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A Historic Milestone in BL Drama - China’s Mastery of Historical BL
After waiting so long for our first uncensored historical BL drama, I can confidently say it did not disappoint. Across a vast land torn by war, you’re the only freedom for me! perfectly captures the heart of this story.The plot is gripping, following a prince and an assassin who fall in love as their kingdom collapses. To secure Xiao Shu He’s rise, Duan Ziang kills the crown prince, shattering their bond, only to return years later as emperor.
The scenery and cinematography are breathtaking,, and the snow scene paired with its moving score was simply unforgettable. The costumes, along with the stunning and handsome cast, were all top notch. The acting shines in every moment, and the music and OST heighten every emotion. The fight choreography and martial arts are executed beautifully, keeping me hooked from start to finish.
And can we talk about that flying scene? The two leads soaring through the air, clinging to each other with such intensity, it completely took my breath away. After watching over 350 BLs, this is the very first time I’ve seen two male leads in such a classic wuxia-style moment, protecting and hiding each other with eyes full of unspoken emotion. We’ve seen it countless times in straight dramas, but to finally witness it in a BL felt groundbreaking. I was literally screaming, because flying scenes like this only ever happen in historical dramas.
Duan ZiAng’s love for ShuHe is so consuming, so absolute, that he would rather drink poison than cause a single wound to the man he loves. For five long years he carried this weight, sacrificing everything, even killing his own father, all so he could fight for a future with ShuHe.
He created an entire identity, the Six Prince residence, not for ambition, not for glory, but as a gift, a sanctuary built with his own blood and sweat, solely for his lover. Two kingdoms waged endless war, millions of soldiers were sacrificed, and yet at the heart of it all was not conquest, but love, one man’s unshakable devotion to another.
If this is not love, then what is? A love that defies reason, a love that bends morality, a love so fierce it chooses the beloved over the world itself.
My heart tells me Duan ZiAng will die from the poison. And that thought crushes me, because what could be more tragic than a love between two emperors, eternal in devotion but doomed by destiny.
Their story is not just romance. It is sacrifice. It is pain. It is love written in blood, carved into history, and drowned in tears.
I truly hope China 🇨🇳 lifts its BL ban one day, because when it comes to potential, Thailand 🇹🇭, South Korea 🇰🇷, Japan 🇯🇵 and Taiwan 🇹🇼 cannot compare. China dominates in so many areas: cinematography, acting, storytelling, chemistry. And when we talk about historical costume dramas, horseback riding sequences, and martial arts fight scenes, China operates on another level entirely. The scale, elegance, precision, and sheer intensity are unmatched. Kill To You proves once again that no one does it like China.
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The only alternative of MGIAA is MGIAA itself
MGIAA (My girlfriend is an alien) is one of the most popular Chinese modern dramas amongst the international fans . I really didn't have that much hopes for it cause most of the time second season can't beat season one.But this one did.Yes the storyline of season two is better than season one.Actors Bie ,Wan Peng,Wang You Jun all did an excellent job again.Especially Bie.The part he portrayed to show the sweeter part of Fang Leng alongside the cold part of that character just melted me.He has become more cuter .Second lead couple is not annoying at all . They are so adorable. Since this types of push and pull romance are one of my favorite genre so after watching first season about 3 years ago I have tried a lot of sweet rom com,but not a single rom com couldn't replace it . Finally season two replaced or suppressed it. Sweeter enough.The cinematography and visual effects were so much better than previous season.Feel the same chemistry between leads . This is a must for sweet rom com lover.A lot of scenes make me feel that the romance in this drama is nothing but magical .Not a single boring moment.Very heart warming, fluffy,funny. Just loved it.The main difference between first and second season ~ First season basically focused over Fang Leng's amensia and sweet romance.While second season basically focused over love, relationship, romance.This season give a lot of informations of relationships.This drama is a full package tips to get into a relationship .It is a must for current and future lovebirds to get some tips .And the good thing is second season didn't focus over Fang Leng's amensia part that much.It is a plus point for me. The only thing that bothered me in the whole drama is the new third wheel character "Jiang Shiyi". But his parts are not that much before the last 10 episodes so his irritating part is quite negligible.
Warning ~~~ The amount of sweetness is too much to handle for singles.
My one and only request that never judge this drama without completed it,you are gonna miss a lot of twists.
Ignore my grammertical mistakes please.
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This review may contain spoilers
Aviation workplace romance proving to be a beautifully paced, refreshing breath of fresh air
Blossom through the cloud has officially taken off, and through its first 10 episodes. If you are tired of modern C-dramas where the female lead's career is just a flimsy backdrop for the romance, Blossom Through the Cloud will delight you. The first ten episodes perfectly nail the balance between sharp corporate friction, genuine professional ambition, and crackling, slow-burn romantic tension.What makes the first 10 episodes shine:
Female Empowerment:
A strong Female Lead: Liu Xiening shines as Ruan Sixian. Her transition from a frustrated flight attendant, unfairly grounded by corporate restructuring, to a top-of-her-class, uncompromising pilot is incredibly satisfying. She doesn't just want the uniform; she commands the cockpit, making her one of the most refreshing, emotionally strong female leads of the year.
Xu Fan Xi as Captain Fan serves as a crucial symbol of absolute professional authority. She isn't just a background figure; she represents a legacy. By guiding the female lead Ruan Sixian, through workplace setbacks and industry prejudices, she highlights the importance of experienced women breaking barriers and actively pulling up the next generation.
A highlight moment was when the three generations of female pilots, Huang Jingyu who mentored Captain Fan, Captain Fan, and Ruan Sixian were all brought together for their iconic model passenger carrier aircraft Z101launch.
Zheng You'an: Played by Zhao Qing, she breaks the standard mold of the malicious second-female lead. She is highly confident, independent, and completely shameless about pursuing her desires and romantic interests openly. Her dynamic demonstrates that women can engage in professional or personal competition with grace, transparency, and self-worth.
A fully capable "All-Female" Crisis Response, subverting the savior complex: This is highly praiseworthy! During a mid-air emergency scenario, the key decision-makers, from the captain commanding the aircraft to the medical personnel handling passengers and the cabin crew executing safety protocol were entirely competent women. They solved a complex crises through sheer expertise, mutual support and teamwork rather than relying on a male savior.
Other female characters, from Si Xiaozhen. Bian Xuan, Jiang Yue to Ni Tong, these characters build a foundation of genuine female solidarity.
Whether sharing the same dreams or managing intense cabin crew dynamics, they do not tear each other down for male approval. Instead, they act as an emotional and professional anchor for one another.
The "Tsundere" CEO Reimagined: Miles Wei (Wei Zheming) plays Fu Mingyu with his trademark effortless charm, but with a sharper edge. Rather than being a toxic, overbearing boss, his early misunderstandings with Ruan Sixian melt into a profound, quiet respect. The way he subtly protects and stands by her as she navigates a male-dominated aviation field gives the "enemies-to-lovers" trope an elegant upgrade. As a high-level corporate executive, Fu Mingyu oversees macroeconomic corporate strategies, structural reforms, and fleet procurement and he is tied to massive corporate reform and internal corporate politics. He has a deep sense of responsibility and competence as he manages complex company reforms and has a broader vision for the future of his company including the well-being of his employees.
Flawless Pacing and Tension: The three-year time jump early on was handled beautifully, allowing the drama to skip unnecessary filler and drop us right into the high-stakes world of Hengshi Airlines. The banter is crisp, the cinematography is bright and premium, and the lingering glances over flight controls are absolutely electric.
Romance: From the foundation of heavy misunderstanding to a fiery professional rivalry we have reached the stage of the Tsundere melting and mutual respect. She witnesses his deep sense of responsibility and competence as he manages complex company reforms. He observes her flawless flying skills, exceptional professional ethics and her drive and passion for her profession and recognizes her immense talent. Beneath their playful bickering, a foundation of genuine trust is being built. He fell first, now we are waiting for her to fall harder 😄
Family elements:
The family dynamic on Fu Mingyu's side centers around generational pressure, high expectations from airline leadership, and managing the public and professional fallout of executive decisions.
Ruan Sixian's family dynamics in the drama are marked by childhood parental estrangement, unresolved emotional trauma from a broken home. She has a complex relationship with her mother which will be interesting to see when it unfolds. However she has a "Found Family" of Aviation: Her journey from a dismissed flight attendant to a top-tier pilot is heavily backed by the mutual understanding, mentorship, and protective shield she builds with her team and Fu Mingyu. Her two best friends support her all the way.
OST- Features contributions from popular artists and pleasant English/Mandarin emotional vocal tracks and light acoustic background themes befitting the aviation theme.
Final Thoughts on the First Arc
By episode 10, the dynamic between our leads has shifted from frosty defiance to an unshakeable, unspoken mutual respect. It’s an inspiring, uplifting watch that honors its characters' professional dreams just as much as their heartbeats.
The second half of the series- Triumphs and Turbulence- A career highlight for Ruan Sixian on episode 20
The second half shines brightest when balancing workplace realism with professional respect. Watching Ruan Sixian continuously prove her skills as a top-tier pilot while facing grueling assessments and technical challenges gives the narrative a grounded, empowering weight. Fu Mingyu’s transition from an arrogant executive to a supportive partner who fiercely respects her talent anchors their romance in maturity rather than standard corporate tropes.
Despite the slight mid-flight turbulence due to external corporate drama and some messy editing the series culminates in a breathtaking and fitting airport wedding, serving as a neat, emotional landing strip for a couple whose entire relationship began and evolved around runways and aircraft.
It is a perfect ending matching the aviation theme. Happy landing!!
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The acting was great and, in my opinion, The Lover is one of the best acted drama out there. My biggest problem with the show was how a lot of scenes were stretched to the point they lost all the fun and made me feel like "okay, I get it. Just move on already". And some couples were given waaay more screen time than the others. There were definitely the main couples and the side character couples, which took a bit away from the show. I would have liked it if all couples had the equal standing.
The Lover has a high re-watch value because it's honestly fun and heartwarming. There are only 12 episodes and that¨s great, the show doesn't get any time to get draggy.
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This review may contain spoilers
Nonchalant, sassy, intelligent - a solid enrichment among law&order dramas
"May it Please the Court" is one of my favorite series amid the flood of Law & Order series 2022. I appreciate its witty and grounded touch. I also appreciate the playful, sassy and natural at ease dynamic between the two leads. You get wit without silliness and on top of that an exciting story. In addition, the question (which is obviously burning at the moment in South Korea) about the solid handling of the rule of law in the face of apparently overpowering forces that control politics, the executive and the judiciary, is intelligently incorporated into the network of relationships and case processing.The story is based on a book with real cases, written by public defender Jeong Hye-jin ("Let Me Start the Argument"). This makes the Disney production a solid enrichment for current courtroom dramas. In addition, this KDrama doesn´t try to downplay its KDrama roots in favour of international streaming market standards. The KDrama remains true to itself and doesn't rely on more violence or sex than usual It rather builds on proven emotional storytelling with an excellent cast and a loving eye for the nuances.
The intro offers an impressive, brilliantly cool stylization of the KDrama orbit, in which the one percent of society is always involved: the fircely quarreling, shaken by internal intrigues and secrets, outrageously rich family clan, in which everything is about the best law firm, the greatest impact on the prosecutor's office or the fat contract. Here you have to be clean, untouched, respectable (which you rarely are). The profession of choice is a lawyer and/or sooner or later assemblyman and ideally a presidential candidate.
So far, so good... we´ve seen it many times. Now, however, the story is driven by a new powerful perspective: the world of public defenders who handle legal cases from the world of ordinary, often destitute people at the bottom of society. Worlds clash - worlds both with people involved. The interface is incorporated by No Chak-hee, who has lived in either. As the number 1 in the law firm, in which she has just been promoted to the youngest partner, she is being transferred to the mandatory public defense. What she doesn't know: this is mere political calculation of her very esteemed superior. What she also doesn't know: the encounter with her new colleague and the world of public defense will unhinge her worldview and give her work new direction and grounding.
Suspense has the central characters fatefully under control. A series of murders occur. Crimes emerge behind old, long solved and forgotten cases. No Chak-hee realizes that even she can no longer wash her hands in innocence. Guilt. Innocence. Right. Wrong. Culprit. Victim. Justice. Injustice. The perspectives get a bit out of the sounding line.
KDrama at its finest. Good entertainment, while also being socially critical and up to date. Pithy. Nonchalant. Intelligent. Exciting. Romantic vibes included.
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I kissed a girl just to try it.
This crisp, cleverly written coming-of-age movie with a bit of a twist, explores the usual themes of first love, rejection, self-discovery, and accepting your family for who they really are. It is carried by persuasive and heartfelt performances by both Wu Lei and Zhang Zifeng whose restrained, nuanced portrayals convey the confusion of awakening youth and the utter depth of despair of first love and rejection. In this genre, young actors tend to lose my empathy by over-dramatizing and overacting in such angsty moments but these two truly moved me by not doing so. I also appreciate the well-timed light humor that diffuses tense moments and captures the ultimate resilience and optimism of youth.Zheng Yuxing and Chen Chen couldn't be more different - he is a bit of a rebel, the cool kid with a bit of internet following while she is a good student with bright prospects who unexpectedly flunks out. Thrown together by an outrageous lie, a mutual understanding that becomes a touching, unexpected relationship blossom between them. They embark on a most excellent adventure together as Chen Chen convinces Yuxing he must confront Ming, who is breaking his heart. Instead, they end up facing their feelings for each other and what it means for each of them culminates in an "I kissed a girl just to try it" kiss that says all that needs to be said. The chemistry between both leads is incredible and is exactly as it should be. I can't praise enough how these two young actors effortlessly show us rather than tell us the complex multitude of emotions they are experiencing.
Unfortunately for Yuxing and Chen Chen, there are too heavy consequences for their actions. Once again we see that young people are so much better people and I am left hoping these two stay that way on their long journey ahead. The ending is realistic with the right touch of wistfulness and hope.
So now is the time to confess that I only watched this because I wanted to see my favorite Wu Lei of unforgettable Fei Liu fame's first screen kiss. Needless to say, I got much more than I bargained for. While this movie has received backlash for not being upfront about what it is about, I think that criticism reflects a lack of understanding that that is the whole point. Who is Ming? That is the most irrelevant detail because it changes nothing. Yuxing's emotions, Chen Chen's emotions, our emotions, and our experiences are the same regardless of certain aspects of our identity.
The premise of this movie isn't the most original but the way it communicates its simple message is. And the acting deserves a standing ovation. This is an 8.5 for me with a strong recommendation to watch.
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Fun, but a "pretzel" ending
I'm a critical because I have a background in production, so you may think some of my opinions are harsh. First, I want to comment on the actors. My criteria for good acting is, if I can suspend reality, immerse myself in the story, and emotionally connect with the character, the acting is good. If the audience doesn't relate to the characters, everything else is irrelevant, because the viewer won't care about what happens to them. I cared about these characters. It was especially fun watching the FL and ML bicker and banter as their relationship developed.The plot had good doses of mystery and mayhem, romance and evil, comedy and tragedy. The production values were good; the sets were believable, decent camera work, the CGI wasn't obvious, the costumes were attractive, etc. I liked the music because it was well integrated into the scenes, and didn't distract from the action. The genre is Wuxia, which I watch because I love martial arts choreography. I particularly liked the small details that made the ML's "wolf" abilities more realistic, like how he could whisk around so fast he was almost invisible, how his ear twitched when he used his augmented hearing, and how he could transform. There was only one instance of seeing his full transformation, which was disappointing. His character arc was well-defined, however, because he went from stone-cold to warm and affectionate. The FL had less of an evolution, but was a good contrast to the ML.
Unfortunately, the last two episodes were disappointing. Great writers can write great endings; mediocre writers can't. I like it when the audience gets rewarded with a cathartic moment at the end; sometimes it's joy because it's a happy ending, or a sigh of sadness because it was tragic, or they have a flash of insight because, although the ending may not be what they wanted, it was appropriate. Instead of a climatic moment, I felt betrayed. The reveal of the villain in episode 35 used an old, worn out, plot device to supposedly create a surprise twist. But the plot had to be bent into a "pretzel" in order to make the twist work. Instead of the twist being a dramatic moment, it was laughable, probably because I'm not Alice in Wonderland who "believes as many as six impossible things before breakfast."
After the reveal, the writer tried to stuff too many emotional ups and downs into the last episode. Some of it was satisfying, and the "dénouement" was good. However, after I managed to stay immersed in the drama's fantasy world for 34 episodes, I couldn't sustain it during the last two episodes, and crash-landed back into reality with a giant thud.
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Curtain Call
58 people found this review helpful
1The plot has enormous potential, yet more bite and sting really wouldn't have hurt.
The share of Makjang in South Korea's series productions seems to decrease noticeably. After 3 seasons of "The Penthouse" in 2021, taking the evil within the "´War of Life´ to the extreme, it might have been somewhat exhausted? Thus, "Curtain Call" may be a noticeably 'softened' Makjang series (if at all). In this manner however, the KDrama represents a social zeitgeist that should not be underestimated: the desire for reconciliation. Reconciliation with the North. Reconciliation between generations, between the past and today. Reconciliation between duty and dream. The search, the longing, the need for South Korean society to balance itself on a new level - finding peace. To me, that's what "Curtain Call" stands for.As so often, the focus is on the rich and beautiful. In this family clan, too, the third generation could disassemble itself in the fight for the golden spoon. But somehow things are a bit different here than otherwise in KDrama Orbit.
The head of the family is (quite progressively) a woman. Matriarchy instead of patriarchy, that makes a difference. While she probably represents business acumen and a strong leadership style, for all the respect she receives, she has NOT sacrificed her heart for her grandchildren and employees on the track. Also: For once, she (at least she) does NOT embody the incarnation of disparaging arrogance. She is NOT someone who mercilessly pursues her own interests without regard for human losses. In the contrary, there is a healthy dose of humility, because even in old age she is still close to the very simple roots of her origins. This is also because her homeland is in what is now North Korea. She remains aware of the painful separation throughout her successful life. No amount of money can turn back time or realign the political structures. Like that, she embodies a vicarious pain shared by many family histories across the country. And so an emotional bridge is practically built to the audience - ´halmoni´ gets some sympathy.
The plot has actually enormous potential: the grandson from North Korea, for whom the now old and terminally ill chair(wo)man longs in her last remaining weeks and months, was actually found. However, his personality seemingly doesn't lend itself to a peaceful happy ending - and so an actor who is versed in the North Korean dialect is introduced into the family as a fake grandson instead. He does his job so well that he ends up doubting his own identity...
"Curtain Call" manages to play out some of its punchlines in an emotional sensitive way. Nevertheless, the story remains more harmless than necessary and the potential isn´t realized. The KDrama doesn't take its chances, instead prefers to choose warm colors and soft images. All in all, "Curtain Call" might find its own pitch in the KDrama orbit, yet it keeps a low profile along the way and unfortunately does not take the next step. It rather remains kind-hearted and thus gambles away a dramaturgical chance. In my opinion, more STING really wouldn't have hurt. Too bad.
Nevertheless: "Curtain Call" is nice to watch. The cast is top notch. In places razor-sharp and at the same time pointedly funny, the KDrama also operates (especially against the background of the North-South dynamic) in a good mood with small socio-critical side swipes here, there and over there as well. The dialogues exploit this potential with relish. The bottom line is that "Curtain Call" is probably worth seeing if you DON´T feel like too much excitement, revenge, action, thriller, legal affairs or romance.
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A New Classic!
Alchemy of Souls is pure entertainment from start to finish! Sure, you'll see intense reactions of people complaining about plot holes, pacing and directing choices, etc. But name one beloved classic that doesn't have those (both plot issues and harsh critics). I'll wait. Edward Abbey was right: great art is never perfect; perfect art is never great.We need to keep in mind this is an avant-garde project. It is a multi-genre High fantasy show. Which sounds expensive, and it is. The production is mesmerizing. It drives me crazy to think about all the hard work put into this show. The show serves romance, action, comedy, and mystery with impeccable visuals complemented with a gorgeous OST.
Story-wise, it is essentially a classic fairy tale with some twists. A very familiar tale about love, friendship, and the perils of human greed. A character-driven story penned by the controversial Hong sisters. The writers spend a lot of time showing the characters' motivations, bonding moments, and cute quirks. You can always count on them to create the most memorable and charismatic characters, and Alchemy of Souls has plenty of them. The storyline is not that complex, so the writers opt for omitting things to keep us guessing what happens next. And when they unfold the events, they do it in a concise way, which might not be palatable to particular audiences. They also provide tons of comic relief. Even in the darkest episodes, you'll surely laugh. Especially when it comes to romance, the sisters are too unserious. The Love web (geometrical shapes were insufficient) is there, but there's no obnoxious rivalry.
The unusual nature of this project can make people feel weirded out. Alchemy of Souls is not just quirky; it introduces new/paradoxical experiences to the audience. You might think it's a Sageuk, but you'll see modern-looking styles and pop-culture references. The plot might seem cliché, but you can't predict it. You think you have reached the end but face a new beginning instead. Not everyone is comfortable around such new concepts, so I understand the rage.
Last but not least, this show beautifully displays some relevant messages. I'll focus on one message because this review is already too long. Throughout the series, you'll see the writers emphasizing that everyone can turn into a "monster"; either by choice (bad decisions) or by force (conceptions imposed by others). Then you see the male lead saying we can protect said monsters, keep them in check to achieve peace. It is a powerful statement, especially when getting rid of freaks and problematic people is the norm. Are we achieving peace by doing so? That's some food for thought.
Those are the reasons I think Alchemy of Souls should be considered a new classic. It excels at moving people with beauty and disturbing the conformed minds. It offers wholesome entertainment and also instigates passionate discussions. It is a light-hearted show, but it has its dark moments. Alchemy of Souls: Light and Shadow comes out in December 2022!
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This review may contain spoilers
What a waste of time.
These are seven stories of seven best friends whose personalities are based on the Thai description of characters associated with a particular day of the week. Reviewing each installment individually~~~═ ∘♡༉∘ ═══════ Ep. 1,2
TUESDAY
• Chap as Tue
• Tae as Ake
ALSO SEE THEM IN: Tae will be starting in “You're my skyy”. Chap can be seen in a side role in Lovely Writer, and in the upcoming series, “The Tuxedo”.
RATING: 4.5/10
OTHER RECOMMENDATIONS: – If you're looking for a sports themed bl with coaching and all that, then I'd suggest Mr. Heart. If you're looking for enemies to lovers then I'd suggest My Gear and your gown, Love by chance (Tincan), Love by chance 2, Why RU?
STORY: Tue is an aspiring Muay Thai coach. On his very first day as an assistant coach he meets an old enemy and they have a faceoff. During their sports camp trio, the coach makes Tue and Ake room together to teach Tue patience so that he can be a better coach and to keep Ake in line
REVIEW: Script issues. In my honest opinion, the actors did the best they could with the storyline they were provided. There wasn't lack of chemistry and both the actors convinced me that they hated each other and were simultaneously attracted to each other. Given that two episodes of 1 hour each is not enough to deal with an entire relationship, the story could've been less of a mess if they hadn't tried to incorporate so many tropes into it.
*Spoiler alert*
They used a gazillion tropes in here: a single interaction wherein Ake cuts into line makes Tue hate him with such gusto. Sickness and the subsequent requisite white towel treatment (because it's a bl). Parental issues to bring the mcs closer to each other. Roommate drama.
Regarding the romance, you can if you're want to, justify every assholish thing done by Ake on the basis of 'attraction'. Ake even goes so far as to tell Tue that he was responsible for arousing him and henceforth must take care of his needs. Furthermore, for someone who vehemently begged the coach to allow him into the team (and also because Ake wants to fulfil his father's dreams), Ake’s behavior of purposefully skipping practice and investing leaves just to look like he has a fever do not comply with the story. Needless to say I couldn't get into their story. Sad because the actors were really trying.
Major plot hole: So Tue gets the chicken pox. Granting that I am not a Thai citizen but an Indian one, I believe that's one disease south east Asian countries are vaccinated against? Even if we allow room for the fact that the hadn't been vaccinated, it doesn't make sense that the entire team isn't down with the disease. Logic #101.
═ ∘♡༉∘ ═══════ Ep. 3,4
SUNDAY
• Max as Sun
• Nat as Nuea
ALSO SEE THEM IN: MaxNat are a side couple in “Why RU?” the series and in the upcoming projects by Mandee (nameless, “Cutie Pie” the series). They're also the main couple in episode 3 of “Close Friend”.
RATING: 4.5/10
OTHER RECOMMENDATIONS: Why RU?
REVIEW: Can we appreciate Nuea’s style in this? I don't like MaxNat per se, and I don't see the hype around them but their acting was pretty decent and considering that they were given a pretty average story, they carried the episodes well. Notable point, this is a healthy relationship. Not taking advantage of your drunk bf marks the beginnings of a healthy relationship.
═ ∘♡༉∘ ═══════ Ep. 5,6
MONDAY
• Korn as Mon
• Gung as Team
ALSO SEE THEM IN: Korn has a really funny supporting role in YYY the series. They haven't starred together in any other dramas.
RATING: 3.5/10
I have no idea what happened here, it hasn't been many weeks I suppose but that's exactly how forgettable it was. I just remember that there was a confession scene on stage and I could feel the second hand embarrassment through the screen and in my head I was like: somebody end my pain. Yet again, I feel the actors delivered pretty good (like a 6.5/10 for the acting), but the storyline was ridiculous. I also remember being irritated as hell with Team.
Notable mention: awkward pauses. Like longer than the one in kdrama confession scenes. The drawn out soulmate gazing and pauses were just lowering the score at 127 km/s.
═ ∘♡༉∘ ═══════ Ep. 7,8
THURSDAY
• Pi as Thurs
• Au as Pao/Pae
ALSO SEE THEM IN: Pi is part of the secondary couple in YYY the series. They haven't starred together in any other dramas.
RATING: 5.5/10
OTHER RECOMMENDATIONS: He’s coming to me, Hidden love as these are both bl dramas involving a ghost-seeing boy story ark.
No spoilers for these episodes because you have to watch this at least once. I have only seen Pee Peerawich Ploynumpol in his funny role in YYY and I wasn't sure what he was going to deliver here but he was really vibin’ with his role here! In some places he conveyed his reverence for his art and his feelings quite nicely. Also Pao is the cutest ghost I have ever seen. If you're deciding on which episodes to skip then DON'T SKIP EPISODE 7 & 8, it was probably the most wholesome episode here in terms of their relationship.
═ ∘♡༉∘ ═══════ Ep. 9,10
• Takizawa as Puth
• First as Kaeng
ALSO SEE THEM IN: Tae will be starting in “You're my skyy”. Chap can be seen in a side role in Lovely Writer, and in the upcoming series, “The Tuxedo”.
RATING: 6/10
OTHER RECOMMENDATIONS: En of Love: Love Mechanics, Side couple in My Gear and your Gown
This is where I pour out my feelings about these two. First of all, First playing Kaeng is impressive. He has a vast expression range: that suggestive smirk directed at Puth, that look of pure adoration when he's studying Puth, the joyous expression when he's around Puth, that kicked-in-the-gut sad puppy eyes he does to move Puth, that death glare he specifically reserves for Payo and lastly the crying scenes. This actor can go from 0 to 100 real quick. Same for Takizawa. He is cute at the right moments but he can be flirty and asshole and hot mean jerk just as well.
Secondly, the nc scenes. I let out a bleh when I saw how effusive fans were being about their nc scenes but they jumped the gun saying that the romance wasn't well developed. Well I beg to disagree. The actors had great chemistry, that's true, but the nc scenes weren't just that—it was the trust Puth had in Kaeng, the way he was letting himself be free with him. Kudos to them for bringing a proper friends-with-benefits relationship to the screen and turning it to something more.
When twenty minutes were left for episode 10 to end I was beginning to wonder how they were going to wrap up these threads at the very end. But it was ended well too! Turns out it wasn't just the audience who noticed how Kaeng was whipped for Puth, Puth isn't one of those typical oblivious characters. It took him time to understand his feelings but he did notice Kaeng’s gestures! The ending really touched me. *SPOILER* When Kaeng told Puth to stay with him for one last time, it was obvious that Puth wasn't sure about it but he cared enough for Kaeng as a friend to not leave him alone. And so he does grant his request which eventually lead him to realize his feelings.
Also, can we appreciate how perfect these two are for each other? Both are flirtatious jerks who are whipped for each other. When Kaeng starts shouting that he has a boyfriend Puth just laughs and urges him to say his name and then proceeds to shout that he has a boyfriend too. Like I cannot with these two—
This was so far my favorite in terms of acting, pacing and character development.
═ ∘♡༉∘ ═══════ Ep. 11,12
• Jaab as Sat
• Ton as Choke
ALSO SEE THEM IN: —
RATING: 5.0/10
OTHER RECOMMENDATIONS: I have no idea what bl drama to recommend which has similar fantasy-time travel-friendship themes as this one does.
STORY: Sat and Choke have been friends since childhood. Unlike Choke who was satisfied with his status and his chubby figure, Sat wants to be included into Top’s gang. Top is a older than them, plays football and is considered cool in the school. Prior to this, Choke had gifted Sat with a Gundam, a giant robot, which was supposedly magical and it proves its powers when Choke unknowingly presses the button which activates it and it fulfils his wish but this comes with a side effect: he can't be friends with Choke anymore because that's what it takes to be cool, he must cut off his connection from the 'fat' boy. Encouraged by Top, Sat punches him effectively severing their friendship.
Not only do, since Sat wished to be all grown up and part of Top’s gang, he wakes up in the future—mind you his memories are still of the past, the years in between are a gap in his head—and is surprised to find his head in Top’s lap. They are best friends now but Sat wonders why he isn't best friends with Choke, he has no idea that they aren't friends anymore and turns up at Choke’s house to remember his memories. Things spiral from there.
REVIEW: As I scrolled through the comments, I realized that this couple got overlooked a lot as people commented their opinions on the series. For me they were cute. Kind of forgettable maybe but cute.
I think the strongest message here was how our experiences shape us. Whatever choices Sat had or hadn't made had changed him from his innocent naive mentality to a person who played with others’ feelings and was uncaring.
This was quite obviously a rip-off (an adaptation, if you will), of the popular rom-com “13 Going on 30,” which delivered a lot more than this story did and in shorter time.
═ ∘♡༉∘ ═══════ Ep. 13, 14
I am honestly underwhelmed guys. I got some messages here AND a personal dm to complete this review. And here goes: underwhelmed with Yoon, Lay and Perth. Serious injustice to some of my favorite actors (in bl series I mean).
Rating: 6.5/10. See Perthlay in My Engineer and the hypothetical My Engineer 2. Also, Perth go taken out of Kinnporsche so yeah. Seen Yoonlay in YYY (one of my favorites), YYY special and Close friend (episode 4).
═ ∘♡༉∘ ═══════ Ep. 15
Shhitty ending. Everybody gets together. Hugs. Kisses. And they all live happily ever after except of course... you know if you know.
═ ∘♡༉∘ ═══════ OVERALL
Ranking episodes: [13, 14], [9&10], [7&8], [11&12], [3&4], [1&2], [5&6], [15]
These are some points I need to stress about this series.
AWESOME. COSTUMES. Like damn was I tired of the standard issue bl drama uniforms with the stark white shirts and black pants. Everybody here had a distinctive colourful style. Tue was pink, Ake was sporty and casual, Sun was a bit formal, Nuea was rocking the effeminate style (we need more such rep), Mon was sunflower, Team was masculine hot, Pi was a ghost summoner need, Pao was cute (too cute to be a ghost), Puth was sweater and Kaeng went all out with his striking red shirts and earrings.
The director seems to have his signature style. Music was pretty much on point. The actors mostly managed really well.
Overall rating 4.0/10 for an awesome waste of time.
Are you thinking of watching this series?
If you're looking for something mindless and pulpy to watch then go for it. Select the episodes you think you'd like best and watch those first, the stories are not interconnected. Happy watching!
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This review may contain spoilers
don’t waste your time
don’t waste your time on this for it shitty ending.It started well for me, but the plot went down hill at some point, the last 6 eps were disappointing.
The good :
- the acting was decent
- the music
- the third couple (who was not seen a lot) was cute, pretty good communications, healthy relationship. they solved their problems pretty fast
- I think all 3 couples have good chemistry
- some scenes impacted me emotionally, like ep 18 with the second couple or just scene related to first and second couple, I was almost crying
- I like the eps when the leads were with the kid
- the friendship
- this is a good and bad point, but I appreciate at first using mental illness of ML as a plot for problems/breakup, that felt real to some aspect and not like some cdrama where are think the breakup is pretty stupid or the use of a third party is annoying
- at some level, I liked the second couple, I loved their chemistry, but I don’t think their story was well written
- I enjoyed the romance between the leads (expect the last part of the drama)
the bad :
- dragging second couple getting together
- dragging the problems between the leads
- became somehow boring at some point, 36 eps was too much
- the worst ending possible that literally ruins everything. Doesn’t make any sense, rushed, nothing explained. FL is 100% hallucinating him, sad ending. And this is just nonsense. be clear damn it!! if he is dead, explain it, be clear about it. Why end with such horrible nonsense ending. Feel incomplete. Poor FL too, I hate it.
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A Journey of Discovery
Growing up is a process of discovery. You discover what you like and what you don't, who you are, who you love….. A million questions asked. Some answered, some not. Hopefully with the few answered, you’re prepared to face the world. You may still be searching for answers throughout your life. And that’s how life goes. This is a story about three best friends growing up together in the same neighborhood, their friendship through high school, college and working life. This is one of the best youth dramas I have ever watched.The Chinese title Shàng Yóu means upstream, depicting also growing up is not easy, having to face challenges and making the right choices. The story is so well written, directed and acted - funny, cute, nostalgic - with characters elaborated with depth, from the main to the supporting leads. The attention to details is immaculate, capturing all the nuances of the era (Gameboy, concern of Y2K for computer systems, flip phones, huge bulky computers with floppy disks etc). The story has a span of 10 years from 1997 to 2007, starting from the characters’ final year in high school, throughout all 4 years of their life in college, and the final 2 episodes on their adult working life, marriages, relationship, each living a separate life. Nostalgic? This is life.
Xia Xiaoju (Hu Yixuan) has just moved into the neighborhood. She has no friends and hates her new home as she has to share a room and a bed with her little brother. She always feels her mother being unfair and always loves her little brother more (many Chinese families prefer boys to girls). Two boys from the same street quickly become her best friends as they help her adapt to her new environment and catch up with school work. One is gentle and kind, the other is rough and childish. Naturally Xia Xiaoju falls in love with the ‘nice’ boy. Little does she know that the other boy standing behind her, quietly doing everything for her, is the rightful one for her. Xia Xiaoju may be naïve and has overly low self-esteem at times, but she is determined and is always a friend one can count on.
I have liked Hu Yixuan’s acting. I find her very genuine and natural without having to try too hard. Her acting as a teenager in this drama is so impressive. I have always thought Tan Songyun (Seven Tan) the best actor who can look and act like a teenager. Here, Hu Yixuan is equally good if not better. As teenagers, Tan Songyun is tomboyish, whereas Hu Yixuan is a very convincing timid teenage girl who is not confident of herself and fearful of showing her inner feelings. I love her interactions with her friends and her family. Hu Yixuan has absolutely nailed the role.
Lu Shiyi (Richard Zhang), an aspiring doctor who is hemophobic (fear of blood), tall, good looking and intelligent, is playful when it comes to his childhood friends. He doesn’t miss an opportunity in teasing Xia Xiaoju whom he has a penchant in getting his satisfaction out of her misery by pulling her ponytail, palm-turning her head (watch this https://www.bilibili.com/video/BV1hP4y1a7Uc), bear-hugging her under his giant armpit, bickering with her and calling her names (like Pig); he simply ‘roughs’ her up all the time like treating a boy and the bickering is non-stop. How Lu Shiyi treats Xia Xiaoju would have been called out in today's cancel culture, but here, his actions are cute, innocent and heart-warming. To me, that's how people, especially good friends, should interact with each other, sincerely and lovingly.
Richard Zhang has a very unique look with almond shaped eyes. He may not even be considered as good looking by many viewers but he embodies youthfulness, energy, mischiefs, rebellion that fit perfectly into the Lu Shiyi character; he brings the character alive.
Cheng Lang (Chen Bo Hao) is the gentle boy with straight ‘A’s in class. He is kind to everyone especially to his best friends to whom he would give up anything for. He always tries to mitigate between Xia Xiaoju and Lu Shiyi when they brawl, and Xia Xiaoju has a crush on him since she first meets him. I have never watched any of Chen Bo Hao’s work, but here, he aces his role making the Cheng Lang character so lovable, a perfect white horse prince for any girls.
Even though the romance is not the focus, the dynamics of the main leads are remarkable. I love how the main leads are smart and caring for each other. Their utmost trust between each other throughout the drama does not falter. Having said that, there are some slight misunderstandings between Xia Xiaoju and Lu Shiyi that lead to their separation for a rather long period of time after college.
Official Soundtracks (OSTs)
Despite this drama produces a number of new soundtracks, none as memorable as the two oldies:
“Do You Know I’m Thinking of You?” (你知道我在想你吗) by Taiwanese singer/composer Chang Hung-Liang (张洪量) in 1997. This song stirs up a lot of memories for many viewers. It also captures our lead characters’ feelings during those growing up years, from teenage to adulthood. It’s fun to watch how our character struggles to learn singing the song so that she can perform it to the one she loves.
“Love You”(喜歡妳) by Hong Kong musician Wong Ka Kui (黄家驹) / Beyond in 1988. Sung in Cantonese throughout, this is another well-loved song that took Asia-Pacific by storm during the era. It appropriately expresses the adoration of our characters for each other and the moments they have together.
The use of harmonica and guitar to play the background music, simple and nostalgic, further captures the mood and conjures up memories of the time by-gone.
My Verdict
Growing up means changes. Things may not always turn out the way we plan, and our plans may not be as perfect as we have hoped them to be. We all need to learn to adapt to changes. Our characters change over time as they begin to understand life better. Not only they become stronger, they also become better for themselves and others.
Everyone can relate to this story one way or another. If you're a youth, you'd love this drama because you can relate to almost all the characters here - they can be your friends, your family, even yourself. Whoever you may be, you'd love this story too because it helps bring back all those memories of youth. Superb acting and captivating writing bring you back to those by-gone years of innocence.
I don’t usually watch youth dramas, but this one is a gem. Everything is so natural. It is so funny that I laugh so hard, and yet, I cry when I see my characters struggle. However, I have to point out that, like in most other Chinese dramas, lazy writing towards the ending spoils the whole otherwise wonderful drama. I wish the writers have been more thoughtful towards this end. It's such a pity because the whole drama has been so good. The last 2 episodes are just not keeping up with the initial momentum and quality. There are so many lost opportunities that the production team could have made this drama so stand out.
Despite from the "less than perfect" writing for the last 2 episodes, I still love this drama nonetheless. All the scenes are tastefully shot. I particularly love the scenes when Lu Shiyi rides a creaky bike taking Xia Xiaoju at the backseat. That beautiful screen shot encapsulates the whole story, Shàng Yóu.
Must watch! TWO THUMBS UP! BRAVO!
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Cleaning your house and heart.
"Your House Helper" is a slice-of-life drama that focuses on day-to-day issues faced by Koreans in their society, namely three women: Im Da Yeong (Bona), Yoon Sang Ah (Go Won Hee), and Han So Mi (Seo Eun Ah).As part of the main story topics such as women's health, misogyny, overwork, rape, abuse, and gender roles are brought up and handled in a sensible manner though at times failing to push forward when the timing demanded so. The #metoo movement is hailed and discussed as an important movement for women, something unusual for a k-drama and a bold step to make as women's struggle in south Korea is heavily opposed by chauvinism and an excruciatingly patriarchal society.
Since this is a story that puts emphasis on women, the three leading women take the centre stage with each character facing particular issues related to their personality, workplace, and personal struggles. Ha Suk Jin, Lee Ji Hoon, and Jo Hee Bong undoubtedly play story relevant characters, but they're not steering the helm or the main driving force of why you should watch "Your House Helper."
The cast was well selected -- the actors matched well the characters they were assigned, and I have to praise whomever cared for all the small details, especially in the fashion department: they all look great, but never overdressed.
When it comes to the acting itself the first episodes are rough on Bona - as she's among the youngest in the cast - but she does improve with her character's development and I digress with anyone who argues she was not a good choice to play Im Da Yeong -- she captured well the demeanour of a young woman dealing with hardship and not knowing what to do next. Yoon Sang Ah's character initially has more on screen chemistry with Ha Suk Jin's, something which may cause some conflictive feelings as a viewer, but this quickly dissipates away as Lee Ji Hoon enters the scene and becomes more prominent. I am somewhat disappointed with the screen time Seo Eun Ah's character had but I should praise that her issues were handled in a respectful manner, although again constrained by the conservative mainframe of Korean society. Overall the male leading characters did a good job, it's good to see Ha Suk Jin play a more sensitive, less gruff heads on character -- really had to drag him out of the office to become a house cleaner.
"Your House Helper" has an upbeat soundtrack with its trademark tune whenever some house cleaning action begins while reserving more sombre tones when serious subjects or more dramatic moments are handled. There is nothing particularly outstanding about its music but it never feels repetitive and blends well with all scenes.
Does this 32 episodes long drama have re-watch value? Each episode is roughly 29-30 minutes long and easy to watch through. If you enjoy the overall story, you can expect yourself binge watching through several episodes and not noticing the time. The overall plot and side stories are always on the move, there is no mid story dragging/stalling, and since there are no particular villains you can expect a drama grounded in reality with a pinch of idyllic hope, sunshine, and a quirky golden retriever.
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