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A Xianxia filled with love, friendship, disaster, and most importantly, comedy.
If you, like me, did not have your eye on this drama but decided to watch it on a whim, you will be pleasantly surprised by The Starry Love. And understandably so, because the past few years of Xianxias have exposed us to the ‘overuse’ of familiar Xianxia tropes. Fortunately, director Chu Yuibun (朱锐斌) seems to have realized this and decided to add a unique comedic spice to The Starry Love that significantly differentiates this drama from the rest of the modern Xianxia genre. Overall, The Starry Drama is a story of the love between two main couples as well as their adventures with friends, and what it means for the world to love or hate you.The Starry Love (星落凝成糖) is adapted from the Xianxia novel of the same name by Yi Du Jun Hua (一度君华), and is the last installment of the Honey Trilogy, three romance dramas directed by Chu Yuibun. Therefore, you might notice the vast similarities between color selection, setting appearance, and costume design between The Starry Love and Ashes of Love. The Starry Love also has several actors that also played major roles in Skate Into Love, and its catchy OSTs are once again sung by the talented Sa Dingding and Mao Buyi, as well as Liu Yuning and Shuang Sheng. Here's another thing that may motivate you to watch The Starry Love: the leads voice their own characters, with the exception of Chao Feng. (no need to be worried about the high FL voice this round!)
Once again, the story is established with many of the usual Xianxia tropes. The world is composed of Four Realms, the Immortal, Demon, Mortal, and Beast. However, the Mortal Realm is fully aware of the other realms and works with the other leaders to maintain world peace. The Immortal Realm is again the ‘good’ realm, the Demon Realm is the ‘bad’, the Mortal is the ‘weak’, and the Beast is basically the ‘extra’. The main female leads, Ye Tan and Qing Kui are twins with a sealed fate, which they don’t learn about until later in their lives. Qing Kui is the hailed princess, the girl living everyone else’s dream. She is the destined Heavenly Consort, the future wife of Heavenly Deity Shao Dian You Qin. On the other hand, younger sister Ye Tan is not as fortunate. She was deemed a ‘bad luck star’ from birth, never having experienced the warmth and love from her father and servants. Destined to marry the future king of the Demon Realm, she vows to be a powerful evil being to defeat those who have always down on her. However, the sisters’ wedding carriages are swapped, and they end up in the wrong realms.
As you can see, we’re presented with a pretty unoriginal premise, so what makes this drama so interesting and keeps us on our toes? Well, to say this in the simplest way possible, it’s the way comedic scenes are inserted into the drama at the most surprising of times that makes The Starry Love such a fresh breath of air. One minute, you might be sad or even crying because of a certain scene, and a few seconds later, you are laughing so hard you might even be clenching your stomach. I personally really enjoy this unique addition, as I’ve certainly never seen this before in Xianxias and loved the comedic aspect.
The Starry Love is 40 episodes long, as with many of the new dramas after the maximum 40 episode rule. (in which some dramas divided the series in two parts to bypass this new Chinese law) The drama is well-paced, without many, or perhaps even any, filler scenes, unlike a few of the long dramas. I really enjoyed how there was understandable time spent on each You Qin arc, and how each couple was given enough time per episode to bond and give us the sugar we deserve.
Onto the acting. The acting here was PHENOMENAL, especially when it comes to Chen Xingxu. This man here had to act five totally different personalities. In the usual Xianxias we may get one or two reincarnations, but Shao Dian You Qin here went on a total personality-changing spree. From the cold You Qin, he was also the cute and heartwarming La Mu, greedy but caring Mei You Qing, elegant womanizer Wen Ren, and of course, the You Qin at the end, all of his previous personalities melded into one. Chen Xingxu pulled off his roles perfectly, effectively showing the great contrasts between each personality and making them seem like totally different people. (fun fact: (Mei You Qin) 没有情 means Emotionless)
As I was watching a drama with Li Landi for the first time, I loved her acting and her role as Li Guang Ye Tan. The changes her character experienced were phenomenal, and Landi displayed this through her acting, especially in the eyes. Not only is The Starry Love about the strong love between lovers, but between friends and family as well. Ye Tan and Qing Kui’s sisterly love is a strong relationship that not many others can compete with. The contrast between the two sisters’ personalities was also a sweet treat. Although Qing Kui always received the love that Ye Tan never had in her first 18 years, Ye Tan never blamed her older sister for it. Instead, they were always worrying about the other. While Ye Tan is a girl afraid of nothing, Qing Kui’s pure kindness guided her younger sister to the path of happiness.
The chemistry between both couples was just right. You will be gushing for not one, but two extremely compatible couples. As I was rooting for the Heavenly Couple, I was also squealing for the love story that was blossoming in the Demon Realm. As they say, you’ll always find each other if you’re destined to be together. It’s amazing how each of the characters influenced others to change and become better versions of themselves.
Of course, a Xianxia drama would not be complete without both loveable and hateable characters. Ye Tan, who had never received much care and love in her life, felt so fortunate to have become friends with not only Man Man and Di Lan Jue, but with Qing Heng, Zi Wu, the three senior immortals, and even with her future brother-in-law, Chao Feng. It was so heartwarming to see everyone warm up to this princess, who had always longed for a happy life. On the other hand, we have the power-hungry Immortal and Demon Emperors who put their own power before their family’s happiness. The Heavenly Empress demonstrated her true love for her children before any noble title or riches, while the Demon Empress’s power-hungry eyes not only showed her pure-evil heart but her universal love for her only son. The side couples were all very cute and fun to watch.
Production-wise, The Starry Love did a phenomenal job. The special effects for magical spells in all realms complimented their respective backgrounds and were all natural to the look. Like previous Xianxias, the Immortal Realm is given an almost-whitewashed look, while the Demon Realm is a land of darkness. However, the fireworks and magical trees were gorgeous to look at, to name a few magical elements of the drama.
Like Ashes of Love, the OST for The Starry Love includes songs sung by Mao Buyi and Sa Dingding, as well as Liu Yuning and Shuang Sheng, and were epic as always. Sa Dingding once again awes us with her amazingly high vocals managed with immaculate precision, while Mao Buyi and Liu Yuning sing with longing emotion. Shuang Sheng once again displays her lovely voice with a sweet tone. The soundtrack is as follows:
[Theme Song] “The Starry Love” (星落凝成糖) - Sa Dingding
[Opening Song] “Speak with You” (与子成说) - Liu Yuning
[Ending Song] “Flawless World” (天地无瑕) - Mao Buyi (with another version sung by Sa Dingding)
[Additional Song] “Twin Flowers” (双花儿) - Shuang Sheng
If The Starry Love is not THE Xianxia drama 2023, it is one of the best. Although it includes many Xianxia elements used in previous Xianxia dramas, the comedic aspect of this series differentiates it from the rest of the group and will certainly brighten up your day. The emphasis on strong sisterly love is also something that is not to be missed. (there’s eye candy too!)
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1
1The Return of the King.
After closing Season 1 on a high note, the much anticipated Season 2 of Lost You Forever opens with an air of looming inevitability. The focus shifts from Xiaoyao to Cangxuan as the main plot is built around the return of the king who is meant to unite Dahuang. This also portends the end of the long stalemate between Xiyan and the Chenrong remnants. This kind of endgame puts all of the main characters at crossroads with difficult, heart wrenching choices to make.Season 2 has not been as well received as Season 1 and the bulk of the disappointment is around how unlike Season 1, Season 2 deviates from the novel on a few fronts. I didn't read the novel so I can only evaluate the drama on its own merits. From my perspective, the season's biggest weakness is that the plot arcs leave a rushed, condensed impression. This shouldn't be a surprise as topics involving conquering harmless neighbouring states and glorifying rebels don't fare well with Chinese censors. I also had to scoff at the idea of a war with no civilian casualties; if this were a plot driven story I would be quite disappointed.
But Lost You Forever is predominantly a character story and on that front, the character arcs deliver in spades. Even though many characters make choices that are not relatable, they are not meant to be. Novelist Tong Hua designed the characters for both the prequel novel Once Promised and Lost You Forever based of mythical creatures from Shānhǎijīng/山海经, The Classic of Mountains and Seas. This is an ancient Chinese geographic compilation of mythical monsters and magical creatures; kind of like Hogwart's Monster Book of Monsters. This story is set at the beginning of time, after Pangu and Nuwa created the world. Xiangliu is a mythical beast, a venomous nine-headed snake monster loyal to water deity Gonggong. Cangxuan and Xiaoyao's grandfather the Xiyan King is none other than Huangdi/黃帝, the legendary Yellow Emperor. They are early immortals, directly descended from primordial gods whose footprints can still be found in the shape of the mountains and seas. They live for an unfathomably long time; until their obsessions eventually get the better of them. This explains Cangxuan's darkening and Xiaoyao's overpowering fear of loneliness and abandonment.
Even though this story broke my heart, all of the important characters are true to themselves and fulfil their destiny. I did not always agree with or like their decisions but the storytelling is elevated by phenomenal acting that compelled me to understand their choices and accept that their decisions made sense for them. My only disappointment with the season is that plot-wise it sagged and is not strong enough for me to raise my rating for the drama overall to a 9.5/10.0. It is nonetheless an immersive, heart-rending and dark enchanted fairytale about flawed but unforgettable characters who are trapped by destiny. I rate both the second season and the adaptation in its entirety 9.0/10.0. Watch it but guard your heart and do not grieve too hard for them because their fates are to a large extent predestined.
SPOILER WARNING
The rest of this review does not avoid spoilers and is best read after you have finished watching this drama in its entirety.
I may be in the minority but even though I almost drowned myself in wine, I think the ending is perfect and fitting. Xiaoyao is a flawed and broken character that regresses as the narrative advances. Her strongest, happiest, moments were in Qingshui Town, when she lived among mortals as Wen Xiaoliu. The only thing she lacked was a companion. When Ye Shiqi, another lost immortal came along, her life was complete. Even though Tushan Jing is a weak character that let Xiaoyao down repeatedly, he is kind and when it mattered, he was willing to be Ye Shiqi again so that she could be Wen Xiaoliu again. He was the safe choice and the only choice Xiaoyao was capable of making. Even though I will never like it, I understand it and I can live with it. The best, most magical arc was always the Qingshui Town arc so the drama closes there, in a full circle.
Cangxuan is also a damaged and abandoned character whose his mother chose to die with his father over living for him. Thus Xiaoyao and Cangxuan share a deep and complex bond that goes beyond their childhood oath. From the get go, the way they deal with their shared trauma put them on forever opposite paths; he chose to be invincible while she chose to be invisible. Xiaoyao only reclaims her identity and returns to the perilous world that cost her everything because of her promise to Cangxuan. She faces her demons, relives the worst days of her life and puts herself in harm's way to be his pawn; the princess bride that paves his way to the throne. She never looks happy or carefree again after she becomes Xiaoyao.
The great irony in their story is that Cangxuan seeks power to protect Xiaoyao but once he attains power, he becomes the greatest threat to her. He is Xiaoyao's hero that lived long enough to see himself become a villain. Had Cangxuan given in to his worst instincts, it would have been unforgivable and it would have destroyed them both. I am relieved the drama only showed us what would have happened and then walked him back from the brink. Cangxuan did many regrettable things along the way, which he describes as 遗憾/yíhàn and not 后悔/hòuhuǐ. This means he did what he had to do; that he did not really have free will. The turning point in his character is when he admits there was one pivotal moment he regrets (后悔/hòuhuǐ); when he should have chosen Xiaoyao but he chose the throne instead. But even after he owns his choices, I feel a frisson of fear at his disarming smile that is belied by the dark longing expression in his eyes. Xiaoyao will never be truly safe from him so Xiling Jiuyao disappears among those who die collecting and documenting rare herbs throughout Dahuang.
A'Nian is the best character in this story. She is the spoiled but brave and true Haoling princess who grew up with the security of a loving family and her beloved Cangxuan gege. She is who Xiaoyao should have been and she is living Xiaoyao's best life. She dares to put herself out there, to take risk in love without needing to be loved in return. I hope one day Cangxuan understands that Xiaoyao did choose him; that her name is A'Nian.
As for Xiangliu, he understood Xiaoyao best and loved her most selflessly. But by the time they met, he had long ago pledged all nine lives to his lost cause. After leading so many men to fight to the death, it is not clear Xiangliu could have just walked away even if Xiaoyao asked him to. It would have been a risky, reckless and consequential path for both of them; the story of Chi Chen and Xiling Heng could repeat itself. Xiangliu and Xiaoyao waited for each other to cross the line for a very long time; far longer than Xiaoyao waited for Tushan Jing. But the inescapable truth is after everything she went through, Xiaoyao is too broken. As the consequence of two people who loved recklessly; she could only choose to be loved. Xiangliu is himself not free either so he accepts this. For him their brief entanglement had to be enough. If Xiaoyao had been A'Nian, she would have dared to choose him except his path would have never crossed with that A'Nian, only Xiaoyao. They were just never meant to be. And so Xiangliu frees her from missing him forever and leaves her with someone to rely on and go home to. Even though she will never be burdened by knowing the full extent of everything he did for her, Xiaoyao grieved deeply for Xiangliu. To me, her silent, helpless adult tears were far worse than the way she child ugly cried for her parents. I do wish he had left her the real Chubby but I guess it was not possible since Chubby would have gobbled up Tushan Jiing and spat out his entrails.
Even though both Zhang Wanyi and Yang Zi deliver outstanding and compelling performances, Tan Jianci's portrayal of Xiang Liu is simply iconic. I can't remember when I was last so mesmerized by a character. Even though it shattered me, Xiangliu fulfils his destiny in an epic, climatic ending that is what legends are made of. According to Shānhǎijīng, Xiangliu left behind a patch of earth so toxic that nothing grew or lived there again. I know book readers are not satisfied with the ending but for me it is an incredibly sad but beautiful and fitting way to end a story about love that is not a love story. My only regret is I didn't get to see Xiaoyao shoot Xinyue in the heart. I mean to make time to read both the prequel and the novel so I won't spoil myself the book ending. But if it is at least this good, then I love it already.
X
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It was a story bogged down by a messy predictable script and two lead actors with about as much chemistry as a goldfish and a tree. Throughout the first eleven episodes, we see little no character development in either of the lead actors, and then are left with so much sudden character development in the next five that it's completely ridiculous.
Though, had the story a fast enough pace and a more well rounded script the show wouldn't have been such a bore. Had they cut out all the needless parts and really gotten to it sooner, the later character development and the development of emotions would've made a whole life more sense, as we'd have had more time to see these changes. Instead, the ending was rushed and messy, and also somehow boring and skippable. This series was eleven episodes of utter waste, and five episodes of trying to make it all make sense.
The one and only redeeming quality of this series, was the second lead couple. Ji Yi was smart, down to earth, and willing to work hard, and Chang Soo was fun and cute. Together they were honestly the best part of the show, I often skipped to their parts. Their chemistry was off the walls and their romance oddly believable. I would've much rather watched an entire series about them doing cute couple things and arguing than having to watch the cringe worthy romance between the main leads.
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This review may contain spoilers
A moment connected to the soul will follow us for a lifetime.
A moment might just be a period that lasts for a second, but a moment connected to the soul will follow us for a lifetime.Every moment is like that, every second is the same, each raising of a hand, each breath, or even hours sitting still without moving, will become a part that follows a person's life, forever.
It's been so long since I watched a youth-themed film, and strangely, any film I previously watched—that I considered good—had an unfulfilling ending, to prove that youth is forever the most beautiful period in a person's life, a time where "even if we had to bathe in the rain, we would want to go back one more time." Perhaps that's why, among the forest of youth films, only "Always Home" achieved such emotional heights for me, making me feel empty after watching, feel unfulfilled, not because of an incomplete ending, but because of an ending, a process, a film, a message so complete that I felt hollow, because the ending meant the film had truly ended. And I realized that hollow feeling is what comes after watching a truly good film, one that has truly filled me, comforted me and brought me so many emotions. The film ended, and I felt lost. Perhaps "Always Home" also marks a period in my university days, and has become a part of me?
I must admit, this is a film suitable to watch while I'm in university. I see the past, I see the possible turning points in the future. Society resembles school, and also carries many unknowns, with young people standing vaguely at crossroads, vaguely striving, vaguely running. I have many questions for my future self, and so many words of advice, comfort, and encouragement for my past self, yet, ultimately, the present life is still the most wonderful. The process of growing up isn't actually the moment the clock strikes from 11:59 PM on the day I'm 17 to midnight on the day I'm 18, but the process of time gradually flowing, the soul collecting each second and minute, each choice, each action, each person around us, becoming the soul of our present self. Youth in the drama is beautifully dreamlike, making me feel empathy, admiration, and longing. But thinking again, whether youth is calm or passionate, whether young age is reckless or simply quiet days, in the end, those are still the days of youth we are living, have lived, and will live in. Youth may not be impulsive, people may not be extraordinary, dreams may only appear in dusty frames, the people we've met may just be visitors with no set date to meet again, the cycle of the universe will not stop, and youth has never stopped being brilliant, in the unique way of ordinary, mundane people who have no second version.
The characters in "Always Home" are also ordinary people like anyone else, like me, except their lives only exist in a short period packaged within the duration of a film. They existed in their lives, loved and were loved, lived the most complete life under our observation. Meanwhile, our lives continue out there, perhaps without such beautiful friendships, open career paths, a warm family, a dream love; perhaps to us, they are the lucky ones, the extraordinary ones, but who knows, to those around us, we might be such the lucky person too. The luckiest person in the end is the one who knows they are lucky; each person has their own life, a blank page is the beginning of all the colors we will paint later. Making mistakes is okay, being foolish is no problem—youth is a stage of life where if we make wrong choices, we fix them together because we're still young, we still have time. Therefore, I want to say to my future self, keep living in your youth, even if you think you've matured, don't be afraid, never feel that life has lost its meaning, you still have, and always have, enough time to fix mistakes. Mistakes are also a part of the soul, don't mistreat them, don't regret, don't resent.
Writing this long, in the end, they're just words, old stories about that childish "youth" motif. The cycle, the impermanence of the world, ultimately are all flowery words about things people often mention when reminiscing about the past and knowing nothing about the future. But that's how people operate, everyone is the same, we're all ordinary with flaws, and it's these ordinary things that make us, that make this life. Perhaps it's been a long time since I gave a film this maximum score, because I always feel everything lacks something. But if I don't make an exception for "Always Home," then perhaps I couldn't explain how my mood and emotions operate. My emotions have filled in each flaw, and I feel emotions should still play the main role in each process of my experiencing cinema (art).
So there it is, the characters have accompanied me, entered my thoughts, aroused my anticipation, indescribable emotions, joy, satisfaction, sadness, contentment, excitement, hope, nostalgia, and impression. The setting, music, plot, lighting, colors, ending, meaning... all contributed to creating a story neither short nor long, not telling an entire human life, but stayed with me for a short time, then became a part of my soul.
A youth film, nothing more, and that's a compliment.
In conclusion, I want to affirm that I truly liked the story of each character in the film, the story of their everlasting youth, of young people and those no longer young in age, of those who love and those who are loved, of those still there and those who left their souls there. Perhaps my process of watching the film was truly a special journey that I will never forget.
And, the final final word, the acting was super excellent! I believed in Zhai Xiaowen's acting from the start, but Zhou Keyu surprised me, really. I'm not describing, evaluating, or deeply critiquing each story and character in this review because I'm truly seeing all their stories as one story with a common name—love. (Though I must say I really liked the Song Tong - Du Man couple—the kissing scene truly left me speechless and I had to pause for five minutes to calm down.) Everyone's chemistry was good, from family to friends to romance, especially scenes depicting very slight stirrings, very light touches, for which I must separately praise the director for the scene arrangement, and can't forget the sound and the actors' gazes. For a film with such complex romantic storylines to be so smooth and understandable, such scenes depicting emotion are truly valuable. And really, thank you to my past self from last week who decided to watch this film despite its "roundabout" nature, because these films aren't frustrating about relationships at all.
In general, this is a beautiful film, in every way.
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Without beating around the bush, The Tale of Gumiho ( or the Nine Tailed Fox) ‘s beginning did offer the criteria of being a brilliant fantasy show ; a stellar cast, fairly strong scriptwriting from episode one and of course the intriguing plot scenario of a lovelorn nine-tailed fox ( Lee Dong Wook) desperately yearning to be human again and overcoming the emotional scars of his past.
The Tale of Gumiho does certainly have one gift for drama watchers by offering us a stellar cast line-up. Finally seeing Lee Dong Wook reprise a fantasy role again had to be an undeniable selling- point for most drama watchers.
In place of wearing a prim and proper black hat as a certain Grim Reaper, however, Dong Wook steps into his new character, Lee Yeon, by sporting freshly dyed auburn red hair and brightly coloured suits as part of his foxy persona. There is no denying the fact that Dong Wook is undeniably Dong Wook in his performance - with a mixture of a sarcasm , comical wit and angst-driven ambiance surrounding his performance as Lee Yeon, it’s hard to imagine anyone else playing this mysterious trickster instead. In a similar manner to Dong Wook, Jo Bo- ah was stunningly brilliant as the female lead, Nam Ji- ah through her heart-driven wit and capability to portray a female lead with rationality and intelligence in the show .
Yet sadly, however, as far as the scriptwriting is concerned both characters undeniably fall short of expectations through how they are dealt with after the opening of the drama. Without revealing too much it’s fair to say that although both characters did respectfully have emotional attachment to viewers through their experiences, some of the cliches that the scriptwriters had included just didn’t live up to expectations for these characters to be more than plot devices. ( Ji- ah’s rationality and intelligence as a lead is seemingly flung out the window by the halfway point of the drama, our main antagonist, Imoogi played mostly by Lee Tae- Ri has little intrigue for
watchers over his motives whereas characters such as the Snail Bride, Taluipa and Hyun Eui-ong who should’ve have had some of the most intriguing involvement in the storyline, were simply played for comical effect instead). By the ending of this drama there was little development or actual intrigue around most of these characters.
On the other hand, perhaps the one thing ( alongside the fairly good OST ) which most certainly can be praised in regards to one element of the scriptwriting, is how they dealt with Kim Bum’s brilliantly sardonic and emotionally complex portrayal as the antagonist- antihero role , Lee Rang.Of course, there is no denying that Rang did step often beyond the points of morality in the drama even from episode one, yet revelations of Lee Rang’s complicated past and his partially morally-guided actions throughout the drama such as saving his faithful sidekick Yu-ri ( Kim Yong Ji) from animal abuse in a zoo, a puppy from being tortured by a group of teenage thugs and Kim Soo oh ( Jung Si yul) from child abuse, adds more intricacy to him simply being labelled as an “ evil” or “ twisted” character.
Surprisingly, Kim Yong Ji’s performance as Yu- ri , also had better characterisation than the majority our main leads as well. As a character, Yu- ri appears at first as somewhat detestable by her animalistic desires to eat humans and to deceive a married couple behind the truth that their daughter is dead. Yet as Rang reveals more about Yu-ri’s past, it soon becomes apparent through her growing relationship with the veterinarian Shin Joo ( Hwang Hee) that Yu-ri is again not entirely an evil character, but simply doing what she must in order to survive. It is only a shame that whilst Yu- ri undeniably had a good character progression by the ending of the show, the circumstances of Lee Rang, Lee Yeon and Ji-ah felt lacklustre in comparison. It wasn’t that the ending of the drama wasn’t good, however, the means in which the scriptwriters had got us to this ending felt rushed and lacking in both emotional investment and intrigue for watchers.
Overall Tale of Gumiho was a fairly enjoyable show, however, it was severely flawed by character progression of our main leads as well as their relationship, and the overall ending deliverance of the drama. Perhaps the two saving graces of the drama were the casting choices and evidently Kim Bum’s performance as Lee Rang due to being a complicated and intriguing antagonist up until the ending , where sadly his final character twist and progression felt too rushed. Whilst Tale of Gumiho is worth a watch, don’t watch it if you’re looking for a masterpiece, as there are certainly better fantasy dramas out there.
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Two words that really describes this drama is: Dark humor. It seems to be a series you will either love or hate and clearly it is not a drama for everyone. A lot of people seem to really dislike the idea that they are somehow "romanticizing" the saesang behavior in the show, but I wouldn't say that that's the case. Instead they have taken a really weird and problematic situation and turned it to a very extreme and twisted story. There are a lot of things that are morally and behaviorally wrong in this drama but you just need to take everything with a pinch (maybe a scoop) of salt and just enjoy each episode.
Every actor did a good job portraying odd and eccentric roles and I really enjoyed how the drama went from a bad kidnapping story to an action/thriller filled with light slapstick comedy. It is a perfect "in-between" drama to watch for a break from heavier shows to just lighten up your mood. The only downside was the slow first episodes and the rushed ending (Ironic?) but it doesn't leave you irritated, just sad that there wasn't one more episode. You just need to plow through the first two episodes and after that you are up for a wild ride.
In conclusion, you will not regret watching this drama, especially if you have a really bad sense of humor.
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I think we're still waiting for the documentary that shows such things as how a BL series comes together, how its impact and popularity are tracked and leveraged, and the whole concept of shipping, including how the shipping of BL actors in real life can impact those real lives.
I'm also curious how the actors who are part of a BL pairing are paired in the first place, how they're instructed to behave off camera, and whether the production companies go so far as to put stipulations in their contracts about it. For me this would show whether the people in charge wish to exploit the blurred perception of on-screen couples with the belief that they're actually dating.
This becomes an even bigger concern with underage actors. What do their parents have to say about how and why they got their boys involved in BL, and once production starts how are the interests of these young actors protected?
So, in short, given the documentary's provocative title I was hoping for a deeper dive that took some risks and spoke truth to power. What we got instead is a wade through the shallow end of the pool that will be more rewarding for beginner fans of BL.
If you'd already heard of this documentary then you probably know that Bright and Win are featured in one of the segments. For me they seem like an odd choice of actors to interview regarding how they approached their roles, since their '2gether' franchise is the subject of some debate over whether it's truly BL or actually a bromance. As actors they haven't (yet) been asked to kiss romantically on screen or even be shown cuddling shirtless in bed -- something that the documentary director's own films haven't shied away from. Why not talk to actors who actually *have* had to do such things on camera, and ask what their experiences were like? (And tell us what went on behind the scenes at '2gether' that resulted in all the guard rails being put up ....)
It makes me wonder if Bright and Win were the only actors available or were selected due to '2gether's' current popularity. (One thing for sure: their presence is being used to promote the film.) So many other BL couples would have been a better pick due to their longtime experience in the business: OffGun, KristSingto, TayNew, PeakBoom, or even the cast of '2 Moons 2', a series that the documentary director himself directed.
(I'm sure that Ohm Pawat and Toey Sittiwat would also have had some interesting things to say.)
So, this film is good enough for what it does but isn't quite the documentary the title promises it to be. I hope the director will consider making a 'Part 2'.
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"The principle of justice are choosen behind the veil of ignorance."
"When you try hard to find answers from your past, the past will come crawling to you and eat you up." The Veil that you wear to protect yourself from external forces, can either cause you immense pain or fee you from all the sufferings. Yet, your efforts to put things at their rightful places shouldn't go waste; make sure of that."The Veil" is indeed one of a kind action as well mystery thriller Korean drama, justifying it's own title and doing a good job in relaying it's performance in overall. It's definitely one of the most underrated dramas of the year 2021 bcs of known reasons.
The story revolves around Han Ji Hyuk (Namgoong Min), an ace among the National Intelligence Service (NIS) top agents and an 'one man army', known to be stubborn & unbeatable. While carrying out an operation to destroy an underworld drug cartel in China with his 2 partners, he comes across abrupt truth behind the entire thing and suddenly vanishes off from the earth surface, while his partners are found murdered. He resurfaces after a year in the Peninsula but this time with lost memories of one year, just to discover the rat or traitor among the NIS who helped their enemy on the back to have the upper hand. Due to his unstable state, he is partnered with Yoo Je Yi (Kim Ji Eun) to carry out minor tasks. Je Yi, who has joined the organization to find out about his father, an ex-agent gone missing a decade ago, joins hand with Ji Hyuk. Together, they work secretly and find out the bigger forces behind it, who turn out to be their own and strive to reveal everything.
The plot development is actually very amazing for a 12 episode drama which reflects a steady progression with several temporary brakes, whenever the antagonists face some downfall. Can't really call it a 'staircase' development but the duo keep solving one case after another with clues from previous case, so yeah, it's somewhat similar to it. 1st ep is the basic intro with lots of confusion which is an obvious happening. 2nd ep also lays the foundation further clarifying the previously created subtle indications. The progress after it, is what will amaze you continuously and keep you hooked. The antagonists continue to dig deeper and unveil more answers and the twists at the end of each episode leaves you awestruck. In fact, the revelations are quite astonishing and very unpredictable; it's like you know who is involved and who ain't but in what way and how much, that's the matter of curiosity. In this regard, the writer has painted an intertwined yet intriguing sketch that's quite difficult to figure out for the viewers.
What bothered me is the ending of 9th episode and the entire 10th episode plus it's ending too. The reason is, one of the most major question of the drama was answered at the end of 9th and first half of the 10th episode bore it's detailed explanation. So I really was worried as to what else is left to explain and answer now when we got 2 episodes yet to come? The latter half 10th episode showed further progress in open investigation within the organization with joined efforts of more people who joined the lead duo. The 11th ep was a lil slow but at least not rushed which is better. Anyways, the ep laid foundation for the final big operation to catch the main culprit behind everything and then the finale went very well according to that. I was again afraid something would go wrong for the drama but I am greatly satisfied.
Just like any other crime dramas, The Veil is mysterious & confusing in many ways, ngl. So, some of us might binge it bcs we're anxious to wait but some others also find it interesting to go slow as it's more interesting that way too. I am telling this because I binged the 10 eps in 2 goes and and had a difficult time for a day trying to put everything in place. Since there are only 12 episodes, binging it would feel like time flying by so fast. So take it slow, try to enjoy and relish each episode as it proceeds and make sure you are attentive to the details because lots of facts are interconnected and there are in fact so many small and merely significant characters, each contributing significantly to the story; so if you don't remember them, you might end up getting confused. They introduce new characters each episode as the lead dup keep digging deeper but they don't stick around or simply, as soon as their essence is over, they are thrown out of the script.
Namgoong Min is the central character as said earlier. Not only he's strong and skillful, he's smart enough to predict and draw an entire scenario, before he start executing his plans. He surfers from trauma related to his chikdhood and is also full of untold emotions. Kim Ji Eun (Yoo Je Yi) does her job well by helping the ring leader at many points. She was definitely more quick-witted and what makes her character strong is her instincts of righteousness by the virtue of which she chooses to believe in Ji Hyuk constantly and taking his side till the end, despite all the odds she had to face.
In supporting role, Ha Dong Gyun (Kim Do Hyun), is a mysterious one who turns out to be different from the usual assumption of character. Dir. Kang Pil Ho (Kim Jong Tae) is a concerned superior to his juniors who also has secrets that he commited in order to protect the organization. Dep. Comm. Do Jin Suk (Jang Young Nam) is a ambitious woman who can pull any strings to get her work done. Dep. Comm. Lee In Hwan (Lee Kyung Young) is a greedy and inimical man and source of all the bad deeds in the org. Seo Soo Yun (Park Ha Sun) is the bearer of many secrets behind the conspiracy but her character is the only one that was poorly written and got wasted unreasonably. There are plenty of other characters played by very very good actors but I suppose I should stop here not to give out any spoiler.
Action!? What are you asking about? How should I explain this? Superb, amazing, etc. fancy words would become understatements. Nam Goong Min carried the entire show with his acting plus action skills. I am not a fan of ripped bodies but well, this is NGM *blushes*. His physique is what we call an ideal fit for stunts. The character Han Ji Hyuk, had his ground rules set. Being so skillful & determined as a person, he was unbeatable. His fleetness and swift hand movements, oof, those are reverential moments to witness. What makes the action scenes and NGM's stunts perfect is, the way those elements serve the story as well as his characters. Those were jaw-dropping and heart-poundinh. Most of the scenes also involve several types of firearms, which were also used skillfully and in an enticing way. In overall, the action and stunt scenes are enthralling and greatly pleasurable to eyes. The action director obviously deserve extra bonus for drawing the detailed arcs and keeping the most appropriate pace. "The Veil" definitely is the 2nd best action kdrama of the year after Taxi Driver, this year; at least for me ;-;
Direction is top notch I would say. For any thriller, particularly action thrillers, the chief PD is the most responsible for the execution and here Kim Sung Yong PDnim has done a stupendous job in directing the drama as well as managing and editing the screenplay. Given that he's not that experienced in directing as thw main PD, it's difficult to say so from this drama. The pacing is accurate for the entire drama, there seemed no exaggeration for the story or any specific event.
Applauses for him. Also, I still can't bring myself to believe that it's the writer's first ever script??? I don't know who are they, but dear jakka-nim, you are very talented. This is so very good to prove how nice your skills are. Please keep this up because we anticipate to witness more of your works. The development of overall plot, the character development for Nam Ji Hyuk, the arcs of each seemingly insignifican characterst, the awe-inspiring revelations at perfect points of the story, the U-turn & downfall twists, etc are very well drawn with visibly wonderful efforts. Brownie points for the dialogue writing too. The screenplay writing along with pleasing dialogues is what makes the character to serve well and makes the audience connect and feel. The formatting is nice and subtext is clear plus no dragging of scenes with only important conversations.
The composition is something that you can look forward to too. For a dark and intense action thriller where every other scene has the smell of sobriety, the OSTs and background scores are very well written and composed which gives off appropriate mood and are very suitably used in the drama. "Reason" by YOARI is undoubtedly the show-bearer, which in fact explains the title and essence of the drama. It depicts the emotions and eagerness of a man who is lost in a dreadful tunnel among plenty of enemies surrounding him. "Stay With Me" by Elaine on contrary, is a melancholic track, that portrays a man's emotions of betrayal, self-realization and has losr track of everything. "Get Ya" by Lee Jung Min is an enthralling and catchy song on the other hand. The OSTs are all in English.
I am happy to be aware that they are giving us 2 extra episodes. I mean we deserve it because there are only 12 episodes even though they're around 80mins each. From the trailer, it seems the special episodes will have the back stories of of entire main plot so it's more like a prequel of the drama and the point where it all started. It feels promising too so I'm kinda looking forward to it.
Notes:
1. There is no romance at all, which is expected and I feel that's the best decision by the writer. There is a subtle portrayal of one sided liking but it wasn't anything near to romantic feelings I suppose.
2. It's kinda gore as well. Since it's NIS and not a simple crime investigation unit, killing people easily is nothing biggie so watch it with TW if you're sensitive to bloodshed and murders.
SOOOO, THE VEIL, in overall is such a stupendous Kdrama, in terms of story, direction, acting, performance, action & stunts, etc and definitely a must watch. It also has high rewatch value for those who are avid action fans. Spy investigation dramas involving NIS and action are not something very new to us but this surely stands out for a unique basic storyline, it's immense action scenes and fabulous execution. If you're hesitant to start because the genre ain't your cup of tea, give it a try for Nam Goong Min at least, you can't help but fall for him deep into the firey pit lmao.
P. S. Didn't know I would end up writing a long review for a 12 episode drama with lil context to narrate w/o spoilers but well, now that I'm done writing, I don't wanna remove any part of it TT.
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Justice is the right that one fights for, if one seeks fairness.
Reminds me of a quote by Voltaire that goes like, "It is better to risk saving a guilty person than to condemn an innocent one." Indeed, one innocent must not be convicted of guilt even so it acquits a thousand criminals; in simple words, Innocent until proven guilty". The entire story of "One Ordinary Day" revolves around this single moral and is a perfect example of how truth and justice always prevails over injustice.Trigger Warning: The drama involves violence, sex, nudity and blood.
Directed by the star PD Lee Myung Woo and written by seemingly rookie writer Kwon Soon Gyu, One Ordinary Day (어느 날: oneul nal) is a crime thriller or murder mystery story that revolves around Kim Hyun Soo (Kim Soo Hyun), a regular university guy who on an usual day of his life, becomes a murder suspect and find himself trapped in complicated situation. He, an ordinary guy who had led a simple and ordinary life had no idea what was gonna happen to him on another ordinary day.
We also have Shin Joong Han (Cha Seung Won) as a lawyer, who becomes Hyun Soo's attorney to get him justice. He got a bad reputation among the area of profession but is quick-witted and a brilliant investigator.
The acting department is full of all amazing actors; starting from Kim Soo Hyun and Cha Seung Won, the drama also has, Kim Shin Rok, Lee Sul, Kim Hong Pa, Kim Sung Gyu, Yoo Seung Mok, So Hee Jung, etc. in major characters.
I checked the writer has worked on only 4 scripts including this, that too with long gaps and previous 3 were all sageuk (historical). I know the drama is a remake from the BBC original show "Criminal Justice" but recreating it with Korean elements and making changes with relation to Korean laws would have not been as easy as it seems. The elements used to connect plots, underlaying Hyun Soo's subconscious is something that intrigued ne to be honest. Morever, the steady progression was gripping and several revelations made were at appropriate timing.
The plot development is a quick one, in fact the first episode itself indicates how the grip of the story didn't want to calm down. It felt like the writer didn't want to lay a foundation by thorough introduction of characters or the storyline; I'm just saying and not complaining at all, because nobody had the time given it's only 8 episodes. There are also few related side plots used. The screenwriting deserves good points.
The post-crime procedures portrayed in the drama are different as the writer has introduced realistic methods of police-level investigations with proper sequences. The realistic approach is also made for courtroom scenes and legal proceedings; obviously there are melo and thrilling elements as well. The dramatic investigative ways by Joong Han was also nice, loved how tenacious and witty he was when it came to figuring things out and drawing a picture of any scenario. There was also a soft side to him that only Hyun Soo could brought forward, it was visible.
The direction is amazing, no wonder Lee PD-nim is a pro. The screenplay is amazingly handled, along with the organization of scenes and overal screen-editing. The sound-editing also uo to par.
Both alcohol & drug abuse and it's consequences is a major element used in the drama. The common habit of attachment to strangers as well as the unusual urge of sexual activities among youth are also something emphasized in the drama by indirect means. Criminal psychology is an aspect that the writer has also tried to showcase through the main character. The life in prison (both during detainment and imprisonment), corruption, inmate behaviour and illegal activities taking place inside are also a part of the script.
Apart from the topnotch acting or performance from this superb actors, the impulsively gripping plot development and investigative methods used are the reasons, that make OOD is a superbly produced piece of work, despite the number of episodes it has. The credit should be given to the entire cast and crew for bringing forward such an amazing drama in just 8 hours (approx.); i wish it were a full-length 16 episode cable drama.
The ending.... I think the ending sequences could have a little better. I am not disappointed or something but I had high expectations from it given the way the story was progressing. Also, it felt a bit rushed but again that's a side effect of 10 eps or less Korean shows. I wish they would take one more episode, at least by taking out the extra 10 minutes from ep 3-6.
To sum up everything, the drama is not about what's wrong or what's right, nor does the show emphasizes on punishment or rewards, it particularly is a reflection of the judiciary, the way it works and it's impact on the society as well as the individuals.
Final Thoughts: One Ordinary Day with amazing actors and high production value, is definitely a fabulous drama to look forward, so go ahead with a second thought. I can't put it in the "must watch" category but for me, it was surely an enjoyable watch. It's a treat for everyone, despite their choice of genre or tatste in Kdramas.
P. S. I have tried my best to not write a lot about the story and characters as the drama has only 8 episodes and I was afraid I would end up spoiling. In case you come across anything that can serve as a spoiler, please let me know.
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STORY:
Of course the premise is as good as controversial: two men who after an hour of film are attracted to a high school student, one more than the other. However, contrary to my expectations, the strongest reason to fight is not the girl but the literary talent of both men. Nevertheless, Eungyo does play an important role, because she is the straw that broke the camel's back (red ink involved, I warn you). And that's very interesting, although a little disconcerting if you expect a film with a strong erotic charge. What this story does have, and is meritorious, is a tour through very realistic and human feelings and doubts.
(Also, brace yourself for some graphic sex scenes)
ACTING:
To be honest, nothing to say "Hats off to you", but I understand why Go Eun received many awards for Best New Actress, I've seen this movie before "Cheese in the trap" (maybe a bad idea) because I wanted to know the actress, and I have to tell you that the girl's talent itself is obvious. Also, Park Hae Il is notable for his portrayal of an old man when he is not old at all.
In conclusion, in my humble opinion, the highlights of this film are the beautiful framings, the morbid-pure relationship between the old man and the student, the obvious talent and beauty of Go Eun, and that the bad things do not happen to whom you imagine (something I enjoyed).
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The overall acting is solid! Joss Wayar finally gets a leading role in a series and he doesn’t disappoint playing Neo, the tall, dark, street-wise survivor looking for a place to land. Tay Tawan is equally as successful playing Shin, the shy, naive, gay, introvert son of a big time mafia boss. It’s great to see Tay show his acting range as he’s successfully played the strong, knows what he wants role in other series and he portrays himself as a happy go-lucky guy in the various reality type shows that he does. This was definitely a good departure from his usual. Mild Lapassalan rounds off the big three with a good performance as Miw the hapless trouble follows me girl. Honestly, not a huge stretch for her as she does the strong female character well. It was really nice to see Jennie Penhan finally get a significant role in a series, arguably she too is a lead in this series. Her performance here will hopefully lead to more significant roles for her in the future.
Overall, a worthwhile series to watch! Watch it for the acting and unique storyline.
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The characters, at first may seem a bit tiresome, but they have this uncanny knack of growing on you, until you genuinely care for them and wish to see them happy, successful or in some cases burn in hell. It will make you laugh and cry, which is what all good dramas should invoke. Throw into the mix a nice, non annoying soundtrack and some pretty good cinematography and you get a seriously a good watch. Strong recommended, not just for viewing but repeated viewings as well.
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Top Tier Chemistry
Anyone hesitant to watch this drama because of the "fake-sibling" tag, it's not like what you think. Let me help break it down; Shenyuan, played by Zhang Wang Yi is the illegitimate son of the Luo family. He never considered Yining, played by Ren Min as a sister or anyone in the Luo household "family" because of the negligence he faced. He is only kind to her because her mother was the only person that looked out for him when he was young. They both grew up separately and when Yining returned, he approached her with an intent motive. He finds out early on that she is not his "half-sibling". He later notice that he was beginning to look at her in a different way but remained respectful due to their "relationship status". Yining is also kind to him because she feels guilty about an accident that happened when they were young (that's the only memory she has of him). She also feels connected to him due to the similar unfair treatments they receive from their "father".Their relationship transition was respectfully well-written. ZWY and RM executed their roles well and their chemistry is top tier. Their characters are resourceful and complimentary. I love the dynamics between them and you'll find yourself wanting more of them. They're consistent, know what they want and get what they want.
Overall, this drama is very cliche but ZWY and RM did well on delivering it. They kept me engaged and this is the first time that I bough fast pass for a drama and it's worth it. I hope to see more of them together in future projects. I love their on and off screen interactions.
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It's like a car crash...
... painful to watch but hard to look away.You should watch this show if you like:
- Plot holes
- Questions that get answered by even more questions.
- Dialogue that doesn't make sense.
- A supposedly steamy couple without any chemistry.
- A mafia boss whose entire self is an insult to every mafia person ever.
Sadly enough, there is a lot wrong with this show.
From actors who don't seem very into their role to questionable directing and simply strange editing/use of music. "Unforgotten night" seems to have it all.
They could have done so much more with KamolKim yet every episode is packed with stuff that you might get a whiplash from the quick changing between scenes. Events that should have been cleared up, explained or maybe just talked about get forgotten and in my opinion this doesn't do the plot any justice.
Still I find myself looking forward to the next episode every week. Be it because of interest in the story or just hope that the next episode will be better. And of course it isn't all bad. Don't get me wrong, there are some good things to see as well. I just expected a lot more from this show. If you are going to watch it, I suggest not to take it very seriously. Sit back, relax and enjoy yourself.
EDIT: The last episode was by far the best and made a lot better.
My Wednesday evening will surely be a little more empty after the last episode but I fear that, despite it's title, "Unforgotten Night" will be quickly forgotten.
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