Reviews

Well, the description for this says it all so I won't repeat it.

STORY: This story isn't about BL, really. It's about broken families of two boys who became friends but moved away and met again later in life and rediscover their feelings towards each other. This story is so great but you probably will not like the ending. It made me sad for quite a while. While it is not a tragic in the sense of someone dying, but a realistic choice that one of the guys had to make, to put his family before himself. That's life.

ACTING/CAST: The boys were young and the older versions still young, but I felt they did a good job. They are cute together.

MUSIC: Since one is a musician, this show had some real good songs. The love song Mew sings was translated (yay!) and the lyrics melt the heart.

REWATCH VALUE: I could not watch this a second time without having a friend with me.

OVERALL: This movie has many warm and fuzzy spots as well as some soul-crushing sad spots, but I believe it was worth the ride. Don't pass this one up because of the ending. You would be missing out on a good story.

TL;DR: A great story about love, loss, family, love rediscovered, and love sacrificed. Worth the trip. Bring tissue for the tears.

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Lee Hye-young and her role operate as backbone and heartbeat of this KDrama

"Kill Heel" is set in the milieu of teleshopping. The pace is leisurely, calm. The light is dimmed sort of. The focus is on 3 women. Their heels are dizzyingly high.

At first, the story leaves the audience feeling a bit lost. Just one thing is obvious: the competition in the production company is extremely tough. But over time, the three protagonists get more profile and the story heads in it´s direction.

The driving force that really makes the KDrama worth seeing is, above all, veteran Lee Hye-young, who has experienced a real revival in recent years. Here, in the ambivalent character of Gi Mo-ran, she gave another marvellous performance! In my eyes she (and her role) operate as backbone and heartbeat of this KDrama

It's about intrigues, struggle for survival, hurt feelings and old traumas. The relationship dynamics between the 3 women intelligently intertwine and dissolve in a subtle but unexpected way.

"Kill Heel" has a very unique look and feel to it and comes along with a peculiar pull effect. There is suspense, but at the same time the suspense isn't setting the tone. Sometimes something seemingly builds up, but then everything is completely different again. And after 14 episodes it's over. What a pity, actually...

------ SIDE NOTE: ---Teleshopping---
I wasn't really aware of the impact of teleshopping until now. In Europe within homeshopping Germany is the leader, when it comes to sales figures through teleshopping (compared to online-shopping) . In South Korea, teleshopping accounts for almost 50 percent of home shopping. Similar to sales parties in private circles (Tupper & co.), teleshopping thrives on impulse purchases and customer loyalty, which are promoted by a harmonious, interactive, relaxed sense of community. Within the virtual television community, it is the presenters who foster this intimacy with their virtual customers. Women in particular buy in teleshops.

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What happens when you reconnect with the one that got away?

The original Present Perfect is a good film, albeit has a very serious tone. This director showed us how to top up a good movie and not suffer from sequelitis.

Toey is once again in his 'escape trip', and after four long years, Oat decided to show up and reconnect. If I may say, Oat and Toey both somehow managed to look 'hotter' than when they shot the first film. The hotel is the perfect romantic backdrop, and the new character - Jen - provided what i never expected to be a needed lightness to the story. Kenta was cute but a little bit underused.

Yes, the story isnt unique by any means but our connection with the characters kept it engaging. I like the fact that Toey isnt all that selfsih and is self aware of the damage he could cause. I am specially moved by how they handled the situation with Oat's wife. One thing that surprised me negatively is that they made Yumi a divorcee in the end, as i didnt think it was necessary.

Is it a must watch? No, not exactly, its not a waste of time but it is NOTunforgettable. Is it rewatchable? To be honest, no, once is enough. If you're curious, go see the first film before watching this. At least the subscription to gagaoolala (for that month) was made worthy because of this. Overall rating 8 out of 10 stars.

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After having seen all the versions of Itazura na kiss existing (including the 1996 Japanese version), and particularly loved the “Love in Tokyo” version, saying I was waiting for this special would be an understatement. Though, I wouldn’t say my thirst was completely quenched. Let me explain.

STORY (8). I won’t talk about the initial story here as I find it almost perfect. Still I want to comment some aspects of the special episode, and one in particular...
Until now, only the Taiwanese version has dealt with the honey moon (as I don’t recognize the Korean 7 minutes episode as a real adaptation), and as I thought the honey moon story was deserving a long episode (just like in TKA), I was really happy to see on the details the episode would last 3 hours… and here comes the trouble. I really found this special was too short, and most of all too HURRIED! I know announcing days is part of the “joke” with Mari-chan, but when the week ends up only being a list of days and short episodes, I only can be disappointed. I know the manga was like this too, but I found the liberties taken by TKA interesting, I wish love in Okinawa had taken some too!
(A detail that always annoys me in dramas… No one in the world kisses like that, please stahp…)
Bonus: As spoilers are forbidden, I won’t say too much, but I just LOVED the cross over, it made me laugh out loud, for real! (+1 for the music and the japanese by the way ~ !) [you’ll get it when you’ll see it].

ACTING/CAST (9.5). Miki is still a perfect Kotoko, cute, sweet, and… so in love! I discovered her in the first season, and couldn’t imagine a better actress to play this role. As for Naoki, I was a little disappointed as Yuki Furukawa acted the same way he did before Naoki and Kotoko’s wedding. I haven’t been able to see the love in his eyes for like ¾ of the episode. Sure Naoki Irie has to be Naoki Irie, but I was expecting at least a smile from time to time (Finally I’m just like Kotoko, I want him to love her so hard I can’t stand such a distant behavior, hihi).

MUSIC (7). The music is neither wonderful nor awful, I would say it was average. It was light, and perfect for the story. Though I didn’t appreciate the fact that there was music during all the episode, to my mind, the ost is here to improve the story, to accompany it and make it more alive. I had the feeling it was always trying to catch the attention. Seriously, some moments and some dialogue need their silence.
On the other hand, I HAVE to put a stress on the opening, because I just found it really cute, colorful, and loved the music. I’m listening to it again right now!

*43 minutes of re-watching, please wait…*

REWATCHING (8.5). After watching it again, I feel split between my first feelings, for some stronger than ever, and the joy of discovering things I had missed or misunderstood the first time (subtitles didn’t work and my Japanese isn’t that perfect).
Though I have to correct some things I wrote before. There ARE moments when Naoki smiles, even if they are discreet and short (watch out!). As for the music, it’s well and truly omnipresent, BUT it’s not that bad, as it stays behind the story, and it’s not that bothering finally.

OVERALL (8.5). I had a great time watching this, without any doubt, even the second time. The Itakiss series are parts of my favorite dramas ever, which explains the high score I gave (after all) and… why I was so critical :p. Though, as explained, my disappointment is real… maybe I was expecting too much from it? I have to admit I spent all the summer waiting for it to air, while expecting the Japanese version to go further than the Taiwanese (and obviously the Korean)… Well, after all, I still love it! To conclude, I would even say, hmmm…. WHEN IS THE SEASON 2 COMING OUT?? (pliz ;_;)

P.S. Sorry for the length of the review, I think I was inspired. It’s my first review here, so don’t hesitate, and comment !

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Epic and action are by a humorous ribbon tied together in a touching, gripping way. Go for it!

Set in a jaunty kaleidoscope of relationships, friendships, brothers in arms, blood ties, loyalty, heroism and heartbreak, the time of King Yeongjo, Crown Prince Sado and King Jeongjo is epicly (for a 2011 series production) portrayed.

"Warrior Baek Dong Soo" is full of fun, martial arts and of course: drama. There is politics, too, yes, butteh KDrama is definitely more on the drama and action side. I benevolently ignored some daring storytelling details and the selectively very optimistic choreographic freedom in the heroic staging. "Warrior Baek Dong Soo" balances between history and entertainment, between epic scope and personal tragedy, between deep, dramatic emotionality and airy, playful, humorous, good mood. The KDrama finds a rousing swell, in which the emotional waves are allowed to splash from all directions - with a story that sails between historically memorable facts, legendary heroes, steep (but by no means absurd) hypotheses, and colorful dramaturgical freedom. It offers great entertainment thanks to an exceptionally strong presence of all actors - whether young or old.

Baek Dong-soo himself is wonderfully portrayed by Yoo Jin-goo (young) and Ji Chang-wook (adult) in the sense of a largely impulsive jester who wears his heart on his sleeve. On the other hand, there is the introverted, somehow tragic, always serious and withdrawn Yeo Woon (Yoo Seung-ho as an adult and Park Gun-woo as a boy). The demanding life of the young warriors is sweetened by the unique charms of Hwang Jin-joo (cheeky, tomboyish: Yoon So-yi) and Yoo Ji-sun (stoic, reserved: Shin Hyun-bin). The by now veteran acting legend Choi Min-su as assassin lord in gothic style gives his very personal flavor throughout the 29-episodes long ride through time. And quite a few more there are.

In this KDrama it is rather the dramatic love story and love triangle of the older generation that pushes itself emotionally to the fore than that of the younger generation. This is probably due to the fact that Baek Dong-soo's generation is more dominated by humor and a cheeky mouth that wants to take on fate, while the older generation is dominated by the decades-long heavy burden of overwhelming life experience.

The historical hook of "Warrior Baek Dong Soo" is (as the title suggests) Baek Dong-soo, who went down in history as a heroic swordsman legend. He was one of three authors of the 'Muye Dobo Tongji' (= Illustrated Manual of Martial Arts), which is now officially classified World Heritage. This four-volume work summarizes the common weapon techniques of the Joseon period. (The book gained its extraordinary importance as a rare, valuable historical source on military affairs and Joseon martial arts, since older works fell victim to the destructive Qing invasions from the north.) However, swordsman Back Dong-soo first of all became legendary because he repeatedly saved King Jeongjo from being assassinated. And this juxtaposition of swordsmen serving the king versus assassins serving a however motivated client, originally inspired the 2010 KDrama comic entitled Honorable Back-Dong-soo.

The KDrama "Warrior Baek Dong Soo" thus also contrasts swordsmen and assassins - in terms of their ethics, their loyalty, their code, their mission, their training, their emotional world. This ambivalent and tragic dynamic makes the 29 episodes going and the time spent watching it worthwhile. They are so similar and yet they are worlds apart. One has to protect, the other has to kill. And yet, he who kills also protects. And yet, he who protects also kills. Both are henchmen. Both give everything. Risk everything. They're simply on different sides. Depending on the situation, the act of the swordsman is considered correct and honorable, while that of the assassin is considered a crime and vile. In my opinion, the KDrama reveals one of its strongest moments in the emotional explosiveness of the fatal bond between the first swordsman and the leading assassin lord (each of their own generation). They are so close emotionally and yet they live in different worlds: One in the light open, the other in secret. In tried and tested KDrama manner, the 'bad guys' (assassins) once again - despite the concentrated ambivalence of their characters - play their way taciturnly, but effectively into the hearts of the audience.
 
The framework for the plot is in beautiful continuity provided by sword fights and political intrigues. The flesh is made of fatal, ambivalent, intense relationship ties and feuds between the protagonists. History sets the direction. Epic and action are by a humorous ribbon tied together in a touching, gripping way. Go for it!







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Historical SIDE NOTE: --- Yangban of Joseon in the 18th century between conservative thinking and reformist, modern impulses. ---

The historical background of KDrama is shaped by three memorable decendants of the Joseon Dynasty. King Yeongjo, who holds the record-breaking 52-year reign on the throne, Crown Prince Sado, who went down in history as a tragic, possibly greatly misunderstood figure, and his son, who contributed to peace and prosperity as King Jeongjo. In addition to the serious efforts of the two kings for stability and progress, there are the divided camps among the nobles who fight by all means for their supremacy in political and social affairs.

Between 1674 and 1689 the Namin (Easterners) steered the administration of the country in their interests, followed by the Seoin (Westerners), who then entangled their position of power in disputes: the Noron representing the old, strict, conservative neo-Confucian doctrine and the Soron fighting for a new, modern, reformist, practice-oriented doctrine (Sirhak). It was probably King Yeongju's merit that despite the massive differences, the balance of power between the camps was well balanced for a long time. However, the price he had to pay for reasonably stable living conditions in the empire was his son, Crown Prince Sado, who favoured modern teaching and thus provoked the Noron. At least that is how one historical theory interprets the dramatic events surrounding Sado, who is said to have died locked in a box. The KDrama follows this theory (and not the annals, that present Sado as falling into insanity that could no longer be curbed, or a third theory that suspects a massive father-son conflict as the cause).

So, in line with the theory, which sees Sado as a progressive, reformist spirit, who wants to liberate his country from the supremacy of the Qing, "Warrior Baek Dong Soo" tells the story of the loyal followers of the ruling family, who are skilled in martial arts, and how King Jeongjo wants to live up to his father's modern visions. In doing so, with an open attitude the young king, too, always chose a balance and thus continued the proven political strategy of his grandfather, who in doing was able to stay alive more than half a century. In this way, King Jeongjo succeeded in the 24 years of his reign between 1776 and 1800 in building the Hwaseong Fortress as the center of his reign, in advancing education and science, in optimizing national defense and in creating the Royal National Library of Gyujanggak. However, he could never be sure of his life... at least seven assassination attempts alone during his first year in power are historically recorded. ... A striking reflection of the massive resistance against the attempted modernization of thinking in Yangban circles.

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quirky and unpredicatble

I had 0 expectations when I started this drama, and the first episode alone had me floored.
I know a lot of people might compare it to Goblin, and as far as I know that drama writer was involved in this project as well. It does have a similar feel, but the story and characters are all new.

The story is very interesting, and unfolds slowly episode by episode. I couldn't really guess what's gonna happen next. It has some weak moments as the diety characters are bit juvenile, but at the same time this is a lighter drama so I don't mind. The whole destiny making aspect is well-executed and serves a s acore of the story. There are many twists and turns too, and there are no filler episodes either.

The cast is full of rookies, actors who still hasn't had that one hit work. Some you might know from webdramas, some have played minor characters in bigger projects. I'd say the casting is spot on, and acting is overall good. Male lead might come off as "wooden" but at the same time his character is on more... colder side? So it makes sense. Everyone in this drama has time to shine and their characters get enough screentime too.

Music in this drama works well to set the mood, I really enjoyed it. I like most of the songs, the OST is really good. Overall the production value of this project seems to be pretty high for a shorter drama. The cinematography is well-thought out and art design too is very pleasing.

I'd say this is a perfect short drama to watch during a lazy weekend. The story requires bit more focus but overall it's still a more light type of story. There are no villains or anything like that. The main villain is fate, I guess. I see this drama as an exploration of what a story really is and can a destiny play out on it's own? It's surely a drama that won't bore you.

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It's been a long time I haven't watched such a well written and beautiful drama, and I have to say that "The First Half of My Life" is my fave drama of 2017 so far, such powerful, enriching and sharp dialogues.


This drama deals with serious matters such as divorce, remarriage, single parenthood, family problems and so on, however everything is told in a really peaceful way and it's what makes this drama so interesting and appealing in my opinion, I kept thinking and questioning myself about all those issues that are generally hard to talk about and more importantly to handle. I always appreciate when a drama doesn't only give me entertainment but also intellectual nourishments.

Obviously what truly made me love this drama was the deep and powerful friendship between Luo Zi Jun and Tang Jing and also the growth of characters and they all evolved either from bad to good or good to bad, it was truly convicing and realistic.
Regarding Zi Jun/Tang Jing's friendship, I absolutely loved their poised, calm and mature personalities, they truly complement each other, Tang Jing is more emotive and full of pride while Zi Jun is more calm and strict but when they're together, they look so happy, jovial and relaxed. I have to say that Tang Jing left a big impression on me, she's such a true, selfless and sincere friend and she would absolutely do anything for her friend in need, she doesn't care about what others may think , she just does what she thinks is the best for Zi Jun, and always helps her even when she's extremely busy, that's how good she is. Their friendship to me feels so real and friends like Tang Jing are rare, it's just sad she's too proud. And this quote tells how Tang Jing in Zi Jun's heart means everything "I don't know what character or abilities I have that bestowed me such a great friend, who shares my happiness with me, carries my troubles for me. If in this world there are others who I can't be unworthy of, who I can't disappoint, then Tang Jing is certainly the most important one of all", it truly moved me.
Now I'll move on to the characters and I have to say they were all superbly beautifully presented, there are some I disliked obviously and they infuriated me so much but the actors did such an amazing job portraying them, I mostly think of Ling Ling, and JunSheng (though he wasn't really detestable) for example and anyway without them the drama wouldn't be this much stimulating and engaging. I can only praise all of them, I must admit that what got me truly interested in the drama was the atypical synopsis and the title really caught my attention too, but also seeing that Jin Dong was one of the leads was a great plus for me as I do really admire him as an actor, he was outstanding as always but I wasn't too fond of his character "He Han" though He Han is always full of great advice, so smart and rational, and someone we can rely on, but apart from that I didn't feel much for him but still it was another breathtaking performance by Jin Dong. However my revelations with this cast were Yuan Quan and Ma Yi Li and "The First Half of My Life" was my first drama with them and will definitely not be the last. They both played two fascinating characters but Zi Jun is the one that had a bigger impact on me, it was so beautiful seeing the Luo Zi Jun from the beginning who's a naive, frivolous, insecure, vulnerable woman growing into a responsible, independent and calm woman and at that a woman who doesn't show any of her insecurities/shortcomings in front of strangers and what I liked is that she knows how to seperate her private from her professional life. Ma Yi Li was simply mind-blowing as Zi Jun, truly gorgeous, classy and ravishing; such a delight *.*.
I'll briefly mention one character that made me smile a lot, I know that Zi Jun's mother is a little bit too nosy and annoying, I just couldn't help but like her, she's a pure bundle of energy and I think we do need people like her in our life, someone who'll cheer for us and bring only positive energy when we are so down, that's why I liked her so so much. The rest of the cast was nice as well, I particularly liked the interactions between Old Zhuo, the Jiang Zi's owner and He Han but I have nothing much to add about the rest, though they all had significant roles.

I won't add much about the drama nor the several topics it deals with as I think it's better to watch to see for yourself but one thing I loved in this drama is the realisation, it's so gorgeous and realistic and I particularly loved the flashbacks in black and white which in my opinion intensify some of the most powerful and touching scenes, the settings and sceneries (aaaw that Jiang Zi restaurant *.*) were also beautiful and I truly enjoy watching these dramas that take place in Shanghai, the views are always stunning.


A drama I fully recommend to everyone even to non Cdrama lovers as it deals with actual topics that might be interesting to others who are looking for something more realistic with a touch of slice of life.

As for the rating to be honest I was really hesitating between an 8.5 and a 9 because eventhough I loved this drama and I consider it to be the best drama of 2017 until now and definitely in my top 3 best Chinese modern dramas I was expecting something a little bit different for the second part of the drama but the ending was so satisfying that I decided to go for a 9 and anyway it was such a great show, seriously I already miss all of them, especially Zi Jun.

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I've been a DML member for 6 months (have watched dramas for far longer than that) and never before felt the need to write a review. I never thought that I would write my first review on a Thai drama (they tend to be my least favorite). I'll make it short.

First let me start with saying that this drama is not perfect, it has its flaws, but the awesomeness will make you forget about anything else. It has an amazing cast, engaging story, and it just the right amount of romance and comedy to keep you glued to the screen.

THE CAST

You'll fall in love with the sassy, witty, and intelligent FL. She'll make you want to strangle her at times because she's just too curious and reckless at times and keeps getting into these dangerous situations. BUT in her defense she's an archaeology student who suddenly finds herself transported back in time to her favorite time period, as a history nerd myself I cannot judge.

The ML omg how can I describe this ball of fluff. He's just so precious, she drives him to the brink of madness and back but he can't just stay angry at her. His love is the purest thing.

There's is just too much to say about the supportive cast, second leads included. One thing for sure is that the acting is top-notch and this drama would not be half as good as it is without these amazing actors.

The main antagonist is not evil as portrayed by most dramas, that give you a Disney-like villain that is bad because that's just his only character trait. This guy has so many layers. He loves, he hates, he can be honest, he lies, he can be sweet, and he's pitiful. His major flaw is his greediness, though.

THE STORY

Not much to say besides that you'll learn a ton of Thai history. The drama setting is in a real time period with real characters that lived 300 years ago. This is the reason why the drama gets a little political at times but it's never overwhelming which often happens with Cdramas and Kdramas with historical setting. One thing I greatly appreciated is that the FL did not interfere with history. She let the events take their natural course, even if it broke her heart because some things were just sad but inevitable.

FINAL THOUGHTS

Watch this drama when you have time to binge it because it will suck you in. It is 15 episodes but they are 2 hours long which is 30 hours. I completed it in less than 3 days. It's 9:30 am right now and I haven't slept xD but it's oh so worth it.

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It feels like I was listening to a lovely song

This has been one of my most anticipated Korean movies ever since I saw the Cast line-up. So, I finally watched it and this totally reached my expectations. Infact, I feel empty now. I wanted more of this!

A Year End Medley is simple yet overwhelms us with a bitter-sweet pleasure.

The movie starts from a full festive vibe where Seo Kang Joon is singing the Christmas song "Jingle bells, jingle bells… jingle all the way…" and everything is in like a happy to go state. Everyone can be seen gearing up for Christmas and finally when Christmas comes, we come across the other side of the coin. When most of the people are excited for Christmas and New Year with their friends or families, there are yet many people who have their own problems and loneliness to deal with… that's when this takes us on a "little" deeper ride but as the year finally ends, gladly everyone finds a "New Hope" in their life. It's like inspiring us to keep going on.

There are actually 5 different stories which are intermingled to each other. All characters were lovable. Yes! No negative or annoying character which makes this such a light watch. My favorite character was "Sang Hoon" (acted by Lee Kwang Soo) ~ a selfless, dedicated manager who supported a singer when he was in his down, he could have left him and signed up someone else but he became his pillar and made him a big star, when he was really popular, he didn't even try stoping him from signing into a bigger company so that he can get more opportunities. I loved how selfless and caring he was. They had a brother like bond which was truly precious to see. Infact, all 5 stories were special in their own way.

The Cast was the major factor that attracted me here and they all did a great job acting their own parts especially the Old duo – Lee Hye Young ( as Katherine ) and Jung Jin Young ( as Sang Gyu ) were great presenting a touching love story. It was the top notch acting that made this movie more memorable.

The best part of this movie is that it made us experience so many wide emotions in just two hours. All 5 stories gave me something. Then, the OST. Beautiful songs that match the situations. I didn't even realize how fast my two hours went and I was already done watching this movie. It's like a smooth ride perfect for a evening watch. I watched it alone this time but I would like to rewatch this with my family later…

Overall, just a bunch of ordinary stories wrapped up in colourful flavours which should be watched at least once.

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and they were "friends"

Overall: I was going to give this an 8 or higher, but the final episode was pretty disappointing so I gave it 7.5. Still decent to just turn off your brain if you want a silly/gentle series. Watched on Gagaoolala, also on Viki.

Content Warnings: professor/student, boss/employee, age gap/1 character under 18?, pet death, taking pictures without consent

What I Liked
- the cute moments
- how Meow in his human form acted like a cat (fyi that Meow is a different species, he's not a cat and he's not a human)
- Meow not judging the truck driver based on looks and how in a later episode they brought back that character
- a couple subverted tropes like the love rival
- the cutesy OST fits the vibe of this series
- when there was comic book like editing
- neutral, comedy sound effects

Room For Improvement
- Dermdem thought Meow was 17 or 18 but Meow acts much younger (ie can't use a phone, doesn't know what a haircut is, doesn't know why people kiss on the cheek, gets lost in a market, throws a temper tantrum)
- based on Meow's child like behavior/age, I didn't want a steamy scene, but the final episode was really disappointing to the degree that I'd likely label this as a bromance/womance... two people even denied having a romantic relationship (one said friends, the other said roommates). I think we are supposed to believe that all three couples will turn romantic in the future but they needed to show/say just a little bit more with at least one of the three couples.
- not a fan of the wig (gets a haircut in ep 4)
- odd/plot hole/non logical things - the intern first stated she liked her boss from college but then said she saw her at a vet???
- the power imbalances in all of the couples (although the one who was in a position of power does not use it to manipulate at all)
- enough of having women gawking/taking pictures of two random guys in a public place
- the professor's flat expression, they did give it an explanation but I don't like flat affect characters
- Manni's ineptitude and what she did in the final episode instead of calling Jin

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A Treasure of the Chinese Culture

This is a beautiful but tragic story depicting a rigid, conservative and orthodox society. Adapted from a novel which tells the story of Princess Huirou and her love story, for the drama, the story shifts its focus and chronicles instead the life of the father of Princess Huirou, Song Emperor Renzong who reigned from 1022 – 1063 AD. Accordingly, many developments in the novel are not included in the drama, and Huirou’s love story becomes a side story. As a chronicle which is trying to adhere as closely to the real historical record as possible, there are no "fancy" actions, no "actual" antagonists, no "exciting" plots or extreme palace politics as we see in most other historical palace dramas. The story is just being told as how history was. So if you're a history buff and appreciate historical Chinese culture, you may fall in love with this drama. If you're expecting actions and plots, you may be disappointed. For me, I love this type of dramas which are hard to come by. Sadly, not many people appreciate it, hence probably the low rating which I feel does not do justice to this beautiful drama; this drama definitely deserves a higher rating.

Many viewers may find the arguments among the ministers over trivial matters (such as the dowager empress’s attire) mundane, but it is precisely these dialogues that bring out the thinking and philosophy of the society in that era, which I find immensely interesting. Confucian moral such as filial piety, and political principles such as protocol, are utmost important at the time. I find myself listening to every sentence and every choice of words carefully, watching every facial expression and body language closely so that I don’t miss anything conveyed.

Many important historical figures are portrayed here, acted beautifully and faithfully by the various cast members. My knowledge is very limited on Chinese history and its great writers, poets, calligraphers and scholars, however upon research, I was thrilled to find them on screen and the important roles they play in history, and eventually how they shape the country. Just like the western Renaissance in the 15th century when we see the births of many great artisans, during Emperor Renzong's reign, the culture of Song Dynasty, especially literature, began to flourish. Many famous litterateurs and poets in Chinese history lived or started their creative careers during his reign, including Fan Zhongyan, Ouyang Xiu and later Su Shi, Su Zhe, among others. They became the most important litterateurs in Chinese history and also began a new era of Chinese literature.

I’m so intrigued by their etiquettes and mannerism; almost everyone speaks with so much class, self-control, poise, and they all speak rhythmically. Often, it’s like a game of reading in between the lines. Everyone is articulate. Every message is subtle and intelligent without antagonizing the other party. Each exercises the highest degree of restraint and courtesy, and yet palace politics are unavoidable as the Emperor also promotes different point of views from different factions, just like modern day politics in many democratic countries. Getting one's points across without direct confrontation is perhaps the most tactful strategy and is considered a virtue. I wish we have such virtue in today's politics. Perhaps, we'd have fewer wars and happier people. I’m so impressed to see how much value the society places on meritocracy, something that is not seen in any other countries in the era. The scholars have already understood that only with meritocracy would a country flourish. I’m also surprised to see despite an authoritarian monarchy, Emperor Renzong’s court is very democratic with checks and balances.

Wang Kai’s Emperor Renzong is brilliant, from when the Emperor was a young adult to his death at 53. Wang Kai’s acting is immaculate. He has that regal look and charisma, and yet his face radiates benevolent consistently. It's so entertaining to watch those ministers arguing over trivial matters, and the suppressed amused look on the Emperor's face, and how articulately he defuses the situations without antagonizing any parties. Wang Kai’s Renzong is a perfect emperor. Despite the glory we always associate with figures of power, Emperor Renzong’s life was filled with tragedies, regrets and resignation. As a humble and frugal emperor, we also get to see his simple and subdue outfits and unflattering palace fixtures - very different scenes from the elaborate jeweled costumes and palace grandiose that we have accustomed with. Watching the whole lives of important figures passing before our eyes, I can’t help but feel the melancholy of ancient life. Wang Kai goes from a youth to become a sickly wasted man ravaged by poor health. The beautiful verses (ci) composed by Fan Zhongyan and Yan Shu, and later sung in tenor accompanied by a flute or guqin is the most beautiful song, capturing the melancholy, fitting the mood of the drama perfectly.

One of my favorite characters is Empress Cao (Maggie Jiang). Seeing her change from a fearless young lass who disguises as a boy to attend class with fellow male students, to a scrupulous regal lady when she becomes the Empress respected by all including her enemies, is the most fascinating watch. She is the one who always makes the most articulate decisions and resolves all issues which everyone submits to. Maggie Jiang’s empress is beautiful and elegant. Highly intelligent not second to the Emperor, the Empress unfortunately lives a very resigned life. I cry in my heart for her in every episode. Her longing for the Emperor is not being reciprocated openly though he has strongly wanted to, but each time, the turn of events just prevents them showing their love and admiration for each other. That’s perhaps the most frustrating part for me, seeing both love but missing the chance to show their affection time and time again.

But my favorite character of all is Huirou the Princess, although in the drama, she's only a side character. Many viewers feel she's spoiled and has behaved badly. To me, she's ahead of her time. Had she been born in today's world 1,000 years later, she would have been a world leader loved and respected by all. She is very filial pious and kind. She loves her people. Never once has she thrown a tantrum towards her palace maids nor hurt anyone, unlike the other spoiled princesses we're so accustomed to. However, she's the type who can't stand bullies and stands up against them, either for herself or for others, and that's unacceptable in that society when the bullies are the elders (in status or age). Unlike girls in those days, she has her own mind and doesn't want her life to be arranged and controlled like a puppet. Unfortunately, being a princess, she doesn't have the luxury to do what she wants; she's a state own property. And that's a disaster for a character such as hers. Had she been a man, she would have been revered for her courage and upstandingness, but for a girl in a male chauvinistic society, poor Huirou is called spoiled, selfish, stupid, and uncouth. In the later episodes, every time when she comes on screen, I can feel her screaming silently, "Live free or die". My heart aches for her. Nobody but Liang Huaiji understands her and knows she's suffocating under the system. That's why she has such a strong bond with him. As what Huaiji has said, he's her "floating timber" [in the ocean].

I’m so amazed by the acting of all the child actors. They are adorable and very good with their respective roles. I’m most impressed by Bian Cheng who portrays the Liang Huaiji character. Extremely good looking at 15, Bian Cheng’s acting is one of the best, and he has a promising acting career ahead of him. I’m eagerly waiting for his next drama playing a main role.

Eunuchs are normally loathed characters and I’m usually weary of them, but this drama produces 2 well loved eunuchs in Zhang Maoze (Ye Zuxin) and Liang Huaiji (Bian Cheng). I even secretly wish they were not in those positions so that they can love and find happiness in marriages.

Seeing a moral standard the historical figures have set for themselves, I often wonder if our modern day’s standard even comes anywhere matches that of the ancient time. While the western nations were still groping in the Dark Ages, China was already so advance in art, science and technology. It's a nice surprise to realize that golf, among many other sports, was an ancient game played by the Chinese.

If you want a heart-wrenching love story, wuxia actions, scheming palace politics, or bitching harem, no, this drama doesn't have these. But if you love authentic Chinese history and like close to real life historical experiences, this one is a very great watch. Having said that, Huirou's and Huaiji's love story is heart-wrenching, albeit just for a few episodes towards the end.

TWO THUMBS UP!

For viewers who understand Mandarin, these videos provide valuable information on the drama and its real historical characters:

https://www.youtube.com/playlist?list=PL1OYepyRtv6CTutyZDa7SGhqESI4pWITB

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Wish I could delete my brain and rewatch it from start to finish!!

I’ve never wrote a review on this site but damn this drama got me buying iqiyi vip 🥲 This story is a little bit cliche but they differ from all the drama in china , there’s no annoying background voice (actually kudos to the audio team), the director did a good job on shooting this one . The male lead acting is very well carried out although he’s new to acting ( at first I thought he was really blind lolllll) and there’s no need to say for wen pang also the plots are well written and the camera works are aesthetically pleasing there’s no need to say that this drama is a perfect 10 yall!!! I hav to give it the best drama of this year

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The main difference between first and second season ~ First season basically focused over Fang Leng's amensia and sweet romance.While second season basically focused over love, relationship, romance.This season give a lot of informations of relationships.This drama is a full package tips to get into a relationship .It is a must for current and future lovebirds to get some tips .And the good thing is second season didn't focus over Fang Leng's amensia part that much.It is a plus point for me. The only thing that bothered me in the whole drama is the new third wheel character "Jiang Shiyi". But his parts are not that much before the last 10 episodes so his irritating part is quite negligible.

Warning ~~~ The amount of sweetness is too much to handle for singles.

My one and only request that never judge this drama without completed it,you are gonna miss a lot of twists.


Ignore my grammertical mistakes please.

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