Lee Hye-young and her role operate as backbone and heartbeat of this KDrama
"Kill Heel" is set in the milieu of teleshopping. The pace is leisurely, calm. The light is dimmed sort of. The focus is on 3 women. Their heels are dizzyingly high.At first, the story leaves the audience feeling a bit lost. Just one thing is obvious: the competition in the production company is extremely tough. But over time, the three protagonists get more profile and the story heads in it´s direction.
The driving force that really makes the KDrama worth seeing is, above all, veteran Lee Hye-young, who has experienced a real revival in recent years. Here, in the ambivalent character of Gi Mo-ran, she gave another marvellous performance! In my eyes she (and her role) operate as backbone and heartbeat of this KDrama
It's about intrigues, struggle for survival, hurt feelings and old traumas. The relationship dynamics between the 3 women intelligently intertwine and dissolve in a subtle but unexpected way.
"Kill Heel" has a very unique look and feel to it and comes along with a peculiar pull effect. There is suspense, but at the same time the suspense isn't setting the tone. Sometimes something seemingly builds up, but then everything is completely different again. And after 14 episodes it's over. What a pity, actually...
------ SIDE NOTE: ---Teleshopping---
I wasn't really aware of the impact of teleshopping until now. In Europe within homeshopping Germany is the leader, when it comes to sales figures through teleshopping (compared to online-shopping) . In South Korea, teleshopping accounts for almost 50 percent of home shopping. Similar to sales parties in private circles (Tupper & co.), teleshopping thrives on impulse purchases and customer loyalty, which are promoted by a harmonious, interactive, relaxed sense of community. Within the virtual television community, it is the presenters who foster this intimacy with their virtual customers. Women in particular buy in teleshops.
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This review may contain spoilers
Touching. Exciting. Stylish. Passionate. Atmospherically dense, especially regarding the 1930s
For me, "Chicago Typewriter" needed a second attempt. The first time I didn't really know what to do with it. ...A smart spring chicken, but somehow paranoid writer, spoiled by success and money, and a cute girl as his fan? The story - fancy as it may come along - at first glance appeared a bit all too playfully shallow for my taste. I wasn't convinced. Although I actually really like actor Yoo Ah-in.Actually, I was mainly curious about the past (around 1930 when ´Korea´ was a colony of Japan). One of "Chicago Typewriter"'s two storylines is set in the context of the 1930's Gwangju student movement. With regard to the KDrama´s historical plot line though, it felt like nothing really happened for a long time. Accordingly, when I first had tried to watch "Chicago Typewriter", I didn't make it past the "beginning". However, somehow I kept stumbling across this KDrama and it wouldn't let go off me. Eventually I gave it another try. Lo and behold, with a little patience, the KDrama took me by the hand and developed an exciting story with a lot of passion and atmospheric density, especially when it came to the 1930s. The insight into that time had lasting impressions. Still, the relationship dynamics between the leads especially in the present time story line sometimes were little too light-weight, harmless and on the verge of silliness for my taste. However this was perfectly balanced in the context of their mission in the past and got more profound as the story proceeded.
------------------------- SIDE NOTE: --- Japanese colonialism ---
During the 1930s Japanese imperialism had reached its peak. In relation to Korea, a rigorous policy of assimilation, using force if necessary, was pursued, e.g. the Korean language, culture and history were systematically suppressed as part of a Japanese colonial education. The first Gwangju student movement, which culminated in a nationwide anti-Japan demonstration, happend in November 1929 after a female Korean student having been molested by Japanese students. This attack was certainly not the first, but the Korean student movement had formed in such a way that a large-scale street demonstration in Gwangju spontaneously took place after this incident. The mood swept across the whole country...
-------------------------
As a premise, the KDrama plays with the concepts of reincarnation and the concept of spirits remaining in near-earth realms after their death, until their unresolved past experiences are somehow redeemed. Both are popular motifs that are often picked up in KDramas. In this case, the producers have created a particularly beautiful and profound story, especially with regard to redemption. In 2017, the characters get a second chance, so to speak: they have the choice of whether they want to continue in their familiar pattern or make new decisions. There´s an opportunity to reconcile past guilt or open questions, to let go of the energy that still hangs in the past and to move on in the NOW. This aspect of time jumps is unabashedly and creatively juggled with an undeniable love for details. One of the protagonists, whose spirit since 1930 hasn´t been able to leave the earthly realms, becomes the connecting and driving force that knots both timelines. A special charm: The ghost from back then becomes a "ghostwriter" in 2017 when he meets his reincarnated comrades-in-arms. Another punchline: the title "Chicago Typewriter" is ambiguous, referring both to the typewriter as a "weapon" (with typed words) of the student underground movement, and to the Thompson machine gun - a rapid-fire weapon that was fashionable at the time, its nickname being areference to its characteristic rattling sound when launched.
As the story progresses, the rhythm of the present day being intertwined with the past - in the form of sudden memories or dreams - accelerates. The faster the time jumps, the higher the tension rises. It's actually going to be really dramatic, both in the past AND present...
In sum: the KDrama is giving you a clear idea of living under Japanese colonialism and of the resistance movement that rebelled against it. "Chicago Typewriter" is also a feast for the eyes in terms of fashion and equipment - both 2017 and 1930! "Chicago Typewriter" is first and foremost a moving story about friendship. And not to forget: a touching love story ...
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The original Present Perfect is a good film, albeit has a very serious tone. This director showed us how to top up a good movie and not suffer from sequelitis.
Toey is once again in his 'escape trip', and after four long years, Oat decided to show up and reconnect. If I may say, Oat and Toey both somehow managed to look 'hotter' than when they shot the first film. The hotel is the perfect romantic backdrop, and the new character - Jen - provided what i never expected to be a needed lightness to the story. Kenta was cute but a little bit underused.
Yes, the story isnt unique by any means but our connection with the characters kept it engaging. I like the fact that Toey isnt all that selfsih and is self aware of the damage he could cause. I am specially moved by how they handled the situation with Oat's wife. One thing that surprised me negatively is that they made Yumi a divorcee in the end, as i didnt think it was necessary.
Is it a must watch? No, not exactly, its not a waste of time but it is NOTunforgettable. Is it rewatchable? To be honest, no, once is enough. If you're curious, go see the first film before watching this. At least the subscription to gagaoolala (for that month) was made worthy because of this. Overall rating 8 out of 10 stars.
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Silenced
34 people found this review helpful
1This review may contain spoilers
Outstanding KMovie. Daunting. Blunt. Galvanizing. Impressively staged. Yet rather painful to watch
"Silenced" is a 2011 movie production. The KMovie is based on a book and this in turn is based on a true story that happened at Gwangju Inhwa School. For a change, it's not about bullying among students, but about repeated sexual abuse by teachers and school staff against their underage wards. In this case they were also deaf."Silenced" is an outstanding, moving film production - in several respects.
The story is impressively staged.
Horrendous abuse. Repulsive in its unbelievable brutality. Blunt.
There are the children left at the mercy of pitiless adults, left alone in their helplessness - speechless in every respect. What else can they hope for in this world?
There are the adults - the perpetrators and also those who knowingly close their eyes to injustice for their own benefit. (I have no idea what they do with their ears and their conscience, though...)
And there are the two protagonists - neither of them exactly the epitome of promising heroes...
With a top-class Gong Yoo, who personally and actively supported the filming of the story. He read the book during his military service. But it was only later that he found out that these were true events. He met with the author and the idea for the film was born. He embodies the main role of the initially quiet, perhaps somewhat wimpy, indecisive teacher; a widower and a father who is absent due to his job and who relies on his mother's support to look after his sick daughter. Yet, it is precisely this tangible, silently screaming human weakness of his character, his uncertainty in dealing with the unfathomable, his own initial shock of cautious, perhaps naive reserve that contributes to the authentic strength of the KMovie. (If the world were full of determined, courageous heroes, then there would be less such terrible incidents, repeatedly taking place over the years with impunity - like those in that South Korean boarding school for the deaf in Gwangju...or that Odenwaldschule in Germany, or far too many other schools worldwide.) The heroic in our protagonist must first be born and then grow. This is a process. Step by step, stumbling, helpless, hopeful and yet again discouraged, but then unbendingly getting up again - and finally on a path of no return...
The KMovie “Silence” is shocking.
Grim. At times it may be reminiscent of a horror movie like 'The Shining' or something similar. The story is daunting. Its social dimensions are sobering. There are hardly any words for this parallel world. What people are monstrously capable of... and then also: that time and again, in the face of blatant injustice, people let themselves be bought and silenced for their own benefit.
Nevertheless, the message at the end is (I think) quite wonderful: "...it makes me think, that the reason we are fighting so hard is not to change the world, but instead to not let the world change us." Resistance takes on an encouraging new dimension that doesn't have to give in, even in the face of a Goliath. Great!
The KMovie was and is galvanizing.
“Silenced” shook up the masses in 2011 in a spectacular way. Over 4 million horrified cinemagoers saw the movie, which was number 1 on the South Korean cinema charts for three weeks in a row. The book by Gong Ji-young was storming the bestseller lists.
What the regular jurisprudence was previously unable to do was actually subsequently made possible by the pressure of the shocked masses: 1.5 months after the KMovie was first broadcast, the so-called 'Dogani Law' was passed. (Dogani = "Crucible", the title of the book and film). Since then, the new law has suspended the statute of limitations for sexual abuse of people with disabilities and for rape of minors under the age of 13.
Therefore, some of the perpetrators at that school in Gwangju who had previously gotten off with lax sentences were subsequently summoned again and sentenced to long prison terms and/or electronic ankle bracelets.
Lastly, at least THIS school was closed.
Respect!
For taking up the issue.
For not giving up and thus using other means (a movie on the big screen).
For the sensitive handling of a tough topic.
For the often extremely unpleasant, painful, however nevertheless coherent film adaptation of a fantastic script.
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This review may contain spoilers
After having seen all the versions of Itazura na kiss existing (including the 1996 Japanese version), and particularly loved the “Love in Tokyo” version, saying I was waiting for this special would be an understatement. Though, I wouldn’t say my thirst was completely quenched. Let me explain.STORY (8). I won’t talk about the initial story here as I find it almost perfect. Still I want to comment some aspects of the special episode, and one in particular...
Until now, only the Taiwanese version has dealt with the honey moon (as I don’t recognize the Korean 7 minutes episode as a real adaptation), and as I thought the honey moon story was deserving a long episode (just like in TKA), I was really happy to see on the details the episode would last 3 hours… and here comes the trouble. I really found this special was too short, and most of all too HURRIED! I know announcing days is part of the “joke” with Mari-chan, but when the week ends up only being a list of days and short episodes, I only can be disappointed. I know the manga was like this too, but I found the liberties taken by TKA interesting, I wish love in Okinawa had taken some too!
(A detail that always annoys me in dramas… No one in the world kisses like that, please stahp…)
Bonus: As spoilers are forbidden, I won’t say too much, but I just LOVED the cross over, it made me laugh out loud, for real! (+1 for the music and the japanese by the way ~ !) [you’ll get it when you’ll see it].
ACTING/CAST (9.5). Miki is still a perfect Kotoko, cute, sweet, and… so in love! I discovered her in the first season, and couldn’t imagine a better actress to play this role. As for Naoki, I was a little disappointed as Yuki Furukawa acted the same way he did before Naoki and Kotoko’s wedding. I haven’t been able to see the love in his eyes for like ¾ of the episode. Sure Naoki Irie has to be Naoki Irie, but I was expecting at least a smile from time to time (Finally I’m just like Kotoko, I want him to love her so hard I can’t stand such a distant behavior, hihi).
MUSIC (7). The music is neither wonderful nor awful, I would say it was average. It was light, and perfect for the story. Though I didn’t appreciate the fact that there was music during all the episode, to my mind, the ost is here to improve the story, to accompany it and make it more alive. I had the feeling it was always trying to catch the attention. Seriously, some moments and some dialogue need their silence.
On the other hand, I HAVE to put a stress on the opening, because I just found it really cute, colorful, and loved the music. I’m listening to it again right now!
*43 minutes of re-watching, please wait…*
REWATCHING (8.5). After watching it again, I feel split between my first feelings, for some stronger than ever, and the joy of discovering things I had missed or misunderstood the first time (subtitles didn’t work and my Japanese isn’t that perfect).
Though I have to correct some things I wrote before. There ARE moments when Naoki smiles, even if they are discreet and short (watch out!). As for the music, it’s well and truly omnipresent, BUT it’s not that bad, as it stays behind the story, and it’s not that bothering finally.
OVERALL (8.5). I had a great time watching this, without any doubt, even the second time. The Itakiss series are parts of my favorite dramas ever, which explains the high score I gave (after all) and… why I was so critical :p. Though, as explained, my disappointment is real… maybe I was expecting too much from it? I have to admit I spent all the summer waiting for it to air, while expecting the Japanese version to go further than the Taiwanese (and obviously the Korean)… Well, after all, I still love it! To conclude, I would even say, hmmm…. WHEN IS THE SEASON 2 COMING OUT?? (pliz ;_;)
P.S. Sorry for the length of the review, I think I was inspired. It’s my first review here, so don’t hesitate, and comment !
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This review may contain spoilers
Epic and action are by a humorous ribbon tied together in a touching, gripping way. Go for it!
Set in a jaunty kaleidoscope of relationships, friendships, brothers in arms, blood ties, loyalty, heroism and heartbreak, the time of King Yeongjo, Crown Prince Sado and King Jeongjo is epicly (for a 2011 series production) portrayed."Warrior Baek Dong Soo" is full of fun, martial arts and of course: drama. There is politics, too, yes, butteh KDrama is definitely more on the drama and action side. I benevolently ignored some daring storytelling details and the selectively very optimistic choreographic freedom in the heroic staging. "Warrior Baek Dong Soo" balances between history and entertainment, between epic scope and personal tragedy, between deep, dramatic emotionality and airy, playful, humorous, good mood. The KDrama finds a rousing swell, in which the emotional waves are allowed to splash from all directions - with a story that sails between historically memorable facts, legendary heroes, steep (but by no means absurd) hypotheses, and colorful dramaturgical freedom. It offers great entertainment thanks to an exceptionally strong presence of all actors - whether young or old.
Baek Dong-soo himself is wonderfully portrayed by Yoo Jin-goo (young) and Ji Chang-wook (adult) in the sense of a largely impulsive jester who wears his heart on his sleeve. On the other hand, there is the introverted, somehow tragic, always serious and withdrawn Yeo Woon (Yoo Seung-ho as an adult and Park Gun-woo as a boy). The demanding life of the young warriors is sweetened by the unique charms of Hwang Jin-joo (cheeky, tomboyish: Yoon So-yi) and Yoo Ji-sun (stoic, reserved: Shin Hyun-bin). The by now veteran acting legend Choi Min-su as assassin lord in gothic style gives his very personal flavor throughout the 29-episodes long ride through time. And quite a few more there are.
In this KDrama it is rather the dramatic love story and love triangle of the older generation that pushes itself emotionally to the fore than that of the younger generation. This is probably due to the fact that Baek Dong-soo's generation is more dominated by humor and a cheeky mouth that wants to take on fate, while the older generation is dominated by the decades-long heavy burden of overwhelming life experience.
The historical hook of "Warrior Baek Dong Soo" is (as the title suggests) Baek Dong-soo, who went down in history as a heroic swordsman legend. He was one of three authors of the 'Muye Dobo Tongji' (= Illustrated Manual of Martial Arts), which is now officially classified World Heritage. This four-volume work summarizes the common weapon techniques of the Joseon period. (The book gained its extraordinary importance as a rare, valuable historical source on military affairs and Joseon martial arts, since older works fell victim to the destructive Qing invasions from the north.) However, swordsman Back Dong-soo first of all became legendary because he repeatedly saved King Jeongjo from being assassinated. And this juxtaposition of swordsmen serving the king versus assassins serving a however motivated client, originally inspired the 2010 KDrama comic entitled Honorable Back-Dong-soo.
The KDrama "Warrior Baek Dong Soo" thus also contrasts swordsmen and assassins - in terms of their ethics, their loyalty, their code, their mission, their training, their emotional world. This ambivalent and tragic dynamic makes the 29 episodes going and the time spent watching it worthwhile. They are so similar and yet they are worlds apart. One has to protect, the other has to kill. And yet, he who kills also protects. And yet, he who protects also kills. Both are henchmen. Both give everything. Risk everything. They're simply on different sides. Depending on the situation, the act of the swordsman is considered correct and honorable, while that of the assassin is considered a crime and vile. In my opinion, the KDrama reveals one of its strongest moments in the emotional explosiveness of the fatal bond between the first swordsman and the leading assassin lord (each of their own generation). They are so close emotionally and yet they live in different worlds: One in the light open, the other in secret. In tried and tested KDrama manner, the 'bad guys' (assassins) once again - despite the concentrated ambivalence of their characters - play their way taciturnly, but effectively into the hearts of the audience.
The framework for the plot is in beautiful continuity provided by sword fights and political intrigues. The flesh is made of fatal, ambivalent, intense relationship ties and feuds between the protagonists. History sets the direction. Epic and action are by a humorous ribbon tied together in a touching, gripping way. Go for it!
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Historical SIDE NOTE: --- Yangban of Joseon in the 18th century between conservative thinking and reformist, modern impulses. ---
The historical background of KDrama is shaped by three memorable decendants of the Joseon Dynasty. King Yeongjo, who holds the record-breaking 52-year reign on the throne, Crown Prince Sado, who went down in history as a tragic, possibly greatly misunderstood figure, and his son, who contributed to peace and prosperity as King Jeongjo. In addition to the serious efforts of the two kings for stability and progress, there are the divided camps among the nobles who fight by all means for their supremacy in political and social affairs.
Between 1674 and 1689 the Namin (Easterners) steered the administration of the country in their interests, followed by the Seoin (Westerners), who then entangled their position of power in disputes: the Noron representing the old, strict, conservative neo-Confucian doctrine and the Soron fighting for a new, modern, reformist, practice-oriented doctrine (Sirhak). It was probably King Yeongju's merit that despite the massive differences, the balance of power between the camps was well balanced for a long time. However, the price he had to pay for reasonably stable living conditions in the empire was his son, Crown Prince Sado, who favoured modern teaching and thus provoked the Noron. At least that is how one historical theory interprets the dramatic events surrounding Sado, who is said to have died locked in a box. The KDrama follows this theory (and not the annals, that present Sado as falling into insanity that could no longer be curbed, or a third theory that suspects a massive father-son conflict as the cause).
So, in line with the theory, which sees Sado as a progressive, reformist spirit, who wants to liberate his country from the supremacy of the Qing, "Warrior Baek Dong Soo" tells the story of the loyal followers of the ruling family, who are skilled in martial arts, and how King Jeongjo wants to live up to his father's modern visions. In doing so, with an open attitude the young king, too, always chose a balance and thus continued the proven political strategy of his grandfather, who in doing was able to stay alive more than half a century. In this way, King Jeongjo succeeded in the 24 years of his reign between 1776 and 1800 in building the Hwaseong Fortress as the center of his reign, in advancing education and science, in optimizing national defense and in creating the Royal National Library of Gyujanggak. However, he could never be sure of his life... at least seven assassination attempts alone during his first year in power are historically recorded. ... A striking reflection of the massive resistance against the attempted modernization of thinking in Yangban circles.
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This review may contain spoilers
Showing simple normalcy for generations of SK women being gagged&bound by society's endemic sexism
"Kim Ji-young: Born 1982" puts every die-hard Korea fan through their paces: how far does the love for country and culture actually go? The KMovie also does away with any illusion surrounding romanticized and socially idealized yearnings that revolve around the concept of 'in love-engaged-married-happy family'."Kim Ji-young: Born 1982" broke the 2 million mark worldwide as a bestseller (by author Cho Nam-joo). It is also considered the most borrowed book in two consecutive years after publication. The KMovie was also extremely successful. In South Korea, between October 2019 and November 2020 around 3.6 million people went to the movies to watch. In addition, numerous prizes were awarded throughout Asia.
Calmly, unagitatedly and almost objectively distant, the camera focuses on the ordinary life of a typical South Korean woman, wife and mother in her 30s. Actually, she doing quite well. We accompany her in her everyday life between laundry and kindergarten, with her (actually quite attentive, loving) husband, with her in-laws, with her family of origin, with friends, with flashbacks of her childhood and at work, and finally with the therapist. This could all be any live of many a South Korean woman. That's not special at all. It's so cruelly normal that it even hurts. By showing simple normalcy, the story also becomes an outcry for several generations of women gagged and bound by society's endemic sexism.
Gagged and tied up by such a conservative, rigid, discriminatory socialization that is literally burned into flesh, so hardly anybody even considers alternative role models and self-images. There is a lack of role models that give women something like self-love and self-confidence that go beyond identifying with role expectations by family and society. Women somehow grow up as prisoners of those restrictive expectations - in a prison with doors, that technically are not closed, yet in practice barricaded by the mercilessly experienced sexism since early childhood. Accordingly, there is a lack of awareness of human dignity beyond gender roles. For women and men alike. And as we all know, such awareness would be the first path to any change...
In this respect, "Kim Ji-young: Born in 1982" holds up a merciless mirror in a calm, objective and non-judgmental manner, which focuses on the great evil that everyone simply takes for granted. Apparently, around 68 percent of cinemagoers were women. At least, the other 32 percent were men, supposedly.
In one of the last scenes, (which, like all the others in the film, gains its power from the simple, unquestioned und yet unbelievable normality) the underlying emotional muteness is finally allowed to speak up - not loudly and rudely though, but objectively subjectively and, despite all the justified anger, consistently in all modesty calmly, too.
In the face of the spilled coffee, instead of accepting the comments and accusations of her social environment with shame, concern and apologetic words, the FL has her outspoken objections. She eventually stands up for herself... actually, you should think, quite simply, as if it were a matter of course. And yet: downright unheard of. Because: Shameless in the best sense of the word... she no longer lets others shame her for what and who she is. She is slowly but surely developing a somewhat healthy approach to her own self-confidence as a person with self-worth and self-love beyond gender - a person who cannot be reduced by tradition to just a family concerned role concept within a hierarchical society. From this, the FL nurtures a new attitude towards those who traditionally believe they have more value in the social ranking.
Just a comparatively small, handy book; just a two hour movie. The story of Kim Ji-young, born in 1982, has sparked a lot of discussion throughout South Korea. The common, everyday (South Korean) madness shown knows how to touch and quietly infuriate. For me in faraway Germany, too, the KMovie wasn't boring for a minute.
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--- Outlook ---
'If everyone would act up like that... where would we end up?' - In this sense, the book and the film also led to a horrified outcry within conservative circles in the country. The main actors in the KMovie, for example, had to endure hateful comments for even taking part in it. Just this factual inventory of normal madness of just about every woman in the supposedly modern, innovative South Korea got conservative minds going...
...on the other hand, women affected finally received the balm of cross-class compassion, which for a moment opened up the space for solidary, cross-generational sisterhood. As insignificantly common and simple as Kim Ji-young, born in 1982, may be, the social impact was equally great - the consistently overlooked, completely disregarded reality that has been systematically carried out for countless generations out of principle and tradition, discrimination against (in this specific case) South Korean women.
South Korean society is already shrinking. Earlier than expected. And much faster than expected. No wonder.
Women born in the 1980s by now increasingly began to feel painful about their corsets. A milestone!
Those who were born in the 1990s and 2000s, some among them started to increasingly openly dare to actively shake up the social corset - simply by no longer accepting their 'certain' female role. Another milestone!
However, there is still a long way between shaking up and breaking out or even redefining. Eventually, women can only take this step together with men, who also urgently need to work on their role models, their attitude towards women and a new social self-image. Only then can the shrinking of South Korean society be stopped - a shrinking that, in my eyes, is an expression of a massive imbalance between innovative, turbo-capitalist high-speed in the global fast lane on the one hand, and an ignorant, sexist conservatism on the other, which acts like a lead foot screwed onto the brakes. Nevertheless, growing forces are apparently pushing for an urgently needed, integral, truly progressive transformation of existing values.
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This drama deals with serious matters such as divorce, remarriage, single parenthood, family problems and so on, however everything is told in a really peaceful way and it's what makes this drama so interesting and appealing in my opinion, I kept thinking and questioning myself about all those issues that are generally hard to talk about and more importantly to handle. I always appreciate when a drama doesn't only give me entertainment but also intellectual nourishments.
Obviously what truly made me love this drama was the deep and powerful friendship between Luo Zi Jun and Tang Jing and also the growth of characters and they all evolved either from bad to good or good to bad, it was truly convicing and realistic.
Regarding Zi Jun/Tang Jing's friendship, I absolutely loved their poised, calm and mature personalities, they truly complement each other, Tang Jing is more emotive and full of pride while Zi Jun is more calm and strict but when they're together, they look so happy, jovial and relaxed. I have to say that Tang Jing left a big impression on me, she's such a true, selfless and sincere friend and she would absolutely do anything for her friend in need, she doesn't care about what others may think , she just does what she thinks is the best for Zi Jun, and always helps her even when she's extremely busy, that's how good she is. Their friendship to me feels so real and friends like Tang Jing are rare, it's just sad she's too proud. And this quote tells how Tang Jing in Zi Jun's heart means everything "I don't know what character or abilities I have that bestowed me such a great friend, who shares my happiness with me, carries my troubles for me. If in this world there are others who I can't be unworthy of, who I can't disappoint, then Tang Jing is certainly the most important one of all", it truly moved me.
Now I'll move on to the characters and I have to say they were all superbly beautifully presented, there are some I disliked obviously and they infuriated me so much but the actors did such an amazing job portraying them, I mostly think of Ling Ling, and JunSheng (though he wasn't really detestable) for example and anyway without them the drama wouldn't be this much stimulating and engaging. I can only praise all of them, I must admit that what got me truly interested in the drama was the atypical synopsis and the title really caught my attention too, but also seeing that Jin Dong was one of the leads was a great plus for me as I do really admire him as an actor, he was outstanding as always but I wasn't too fond of his character "He Han" though He Han is always full of great advice, so smart and rational, and someone we can rely on, but apart from that I didn't feel much for him but still it was another breathtaking performance by Jin Dong. However my revelations with this cast were Yuan Quan and Ma Yi Li and "The First Half of My Life" was my first drama with them and will definitely not be the last. They both played two fascinating characters but Zi Jun is the one that had a bigger impact on me, it was so beautiful seeing the Luo Zi Jun from the beginning who's a naive, frivolous, insecure, vulnerable woman growing into a responsible, independent and calm woman and at that a woman who doesn't show any of her insecurities/shortcomings in front of strangers and what I liked is that she knows how to seperate her private from her professional life. Ma Yi Li was simply mind-blowing as Zi Jun, truly gorgeous, classy and ravishing; such a delight *.*.
I'll briefly mention one character that made me smile a lot, I know that Zi Jun's mother is a little bit too nosy and annoying, I just couldn't help but like her, she's a pure bundle of energy and I think we do need people like her in our life, someone who'll cheer for us and bring only positive energy when we are so down, that's why I liked her so so much. The rest of the cast was nice as well, I particularly liked the interactions between Old Zhuo, the Jiang Zi's owner and He Han but I have nothing much to add about the rest, though they all had significant roles.
I won't add much about the drama nor the several topics it deals with as I think it's better to watch to see for yourself but one thing I loved in this drama is the realisation, it's so gorgeous and realistic and I particularly loved the flashbacks in black and white which in my opinion intensify some of the most powerful and touching scenes, the settings and sceneries (aaaw that Jiang Zi restaurant *.*) were also beautiful and I truly enjoy watching these dramas that take place in Shanghai, the views are always stunning.
A drama I fully recommend to everyone even to non Cdrama lovers as it deals with actual topics that might be interesting to others who are looking for something more realistic with a touch of slice of life.
As for the rating to be honest I was really hesitating between an 8.5 and a 9 because eventhough I loved this drama and I consider it to be the best drama of 2017 until now and definitely in my top 3 best Chinese modern dramas I was expecting something a little bit different for the second part of the drama but the ending was so satisfying that I decided to go for a 9 and anyway it was such a great show, seriously I already miss all of them, especially Zi Jun.
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First let me start with saying that this drama is not perfect, it has its flaws, but the awesomeness will make you forget about anything else. It has an amazing cast, engaging story, and it just the right amount of romance and comedy to keep you glued to the screen.
THE CAST
You'll fall in love with the sassy, witty, and intelligent FL. She'll make you want to strangle her at times because she's just too curious and reckless at times and keeps getting into these dangerous situations. BUT in her defense she's an archaeology student who suddenly finds herself transported back in time to her favorite time period, as a history nerd myself I cannot judge.
The ML omg how can I describe this ball of fluff. He's just so precious, she drives him to the brink of madness and back but he can't just stay angry at her. His love is the purest thing.
There's is just too much to say about the supportive cast, second leads included. One thing for sure is that the acting is top-notch and this drama would not be half as good as it is without these amazing actors.
The main antagonist is not evil as portrayed by most dramas, that give you a Disney-like villain that is bad because that's just his only character trait. This guy has so many layers. He loves, he hates, he can be honest, he lies, he can be sweet, and he's pitiful. His major flaw is his greediness, though.
THE STORY
Not much to say besides that you'll learn a ton of Thai history. The drama setting is in a real time period with real characters that lived 300 years ago. This is the reason why the drama gets a little political at times but it's never overwhelming which often happens with Cdramas and Kdramas with historical setting. One thing I greatly appreciated is that the FL did not interfere with history. She let the events take their natural course, even if it broke her heart because some things were just sad but inevitable.
FINAL THOUGHTS
Watch this drama when you have time to binge it because it will suck you in. It is 15 episodes but they are 2 hours long which is 30 hours. I completed it in less than 3 days. It's 9:30 am right now and I haven't slept xD but it's oh so worth it.
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It feels like I was listening to a lovely song
This has been one of my most anticipated Korean movies ever since I saw the Cast line-up. So, I finally watched it and this totally reached my expectations. Infact, I feel empty now. I wanted more of this!A Year End Medley is simple yet overwhelms us with a bitter-sweet pleasure.
The movie starts from a full festive vibe where Seo Kang Joon is singing the Christmas song "Jingle bells, jingle bells… jingle all the way…" and everything is in like a happy to go state. Everyone can be seen gearing up for Christmas and finally when Christmas comes, we come across the other side of the coin. When most of the people are excited for Christmas and New Year with their friends or families, there are yet many people who have their own problems and loneliness to deal with… that's when this takes us on a "little" deeper ride but as the year finally ends, gladly everyone finds a "New Hope" in their life. It's like inspiring us to keep going on.
There are actually 5 different stories which are intermingled to each other. All characters were lovable. Yes! No negative or annoying character which makes this such a light watch. My favorite character was "Sang Hoon" (acted by Lee Kwang Soo) ~ a selfless, dedicated manager who supported a singer when he was in his down, he could have left him and signed up someone else but he became his pillar and made him a big star, when he was really popular, he didn't even try stoping him from signing into a bigger company so that he can get more opportunities. I loved how selfless and caring he was. They had a brother like bond which was truly precious to see. Infact, all 5 stories were special in their own way.
The Cast was the major factor that attracted me here and they all did a great job acting their own parts especially the Old duo – Lee Hye Young ( as Katherine ) and Jung Jin Young ( as Sang Gyu ) were great presenting a touching love story. It was the top notch acting that made this movie more memorable.
The best part of this movie is that it made us experience so many wide emotions in just two hours. All 5 stories gave me something. Then, the OST. Beautiful songs that match the situations. I didn't even realize how fast my two hours went and I was already done watching this movie. It's like a smooth ride perfect for a evening watch. I watched it alone this time but I would like to rewatch this with my family later…
Overall, just a bunch of ordinary stories wrapped up in colourful flavours which should be watched at least once.
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When a Cheeky Bastard Meets a Goody-Two-Shoes
It's absolutely ridiculous, cheesy, makes you scratch your head and ask why, self-obsessed with a mix of laughingly-bad-side-character-acting, a dash of awkward fight scenes, a healthy dose of suits and abs in rags, chemistry that chemistrys, leads that act like the rent was due two months ago and the power bill is coming in the mail on Monday, and, above all, just a shit ton of fun.When you have a drama with nonsense characters, over-the-top plot points, and cheap effects that is self-aware of its soap-operaness and also has a main romance with sizzling chemistry and sly grins from both parties (one more mischevious Cheshire-cat and foxy than the other though), you have yourself some quality entertainment.
I had a blast not only watching this but pondering what could possibly be awaiting me in the newest episode.
My recommendation? Pop some popcorn, kick your feet back, hit play, and have a good time.
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The only alternative of MGIAA is MGIAA itself
MGIAA (My girlfriend is an alien) is one of the most popular Chinese modern dramas amongst the international fans . I really didn't have that much hopes for it cause most of the time second season can't beat season one.But this one did.Yes the storyline of season two is better than season one.Actors Bie ,Wan Peng,Wang You Jun all did an excellent job again.Especially Bie.The part he portrayed to show the sweeter part of Fang Leng alongside the cold part of that character just melted me.He has become more cuter .Second lead couple is not annoying at all . They are so adorable. Since this types of push and pull romance are one of my favorite genre so after watching first season about 3 years ago I have tried a lot of sweet rom com,but not a single rom com couldn't replace it . Finally season two replaced or suppressed it. Sweeter enough.The cinematography and visual effects were so much better than previous season.Feel the same chemistry between leads . This is a must for sweet rom com lover.A lot of scenes make me feel that the romance in this drama is nothing but magical .Not a single boring moment.Very heart warming, fluffy,funny. Just loved it.The main difference between first and second season ~ First season basically focused over Fang Leng's amensia and sweet romance.While second season basically focused over love, relationship, romance.This season give a lot of informations of relationships.This drama is a full package tips to get into a relationship .It is a must for current and future lovebirds to get some tips .And the good thing is second season didn't focus over Fang Leng's amensia part that much.It is a plus point for me. The only thing that bothered me in the whole drama is the new third wheel character "Jiang Shiyi". But his parts are not that much before the last 10 episodes so his irritating part is quite negligible.
Warning ~~~ The amount of sweetness is too much to handle for singles.
My one and only request that never judge this drama without completed it,you are gonna miss a lot of twists.
Ignore my grammertical mistakes please.
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This review may contain spoilers
Korea once again delivered.
The poster captivated me into watching this and I couldn’t find the right words to describe the series as a whole – it was not perfect but far from bad. I do not know why but it feels like something is missing throughout watching. I wasn't that hooked up, unlike the other ones that I've watched. One thing is for sure, Korea served us one great plot.For the story, I do not have anything much to say. It was cute and somehow fluffy. Once again, I like to point how most Korean BLs including this one stays away from a school setting. I love how each series produced by Korea explores or tackles a unique plotline. Far from cliches and third parties whatsoever. And given that Korea or most Koreans are conservative, I loved how they didn’t incorporate the idea of homophobia throughout the series, it felt like they were in a world without judgement. The story is cohesive.
I like how they incorporated dancing into the story. The character’s lives were completely opposite but they found the right spot to meet in the middle and change each other. The pacing was quite good given that the length of the whole series is just like a movie. They didn’t put unnecessary scenes as fillers to make it longer and they maximized the time they have to deliver a considerably good series.
The actors fit their roles, not to mention their visuals. But in terms of skills, they were able to portray their character nicely, I am satisfied with how they executed emotional scenes, it didn’t feel awkward at all. It seemed natural.
I do not have any comments about cinematography, camera angles, OSTs, and other technical aspects, they were okay to me.
Overall, this is a good watch if you do not have anything much to do. Korea once again delivered a good one. The title really fits the story because they do make each other’s heart dance.
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Okay..now on to the substance: The other day at work I was describing to a friend the premise of this show. She does not watch any Asian Drama...but now she wants to watch Love Shuffle. I haven't seen a premise where 4 people meet, discussing love and its woes then decide to play a game where they shuffle partners. All of these people are pretty flawed, some way more than others. Each has their own motive for participating; some reasons are benign, some...not so much. Each character is written slightly off from normal which made them seem more real. Does that make sense?
It was fun watching the partners switch and wondering who would end up forming connections. Each partnership and how people related to each other kept me interested all through the drama's run. This show is unconventional which just gives me the warm fuzzies.
At 10 episodes the great thing about Love Shuffle is the story is tight. No room for filler and fluff.. 10 is all you get and the writer and director did a good job of making 10 all you need.
Watch Love Shuffle. It's grown up, it's silly, it's quirky and strange...And those are the elements that make it pretty Kick Butt!
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