get tired of those long, stupid, illogical, time consuming and complicated dramas. Therefore even though their acting and story was generally average. It's worth it especially if you've been watching a lot of historical dramas with unhappy endings.Absolutely recommend, for people like me that is. If you're looking for a drama to relax, chill and cool down from all those other scheming and complex dramas.
Well then this is the drama for you ;)
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This review may contain spoilers
This drama tested every last bit of my patience.Everything in it was done at the most shallow, surface level possible. We were given no insight into why our characters made the decisions they made, no deeper look into their inner struggles and desires and motivations; no emotionally revealing conversations between the characters or internal dialogue to bring us into their inner worlds; no explanation for what our female leads ultimate goal was or if she even had one; just a bare bones story trying real hard to be devoid of any substance. Which is all the more frustrating as it had so much potential for substance. The bones of a good story were there. The writers just never put any meat on them.
Understand that none of this is the fault of the actors or actresses. They did the best with what was given to them. (Although I truthfully wasn't impressed with Yong Jun Hyung at all.) I quite liked both female leads and am more angry For them for what a crappy story they were handed than I could ever be At them. Chae Seo Jin is aces as Oh Go Woon, and that's the main reason I didn't end up hating her or her character. They're both too lovable. But while Kim Min Young is clearly just as good of an actress, and Lee Seul Bi had some really solid character moments in the first handful of episodes and in the finale, neither of them were ever given a chance to shine. Chae Seo Jin/Oh Go Woon get all the screentime, and eventually, you begin to think the posters and teasers were all just an elaborate lie, and Lee Seul Bi isn't the main character after all.
I will say that there is a lot to enjoy about the finale. The first half ties up a number of plot points in ways that are genuinely satisfying. It also offers up some deeper explanations and explorations of the drama's theme that the story was sorely lacking before that point. Honestly, episode 12 has more story development than all 11 other episodes combined, and it dulled some of the frustration I had going into it. But the second half of the episode is a total waste, and the episode as a whole brings up some really fascinating ideas that the drama Could have explored and Should have explored but Didn't explore, so it ultimately just leaves you feeling frustrated again.
Should you watch Coffee, Do Me A Favor? No. Coffee, Do Me A Favor is not a good drama, and you should not watch it.
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A drama that deserves more respect and love.
This drama was full of fantastic stories and great actors, but the romance was not the focus here and that's probably why some viewers felt disappointed - they were expecting a light medical romance. Instead, they got some heart warming family dramas, gritty medical dilemmas and a surprisingly sharp critical insight into the highs and lows of the Chinese medical system.Everything here was expertly done. All the guest actors did an excellent job and the medical cases kept me glued to the screen. The romance wasn't the focus but it was good and left me with a smile on my face. I loved how we got to see the lives of the medical staff, but not to the point that it became a medical soap opera.
If you are looking for a good drama that is full of strong storytelling, this drama is for you.
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Empowerment Needs a Conscience
What an incredible show, with one of the greenest-flag MLs I’ve seen. The chemistry between the leads was wonderful, and Miles Wei’s acting was flawless. The ML’s initial behavior toward the FL was insulting, but what made his arc so satisfying was how completely he redeemed himself. Once he understood her, he pursued her relentlessly and, from that point forward, showed her nothing but kindness, patience and unwavering devotion. The FL as a pilot was equally convincing; she carried the confidence and competence of one beautifully.The show also does a remarkable job of portraying women’s strength and advocating for women’s empowerment. But empowerment should be rooted in loyalty, kindness, equality and responsibility—not selfishness.
The FL’s words to her mother in Episode 24 perhaps sum up the emotional cost best: “Since the day you left, I’ve missed you more every day. The more I missed you, the weaker I got. The more I hated you, the tougher I got.” She is portrayed as the toughest kid on the block, yet no child should have to build that kind of strength from abandonment, resentment and pain.
A mother or father walking away from a young child and a family in pursuit of a career should not be romanticized, normalized or celebrated. A career built on the broken pieces of your child’s happiness is not success. If the parent in this story had been a man, would we be equally eager to defend, forgive and celebrate him? I doubt it.
We have become far too comfortable treating emotional abandonment as though it leaves no scars simply because there are no visible bruises. Mental trauma and emotional abuse deserve the same seriousness as physical harm. Children should not have to carry the burden of understanding and forgiving the adults who caused their wounds.
And if we are going to challenge traditional gender roles, let’s challenge them for everyone. Why must the ideal man be the brilliant achiever, future CEO, breakfast-maker, dinner-cook, relentless pursuer, constant sacrificer—and invariably the first to apologize?
Let’s aspire to something better: a society where women can pursue their ambitions without stepping over the happiness of those who depend on them, and where men are not expected to endlessly give while women simply receive. Let both make the effort, sacrifices and compromises that love, family and friendship require.
Empowerment should elevate both women and men—not excuse selfishness in either.
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It's short, full of emotions and fun to watch. I really loved the story. I love this old-school themed stories, so it was for me. It's based on 1979 time period and I love that time set in here. Plus the Deagu dialect is really nice to hear, something different from Seoul dialect we are used to.
It has 'Reply series' vibe to it - probably heard that from a lot of people - which is true (I started to watch the Reply series because of this drama).
This is a text book story of coming to age and first love and crushes. And it truly is about girl generation - but not that Girl Generation - we can see Jung Hee and Hee Joo who are in their teens, her mother, Auntie, number 3 all this woman, in different age group of that time fighting their own problems and facing them. And it is about girls in different generation coming together.
The boys are here, but they help to make the girls look more stronger, not the other way around. Though it doesn't stop being just about the characters either. It shows - glimpse of it at least - how the people used to live that time, things that shaped our culture into something that we see now. And you can see how much we have changed. And how much we haven't.
Plus you can ship anyone with anyone. You can try the drama, just to see if your's makes to the end or not. (Mine did!).
The actors are all new to me. But I liked Bona. She made Lee Jung Hee more relatable to me. Love Chae Seo Jin. Have a crush on Lee Jong Hyun. I don't know about others but I really liked Do Hee's performance as Shim Ae Sook. To see her character grow like that, it was really satisfying. I really liked that.
The OST's in it's self are nice. But it has some of the top 1970's song in it, both Korean and English. And it makes you feel that old time vibe. Love that.
Some of the moments in this drama are my favorite, so I'm going to re-watch those and probably the whole thing too. Cause why not? It's a nice drama. It's short but the story end's perfectly with it's self.
In the end it gives 'complete' feeling. And I can imagine the rest of the story in my mind. It's a really cool drama. Do watch it!! #HopingForAnotherSeason
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A Romantic and Quick Historical Watch — If You Can Handle the Ending
There is one main reason I started watching this drama, and it’s because our (perpetually) second lead male actor Mi Re/Merxat is finally in one of his first leading roles. After completing this drama, I truly have a lot of mixed and bittersweet feelings. Overall (without spoiling anything) I believe this show's strengths include the performances and the overarching plot, although some viewers may take issues with the ending of the series.Some aspects viewers may like about the drama include:
♡ An Overbearing Yet Powerless King: Merxat does a really great job making Yuwen Yong possessive and quite “black belly,” while also showing how vulnerable he is. You see from the beginning how he is physically and emotionally suffering even though he holds the position of Emperor, and also how few people he has around him that truly care for him. I think this makes the plot itself quite interesting, especially since part of the storyline is not only focused on the romance, but also how he and Liu Jing/Jing'er navigate an environment that is literally and figuratively poisoning him. I have to say that Merxat's portrayal of the ML was very well done, especially with both the emotional and romantic scenes.
♡ A Smart, Mischievous, and Talented FL: Probably one of the best aspects of this drama is its portrayal of women. The female lead Jing'er has her own dreams and aspirations, which do contribute to her romance with Yuwen Yong, but also give her agency and personality separate from their love together. Jing'er not only uses her abilities to help Yuwen Yong, but also works hard to improve herself in order to achieve her own dreams. Most of all, her skills often end up either saving her or the Emperor, and often come in handy whether it be to protect herself or to uncover some of the broader political conspiracies in the palace.
♡ A Romance That Stands the Test of Conflicts: While Yuwen Yong often does some things that can be problematic, such as threatening to make sure Jing'er never leaves, in fact he deeply worries about her and the drama makes it clear that he falls for Jing'er first. I love how in a way their romance and chemistry felt a lot more adult, even if they start off by bickering and misunderstanding each other’s feelings. Merxat does a great job at being a devoted ML, and the drama also shows how both Jing'er and Yuwen Yong are lovers who are mutually equal in competence, despite their differences in status. They work together to solve problems, navigate the political conflicts that arise within the palace, and to support each other with their individual strengths in such a dangerous environment.
♡ Loveable Side Casts: Yuwen Zong plays an adorable and naive little brother, and I found it refreshing that he and Yuwen Yong had an overall supportive and loving relationship in the series. Many of the side casts, from the eunuch to Liu Jing's maid, are also not only close friends and confidantes, but support the main characters together as they go through different challenges. I also surprisingly really loved the tragic love story between the enemies Dugu Cheng and Tang Wan, and felt that they had great chemistry together, and that their screen time was tastefully done and well integrated into the overarching drama. While there are definitely characters that are more hateful, including some of Yuwen Yong’s concubines, I liked how some of the side characters were truly friends with the main cast.
♡ Short Length: The show is not draggy, and I think it really benefited from being a relatively short length as well as adapted from a novel. It’s overall very easy to watch and digestible, especially if you want a historical drama that has a balance of politics and romance without being too complex. I was able to follow the overarching political schemes of the drama without getting bored, and I think the number of episodes is very suitable for the storyline.
However, there are also some things that may be an issue or less enjoyable for viewers:
♥ Casting: I think there was some miscasting going on, or at least I was a little confused about some of the cast choices in this show. Gong Mi looks a little more mature than some of her castmates, and I wished they had simply incorporated this into the script (i.e. made her older than Yuwen Yong) instead of giving her a personality of a young and innocent girl who is still unaware of the world. I think it’s refreshing to have more mature and older women cast as female leads, and therefore I wished that they had just made this into part of the drama. Not to mention that much of the supporting cast, especially Yuwen Zong, looked significantly younger than the main cast. In other words, I think because of the casting sometimes I couldn’t tell whether this show was deciding to go into a youth romance drama territory, or wanted to delve into a more adult historical romance.
♥ Ending: Without revealing too much about the ending, what I will say is to be prepared for a conclusion that may potentially not satisfy you, and also closes off the possibility of a second season. I personally found it a bit strange that the directors decided to take the drama in this direction, because this drama fits a certain niche (light and romantic historical romcom) where this type of ending has not yet been done. At the same time, I emphasize that I was spoiled about the ending before I made the decision to watch this drama, and likely if I had known that this would be the outcome I may not have committed as much time to watching this show. I highly recommend you check out some of the spoilers to prepare yourself if you are considering watching this.
♥ Genre: Again, this is related to the ending, but I felt as if the drama couldn't decide whether it wanted to be a lighter and fluffier romantic drama, or if it wanted to be more introspective and angsty. There are many parts that are fluffy and sweet, but as we get to the latter stretch of the drama it navigates into serious tragedy territory. In other words, I feel as if this drama targeted an audience that may be looking for fluff, but then I warn to prepare yourself for the last five episodes, which deviate quite a lot from the sweetness of the earlier episodes.
♥ Production Value: It’s pretty clear that this is really low budget, even amongst the other dramas that fit the niche of short historical romcom. Some similar dramas that also are part of this genre include Oops the King is in Love (2020), Dr. Cutie (2019), My Dear Destiny (2020), The Love by Hypnotic (2019), and Love Better Than Immortality (2019). And I have to say that out of all these dramas, in this drama the sets and clothes were by far much less high-quality compared to the titles I’ve listed. You can sometimes see very clearly where the longer wig pieces attach to the back of the head, as well as how the majority of the costuming and backdrops are made out of cheaper materials. I also didn’t find much of the music or OST very memorable, which I found to be quite rare for a historical drama. While this is a matter of taste, I also note that the drama went for a more saturated and darker colouring, compared to the usual more pastel tone of shows in this genre.
This was a watch that I found to be relatively good for passing the time, especially while waiting in-between for other shows that were airing. It doesn’t drag much because of the episode length, has solid acting, and I really liked seeing Merxat on screen after such a long time as the male lead. At the same time, however, I would caution viewers about the ending, as well as some of the limits of the series with the lower production value. If you have the time and are interested in a binge-able romantic historical drama, then I would recommend you try this out while taking cautious note of some of its issues.
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Alternatively titled as: We've Got The Best Bromance!
It's been a couple of days since I completed watching Goblin and might I just say am so not over it. I've been reading a lot of its reviews, stalking the fuck out of Lee Dong Wook and basically just obsessing over this one a little too late. I usually try to stray clear of fantasy genre but I hate that I didn't give this one a chance sooner. It's like one of those overly popular dramas that have got the mainstream vibe to it because almost everyone has watched it already and I guess now I know why.I've got so many things on my mind regarding the series, the good things and the bad ones too that it's a bit hard to formulate them properly into words so I'll probably just rant my way out.
Starting off, Goblin was an extremely whimsical watch to say the least.
The first few episodes were absolutely breathtaking with immaculate cinematography both in the historical flashbacks and in current timeline, interesting choice of characters and plot will force you deeper into this drama, and once you're in well, there's no going back thereafter.
The plus point of the drama was definitely its character interactions with underlying but hugely effective humour. I personally prefer things to be serious and funny both at the same time, too much of just one set of emotion gets boring for my attention span. So needless to say Goblin nailed this one requirement of mine perfectly.
Each and every character dealt with the other in such a playful and satisfying way for most part of the series that I couldn't help but connect with them on a deeper, more intimate level.
That said, don't even get me started on the (b)romance between the Goblin and Grim reaper, probably the best I've seen yet (that says a lot considering bromance is a fairly common trope in K-drama world) they were just so entertaining together that at one point I was just watching the drama, waiting to get a glimpse of their quirky interactions (which were a lot thankfully). So if anyone asks me why I loved this drama as much as I did, I'll gladly put my hand on my heart and just think of all the cheeky moments between these two extremely good looking hunks.
Now coming to the romance, I found the story of Grim Reaper and Sunny a lot more captivating and emotionally investing than the protagonists despite the limited screen time. Not to belittle the leads or to say they were lacking or anything, they were good too in their own way. While the Reaper and Sunny had a heavy hot dose of chemistry sizzling through; the Goblin and his bride were the cutesy heart fluttering couple. The show got a lot more interesting seeing these two romantic parallels unfolding side by side. Not to mention the very evident age gap didn't bother me at all, if more I found it quite endearing and romantic since one of the involved party was a lonely immortal being while the other was an equally lonely but warm hearted magical soul. So whatever works for them in this life and after am all for it without any second thoughts whatsoever.
As much as I was intrigued by the plot and the never ending suspense of how things were going to pan out in the end, the last few episodes were a let down as compared to the heavy plot build in the previous ones. While the story went a full circle it failed to actually make sense. The logic and reasoning shredded into nothingness just like how Goblin was supposed to? But after a short amount of separation he reappeared as if nothing happened only god knows how (pun intended). Many other plot points came off as mere convenience which I possibly couldn't ignore at the end. The story of the Reaper got a whole lot diverted and complicated but I suppose it's a given since rounding up a fantasy takes an even more fantastical on the spot thinking. The writers could have done better because the plot turned out to be a sore spot for this one for sure.
Focusing on the actors, obviously they did a fine job on this one. The emotion transitions were perfect, the comic timing even more so and the inner turmoil in each of the 4 leads was something I actually felt and sympathised with especially in the case of Reaper's identity revelation. Lee Dong Wook has got me spellbound and am probably off to binge watch on his other remaining dramas.
Last but definitely not the the least. The OSTs! Oh my lord the OSTs are so on point in every damn scene and the fact that I absolutely love every one of them tunes (still humming round and round) is something that happens rarely.
So if you're looking for a feel good, fanciful world with beautiful and funny people roaming about it, be sure to delve into this one, if you haven't already.
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A fairy tale with a bit of confusion...
As usual the love-story started with a misunderstanding, which is of course nothing new. But how they went with it, was new for me... In the right circumstances a wish from a shooting star can become true. At least I did not expect going that way, because "He Xiangyong" wished to be forgotten. And that had massive consequences with his dad, friends and when he met his highschool sweet heart again. Only his childhood friend recognizes him and he fascilitates the second couple by kicking his friends butt, so to speak, something he could not manage in highschool himself.The scenery is quite rural and is supporting the story. We got quite some nice scenery, especially the underwater footage in the finale. All the actors did a good job, especially the young versions of the MLs. The second couple had a dead fish kiss in the finale which makes me wonder, if they filmed the finale first, because of course the dumb intro did spoil the end - which I hate.
In the middle of the second half of the show, it gets a bit confusing, because "He Xiangyong" wakes up and something changed. First I thought it's not only his wish, but many wishes intersecting from people around him. But that's not the case, it's just confusing. But at least the God and his helper turn up to save the day. The background music is often offputting and makes no sense, especially when it has a comedic touch but the scene is serious or when a song is playing while a serious conversation is taking place. Of course I understand why they only went with one actor playing "He Xiangyong" and "Zhong Xiaoyou" but for me it would have been better if he really looked different for more immersion and that "Chen Haowei" fall for the second version because of his soul and character. At least it would have been more impactful. Also the "art" was left something to be desired, not good enough to be believable that "He" choosed this as his profession.
So overall a taiwanese production which was good and had some depth and a wonderful story also about two childhood friends. Compared to all the thai crap now airing, this was a refreshing story. Even with all the downsides I mentioned, it is still a good series.
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Subversion of Chinese Rom Com tropes with love and feminism
You're not going to understand this drama is you haven't watched Chinese Rom Coms before.The whole drama is a satire of Chinese Rom Coms. So if you're viewing it as a pure Chinese Rom Com, you're going to miss a lot.
It particularly aims at Gu Man and Zhao Qian Qian's Rom Coms, and makes constant references to both. But in holding up the tropes of rom coms, it also aims to subvert them with a lot of love and inject reality into the drama.
Gu Man always has the rumor mill as part of her writing as why the characters get together, but this drama plays heavily with the idea that rumors can get characters together.
And Zhao Qian Qian's dramas always plays with the woman/girl being in humanities, like English/Lit/Chinese, etc and then the guy being in science of some sort. But the drama plays with this trope and inserts a sweeter message about this idea. It particularly takes shots at "Put your Head on My Shoulder", but also some of her other dramas (with a lot of love).
Lu Wan Wan ends up being the person who is the science major. And looks like she'll earn more money. And Ren Chu isn't made dumb at a cost of this. Ren Chu is more smart on the humanities side--mentioning foreign languages, etc.
The basic format is to set up the trope, then subvert the trope (this is second and third act), then insert a sweeter message about the philosophy of love. The setting up of the trope always comes with a bit of second-hand cringe which comes from the inexperience of the characters and I'm always finding myself hiding behind blankets, pillows, etc as it is happening and then going wrong. The subversion is always, always funny, as what you expect to happen never happens and what the characters state should happen never happens in some of the funniest scenes. But the thing that really captures your heart in the end is the ending messages of each of the episodes on various subject matters. Some of the subjects include how to deal with rumors, love contracts, forced and accidental kisses, "trapped mystery room", "Best friend knows best", evil girl, etc. And the ending message is always uplifting about what love is and could be compared to how it is portrayed in dramas.
The top complaints about this drama are probably unfounded based on the fact many of the commenters don't seem to understand how subtle of a hand this drama has.
The comments about how long it takes for the characters to get together--the drama justifies this up front with you and tells you this is going to be the case--because that's not the point of the drama. It doesn't sacrifice character development to do this, if anything, it's spending time on each of the "How they get together" tropes to develop the characters and their sense of what love is so you really, really believe the ending of the drama that much more.
The writing's downfall is because it relies so much on tropes, it can make it seem slower than people expect it to be. Sitting through uncomfortable tropes makes it a bit difficult, but it always pulls out of the nose dive and inserts feminism later. And the other weakness of the writing is that the "evil" best friend isn't really fleshed out--but I kinda feel like this was cut out of the drama rather than intentionally ignored/cut down. But the better messages about what love is and is not are worth watching the drama for. (The Second Lead's love story enhances the Lead's love story and is wrth the watch for the character development and message it says).
The acting and directing though--there are some really gorgeous and well-thought out camera work from the director, as the director uses various types of shots to communicate how the characters feel, but doesn't substitute that for the trust in the actors. And the acting exaggerates the character types to the nth degree on purpose, so it reads as overacting in some parts, but doesn't betray the character's write up. This shores up some of the weaknesses in the writing and enhances it, so I did find it stronger than the writing.
The production values are probably around 7 or so. They didn't have the highest budget in the world, BUT they used it well. There are various locations, there are filters naturally applied, the actors are (mostly) not dubbed over without their voices. So if you don't pay attention that closely you won't notice the budget is not really that high. HOWEVER, it doesn't scream to you they had over-the moon budget.
This is slow, steady, slice of life and delivers laughs throughout with the best messages about what love is, if you're willing to take the time with it and not treat it as a fast food drama, but pay attention to some of the details.
Feminism tests:
Mako Mori: Clean pass, but it takes a while for the female character to find what her goal is and that is for herself. But it's done in the sweetest way possible and the drama constantly promises you along the way it'll get there. So when you do, your jaw drops at the feels. (I wasn't crying. No really. And I wasn't pounding my chest. I swear.)
Bechdel Test: Clean pass first episode within a few minutes of the episode, without question. Two named female characters talk about... medical issues related to the class.
Sexy Lamp: Easy pass first episode and keeps passing into the second episode with an even cleaner pass. Lu Wan Wan is not a sexy lamp. She's shown to be smart, able, makes decisions that affect other characters which changes the direction of the plot definitely, definitely more than one time and isn't only a pretty face. This is true throughout the drama where instead of losing agency like in the melting or evaporating woman trope, she gains agency and makes more firm decisions which naturally grow with her character development. (Honestly, this made it a pleasure to watch since the drama promised from the first it would do this, and really delivers on the promise.
Other feminism it does includes, but is not limited to, examining codependent relationships, asking questions about "wanting to change the romantic partner", and gendering of some of the rom com stock characters.
If this were food... I'd rate this Taro Cake. You were expecting sweet, but did you expect the taro to be nutritious and in there? No. But do you enjoy it anyway? Yes.
I tried knitting to this drama, but made a lot of mistakes because it was too good. So I wouldn't craft to this.
Front burner type of drama, not back burner. Pay attention and you get rewarded highly.
If you pay attention well enough, it'll ruin all the rom coms you watch after it. I'm struggling with some rom coms currently where I can't help but think back to this drama and how they showed how love could be done better. Only one other drama has ever done this to me--The King of Dramas (Korean). So that says a lot. (And I watched a TON of dramas, more than listed on my profile.)
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At the time, I watched many stupid romantic comedies so I needed something different from those usual dumb stories and so I found this drama somewhere. I read the synopsis that seemed appealing enough to give it a go with a medium level of expectations.
2) Storyline/Plot:
*Generally speaking this is a rom-com with a psychological aspect. The drama contains several twists that makes the storyline catching.
Positive Points:
*At the beginning (First 15 minutes), everything started really slow that I began to lose interest yet the writers were clever enough to take the story into another different level that attracted my intention.
*The story was captivating all the way through, it was short, psychologically romantic and most of all funny that’s why it hadn’t any dragging or slow moments.
*Main genres:
--->Romance: The romantic aspect in this drama is different from any other romantic comedies that I’ve seen before; there were mature feelings in this drama, the kind of feelings that go deeper and deeper each episode yet it doesn’t fall into the melodrama level since there were childish moments to make it light. I have to give the script writers credit for many "Wait, what happened?" moments while following the romantic development, many plot changes were really surprising and added a great taste to the storyline.
--->Humor: This drama’s funny scenes were smartly written, it was light and enjoyable. Like other Japanese dramas, it was ridiculously fun with all the weird situations.
--->Psychology: The romantic psychology was fairly interesting; there were many strange and sweet situations related to many great philosophic minds in this drama. The psychological cliffhangers were simply amazing, writers managed to keep all the twists captivating by inserting psychology into it.
Negative Points:
*I can’t possibly think about a negative point in this drama’s storyline; it was really great.
Story: 9.5/10.
3) Acting/Cast:
*Actors made it really believable and enjoyable; they knew how to deliver feelings even when they are trying to be funny. Matsuda Shota and Akira are the most talented actors here; I will add Tanihara Shosuke who portrayed the psychiatrist role perfectly.
Other actors were good too but I wasn’t touched by their acting skills like the three mentioned above.
*As for characters, you would get invested in every character since they always showed interesting developments into their personalities.
Ai-Ai was a great character that portrayed a strong woman personality while having the feminine feelings when she needed too: I would say that her character can represent woman power.
--->O-Chan was a character that would make you want to see him more on screen; it was really nicely done with good personality developments.
--->Kiku-rin was the strongest character in this drama, it manages to make you love him, hate him then love him again: It was a challenging character that added a great storyline development.
--->Usami was a weak character (basing on the storyline so it has nothing to do with Tamaki Hiroshi’s acting skills), it had many flaws but it managed to get through near the end.
Other characters were either average or annoying (……)
*Appreciated character: I was attracted by Kairi’s darkness especially near the end; it was a very appealing character to me.
*Relationships:
--->Romance: Since it’s a shuffle we can’t talk about specific couples yet there were chemistry all over the drama with all those intriguing feelings.
--->Friendship: It was present in a good way here, ever since the first episodes there were many signs of good friendship which made characters appear in a great harmony even if there were problems every once in a while.
*Favorite line: Uso da to itte yo, Joe!
Cast: 9/10.
Acting: 9/10.
4) The ending:
Well, it seemed a little unnatural but that doesn’t mean it was bad. Anyway, this drama had a good ending overall.
The ending: 8/10.
5) My impression (How did it affect me):
*Watching this drama was really fun, I got to see a mature drama after a long time so I had great feels about it.
*Is this drama memorable: Yes, It is! Who wouldn’t remember watching a great mature drama with superb actors and awesome characters? This drama touched me in a good way, an unforgettable production indeed.
My impression: 8.75/10.
6) Overall:
*If you’re looking for a mature drama then you should watch this.
*If you’re looking for a great romantic J-drama then you may like this.
*Love Shuffle is a short light drama without any shallow feelings. It’s one of those dramas that are directed to the mature audience out there.
Overall: 9/10.
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